Arpeggio Madness Estudos

Arpeggio Madness
Arpeggio Madness
Presents
Rusty Cooley
Arpeggio Madness
Method By: John McCarthy
Adapted By: Jimmy Rutkowski
Supervising Editor: Joe Palombo
Music Transcribing & Engraving: Jimmy Rutkowski, Matt Warnock
Production Manager: John McCarthy
Layout, Graphics & Design: Jimmy Rutkowski
Music Transcribing & Engraving: Jimmy Rutkowski
Photography: Rodney Dabney
Copy Editor: Cathy McCarthy
Cover Art Direction & Design:
Paul Enea, Tovero & Marks
Produced by The Rock House Method

2011 Fred Russell Publishing, LLC All Rights Reserved
Arpeggio Madness
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Arpeggio Madness
Table of Contents
About the Instructor .........................................................................................................................
5
Introduction .......................................................................................................................................
6
Icon Key ..........................................................................................................................................
7
Tuning ................................................................................................................................................
8
Overview
Diatonic Modes ......................................................................................................................
9
Chord Scales .........................................................................................................................
11
DVD 1
Chapter One: Five & Six String Root Shapes
A Minor Five & Six String Arpeggio Shapes .........................................................................
16
C Major Five & Six String Arpeggio Shapes ........................................................................20
B Diminished Arpeggios ........................................................................................................
25
Chapter Two: Sequences
Three to Five String Arpeggio Sequences ..........................................................................29
Melodic Arpeggios ..............................................................................................................31
Chapter Three: Fifth String Root Sevenths
G Major 7th Arpeggios .......................................................................................................
34
A Minor 7th Arpeggios ........................................................................................................
35
A Dominant 7th Arpeggios ................................................................................................36
F#m7b5 Arpeggios ...............................................................................................................
37
Additional Seventh Arpeggio Concepts ................................................................................
38
Combining Arpeggios with Chromatic Passing Tones ..........................................................
39
DVD 2
Chapter Four: Extended Arpeggios
Diatonic 11th Arpeggios In the Key of G Major ................................................................ 41
Diatonic 13th Arpeggios In the Key of G Major ................................................................43
Extended Diatonic Arpeggios In the Key of G Major ..........................................................
45
Diatonic 13th Arpeggios In the Key of B Harmonic Minor ................................................47
Chapter Five: Four String Arpeggios
Four String 5ths Arpeggios .................................................................................................52
Sweeping 5ths Key of "C" Major ........................................................................................ 54
Chapter Six: Two String Arpeggios
56
Two String Sweep Picking Arpeggio Sequence ....................................................................
60
Two String Economy Picking Arpeggio Sequence ................................................................
Arpeggio Madness
Chapter Seven: Diminished Seventh Arpeggios
Diminished 7th Arpeggios Sweep Picking ..........................................................................63
Applying Diminished 7th Arpeggios Using Legato ..............................................................65
Chapter Eight: String Skipping & Legato
Three Octave String Skipping Legato Arpeggios ..................................................................
68
70
Three Octave Arpeggios with Tapping ..................................................................................
String Skipping Legato Solo ..................................................................................................
72
DVD 3
Chapter Nine: Single String Triads Death Licks
Single String Triads ................................................................................................................
74
Single String Sus2 & Sus4 Triads ..........................................................................................
78
Single String Four Note Triads Major Add2 and Minor Add4 .................................................
80
Single String Triads - Inversions .......................................................................................................
83
Single String Triad Licks .................................................................................................................84
Additional Concepts .............................................................................................................85
Chapter Ten: Melodic & Intervallic Arpeggios
Melodic Arpeggio Phrases ....................................................................................................
88
Intervallic Arpeggios ...............................................................................................................
90
Intervallic Arpeggio Etude ......................................................................................................
91
Chapter Eleven: Song Excerpts
Diminium .............................................................................................................................
93
Riders ................................................................................................................................94
Riders- Chorus Arpeggios & Outro Solo ............................................................................
95
The Butcher- Intro ..............................................................................................................
97
The Butcher- Pre Solo ........................................................................................................
98
War Cry ..............................................................................................................................
99
Chord Table .........................................................................................................................100

How To Get Your Next Rock House Product ........................................................................
102
The Rock House Catalog .....................................................................................................
103
Arpeggio Madness
About the Author
Rusty Cooley
Rusty Cooley is at the forefront of pushing the boundaries of modern guitar playing. A world renown musician and instructor who has inuenced some of todays most respected guitarist such
as Mark Tremonti of Creed and John Petrucci of Dreamtheater he has performed on more than
15 albums and has seven different instructional products to his credit. His two new products
Fretboard Autopsy Level 1 and Fretboard Autopsy Level 2 from Rock House have been his most
well received and critically acclaimed instructional products to date.
Rusty has been featured in magazines such as Guitar Player, Guitar One, Guitar World, Guitar
Techniques and Axe. He has had his own column in Guitar Player magazine titled Metal Guru.
In January 2003, Rusty was given the honor of the 7th Fastest Shredder of All Time by Guitar
One Magazine and most recently was named by Total Guitar magazine as one of the top 20
fastest shredders of all time.
Rusty has his own signature model guitar with Dean, the RC7 Xenocide released in 2007,
He uses EMG pickups, Diamond Amplication, Morley, Intellitouch tuners, Rocktron preamps,
Maxon, GHS strings, VHT, Conklin and Eventide harmonizers.
For more information on Rusty and his instructional products visit RockHouseMethod.com.
Arpeggio Madness
Introduction
Welcome to The Rock House Method system of learning. You are joining millions of aspiring musicians around the world who use our easy-to-understand methods for learning to play
music. Unlike conventional learning programs, The Rock House Method is a teaching system
that employs DVD and 24/7 online lesson support along with this booklet to give you a variety
of sources to ensure a complete learning experience. The products can be used individually or
together. The DVD that comes with this booklet matches the curriculum exactly, providing you
with a live instructor for visual reference.
How to Use the Lesson Support Site

Every Rock House product offers FREE membership to our interactive Lesson Support site. Use
the member number included with your book to register at RockHouseMethod.com. You will nd
your member number in the package that contains your DVD. Once registered, you can use this
fully interactive site along with your product to enhance your learning experience, expand your
knowledge, link with instructors, and connect with a community of people around the world who
are learning to play music using The Rock House Method. There are sections that directly
correspond to this product within the Additional Information as well as Backing Track sections.
There are also a variety of other tools you can utilize such as Ask The Teacher, Quizzes, Reference Material, Denitions, Forums, Live Chats, Guitar Professor and much more.
Register Now
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Here!
Click here now to use the member number included with your program to register for free at RockHouseMethod.com. Registering
will also make all of the icon links in this booklet active links that
will take you to the Lesson Support site.
6
Arpeggio Madness
Icon Key
Throughout this book, youll periodically notice the icons listed below. They indicate when there
are additional learning tools available on our support web site for the section youre working on.
When you see an icon in the book, visit the member section of RockHouseMethod.com for musical Backing Tracks, Additional Information and learning utilities.
Backing Tracks
Many of the exercises in this book are intended to be played along with bass and
drum rhythm tracks. This icon indicates that there is a backing track available for
download on the Lesson Support site or click here.
Additional Information
The question mark icon indicates there is more information for that section available, it can be theory, more playing examples or tips on the Lesson Support site
or click here.
Metronome
Metronome icons are placed next to the examples that we recommend you practice using a metronome. You can download a free, adjustable metronome on the
Lesson Support site or click here.
Tuner
Also found on the web site is a free online tuner that you can use to help tune
your instrument. You can download the free online tuner on the Lesson Support
site or click here.
Arpeggio Madness
Tuning
Throughout this program Rusty is using a seven string guitar tuned a half step down to Eb tuning. The tuning notes are:
(Thinnest)
1st String 2nd String
Eb
Bb
3rd String
4th String
5th String
6th String
(Thickest)
7th String
Gb
Db
Ab
Eb
Bb
Note that even though Rusty is using a seven-string guitar, all of the examples he teaches only
use the 6th through 1st strings making all of the examples applicable to all guitarists.
For a six-string guitar tune as follows:
(Thinnest)
1st String 2nd String
Eb
Bb
3rd String
4th String
5th String
(Thickest)
6th String
Gb
Db
Ab
Eb
Arpeggio Madness
Diatonic Modes
Before we begin this program it is essential that you have the basics of modal theory under your
hands. The following is the diatonic modes relative to the key of G major for you to review.
Ionian
Lydian
Dorian
Phrygian
Miixolydian
Aeolian
Locrian
G Ionian
Arpeggio Madness
A Dorian
B Phrygian
C Lydian
D Mixolydian
E Aeolian
F# Locrian
10
Arpeggio Madness
Chord Scales
Each key has its own set of chords that correspond and function directly with it. There is no book
of secrets that tells musicians the chords that are available to use. You have already learned the
information needed to build the chords within a key, now to get to the next level of songwriting
and modal knowledge you need to learn how to harmonize a Major scale.
First, look at basic three-part harmony or triads. This three-part harmonization derives the basic
major, minor, diminished and augmented chords within any given scale. The Major scale has
three of these four types of three-part harmony chords; Major, minor and diminished.
It is easiest to see this process on a notation staff and piano. Lets look at a C Major scale in
both of these formats.
Now if we play the rst, third and fth degrees of the scale simultaneously we have a C Major
chord.
11
Arpeggio Madness
Now take the second degree of the scale D and skip the third degree, add the fourth degree
F, skip the fth note and add in the sixth note A. We now have a grouping of the three notes
D, F and A. These notes create the notes of a D minor chord.
Notice that with the rst chord we used the scale degrees 1 3 5 and with the second chord we
used the scale degree 2 4 6. Do you see the pattern; the chord is comprised of every other
note. So the III chord would be created by using the scale degrees 3, 5 and 7 (E G B) which
outline an E minor chord.
Here is the C Major scale with each degree harmonized in three parts. Notice that the chords
that have their lowest tone on a line have the next two notes on a staff line as well and the same
goes for the notes that begin on a staff space; the next two notes are in the spaces as well.
These are intervals of a third. Chords are constructed by stacking intervals of thirds. The tabbed
chords below each triad are full form chords and contain duplicate notes within each triad to create these commonly used chords.
12
Arpeggio Madness
Now lets look at four-part harmonization. This type of harmony is where the chords types such
as Major Seventh, Minor Seventh, Minor Seventh b5 and Dominant Seventh come from. If you
have a good grasp on the three-part harmonization from the last section all you have to do is add
another interval of a third onto each chord. So if we look back at the C Major Chord (C-E-G);
skip the next note after the G which is A and add the B onto the chord we have now added
the seventh degree to the chord. Follow this process with the rest of the chords.
For the power chords go, all you have to do is nd the rst and last note of the three-part harmony (Root and fth degree) and you have the power chords. So for the C power chord it will
be C & G.
Keep in mind that power chords are not really chords, they are intervals. They are commonly
called double stops. A chord by denition is three or more different notes played at the same
time. Power chords only use two notes: the root and fth. Guitarists over the span of many years
have dubbed these power chords due to the strong tonal sound and frequent use. They are
used just as much, if not more than the full form chords used by many guitarists. The power
chords are extremely important to Rock and Metal guitarists because when they are played
through an amp saturated in distortion they sound much tighter than full form chords which can
have a muddy sound when distorted.
13
Arpeggio Madness
Now that you have learned the process of creating chords from any Major Scale in three-and
four-part harmony, you should memorize the following Major Scale Chord Formula so it can
becomes second nature.
ii
iii IV V
vi vii
4 part:
Major 7
minor 7
minor 7
Major 7
dominant 7
minor 7
minor 7b5
3 part:
Major
minor
minor
Major
dominant
minor
diminished
For a deeper understanding of scales and modes, click here to

For a deeper understanding of scales and modes, click here to check
check out John McCarthys Modes Demystied Rock House
John McCarthys Modes Demystified Rock House program!
program.
14
Arpeggio Madness
DVD 1
Chapter One
Five & Six String
Root Shapes
Arpeggio Madness
A Minor Five & Six
String Arpeggio Shapes
Notes: A - C - E Intervals: 1 b3 5
Ex. 1 - Sixth String Shape #1

1
1
1
3
3
1
12
17
15
24
19
Ex. 2 - First Derivative

1
1
2
2
1
12
17
15
24
19
10
16
Arpeggio Madness
Ex. 3 - Second Derivative
1
2
1
3
1
12
17
15
24
19

1
4
2
1
2
4
12
17
15
24
19
17
12
12
10
10
12
10
10
12
12
Arpeggio Madness
2
1
2
4
1
12
17
15
24
19
12
10
12
10
13
10
10
12
12
4
2
1
2
12
17
15
24
19
12
10
10
12
10
10
12
18
Arpeggio Madness
4
2
3
2
3
12
17
15
24
19
12
17
14
14
15
13
12
17
12
13
14
14
15
17
12

1
4
2
2
3
12
17
15
24
19
19
12
17
15
14
14
13
17
13
14
14
15
17
12
Arpeggio Madness
4
2
3
3
12
15
17
24
19
12
15
14
14
12
13
17
12
13
14
14
15
12
C Major Five & Six

String Arpeggio Shapes
Notes: C - E - G Intervals: 1 3 5

1
1
2
3
3
1
12
17
15
24
19
12
10
10
12
10
10
12
20
Arpeggio Madness
1
4
2
3
3
12
17
15
24
19
10
10
12
13
10
10
12
1
2
3
1
12
17
15
24
19
21
10
10
12
10
10
Arpeggio Madness
1
2
1
3
12
15
17
24
19
12
15
12
14
15
13
12
15
12
13
12
14
15
15
12
Ex. 5 - Ex. 4 - First Derivative

2
1
3
4
12
15
17
24
19
12
15
15
14
12
13
17
13
12
14
15
15
12
22
Arpeggio Madness
4
2
1
3
1
12
17
15
24
19
10
15
12
14
12
13
15
12
13
12
14
15
10
4
2
2
2
3
12
17
15
24
19
23
15
20
19
17
17
17
15
20
15
17
17
17
19
20
15
Arpeggio Madness
4
2
2
2
3
1
12
17
15
24
19
15
17
19
20
17
17
20
17
17
17
19
20
15
4
2
2
2
12
17
15
24
19
15
19
17
17
17
15
20
15
17
17
17
19
15
24
Arpeggio Madness
B Diminished Arpeggios
2
1
2
3
2
1
12
17
15
24
19
10
10
10

1
4
2
3
2
1
12
17
15
24
19
25
10
12
10
Arpeggio Madness
4
3
1
3
1
12
17
15
24
19
14
10
12
10
12
13
10
12
10
12
14
4
2
3
2
3
12
17
15
24
19
13
19
17
15
16
15
13
19
13
15
16
15
17
19
13
26
Arpeggio Madness
1
4
2
1
3
1
12
17
15
24
19
13
15
17
19
15
16
18
15
16
15
17
19
13
1
2
3
2
1
12
17
15
24
19
27
14
17
15
16
15
13
19
13
15
16
15
17
14
Arpeggio Madness
Chapter Two
Sequences
Arpeggio Madness
Three to Five String
Arpeggio Sequences
Ex. 1
Notes: E - G - B Intervals: 1 b3 5
Em
19
15
17
16
17
15
19
15
17
16
17
19
14
Ex. 2
19
17
16
17
15
19
Notes: C - E - G Intervals: 1 3 5
C
15
12
13
12
13
12
15
12
13
12
14
Ex. 3
15
10
15
14
12
13
12
15
Notes: B - D - F Intervals: 1 b3 b5
B
13
10
12
10
12
10
13
10
12
10
12
Ex. 4
14
14
12
10
12
10
13
Notes: C - E - G# Intervals: 1 3 #5
Caug
29
16
12
13
13
13
12
16
12
13
13
14
15
11
15
14
13
13
12
16
Arpeggio Madness
Ex. 5
Am
17
12
13
14
13
12
17
12
13
14
14
15
12
Ex. 6
15
14
14
13
12
17
Notes: Bb - D - F Intervals: 1 3 5
Bb
18
13
15
15
15
13
18
13
15
15
15
Ex. 7
17
13
17
15
15
15
13
18
Notes: B - D - F Intervals: 1 b3 b5
B
19
13
15
14
15
13
19
13
15
14
15
Ex. 8
17
14
17
15
14
15
13
17
Notes: C - E - G# Intervals: 1 3 #5
Caug
20
16
17
17
17
16
20
16
17
17
18
19
15
19
18
17
17
16
20
30
Arpeggio Madness
Melodic Arpeggios
Ex. 1
Em
19 15
17
16
17
15 20 15
17
16
17
15 19 15
17
16
17
14 19 14
17
16
17
15
19
Ex. 2
Am
12
10
10
14
10
10
12
10
10
12
10
10
12
Ex. 3
Bm
14 10
12
11
12
10 15 10
12
11
12
10 14 10
12
11
12
14
12
11
12
14
Ex. 4
G
31
22 19
20
19
20
19 24 19
20
19
20
19 22 19
20
19
20
17 22 17
20
19
20
19
22
Arpeggio Madness
Ex. 5
D
17 14
15
14
15
14 19 14
15
14
15
14 17 14
15
14
15
12 17 12
15
14
15
14
17
Ex. 6
C
15 12
13
12
13
12 17 12
13
12
13
12 15 12
13
12
13
10 15 10
13
12
13
12
15
Ex. 7
F#
20 17
19
17
19
17 22 17
19
17
19
17 20 17
19
17
19
15 20 15
19
17
19
17
20
Ex. 8
C
14 12
13
12
13
12 15 12
13
12
13
12 17 12
13
12
13
12 15 12
13
12
13
12
14
32
Arpeggio Madness
Chapter Three
Fifth String
Root Sevenths
Arpeggio Madness
G Major 7th Arpeggios
Notes: G - B - D - F# Intervals: 1 3 5 7
Ex. 1
Gmaj7
Ex. 2
10
14
11
12
10
12
14
10
12
11
12
14
10
Gmaj7
10
Ex. 3
12
14
12
11
14
10
15
14
10
sl.
12
11
12
14
10
10
Gmaj7
12
10 14
Ex. 4
11
10 14 10
12
12
11
10 15 10
12
12
11
10 14 10
12
12
11
12
14 10
Gmaj7
12
Ex. 5
10
12
14
12
11
Gmaj7
12
12
10
14
12
11
12
12
10
15
12
11
34
Arpeggio Madness
A Minor 7th Arpeggios
Notes: A - C - E - G Intervals: 1 b3 5 b7
Ex. 1
Am7
Ex. 2
12
15
12
14
12
13
15
12
13
12
14
15
12
Am7
10
Ex. 3
12
14
15
12
12
13
15
17
15
12
13
12
14
15
12
10
Amin7
12 15
Ex. 4
14
12
13
12 15 12
13
12
13
12 17 12
13
12
13
12 15 12
13
12
14
15 12
Am7
13
14
Ex. 5
12
15
13
12
Am7
35
14
13
12
15
13
12 14
13
12 17
13
12
14
13
12
15
13
12
14
13
10
15
13
12
Arpeggio Madness
A Dominant 7th Arpeggios
Ex. 1
Ex. 2
12
16
12
14
16
12
15
12
14
12
14
16
12
12
14
15
17
15
12
14
12
14
16
12
10
A7
14
14
12
12 15 12
14
12
14
12 17 12
14
12
14
12 15 12
14
12
14
16 12
A7
14
14
Ex. 5
12
14
12
14
A7
12 16
Ex. 4
A7
10
Ex. 3
Notes: A - C# - E - G Intervals: 1 3 5 b7
12
15
14
12
A7
14
14
12
15
14
12 14
14
12 17
14
12
14
14
12
15
14
12
14
14
10
15
14
12

36
Arpeggio Madness
F#m7b5 Arpeggios
Notes: F# - A - C - E Intervals: 1 b3 b5 b7
Ex. 1
F#m7b5
Ex. 2
12
10
12
10
10
10
12
F#m7b5
Ex. 3
10
12
10
12
14
12
10
10
12
F#m7b5
Ex. 4
12
10
10
12
10
10
14
10
10
12
10
10
12
F#m7b5
11
Ex. 5
10
12
10
F#m7b5
37
11
10
12
10
11
10
14
10
11
10
12
10
11
10
12
10
Arpeggio Madness
Additional 7th
Arpeggio Concepts
Ex. 1
Notes: A - C - E - G Intervals: 1 b3 5 b7
Am/Am7
Ex. 2
14
12 15
13
14
12 17 12
13
14
12 15
13
14
12 16
14
12 17 12
14
14
12 16
14
Ex. 4
Ex. 5
12
15
16
sl.
12
13 14
14
12 17 12
14
14
14
16
12
13
14
12
13
16
13
13
14
15
12
16
12
Notes: A - C# - E# - G# Intervals: 1 3 #5 7
14
15
13
15
16
16
15
13
13
15
H
14
13
14
15
Notes: A - C# - E# - G# Intervals: 1 3 #5 7
12
12
12
11
15
Amaj7#5
14
Notes: A - C - E - G# Intervals: 1 b3 5 7
Amaj7#5
14
Am<7
13
Notes: A - C# - E - G# Intervals: 1 3 5 7
Ex. 3
12 17 12
Amaj7
14
12 14
13
16
P
17
P
16
sl.
P
13
14
13
15
16
12
11
38
Arpeggio Madness
Combining Arpeggios with
Chromatic Passing Tones
Ex. 1
A Minor
1
1
2
Ex. 2
12 15
14
3
15
4 1
A Major
15
1
4
17 12
D Minor
14
15 12 17
15
14
1 14D
17 12 17
15
D Minor
17
15
2
4
A Major
15
13 17 16 15 13 15 16 17 12
2 13
Major1
D Major
Notes: A - C# -2E Intervals:

2 135
14
A Major
12 16
A Major
1 17
4
15 12
14 4
14
15
2
14
12
15 12 17
4 1
15 12 17
15
17
D Major
1
D Major
1
3
17 12
15
3
4
15 12 17
17
15
chromatic
14
14
14
12 17 16 15 14 15 16 17 14
15
14
16
12
Notes: D3- F# - A Intervals:

135
3
4
17 12
15
A/D
39
12 17
17
15
12
2 15
12 17
2 15 17
12 15
2 2
1
12
3chromatic
14 1
1
2
12 17 16 15 13 15 16 17 13
A Minor
1 17
4
15 12
2
3
4
D Minor
14
A Minor
1
12
13
2
3
Am Dm
D Minor
A Minor
3
1
Notes: D - F - A Intervals: 1 b3 5
17 12 17
16
14
15
14 17 16 15 14 15 16 17 12
14
14
14
16
12
Arpeggio Madness
DVD 2
Chapter Four
Extended Arpeggios
Arpeggio Madness
Diatonic 11th Arpeggios
In the Key of G Major
Notes: G - B - D - F# - A - C Intervals: 1 3 5 7 9 11
Ex. 1 - Gmaj11
10
10
41
12
12
11
Ex. 4 - Cmaj9#11
10
10
Notes: B - D - F# - A - C - E Intervals: 1 b3 5 b7 b9 11
Ex. 3 - Bm11b9
Notes: A - C - E - G - B - D Intervals: 1 b3 5 b7 9 11
Ex. 2 - Am11
10
10
12
10
11
12
10
Notes: C - E - G - B - D - F# Intervals: 1 3 5 7 9 #11

9
10
14
12
12
10
14
10
12
12
14
10
10
12
Arpeggio Madness
Ex. 5 - D11
10
14
Notes: D - F# - A - C - E - G Intervals: 1 3 5 b7 9 11
12
10
12
16
12
15
14
12
14
17
Ex. 7 - F#m7b5b9ll
14
17
12
15
12
13
14
16
12
10
12
14
10
Notes: E - G - B - D - F# - A Intervals: 1 b3 5 b7 9 11
Ex. 6 - Em11
14
13
15
16
15
14
17
14
15
16
17
14
12
14
15
12
Notes: F# - A - C - E - G - B Intervals: 1 b3 b5 b7 b9 11
14
16
19
17
17
15
19
15
17
17
19
16
14
15
17
14
42
Arpeggio Madness
Ex. 1 - Gmaj13
10
43
12
10
Notes: A - C - E - G - B - D - F# Intervals: 1 b3 5 b7 9 11 13
P
Notes: B - D - F# - A - C - E - G Intervals: 1 b3 5 b7 b9 11 b13

H
10
Ex. 4 - Cmaj13#11
Ex. 3 - Bminb13b9
Ex. 2 - Amin13
Notes: G - B - D - F# - A - C - E Intervals: 1 3 5 7 9 11 13
10
10
10
Notes: C - E - G - B - D - F# - A Intervals: 1 3 5 7 9 #11 13

P
12
11
10
12
10
11
12
10
12
Arpeggio Madness
Ex. 5 - D13
10
14
12
10
12
15
14
17
14
12
12
10
14
10
12
12
14
10
12
14
10
Notes: E - G - B - D - F# - A - C Intervals: 1 b3 5 b7 9 11 b13
14
12
15
16
14
13
12
15
12
13
14
16
12
14
15
12
Notes: F# - A - C - E - G - B - D Intervals: 1 b3 b5 b7 b9 11 b13
Ex. 7 - Fm#7b5b9b13
Ex. 6 - Emb13
Notes: D - F# - A - C - E - G - B Intervals: 1 3 5 b7 9 11 13
14
17
16
15
14
17
14
15
16
17
14
15
17
14
44
Arpeggio Madness
Extended Diatonic Arpeggios
Ex. 1 - Gmaj13
Notes: G - B - D - F# - A - C - E Intervals: 1 3 5 7 9 11 13
10
Ex. 2 - Am13
10
Ex. 4 - Cmaj13#11
45
12
10
10
sl.
12
11
10
12
10
11
12
Notes: B - D - F# - A - C - E - G Intervals: 1 b3 5 b7 b9 11 b13
Ex. 3 - Bm13b9
Notes: A - C - E - G - B - D - F# Intervals: 1 b3 5 b7 9 11 13
sl.
sl.
10
10
sl.
12
14
12
12
10
14
10
12
12
14
10
10
Notes: C - E - G - B - D - F# - A Intervals: 1 3 5 7 9 #11 13

sl.
16
14
13
12
15
12
13
14
16
12
10
12
Arpeggio Madness
Ex. 5 - D13
10
14
12
10
12
15
14
17
17
16
15
14
17
14
15
16
17
14
10
12
14
10
Notes: E - G - B - D - F# - A - C Intervals: 1 b3 5 b7 9 11 b13

sl.
14
12
15
16
19
17
17
15
19
15
17
17
19
16
12
14
15
12
Notes: F# - A - C - E - G - B - D Intervals: 1 b3 b5 b7 b9 11 b13
Ex. 7 - F#mb13b5b9
sl.
14
Ex. 6 - Emb13
Notes: D - F# - A - C - E - G - B Intervals: 1 3 5 b7 9 11 13
sl.
sl.
14
17
sl.
21
19
19
17
20
17
19
19
21
17
14
15
17
14
46
Arpeggio Madness
In the Key of B Harmonic Minor
Ex. 1 - Bm/maj7b13
5 -7 F#
9 - 11
Notes:1 Bb3- D
A#b13- C# - E - G Intervals: 1 b3 5 7 b9 11 b13
B
E
A#
C#
F#
12
10
17
15
P
11
12
24
19
P
11
10
Ex. 2 - C#m7b5b913
b3 -b5Eb7- G
b9 -11B13- D - F# - A# Intervals: 1 b3 b5 b7 b9 11 b13
Notes:1 C#
A#
C#
F#
D
G
C#
12
47
12
10
17
15
P
12
11
11
13
24
19
P
11
11
12
10
12
Arpeggio Madness
Ex. 3 - Dmaj13#5
9 11
13 - E - G - B Intervals: 1 3 #5 7 9 11 13
Notes:1 D3 - #5F# 7- A#
- C#
G
E
C#
A#
F#
12
10
11
13
14
17
15
P
14
12
12
15
24
19
P
12
12
11
14
13
14
10
Ex. 4 - Em13#11
5 b7 B9 - #11
Notes:1 Eb3- G
D 13
- F# - A# - C# Intervals: 1 b3 5 b7 9 #11 13
C#
A#
F#
12
15
12
15
14
12
17
16
15
14
17
24
19
P
14
15
16
12
14
15
12
48
Arpeggio Madness
Ex. 5 - F#7b9b13
b9 11
b13 - G - B - D Intervals: 1 3 5 b7 b9 11 b13
Notes:1 F#3 - 5A#b7- C#
-E
F#
B
E
G
C#
F#
A#
12
17
15
P
24
19
P
Ex. 6 - Gmaj13#9#11
5 -7 D
#9 -#11
Notes:1 Gb3 - B
F#13- A# - C# - E Intervals: 1 3 5 7 #9 #11 13
G#
C#
F#
A#
F#
12
49
17
15
P
24
19
P
Arpeggio Madness
Ex. 7 - A#dimb13b9b11
b3 - b5
b9 b11Gb13- B - D - F# Intervals: 1 b3 b5 b7 b9 b11 b13
Notes:1 A#
C#bb7- E
F#
A#
D
G
B
E
A#
C#
12
17
15
P
11
24
19
P
50
Arpeggio Madness
Chapter Five
Four String
Arpeggios
Arpeggio Madness
Four String 5ths Arpeggios
Fifths Shape
D5
Ex. 1 - C Lydian
15
14
12
17
17
15
#4
14
12
1
5
1
12
15
17
19
24
24
Ex. 2 - D Mixolydian
2
1
5
1
12
15
17
19
b3
Ex. 3 - E Aeolian
2
b6
1
5
1
12
15
17
19
24
52
Arpeggio Madness
Ex. 4 - G Ionian
2
1
5
1
12
17
15
19
24
21
Ex. 5 - A Dorian
2
b3
1
5
1
12
15
17
19
b3
24
Ex. 3 - E Phrygian
b2
1
5
1
53
12
15
17
19
24
Arpeggio Madness
Sweeping 5ths
Key of C Major
12
14
17
15
15
14
17
16
19
20
17
17 17
19 20
22 24
18
22
20 19
15
18
21
17
14
12
17
19
12
15
15
21
16
22
14
14
17
24 22
16
17 19
15
18
20
17
17
20 22
19
17
19 20
16
20
19
18
14
19
20
17
14
17
17
22 20
15
16
18
17
17
19
17
18
19 20
20
15
18
22 20
17
20 19
18
17
18
20 22
17
16
15
17
20
14
15
15
19
16
17
18
17
17
17
19
20 19
18
20
17
20 22
22 20
19 17
15
16
20
18
14
14
19
17
15
12
54
Arpeggio Madness
Chapter Six
Two String
Arpeggios
Arpeggio Madness
Two String Sweep
Picking Arpeggio Sequence
First Section
Em
12
12 12
12 12
14 14
12 12
15 15
12 12
14 14
12
12
12 12
12 12
14 14
12 12
15 15
12 12
14 14
13
13
12 12
13 13
14 14
13 13
15 15
13 13
14 14
13
13
14
14
12 12
13 13
14 14
13 13
15 15
13 13
14 14
14
C#
14
12 12
14 14
14 14
14 14
15 15
14 14
14 14
12 12
14 14
14 14
14 14
15 15
14 14
14 14
15
First & Second Section tie.

D
15
12 12
15 15
14 14
15 15
15 15
15 15
14 14
15
15
16
16
12 12
15 15
14 14
15 15
15 15
15 15
14 14
15
D#
16
14 14
16 16
15 15
16 16
17 17
16 16
15 15
14 14
16 16
15 15
16 16
17 17
16 16
15 15
16
Second Section
Em
17
15 15
17 17
19 19
17 17
20 20
17 17
19 19
17
17
15 15
17 17
20 20
17 17
19 19
17 17
15 15
17
D
15
14 14
15 15
17 17
15 15
19 19
15 15
17 17
15
15
14 14
15 15
19 19
15 15
17 17
15 15
14 14
56
15
Em
17
15 15
17 17
19 19
Arpeggio Madness
17 17
20 20
17 17
19 19
17
15 15
17
17 17
20 20
19 19
17 17
17 17
15 15
17
15
14 14
15 15
17 17
15 15
19 19
17 17
15 15
15
15
13
13
14 14
15 15
19 19
17 17
15 15
15 15
14 14
15
13
12 12
13 13
15 15
13 13
17 17
15 15
13 13
12 12
13 13
17 17
15 15
13 13
13 13
12 12
13
15
14 14
15 15
17 17
15 15
19 19
17 17
15 15
15
14 14
15
15 15
19 19
15 15
17 17
15 15
14 14
15
Third Section - Lydian Section (entire section played twice)

Cadd9#11
14 14
14 14
8 8
14 14
14 14
Bsus4
12 12
12 12
8 8
12 12
12 12
Bm
12 12
12 12
7 7
12 12
12 12
10 10
10 10
7 7
10 10
10 10
Fourth Section
D
10
Em
10 10
10 10
12 12
10 10
14 14
10 10
15 15
10
F#
57
13
14 14
17 17
12
12 12
15 15
12 12
14 14
12 12
12 12
12
G
13 13
15 15
13 13
17 17
13 13
19 19
13
15
20 20
15 15
19 19
15 15
17 17
15 15
15 15
15
10 10
10
10 10
12 12
10 10
14 14
10 10
15 15
10
13 13
15 15
13 13
17 17
19 19
13 13
13
17 17
19 19
17 17
20 20
22 22
17 17
17
19 19
15 15
24 24
19
Am
14 14
12 12
12 12
12
15 15
17 17
15 15
15 15
15
Bm
17 17
22 22
19 19
19 19
20 20
19 19
19 19
19
17 17
17
20 20
15
Am
12 12
14 14
17
15 15
12 12
Arpeggio Madness
F#
13
17 17
12
17 17
19 19
17 17
20 20
22 22
17 17
17
15
20 20
15 15
19 19
15 15
17 17
15 15
15 15
15
Fifth Section
G
16
16
15
15
17
15
17
15
15
15
16
16
16
16
15
15
15
15
19
19
15
15
16
16
15
16
20
15
16
17
17
15
20
15
16
17
16
16
15
15
15
19
15
19
15
15
16
17
Gsus4
16
17
15
15
15
17
17
20
17
17
20
15
15
15
16
17
16
17
15
15
15
15
15
19
15
15
19
15
15
15
16
17
17
17
15
15
15
15
17
17
15
17
17
15
15
15
17
17
17
17
15
15
15
15
15
19
15
15
19
15
15
17
17
58
15
15
17
15
17
17
20
17
20
15
15
17
17
17
17
15
15
17
17
Arpeggio Madness
15
15
19
15
19
17
15
17
15
17
17
15
17
17
15
15
17
17
17
17
15
15
15
19
15
19
15
15
17
17
16
Am
17
17
17
17
22
17
22
17
17
17
17
17
17
17
17
17
17
20
17
20
17
17
17
17
17
17
17
17
19
19
19
19
17
17
17
17
17
17
17
17
20
17
20
17
17
17
17
17
Bm
59
19
19
19
19
19
24
19
24
19
19
19
19
19
19
19
19
19
22
19
22
19
19
19
19
19
19
19
19
20
20
20
20
19
19
19
19
19
19
19
19
22
19
22
19
19
19
19
19
Arpeggio Madness
Two String Economy
Picking Arpeggio Sequence
Em
12
17
15
12
19
15
12
17
15
12
19
15
12
17
15
12
19
15
12
17
15
12
19
15

Esus2
12
17
14
12
19
14
12
17
14
12
19
14
12
17
14
12
19
14
12
17
14
12
19
14

Dsus4
15
20
17
15
22
17
15
20
17
15
22
17
15
20
17
15
22
17
15
20
17
15
22
17
15
19
17
15
22
17
15
19
17
15
22
17
15
19
17
15
22
17
15
19
17
15
22
17
60
Arpeggio Madness
Am
17
22
20
17
24
20
17
22
20
17
24
20
17
22
20
17
24
20
17
22
20
17
24
20

Asus2
61
17
22
19
17
24
19
17
22
19
17
24
19
17
22
19
17
24
19
17
22
19
17
24
19
Arpeggio Madness
Chapter Seven
Diminished 7th
Arpeggios
Arpeggio Madness
Diminished 7th Arpeggios
Sweep Picking
Ex. 1
12
15
17
21
19
24
The notes of the B diminished seventh arpeggio A - C - D# & F# when played against a B Major
chord function as the 3 - 5 - b7 - b9 creating the harmony of a B7b9 chord.
Ex. 2
Ex. 3
8 11
10
8 11
Ex. 4
8 11
10
8 11 8
10
11
8 11
8 11 8
10
10
11 8 11
10
8 11
Ex. 5
Ex. 6
12
15
Ex. 7
10
10
17
21
19
24
Ex. 8
10
10
10
10
10
11
10
11
Ex. 9
63
10
10
10
10
10
11
10
11
10
11
11
10
11
Arpeggio Madness
Ex. 10
11
14
11
10
14
11
12
13
10
10
11
13
10
10
13
11
11
10
13
12
11
14
10
13
11
14
11
Ex. 11
13
11
10
Ex. 12
8 11
7 10 7
11 8 11
7 10
9 12
10
8 11 8
10
12
9 12
10
8 11
10 13
11
1013 10
11
1310 13
11
10 13
1114
13
1114
One key thing to remember with the diminished arpeggios is that they invert in intervals of a minor third (one and a half steps).
64
Arpeggio Madness
Applying Diminished 7th
Arpeggios Using Legato
Rustys Legato Technique
When playing legato, Rusty ONLY picks on the ascending strings and uses legato for all descending strings. Play the following D major scale example to see this technique in action.
H H
H H
10 12 14
H H
10 12 14
11 12 14
H H
11 12 14
H H
12 14 15
H H P P H P P H P P H P P H P P H P P
12 14 15 14 12
15 14 12
14 12 11
14 12 11
14 12 10
14 12 10
The General Rule to Rustys Legato:

Pick only on the rst note of an ascending string, never on a descending string.
Ex. 1
8
11
11
14
11
14
11
14
Ex. 2 (Shifting positions with example 1)

sl.
14 11
8 11 14 11 8 11 14 17 14 11
8
14 11
8 11 14
11 14 17 14 11
17 14 11 14 17
Ex. 3 (Using string groupings)
65
10 13 16 13 10
16 13 10 13 16
etc.
11 14 17 14 11
17 14 11 14 17
10 13 0 13 10
17 14 11 14 17
16 13 10
Arpeggio Madness
Ex. 4 (Shifting positions with example 3)
10 13 16 13 10
16 13 10 13 16
etc.
11 14 17 14 11
17 14 11 14 17
13 16 19 16 13
19 16 13 16 19
14 17 20 17 14
20 17 14 17 20
Ex. 5 (Multi-nger tapping)

T2
19
T3
22
T2
19
16
13
T2 T3 T2
18
23 18
T2
T3
T2
19
22
19
13
10
10
T2 T3 T2
17 14
16
23 18
T3
T2
18
23
18
T2 T3 T2
13
18
T2
17 14
13
19 22
17
14
13
T2 T3 T2
19 16
13 12
19 22
19 16
13 10
In this example, Rusty taps using both the ring and middle ngers of his picking hand. Above
the tab you will notice a T2 and a T3. The T2 signies tapping with your picking hand middle
nger and the T3 signies tapping with your picking hand ring nger.
**Note that you can stay on one string in one position and practice this multi-nger tap legato roll before
trying the whole example if you nd it difcult at rst. So you would start off by practicing:
T2
T3
T2
19
22
19
16
13
10
66
Arpeggio Madness
Chapter Eight
String Skipping
&
Legato
Arpeggio Madness
Three Octave String Skipping
Legato Arpeggios
Ex. 1
Am
10
12
17
12
13
12
13
10
13
12
10
12
10
12
10
14
10
14
10
13
12
12
15
14
10
13
12
13
14
10
14
14
10
14
10
12
10
12
Ex. 2
B
12
13
17
10
13
15
10
13
15
10
12
15
14
12
14
12
14
12
15
12
15
12
15
13
15
15
12
15
15
12
15
12
14
12
14
10
10 7
68
Arpeggio Madness
Ex. 3
C
13
15
10
12
15
17
12
15
10
17
12
13
10
17
15
10
14
15
14
15
14
17
14
17
13
17
15
10
13
17
15
11
13
17
15
17
17
13
17
17
14
17
14
15
14
15
10
12
10
12 8
Ex. 4
Caug
13
16
69
20
12
16
17
12
16
11
17
12
13
11
17
15
11
13
15
14
15
14
18
14
18
13
17
16
17
17
13
18
18
14
18
14
15
14
15
11
12
11
12 8
Arpeggio Madness
Three Octave Arpeggios
with Tapping
Ex. 1
T2
E
G#
E
B
G#
3
T
24
P
19
5
H
16
7
H
17
16
18
G#
12
P
19
14
17
15
P
12
16
19
24
21
16
14
19
18
16
17
16
19
Ex. 2
T2
A
F#
D#
D#
A
F#
D#
D#
3
T
23
P
17
5
H
14
16
7
H
14
16
12
P
18
F#
12
14
17
15
H
11
19
24
21
14
12
18
16
14
16
14
17
70
Arpeggio Madness
Ex. 3
T2
E
G#
C#
C#
G#
E
G#
3
T
21
P
16
5
H
12
14
7
H
13
C#
12
14
C#
16
11
12
17
15
H
19
24
21
12
11
16
14
13
14
12
16
Once you have these three arpeggio ngerings memorized, you can apply them to any diatonic
Major chord scale. All you need to know is this chord scale formula:
I - IV - V chords are Major
ii - iii - vi are minor
vii is diminished
Now you can take that formula and apply it to any diatonic major scale and work out the arpeggios for that key. For example, in the key of G Major (G - A - B - C - D - E - F#) you would play:
G Major - A minor - B minor - C Major - D Major - E minor - F# diminished
71
Arpeggio Madness
String Skipping Legato Solo
Amaj7
Amaj7
P
P
9
9
P
P
P
P H
H
C#m7b5
C#m7b5
H
H
P
P
5
5
5
5
9
9
Dm6
Dm6
P
P
6
6
P
P
7
7
6
6
6
6
7
7
P
P H
H
9
9
7
7
9
9
Dmaj7
Dmaj7
H
H
P
P
11
9 11
11 9
11
P
P
P
P H
H
7
7 10
10
14
14 11
11
9
9 12
12
P
P H
H
H
H
7
7
11
11 7
7
Dm7
Dm7
H
H
P
P
P
P
9
9
7
7
9
9
P
P H
H
7
11
7 11
H
H
10
10
13
13 10
10
11
11 14
14
12
12 11
11 12
12
P
P
10
10 7
7
10
10
Amaj7
14
14 10
10
12
12 10
10 12
12
10
10 14
14
C#m7b5
5
9 5
9 6 9
5
9 6
7 6 7
6 9
9 5
9 6
12 9
5
9 6 9
9 6
9
12 9 12
Bm7
9
12 9
11 9 11
9 12
12 9
12 9
12
12 9 12
12 9
Dm6
7
10 7
11 7 11
7
11 7
9 7 9
10 7
7 11
11 7
10 5
7
11 7 11
11 7
Amaj7
5
9 5
9 6 9
9 6
7 6 7
6 9
10 7 10
9 6 9
9 6
12 9
9 6
Dmaj7
1410
5
10 7
9 7 9
7 10
10 5
10 7
5
10 7 10
10 7
C#m7b5
9 5
P
P
14
14 10
10
Solo
Bm7
Bm7
H
H
9
9
12
12 9
9
5
5
10
10 7
7
P
P H
H
12
12 9
9
9
9
10
10 5
5
P
P
9
12 9 12
12 9
9
12 9
11 9 11
9 12
12
12 9 12
12 9
12 9
Dm7
10
141114
10
1411
1114
121112
1410
1411
10
141114
1411
1310
10
141014
10
1410
1014
121012
1310
1410
10
141014
1410
72
Arpeggio Madness
DVD 3
Chapter Nine
Single String Triads
Death Licks
Arpeggio Madness
Em Chord Scale Chart:
INTERVAL
CHORD
Em
F#m7b5
Gmaj
Am
Bm
Cmaj
Dmaj
Root
F#
Third
G
b3
A
b3
B
3
C
b3
D
b3
E
3
F#
3
Fifth
B
5
C
b5
D
5
E
5
F#
5
G
5
A
5
Use the Em Chord Scale Chart above to aid you in understanding the seven diatonic chords
and their chord tones while learning this lesson.
Ex. 1
Root
3
Em
Am
12
15
19
9
Dmaj
12
15
19
Thirds
Fifths
F#
F#
12
15
Gmaj
12
16
19
17
Bm
12
16
19
21
19
24
Em
12
15
19
12
15
19
74
Arpeggio Madness
You can play these arpeggios in a variety of ways. Below are two different examples but you
should try to experiment and see what else you can come up with.
Traditional ascending & descending with legato
H H
12 15 19
H H
12 15 19
H H
H H
12 16 19
H H
12 16 19
H H
12 15 19
12 15 19
P H P P H P P H P P H P P H P P
15 12
19 15 12
H H
H H
H H
12 15 19
12 15 19
19 16 12
19 16 12
19 15 12
19 15 12
Ascending - Descending pattern.

H H
12 15 19
H H
12 15 19
H H
12 16 19
H H
12 16 19
12 15 19
H H
12 15 19
H H
12 16 19
H H
12 16 19
H H
12 15 19
H H
12 15 19
Ex. 2
Root
Thirds
A
F#
75
12
Fifths
C
A
F#
F#
F#
15
17
19
21
24
Arpeggio Madness
Ex. 3
Root
Thirds
Fifths
F#
12
15
17
21
19
24
Ex. 4
Root
Thirds
F#
12
15
Fifths
17
19
21
24
17
19
21
24
Ex. 5
Root
Thirds
Fifths
F#
F#
12
15
76
Arpeggio Madness
Ex. 6
Root
Thirds
D
C
F#
F#
12
15
F#
Fifths
17
19
21
24
21
24
Ex. 7
Root
Thirds
E
F#
F#
F#
Fifths
12
15
17
19
All of these different patterns will work, and work well over any of the seven diatonic chords in
the key of E minor. Be sure to practice these over all the seven different chords so that you
can really get the sound of the harmony these arpeggios create when played in a musical context.
77
Arpeggio Madness
Single String Sus2 & Sus4 Triads
G Major Sus2 Chord Scale Chart:
INTERVAL
CHORD
Gsus2
Asus2
Bsusb2
Csus2
Dsus2
Esus2
F#susb2b5
Root
F#
Second
A
2
B
2
C
b2
D
2
E
2
F#
2
G
b2
Fifth
D
5
E
5
F#
5
G
5
A
5
B
5
C
5
Ex. 1
Root
Fifths
Seconds
F#
12
15
17
19
21
24
78
Arpeggio Madness
Ex. 2
C# minor Sus4 Chord Scale Chart:
INTERVAL
CHORD
C#sus4
D#b5sus4
Esus4
F#sus4
G#sus4
Asus#4
Bsus4
Root
C#
D#
F#
G#
Fourth
F#
4
G#
4
A
4
B
4
C#
4
D#
#4
E
4
Fifth
G#
5
A
b5
B
5
C#
5
D#
5
E
5
F#
5
79
Root
Fourths
Fifths
C#
F#
G#
G#
C#
D#
F#
F#
C#
C#
F#
G#
12
15
17
19
21
24
Arpeggio Madness
Single String Four Note Triads
Major Add2 and Minor Add4
In this lesson Rusty adds other scale tones to the single string triads to create add2 and add4
arpeggios. The way he does this is by adding the second to major arpeggios, the fourths to minor
arpeggios and the b2 to the diminished arpeggio. In the key of G major, this looks as follows:
Major
Minor
Diminished
Gadd2 = G - A - B - D
Amadd4 = A - C - D - E
F#m7b5addb2 = F# - G - A - C
Cadd2 = C - D - E - G
Bmadd4 = B - D - E - F#
Dadd2 = D - E - F# - A
Emadd4 = E - G - A - B
Below is a quick reference chart to see how these arpeggios are derived from the key of G
major. Starting on the G note in the left hand column number 1, read to the right of the G, you
will see the A under the second degree (2), B under the third degree (3) and D under the fth
degree (5). These are the four notes that make up the Gadd2 four note arpeggio.
F#
F#
F#
F#
F#
F#
F#
80
Arpeggio Madness
Ex. 1
F#
15
17
19
12
21
24
Ex. 2
A
F#
12
15
17
19
21
24
17
19
21
24
19
21
24
Ex. 3
C
F#
F#
12
15
Ex. 4
D
81
F#
F#
F#
12
15
17
Arpeggio Madness
Ex. 5
F#
F#
F#
12
17
15
19
21
24
21
24
21
24
Ex. 6
D
A
E
F#
F#
12
15
17
19
F#
Ex. 7
F#
12
15
17
19
82
Arpeggio Madness
Inversions
Ex. 1 - Root Position Triads
Root
Thirds
Fifths
B
F
D
12
15
17
21
19
24
Ex. 2 - First Inversion Triads
Third
Root
F#
12
17
15
Fifth
19
21
24
Ex. 3 - Second Inversion Triads

Third
83
Fifth
Root
F#
12
15
F#
17
19
21
24
Arpeggio Madness
Single String Triad Licks
Ex. 1: C - F - G
sl.
sl.
8 12 15 12 8 10 14 17
8 12 15
10 14 17
sl.
10 14 17 14 10 12 16 19
13 17 20
13 17 20 17 13 15 19 22 14 15 20
Ex. 2: Dm & Gm
17 13 10 13 17
10 13 17 13 10 13 17
12 15 19 15 12 15 19
12 15 19 15 12 15 19
15 18 22 18 15 18 22
15 18 22 18 15
Ex. 3: Dm - Gm - Am
10 13 17
15
18
10 13 17
22
14
10 13 17
17
10 13 17 12 15 19
15
21
18
22
15
12 15 19
18
12 15 19
22
15
12 15 19
18
22
12 15 19
15
12 15 19
18
22
12 15 19 14 17 21
17
20
24
Ex. 4: Dmadd4 - Gmadd4 - Amadd4

17 20 22 24 22 20 17 22 20 18 15

19
17
15
12
19
17
15
12
22 20 18 15
21 19 17 14 12 15 17 19 17 15 12
etc.
10
13
15
17
15
13
10
17
15
13
10
84
Arpeggio Madness
Additional Concepts
Ex. 1 - C#mb6
T2 T3 T2
C#mb6
7 11 12 11 7
7 11 12
11
9 13 14 13 9
9 13 14
11
14
12 16 17 21 23 21 17 16 12
14
13
14
16
Ex. 2 - Emaj6
T2 T3 T2
Emaj6
12
11 14 16 14 11
12
11 14 16
14
13 16 18 16 13
14
13 16 18
17
16 19 21 23 24 23 21 19 16
17
16
18
19
Ex. 3 - Em6
Em6
9
12
10 14 16 14 10
12
10 14 16
16 14 10
12
14
10 14 16
12 16 18 16 12
14
sl.
T
12
15
18 16 12
14
12 16 18
17
15 19 21 24 21 19 15
12 16
17
16
17
19 14
15 12
Ex. 4 - Bm6
sl.
Bm6
85
9 12 15
15 12 9 12 15
9 14 16 14 9
sl.
15 12 9 7 9 12 9 7
12 9 6 9 12 9 6
12 10 7 4
Arpeggio Madness
Ex. 5 - sus2 and sus4 - Itheratos

Bsus2
14
7x
12
G#susb2
16
Asus2
24 19 17 19 24 19 17
7x
10
7x
14
Dsus2
17
12
7x
15
Esus2
24 19 17 19 24 19 17
Esus2
7x
19
14
7x
17
F#sus2
21
F#sus4
21 19 14 19 21 19 14
16
7x
7x
19
21
C#sus4
21 19 14 19 21 19 14
7x
86
Arpeggio Madness
Chapter Ten
Melodic
&
Intervallic
Arpeggios
Arpeggio Madness
Melodic Arpeggio Phrases
Ex. 1
E Aeolian
12
15
14
12
1.
14
12
10
13
12
11
2.
14
12
2.
15
14
2.
17
15
Ex. 2
F# Locrian
14
17
15
14
1.
16
14
12
15
13
12
11
Ex. 3
G Major
15
19
17
16
1.
17
16
13
17
15
14
12
Ex. 4
A Dorian
17
20
19
17
1.
19
17
15
19
17
16
14
2.
19
17
88
Arpeggio Madness
Ex. 5
B Phrygian
10
1.
2.
8
Ex. 6
C Lydian
12
10
1.
10
10
2.
10
12
10
Ex. 7
D Mixolydian
89
10
14
12
10
1.
12
11
12
10
2.
Arpeggio Madness
Intervallic Arpeggios
Ex. 1
D6/9
D6/9
10
12
14
D6/9
*Legato
Alternate Picking
11
12
Sweep Picking
14
10
12
14
11
12
14
12
11
14
12
10
10
12
11
14
12
14 14
12
11
14
12
10
*Reach over and deaden frets with

picking hand.
Ex. 2
Am/maj9
Cmaj9#5
Dm11
10
12
11
E7b9
12
11
14
10
14
Gmaj9
15
12
Bdim9
13
12
10
17
15
13
15
16
13
Dm/maj9
10
15
Fmaj9#11
19
16
19
10
12
14
19
D9
15
14
15
17
17
10
14
17
10
12
14
11
13
14
90
Arpeggio Madness
Intervallic Arpeggio Etude
Amin/maj9
A#min/maj
Bmin/maj9
10
10
11
10
12
12
13
15
91
Amin/maj9
11
12
14
17
19
17
14
17
15
13
10
12
A#min/maj
5 6
10
10
E7b9
12
12
12
11
Dm11
G#9
5 4
2.
Fmaj9#11
G#min/maj
Cmaj9#5
17
Cmin/maj9
1.
11
5 6
Amin/maj9
12
15
16
13
15
16
15
13
16
15
12
B9
14
10
13
15
13
10
14
12
10
10
10
10
Arpeggio Madness
Chapter Eleven
Song Excerpts
Arpeggio Madness
full
E
B
G
D
A
E
B
1715 131517
13
10
11 15 11
E
B
G
D
A
E
B
10
13
10
10 13 10
93
12
13
15 18 15
15161816 151615
18161518
Diminium
18
15
18 16 151615
17
16
15 20 15
16
17
17
18 15
151815
152015
151815
152015
101310
101510
101310
101510
16 16
16 16
16 16
16 16
11 11
11 11
11 11
11 11
15
15
15
15
10
10
10
10
10
15 1618
15
11
12
10
12
16
10
10
10
12
13
15
15 10 15
16
11
12
15
10
13
15 20 15
10
15
10 15 10
10
12
12
12
16
11
10
10
13
15
10
12
12
10
13
10
12
10
11 15 11 15 18 15
16
11
15 18 15
10
13
10 13 10
16
10
12
15
11
10
17
10
12
13
16
15
10
15
17
13
14 10 14
12
18 15 18
17
18 13 18
12
10
12
15
13
10
16
12
12
10
17
15
12
16
15 18 15
10
11
10 13 10
10
13
10
10 13 10
11
15
11
11
12
13
10
10
12
10
11
15
11
11
10
13
10
11
Arpeggio Madness
10 15 10
12
10
13
15
10
12
15
10
10
12
12
13
10 13 10
13
11
12
15
10
11
10
12
15
12
13
14 10 14
20
15
16
12
13
12
17
12
10
17
11
10
10 13 10
18
15
Riders
C#m
16
12
14
13
14
12 17
12
14
13
14
12 16
12
14
14
13
12 17
12
14
13
12
14
A
12
10
10
14
10
10
12
10
10
14
10
10
G#
11
12
11
12
C#m
16
12
14
13
14
12
17
12
14
13
14
12
16
12
14
13
14
12
17
12
14
13
14
94
Arpeggio Madness
C#m
12 16 12
14
13
14
16 16 19
18
17
18
16 21 16
G#
9 12 9
10
11
14
12 12 16
14
14
12 17 12
C#m
8 11 8
10
11 11 15
13
13
11 16 11
13
12 16 12
14
13
14
18
16 16 19
18
13
1621 16
17
18
18
17 16
Riders
Chorus Arpeggios & Outro Solo

A
21
E
17
17
21
18
19
14
12
15
16
14
15
14
10
11
17
12
12
14
12
14
14
15
14
16
17
12
14
14
14
11
16
14
16
14
14
13
12
12
14
14
12
10
14
19
14
13
14
12
E
12
11
12
10
16
12
12
13
12
12
C#m
9
10
11
11
12
Bm
14
12
18
F#m
A
14
17
18
95
16
17
C#m
Bm
17
17
16
21
D
17
F#m
11
16
14
13
14
12
E
14
15
16
16
17
14
19
18
16
17
16
Arpeggio Madness
5 9 5
12
16
12
161916
17
16
9 4 9
14
18
13
191419
14
18
16
5 9 5
16
17
11
16
7 10 7
14
161916172117
13
19
18
14
19
9 12 9
12
10
16
11
12 7 12
12
172117 192219
14
21
19
11
13
21
10
14
9 12 9
14
10
17
192219212421
10
101410
14
22
21
15
23
12
14
2419
11
12
15
2117
96
Arpeggio Madness
The Butcher
Intro
19 16
17
16
18
P
17 14
15
14
19 14 19
17
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19
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Pre
17 Solo
17
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13
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19 14 19
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15 12
12 15 12
14 17 14
15 19 15
15 19 24 19 15
T
13
13
15
17
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17
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12
12
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16
15
T
12 15 12
14 17 14
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14
17
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13 12 15 12 13
17 15 19 24 19 15 17
14 17 14 15
15 19 15 17
12 15
19 14 19
19 14
12 13 12
16 17 15
15 12
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15 12
12 13 12 14
14 17
17 14
14 15 14 15
15 19
19 15
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24 19
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15 17 15
14 12 13
17 16 17
13
15
17
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13
17
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15 14
17 16 17
17 15 17
98
12 15 14 12
12
14
16
15
12
16
12
14
16 17 19 14 19 17 16
15 17 19 14
15
12
17
17
17
12 15 14
19
14
19
19
14
14
17
17
17
14
14
14
14
14
15
15 19 15
The Butcher
14 17 14
15 14 17 14 15
15 14
14 17
17 14
14 15 14
15
15
15
15 14
14
14
14
16
15 12 14 17
13
15 12 14
13 12
13
13 12 14
15 12
12 14 15 12 14
14 14
14 15 12 14
16 15
12 14
14
15 12
17 14 12 15
15
17
15
17
15 17
15 17 16 17
15
17 16 17
17
17
14
16
16
16
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16
12
12 15
12
12 15 14
15
15 14
13
14
14
12
12 15 12
12
12
12
12
14
15 20 15
Arpeggio Madness
17
15
17
16
15 17
19 14 17
12
14 17 14
15
15 17 16
17
16
15
15
15
17
16
17
14
16
16 17 19 14 17 16
17
16
17 19 14 17 16
19
14 17
17
19 14
12 17 12
12
12
12
12
17
15 20 15
Arpeggio Madness
War Cry
1410
101410
15 12
121512
12 9
9 12 9
12
12
12
14
14
11
11
14
11
11
11
12
12
9
9
11
12
9
14
11
12
12
14
11
14 9 14
161016
13 7 13

14 10
99
12
11
12
14 14 17
16
16
15
etc.
14 19 14
15
16
16
1714
Arpeggio Madness
Chord Table
On the next page you you will nd a printable chord table chart. You can ll in your scale tones to
give you a chart for all of your diatonic chords and arpeggios. Below is an example of the chart
lled out with the C Major scale so you can see how the chart works.
Triad
ii
iii
IV
vi
vii
Degree
2/9
4/11
6/13
Root
3rd
5th
7th
9th
11th
13th
100
Triad
13th
11th
9th
7th
5th
3rd
Root
Degree
I
2/9
ii
3
iii
4/11
IV
5
V
6/13
vi
vii
Arpeggio Madness
Arpeggio Madness
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Arpeggio Madness
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Chord Table .........................................................................................................................100

About the Author

How to Use the Lesson Support Site

For a deeper understanding of scales and modes, click here to

Ex. 1 - Sixth String Shape #1

Ex. 2 - First Derivative

Ex. 4 - Sixth String Shape #2

Ex. 6 - Second Derivative

Ex. 8 - First Derivative

C Major Five & Six

Ex. 1 - Sixth String Shape #1

Ex. 3 - Second Derivative

Ex. 5 - Ex. 4 - First Derivative

Ex. 7 - Sixth String Shape #3

Ex. 9 - Second Derivative

Ex. 2 - First Derivative

Ex. 4 - Sixth String Shape #2

Ex. 6 - Second Derivative

Notes: A - C# -2E Intervals:

Notes: D3- F# - A Intervals:

Notes: C - E - G - B - D - F# Intervals: 1 3 5 7 9 #11

Notes: B - D - F# - A - C - E - G Intervals: 1 b3 5 b7 b9 11 b13

Notes: C - E - G - B - D - F# - A Intervals: 1 3 5 7 9 #11 13

Notes: E - G - B - D - F# - A - C Intervals: 1 b3 5 b7 9 11 b13

Notes: F# - A - C - E - G - B - D Intervals: 1 b3 b5 b7 b9 11 b13

Notes: B - D - F# - A - C - E - G Intervals: 1 b3 5 b7 b9 11 b13

Notes: C - E - G - B - D - F# - A Intervals: 1 3 5 7 9 #11 13

Notes: E - G - B - D - F# - A - C Intervals: 1 b3 5 b7 9 11 b13

Notes: F# - A - C - E - G - B - D Intervals: 1 b3 b5 b7 b9 11 b13

First & Second Section tie.

Third Section - Lydian Section (entire section played twice)

The General Rule to Rustys Legato:

Ex. 2 (Shifting positions with example 1)

Ex. 3 (Using string groupings)

Ex. 5 (Multi-nger tapping)

Ascending - Descending pattern.

Ex. 2 - First Inversion Triads

Ex. 3 - Second Inversion Triads

Ex. 4: Dmadd4 - Gmadd4 - Amadd4

Ex. 5 - sus2 and sus4 - Itheratos

*Reach over and deaden frets with

Chorus Arpeggios & Outro Solo

How To Get Your Next

Access any Rock House products instantly by downloading them

Rock House Store

The Rock House Catalog

The Only Chord

Learn Rock Guitar

Riffs, Rhythms &

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