Design Sketching a ee ee cupDesign Sketching aporosc'es sketching technique in a unique ard inspirationsl way by showing sketches from all phases in the design process, The broad collection contains Sketches varying both regarding degree of cificulty and type of product disp! The main purpose of Design Sketching is to help readers find ways to better visual ze thet dees, in 3 way that sults their personal stya. Moreover, it aims to serve as a source of Inspiretion and es a complement to more theoretical sketching books. Twenty four talented and creative students trom ane of Europe's best design schools, the Une Institute of Oss gn, rave contributed to the diverse material this book. The clletion ‘consists of stetches taken From authentic course assignments and degree projects completed by students atthe Advanced Product Design, iniraclion Design, Transportation Design, and Bachelor Programmes, The beok ' separated into 5 chapters containing “Basic Theory This section covers the most important aspects of sketching theory, (such as material, perspective, shading. etc.) mith areas specifically selected for thei ‘eevance to industrial design ‘Investigative and Explorative Sketches ‘This chapter stows investigative and explorative sketches, which are seldom shown in cocks and papers. despit the fact that ey are ngemlly produced in the longost quantity curing a design project. ‘Explanatory Sketches The ability to communicate the function or form of a product is essential to 1 designer This chapter shows sketches created in order to illustrate concepts Oo propesed design solutions, often fr the purpose of presentation and discussion, + Persuasive Shetches ‘The expressive shetenes show in this enapter don't stop at explaining function form, but furtper convince an aucience by conveying the mcd and emctional ‘values of 8 product. + Step-by-Step Tutorials Instrictional step-by-step tutrials reveal the creation process of six sketches that cover a broad range af complexity, trom initial outlines to advanced rellective surfaces i Design Sketching Including an extensive collection of inspiring sketches by 24 students at the Umea Erik Olofsson + Klara §Design Sketching Erik Olofsson + Klara SjolénTable of Contents Investigate and Belraive Sketses 2045 Espanstry Seetenes 6-71 Persusive Shetches T28T Stepystep Torts 102 Thanks to “18 trax ana Uerature Tp 108Preface 1 Sooo aero tng n your hands 4 Net evo Curing urinal yea the BERS octane Une insite ot Design Tougrout he nol of cu eauca aac ee ocean tut ead fo in 9 sens beak or seth echiques tr eaeacninasa Dg ety me ea ud oe Shu tech san rear ‘ered a ctenes tat fe val nt cen sft enna bates pte orn such Seo ray Ath Bipntratuce Sogn we were suruncea by arto ad lente vases sled n Strength insite» one Eanes most romnent Inusrl Design schools. pra eg TRaaceme betrores ove sucnoars Programm andteee este Progra Ving vena st necton. Proirt ae: Tanporiaton Design (ur selections far the iterent ares ef the Insitute have resulta a unique collection ff shetes from al phases the design procesn, which enow various degrees of afeuty ‘a recresent a lsge umber of diferent proaue's. Since persoralskeihung syle can ‘cry erst amongst ofarent der gnare— and Fgh and wrong realy exist ~ sketches ov been sen nth syle arty n ming. Furthermore, they ae taken cece real poets the sketches nce he reteen made gress} oh book We would Rave been od te see a mor sven ropeserlation ef the seas among te skates contnbtors fr thi ook though The tah the proportion of malo fo female cartrbutors rough retest he fate of male to female stents enrolled inthe nternatlons| Master's prosramnos 3: the Tritt atthe pena! tne Newthiless, we Dope and belive that bath mamen ard men wife! equsly adstesed by the contents of this boo. Alto time ans etlor required to atcomplih thor ard well nought cut design foes deagres aot to seatch e morly a mil part of the skis nescee during tne (eral crocessi Sut the cts, even a great daly concep til hes tobe visualized success {lyin oer to be both communal ard old fo oer, ir wich the sketch most oer lays. peat part. ‘Desig Setcnng nas writen to serv a 2 source o inspiration ae wells help you improve our sketching stl au fe ways to tater val ze your deat n accordance mth your Dersonal se We hope tht iwi ghe you many saluae tps, vleata your veatity nd ‘el your ures toaster! Enjoy your na im aria, Ure, August 2005 ‘ir spn esn S2 nSr Erik Ootston was born i 1978 m Une Diane Oo ninduitalowmnengrerren insta Desgrcce Uren CeimwnUeneiy a ecwetog spectre Genenin 20% ih for aspera viet in Remrebeeursgt stains (error! Ooi cp datimteummaSe bagi Shannrmnntierteumoe ota srnbae tawpertaten Pett 8 ts Sketching — the Designers’ Visual Language ‘ha ablty to shat cone ofthe matt value ake song Inaustral designers, thei co \warbers an conte -ane it erat without reason. Sketenng has pron ovr the Years 0 [De one othe fastest ways for a Gesiger to define pottery explore fea and deeton 0m lahstrer using paper cit mada cerebines of wich you ml ee ary examples 7s book ‘The term sketch has generally the mearing of 9 rough or unfnshed drawing, ans the sctnaty fo Seton's te Bne 8 Ble! account or goraral atin of somatting The Enis ‘ward nginates tram the italian schizo, 1 turn Gases onthe classic Grek term sie: ‘Saniying dove ertempore. spoken ce done without preparation” One of te Basic Cogrtive benefits of shetchng shat the rare act of formulating 8 meatal mage ina concrete ‘tay on paper makes it passe or the designer to elect over the concept at once and Sirest matory develop further to 2 new concep, a eo called eration, When warkng teams, sketzning <0 vauable tol for creatine Rroup actinites such as Branstrming ane Concept evaluation In professional design pracice. sketching hos proven to have multitude of purpose wi carb» summarized uncer tur headlines = nestigation, exploration ‘explanation and persuasion Otten the nastigstvelurction of sketching tgnty conmected tothe early reseateh chase ff 8 design projet Tre aaehgor fe examning the problem space, ana setohing NAPE Snatying tne context wie he problem ana ts components ae emerBi ‘iplorstne sketching is oten used ahen proposals of design soutions ae generated od ‘elted. These shelches are proaice tn lange nutrnera. me often very raegh ane ds Seldom make much serse or cthars than the peaple directly inal i the design process. ‘Explanatory shetches nave to communicate acer message to oars thon the designer ane te team tr conic to the eiploative hetcnee marticned above. Thawe skotces SscriDe Sra ilutrate proposed concepts ma heirs arg straight rvara manner ane ate ater Created in the lnor phases of projec, 0 er welsh fedack trom users. cents and PPersustve Sketches ar the most artistically mpresswve type ot wages offen ealed rendering ard tes much ore firs to finan tran tne other ‘vows, The main purpose with {tse drawings ie to tall Ow proposed design concep to lefuental Stakeholder, Suc) 35 (CEOs oF Design Managers. (0 course, many of these purposes cassis inthe same sketches, and the diferent types of ‘shetence often aepaarrepoatealy aur the many erations of a euccescl Seen Breect xpacilyexplerativa and expanstryshetchus are the mat Pasuent pes Enoy this rich collection of sketwes made by talentes design students of Uma institute of Design prezetes in ths boos. and ape small spire and stilt you to ther eapone the visu language of design Nikos Andersson Dacor of Stcies UmesInstie of Desien ecneg: beDevgreVinaunwuie IantoBasic Theory Intatesa reatdelfiaciceto become goa atte! ‘Asef the excet ahf0 dian, good krowedge Grouse iustaton hee ke geicecine ard shoo & faguredtocratecedete vx attacive Sees. ‘Tretilewng nero! section elds a sumaty fens seyectsdeamecinpotan spacey when Sawing (nara prac ssgn sete. Sketching Media sie Bir SetneaMds 6 Soe TeNMaterial Perspective tes law sho ry aew ofthe ay ways tt ‘rates con be usta Renderings cote proved pcos the way that mats ane ttre relict ght hd ting orate here lcs using deer sete ina mada and techniques & gener porega‘a beep in ‘ra, cancerning alltel sth anclyec' shape a8 Uisconreya mater, Because oe de imatars ‘ee natal, smal eis such the ze fed a0 ‘veal nat wns mata! he object smack or ‘outa pespoctvo, even # Correct perspec ‘mater will seem (Bek had perc lace Sha te so pansy rare Bone “Amato Bate Mapa as Een acted fersbosg srt a A Thee pot PerspectInPerpectve Desc belo Mik cue cei ot the fet gure {insect nes cw beter bY 4 Fron rat een the 7 cent oe siete by draw rom Pe es guares cote ‘herr vansirg pone ey ‘ormte estes Complex Forms in Perspective Ittakes come efor t han 9 complex symmetical form cor recliymparpaetne. The method describes babw can be practsed to mrove one's able ousrateUese fas ter understanding tained, ts process can be spies rect shane ofthe op vine our. chosen Ta othe tp on are mtr aero ees enh om Decaf otLine Weight Shading Cross-sections rane rcwiinton 6 ering , Swine + GuichenCast Shadows ReflectionsComposition and Backgrounds fhe Mi E Pe / Using: - " ey} Inte el hee chats sche ae eed ais lrg tothe acta! len ne eon process. T= Sn rate Investigative and Explorative Sketches i om Rs ae, tae x ar a P aon hier RRS —Maun Bal Gann, Tompwaben avin «Hearn sapntie Siateg1 Imes anata ee Se Pts Une: Aduned Poot os LENS Asa g) > vase ns Sei b Bet WoeExplanatory SketchesOe TE? A nareairasc + operon ls Konno sauna Deiy + gn Sat .EGGING a> SHEET Curt OD PR ConerRoL . pComnueeteee irene eer tas Pee eee tee eet mR ent herrea hed Pataca ttc tite ba ae eee nani een Le =i ] i z I i i heePontus Unger, Forest Harvester Robot Step-by-step Tutorials Pontus Unger, Forest Herve shetch is fale, art 05h con 9 seen ating end comix shotoh to sens Uindoatond. Mere are cir sevea ways the some ‘tects so consider tbe steps town in thesatutorals merely Seoptons or examples chp tons nyoigseaecr alte tet 7 shown vay eels of 69M bie. einghightsemectine est commen) used eda chr. ‘Themampurposes oft seton ret tate how cach rpesieh wos begun by dramig bese peepee Ines wha 2 Cubed wn cant ines etn te volumes ha wad men fame mh Tusty make us he Eric Gunnarsson, Dish Brush (aad st ae ac, ber) {Lhe stein was tated fusing ar indigo be pest 2a prc sean defn he rte ct nb ne ‘ora’ a cout shacow se draen roby reveairg he dee tn me igh cue Sthendalionlshashwes one at arts A Dion clute marr : ——— We ay aaa a ie Teiortan Oven + Sipps rae sn ng tc ie ilMikael Lugnegard, Car Perio orc: nr area bes, Peep)Jonathan Hicks, GogglesMauricio Bedolla Gasca, Fuel Cell Car Cervera sso) Porter ee one ay cere re ier rp tren a) Pcie ore Pete reared cet ad Sea iris Pere Paes oershe Garctascerter staat) hn Pee iret er reorient Peer aaah Remeron need eee kee eee re peentero berate ae eben ere pee een ESiraeeeesnn st aaa ene eb ene ees Resear ere ead Peat Soren erase) remain ectn tetera te Poe Sonneratia pee rete ee eae ee tary De ged in traps. Ung sn unin utes yer te, Poorer eee ern eee er nial Fiereb imeem onaeta oti eer at ees conta ee et eae eet terre Are pot person cd eee ees Soba ECs E 7 hel garbieatenteee Te ce eed ate eee ee ee erred oir are a L a pete eat enero passer eter ital ce vis paul. cmt ih aot ane reae ek ee yk cr sili ett Peart eeremeihera teenie aad et ee pete treet eet rato’ Pence ba heente aerateN | b — ; | ener ocr perp tee ye Te Perera en Rare enema” qeenarenren ar aet meena, | ‘reduced it to this final size, The headlights of the vehicle ware ee ) | Beeoemeaiet oe ratte eerie Peerttae oo Peet eee el Ts Fal eaten ate et cer aay ee ee eas beesineecen comer) > Rr eeeteittee ete pl terete cee sy ier ienar reine rf Pec eee See tetany Fc creat raemcrnet oa Soe iemty Sees ee ers aesth eee siete lee ere eter de Pca reeeIaa ed eae ee er erect ge = ; pee eve are eae ae pcr ete Net aS Shonen ren’ ‘iat ago = n x = oS ca -Index and Literature Tip Index ame 4 Aleancer Nemisor aaas Ee Gunnarsson ito), 2428, 46.47, 85.88 Erk Ootssan top nant 8, 9eltom right) 12 Fons Wegernck 3138.68.08, 9152 Fredek Nilsson a irae Razoam Eide gn), 9637, 68, 74.75 Sune 25,3081 35,7071 Sibottany, 13 (item), 14 (rede), 18 (bation) 22-23, 48-50 73,9697 41,5667, 7779.98 102 7 (ridsle rest 63,8587, 9395 2-45, 93,8990 tom righty 10 (ott igh), 14 (bottom ih), 3031, $8, 84 Porepektivara En nondbox\percpektare, Anderson,