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English
Literature
LINE / STANZA / SCENE WISE ANALYSIS OF
POEMS, STORIES & DRAMA
A A A A A A A A A A A A A AA A A
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He imagines that his horse is thinking that things are a little strange
right now.
Line 6
To stop without a farmhouse near
Our speaker continues to read his horses mind, and imagines
the horse is thinking something along the lines of, Whoa, why are we
stopping here? Were in the middle of nowhereville. Wheres my
dinner? I dont know about you, but Im cold. There isnt even a
farmhouse close by whats going on?
The fact that our speaker even attempts to figure out what his
horse is thinking shows that hes a caring kind of guy, and that hes
aware that stopping in the middle of some snowy woods is kind of a
random thing to do.
Line 7
Between the woods and frozen lake
Now we get the 411 on just where, exactly, the speaker and his
horse have stopped: they are currently hanging out between the woods
and the frozen lake, so they must be on a little patch of snowy shoreline
with dark trees to one side and a glossy, ice-covered lake to the other.
It must be really cold if the lake is frozen, and we also are kind
of intrigued by the fact that the speaker is not riding through the woods,
but is right beside the woods.
Line 8
The darkest evening of the year.
Not only is it snowy and wintry, but its also approaching nighttime
too.
Why is this speaker dilly-dallying when the light is dying and the
snow is falling? A lot of people in his place would want to scurry home
as fast as is humanly possible.
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misinterpreting you.
Line 11
The only other sounds the sweep
Beyond the harness bells shaking, the only other sound that the
speaker can hear is the sweep.
The word sweep makes us think of the sound brooms make
when they sweep dust into a dustpan.
At this point, we realize that the speaker is taking inventory of all
of the sounds around him. Hes interested in sounds.
Line 12
Of easy wind and downy flake.
The sweeping noise comes from the slight wind and the softly
falling snow.
Have you ever listened to snow falling? Its very, very quiet.
Theres just a gentle whirr. Everything is very, very still.
Stanza IV (Lines 13-16)
Get out the microscope, because were going through this poem
line-by-line.
Line 13
The woods are lovely, dark and deep.
Our speaker finally admits to liking the woods. We knew it all
along. Hes entranced by the darkness and deepness of the woods,
and he thinks they are lovely.
Dark and deep woods are awesome in our book, but they also
make us feel slightly anxious. Theres something mysterious about the
maze-like nature of woods and forests.
The point, though, is that our speaker digs these woods.
Line 14
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wounded and would need medical attention, and (b) being a doctor, he
thought he should be in hospital to serve others in these trying times.
Q11. Later, in the poem, he sees a soldier. What does the soldier
do for him? Then what does he tell his wife? Why?
The soldier gives him a towel.
he then tells his wife to go ahead as he has no strength to carry
on. He asks his wife to do so as she should get medical aid even if he
cannot.
Q12. Describe of the sights which he sees later.
After that he sees shadowy forms of people silently walking
with their arms stretched straight out, dangling from their shoulders as
they cannot bear the friction of the burnt skins; and a woman and her
child both naked.
Q13. Why do you think, all do not feel ashamed of being naked?
They do not feel ashamed of being naked as (i) everyones
clothes are burnt and all are naked (ii) more shameful act was of the
people who decided to bomb the city (iii) they are so numb by the
experience that feeling ashamed does not matter to them.
Q14. By referring to any two examples, show how the poet gives
a detailed picture of what was happening.
The two examples are (a) shadowy forms of people silently
walking with their arms stretched straight out, dangling from their
shoulders as they cannot bear the friction of the burnt skins and (b) a
woman and her child both naked as their clothes are all burnt with
bombing.
Q15. What are the shadowy forms referred to in the extract?
What do the words, ghosts, scarecrows and the dumb indicate?
The naked suffering people of the bombed city parading with
paid are referred to in the extract. The words ghosts, scarecrows,
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dumb indicate that the people of the city are suffering limitlessly
because of the atomic bombing.
Q16. What is the impact of his wifes absence on him? What does
the impact indicate about their relationship?
A dreadful lonelines came over the doctor in the absence of
his wife. It shows that the doctor and his wife are too much in love
with each other and in their suffering they needed each other.
Q17. Which four people does the poet see on the way to the
hospital? What was common to all? Why?
The four people that the poet sees on the way to the hospital are
soldier, a naked woman with his naked child, a naked man, and an old
woman. All of them are naked and suffering from immense pain and
are dumb with pain and shock. They are so as the atomic bombing has
caused all these.
Q18. What/who do you think is responsible for causing so much
bloodshed? Does it prove that the tyrant is really powerful? Give
a reason to justify your opinion.
The war mongers are responsible for causing so much bloodshed
for no reason, but their own profit.
No, it does not prove that the tyrant is really powerful as the
fighting spirit and helping nature of people proves however inhuman
the war mongers may be, their cruelty and violence will be countered
by peoples faith in humanity.
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PERSONIFICATION:
Personification is that figure of speech where abstract ideas are
attributed human qualities. Again love has been personified in If Thou
Must Love Me, when the speaker says, loves sake and loves eternity.
CUMULATIVE LISTING:
Cumulative Listing is a technique of listing similar ideas in poetry.
Here in this sonnet, the poet has used this technique of Cumulative
Listing. It emphasizes a particular statement. In the first two lines of If
Thou Must Love Me, the poet wants her lover not to love her for
loves sake or for her physical attributes. In support of this statement,
the speaker uses Cumulative Listing and enumerates her physical
characteristics in the poem- her smile, her pleasant voice etc. The
Cumulative Listing reinforces the idea presented in the first two lines
of the poem.
THEMES:
Theme of Love:
Love is the most dominant theme in Elizabeth Barrett Brownings
sonnets. This poem shows her suggestion to her lover about how he
should love her. Elizabeth Barrett Browning was disabled and had
incurable diseases; therefore she was afraid that Robert Browning
would leave her. That is why she says that her lover must not love her
for her smile or gentle voice as these qualities fade with time. She
wants Robert Browning to love her forever and such kind of love can
only exist when he would love her as a person and not for her looks.
Women Rights:
During the Victorian period, women did not have the right to vote
or had any right to own property. They were not given the right to study
classical and commercial subjects; they could only study history,
geography and general literature. During that period, women were not
treated equal to men. Therefore, Barrett Browning was against these
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social and gender differences and one will find that her writings were
based on issues like child labour, ill treatment and oppression of women.
In this poem she mocks the idea of courtly love. Her sonnets give
importance to the thinking of women and not to the male-dominated
society. Here in the sonnet, If Thou Must Love Me, the speaker wants
her lover not to love her for superficial qualities or out of pity but for
what she is as a person. Thus this poem questions the idea of a woman
and demands the right of woman to speak and to be heard.
QUESTIONS AND ANSWERS
Q1. To whom are these lines addressed to? How is he related to
the poet? Comment on their relationship.
The lines are addressed to Robert Browning, another significant
poet of the Victorian Era. Robert Browning is Elizabeth Barrett
Brownings lover and later husband.
The love relationship between Elizabeth Barrett and Robert
Browning became so famous that till today many refer to them. As
Elizabeths father was against the match they had to elope to get
married.
Q2. Why does the poet proclaim not to say certain things in love?
Do you agree? Why?
The poet says that the lover should not proclaim that he loves
her for her beauty as outward beauty is an impermanent thing.
Yes, I agree, as beauty lies not in how a person looks, but how a
person is. And a person should love someone not because of outward
beauty.
Q3. What does the phrase falls in well with mine suggest?
The phrase falls in well with mine suggests that the male
language of wooing does not matter to the poet and those tricks of
thoughts of the male lovers are nothing but wasted attempts as she
can see through them.
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I BELIEVE
ANALYSIS
Capabilities of Human Beings:
The poem I Believe depicts the theme of the uncountable
capabilities of man and his dreams and achievements. The poet believes
a human being can rise to great heights, endure a number of hurdles
and reach their goal. In the first stanza, the poet says that a human
being can throw a pebble upwards, pierce through the heaven and
watch the angels play. This actually means that humans can achieve
the most difficult and sometimes even the unachievable goals. At a
spiritual level, it means raising our conscience to a higher point and
becoming one with God.
In fact, the poet wants to say that human beings can conquer all
parts of the universe if they believe in themselves, use their capabilities
and work diligently. She means to say that humans can conquer all the
three realms of the earth- the atmosphere, the lithosphere and the
hydrosphere. The poet also believes that humans can make this world
heaven-like and themselves like angels.
Feminist Reading:
The poem I Believe has been written by one of the eminent
Garo poets and activists, Brucellish K Sangma. The poem voices the
concern about dreams and aspirations of a woman in a male-dominated
society. A number of restrictions are imposed on women in a patriarchal
society. Such a society is male-centred and they subordinate women
in all domains in their life: familial, religious, political and economical.
The woman of today wants to free herself from such a society and
achieve her dreams. She wants to reach the sky, dive into deep oceans,
and conquer all the three realms of the earth. The poet believes todays
women like the poet can achieve her goals.
STYLE:
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first duty to fulfill her role as a human being - that is, to make the world
a better place for fellow human beings to live in.
Q10. What is the role assigned to the poet? What is the poets
dream?
The role assigned to the poet is that of being a human being. To
distinguish ourselves from animals, we should not only pursue things
which are determined by our drives for hunger and pleasure; but to
think about our fellow human beings and make the world a better
place to live in.
The poets dream is that if all the people of the world start thinking
in the way the poet does then the world will be a better place to live.
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A PSALM OF LIFE
ANALYSIS
The title of A Psalm of Life is an appropriate one. A psalm is an
invocation to mankind to follow the path of the righteousness. Here,
the speaker advises people to be heroes in their lives. He asks them to
lie in the present, without thinking about the past or the future.
A poem teaching a moral lesson is called a didactic poem. A
Psalm of Life is a didactic poem. The poets task in the poem is to
instruct and guide, to inspire and modify. The poem teaches basic human
values and lays out a foundation for a prosperous, ethical life.
STYLE:
Form and structure:
The poem consists of nine stanzas of four lines each. The poem
has regular rhyming pattern. Each stanza follows the rhyme scheme
abab. In every stanza, the first line rhymes with the third line and the
second line with the fourth.
Allusion:
Allusion is a reference to other works or cultures in prose and
poetry. H.W Longfellow has used allusions to convey his message in
the poem.
Tell me not, in mournful numbers.
In the above line, numbers refer to the verses in the Bible.
Dust thou art, to dust thou returnest
The above line too has a Biblical reference.
FIGURES OF SPEECH:
Similes: It is a figure of speech in which a likeness between two
different things is stated using the words like or as. Examples of
similes in A Psalm of Life are,
1. Still, like muffled drums, are beating
2. Be not like dumb, driven cattle!
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METAPHORS:
Metaphor is that figure of speech where comparison of two
different things are implied but not clearly stated. Examples of metaphor
in the poem are,
1. Life is but an empty dream.
2. Soul id dead that slumbers
3. Art is long and Time is fleeting
ALLITERATION:
Alliteration is the close repetition of the consonant sounds at the
beginning of words to facilitate narration. Examples of alliteration in
the poem are,
1. Grave is not its goal
2. Find us further
3. Dumb driven cattle
4. Learn to labour
5. Dust thou art, to dust thou returnest.
PARALLELISM:
Parallelism is used when the speaker says
1. Life is real! Life is earnest!
2. Still achieving still pursuing.
H.W Longfellow points out that one has a duty to make this
world a better place to live in. A Psalm of Life is a whole collection of
moral principles to be followed by all the people. The principles listed
by the poem are enumerated as follows,*Life has a serious mission.
*Life does not end with death.
*We have a destiny irrespective of our joys and sorrows.
*Time is too short for our long mission.
*Become great by emulating great men.
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What the poets means by bivouac of life is the battle field of life.
Q14. What is indicated by the expression, dumb, driven cattle?
The expression dumb, driven cattle indicates the cattle that go
by blind faith and not by reason.
Q15. How does the poet wish us to act in the struggle of life?
In the struggle of life, according to the poet, we should not
surrender, but we should fight like heroes.
Q16. Why does the poet urge us to take interest only in our
present?
The poet urges us to take interest only in our present as the
present is the solution to the past, and future must invariably be fine
should we have done justice to the present.
Q17. Explain : Heart within and God oerhead!
To live an earnest life in the present we should have faith in our
actions (heart within) and at the same time have infinite grace and
mercy (God oerhead) of God.
Q18. What do the lives of great men teach us?
The lives of great men teach us that we can only leave our mark
in this world through our good deeds.
Q19. What does the poet mean by footprints onthe sands of time?
The phrase footprints on the sands of time signifies the name
and fame that one leaves behind after one is dead in the course of
human history (sands of time).
Q20. What is referred to as the solemn main? Who is sailing as
the main?
Life is compared to solemn main (sea) as it is grim in its depth
and vastness.
The shipwrecked brother (referring to fellow human beings who
have strayed from the right path) is sailing.
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essential to the story, though she never appears in the story. The
Kabuliwalas love for his daughter is manifested in showering his love
to Mini. But when a strange incident lands the Kabuliwala in jail,
Mini forgets all about him. Kabuliwala again appears on the wedding
day of Mini and realizes that his daughter also must have grown up by
that time. Minis father, the narrator could realize this and consequently
curtails some expenditure of the festivities of the wedding to sponsor
the Kabuliwalas return journey back to his country.
As a short story writer, Tagore was a practitioner of psychological
and social realism as his stories depict poignant human relationships
within a simple plot. The sort story The Kabuliwala begins abruptly,
develops around incidents and ends with a twist. It starts with Mini as
a girl and her developing friendship with the Kabuliwala and suddenly
there is a twist in the story as the Kabuliwala was sent to prison Years
after we meet the Kabuliwala on Minis wedding day. The twist happens
as the story is not anymore about friendship but portrays a fathers
love for his daughter who is living far off. Tagore pays more attention
to the richness of the inner world of man, to emotions and less to outward
events. The artistic mastery of Tagores stories is visible in their
successful endings.
THE BET
Q. Give the character sketches of the lawyer and the banker.
How do they differ? With which character are your synpathies?
Give reason for your answer.
The lawyer is a man of firm determination as he not only says
things but proves them by action. He goes for voluntary selfimprisonment for fifteen years to prove his point and at the same time
for his greed for money. For greed, he gives away his precious youth,
his freedom and all form of enjoyment of life without any association
with any other human being. His acceptance of the bet shows his
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determination, his truthful nature, but also points out his greed for material
possessions.
As against the lawyer, the banker is rackless with his money. He
hosts the party for discussion on capital punishment and moreover to
trap the lawyer. He goes in for an unnecessary bet just to prove that
death penalty is better than life imprisonment. While laying the
conditions for the agreement. When we meet him later in the story as
an older man, we see a change in his fortunes which makes him flout
his principles and wickedly think of killing the prisoner just before the
accomplishment of his captivity period. But at the same time it can be
said that he is a life-like human being.
I sympathize with the lawyer as he has ambitions to realize his
dream of material possessions and in the process of acquiring it through
the bet realizes the vanity of it and left it. He is a man of determination
and action by giving up two millions to prove the fleeting and futile
nature of material possessions.
THE TIGER IN THE TUNNEL
Q. But life had to go on. State how Ruskin Bond brings out this
idea in his story The Tiger in the Tunnel?
Ruskin Bond in the short story The Tiger in the Tunnel talks
about the bravery of Baldeo, a tribal man, who works as a night
watchman in a wayside station. His job is to look after the safe passage
of trains from the tunnel. There is the fear of a tiger near the tunnel
and one night when Baldeo was on his duty, he was attacked by the
tiger and killed; though Baldeo could also hurt the tiger and it got
killed being hit by the train. Baldeos twelve year old son Tembu, took
up the position of being a night watchman in the same station after his
fathers death as he has to look after the family after his father has
passed away. It is a true that there are many disasters waiting on such
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a way-side station; but the fear of that cannot deter people from carrying
on with life. Similarly, Baldeo is dead, but his family must carry on
living and thus Tembu had to be courageous enough to take up the job
as life has to go on.
PRINCES SEPTEMBER
Q. When one loves someone one should set him or her free.
Love is not about captivity, it is about freedom. Do you agree?
Give a reasoned answer with reference to the short story Princess
September.
The short story Princes September is a fairy tale where a
Siamese Princess parrot died and she wept bitterly. A small bird came
to her room and sang melodious songs to make her happy. The bird
used to fly around with princess September in the place and sing songs
for her. But her jealous sisters advised her to keep the bird in a golden
cage, which had been gifted by her father. When the bird was caged,
he stopped singing, and did not eat or drink. The bird prayed for his
freedom and said that he could only sing when he is free. Finally, when
Princess September saw that the bird was suffocating in the golden
cage and was about to die, she set him free. The bird was thankful to
the Princes and srayed with her and sang for her. The story ends happily
when we see Princess September married to the King of Cambodia
and living a happy life with him. Thus the story proves that when one
loves someone, one should set him or her free and love can blossom
the best when there is freedom.
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Act-III Scene-I
Points:
Salarino and Salanio enter and wonder what Rialto is abuzz with
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1.
2.
3.
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1.
2.
3.
4.
5.
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Points
Portia: I pray you.....................................stay you from election.
In Belmont, Portia begs Bassanio to delay choosing the casket
for a day or two.
If Bassanio chooses incorrectly, Portia reasons, she will lose
his company.
She tells him that she feels that she will not lose him (although
she stops initially short of confessing love)
Her instincts that Bassanio will make the right selection cannot
be said to be guided by hate, if not love
She confesses that a maiden in the affairs of love and marriage
has no speech tongue to express herself; only thought
She would like to detain Basaanio for a month or two before he
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She asks for music while Bassanio makes the casket selection
saying that music will bring about romance in the effort:
1.
If Bassanio loses he will be like the dying swan whose grave
will be Portias tears (simile)
2.
If Bassanio wins he will be like a new crowned monarch before
whom his subjects will bow
3.
Music will be like the sound of the drums into the ears of the
dreaming bridegroom summoning him to marriage on the day of
the wedding, if Bassanio wins
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The most plain vice (sin) is that which appears as virtue on the
outside
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She wants her love to be moderate and not drive her into
excessive ecstasy (Figure of speech Apostrophe: love is
addressed here directly)
The joy of love should be like gentle rain upon her (figure of
speech, metaphor: joy of love is to fall on her like soft rain)
She has felt the blessing of love in excess; it must be less or she
will be surfeited (too full with it).
Bassanio: What find I here..........................ratified by you
Points:
He calls the artist who has drawn Portias sketch a demi God
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1.
2.
3.
4.
5.
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upon liveliness in the picture. The picture is so full of life that its
stillness is gone.)
Portias lips in the picture are parted only by her sweet breath;
such a barrier is welcome even between two sweet friends
(metaphor again: the upper lip and the lower lip are the two
friends that are separated by Portias fragrant breath)
Bassanio compares the painter (who has done the portrait) with
the spider (metaphor again), who has woven a golden web in
Portias hair to capture the hearts (feelings) of men.
Portias golden hair thus capture the feelings of men faster than
gnats (insects trapped in cobwebs)
Bassanio wonders how the painter could have done the eyes;
how he was able to resist the brilliance of Portias gaze. In
Bassanios love stricken assessment, Portias one eye should
have had the power to steal both the eyes of the painter and,
thus, the painting should have had only one eye.
Finally Bassanio says that he is far from able to convey the
beauty of the portrait much as the portrait is far from able to
convey Portias beauty: the degree by which he cant convey the
beauty of the portrait corresponds with the degree by which the
portrait cant convey Portias beauty.
He picks up the scroll and reads it finally, calling it the essence
and gist of his destiny
The Scroll:
Bassanio is told that his choice has not been influenced by his
outward appearance
On his true choice Bassanio stands a fair chance of success
This fortune (Portia and her wealth) falls to him he should be
happy and satisfied
Bassanios happiness should augur him well; his luck has and
will fetch him happiness
He should turn to Portia and claim her with a loving kiss
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Bassanio calls the scroll gentle and turns to Portia to claim her
as instructed
Bassanio calls Portia thrice fair and tells her that his confusion
is as great as that of the above mentioned contender
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The buzzing of the crowd around the Prince is such that the
Prince is not able to understand the response
Every little response of the crowd gets mixed with the other
responses and what comes out is a wild nothing (no meaningful
interpretation)
He promises Portia that he will not let the ring part from his
finger ever
It is now her time and Gratianos that the two of them, having
seen Portia and Bassanio prosper in their hopes of wedlock,
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1.
2.
3.
1.
2.
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3.
4.
1.
a)
b)
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PORTIA
What, no more (Is three thousand ducats responsible for such
a fate; she is amazed at the paltry sum of money)?
Pay him six thousand, and deface (cancel, destroy) the bond;
Double six thousand, and then treble that, (multiple twelve by
three and pay him thirty six thousand and pay the bond)
Before a friend of this description (before a friend of Antonios
nature and description)
Shall lose a hair through Bassanios fault (loses his life or faces
any risks on Bassanios account).
First go with me to church and call me wife (she tells Bassanio
to undertake the oath of marriage first),
And then away to Venice to your friend (and then tells him to
go to Antonio);
For never shall you lie by Portias side (as Bassanio should
never be by Portias side with a guilty heart)
With an unquiet soul (a guilty heart). You shall have gold
To pay the petty debt twenty times over (she tells him to carry
so much gold with him as to pay the debt twenty times over)
:
When it is paid, bring your true friend along (when the debt is
settled Antonio may join Bassanio in Belmont).
My maid Nerissa and myself meantime (she and Nerissa)
Will live as maids and widows (will live as women whose
husbands are not there with them). Come, away!
For you shall hence upon your wedding-day (she invites
Bassanio to walk the aisle/participate in the marriage
ceremony first):
Bid your friends welcome (she asks him to welcome his
friends), show a merry cheer (and be cheerful):
Since you are dear bought, I will love you dear (she tells him
that he is her rare possession, another metaphor, and she
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His creditors are after him for the debt he has to settle
He will lose his life as he has no option but to pay the penalty
But he also tells him to travel back to Venice at his leisure and
not in forced by the letter
PORTIA asks Bassanio to conclude all his business here and go to
Venice as soon as possible.
BASSANIO tells Portia that:
He will start for Venice as she has given him the leave to do do
And he will try to save his friend and come back to her as soon
as he can
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Antonio had called him a dog. Now Antonio should brace for
Shylocks fangs.
Shylock criticizes the jailer for taking Antonio to plead with him
and others. He asks the jailer to treat him more strictly.
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Shylock very clearly conveys that the time to talk is long gone
and that the bond will be pursued
Salarino expresses the hope that the Duke will not grant Shylock
his suit
ANTONIO
The duke cannot deny the course of law: (Antonio says that it
is beyond the Duke to refuse commoners justice or alter the
very course of law for him)
For the commodity (rights/agreement) that strangers
(foreigners) have
With us in Venice, if it be denied (refused),
Will much impeach the justice of his state (raise doubts on the
rule of law in the state of Venice);
Note: Antonio is aware of the Venetian legal system and, on
that basis, states that the Duke had no power to alter the
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Lorenzo tells Portia that she has a noble and true judgment of
divine friendship (he refers to the friendship between Antonio
and Bassanio)
She never regretted being charitable and she asserts that she
will not regret being charitable in helping Antonio. The reasons
she offers are:
1.
There is reason for her to believe that Antonio is very like
Bassanio
2.
She bases her reasoning on the analogy of the two bulls: much
as two bulls are yoked together in a cart, friends and companions
who spend their time together have their souls (their natures)
yoked to pull the cart of friendship
3.
In such friends there is a remarkable similarity of facial
expressions, of attitudes. Antonio and Bassanio are two such
friends
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Portia tells him that her servants will recognize Lorenzo and
Jessica in her place and Bassanios
She asks him to carry a letter to Padua to her cousin Dr. Bellario
as speedily as he can
She is to be met at the Tranect (the place where the ferries start
and load for Venice)
There she asks Balthasar to meet her at the common ferry (the
public boat) for Venice
Balthasar exits and Portia tells Nerissa that they have work to
do and they will meet their husbands soon
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PORTIA:
They shall (their husbands will see them), Nerissa; but in such
a habit (in such an attire),
That they shall think we are accomplished
With that we lack. (Imp: There is a reference to illusions here.
Portia tells Nerissa that their husbands will not be able to
make out their identities. They will be under the impression
that Portia and Nerissa are what they are not: men)
Ill hold thee any wager, (She is prepared to bet on the matter)
When we are both accoutered (dressed) like young men,
Ill prove the prettier fellow of the two, (This is a funny way of
saying that Portia will be playing the dominant role between
the two of them)
And wear my dagger with the braver grace (She intends to
carry the dagger much more bravely),
And speak between the change of man and boy
With a reed voice, (A reference to the feminine voice: Portia
will speak between the tone of a boy and that of a man) and
turn two mincing steps (ladylike steps)
Into a manly stride, (into masculine steps and body
language)and speak of frays (of quarrels)
Like a fine bragging youth (a simile: like an irresponsible
young man), and tell quaint lies (strange lies),
How honourable ladies sought my love, (Portia will talk the
favorite masculine jargon: about women seeking her/his love
and she denying them in such a way that they all committed
suicide)
Which I denying, they fell sick and died;
I could not do withal(she could not manage them all together);
then Ill repent (she will regret and wish) ,
And wish for all that, that I had not killed them (she will regret
killing them);
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Launcelot taunts Jessica that that the sins of the fathers (the
ancestors) are to be laid against the children and she will suffer
from the impact of Shylocks sins
Jessica retorts that her husband will save her as she is a Christian
now and she cannot be suffering from the Jews natural sin
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converting other people to the faith and says that such conversions
will be against the interest of the Christians overall as they will
raise the price of pork, the staple food that Christians eat, and
once that happens the Christians will not have enough money to
put rasher on the coals (rasher: pork strips)
Lorenzo enters and hears Jessicas plaint and warns Launcelot
of serious consequences if he does not desist from taking Jessica
into tight corners
Jessica tells Lorenzo that Launcelot and she have fallen out as
Launcelot has pronounced her damned and sinful and has also
accused Lorenzo of being a mean Christian as he has been raising
the price of hogs by converting her to Christianity
Lorenzo tells Launcelot to prepare for dinner
Launcelot puns on the word prepare and associates it with
hunger. He says that everybody at home is prepared hungry
enough for dinner
Lorenzo calls Launcelot a wit-snapper a person whose vocation
it is to play with words and tells him to prepare, cook and serve,
dinner
Launcelot tells him that cover is the word needed for the
servants to serve dinner. (The word cover indicated cover
the table.)
On Lorenzos asking him to cover, Launcelot flatly denies and
says that he cant cover (his head with a hat as it was considered
a social affront Launcelot puns again: cover the table and
cover the head)
Lorenzo uses an apostrophe: a direct address to something
abstract to comment on Launcelot
He remarks that Launcelot has planted in his memory an army
of good words and that he knows of many fools who do very
well in life on the basis of their verbosity. (Here Lorenzo makes
a reference to all the courtly jesters that held a royal rank and
profile and had the same ability as Launcelot to charm people
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with words)
Lorenzo asks Jessica what she thinks of Portia
Jessica remarks:
Portia is past all expressions and no words are enough to convey
her essence
Bassanio should live an upright life as he has the joys of heaven
on earth (in Portias form) and should he not have an upright life
on earth he will never go to heaven
She reasons it further saying that the Gods playing a match in
sport would need a lot more to equal the scales if they placed
Portia on one as a wager, since no one mortal woman would be
able to equal Portias qualities
She opines that the poor, uncilivilised world does not have a
match for her
Lorenzo is quick to quip that he is Jessicas husband exactly as
Portia is Bassanios wife (a remark made in mock humour as he
wishes Jessica to have the same opinion of him)
Jessica wants him to know her opinion of him and they finally
settle that Jessica will give him a fair assessment at the dinner
table as he will be able to digest her criticism among all the
other things
ACT IV Scene I
66
The Duke enters the court set in Venice along with the
magnificoes
He feels apologetic about Antonio having to go through ordeal:
he mentions Shylock as the stony adversary and an inhuman
wretch
Shylock, according to the Duke, is not capable of showing any
pity and has not even a drop of mercy in his character
Antonio thanks the Duke for trying hard to reduce the instinct of
revenge in Shylocks character and trying to mitigate (reduce)
the harsh court proceedings
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Antonio has so far been mute and he tells his friends and the
Duke that:
1.
Shylocks Jewish cruelty is coming to the fore here
2.
Shylock is more difficult to reason with than:
a)
Standing on the beach and expecting the tides to reduce
b)
Asking the wolf he has given the ewe (the mother sheep) weep
for her lamb
c)
Asking the mountain pines (the pine trees on the hills) to move
their tops from one side to another when gusts of heaven (high
winds) blow across them without making any noise
d)
Anything that is impossible and the hardest
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3.
Antonio tells his friends not to look to Shylock for any mercy
and make any further offers
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The Duke expresses his wish to see the letters and asks for the
messenger
The Duke asks where she has come from and she greets the
Duke telling him that she is from Padua and sent on by Bellario
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The Duke instructs his men to escort Portia to the Court room
and asks his clerk to read him the letter from Bellario
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c.
d.
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c.
Dukes letter
Bellario informed Balthasar of the disput between Antonio and
Shylock
Together they consulted many books
Balthsar carries Ballarios opinion and has his own learning to
back it
Bellario does not have enough words to describe Balthasars
learning and it is Balthasar who attends the Dukes court at
Bellarios importunity (request) and in his stead (place)
Bellario requests the Duke not to let Balthasars visible lack of
experience stand in way of his Judgment
In Bellarios opinion Balthasar has so young a body with so
old a head
Bellario leaves Balthsar to the service of the Duke and the
Dukes trial (here test offered to young Balthasar) should be
the benchmark for Balthasars fame
The Duke refers to the opinion that the learned Bellario has of
this young doctor of laws
Portia next enters the scene dressed like a doctor of laws
The Duke asks if Portia has been sent on by Bellario and she
answers in the positive
Portia is welcomed in the Dukes court
The Duke asks her if she knows the dispute between the Jew
and Antonio
Portia has full knowledge of the matter and asks Antonio and
Shylock to stand before her
She remarks that:
Shylocks suit (request) is strange (anomalous/abnormal)
However, it is not illegal and he cannot be stopped on purely
legal grounds
She asks Antonio his awareness of his predicament. That he
stands to be threatened for life.
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The scepter of the King is also the feature, the symbol of his
power and grandeur, in which resides the awe and the fear with
which the Kings subjects perceive him
Mercy, however, is higher; greater than the influence of the
scepter
Mercy resides and is enthroned in the very hearts of Kings
(Portia draws a distinction between authority and compassion
of Kings. She argues that a King is known not by his authority
of power but by his greater merciful self.)
Mercy is a quality of God himself
It is with Mercy that a mortal King and his mutable power appears
Godly and Divine
The Kings judgment is Godly when his Mercy moderates his
Justice
She tells Shylock to remember that Justice alone does not lead
the human race to salvation; that though he requests Justice, he
should know that Justice devoid of mercy dooms the human
race (a ref to the original sin in the bible that doomed the human
race). Mercy shown by God leads us to salvation and, therefore,
we should know the importance and the need of Mercy.
Man prays to God for Mercy and our prayers tell us to be merciful
to others
Portia observes that she speaks in such detail to remove the
element of cruel and cold-hearted justice from Shylocks plea
If Shylock follows the course of Justice without mercy, the
Venetian Court will, by the rule of law, have to deliver a sentence
of punishment on Antonio
Shylock: My deeds upon my head. Forfeit of
my bond
Shylock is unmoved and asks the Court to deliver his Justice
and the penalty on Antonio as forfeit
Portia wonders if Antonio has been able to arrange the money
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he owed Shylock
Bassanio answers that he has the money and he deposits it on
Antonios behalf. He says that
He is indebted to pay the money ten times over
And use his hands, his head and his heart to settle Antonios
debt
If such an offer fails to break ice with Shylock, it should appear
that Malice (hatred) has won over Truth
He requests Portia and the Duke to alter the law once so as not
to let Shylock perform a legally sanctioned murder
He requests them to do a great right by doing a little wrong to
rein in Shylocks malicious will
Portia: It must not be.it cannot be
Portia tells the Court that the law cannot be altered
There is no authority in Venice that can change a decree a rule
established by law
As such a change will be recorded in the annals of legal history
in Venice as a precedent and errors will be made by its use in
future
Shylock praises Portia by calling her a Daniel (NOTE: it is a
biblical allusion to Daniel, a character in the Bible, the old
testament, who was known for his wisdom and judgment) and
says that he wishes to honor her.
Portia looks over the bond and tells Shylock that for his money
lent, he is being offered thrice the amount
Shylock cries foul and cites his oath he has made to God. He
declares he will not lay perjury upon his soul for the state of
Venice
Portia declares that the bond is forfeit and that Shylock, by the
bond, is entitled to claim a pound of flesh from Antonio to be
extracted from nearest his heart
She asks Shylock to be merciful and accept thrice his money
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that Antonio must expose him his breast as it is from there that
he must lose flesh
Portia confirms the words of the bond; that Antonio must lose
flesh from nearest his heart. She asks for the scales to weigh
the flesh
Portia does mention that the lack of surgeons might bleed Antonio
to death and Shylock ruthlessly conveys that he is under no
obligation to save Antonios life
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with his pessimism in the first act, tells him to read his fate
positively.)
it is still her use (It is the usual fate of people)
To let the wretched man (the unfortunate man) outlive his
wealth (see the days of his poverty after his wealth),
To view with hollow eye (tired eyes) and wrinkled brow (lose
forehead skin)
An age of poverty; (Antonio argues that man generally lives
to see his bad days while he does not have to live on. He is
saved the pain of living through his miseries. He will be
dead soon and spared the horror of his poverty.) from which
lingering penance (from that lasting punishment)
Of such misery doth she cut me off. (of the misery and the
pain of misfortune, fortune saves him)
Commend me to your honourable wife: (he asks Bassanio to
tell Portia his story)
Tell her the process of Antonios end; (Bassanio should tell
her how Antonio died)
Say how I loved you, speak me fair in death; (Bassanio should
tell the world about their friendship and their close bond)
And, when the tale is told, bid her be judge
Whether Bassanio had not once a love. (and leave it to his
wife to be the judge of their friendship)
Repent not you that you shall lose your friend,
And he repents not that he pays your debt; (neither of them
should repent on what has happened and what will follow)
For if the Jew do cut but deep enough,
Ill pay it presently with all my heart. (As no matter how deep
an incision the Jew makes on Antonios body, Antonio will
pay the debt most willingly.)
Bassanio responds to this emotional speech by referring to his
dear wife
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He says that Portia is as dear to him as life itself but not even
life and his wife and all the world together holds a position that
may be compared with Antonios
He says that he is prepared to lose all to Shylock to save Antonio
Portia, who is listening to this conversation unbeknownst to
Bassanio, expresses her disapproval of her husbands offer
Gratiano is the next to commit all his resources, including his
wife to Antonios defence. He goes a step further and wishes
that Nerissa were in heaven to request the Gods to change
Shylocks mind
Shylock mocks the Christian husbands for the frivolity with which
they pledge their wives to the welfare of their friend. He wishes
his daughter were married to a descendent of Barrabus (a
criminal in the Bible, another Biblical allusion) and not to a
Christian.
Shylock asks the Court to hurry up and award him his sentence
Portia announces that Antonios pound of flesh is Shylocks for
the taking. It is sanctioned by law and awarded by the Court.
Shylock rushes to thank Portia.
Portia further states that Shylock may cut off the same pound
of flesh from close to Antonios chest; this is also sanctioned by
law and awarded by the Court
Shylock rushes towards Antonio and thanks Portia again for a
decisive sentence against the erring merchant.
Before he can lay his knife on Antonios body, Portia stops
Shylock
She tells him that the Bond does not mention blood. Shylock is
entitled to the flesh and not the blood.
NOTE: An understanding of the Biblical canon is required here.
The Bible considers Blood to be a sacred component of life.
And in Venice, shedding Christian blood was a crime of the
highest order. The flesh (that represents sin in the Bible) could
be risked as it was rank and base. Yet the distinction between
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Antonios friends know that he has won the case. Gratiano begins
to celebrate already by daring Shylock to act
Shylock asks for the principal amount he lent Antonio, the threethousand pounds. If he is given that he can go home
Portia refuses to let him have the offer. Shylocks earlier refusals
to settle the matter financially entitle him only to Justice and
nothing else
Portia however will not let him go scot free. She brings the
charge of murder to his door:
PORTIA
Tarry, Jew (she asks Shylock to wait):
The law hath yet another hold on you (Shylock has further
accountability to the Venetian law).
It is enacted in the laws of Venice (it is so written and mentioned
in Venetian law, so enacted),
If it be proved (successfully established) against an alien
(against a foreign citizen; Shylock was a foreign citizen)
That by direct or indirect attempts
He seek the life of any citizen (that directly or otherwise, he
plotted against the life of a citizen),
The party [the person (here, Antonio)] gainst the which he
doth contrive (the person against whom the foreign citizen
makes such an attempt)
Shall seize one half his goods [that person (here Antonio )] will
own half the property and goods of the foreign citizen (here
Shylock) of the ;
the other half (the other half of the property)
Comes to the privy coffer of the state (will be owned by the
states treasury);
And the offenders life lies in the mercy [the life of the offender
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(here Shylock) will lie at the mercy of the Duke and the
government of Venice]
Of the duke only, gainst all other voice. [and in this matter the
judgment of the Duke will be final and undisputed]
In which predicament [in this problem and conflict], I say,
thou standst [Portia is telling Shylock that he will have to
defend himself now that he can be said to have tried murder]
;
For it appears, by manifest proceeding, (as it is very clear by
the case that Shylock tried to harm Antonios life)
That indirectly and directly too (both directly and indirectly)
Thou hast contrived against the very life [that he contrived,
planned, against the very life of Antonio)
Of the defendant (Antonio is the defendant here); and thou
hast incurrd (and Shylock has become liable for being
prosecuted by the state of Venice for a crime that he could
not have committed)
The danger formerly by me rehearsed (the danger here refers
to the danger that Shylock faces now from Venetian law) .
Down therefore and beg mercy of the duke (Shylock should
go down on his knees and beg the Duke for forgiveness).
Gratiano tells Shylock to beg mercy of the Duke and others so
that he may get the leave to hang himself. He tells Shylock that:
Shylock does not have the leave to hang himself either
He does not have the value of a cord (rope) left with him
And the State must hang him
The Duke tells Shylock that there is vital difference between
him and the Christians and makes two points:
He forgives Shylock his life even before he has asked for it
Half Shylocks wealth is Antonios
And the other half should come to the state of Venice. This
could be further converted into a fine if Shylock is humble.
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large stone bowl kept in the Church with holy water) with two
Godfathers but had he been the Judge, he would have sent
Shylock to the gallows (to the hanging place) with ten Godfathers.
Gratiano means to say that he would have called ten more
Godfathers as Jury to punish Shylock had he been the judge.
Shylock exits the scene
The Duke asks Portia to go home with him to dinner
Portia humbly turns the Dukes request down. She tells him
that she must go back to Padua by the next boat.
The Duke feels sorry that Portia is not able to dine with him
He asks Antonio to reward Portia as she has saved him his life
The Duke, the Magnificoes and the followers exit the scene
Bassanio thanks Portia for her service to them as a lawyer.
Portia has freed them of grievous penalties and for her services
he offers her the three thousand dollars that he got for Shylock.
Antonio also requests her to accept the money and expresses
his indebtedness to her
Portia does not intend to take the fee. She says:
A man satisfied with his work is paid by it
In being able to deliver Antonio (save him) Portia is satisfied
and therefore well paid.
She tells them that she has never been interested in money and
monetory gains
She asks them to recognize her when they meet again
She intends to take her leave of them
Bassanio importunes Portia to accept something to remind her
of them. He asks Portia to accept something as a tribute, if not
as fee
He asks for two things to be granted: Portia should forgive him
for being stubborn; she should not say no to him
Portia asks for Antonios gloves and Bassanios ring
On being asked his wedding ring Bassanio recoils. This is the
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ring that his wife gave him and he does not wish to part with it
He says that the ring is a worthless article and it will be shameful
of him to give Portia that
Portia positions herself brilliantly and says that she will not have
any other ring but the one that she asked for
Bassanio pleads his helplessness and says that:
More depends on the ring than the value
He will look for the most valuable ring in Venice and give Portia
that
He will make public announcements to that effect if Portia spares
her this ring that he got from his wife
Portia mocks the offer Bassanio made and calls him liberal
only in making offers. She accuses him of making an offer first
and then not keeping his promise
Bassanio tells her that the ring is a gift from his wife and that he
swore it when he put it on that he would never remove it.
Portia terms Bassanios explanation a mere excuse and wonders
if his wife would truly object to the ring being given away if she
knew the contribution Portia has made in Antonios life
She says that Bassanios wife would not hold enemy forever if
she knew how well Portia deserved the ring
She exits the place with Nerissa dissatisfied
Antonio requests Bassanio to let the lawyer have the ring. He
requests Bassanio to consider his friendship with Antonio and
the lawyers deserving nature to make his point
Bassanio finally gives in and asks Gratiano to run after the clerk
and give him the ring and bring him to Antonios house
Gratiano exits the scene
Bassanio and Antonio go to Antonios house even as Bassanio
tells Antonio that they will fly away to Belmont in the morning
(fig of speech metaphor; their going to Belmont is being
compared with the flight of the bird)
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ACT IV SC II
Portia and Nerissa enquire the Jews house so that the deed
could be given Shylock to sign
He overtakes Portia and Nerissa and hands them the ring that
Bassanio has sent on
Act V
Salient points
1.
Brings back the elements of comedy to the play. Significantly
different from the previous act as it lends the drama a happy
ending
2.
Brings together all the major characters
3.
Restores Antonio his fortune
4.
Presents mock conflict (the ring episode) and its resolution in
the play
5.
Also presents to us Merchant of Venice as one of the problem
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The full moon light is being compared with the night on which
Troilus went over to the Grecian camps after the war of Troy
had been concluded.
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Pyramus, who arrived later saw the blood smeared scarf (that
had the blood of an ox), thought that Thisbe had been killed and
stabbed himself. Thisbe, who returned to the spot later stabbed
herself too, seeing dead Pyramus.
Reference 3: Dido and Aeneas
LORENZO
In such a night (on a night such as this one)
Stood Dido with a willow (a tree; symbolises Loss) in her hand
(holding a willow)
Upon the wild sea banks (on the banks of the stormy sea) and
waft her love (waved to her love, Aeneas)
To come again to Carthage (to return to Carthage)
Note:
The Queen of Carthage, Dido, fell in love with Aenas, the Trojan
Hero. She would wait on the banks of the stormy sea after
Aenas had gone to found the city of Rome, anticipating his return.
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That did renew old Aeson (Jasons father Aeson; see note).
The reference has the following points:
Aeson was the father of the Greek hero Jason, mentioned also
in the context of the Golden fleece in Act I
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Jessica observes that she is never merry (in the jovial mood)
when she hears serious music
LORENZO
The reason is (Lorenzo tries to explain Jessicas behaviour),
your spirits are attentive (Jessica is never jovial when she
hears sweet music as she is a receptive/sensitive listener):
For do but note a wild and wanton herd (He asks her to observe
the behaviour of an indisciplined, uncontrollable herd of
cattle),
Or race of youthful and unhandled colts (or the breed of
immature and untrained young male horses),
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She remarks on the light of the candle. The little candle, she
says, throws out its beams of light
Nerissa responds that the moon light had quite eclipsed the
candles beams
Portia compares the moon light with the greater glory. She adds
that a Kings substitute can never be the King. That a kings
substitute impresses us as long as the King is not around.
The presence of the king dims and lessons the radiance of the
substitute.
Portia opines that things are lent a charm and novelty by their
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Nerissa says that it is the silence of the night that lends music its
greater melody.
PORTIA
The crow doth sing as sweetly (the crow sings as sweetly) as
the lark (the lark is a bird of Alaudidae family, found
worldwide and universally acknowledged for its melodious
song),
When neither is attended (when they are not heard; Portia
hints at the silence of the night that makes the song of the
lark as melodious as that of the crow), and I think
The nightingale, if she should sing by day (if the nightingale
were to sing during the day),
When every goose is cackling (when geese made loud and
unpleasant sounds) would be thought
No better a musician than the wren (the nightingale would not
be any more melodious than the wren).
How many things by season (here, environment/surroundings/
right time) seasond (textured/defined/given a shape) are
(By the above example Portia hints at the contextual
propriety of all that is pleasing to human nature. Melody
lost in chaos is noise. And silence makes the unpleasant
sounds tolerable.)
To their right praise and true perfection! (things earn their right
praise and true perfection by the time and place in which
they are born and prosper)
Peace, ho! the moon sleeps with Endymion (Classical allusion:
in Greek myth: a beautiful youth, loved by the moon, who
visited him every night to bathe him in her silver light)
And would not be awaked (and should not be aroused).
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Gratiano describes the man he gave the ring to. The man, he
says, was only a boy, short in stature, talkative, and he begged
the ring of him. Gratiano could not say not to him.
Portia finally gives her opinion and criticizes Gratiano. In her
opinion Gratiano is guilty. He should not have given away the
first gift of his wife so carefreely:
The ring was held on with promises and pledges of love
It was also fastened with faith to Gratianos very flesh
She points out Bassanios ring that she had committed to him at
the time of their marriage.
Bassanio swore that he would never part with it and Portia is
confident that he will neither leave the ring nor remove it off his
fingers for all the wealth the world has to offer
She snubs Gratiano, alleging that he has given Nerissa a very
unreasonable cause of grief.
To take the point further, she places herself in Nerissas shoes
and declares that she would have been equally furious had she
been in her place
Bassanio in an aside wishes that he had never given the ring
away. If only he could cut off his finger and say that he lost it in
defending the ring
Gratiano tells them that Bassanio gave his ring away too. That
the Judge who asked for it deserved it:
That it was only after Bassanios act that he gave his ring to the
clerk
That the boy, his clerk, who made the effort to prepare the deed
of gift (for Lorenzo), asked Gratiano his ring
That neither the judge (the lawyer) nor his assistant would
accept anything but the rings
Portia asks Bassanio what ring Gratiano has alluded to: is it the
ring she gave Bassanio and the one he swore to keep for life
Bassanio confesses that he cannot add a lie to an error he has
already committed. He points to his finger that does not have
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She is bound to agree with Nerissa that Bassanio gave the ring
away not to man but a common woman and she bets her life on it
NOTE: Portias speech is a further reflection on the Merchant
of Venice being an Elizabethan comedy. The woman holds the
man defensive. Portia is calling the shots here, and Bassanio
must defend himself.
BASSANIO
No, by my honour, madam, by my soul (Bassanio swears by
his honor as a gentleman and his soul),
No woman had it, but a civil doctor (that he did not give it any
woman but a doctor of laws),
Which did refuse three thousand ducats of me (the same doctor
who refused three thousand ducats that Bassanio offered
him)
And beggd the ring (and asked Bassanio for the ring); the
which I did deny him (and Bassanio refused the ring to him
initially)
And sufferd him to go displeased away (and the lawyer, being
offended by Bassanios refusal, walked away initially);
Even he that did uphold the very life (and Bassanio did suffer
the displeasure of the very person who saved the very life)
Of my dear friend (of his closest, dearest, friend). What should
I say, sweet lady (he tells Portia with regret)?
I was enforced to send it after him (that he was compelled to
send the ring to him);
I was beset with shame and courtesy (his refusal to the lawyer
had shamed him as a gentleman);
My honour would not let ingratitude (he could not let his honor
be tainted by his own inability to bestow a small reward)
So much besmear it (taint/stain his honour). Pardon me, good
lady;
For, by these blessed candles of the night (a metaphor: he
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Portia holds the argument there and asks the assembled party to
notice that Bassanios oath is flawed
In her two eyes Bassanio doubly sees himself (his two
images). He, therefore, swears by his double self {Pun on
doubly. Bassanio sees two images doubly and behaves
like a double self (false person)}.
Such an oath cannot be trustworthy
Bassanio asks for her forgiveness again and swears her that he
will never break any of his promises
Antonio now breaks in with his own assurance and tells Portia
that he once lent his body for her Bassanios wealth
He tells Portia that he almost lost his life for Bassanio and that
he was saved by the young judge who took the ring
Antonio pledges his soul for Bassanios sake again. Once he
put his physical safety at stake for his friend; now he is willing to
put his spiritual safety at stake for him (note the use of the
word soul). The phrase soul upon the forfeit means that
Antonio commits his soul to Portia as the penalty if Bassanio
fails her in his promises.
Antonio tells Portia that Bassanio will never break his oaths in
future
Portia requests Antonio to be his friends guarantor and hands
him the ring
She asks Antonio to tell his friend never to lose the ring again.
Antonio hands the ring to Bassanio and tells him to swear never
to lose it
Bassanio looks at the ring with a sense of shock. The ring is the
same that he gave the young doctor
Portia tells Bassanio that she took the ring from the doctor
At this Nerissa offers Gratiano a ring too, saying that she obtained
it of the scrubbed boy, the doctors assistance
Portia finally addresses all her guests:
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PORTIA:
You are all amazed (she refers to their surprise and
consternation):
Here is a letter; read it at your leisure (she shows them a letter,
asking them to read it);
It comes from Padua, from Bellario (the letter was written by
Bellario, her cousin, and came from Padua):
There you shall find that Portia was the doctor (that letter proves
beyond doubt that Portia was the doctor of laws and Nerissa,
the clerk),
Nerissa there her clerk: Lorenzo here
Shall witness I set forth as soon as you (Lorenzos testimony is
now called upon. He beong a friend of Antonio, Bassanio
and Gratiano shall prove that Portia and Nerissa left the
house as soon as their husbands)
And even but now returnd (and have returned only a little
before the men); I have not yet
Enterd my house (she has just entered the house). Antonio,
you are welcome;
And I have better news in store for you (there is something
better Portia has to share with Antonio)
Than you expect: unseal this letter soon (she presents Antonio
a seperate letter that she asks him to open);
There you shall find three of your argosies (three of his ships)
Are richly come to harbour suddenly (have returned to the
harbour safely and unexpectedly):
You shall not know by what strange accident
I chanced on this letter (she does not intend to get in the detail
of how she got the letter and from where).
NOTE: The above speech is the speech of resolution.
Shakespeare must conclude the comedy on the positive note
much as he began it on a sombre note of Antonios grief. The
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