Elizabeth Edwards will discuss methodologies for analyzing photographs from difficult and contested histories, such as colonial encounters, in a way that reveals subjective experiences rather than reducing subjects to passive content. She will explore how a "critical forensics" approach can suggest ways photographs might reveal how everyday people experienced events the photos have come to represent. Drawing on approaches to Eastern European histories, Edwards seeks ways of thinking about photos that excavate the perspectives of social beings rather than stalling on issues of visual representation limits.
Elizabeth Edwards will discuss methodologies for analyzing photographs from difficult and contested histories, such as colonial encounters, in a way that reveals subjective experiences rather than reducing subjects to passive content. She will explore how a "critical forensics" approach can suggest ways photographs might reveal how everyday people experienced events the photos have come to represent. Drawing on approaches to Eastern European histories, Edwards seeks ways of thinking about photos that excavate the perspectives of social beings rather than stalling on issues of visual representation limits.
Elizabeth Edwards will discuss methodologies for analyzing photographs from difficult and contested histories, such as colonial encounters, in a way that reveals subjective experiences rather than reducing subjects to passive content. She will explore how a "critical forensics" approach can suggest ways photographs might reveal how everyday people experienced events the photos have come to represent. Drawing on approaches to Eastern European histories, Edwards seeks ways of thinking about photos that excavate the perspectives of social beings rather than stalling on issues of visual representation limits.
Excavating Experience: Photographs and Difficult Histories
Elizabeth Edwards (PhotoCLEC, University of the Arts London)
East European Memory Studies Research Group Seminar Wednesday 2 February, 5:00pm CRASSH, Cambridge ABSTRACT This paper explores methodologies for thinking about photographs entangled in difficult and contested histories. It explores ways in which a critical forensics can be used in relation to photographs of everyday colonial encounter to suggest ways in which photographs might reveal subjective experiences of events. Drawing on methodologies developed in connection to Eastern European histories, the paper is concerned with how we might find ways of thinking about photographs in difficult histories, which do not simply stall us on questions of the limits of visual representation, or in reductionist arguments of spectacle or gaze which deliver the subject of the photograph as passive content. Rather it uses photographs to excavate the subjective experience of people as social beings who experienced events for which photographs have come to stand.