The term 'romanticism': -not from 'romance' (love) -rather from the romance languages and the medieval tales of chivalry written in those languages. -emotional expression and sentiment -often included support of contemporary causes (like the individual's struggle against the state) -struggle with / vastness / fear of nature the sublime -nostalgia for the past.
The term 'romanticism': -not from 'romance' (love) -rather from the romance languages and the medieval tales of chivalry written in those languages. -emotional expression and sentiment -often included support of contemporary causes (like the individual's struggle against the state) -struggle with / vastness / fear of nature the sublime -nostalgia for the past.
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The term 'romanticism': -not from 'romance' (love) -rather from the romance languages and the medieval tales of chivalry written in those languages. -emotional expression and sentiment -often included support of contemporary causes (like the individual's struggle against the state) -struggle with / vastness / fear of nature the sublime -nostalgia for the past.
Direitos autorais:
Attribution Non-Commercial (BY-NC)
Formatos disponíveis
Baixe no formato PPT, PDF, TXT ou leia online no Scribd
languages and the medieval tales of chivalry written in those languages. Characteristics of Romanticism : -emotional expression and sentiment -often included support of contemporary causes (like the individual's struggle against the state)
-struggle with/vastness/fear of nature
*The sublime -nostalgia for the past Romanticism
Theodore Gericault, Raft of the Medusa, 1818-19.
Oil on canvas. 4.88 x 7.16m. Romanticism
Eugene Delacroix, Liberty Leading the People,
1830. 259 x 323 cm. Romanticism
Francisco Goya, The
Sleep of Reason Produces Monsters, 1798. Etching and watercolour. Watercolour: -used in China since as early as the 3rd C
- rarely used in Europe before the late
18th C and early 19th C.
- became popular for small scale landscape
paintings.
- favoured by those who preferred painting
en plein air, as it was a portable and quick drying medium Romanticism
Francisco Goya, The Third of May 1808, 1814. Oil
on canvas. 266 × 345 cm Romanticism
Caspar David Friedrich, Seashore by Moonlight,
1835-36. Oil on canvas. 134 x 169 cm Romanticism
JMW Turner, Snow storm - Steam boat off a
harbour's mouth, 1842. Oil on canvas. Romanticism
Thomas Cole, The Oxbow (View from Mt Holyoke,
Northampton, Mass. After a thunderstorm), 1836. Oil on canvas. 131 x 193 cm. Compare and Contrast
Discuss the similarities and differences in:
Visual analysis - what you see
Mood – what you feel
Theme – what is being addressed
Compare and Contrast
Joseph Turner, Slave Ship, 1840. Oil on canvas. Caspar David Friedrich, Wanderer above a sea of fog, 1818. Oil on canvas.