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1) ~ II t rt f 'th I h ~ th h d d 'I' I 'th k 't

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,I usua y s a I o! WI,I ova, s ape ,or I e le·a, an. a spme me., , ell er rna· e III

elos -e' +0" '~IC·II or nTl'S'1i 'C~I ~I" 'eo' to accentuate t:he 'fli""ll1L·H i""IIf' ~h'e-' bedv 'g-' 'e'i~+Ulll'\e' '!!:ilnd-" m 0'- 'Idre" mo. 'e nt

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2) Then I, esta b:lish ~he should Ilevell~ and constru ct her torSiCt ~ make it SOl tha,t it has a rlpcaqe lik,e shape,

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3\ Then I creaf ..... an 0" ,oI-'he' r ova '11 0g'" 'g'" 's'h"aI'IP"'e te '00' mstru c',4I. h ,'B" r hl p' M· .', !!:I k'Ii!!:!ii, su re "'10" m··8·1 nta ·1 n

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the' 'IiI;C~Pl' or [1il',S~' cu ro,e' that ~ ~ve, ,es,tabl lshed from th e spl n eli n eearl i er:.

1I!J'*When y'OIU construct ,any shape of bodYI ;ma~k:e sure you th ink in te'rm of ,3, dimenUon,a,1 obje,cts".

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,51)1 ~ establish one arm off' from ~he she ulder ends, Malk.e sure, you ,a,lcoentua,t,sd shoulder, arm and ~one\arm shape if you ean,

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Ie \ Then an o'~ho r arm S sam e' tk "ling'" 'I "l'lk"e" Io:h"'e" IPll"'o~,J'"IO' us 0" 1nl'e:', 'TI~IO~I ~lgl~, vou h,g~·J'e· to ,

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be, caretu I ,8 nd thin k: Qlf the' an glle and perspedi'Ve of the figlu re, It, would be behiiindl the terse itse,l[

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'1) At this sta,lgle,~ l~ then sepa,r,a,t'B ~he legis,. When ylQU put down the line" try to think

in tlerm ,of thnee' d lmennona I form :810 tha,t, i,t, wou Id help you c.reai-,e the rig hi, contour, *Th is is just a nJu'Q h ske,t'ch idea to go off' from, Uisuailly, 'tlhere ViIliim be a gap betvifee n both th i'g hs, u nderneath ~h,e g~en ii,al area,

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8)1 Now ~ establish v,eritica,1 and horlzontal llnes inside ~he torso. The1S9' lines 'will help 21,:5· guild tal locate her breasts, Them you can dna,w a circular shapes ,a,llon9 the established horlzontal Ilnes (the line should cut riglhm ihru the center of bomh ci reu lar shapss.) The 'fair edge of each breast she uld touch rilg ht ,a,IID'ng the, s,ide' ,of the torso whena, it tu rns from front to slde. lEach shoul d be boHom, he.8'vy

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'9)1 Now ~ am j ust drawl ng oVler the, .skle,tch Of consmnlon I lnes, At th is poi nt ylou should try' to coirne,cy ,a.ny m lsshape and acc'en.tuai-,e proportion ,.

10) Zo om out and look ~or accu ra.cy as if any pai nter wou I d .siltep back froml hls p1aintiing and IID-Olk ICir overall sh ape and ~orm".

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1 '1) Now II aim s:k,eb:lhing nose and li[p!L "Bottom of'the nose should bel about half w,a,y fnJlm hQlri~o'"tal I ina, tiD thel flp 10i{ her chin ,. And th e m ouih Ii ne should be half o,f tha,t distance (mouth could be hig1her toward ihe nose, but nom lower lowillrd the chin ~) ~ am Iglo'i ng IOlver her f.a,:ce, an d rough ing out, eye.s und erneath the e,st,ab~liiish

horlzontatllne, ------.

'12>' T.o .. , rn 'a'l~a 'It e' 'as' 'Ie" r y' 0" til ron UI·II'...;I d' 'I"'~'LH ane ,Io:h"'e" 'F he rlzonts I 1'1 n,;!!!ii, pa ra 11'~11 u nde r "'h,;!!!ii, #il rs'"

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one liihe ,~'I!~,t'~ln'IIi""'O be' tw·· ::,'e' e1n' be ,~h' 'e"y' as ;~Ih' o :,uld b';!!!ii, around one :', 1;!!!ii,Y' ·:I·e··, 11;!!!ii'ng' h+ lil""'e' Ihe·lg .. ·· ht

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varies from f.a"chrd stru ctu ria to another,

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1,3] Ey,ebnJiWS shou Id be'gi n ,8.1 ~h,e beg:in nin gl of the nosebridg e locaflon. SOlmle has quite a distance be'llvvieen ,eyebrow' and eye" bu.t, II usually prefer them! up close. The- tlp of the! e.y,ebrow should end where her eye end, Though scmeflmes it could

b I t t t d It)' ··1 h cterl t·

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eonger 0 accen lue"e grace an nove I ',,' or Simi ar ct arae enSIIIC.

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14) Aller you have, ,a,11 the felE;i,tu re in pi ace you can then ,es~,abli,sh the d lrectlon she's

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stra,ig ht, le'tIC.

1.5) New 200m lout ,a,g,ain arrd check if you are h.appy 'Nith 11th e proportion, stance" pose, head, hair, f.a,ce,~ etc. ~f not" now' ls your laLsi chance to correct your rough sketc 'h'

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116J ei,een U Pi some of lexlel55.ivls I lnes, you don't ha;v·e to del ete ev,eryithin g!,. C:I ean just eno,ugh tiD have the lines you wan.t, ~"O present domlinant

1 '1') New you can I,a.y down the! base color for her skln ton e" within her body framle,.

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