Escolar Documentos
Profissional Documentos
Cultura Documentos
MAGAZINE ISSUE 2
COVER
2
Contents:
THIS ISS U E L A N D S C A P E S
28
35 Bora
Gowtum
Baysal
Bachoo 4 Liesel
8 Caleb Hardenberg
Long
23
17 Cristina
Jeff Closs
Roman 9 Mirko
24 CherylChessari
McDonald
13
11 Dana
Vicente
Radloff
Corona 33 Melissa
26 Dennis McGarry
Crain
31
40 Diego
Chris Driscoll
A. Rodriguez C. 8 Mukul
18 Fabio Pannuzzo
Soman
24
31 Emily
RogerEisenhart
Edwards 26 Roberto
17 Paul Phillips
Marinello
35
30 Eugene
Jason Floriano
Krimkevich 6 Simon
10 Karen Schmautz
Pollock
16
36 Henrik
Alex Hadju
Lehnerer 34 David
Sina Fartoumi
Schumacher
12
20 Ivan
LieselWong
Hardenberg 10 Steven
27 Mike Seigafuse
Gibson
33
14 Joey
KjerstiColomobo
Jorgensen 16 Vicente
22 KaryonoCrown
Sim
30
42 Katrina
Kelly Kellogg
Sohriakoff 22 Willian
35 Alessandro
Frederick
Termignone
Middleton III
32 Chris Leachman
44 I On the cover: “Mystical Forest” by Paul Phillips I This page: “Bleeding Color” by Caleb Long
Snapixel Magazine
Issue 2
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SUBMISSIONS
22
PHOTOGRAPHERS
26
PHOTOGRAPHS
66 I KAREN SCHMAUTZ SAWMILL POND
When you think of a landscape, what do you imagine? Mountain ranges and
burnt red rocks? Sandy coastlines and splashing waves? Perhaps you see
lightning, heavy flakes of snow or bustling cityscapes.
In the following pages, you’ll experience the stunning diversity and beauty
of our planet through the eyes of photographers from across the globe.
Saturated in color and vitality, these are images not to be missed.
88 I
FABIO PANUZZO ULURU
Uluru-Kata Tjuta National Park- Northen Territory, Australia
[27mm, 1/160 sec. at f/13]
18 I
WE CHAT WITH CALEB LONG ABOUT HIS 365 PHOTOS / 365 DAY PHOTO PROJECT
C
aleb Long is the recent creator looking forward to going through all 365
of Snapixel’s group, threesix photos at the end of the year and seeing
five-365, where users post one how much my photography has changed.
photo a day, every day, for a
What do you consider your most
year. With already over a hundred photos
successful photo? I can’t really pick any
uploaded, the group is creating a fascinating one of my photos as my most successful. I
gallery of photographs that motivate like to go by Imogen Cunningham’s quote
and inspire users to hone their camera “Which of the photographs is my favorite?
skills through the tried and true test of The one I’m going to take tomorrow.”
constant practice.
What do you look for when you go out
and shoot? Anything that catches my
How did you come up with the idea for eye, or even expresses how I’m feeling or
threesixfive-365? Well, it’s not originally sums up the day. Most of the time I pick
my idea. I had read a bunch about it all up the camera, and just start shooting at
over the internet on different photography- random things. Eventually I find something
related sites. In January 2010, I made it my interesting and I go from there.
New Year’s resolution to participate in
this awesome project. Some people do a Who do you draw inspiration from? I
52 Week project where you take one photo really enjoy looking at Ansel Adams’ black
a week for 52 weeks. and whites. I find them very inspiring. I also
like some of the spanish photographer
It’s a pretty strict project. How do you Chema Madoz’s photos because his work is
manage to stay within your timeline? It’s very creative and inspiring.
not easy and some days it’s hard to remember
to take a photo. I always keep my camera Is there anything else you’d like to add?
near me, either at the computer or when Don’t be afraid to try the project. If you don’t
I wake up. That helps me to remember to think you can do it, just give it a bit of a trial
pick up my camera and get shooting. and see how it goes. If you find you don’t
have the time, go for the 52 Week project
What are you hoping to get out of this and see how that works. Each photo from
project? Well, I’m hoping to gain some every day doesn’t have to be perfect, it’s a
experience and some good shots. I’m also learning experience.
20 I
LIESEL HARDENBERG THE ROAD THAT TAKES YOU TO GORDON’S BAY
One of the many beautiful sights along the coast of Cape Town, South Africa
[35mm, 1/200 sec. at f/11]]
22 I
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CHERYL McDONALD HOPE SHINES THROUGH
Morning light breaking through the fog in the forest - Santa Cruz Mountains [55mm, 1/30 sec. at f/5.6]
24 I
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PAUL PHILLIPS
OUR COVER PHOTOGRAPHER TRAVELS TO GREECE
26 I
1
28 I
3 4
1. Fisherman I couldn’t help wondering what the old fisherman was thinking about as
he gazed out to sea. This was Kassiopi on Corfu.
3. The Bay This small church is near Oia and was photographed late afternoon when the
sea had turned deep blue to match the color of the dome.
4. Small Fishing Boat Mouse Island is located in the bay of Kanoni just south of Corfu
Town, Mouse Island and Vlacherna are the most photographed places in the whole of Greece.
5. Venetian Harbor The Venetian architecture of the Old Town in Rethymnon, Crete.
Taken early evening and showing the many waterside restaurants.
30 I
ROGER EDWARDS OLYMPIC RANGE
On the Way to Hurricane Ridge, taken from the road leading to
Hurricane Ridge in the Olympic National Park, Olympic Peninsula,
Washington State
[50mm, 1/15 sec. at f/32]
34 I
GOWTUM BACHOO TROPICAL CLOUDSCAPE
Tropical cloudscape during harvest time on the island of Mauritius
38 I
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CHRIS DRISCOLL TROPICAL COAST
Wave crashing into rocky coast, Barber’s Point Lighthouse in the distance. Photo taken on Oahu, Hawaii [18mm, 1/320 sec. at f/9]
40 I
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KELLY KELLOGG SECOND BEACH
The early morning light and a low tide highlights the patterns in the sand and the reflections of sea stacks of Second Beach.
42 I
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KELLY KELLOGG SCATTERED SHOWERS OVER THE PALOUSE
A thunderstorm races across the fertile farmlands of the Palouse. This location is near the border of Washington State and Idaho
44 I [70mm, 1/10 sec. at f/16]
Snapixel 010 I L A N D SCAPES I 45
THAMER AL-HASSAN TUWAIG MOUNTAINS
PHOTOGRAPHER PORTFOLIOS /// www.snapixel.com/portfolio
46 I
Up Next:
NEXT IS S U E B E A U T I F U L B L U R
We are proud to announce that Lensbaby Blurs are unique. They can be beautiful.
will be sponsoring the upcoming March
issue of Snapixel Magazine. What kind of beauty can you capture
when you let the shutter speed slow and
Many times, blurs are the root of frustration. the exposure run rampant? When
But what if you looked at them from a objects are smeared in motion across
different perspective? Blurs capture a your images?
series of moments, adding movement
and once-in-a-lifetime photographs that We challenge you to make this the
can never be recreated. best issue yet.
A P R I L I S S U E D O C U M E NTARY
April introduces Documentary Photography to try your hand at creating honest,
as the theme of the month. objective, and candid photography.
While documentary photography Find the poignancy in the simple and
usually refers to a type of professional the raw. Capture the story of the
photojournalism, it may also be an common man or those who are ignored
amateur, artistic, or academic pursuit. and oft forgotten.
Founded in the footsteps of photographers Find truth and you will find beauty.
like Dorothea Lange, we encourage you
Contribute.
Get Published.
Snapixel Magazine
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