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Cromwell, Lucy S. Editor (1986). Teaching Critical Thinking in the Arts and Humanities.
Alverno
Productions: Milwaukee, Wisconsin
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perception,
whether
helping students develop critical thinking skills, then they must take a careful look
at those students. Graduate programs in the particular humanistic disciplines
may provide a solid grounding in the subject matter and methods of those
disciplines, but they do not usually devote much attention to the process of
teaching in the humanities.
Doctoral candidates in philosophy, for example, will learn a great deal
about philosophy but will not be required to learn about the students who will be
learning philosophy from them. This is not a criticism of graduate programs,
although one might raise some questions about them, but it serves as a reminder
that graduate training is not necessarily a preparation for teaching. One of the
implications, then, of endeavoring to teach critical thinking to students is that the
teachers themselves have more to learn than the content of their respective
disciplines, and, in particular, they probably have much to discover about the way
students learn and what that means in terms of pedagogical principles and
techniques.
In this section on pedagogy we have tried to identify some principles for
teaching which seem important in fostering critical thinking abilities. In other
words, we are assuming that teaching for particular kinds of outcomes in
students has some implications for the kinds of attitudes and approaches
teachers bring to the learning situation. For example, teachers who want
students to develop the ability to raise questions about the ideas they are
studying must be concerned about the sense in which the teacher is perceived
as an authority in the classroom. Some methods are more likely than others to
give the impression that students should just shut-up and listen, and if teachers
do not want to encourage such a perception, they must find and use methods
which help create a different one. In any case, teachers must have a good sense
of the abilities they are trying to teach and the pedagogical approaches which
seem geared to the abilities involved and the students doing the learning. The
suggestions offered in this section are intended to provide help in that direction,
but it should also be noted that this emphasis on appropriate pedagogy and
student development implies a particular direction in ones professional
development as well. Those who intend to make teaching their profession may
need to devote more attention to subjects like developmental psychology and
curriculum development, since those areas may be crucial in helping one
become familiar with the learning process and how to nurture it. This does not
mean abandoning research in ones discipline, but it does mean that there might
be other areas of research which are essential for the teacher.
The notion of spending time and energy on research outside ones
discipline can make faculty members a little nervous. Will they lose touch with
their discipline? Will they have to rely on old ideas and yellowed notes for the
subject matter of their courses? Will they become like teaching robots with slick
techniques but little solid foundation in the particular humanistic discipline they
are teaching? These are questions that should be asked, but the answers need
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not be pessimistic ones. It is important to have a firm hold on the content and
methods of ones discipline. The teacher in the humanities should bring a strong
sense of cultural heritage to the classroom and help students become aware of
that heritage. On the other hand, teaching for critical thinking abilities implies
that there is more involved in learning than the acquisition of information. In this
context, teachers should see themselves as developers of abilities, not just
transmitters of information. Teachers must ask themselves not only what is at
the heart of, or current in, their disciplines, but what it means to teach in their
disciplines. It might even be more accurate to say that teaching in the
humanities is their discipline. With this in mind, effort given to the consideration
of pedagogy or theories of development, for example, is not research outside
ones discipline, but very much at the core of it.
The process of becoming better teachers is similar to the learning of
critical thinking: it doesnt happen overnight. Since we are talking about a
change in our self-concept as teachers, the process must be an ongoing one.
No one will be able to gather all the insights needed to enhance the development
of critical thinking in our students, and this leads to two important conclusions.
First, the task may seem to be an overwhelming one, but if viewed as a gradual
development of ones own critical thinking in the humanistic disciplines, it may
prove to be more exciting than exhausting. Second, we can help each other as
teachers in this effort. This book is a testimony to that in some ways. The
pedagogical principles that follow are not the result of one persons lonely
struggle to seek out some answers about critical thinking; they reflect the thought
and experience of a group of people who recognized the enormity of the task and
decided to help each other with it.
One of the most difficult traits for students to develop is an ability to live
within limits. In order to be fully human, however, they must be aware that reality
is problematic, that experience is ambiguous, and that they are too limited to
resolve many of the problems they encounter. Yet such students should also
become aware of the need to assume a balanced, reasoned, committed position
in spite of these limitations. They should be willing to take risks in doing so, to try
new ideas and explore new thoughts. But if they find intolerance or indifference
in the class, their critical development may be impeded. Hence, we must support
their explorations and ideas, encouraging their expression and development. We
should strive to respond with genuine enthusiasm as often as possible, centering
on what is important to them. Once we have established the foundation of
tolerance, we can then challenge their views. Finally, we should encourage their
critical response to our views, urging them to extend our ideas into new contexts
or to point out weaknesses in them. Such an attitude has an additional
advantage. A supportive attitude on our part can foster a tolerant attitude on
theirs; we may well find them more willing to respect our ideas, as we respect.
Develop and use as large a range of activities in the class as possible
Students vary immensely in abilities and in the ways they approach and
respond to reality. Some verbalize well and solve problems through a discursive
mode; some use a rich imagery, while still others excel in quantification. Some
work well in large groups, others in small groups or in a one-on one situation.
Some students need more time to meditate quietly, others can present a quick
response. Differences in learning style also suggest that the teacher should use
a variety of materials. Some students might find more immediate access to an
idea by reading visual presentation than in a written document; others might have
a particularly sensitive aural aptitude and listen more effectively than others
might. Providing different learning experiences can challenge those who are
weak in particular areas to improve
.
Open the class to student participation
As students become more critical, they become more self-directed. They
are more capable of assuming responsibility for their own thoughts and actions,
and more aware of how to develop those thoughts. In order for such
responsibility to grow, they need the chance to help define the structure and aims
of the course. Consequently, we should provide them the opportunity to define
and work towards objectives they consider important. Where possible, they
should also help chose the activities which they will carry out to achieve those
objectives. They should even be encouraged to participate as actively as
possible in the evaluation of their achievement. They might, for example, be
given a choice about what type of instrument will be used to evaluate their
product-a test, or a report, to name two possibilities. We, as their teachers, must
usually take final responsibility for all these factors, but we cannot foster
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Students who think critically realize that both knowledge and the
techniques of our disciplines are the outcome of a historical and social process.
They also strive to know more about the various disciplines through which our
civilization has developed knowledge, realizing that such an approach is
necessary though not sufficient for critical thought in our culture. We cannot
allow ourselves to fail our students by ignoring our own discipline or by allowing
them to play sloppily with it. Thorough understanding of a discipline has at least
three advantages:
Encourage transference
The excitement of critical thinking cannot be limited to one field or to a
select few; critical thinkers are concerned about their entire world, and can go
beyond their local culture to understand other interests and views. As teachers,
we can help students broaden their critical perspectives by leading them to see
how one area of knowledge relates to another and fits ultimately into the
framework of all cultures. We can help students integrate their insights into
progressively wider realms of knowledge. We can, for example, assist them to
see how ethical problems recur in politics or biology, or how beauty motivates
mathematicians. Interdisciplinary courses are perhaps the greatest help here,
but even without them we can point out the interconnections of ideas.
Stress the open-ended quality of critical thinking
Students who develop as critical thinkers become aware that human
limitations in dealing with reality can be a source of joy rather than frustration.
They need to know and to appreciate that each field of knowledge is far from
being a finished product and that they can become part of the ongoing process of
increasing knowledge. As teachers we should introduce students to our
discipline as an ongoing dialogue through such techniques as providing them
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