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NAfME NE Professional Development Conference

April 10, 2015

World Percussion Boot Camp


Kalani Das, MT-BC
Sponsored by Peripole, Inc.

THE INSTRUMENTS
Common drums and percussion instruments used in music classrooms.

Conga

Caxixi

Cowbell

Djembe

Darbuka
(Doumbek)

Maracas

Cabasa

Mark Tree

Claves

Cajon

Shekere

Guiro

Surdo

Dundun

Axatse / Rattle

Bongos

Agogo
Frame Drum

Riq

Homework:
1. Familiarize yourself with these instruments, visually and through sound.
Demonstrations are available on the Peripole website. Peripole.co
2. Categorize each instrument by country of origin, instrument type (drum, wood,
metal, shaker, etc.)
3. Identify groups of instruments that are commonly played in ensemble.
Visit Peripole.com for more resources. Visit KalaniMusic.com and find Kalani on: FB, Twitter, iTunes

Gankogui

NAfME NE Professional Development Conference

April 10, 2015

World Percussion Boot Camp


Kalani Das, MT-BC
Sponsored by Peripole, Inc.

KEY RHYTHMS
These are a few key rhythm patterns that used as fundamental building blocks in many genres of
world drumming music. Familiarizing yourself with and mastering these is an important step
towards learning and teaching world rhythms. The Ground or Feel is the fundamental rhythmic
structure and affects the energetic quality of the music and the way people move it.

Straight Feel

4
4 > .

Pushed Feel

4
4 .

Rolling 8ths

44 > > > >

> > > >

4
4 .

Clave

x > .
J

x
J

>
J

> .

x > .
J

x
J

>
J

The Straight Feel appears in genres such as Brazilian Samba and some West African rhythms.
The Pushed Feel appears in Brazilian Baiao, Cuban Rumba, and Arab and West African rhythms.
The Rolling Eighths Feel appears is prominent in Brazilian and Caribbean styles.
The Clave rhythm is primarily Cuban, but is implied and referenced in a multitude of genres.
Homework:

Identify the FEEL or GROUND of the songs you listen to and use.

List songs in categories based on the FEEL, rather than the country of origin or genre.

Consider the FEEL qualities of songs in addition to the melodic and harmonic content.

Play a familiar song over one of the above feels. Repeat with a different feel. Apply a
Shuffle rhythm to any of the above.

Visit Peripole.com for more resources. Visit KalaniMusic.com and find Kalani on: FB, Twitter, iTunes

NAfME NE Professional Development Conference

April 10, 2015

World Percussion Boot Camp


Kalani Das, MT-BC
Sponsored by Peripole, Inc.

INSTRUMENTS AND TECHIQUES


DJEMBE

Bass Tone (not center)

Playing Position (tilt away)

Open Tone (flat fingers)

Slap Tone (slight curve)

Listening: Mamady Keita, Famoudou Konate, Les Ballets Africains



Homework:
Purchase a few West African drumming tracks and listen to them. Become familiar
with the sounds of the instruments, how they are played, and their musical roles.

BONGOS

Playing Position (angled)

Low Tone (fingers)

High Tone (finger tips)

Notes:

Visit Peripole.com for more resources. Visit KalaniMusic.com and find Kalani on: FB, Twitter, iTunes

NAfME NE Professional Development Conference

April 10, 2015

World Percussion Boot Camp


Kalani Das, MT-BC
Sponsored by Peripole, Inc.

DARBUKA (DOUMBEK)

Playing Position (angled)

Low Tone (fingers)

High Tone (tips)

Left Hand Tone

Notes:

FRAME DRUM

HOLD WITH THE THUMB

Doum Ring finger

Tak At edge

Pah Fingers on head

Notes:

Visit Peripole.com for more resources. Visit KalaniMusic.com and find Kalani on: FB, Twitter, iTunes

NAfME NE Professional Development Conference

April 10, 2015

World Percussion Boot Camp


Kalani Das, MT-BC
Sponsored by Peripole, Inc.

FUNDAMENTAL RHYTHMS

Samba
SAMBA BRAZILIAN RHYTHM
(sahm-bah)

Medium /Fast Tempo

j
5
5

Agogo

Shaker

c > > > >


>
> >
>

c y

Surdo (Bass)

X = Muted

Note: Agogo Bells are often made to allow the two bells to be pressed (clicked) together
with the holding-hand. Play "clicks" in between the notes indicated (in the rests).

Baiana
C

&C

Vocals

Eh

Eh

&

j
b.
F

j .

Bai - a - na

j
b. .

Eh

Bai - a - na

Eh

Brazil, Trad.

Bai - a - na

j

.
-

Bai - a - na

Bai -a - na bo -

j
& ! j ! j ! j !

gos-ta do sam - ba

gos- ta da ro

da

e-dis que bom - ba

bai-an - na bo-

j
& ! j ! j ! j
-

gos-ta do sam - ba

gos- ta da ro

da

Eh Baiana E-e-e Baiana (2 X's)


Baiana Boa, Gosta do samba, Gosta da roda*, E dis que bomba.

e dis que bom - ba

* Pronounced "hoda"

"Beautiful Baiana (woman), She likes the dance, She likes the circle, She is happening!"

Visit Peripole.com for more resources. Visit KalaniMusic.com and find Kalani on: FB, Twitter, iTunes

NAfME NE Professional Development Conference

April 10, 2015

World Percussion Boot Camp


Kalani Das, MT-BC
Sponsored by Peripole, Inc.

KUKU WEST AFRICAN Kuku


RHYTHM
Medum-Fast (105-120)

Djembe


J
!

c .

Dundun
Bell

Rattle

Medum-Fast (105-120)

& c ..
O

J
!

I - teh Ku - ku


J
!

Kuku

J
!

Traditional West African

Ya

Fo -nieh

..

Ya

I - teh Ku-ku

Fo - nieh
-

Yemaya
Chant to the Goddess of the Sea

& 68 .. j

Voice

68 ..

Ye - ma

Drum

V.
5

Dr.

Am

j
& ..

..

Ye - ma

ya

ya

Am

j
.
j

Ase - su

Dm

O - lo

j

do

Traditional Afro-Cuban

A - se - su

Ye - ma - ya

O - lo - do

Ye - me - ya

Visit Peripole.com for more resources. Visit KalaniMusic.com and find Kalani on: FB, Twitter, iTunes

..

..

..
..

NAfME NE Professional Development Conference

April 10, 2015

World Percussion Boot Camp


Kalani Das, MT-BC
Sponsored by Peripole, Inc.

BALADI ARAB RHYTHM


Baladi

Zils

Doumbek

c >


>

>

>


>

Play the rhythm of the accents only, then fill in other beats.
Move to the Samba and Beladi rhythms. Feel the difference.
Use different rhythms like these as contrasting sections of a song or arrangement.

Zum Gali Gali


Am

Group 1
(repeat)

Group 2A

Group 2B

Group 2C

4
&4
4
&4
& 44

Zum

ga - li

ga - li

lutz

le

maan

le

maan

4
&4

da

Isreali Folk Song

ga - li

a - vo

Zum

he - cha -

da

ga - li

ga

li

He - cha

a - vo

lutz

Hechalutz le maan avoda : Pioneers all work as one


Avoda le maan hechalutz : Work as one all pioneers
Ha shalom le maan ha amin : Peace shall be for all the world
Ha amin le maan ha shalom : All the world shall be for peace


Additional ideas and videos are available at Peripole.com.
Drumming
Contact Kalani with questions aMusic
nd to Therapy
discuss
residencies and professional development
Kalani Music
workshops at office@kalanimusic.com.
Connect with Kalani on FaceBook, Twitter, LinkedIn, and YouTube: @kalanimusic.

Visit Peripole.com for more resources. Visit KalaniMusic.com and find Kalani on: FB, Twitter, iTunes

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