..

Contents

A- 'Ii 'M" ,.

,-: ". ' , ' .. ',': '.' =.-' " :-1'" .. ,." :: .. '

.D,J uman ~ .nnaran

..

Ii

• Naqqashi ------.. Workshop

• Seminars/L ecture s

~- ... ':W"".I

on '~11,e' arts of

South Asia

• Naqqashi Study " Naqqashi Calender

Mem h e 'r-" N···,····· ew . ":'1··\

. . ..~ .. '_

. ~'. . .. :...: .. ~ , .', _:' . . ~.,

.' In the Summer of2001 Ustad Saif- LU~-' Rahmau and his team d~ d N,uiq'as.li~, painting 'work on, the ceilings of Serina Hotel [:s,lam3'~,~d, designed by architect Nayyar Ali Dada ..

Projects ::

-Mosque restoration =Design

&Fab:~ic'ation,

• Renovation &

• Architect Dr, Abdnl Rehman's book an, Muslim Gardens "E:~ut111y Paradise" was Iaunched in Lahore on 24th Oct, 200ll.~

.' Architects Kamil Khan, Mumtaz . Rashid Makhdoom &' Rabia Nadir' pre sented papers in a seminar organi sed by Conservatien &' ,R,eha.biljtat~:oo, Centre on the eity ef'Lahore in September ,21101.,

I. Architect Huma Daha proceeded to' Colombia: University for an M .,A, in. Urban Design in the 'S;UTIlr.JJl,e,r of 2001. She had earlier worked ,3S_ volunteer te transcribe many of the colloquia with H' ,oJ'~' A'- 'ie-d' [1'1 A·· zi ".Ii'

. .Ii.~IL_ £. ,a ,l.. tJ!. ._ __ .. hlIL£.i Il

. • '11,d" T/"",]lIip 1m! ~,

, llL _ .I., ,Il. , a ill

.' K· o,~' P-,~:iilh- >Oi' ·w· . :i'Oi ""1Irn

. , '. .. III , 1;.,;" I·!tl ,. iGl,£JIIJIl:J,

(Sargodha)

'. 'N a s:rpulr (Hyderabad)

I. Chiniot

t A t~ -0,0;

I'''' , ", .. ',

, D.,,'e,; ·C,lVI. ,es

•

Chiniot Trip:' On ']_ 7th A:ugust 2:00:1 'an, Anjuman group went to

meet with craftsmen and. see: woodwork. in Chiniot,

TIre affairs 0 f

Anj uman Mimaran are m,an:r_g ed by G Board of 6ovcm,$r~ Wliich: inc1lJd me

followil1g : t

l~Kam.~],Kh:~

Mum~az(_Prlesidenl} 2.Abdul Rehn u ' .. Itaza ,j\Ji

,4l.N,ayy,ay A~i Dada

5. Wm si r Ali K:J:£1.l1 ..

,

:::f

~I'~'f""

~f"r..f " .....

j!' ,

~..)(., , '~

R dl Tr" diti 'I b i1." dill! b '( I'M''- th d d t h III!

, ",,:: -,' " " ',-, :--: '",', 'I' ",' ': - ' ," -', - , ',', '-', -'II ' ""I' '- -, :,' :'-,' -',I ,-'" -,' '.- ,", ,'" ',' -- :' ',-", ,'," ,- : - ,- I' -' -,

,ecor c .In,g, I '" ,3,_ .1" I,on"a" , _-' U ':, _ lD,g v,oca, __ ,u .. la,r,]les ~ :,' e ,',' ,0_ S an._-_, _Ie'c, ,Dl.ques

,A:s, part of Anju:man.'~s program to document " .lc:lrD and publish IJ·,a.di:tioD,aJ. buniUug methods and tech niques used blf he;,~edita:ry Ma ster C raftsmaa ~ a, series of' sixteen c'rni:t~.o quiums 'Wf're cond Bleted by 83 years o,~d, ,m,BS tel' ,_,a,so:n, U stad Ha] j, ,A.bd,u~ ,Aziz [rum, "F if! hru ary 'I,D June ,2090,., ,op:~,c;s: covered in,c~,'Ud~d,~ 'rill 0" )'li"iilJO' n It" lIIi 'rIP- hAS' 'd- 0" mes 'm' I~D a'FA'" Q 1ITIIi' d aol!li;O met lli"iio 'n atterns

,1""- ;:, ~ ,~n,!L;, ,Ii; i _ "_ -, '!I;;[~" • " : '1Ili"1l, ,lIl!UliIl,I:_, ~~, -" ",' -II! ,III";;, ,r', 11l,~ ~",;

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lA/~'~~~ ,

,r' ~'" ,. --,J

l'~ ,_'~:d

1

, tl"r.~

li:~ ,.,~~~JI.;..:.i'~ ',(1','!.t

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I -,

, ,--, "''.--'"'' J!'.." _u, '','0 A·iL, .. , 1:·.,4 ". ~~, ·s· ~p, 'd" rd ':I~ -d' '" ,-', t '- .,' ';""L .!I'~' ''''M: ·-d'd' ] .. - .. )::i &'" ~"H'''' ,':h·H E,··,..'4···· ,Ci', -_j,iii... ,--' b '

.··.,.'"'wln' .·.f u.· ,n ut ,. ,ut,lf·, /:ill .~. - . ·llLani1lr,., .... ,o.rnGJ)e ypes - " ow ~ , .. ",1. ., ,..I.n.,g ,!, .. , , I" J"g, .. , ., . aCn can {iilfu.rue.r . e

;a" .Ai di '11...,'. "E tl " 'I, 'II dl b " TI G- d II!.. ioned hat i f

i}-1jJust,ell!i Rceor. In.g to tu,€!' snuanon . ,. very ,ung: S.l10U~~, -, .• e 'prop O:rtruOll(;'hte., ,·.lle way t .. ,0 . .rnJL8IrS, propornone _ ' mlf);n.!, 1: ,.81: :~':-

it person is tall his limbs and head ar'e proportionate to his height and so on. If '~h.e~y are ncr! we immedi ately know '. ~ ..

r'h s if s -"': ' : ,...:II. ",,' ,-;.- the n..''' tIl..'l " 'f· ,j,n'·. .- ~ . .;.I., - b ~~--', il1Ji", !nr ·d' ", . 'tl. . ·C" "'" '.', ,."' "', '''' i' ~I] " ' ," d ,;", ,1[!r~1' ha ~,- , . d ,,' '-',

'" U,S 1.. you uecrease It ie ,[le.lgu, o _ me main oome ny ermgmg uown ne r.enrer ~ you" Wh .. accorcmgry nave ILO re uce

th - -'" ,- ntic - ,- , "f- th .-C', ial ,-"':1 . . !i'~

tne propornons 0,. III ,',Ie nma . ano so on.

,j; t JI~

- I, -

0', "" 'ib. • 'L. d 'n\.. I '~!d I" k

... ::n, ILH~lng as,b.-e, ,W.lOW ,:le WOU~". , . ,:ru, •.. e

..;alB ""Abd ~IA " 'BA'A-"')to proceell]" . ,91l,·· ..... UlIJ, . , . ZIZ ",' . _:,'. "., ' ...

suggested the participants could ask him questions. TailiIDJ,OOr K]lHtD, (TK.) said, he bad a question regarding

, . ~ .

;0 ,Tha'J1 iyan' (Pillars) whether [bose

, '·1 Il n:JA ..... ,d' w··· .c;;f'e dl.'[" fferent ·r.:-· ........ m" , tbo C'.a;;

, , ""'l" U!Ll' " ._ "'"" I' '. 1.1 L-.], I· -, ,I[ .lll 'U , " _-W.~.· _',~",""

'I.· 'I . . _...a '..

W,LllC, 1. it 1S meant OO:llL proport E on. it

. )( - ...'.I1,:'i' 'ff,~1 '. Tl. . .' , ',' 'G" I' ,..:tIl l --

,acc o.fu~.nQ w,y.. ,[le Waty . o~ , las

proportioned every person

. . ..... ,' ;11.':',· !lJ;' "& 'b'" -u 'I ,.. ht tl '.' ;fI.:1 ' ,j, 'I 'n

aCCO,fu.Uib, '~O , • JIS ,1.el,gw.w, ;, _ [la l~, J,e ba. ,.l

is sli d likewi

per.s,o]], lS S un an ' .• , so on ::;, ,J .... eW"E.se'

the pillar would, be slender or squat.

........ J (-...'.II,:'i' 'ff' iIio.·.. heieht Th'" 'ito 'I' ,'_ th

accoromg 1[0 netgt ,l,~ , at ,m So ne

work of file Craftsman .. "_Dauta:gh kurigar da sanay da non,da lae'!'" (The craftsman 's mind is that of a, ·s .' - .'. - ~) r S" --, - - '~I~" 'I " -, -' ke '., .~. ana,y .' l _ ,ana), ,_ ,:-J,e W,10 nl3. ,'es ~

Creator- is. an attribute of Allah ~ thus. the~ ani st reflects that B ttribute when designing. Ed .. ]

I k '" h B . 'll ~l d

nvo cmg the "lS~1'U uan ano

L," • h If' wmspermg .-3 prayer' to mmse r

~,HAA Iooked at the pi.llar

" . . UR'B

proportions glven. In. .. ' . ,,' ., s

manual. TK told him these were by

URB'- :' f· '--' ,'roM-' -- 'It', ,,' (LA, il;o, ,.;.v .. , ...

, ...•. ,TOR1%"_U,, ,an~,. ·~iii les· yes

I"~ ~l-"'ii k" c: M ltan.Verv zood 'l~ Tl h " d d L."' 8-"1 ~'~JP ].

, Vie xnown :m any" al'l,gr;trs rrom "~ II. tan .very gooo ones as we, .[." rere 'was one W'" 0 15 ",ea, ,'[lOW ,,,ld s SOon. ::" , raukat J Vt'!'S

, F' ] 'n,.. d H J:'. H H.to A "...:I 'I 1 t"l J' fi H'"f d . . d ,",,~. ,. 1

'~11 , ,,: aisa ,Ru,a, , ,. " I" e was an ace eartgar. " rulL. !S£Uu, t aat "~ aere wasa ' I;~trwa aa taraq' " lim t re ..... rawmg i.e, a ."" '[ tterence m t re

hawa. HIe explained "hawa" as something ~ which can not be measured ,. but the' craftsman's eye has the criteria for it.

"hus, "for example the vase [?]s S.~10 uld ha ve been less slender here' '. TK:pu t a tracing paper over the dra wing and BAA

I" " C . ,t.,tJI'"* 'T'h" '''1 'h' " ' '·,rif'"I·"' 'd' ,',' " "11"I~'h' ,",- n else 'Ii:'T1Iir ,t·, ,"11,11" 'Id 1"'" :,' b . ',-: ,,' '~( ,'. f'in te'l, ' .. _. 'j, .. -. '0"" h ,to"",. hav ,.~. f h 'tl

correc L,eUU, 1 i.. .. ,:en. ,e no III e:e. ,SO [ll),e it . Ul~ e, ,S e, "uif!.l e SnOUt. ULve . een a. ,~.ea ,1.0. ,1e Cen!beI, ... n.e laS LU' ,8" if! a .[Iea, , 111. l l,t;:

.' .. '.- .oj, ":!j;- p .. -., 'rIP'L . .'~ "lth" ,-,., - d ,'I·· 1 ~ . ...:I~:'" di "'d' d t'l ,,' t . ]. , 'f .... ". ,~, ·t,'1 "'. . I' '.jI, ',.' :~!I! A:"" b I' ,- ··'~"I· he ,j"" - '''- d' ,', d ,-_." ~"" ··d t· . center .. ,' Ol 'UJ.~.S I! ,e grouno SJ],OU[,U, ne atvmea so . ra .a .ea comes 1l11 .. re cemerrA rupny re stoppec an, rerusec "0

• • I. ld b . 'I d . W" 'I ldst " L. "'Al;,rn J~' AB" -'C

eontmue saying 'we Sl1.0U,U, . , go step 'Y step m a p .anner manner ~ '_ '.' e· s, lOU, . I stan W Dtu, "'.', '. ,0 D ae 1., e ".......,:._ .

H.4 .iL • "IO"'·''Ilt ... "". ',,"',,", ,', 'j; . ,t,· ."1P ":-"" ,: ,['1 ~ - . ')" .. :';,j,l~ rIP'l, B:"'"''"':", i '"ll."~ ,j, " b ,-" -. ". B".'· ,,""-l~, "to (B,"]'" '. ~ - '. "\ W··'~" 'llf " ·d· ,1,," .' ·,- .• J11... .' '. , Illld

.PLft..,. '.' J]JJJ, yes ~ one must S ran every .mng \-V,h!IJL tne. .' usms. tan ro r ring tsartan ..... ' I' essings r ". nen ruse ,l 0 WOlK 'WOU~'"

, sk ' . ." .... , tb 'n:,' .. ,~I· ... ,j, lab ·C,. -'" ,'h ·11'~' .' .jio:L.·I"," .): 'iii' ,'f"iI'~'~'" . zork I~'d'"' ,."j, do 'I ' 'T'~'·:' '" '".' '" .'];al brine B···· ., .. 'p''_' -. :il' ~"" '~r'D...·, .. ' ".-'1 ... ', " '.:

as " e ven It _ e iow lJJ U;!S L ,[B. .. Ore]:' wna u ne rno ugm 0" IIIJJ,e wor ". ,. ' ,J us b , one, "uru,g woum rtng. .... {U tau ILO me W orx, as my

elders had told me ." He repeated aloud. the prayer he'd ear Her made silently, ~~-", his is. a prayer of the Prophet ,~.'" The translation is ~O' my Lord make this work easy for me and, not difficult and may its end ble good," Tbe:lITIJ, be repeated it

... 'm~I··Ih..·[1 bv s .~I] .. fII...~I_-: ,'"-'iIP· out th ;i,'I~'~' '.' four svllable and wi "1' rv to rer '.,-,' ber W"'h'- ""'-'~""'d' t"·,,, -"',1,· itdr ,-'

syuan e y sy.w, ante poinnngou mar h nas rour Sy.i, lJL es an . was, easy 0 rememn er , ..... '" en. we wante o wnte ,mil. aown

be said it was a common prayer which could be found easil y .

KKM : t~,Uaji Sah i b I is ~ here a connect ~,OfJJ, b etween 'work and 'God?

HA ..t. " f I" '11\... '] '~l... 'B,.. k

',f.-'l", asrr shght ,"Y taken anac · pauses,

H ,eo ren ~:'~,a;"" "'0' f I""AU1i"'C' a. there "I'~ 'Jj,

.'"'" , ..... ,t.~,~.:~''''"';::i!'ll " _' \..\,:pl - Jj, ~Ir;,,;. L,: ",""" !I,. .. ; ,:.:.' ~

profound conneetion . For example' we

h . 'I f"N' 'I h h b . n' m

ave the case 0, . ,< oan 'W enr ,e 'Ubt b1f

ship. They s:ay i~ W3tS 30 bR'ods wide and

6·' In 10" ng Iii' 'h;Ji;d: ~'b'rt'oCI;~ C"j'flr' ;;a.;i.'!i 'TiL.,; ('I ~:1t!i1

", u , ,,' • ,II. . l.L ' I!. ,., .11. "'.... I~ Ibv ,],,,,,,~. llmh'!!' [. L

d .dL" G d':l 'd'

'ma,.le a,cco:rUlng' '[0'>-0, S. gUl":"ance.,

Th.ere w'as ~ c'o.nnection 'with God tb,ere ~ 'With t[l.e Pro,ph.et;s it is a ICftS,e; of d.iI"~ct C{Mll),ect ~,Oil, ,~.. Well 'we all kn!O'w that this life i8 pass:rung and that etiemJal ,H,fe is b,eyond. d.etuth. So it is only .lo,gicul that we give prriority to that liFe .,..,j' FIe quoted from ~be Quran bJ the leffect that "'0 peop],e be,Heve ~ll God .and do good works,.'~ "'G ad, him.se ~ f ~fi.rst :l1:Th.elliti.ons b'elief and then work,~ So work comes

much Iower than belief But one has to

work t" ii"i< earn ']" ~ ,~; ve ~I,~ ~i'II Aoii"ii....al A·' nd ""'0" "W' ork O',Ll.&' Ju !b-Cl.ll.~;.~;. d l.lIJ,·t" .' .~~Jl.~JLUUU, • . :' ,1.J,ll I;"'j '_ ,I .' u,.K

...;al 'IL.. 'I!... ' fb 'I' f'isal id

none on, the !JJiflS1S O~ ~ [J e re : is arso s:arru.. to

be' a form of worship •. , In realitv true

, , ~[J'

grace is from the Essence of God, (ja,iz

L ,"" fi' l dh L.· L ,,,/ • i1

~l;CUJl;q.I' , .... azaie ",.' ate ratn n{J.~i(;l.a ell ei .

B,ecause the real s,oun;e :is. God~ ,Even. ~hlf.ll' W, "'O':i'\tl1'11',"-e, w:· e d' 0"" 1',,,", ':ii".t!i,,;;i'llv ·d: L'Ia. 'l"'t'!i. G' ,,-" o':'d "'e

IL, ,t"., . '"' '''~' o::tll, ",p . . .', ' ''" I, ,rL'l ,.II, """[:;1,, "' 'J' , I, ,:r;...- , U·. ':', , ~

O h 'ld b " 'f' 'h'"

gra,ce'., 'D,e S . ,0lU.!. . •• e con,SC,J,(lU s. 0: t ::J,g

and not atbi.bute ~n'Ythin,g to ollesJeJf.

A- ,', ., "'-11 ' , . " .. .'~. " -' ," , -, 'I" ," .. ". 'l'~

nv ,exce ence \ve ~C:l1Je'Ve 1,S no . OUt $" ,,!

He wen.'~ on to sa.y ~]l;a~ it was G'Od"S

'~~ 'b]' k

I. _- -. "J. [ .'-11 ~ ,'. 1, .". ,"', "; ,"_ r,"' l.!'( ",I .. ··1 -'(" (,"' -I _./ ,"

gr,a,ce t :.g,a.t ,:'!Le WHU S, a _' ,f; to wo.[r'"" 0.[1], rS 0

d b f' "

:ma:ny m,OSfJ,ues 'an. tom.," SO: ," s::un~s,~

'h' 'b' ." 'U,.;" G I'~ ·f"'Ik'~· d

W, "Ole" . lS som,e~]j:ru:ng' 111. .. [ 0:: LheSSlrnlgs an: .' ,

1I\...t!i 'ha·A1 d a.r·LV """d' Ilk'] DIt"iIC'~';i;II, 0'('1 ,r.;y":' 0" '-n tf'L'e' m'

,u"",,' t _u .' ",'r;.." ., ,', 1;;.,0," ' DJ', ,,"",J::!!~ lIlLW'b<) IJ, • .1 .. '" UJ. 'I .• : ,.

O b I . b' h-I • d 'h 'n~,

ne ,', ,e..s,sln,g ,"etng . IS goo.·. '" , :"e:.:t.~,b1.

whic,b, he ,s:~iU, enjoys .at bis ~d,vauced, 3_Q;,eof,83

"b" '" .. ~

ICKM': '~~flaii Sahib you h;ad said one ea.n. :not 'be' ,bey u~i;J,tacla bey pi'ra' ( W:ithou~ a te;acher and. withou~ a spirilual "m' 'a' Qo,j'\e'r) ft[ J('I 't'U,.;' ~ j, ,C' ..... ?-:;'l' HAA" ,'. ' . .;;,',v~,"" '~'j VI:.1'l\.i'II' '" ~, ·S:o··· ill,.; '~'V' , '1 'ng'" 'eii' / '" ,;j ~ ,eu] ;["0 a" IC' ,'lm" 'po' 'l"j,'JI '1"1< j, '-:Ii, C' '11 o[iV'; '1)'0' a' '1m, U,.",ol-·," '1?' j,t DA·'· A'"' .. il.'U t:5;1~ B'[]'~' 1 , ... ,)t;:i::il"·, ",~,,,, UGlILo:.llL!I, "',,,. !I,\,r-;;i;. ~¥,III,,""",iJLW~ti.. .. .II.J,,,l:I',P'U li;j'(:I;.':)." ",-, .. , ;." .. ,lbilJL,I,LG~"."),,)ti:.L"W''',5'_JII.JI,,_l.it,a'';,. ,I •. ,,,',. :~,\.o~., "It .. '_

would,. not ,Hk.e 'h) s,pe,U. 3lbout dllos,e ~b~n,gs,. ,-,

"'IiIY A. A ,C: ..;a: " 'i '" • ~ ~~ I . 'b ~ li' !. .... . ...:1 ,a, d] b '~,'.~ ... J: ( "'l ) I::J" . d . f .~ :It,l'e:rreu, to our eallrfru!e:[ :meetu]J,g WrutlLfl ,11m, W', '" .en . .D...n.l""II. Iltq;o (.ru,e.fe···, ~,J,aC we, eC0111,e ,[11:8 S,~a.rghT';I:'S 1 pU:pl. S... :-J,e S'U.' . :I. .

I{KM, ~greed ToK should for,nmaHy becom:e ,bills shllgirci., ,KKl\f a.greed sa,yin,g w,e'~d aU, like to be b[s Shaginis..KKI\f, asked. him, what o:ne ,[],a!d to do ~ BAA, said tha'~ :it '\~,ras up to TK, lvbat tl.e wantle:d, '~O do as th.ere 'was nothing that ,BAA,

~":I ],"'1 .... j;,.' ," .','., -'. ,c··~·,··,,'-, .' ''Ik . k t ,'. " , .. ",1 ... 1£'1'" A A" , ... /,A ,;j;IU,.;, j" '-. c" ,'I;a!·· ,I, --j, ,,~,~,'I. ,.n, .' A_." B,'C' :: ,C' , .. , .... '. ',', '" - .' ','ilo '.- .. ,'h, ,~;~ .. , ' . ""f

WOlhltl.,l~le ILO .lmpose.c O,[11Ulg UJHC,.,O 1.-VOolA, ,1:LCt.., . "SlUU U.Wa.l \eve \VOtlu, Sl,arl, W..I.ull.[le, ,1_ ,lor one c,mnnll.re~ac." we .roo "'

without ~first bui,ldil!1lJg tllle, frD1Illnd~tion.s. ,and tbe 'wal]g" He then ga.ve directru,.Q,ns whiJ.e TK drew~ '~O co.nrS:~n.lC~ a~ n~utabba~ ie~ sq.uaf\e~ For this ,be fiirs1 sh,Qwed, b~)'w tOI ,estabUS:lliJ ;j p,emJlel~tdill:c1Jj~;ar lliy d:rnlw:in,g.a ltl1tt#f,a:llath~ i"e" lequU"a'ter~al tri;sIliIgle,.

N',ext ,h,e showed, how to draw' ~ 60- degree .or tri,an,gldar ,Wid O:n, 'whm:cb ,b,e' tben. ,ask,ed, for a ,grid ofhexa"gons to be drawn ~

Tl' Ii!,.; H d"1 "'n. 'b . f 'I 'I ,(,: . ~I f' "' I, " d ~,,"dl A. 'In, C c' 'b ~"'.1f' h 'L.." 'b

,us ne sal· , \-vas tll1.e '. tIlS1S 0 :" ii, ',\-v 10. ,e ~~,all11 w.y 0:'." g,eom,etn,c; pRll;emE, an:. lvas b:l. us 'l:'le AD._: .l~Or t .. em .. "L" eXit ,. e tt8lU,g.ut , .• ,O'W

'to. cons'illict an octagon Llsing a connrp·ass., Lastly he s[wO'wed tal sb.o:l1-cut lnethod of constructing il twe~.'Ve- sided, .P'oly'goll~

TI' " . .JL..... 'b d '", d dl" "dUO "' "d ,. ]- '~ . Th b . 'I 2··..J . ..:'JI" • '. "d

,us lS UJuney ." ra w~:ng: a square an,~ .. " 1V1·; :[ng diS. S:kes :En.'~o ' m portions, ' ", : ,en I • Y conilllechn.,g t l.e .... nUL u:~,'Vls:~,on 0:0 one Sl . ,f:'

-. 1,1. ·'·4' ,..j,Ii!.. ' ,j,lIl.... .' d" ._. '.' .. d' ,,-') " t,'," ,~,~! " ., .. ' ~I~I ,~ , .• , '"d" . ,- .. t, 'r '. l .. , -12' ,. ,'"ct d' ,', ~I '0"'

to 11f: '.h.n, on l.Ue 3i . J scenb aD" repea ID,g ~wl1S. o.r.!IJ, au lOUl 81 ,Ies one ge s a ,ru:e gu. a[ , , S E.. e 'pO,~ Y,g,on,

images~ Unpl~bliS6~ ..

drawings ~ ~~~

~t11Ie 1 9'1 Os ~ late US' ad R1ill1111 Bukhsh of

Mullan ..

Neqqashi Study

Abstract:

.A Study of Historical and Contemporary practice' in mural painting, The proposed Study comprises of two parts::

Part- m ~ .Historica~ praettce

'TI ··";!,II d [ .... 1·'· ;g' 'no ~ r.; L. M ni III •. .,,;al· L.-.L,

... re :31m :rn,S 'to oo eument ,D;: . ana yze murai paintings ana ~ec',[m:ru,ques ttOl1.1L tJLW,e; ,\;. ug[flm,w. p enea in. . anore,

PI1\U."t lID ~ C on.t~m.'po:rl.ry pr,9.cil.ce

A .. parallel study aims at doc LllD.e.nting current praetic e from '[be S ikh though the British Colonial period to tbe present,

O'·b.;o eettves:

JP,r'~8itrvin2' )f:I~'!leO' , .... painti.D.~, Praettee:

The €on.tem.porary pract ice of this a.t1 form is in danger of b eing Iost, The s~l~dy wiH infcrmAnjuman' s, efforts to conserve this art form byencouragiag the USIe; of'traditioeal methods and. techniques in. both its 0'\V11 projects and by m~,t.ing· useful information available [0 professionals and artists at: large,

C'Gi'.m,SletI"V;9.ti,o:n.l .Restolr:a'tio,n.,:

Conservatl . .(~~n. of mural painting requires 3.11. understanding ofthe design principles and vocabularies .. techniques ~ methods and materials used -a field til which \N~~~~ little analytical body of work exists imt Pakistan or perhaps even .1n. this whole region,

~Ra:isi.nK, lP ublie awareness:

Through. public ations and. seminars on. this rich artistic treasure,

whi ",,='h·A "'1'1'~'11';Ii'¥'i; !!;i'~<"ri, is the .... iJ"'jjI;~ sultan ~r

'Iji'!f "..l!bi ,l"\JIl.!II,JIILILluiit.llll.ll!, o:J n""" ",""U.Uo:J, . b~.II. _ .i~.

N'aq'"!O '" h'i; ~I ~ ke Fresco- n~,'Ii 'lon,'fL is , .... arried

"IIIIJ1r"-'!"'--oo<.1 .. .. ,"'1. iliiQ .111, ld!iii.... r.,!io.<i!II ~ 'lUI ill) '- . n ,lUI' . ,Ji:I' ",""U~ .. !II.,·"'_' U

Ol1~ an trll,n~:b:h:ectllF~.~ surfaces using mineral and iaorgaaic pigments 0.0 wet lime plaster,

Starting with visits t~o Mughal period b uildings containing fre-scos .the training programme incl uded Iearning individual motifs in. ink on wooden practice plates (t(itJt.l1'<ti.S)~ pigment grin d,i:n.,gj plasrer an.d gr ou .. nd ............. ~~~~:prep.ar~lion, Transferring drawing,

.coloring, burnishing and finishing were carded, ou t on sp ecially prepared lime- concrete t~lble:ts" Finally some the snxlents were also able to assist the Ustad ,0]). the actual monument.

S .= .. ' .. W"- ksln 'Ii,. I ·O.m.me:,r .....• Or..M. '.op In

Naqq 13'" shi

!A'.;[ ll._~ ,I' r)J.· _ ., ,

'JuD"e J'uly' ,._: 2·'0" '0' 10""")"

\:.:.._ .~ , .. " ::_ .• - .• ~. ". 't,' " - "0 .:_.' ~ •• ....;. •• ,.1 .• _

",,~.'U",," • .I. organized a. S-'wee1~. summ.ler

erkshop in N aq qashi (Fres c 0 i~ collabora lion w·~tb the '. ~"t~'''''''iIT'II:i1!I,m 'C' 'olleee ;l1'\ l'Ans Thew ork "".~"""1"

O,.J ~)V.lILLIJ~~ rn '. _. ~.;. .' &1Iw u .. L~. . .,llb!:)'=- .. ~ :,_, '-',J. .' i3.ll.ill.u,t:"

vas in. the context of tbe on . -going storat~ffn ofa 17th century 'l:o~m.b for

,41 Wo.rk:sbop .P'a.rD[lpan~ 'j's, 'wo.r.k:'

F· " ~I .(L' . .GiI'):' SJ" .,. V'· ~ :'" n,] . ·'tl ' , 1.1., llJ. '., e lIL , aRml:l ID.e ~',f"'.3 e

Fig .. 2 (Right) Reema Kaleem 's plate

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Resou .•.. rce C,',.· •..... e~-n':- tre A·,"'·-'-··· Ic-t·_:',I·IV··'·-'/I·'t··-"'I·e--~.·-·-S'~-~

r. . './ ", ,", .,' .. . ....." '". _- '. " ," ,- .~ "', _. . .' ,"' " . ...J', ", '_ ," - " • ",', , • " •• ','

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~ '''.!' - .' 'fL'- -"-'~'l '-, iiIi, th A-" ",;i,_ .. 'fIS·~"· Jjjj,II. A'- r. :, '"

1~,e,m[Dll,rS . eCII.,!fI.res 'uR. I ,eo, ·1, I..S 0" ,.mIdl!.hll· ,$11,

A- i, d t dO' d desi d . f" 14 l ~" I t lk tb A- t f S- th A .. ' d t d b . . ~ d

' '_.[ .· 1.,· ..• -11' ~ -._. ,," '" .. !_·""j·,I"j! .. '-.-ioIl·', ·t·I~.· .• _- .. · .. 1'].- - ,_. -~.~. IB:····1···.'··'1 .··., ,,~l_-. "1'1,, ",

DJ oman, '~O~J\l I ina Ie, anec esigne ' 8\ series 0, "pw.'es.e:~,jl rons. .a s on I ,Ie" T JS 0 -_ au, .,' ,.S"Ml con 1:(0(: e I Y mviee ,

experts and 1)r~;etit.~,(nTIlef~r between August and November .2000 and again ill 2001 ftDmr the MA. (Hons.) Visual Art Progranune 'I at the National Collage of Arts Lahore. The aim of' 'the 'talks and, presentations W'HS to develop an

"' d d di f' diti 1 ,~ 'L. ... '~[,..,:" id -. hei - ~I d . .

appreci anon an- un.', er$,~31J.... ID,g 0 a " tra . mona firm rorms uy takmg mto canst eratron ~ ierr conceptual nn aerprnnmgs,

f - [ ~ d ~'] lhei I' ical ,

_- ._-. . ."' f. ,-- ij"')t I ,", ", ':-. . 'I - - I "_ . I', : - ., I.", ,l Co : \. • .' - ' •• 'I •• , J - •• ._- •••• \' ,,-. I ' •. I ::J

orma anguage an. structure ~ as we ras therrhsstoncal context.

•

..

r

A- r'iI1 P 1Ii"\a.,1f!i!~;(!i e-P :'lo'li,.i'!!j~.· eat Wl~ ~'Ir' Tr\iilll...1,;::o'",o· rtjIi, ilIi ~I P' ra "'"tir;:o' ners

.. IlL ,LIJ IA,LllLlIIPlbi!l.? . _L-~, ,~;llll. , .' ,llL_JI. " . AlLil. _ r .~"1Il AJIJ , , ,OIL;. Jlt.·, ~ ~liIi

A- i".. lso d ' .. --'d' md - .' .·, • ....al," . ,~" _...;a , 4' 6- .' .'~,,.. ,- . ~I •. '. - ,~h ·~"h ,j';i~. d .'~I· -- - ~ ,- " titi ',- '" .. ,'. ,,~, ;f·';t.~l..· N" 'C'-A- '!i "M:' A"

DJ u,m:an n, so .esagne :an 'C;OOtu.lna leU, a\· - wee:~ p ~a_celllen.IL W,h .. :. utl Jd0113l.p:mC,lb,l, ,~.omIJ,e.1. s :aJS 'p~J~I[ n .. ILW.~,e: .',. s , : I .'. :.

V· lAP fi' cl" '20- ~O· d 200]

• ,". ',- c. . .l ,", 'fI- -~ ::,;1,.. I ~ - ,'.. " . - J [11 ," . .'. ~ j-", I' -.' . I. ,.. .:. I I" . ,- .. .: ,~ .

, I,sua, '. ,lts ,,~.ogtam[~i]]le.Q.[ j¥.inca: ,e;m1.,C yeats "..... iln!." .:, ..

A '~-~cl'_ - '.--. ',(1 dl '.' ,-,,~, tion md .'. - .. ,'-- -" tf ,~,'.- based - "b' - '[ . - . , •.. - .... " .. -~'. ._ - .. ~". ,-- -·f-'.;I"il!..,,·"

. wn u ten paper WI 11 r '0 cumenta ion, :lD.I, , a, presenrauon oas en on ~ .. : e p acement experience wet e a [S,Q part o 1l!IJ,:IlH~,

d ~ T'I..",.-,.· l . 1 JJ AI c-~ . "II S' . P B ~:",1!.."'..;JI:':;.. J 'I d ,. .. t: 'L.] D .

nl.O. [h.e, . nt; p, acemenrs l['JJ,C iUueo ..•. i3.SSJ.cat]. ··tnglD,g ~ ,:'ottery , _!(,UJ!k)lji~:n,wng '~' ,_ eWf:lry andvegeeabte uyemg '.

F,j"e':ld. Trip ... s

- .. I.

N a,srp 'ur

C'b- ii; ii; ,

_' nntet

5

D e~dlD ,(u'fg,POS als b.a,sed on twti mam f'¥Pei5, of' ahnri 11 alco(l'l'ies ~

19~ '1 oRrae,ket' If,ge w"ith c ~lr'\ilild .p,oncl.s B]1.d

. ig~~ (£,a ntU ever ed, t)rpeiwith. fascia, 3lC'\clu~,s,~

D" '. W' k ,,. 'M' S" h 1:-'::':d Z' '10'"

eS,lg,n< o,r., J,:O_f' , r~ ': '"a,UI,,'i'U. :qar,

In the year 2000 designs for a Front Door and Balconies far Mr Shahid Zulfiqar were prepared based on, traditional mo dels using traditional techniques and materials as far as possible,

The fabrication of O]n6 balcony and its painted wooden moulding ceiling 'W',a}S, finished mt~. Marth 20101

.... #-.~-~--~~,~ .,_~ ~. ~~~~ ........

~,. ~Qel'i ~~~-~, r

I

I i500

,Sa&:~

[j l:OO'!iru ,1Mi.m.L

'''"~'''iO!I'I!!I!!''_' ~ '-"'- ,~~.,

. i:I~·3j Ql~htil Of ,pilQu~ b a sed 1011 stnrly !n-I aj,ll(;tmal ex-a .• ,p"b.~s aod HaJj, IUhlm, Bukbsb s dra wiBg:~~,

'j,,14 I, ims,lled. b~.~CQRY·

, 19.6 d~~il . of flie ttdlmg j,s, based on. Ha] [,A. dul , .. ~ s mtm;r~u1rd~

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..... 5-

·'t

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.

ongoing renovation project for .. Ms .. Nudrat Majeed's residence by Kamil Khan ,:~ • .L""j"","~" •. n~",- .. - .... ·< incl udes design proposals for deors, ceilings, fireplace and railings by All] Ulman ·t'~,,>!'io'ifi!<;Jj·n· based on traditional vocabularies

I F··-·· , t d .. . T'I .. '".' - ,.' -'. .~, bas d ." ,j.-- ditioi " ~I d ._ ..... -- Th· . ,-' ·t,--~, d "~ ~lIi'l- ,ffi, ,- .. -,~, ·,t sd

- . I to,rut " ocr, ' ne IC~Lrv Ing IS _ as ec on Ibm·· 1 ~tona,~ aes ~"gn;s,., ne rm ,3d!·. lelti ].'~, ,pO::Ul.e. ,

I_..;!. ,f;' .,'I!.., 1·...:J',~: .. _..:a b ,Ih;... _.J" ,f;': d '" . 1)1.., .it'lIt': f

. tar cesign rortne mo Wll.l~Sl was mspirea " y a rresco cesign reuno m tne sotnts 0-'

oil? the w- -m~:" 'M'" osque l'frI~>&i; p-Oft'e,illI,),

,al~ II.. • .11.''''': " ,n!lllli ,l ., ,0.:::1: ,'l;.ol~ \"ilIIj.;...... ,'lP,iljI'_' ,,:)._ •

Ii ] "'l' ,. d T'h . ,,.'31 • U' 'L ~ . ~i d ] fr U" , a se cei mg :~11. s'h:u'!c :Y1"' ae geometnc uesign 11;,S oasen on :m,eb10- s eamt :1'- om, ,0,3J1

, l~ .1\. """: TI . ..iIl.' • . l~ 'l d D···· -1 ,. vi: - - - _." !Ii D . 'I.... 'I . ~I rl = - d'l ). 'n .

. ui Aztz. ., re eesign is cauec onr: A:i,~,(1,.ral~ t.e, ,DUu"e e,wo~\ sana ,e . ~ an

. tabors t iou, of the pattern called ,H aLd~;t Kharrat« 'i, e. "Eight t,l.o,g,s( sandles)' also ~e~r.L1'~

',' U',' ,t, ,- ·dA'L.d:'" ~ A':- .' 0:" : . d' ,- -. ,_,,;ai ',-. 't' n~ . b ale ,-' .' .. ,,"!j,' or ,r,: .' - M······ - ~'~!.." 1 ' . .,1 z·/ '~fi··"· ., ( ,.'- -, .,'. " .. '.

I .' Silt 1;] LII-h,., ·ZW.Z an. .usea m .JL'1,e ';1. ,COrn:DJ,y ceiung tor ",r. L),Ua lh.l.· Ul J,q,2El. see page

'!In ,,', . · .. J1I". - -'- -- ,~, '.0·] '. ,n .. , -- t' "_, "':I .. ~ ~ - . "-, - 'd ",' - ed ~ .... ' IE!', . ,'"] V 'I.... .,- M"·, t

rtessieU.-c;eluen.l t1 .e ucor ror ult'l!Wln.g room, Ie .e:S,~,gD,le uy ,~am.L ,l'!i;dJan .' rum 1'1.2:

;J n'if'j, ~ indhi A"· ,~,- .".; I:" de siens Th-e' tiles produced 'by f]! oshan Ti ~I",",~ ~~':S·,;:Ji;)J1 mineral earth

. ill, uu. ",,1. ,'W.b ,yriJlfi,; l!!i". o::It",,5tI, .. ii). l ,,' '_ 16 h",j!J;.: " ,', ,J",~I~,.,.. _C,' l"i.,LI'O::L £!Ii, ,l[! ...... c:i!~ IL'-!I! r;,..1JII, u_u.. _ ;""'".~, !lJll.W, 'lb>iIX . - U

, under tbe guidance of'Naqqashi U stadSaif- ur- Rahman .

.... D . i': d 'II.A!,·'&; ~I '1" s: drawi d ,.,a,' "

: ~ ,'J;!S~g)l :LOr 'WOO· en monnng jL.~ise ceinug lor·" rawmg room an,: ILlLmm.;g arC:FIl'S.,

The colour scheme and, ten pointed star

(dus tool} design for the drawing room ceiling (Fig.,4l) and the colour scheme for dle' study ceiling .~~ ...

(Fig'.2)are 'based on -==:o--:-=::r--:-_

ceilings from Ket Pehalwan (see page ~"'_'"4._'~!,;~~~"~~~

5),

~ ,,'he arcade would have -s,tllJ.C c 0 t r a c e ry l fho,ba;) and be finished with PU'CC{1 Qa'li ( fine Iime-p blstil'!m:)

~'I 11 1

!). ,!, II i;!

IlFig!.,5 The multi-foiled arches are based on a drawing by late Ustad Rahim Buksh 0: -e-

Muttan., while the unde ~. ", r ioal curve is baseden HaiiAbdnl.Aziz's method.

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roc-·. - e'··c:;:--~-s--

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II' iI!' .iO .• 1:1l""""--..--li.. ~ iii"' ;I; - ....

F.~or .. ,3

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F'·' >'II ·~I~·

..

F'" ~ .I·I~·~

Projects

Tbe .Mos'qu.le: is to be fully restored ~ using authentic tradit ~loo1W,l materials ~ techniques l' and motifs .. At the same time it is intended to introduce neees sary modem. conveniences in, a manner that compliments the originel scheme and character of' the building. Doeumentatien, work plans and, proposals have been prepared, under the g-u.~ dance of M:s,., Yasmin

Cheema ofthe Conservation & Rehabilitation Mrf:trfE1;;;;;;;;~~~~ Centre and wo~rt on site should ·st~)Jr~. in. the' near

future ..

Wa,h Mos,q De~ :R,esto.rati~ol:D.

P.rojects

.A. newspaper article on our N'~q,qas,h:~ werkshop led in Anjuman being as ked to restore the ancestral Mesque of the Hayat famil y of Wall, in Northern Punjub where the decoration included fres eo paintings,

The M"" "0-' sque located '~ii"" . ..,'11..,0. '11' Q{!I'r-~' of iIi-'h" Q, old and ,~, .~J, - ,'"' ,.'"~ ,~~,1u . ,.',', O,-JLL ," 1 .. .JLlIlJIJ. I(jJJ,I~~ ,;. ~!iJIj_, ~ [U. I IlL ,1~ 'lUI!, .", Cll.II,I .. ,

historic village of Wah, was consnucted in. the later half of the nineteenth. century, Representative of tbe Iast stages 'of the grand, tradition of architecture of this region :it includes 1110;8.[ of the formal vo eabuleries and, materials of the Mt~,gb~ ~ and Sikh p eric ds with, SO:lD,e; influenees from, the eo lonial arehi tecture 0 f British India,

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am . er

T di - · 1M:' th d

rar •• mona .'.: . et •· •. 0 s

Surahi

(Multi-foiled Arch)

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a", "Surahi: Punjabi

s hakal, 1'11: ang he upar ka fi issa ,:S,(J.~·' barq kehl (J (ta) hae. ,!,~

Translation:

"'m iabi .- 'I 'I' ',"

. ,["\U1j:.a .~_l sty ,f mulu-

iCO' '~:] ~"';I arch 'The area .1lI.,III, ,!boo. :t:~ . ","" ~. '. ' . J. 'GIJ1. b

I"

Note: According to craftsmen the word "surahi' is a distortion. ofthe 'word "sa'u rahi,

,. "h d d' d" d ~ ifvi h h '1 d d f 'k' hi h

meaning "hum red waye .. " ana sigm .ying t iat t aere are a, nunc rei •.. , ways 0"- mas ing t_ .. is arcn,

r-- -~ -I- - -.....!.

I ~ . ,

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'16. 1 '"

anove t re pattmg is

..... alled t:" . b 1<,

!bi;t;~,~ ."'-0 ••. sarc nrq,.

···'.ecial

Cuslalrn design,s Ira cDlurll- scheme,s possibllE!

Nat.u rail permanent mineral pi'gmenlts also ava il able

Spec al des gnls O~ carlners, runne'rs and central flalNe,rs

,4 I

b, ,~, ,MiJ;:abi ka gada" U

Tran .... latio n' ~ ""Kn" - 'a.,.c;;

. ,11 iIJl ... ;;j, aL. ,], •. ' .•. ~ .: " ... : .',,",,'bo

of multi- foiled,"

:!I • •

u

3 I • • F

'Hligh IQu.a!IJIy' [Pres.,a,d _·IIIft.,nl 'Colored Fllaor Til·s

NUlTla,rDIU,S Oeolmetric a PIIO.8.1 d

S I 1_, C-' I--

un, la.&"· ._ -0: DIU,r&

RD51hani ITiiles' are ftla.de under ID'ugh inlll.elr,na}t'iona.:I: .,I.a.ndaIPdlsi ta ~esi,st ., •. _' .,a.vy' Irunic

F'uture Acti.vi"ties,

Colh)lqulu,m Se,.ries, 200,2::

A regular program of Colloquiums has been initiated, colloquiums plan. [0 address two themes:

M II JJ'J di f'C ~I . . ill... ]di' ';'j,~I. H .. , ono~ra;p, .. : rrocee, 'rungs 0,' '" otoqumms ne ".' wnn , ,BJ.1

Abdul Aziz hrnJ 2000.

,.) .. ~"'IC:' . ~ if',., ,'" ~.. .., ' .. ,~ '. -, i~ ,. '.,. , ,t,,-·~'ll' :' ,":t,n, . ,j;" " " .

:a . ' . on.llem,pcn, ary ls,Su,es ,I.n. arC-,lll, l!ec l-ure W,t ~l1, 3, ,[,OCUS '

. d

curren t practice, ano

RB~s·,e'·:OI reh 'Dr.lode. ··p.,t:.~j~'

, ~·, .. ·al'· ,~"lI[' ""?' L.3 • .!_

b)' .::" H . ~ . if'. . . ~'j , ~'fm '. ,f," .. .~. ... ~ .. ": - ill' ~ . - '1

~ " '" e:I1l.~age, w hJ1, a, 1.OCUS o:n, ongo:ru:nb, rese,ftlrC 1.,

Two colloquiums in, the series "Contemporary j ssues ., architecture' have been. held so far in. w hicb recent N' .

. , 'Il.;.,:'''j, .... t r-' rad "~" ",,,,t~' D'~' t'· .,j,.' ~ ,-. "", oit-. ·d .. th .

arcmtec ure grac nares W,L~l!lS Inc nons ,P1 esenrea 11.., '

thesis 'work:'

F!i' '-(d' Tr 'il

" " ,,' .

, I,e', .:, .•. ,lpS~

. '. O "1- '9·,.t~'· F bnu 2': '0':"0'" 2··Ji, _,." J'~'ll""'i'JI"~1 p resented a. ' •.... n / [1, e nuu"y ..... . ft.I_ulf" i:1 . ,,!J.U,W,.,iII, """',;::.,,.,.. d • .'11... I,.

,,, P -n° moe; M· i ni ster's A" dm ~ n . 1[I,tT-.![jj'~' ~ 'ua.. 'C·: om ipl e'ir '1If.",] ama Ilk

"I" .. ne ·~'.,~i,_',i:iI.,·., .:i! ;;',' umstrauve ·,.c u,~_,,:·,,·.i)., ,W.;JI"U,.",u'I!J',:

'S:" ~-. Pi . &.. .A. ,_ 'I. it .. 'h" 'i'~

' .... pac'e-; .' , . oweT._,' 1-"LJJ. C,LlI :e1C'1 !Llre,.

Cent ;m]I'I,;j1]O' 'iinr~~,o' ,n:T'!:Ii':li"li"ii rel a ted ';&0> current ·Y,.F-i.!Ji'ii!" ~ I(';

_ UliLlIJ, .ILILLL,ILlLlILL G ,r - '_ ~/I, IIfL.ILJl.J... U. ,0 _'~" ,IlL !b-. ,J.IIl. J]. ~JL IL .' ~1(.]jJJ, Ill!

themes/ subj ects of study;

I. On, 9th, March 2002: Maria Kreem presented: ,Co:n,s,u:l.ta,n,cv S erv,ices:

'''IChi],d Care Institution. - Rejuvenation, of'Ancient ..L.II!..!IJ ........ , ....... ,' ..

Sp .;:!IJ"Io,;;::' &'.'. ' A~ estheti .... ,~ '~i"""1 Bui 1"& F' ,;i"i;i~ ~'.

I _ " iIJl-lb-1i.-i :..' , .. ~.::li. ~ ILlL,fIi..?~ .JLllLl.IJ . _JJ. IJ.". u,~ .. ~.LI.II!.

, J-.. . D" . ._- " d ,., ~. ,if:-' .. , ·I;it,·' .... ,., ' •... ,' ... nts

v·m.ons , .. ,es1gn. an., , con.Sd[rm::;i[~,on aSSlgno1e',:, ,'Il~.

Some planned Colloquiums in the series are:

Sem ,)i'O' ":0··' I~~, ·&,'E·: v'bJii;blllii't·· Io ID'!

." •• I. ,A. 3. . ," . A, '.' ,',.... . ...

'. Dr; Abdul Rehman: "From Karachi '~O Ish

C 0·' n' tem p orary A rchi iiioe; .... ,!'1I,1i re '~'ii'II. p-,CJj ~:\""'~ stan ~'j'

~ '_" . ,'!i.;.<1 ..... '.' .. ,fl,lI:, " ,.MJ);.L ~ ,i,IIlL,",'lbll;JU, I JI.lIi.lI!. ,I, ,aK.I,.:;!I' IJL '.'

S· c: ~ . ...~. . - ',il: A-' ~ t &.~ ·s: ~ . . ~ ",j", 'I ~ II? ~., " .~ .

.. ... em :I.:D.a 1.' 011. Ar "_: p '~.r:ru L u a" ll[ y in

collaboration wruth Theological Institute for

L· '. S' b 2002'

, " '.. . .. i . .. I I"" I I

aity ,run ... eptern .. e,1 , '. " ..

A . M'" f](. k

'. nJ LU11tUl ..... ~ r unaran: Recent wor .... ~

Ed". 'I 'Ii '''0'' ,r-"s·:, N: ot e , •

. .11 "' .. ", ". iI

R·· ese U' . r c ,""' ·C- ":""D t: re ·

.. ~-·.U _" .'.~ ." .~ ... ",!IW il

\'11' L~ be I .. h ders. . d ,,"'" e WD'lLh,IU, .- e ,~1.alp'PY' to ., ,ave' our :reaLers comments ,am .. ,

• 'III .'~ les of k

suggesnons as wei .. , as artuees or sampies 0" curren t worx

rh ""V' m '~V ·w' '~II[I'~ to ""'0' mtri bute

IJ. ,~ .r " . ~L J" 's : .W i:Ii.~~~, U V' __ " , ,lllJ. ,I. Ii). Il.~ ..

R 'b & 'bl-'i! tiil

.. ,., -\ - .. .'., , ' . ,', 'I' I iii

es,es,,[c, pu '.' .le,8,. ],on,.

L ~ b " ble i I" ~\.. • N' , '[' "

, asny, we [egret 'n.o~ emg a, .. e to nave ttus News etter

bo~b in. English, and U rdu, as has been our practice in most C,h.i:nio't Pr,o,lje1c't: A research publication project has 'IIJ' .... ~ .... JI._ of our activities. " J~is was mostly due' to lack oftime and

initiated on, the traditional wo odwork and architecture man-power, M t is hoped we w ill 'be able to do so in. the

Chiniot city, future,

nr ':

Anjuman Mimaran's office from 9::00 am to 5 :00 pm 18- ,A. Mian Mir R03d~ Lahore 15.,

PI~ (0"on2' 4'2')-7~o2'5-2 5-'7'13' 3'2'2"

,~=[,!" I ...... 1'::]1 .... _ .' . :):. 1.]10.' :1 -,' .~I'. ,.:.. .. ::. 1I. .. :: ', .. " ",

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