AC/DC BACK IN BLACK

drive at 6, treble 5, mid 6, bass 8, reverb 3, overdrive on

BLACK SABBATH - PARANOID

DRIVE 7, treble 3, mid 6, bass 6, reverb 4, distortion on

TONY IOMMI
bass 6, treble 6, mid 6, gain 7/8

BLINK 182 - ALL THE SMALL THINGS

drive 5, treble 7, mid 4, bass 8, reverb 1, distortion on

DEEP PURPLE - SMOKE ON THE WATER

drive 7, treble 3, mid 7, bass 9, reverb 3, with overdrive

DEEP PURPLE Highway Star

bass 8, mid 5, treble 7, gain 4

GUNS AND ROSES - SWEET CHILD OF MINE

drive 10, treble 3, mid 5, bass 7, reverb 3, with overdrive

JIMMY HENDRIX - PURPLE HAZE

drive 8, treble 7, mid 9, bass 6, reverb 3, with overdrive

JIMI HENDRIX
gain 4, treble 5, mid 5, bass 8, reverb 5

JOE SATRIANI - SURFING WITH THE ALIEN

drive 7, treble 6, mid 3, bass 6, reverb 0, with distortion

LED ZEPPELIN - WHOLE LOTTA LOVE

drive 7, treble 3, mid 6, bass 7, reverb 5, with overdrive

LED ZEPPELIN - VOX AMP

gain 7, treble 8, vol. max, mid 6, bass 4/5

LED ZEPPELIN - SPIDER AMP

amp model, either crunch, bass 8, mid 3, treble 9, drive 10, reverb 3

JIMMY PAGE
gain 4, treble 8, mid 3, bass 7, reverb 2

METALLICA
Gain 9, treble 10, mid 2, bass 7, reverb 3

METALLICA - ENTER SANDMAN

drive 7, treble 8, mid 3, bass 3, reverb 2, set on clean

Metallica - black album

Gain 9, bass 8, mid 1, treb 6, reverb 4

METALLICA - RIDE THE LIGHTNING ALBUM

gain 7, bass 6, mid 1, treb. 9 - 10
MUSE - PLUG IN BABY
drive 9, treble 8, mid 7, bass 3, reverb 1, with distortion

NIRVANA - SMELLS LIKE TEEN SPIRIT

drive 6, treble 7, mid 4, bass 3, reverb 2, with overdrive

GRUNGE PEDAL SETTING FOR Kurt Cobain

loud 9 o clock low 3 o clock high 12 o clock grunge max

PENTERA - COWBOYS FROM HELL

drive 10, treble 10, mid 0, bass 5, reverb 0, with distortion

PANTERA on a line 6 spider 2 amp

amp model green insane bass 7 mid 2 treble 8 drive 12 o clock add a bit of flanger reverb 4 add a noise
gate

AC/DC BACK IN BLACK

drive 6, treble 5, mid 6, bass 8, reverb 3, overdrive on

PINK FLOYD - MONEY

drive 5, treble 6, mid 7, bass 7, reverb 4, with distortion

DAVID GILMOUR
strat neck pickup clean tube amp gain 2/3, vol 10, treble 7/8, mid 9/10, bass 5/6, reverb 60/70% fuzz
100% use fuzz pedal, big muff or rat phaser pedal 40% delay pedal 310ms

RAGE AGAINST THE MACHINE - KILLING IN THE NAME

drive 6, treble 8, mid 0, bass 6, reverb 2, with distortion

RED HOT CHILI PEPPERS - UNDER THE BRIDGE

drive 2, treble 6, mid 7, bass 7, reverb 0, with overdrive

VAN HALEN - AIN'T TALKIN BOUT LOVE

drive 6, treble 5, mid 3, bass 9, reverb 4, with distortion

STEVE VAI - THE ANIMAL

drive 6, treble 6, mid 5, bass 8, reverb 3, with overdrive

STEVE VAI AMP SETTINGS

Clean #1 - reverb 0, treble 9, mid 5, bass 3, vol. 2
clean #2 - reverb 0, treble 8, mid 4/5, bass 4, vol. 6

LEAD 31 settings - presence 6, treble 6, mid 8, bass 7/8, drive 9, vol. 4

LEAD 32 settings - presence 6/7, treble 6/7, mid 6, bass 7/8, drive 8, vol. 6

LEAD 33 settings - presence 6, treble 6, mid 6, bass 7, drive 8, vol. 6

LEAD 34 settings - presence 6, treble 6, mid 7, bass 7, drive 7, vol. 8

TIGHT METAL RHYTHM

Mesa Boogie F-30 combo ch 2, with contour Gain 3 o'clock, trebel 3;00, mid 10;00, bass 8;00, reverb
off, master 8;00 and up
THICK METAL CRUNCH
gain 7, bass 8, mid 6, treble 7

HEAVY METAL RHYTHM

bridge pickup, drive 9, drive vol 7, bass 8, mid o, treb 8, reverb o

HEAVY METAL LEAD

bridge pickup, drive 10, drive vol 10, bass 5, mid 6, treb 7, reverb 3

HEAVY METAL SETTING

bass 10, mid 2, treble 10, reverb 3, with Boss Metalzone set at level at half, low boost, high at half,
distortion max

HEAVY METAL SETTING

gain 8, presence 3/4, bass 9, mid 3, treble 7, reverb 1/2 with DOD metal X set at level at 4, low at 8,
high 9, distortion 7/8

HEAVY METAL SETTING

everything at max DOD deathmetal set at level at 5, low 5, mid 0, high 6/7

HEAVY METAL SETTING

treble 9, mid 4, bass 10, Boss metal zone set at high just under 1, low max, mid just under 1, mid freg.
distortion max, vol. set to arrest level

HEAVY METAL - Spider 6 amp

drive 7, bass 5/6, mid 4, treble 4

PUNK - GRUNGE
gain 90%, treble 70%, bass 80%, mid 30%

PUNK SETTING
low 10, mid 10, high 3/4, with distortion pedal set at tone high, distortion max

PUNK - Marshall MG amp

gain max, treble 9, mid 7, bass 5

PUNK ROCK
gain 7, bass 3, mid 4, treble 7, contour 8, overdrive 7

GREEN DAY
gain 8, treble 6, mid 4/5, bass 8, reverb 2

BONE GRINDER GRUNDGE

pregain 2/3, low 8, mid 5, high 8, presence 6/7, master vol 6, output level 80% you can add to this
phaser at slow with EQ for bass punch or a chorus with EQ for sharpness

SULTANS OF SWING SETTINGS

presence 4, treble 5, mid 5, bass 5, reverb 2/3, master vol. 10

YNGWIE’S SETTING
vol 10, bass 5/7, mid 2/5, treble 6/8, presence 4/6

COUNTRY BLUES SOUND

bass 6/7, mid 6/7, treble 8/10, reverb 3
BASIC BLUES TONE
neck pickup, drive 4, drive vol 5, bass 5, mid 5, treb 5, reverb 3

POWER BLUES SETTTING

gain 1, reverb 1, treble 7, bass 6, mid 7,

RHYTHM BLUES SETTINGS

gain 6/8, treble 4/6, bass 4/6, mid 4/6, reverb 3, presence 2

BLUES - ROCK
Marshall Hot Rod Deluxe amp neck pickup, plug into socket 2, bass 9-10, mid and treble, half way,
drive 3, master vol 7, reverb 1-2

BLUES SETTING
treble 5/7, bass 5/6, mid 0, use with tube screamer

BLUES TONE - vox amp

treble 7, mid 6, bass 3, gain 10

STONE ROSES
gain 7, bass 7, mid 7, treble 3, reverb 5

ZAKK WYLDE
treble 10, mid 3, bass 10, presence 2/3, vol 10, master vol 6/7

Another ZAKK WYLDE

gain 6/8, presence low, mid 4/6, treble 9/10, bass 9/10

RANDY RHODES
presence 10, bass 1, mid 4/5, treble 2, vol 9, played with MXR distortion pedal

RANDY RHODES Over The Mountain

gain 7, bass 7, mid 7, treble 10

TOM MORELLO
gain 7, treble 10, mid 4, bass 4, reverb 0

ERIC CLAPTON
gain 7, treble 5, mid 7, bass 7, presence 8

ALICE COOPER Schools Out

gain 7, bass 6, mid 10, treble 10, reverb 4

THE POLICE Walking On The Moon

gain 5, bass 7, mid 5, treble 5, reverb 5

DARKEST HOUR
gain 6, bass 7/8, mid 7, treble 5, presence 7

THE DARKNESS
OD on, gain 7, treble 8, mid 8, bass 8, reverb 5, with a tube screamer

PAUL GILBERT
bass 10, mid less then 1, treble 6/8, presence high
ALICE IN CHAINS
gain 6/7, treble 6/7, mid 5/6, bass 5/6, reverb 3

ALICE IN CHAINS
drive 5, treble 5, mid 6, bass 6

PHISH Chalkdust Torture

gain 6, bass 8, mid 7, treble 4, reverb 3

ALMAN BROTHERS One Way Out

gain 5, bass 6, mid 6, treble 68, reverb 3

THE MISFITS
gain 9, bass 9/10, mid 6, treble 5, post gain 5

ZZ TOP
bass 10, mid 10, treble 3, presence 5, preamp 5, gain 6

SYNSTER GATES
drive 8, treble 6, mid 5, bass 6

NEIL YOUNG Rockin In The Free World

bass 5, mid 10, treble 10, presence 10, gain 5

AVENGED SEVENFOLD Beast Harlot

gain 8, treble 7, mid 6, bass 7

CRADLE OF FAITH Filthy Little Secret

gain 10, bass 10, mid 1, treble 10, vol 10, contour 1

DAN DONEGAN
gain 8, bass 10, mid 7/8, treble 7/8

KERRY KING
gain 9/10, treble 10, mid 4, bass 6/7, reverb 3

DEATH TRASH SETTINGS On a Peavey Amp

lead channel bass 6, mid 5/7, treble 7, gain 11

DARK AGGRESSIVE RHYTHM

Masa Boogie triple rectifier 150 ch 3, modern, diode rectification, loop bypassed ch master 9 oclock,
presence 7;30, bass 10;30, mid 11;30, treble 12;00, gain 2 oclock

BEATLES Day Tripper

Channel A master vol. 4, gain 4/5, presence 3, bass 10, mid 5, treble 5, mode low

STEPPENWOLF Born To Be Wild

Channel B master vol 2, lead gain 8, reverb 1/2, presence 1/2, bass 8, mid 9, treble 6, mode low

CLASSIC ROCK For Solid State Amp

bass 10, mid 5, treble 7, presence 7, resonance 5, reverb 3, distortion

CLASSIC ROCK On A Tube Amp

gain 8, bass 7, mid 5, treble 5
CLASSIC ROCK BASIC TONE
bridge pickup, drive 6, drive vol 6, bass 5, mid 6, treble 5, reverb 4

SRV On a Fender Blues Jr amp

reverb 3, master vol 3, treble 10, mid 10, low 4, fat switch on, vol 8

SRV Texas Flood

drive 6, treble 6, mid 5, bass 8, reverb 3, overdrive on

PETE TOWNSEND
gain 9/10, bass 7, mid 4, treble 10, reverb 2

SLAYER
gain 7, treble 7, mid 2, bass 9

RAY DAVIES - Kinks

Bass 4, mid 6, treble 10, gain 8

DAVE GROHL - FOO FIGHTERS

Bass 3, mid 5, treble 7, gain 8, reverb 3

JUSTIN HAWKINS - THE DARKNESS

Bass 6, mid 8, treble 8, gain 7, reverb 5

KORN
overdrive/gain 10, bass 3/5, mid 5, high 5/8

STROKES
gain 4, treble 8, mid 4/6, bass 6, bridge w/distortion, or neck clean

RADIOHEAD My Iron Ling

drive 10, treble 6, mid 7, bass 6, reverb 3 (clean)

JOE PERRY
gain 5/6, treble 2, mid 7, bass 2

DEP LEPPARD
gain 4, bass 4, mid 5, treble 7, reverb 4

DEP LEPPARD Rock Of Ages

gain 4, treble 7, bass 5, mid 4, reverb 4

DAVE MUSTAINE
GAIN 9/10, bass 8/9, mid 7, treble 8/9, presence 10, master vol 5/6

PEARL JAM
gain 2, treble 6, bass 7, mid 7, reverb 3

JEFF BECK Blow by Blow

gain 10, bass 6, mid 5, treble 7, reverb4

BOSTON
bass 3, mid 10, treble 5, gain 5
GREEN DAY
gain 8, treble 6, mid 4/5, bass 8, reverb 2

SLIPNOT
treble 8, mid 2/3, bass 8, gain max

SATCH
gain 7, vol 3, treble 6, mid 10, bass 6, reverb 1

THE SHADOWS
gain 2, treble 6, mid 9, bass 10, reverb 10

SANTANA
clean, gain 7, treble 10, mid 6, bass 5, reverb 2

SEX PISTOLS On a Vox ad30vt amp

gain 2/3 o clock vol max treble 4/5 o clock mid 2/3 o clock bass 10 o clock

STEVE JONES - SEX PISTOLS

bass 4, mid 6, treble 9, gain 7

SLASH
gain 6/7, treble 4/5, mid 7, bass 7, presence 8, overdrive on

SLASH
bass 7, mid 7, treble 5, gain 7

GUNS AND ROSES - SWEET CHILD OF MINE

drive 10, treble 3, mid 5, bass 7, reverb 3, w/distortion

GOOD TRASH SOUND

drive 10, vol 5, bass 0, treble 10, tone off on guitar, bridge pickup

CHILDREN OF BODOM
treble 9, mid 4, bass 7, gain 8, reverb 4, guitar tone max, bridge pickup

ADAM JONES - TOOL

bass 7, mid 4, treble 6, gain 5/7, reverb 2/4

MICK MARS - MOTLEY CRUE

bass 3, treble 10, gain 3, mid 3

KEITH RICHARDS
bass 6, mid 7, treble 5, gain 5, reverb 2

MEATY CRUNCH
Mesa Boogie F-30 combo
ch 2, contour on gain 9-10;00 o'clock, treble 3;00, mid 4;00 o'clock, bass 10;00, reverb off, or 1;00
forblues, master 8;00 and up

CLEAN POP SOUND

bridge pickup, vol at 5, bass 5, mid 4, treble 5, reverb 3

BASIC JAZZ TONE

neck pickup, clean, vol 6, bass 5, mid 5, treble 2, reverb 4
IRON MAIDEN
drive 7, treble 9, mid 7, bass 4

DEFTONES
Mesa Boogie amp (half stack) level 12;00 o'clock, high 12;00, mid 12;00, mid freq 9;00 o'clock, low
3;00, distortion 12 - 3;00 o'clock

CLAUDIO - Hammerstein Ballroom,/b>

gain 6-7, bass 7-8, mid 10, treble 10, contour 5, reverb 2-4, overdrive 2

HONKY TONK TONE

Bass 6-7, treble 8-10, mid 6-7, reverb 3

SAVAGE BEAST
gain 10, imput 10, bass 7, mid 10, high 5-6, presence 5-6, reverb 6-9

BLACK LABEL SOCIETY

preamp 10, bass 10, mid 4-6, treble 4-6, presence 2, master 4-6

JACK WHITE
gain 8, treble 7, mid 5, bass 8, presence 8

BRAIN MAY
gain 8-9, treble 4, mid 9, bass 5-6, reverb 4

THE EDGE
gain 1-2, treble 7, mid 5, bass 3, reverb 8-9

KIETH RICHARDS
gain 4-5, treble 4-5, mid 6-7, bass 5-6, reverb 1-2
Keith uses open G tuning on his guitar

JOHN FRUSCIANTE
gain 4, treble 8, mid 2, bass 6, reverb 7