Not to be confused with London.

Aerial view of the City of London

Flag
Coat of arms
Motto: Domine dirige nos
(Latin: Lord, guide us)

Shown within Greater London

Coordinates: 51°30′56″N 0°05′32″W / 51.5155°N

0.0922°WCoordinates: 51°30′56″N 0°05′32″W /

51.5155°N 0.0922°W
Sovereign state United Kingdom
Constituent country England
Region London
Sui generis; City and ceremonial
Status
county
Admin HQ Guildhall
c. 47 AD
Roman settlement
(Londinium)
 886 AD
Wessex resettlement
(Lundenburh)
Subdivisions 25 Wards[show]
Government
- Local authority City of London Corporation
- Lord Mayor Michael Bear
- Member of Mark Field (Cities of London and
Parliament Westminster)
- London Assembly John Biggs (City and East)
- Town Clerk Chris Duffield
Area
- Total 1.1 sq mi (2.90 km2)
Highest elevation 69 ft (21 m)
Lowest elevation 0 ft (0 m)
Population (2009 est.)[1]
- Total 11,500
- Density 10,270.6/sq mi (3,965.5/km2)
84.4% White
(68.3% British
12.8% non-British
- Ethnicity 3.3% Irish)
6.8% South Asian
2.6% African-Caribbean
2.0% Chinese
- ONS code 00AA
Population Ranked 325/326
Time zone GMT (UTC0)
- Summer (DST) BST (UTC+1)
Postcodes EC, WC & E1
Area code(s) 020
Patron saint St Paul
Police force City of London Police
Transport for Fare zone 1 & congestion charge
London zones zone
Website cityoflondon.gov.uk

The City of London is a small area within Greater London, England. It is the historic
core of London around which the modern conurbation grew and has held city status
since time immemorial. The City’s boundaries have remained almost unchanged since
the Middle Ages, and it is now only a tiny part of the metropolis of London, though
remains a notable part of central London. It is often referred to as the City (often
written on maps as "City") or the Square Mile, as it is just over one square mile
(1.12 sq mi/2.90 km2)[2] in area. These terms are also often used as metonyms for the
United Kingdom's financial services industry, which has historically been based here.

In the medieval period, the City was the full extent of London. The term London now
refers to a much larger conurbation roughly corresponding to Greater London, a local
government area which includes 32 London boroughs as well as the City of London.
The local authority for the City, the City of London Corporation, is unique in the United
Kingdom, and has some unusual responsibilities for a local authority in Britain, such as
being the police authority for the City. It also has responsibilities and ownerships
beyond the City's boundaries. The Corporation is headed by the Lord Mayor of the City
of London, an office separate from (and much older than) the Mayor of London.

The City is today a major business and financial centre, ranking on a par with New
York City as the leading centre of global finance;[3] throughout the 19th century, the
City served as the world's primary business centre, and continues to be a major meeting
point for businesses to this day.[4] London came top in the Worldwide Centres of
Commerce Index, published in 2008. The other major financial district in London is
Canary Wharf 2.5 miles (4.0 km) to the east.

The City has a resident population of around 10,000, but around 330,000 people work
there, mainly in the financial services sector. The legal profession forms a major
component of the western side of the City, especially in the Temple and Chancery Lane
areas; these are where the Inns of Court are located, of which two — Inner Temple and
Middle Temple — fall within the City of London boundary.

Locating in the City

The City of London or 'Square Mile' is the leading international

financial centre and is internationally owned, internationally managed and
internationally staffed. Companies from a range of sectors from all around the world
continue to be drawn to the City to benefit from pools of capital and expertise, and
ready access to global markets.

Inward Investment
To help facilitate your move, we have a dedicated inward investment service to help
you establish and grow your business in the City of London. Click here for more
information on our inward investment services.

City Property Advisory Team (CPAT)

CPAT is a unit of specialist advisors who can help both large and small organisations
locate suitable premises within the Square Mile (EC1-4) or on its fringes. This service
is provided free of charge and on a strictly confidential basis.

Cultural Strategy
The City of London Corporation is one of the largest investors in the arts and culture in
the UK. It owns, manages, sponsors or co-funds a diverse range of high quality services,
including the Barbican Centre, the Museum of London, the City of London Festival, the
London Metropolitan Archives, the London Symphony Orchestra, the Guildhall School
of Music & Drama, the Guildhall Art Gallery, Spitalfields Festival and the City’s
libraries. It also commissions public art as part of its street scene strategy, and maintains
many of London’s green spaces, such as Hampstead Heath and Epping Forest.

Led by the Chairman of the City Arts and Culture Forum, the City has for the first time
developed a strategy embracing the entirety of its diverse arts and cultural offerings.
The strategy aims to build joint working amongst the City’s arts and culture
constituents, harmonise their strategic ideas and ambitions, and increase the number of
partnerships and collaborations locally, nationally and internationally. It is the aim of
the Forum that the City’s genuine support and patronage of the arts, culture, and
heritage now offers a core fundamental message to sit alongside the promotion of the
City as the world leader in international finance and business services.

The Strategy also highlights the diverse cultural activity and new developments in the
City, such as the opening of the Museum of London’s spectacular new Modern
Galleries, as well as the transfer of the renowned Centre for Young Musicians to the
Guildhall School’s portfolio.

Visit London City Website

(The external website above will open in a new window)

In the United Kingdom cities like London (City Centre) are densely populated urban
areas usually consisting of a number of borough and/or districts. Confusingly some
people believe a city is a place that has a Cathedral but this is not the case. The city of
London (City Centre) was formed by a charter granted by the Crown (Head of State) to
celebrate some national event, the last cities were created at the Golden Jubilee of HM
Queen Elizabeth II, although this is not always the case. Large towns can petition the
Queen to see if she, and her Government, will grant them the status of a city. Once
London (City Centre) was granted the status of a city it gained a significant degree of
self government and are responsible to Parliament and not the county in which it is
located. Many cities also have the right to elect a Lord Mayor, the most famous and
prestigious of which is that of the Lord Mayor of London. Nowadays most cities are
officially Unitary Authorities.

Historical notes about the City of London (City Centre)

LONDON
"I have attempted the discoverie of London, my native soil and countie,"

writes John Stow, introducing his Survey (1598),

"as well because I have seen sundrie antiquities myself touching that place, as also for
that through search of records to other purposes, divers written helps are come to my
hands, which few others have fortuned to meet withal; it is a service that most agreeth
with my professed travels; it is a dutie that I whillinglie owe to my native mother and
countrie, and an office that of right I hold myself bound in love to bestowe upon the
politic body and members of the same. What London hath been of ancient time men may
here see, as it is now everie man doth behold."

Stow's unimpeachable sentiments have only to be quoted to show the formidable nature
of the task facing the present writer, the task, not of having or finding something new to
say about London, but of compressing an intelligible notion of its enormous variety and
interest into a necessarily limited space, without producing a mere catalogue of
buildings or herding together a mere mass of facts. And to make the difficulty plainer, it
need only be added that, in these days of a London rapidly changing in appearance, the
last sentence quoted above might more appropriately be altered to read that "what
London hath been of ancient time men may not here see, as what it is likely to be in the
next generation or two everie man doth behold." With the shadow of the sky-scraper, or
at any rate a new building line, looming in the foreground of the near future, the pre-
eminently Victorian city of pre-War (World War One) times seems already to be
slipping into the past. Eighteenth century London has become mainly sordid and
squalid, and to that fact alone owes its preservation. Georgian London, the London of
Nash and the Regency (and something to be definitely proud of ), is fast vanishing with
the unhallowed rebuilding of Regent Street, and its unattractive successor will no doubt
ultimately follow in its train.

For that reason this survey will in the main concentrate on those ancient and historic
buildings and places which can safely be trusted to weather the storm of transformation,
so great is their sanctity even in an age not renowned for its reverence for the past. If the
effect be a certain lack of proportion and the omission of much historical and literary
detail of high interest, the answer must be that any other course would reduce this
article to the functions of a guidebook, and a guidebook foredoomed to futility for sheer
shortage of space.

The Tower of London

All who are not thrilled at the sight of minute and battered fragments of the Roman
wall, will hardly quarrel with the selection of the Tower as a starting point. For the
Tower is a symbol as well as a sight, and its grim walls recall in no uncertain fashion
the vicissitudes of our story in the centuries when Britain was in the making.

Before dealing with the military aspect of this unique mediaeval fortress, palace, and
prison, justice must be done to a building in the north east corner of the Inner Ward,
which is endowed with that fascination of horror so necessary to the pure enjoyment of
anything in these sensation-loving days.

For its wealth of memories, mainly tragic, there are few more notable in spots in the
world than the little church of St Peter as Vincula, though it may be somewhat
insignificant from an architectural point of view. The famous burial-place under its alter
inspired Macaulay to a magnificent passage which deserves a place even in the briefest
description of the sights of London:

"In truth there is no sadder spot on the earth than that little cemetery. Death is there
associated, not, as in Westminster Abbey and Saint Paul's, with genius and virtue, with
public veneration and imperishable re-known; not, as in our humblest churches and
churchyards, with everything that is most endearing in social and domestic charities;
but with whatever is darkest in human nature and in human density, with the savage
triumph of implacable enemies, with the inconsistency, the ingratitude, the cowardice of
friends, with all the miseries of fallen greatness and of blighted fame. Thither have been
carried, through successive ages, by the rude hands of gaolers, without one mourner
following, the bleeding relics of men who had been the captains of armies, the leaders
of parties, the oracles of senates, and the ornaments of courts.

Thither was borne, before the window where Jane Grey was preying, the mangled
corpse of Guildford Dudley. Edward Seymour, Duke of Somerset, and Protector of the
realm, reposes there by the brother whom he murdered. There he has moulded away the
headless trunk of John Fisher, Bishop of Rochester and Cardinal of Saint Vitalis, a man
worthy to have lived in a better age, and to have died in a better cause. There are laid
John Dudley, Duke of Northumberland, Lord High Admiral, and Thomas Cromwell,
Earl of Essex, Lord High Treasurer. There, too, is another Essex, on whom nature and
fortune had lavished all their bounties in vain, and whom valour, grace, genius, royal
favour, popular applause, conducted to an early and ignominious doom. Not far off
sleep two chiefs of the great House of Howard, Thomas, fourth Duke of Norfolk, and
Philip, eleventh Earl of Arundel. Here and there, among the thick graves of quiet and
aspiring statesmen, lie more delicate sufferers; Margaret of Salisbury, and last the
proud name of Plantagenet, and those two fair Queens who perished by the jealous
rage of Henry."

But though no other part of the Tower has been the subject of such an amazing piece of
writing, its dramatic interest is divided fairly evenly over the whole building. It is
impossible here to do more than indicate the chief historical associations of some of the
most ancient portions. Distinguished prisoners come to mind first, and of these the
Tower has had a host.

The Bell Tower, at the south western corner, was the prison of the future Queen
Elisabeth. The splendid but sinister Traitor's Gate was the landing-place of numerous
highly born prisoners, brought here by water, after trial at Westminster. In the Bloody
Tower above, that noble captive, Sir Walter Raleigh, wrote his History of the World,
and if tradition is to be believed, the two young sons of Edward IV were infamously
done to death on the orders of their wicked uncle, Richard Duke of Gloucester. The
adjoining Wakefield Tower was so named after the Battle of Wakefield, when the
Lancastrians turned the tables on their foes, and populated this tower with Yorkist
prisoners. A few years later it was the scene of the murder of the hapless Henry VI.

The list might be prolonged indefinitely, for practically all the towers could furnish a
quota, whose presence is brought vividly to mind by initials and other inscriptions cut in
the walls.

From the historical and architectural point of view, the outstanding feature of the Tower
of London is William the Conqueror's grand keep, popularly known as the "White
Tower." When it started life in 1078 it was not the centre of a double circumvallation
(the work of William Rufus and Henry III respectively), nor was it surrounded by the
moat, so it must be considered as a self-contained fortress. Regarded in that light, it is a
magnificent specimen of its kind, for all the embellishments of later times. In the
Chapel of St John, too, it can boast perhaps the most attractive piece of Norman
architecture to be found in the country.

St Paul's Cathedral

From the western side of the Tower Of London to the Temple is the area which was
devastated and destroyed by the Great Fire of 1666, and for that reason it would be vain
to search it for buildings other than a few churches prior in date to the second half of the
seventeenth century. Even of that period practically the only monuments of importance
are Wren's churches, which include his masterpiece, St Paul's Cathedral.

Grand though the present church is, three seems to be some ground for regretting the
destruction of its predecessor in the great conflagration. Judging by the descriptions and
ancient prints that have come down to us, it was a superb edifice, larger that the present
church, and surmounted by a spire which attained a height of close on 500 feet. It is
equally notorious, however, that before the reign of Charles I large parts of the building
were put to all sorts of base and sacrilegious uses.

The existing cathedral was begun in 1675 after Wren's plans, and competed during his
lifetime in 1710. But it must be remembered that Wren himself was compelled to
modify his design in deference to the wishes of influential persons at court, who were
even then expecting the restoration of the Roman Catholic faith, and regarded the
edifice he projected as too Protestant in character.

Even by comparison with the great fame which it inevitably calls to mind, St Peter's at
Rome, the cathedral must be adjudged a noble monument. Its harmonious proportions
tend to obscure its vast size (the same observation applies with even greater force to St
Peter's), but its sobriety of internal decoration - a feature greatly attacked by many
competent authorities - seems to the present writer perhaps the most telling element in
its undoubted dignity. Its great impressiveness, produced by simple means, recalls those
plain but stately cathedrals which are the most effective monuments of Norman art in
Britain.

Though not a national mausoleum, like Westminster Abbey, St Paul's has its company
of noble and famous dead, which included many men distinguished in the arts and the
profession of arms, notably Sir Christopher Wren (above whose tomb is the world-
famed inscription: Lector, si monumentum requires, circumspice), Lord Nelson, the
Duke of Wellington, and Lord Roberts.

Few of the monuments in the cathedral are of high artistic merit, but an outstanding
exception is that of the victor of Waterloo, the finest work of Alfred Stevens, whose
genius has only been fully recognised in comparatively recent times.

The Temple

At the western end of the fire-stricken area, ie where the conflagration was at length
arrested by blowing up a large number of buildings with gunpowder) is the Temple, that
haunt of lawyers and abode of peace in which the atmosphere of olden times still seems
to linger. Apart from its interesting legal and literary associations, the Temple is notable
for two splendid old buildings, one of which is barely junior of the Tower.

Temple Church

The Temple Church (St Mary's, to give it its proper dedication) consists of a circular
nave, one of the four surviving round churches of the Knights Templars, to which an
Early English choir was added in 1240. Both portions are grand work of their respective
periods, the elaborate Norman doorway and Transitional Norman nave harmonising
beautifully with the slender shafts and lancet windows of the choir. On the floor of the
nave are the well-known effigies of Templars, described by Stow in his time as

"armed knights, five lying cross-legged as men vowed to the Holy Land, against the
infidels and unbelieving Jews; the other straight-legged; the first of the cross-legged
was W Marshall, the elder Earl of Pembroke, who died in 1219; Will Marshall his son,
Earl of Pembroke, was the second, he died in 1231; and Gilbert Marshall his brother,
Earl of Pembroke, slain in a tournament at Hertford, beside Ware, in the year 1241."

Middle Temple

Equally eminent in its way is the fine Elizabethan hall of the Middle Temple, completed
in 1572. It too, has its memories of that performance of Twelfth Night in which
Shakespeare himself is said to have played, memories of the most august member of his
audience, Queen Elizabeth, and distant and indirect memories of her unhappy rival,
Mary Stuart, whose death-warrant she is said to have signed seated at that oak table
which she presented to the Inn.
Temple Bar Memorial

Of the "Temple Bar Memorial," occupying the site of the old Temple Bar, the less said
the better. The famous predecessor now decorates one of the entrances to Theobalds
Park, near Waltham Cross; one can still inspect it to see Wren at his worst and (with the
eye of the mind) the horrid heads of executed traitors which once formed one of the
"sights" of Fleet Street. Dr Johnson (who is the real spirit of this "street of ink") was
once passing Temple Bar with Goldsmith at a time when the structure was adorned with
the heads of rebels who had been captured in the rebellion in favour of the Old
Pretender. "Goldsmith stopped me," says Johnston, "pointed to the heads upon it, and
slyly whispered to me:

"'Forsitan et nostrum nomen niscebitur istis.'"

(Perhaps, some day, our names may mix with theirs.)

17 Gough Square

Spots associated with Johnson are frequent enough hereabouts to satisfy the most
exacting son of Boswell. The best is undoubtedly the house in Gough Square (No. 17),
where the great philosopher spent ten years, during which his famous dictionary was
taking shape. But, indeed, Johnson paid Fleet Street a greater compliment than by
merely living in and near it, a compliment which is duly recorded by Boswell.

"We walked in the evening,"

writes the faithful jackal,

"in Greenwich Park. He asked me, I suppose by way of trying my disposition, ‘Is not
this very fine?' Having no exquisite relish of the beauties of nature, and being more
delighted with the busy hum of men, I answered, ‘Yes, sir; but not equal to Fleet Street.'
Johnson. ‘You are right, sir."

Romance, or anything else that appeals to the eye or soul, is hard to find in modern
Fleet Street, but its literary memories have an abiding fascination.

Lincolns Inn and Lincoln Inns Fields.

Turning up Chancery Lane, the Tudor gatehouse built by Sir Thomas Lovell gives
access to Lincoln's Inn and Lincoln's Inn Fields. Here buildings of some renown are to
be found, the chapel of the inn built by Inigo Jones, the Royal College of Surgeons, and
the Soane Museum, not to mention whole blocks of houses (now mainly offices) dating
from the eighteenth century. But it is chiefly as a place of memories that the great
square grips the imagination. It was designed by Inigo Jones, who contrived that it
should occupy the same space as the Pyramid of Cheops. Many duels, murders,
executions, and other horrors has it witnessed. Who can forget the lines of the poet Gay:

"Where Lincoln's Inn, wide space, is railed around.

Cross not with venturous step; there oft is found
The lurking thief, who while the daylight shone,
Made the wall echo with begging tone:
That crutch, which late compassion moved, shall wound
Thy bleeding head, and fell thee to the ground.
Though thou art tempted by the linkman's call,
Yet trust him not along the lonely wall . . . . "

Gray's Inn

Geographically, Gray's Inn stands somewhat outside the legal world of London, but
none who know it will deny it the old-world charm which seems to linger around the
haunts of the great profession. It has a fine Elizabethan Hall, where the Comedy of
Errors is traditionally said to have been performed in Shakespeare's lifetime, and many
associations with men of note, particularly its most famous member, Lord Bacon.

Central Criminal Court

Turning back city-wards we soon reach the site of Newgate Prison, of notorious and
unhappy memory. But the palm for interest hereabouts must be awarded to two
buildings which are associated with the more pleasant side of human activity.

St Bartholomew's Church

The church of St Bartholomew the Great is one of the finest and, with exception of the
chapel in the Tower, the oldest in the City. The edifice is little more than the nave of the
church of the priory which Rahere, Henry I's favourite, founded in 1123, the rest having
been destroyed in the reign of Henry VIII at the dissolution of the monasteries. The
grand columns are a splendid and impressive example of the Norman style in its best
period, but the finest of feature of the whole building is the tomb of the founder himself.
The figure dates from the time of his death (in 1143), and the elaborate canopy is good
Perpendicular work of a century and a half later.

Charterhouse

The other building of special note in this quarter is the Charterhouse, descendant of a
Carthusian monastery which was founded in 1371. After the Dissolution it passed into
secular hands, and in 1611 the whole property was sold to Thomas Sutton, whose will
provided for the foundation of a hospital for eighty poor men and a school for forty poor
boys.

The present buildings are mainly the remains of the great mansion built after the
Dissolution (largely with the materials of the former monastery), but the church goes
back to earlier times, though it has been considerably altered. Everyone knows that the
famous Charterhouse School was removed to Godalming, but the educational
atmosphere still survives, as the equally famous Merchant Taylors' school has been
established here in its place.
Cheapside / Bow Church

Cheapside is a standing invitation to wander into many a merry bypath of history; but
here there is only room to wander into Bow Church, if only for the important part is
plays in the definition of a "Cockney." Incidentally, it might be remarked that if there is
no Cockney save him (or her) who is born within the sounds of Bow bells, Cockneys
must be a small and dying race, for the residential population hereabouts is almost non-
existent.

In addition to this claim to fame, Bow Church can boast of possessing perhaps the finest
of Wren's steeples and an interesting Norman crypt, pathetic relic of the ancient church
devastating in the Great Fire.

The Guildhall

A survey of the City properly concludes with its civic headquarters, the Guildhall. Time
was when the Guildhall played quite a prominent part in State affairs. Was it not here
that, as Stow tells us Richard Duke of Gloucester was "elected by the nobles and
commons" and "took on him the title of the realm and kingdom." Did not poor Lady
Jane Grey here plead guilty to the charge of treason and hear her hard but inevitable
sentence pronounced?

Little of the pre-Carolingian building remains, the principal exceptions being the porch
and the crypt. This porch attained a certain renown in Elizabeth's time by reason of the
fact that its statues, "Jesu Christ," "Law," "Learning," "Discipline in the Devil's Necke,"
"Justice," "Fortitude," and "Temperance," escaped destruction in the iconoclastic
outbreaks of the Reformation. Elderton celebrated the fact in some rude doggerel:

Though most of the images be pulled downe,

And none be thought remayne in towne,
I am sure there be in London yet.
Seven images in such and such a place . . . "

The "Great Hall" may be a restoration, but it is a magnificent chamber and its modern
roof is by no means unworthy of comparison with the splendid specimens of earlier
times which can be found elsewhere.

Street Fighter III: 3RD Striker

Controles
[] - soco fraco
/\ - soco médio
R1 - soco forte
X - chute fraco
O - chute médio
R2 - chute forte
L1 - Três botões de soco
L2 - Três botões de chute
Select - provocar
Start - pausar/opções
Importante:
1 - Todos os comandos abaixo servem somente para o lutador na posição do
primeiro jogador (Player 1). Se você estiver jogando com o segundo controle
(Player 2), inverta os seguintes comandos direcionais: PE, PD, DIPE, DIPE, DSPE,
DSPD
2 - Os Superataques (I, II e III) consomem pelo menos um ní¬vel da barra especial
do lutador. Confira os ní¬veis que eles precisam antes de fazer os movimentos.

LISTÃO DE GOLPES
1. RYU (Japão)
Movimentos Especiais
Hadou-Ken: PB, DIPD, PD + soco
Shoryu-ken: PD, PB, DIPD + soco
Tatsumaki-Senpuu-Kyaku: PB, DIPE, PE + chute (no chão ou no alto)
Joudan-Sokutou-Geri: PE, DIPE, PB, DIPD, PD + chute
Superataques
I. Shinkuu-Hado-Ken: PB, DIPD, PD, PB, DIPD, PD + soco
II. Shin-Syouryu-Ken: PB, DIPD, PD, PB, DIPD, PD + soco
III. Denjin-Hado-Ken: PB, DIPD, PD, PB, DIPD, PD + segure soco
2. ALEX (Estados Unidos)
Movimentos Especiais
Flash Chop: PB, DIPD, PB + soco
Power Bomb: PD, DIPD, PB, DIPE, PE + soco (perto)
Air Stampede: segure PB, PC + chute
Elbow Slash: segure PB, PC + chute
Rising Knee Smash: PD, PB, DIPD + chute
Spiral DDT: PD, DIPD, PB, DIPE, PE + chute
Flying Cross Chop: PB + R1 (no alto)
Superataques
I. Hyper Bomb: giro de 360º + soco (perto)
II. Boomerang Raid: PB, DIPE, PD, PB, DIPD, PD + soco
III. Stun Gun Headbutt: PB, DIPD, PD, PB, DIPD, PD + soco
3. SEAN (Brasil)
Movimentos Especiais
Sean Tackle: PE, DIPE, PB, DIPD, PD + segure soco
Tornado Kick: PB, DIPE, PE + chute
Ryubi-Kyaku: PB, DIPD, PD + chute
Dragon Smash: PD, PB, DIPD + soco
Zenten: PB, DIPE, PE + soco
Superataques
I. Hado-Burst: PB, DIPD, PD, PB, DIPD, PD + soco
II. Shoryu-Cannon: PB, DIPD, PD, PB, DIPD, PD + soco várias vezes
III. Hyper Tornado: PB, DIPD, PD, PB, DIPD, PD + soco
4. IBUKI (Japão)
Movimentos Especiais
Kunai Dagger: PB, DIPD, PD + soco (no alto)
Raida: PD, DIPD, PB, DIPE, PE + soco
Kubiori: PE, DIPE, PB, DIPD, PD + soco
Hien: PE, PB, DIPE + chute
Kazekin: PD, PB, DIPD + chute
Tsumuji: PB, DIPE, PE + chute várias vezes
Tsukiji-Goe: PD, PB, DIPD + soco
Kasumi-Gake: PB, DIPD, PD + chute
Superataques
I. Kasumi-Suzaku: PB, DIPD, PD, PB, DIPD, PD + soco várias vezes
II. Yoroi-Doushi: PB, DIPD, PD, PB, DIPD, PD + soco
III. Yami-Shigure: PB, DIPD, PD, PB, DIPD, PD + soco
5. NECRO (Rússia)
Movimentos Especiais
Electric Blaster: PD, PB, DIPD + soco várias vezes
Tornado Hook: PE, DIPE, PB, DIPD, PD + soco
Flying Viper: PB, DIPE, PE + soco
Snake Fang: PE, DIPE, PB, DIPE, PD + chute
Rising Cobra: PB, DIPE, PE + chute
Winding Hom: PB + chute (no alto)
Superataques
I. Magnetic Storm: PB, DIPD, PD, PB, DIPD, PD + soco várias vezes
II. Slam Dance: PB, DIPD, PD, PB, DIPD, PD + soco (perto)
III. Eletric Snake: PB, DIPD, PD, PB, DIPD, PD + soco
6. URIEN (México)
Movimentos Especiais
Chariot Attack: segura PE, PD + chute
Vicious Knee Drop: segure PB, PC + chute
Vicious Head Butt: segure PB, Pc + soco
Metallic Sphere: PB, DIPD, PD + segure soco
Superataques
I. Tyrant Slaughter: PB, DIPD, PD, PB, DIPD, PD + soco
II. Temporal Thunder: PB, DIPD, PD, PB, DIPD, PD + soco
III. Aegis Reflector: PB, DIPD, PD, PB, DIPD, PD + soco/L1
7. AKUMA/GOUKI (Japão)
Movimentos Especiais
Gou-Hadou-Ken: PB, DIPD, PD + soco (no chão ou no alto)
Shakunetsu-Hadou-Ken: PD, DIPD, PB, DIPE, PE + soco
Gou-Shouryu-Ken: PD, PB, DIPD + soco
Tatsumaki-Zankuu-Kyaku: PB, DIPE, PE + chute (no chão ou no alto)
Ashura-Senkuu: (PD, PB, DIPD)/(PE, PB, DIPE) + L1/L2
Tenma-Kujin-Kyaku: PB + O (no alto)
Zenpou-Tenshin: PE, DIPE, PB, DIPD, PD + chute
Hyakki-Shuu: PD, PB, DIPD + chute, soco/chute
Superataques
I. Messatsu-Gou-Hadou: PB, DIPD, PD, PB, DIPD, PD + soco (no chão ou no alto)
II. Messatsu-Gou-Shoryu: PB, DIPD, PD, PB, DIPD, PB + soco
III. Messatsu-Gou-Rasen: PB, DIPD, PD, PB, DIPD, PD + chute (no chão ou no
alto)
I. II. III. Shun-Goku-Satsu: [], [], PD, X, R1 (ní¬vel máximo)
I. II. III. Kongou-Koku-Retsuzan: PB, PB, PB + L1 (ní¬vel máximo)
8. YANG (Hong Kong)
Movimentos Especiais
Tourou-Zan: PB, DIPD, PD + soco (três vezes)
Senkyu-Tai: PB, DIPD, PD + chute
Byakko-Soushouda: PB, DIPE, PE + soco
Zenpou-Tenshin: PB, DIPE, PE + chute (perto)
Kaibou: PD, PB, DIPD + chute
Raigeki-Shuu: DIPD + chute (no alto)
Superataques
I. Raishin-Mahhaken: PB, DIPD, PD, PB, DIPD, PD + soco
II. Tenshin-Senkyutai: PB, DIPD, PD, PB, DIPD, PD + chute
III. Seiei-Enbu: PB, DIPD, PD, PB, DIPD, PD + soco
9. TWELVE (Rússia)
Movimentos Especiais
N.D.L.: PB, DIPD, PD + soco
A.X.E.: PB, DIPE, PE + soco várias vezes (no chão ou no alto)
D.R.A.: PB, DIPE, PE + chute (no alto)
Superataques
I. X.N.D.L.: PB, DIPD, PD, PB, DIPD, PD + soco
II. X.F.L.A.T.: PB, DIPD, PD, PB, DIPD, PD + chute (no alto)
III. X.C.O.P.Y.: PB, DIPD, PD, PB, DIPD, PD + soco
10. MAKOTO (Japão)
Movimentos Especiais
Hayate: PB, DIPD, PD + segure soco (aperte chute para cancelar)
Fukiage: PD, PB, DIPD + soco
Oroshi: PB, DIPE, PE + soco
Karakusa: PD, DIPD, PB, DIPE, PE + chute (perto)
Tsurugi: PB, DIPE, PE + chute (no alto)
Superataques
I. Seichusen-Godanzuki: PB, DIPD, PD, PB, DIPD, PD + soco
II. Abare-Tosanami: PB, DIPD, PD, PB, DIPD, PD + chute
III. Tanden-Renki: PB, DIPD, PD, PB, DIPD, PD + soco
11. CHUN.LI (China)
Movimentos Especiais
Kikou-Ken: PE, DIPE, PB, DIPD, PD + soco
Hazan-Shu: PD, DIPD, PB, DIPE, PE + chute
Hyakuretsu-Kyaku: chute várias vezes
Spinning Bird Kick: segure PB, PC + chute
Yousou-Kyaku: PB + O (no alto)
Tenshin-Shuu-Kyaku: DIPD + R2
Superataques
I. Kikou-Shou: PB, DIPD, PD, PB, DIPD, PD + soco
II. Houyoku-Sen: PB, DIPD, PD, PB, DIPD, PD + chute
III. (ní¬vel 3) Tensei-Ranka: PB, DIPD, PD, PB, DIPD, PD + chute
12. Q (país desconhecido)
Movimentos Especiais
Dashing Head Attack: segure PE, PD + segure soco
Dashing Leg Attack: segure PE, PD + chute
High Speed Barrage: PB, DIPE, PE + soco
Capture & Deadly Blow: PD, DIPD, PB, DIPE, PE + chute (perto)
Superataques
I. Critical Combo Attack: PB, DIPD, PD, PB, DIPD, PD + soco
II. Deadly Double Combination: PB, DIPD, PD, PB, DIPD, PD + soco
III. Total Destruction: PB, DIPD, PD, PB, DIPD, PD + soco, PB, DIPD, PD +
soco/chute
13. REMY (França)
Movimentos Especiais
Light of Virtue (High): segure PE, PD + soco
Light of Virtue (Low): segure PE, PD + chute
Rising Rage Flash: segure PB, PC + chute
Cold Blue Kick: PB, DIPE, PE + chute
Superataques
I. Light of Justice: PB, DIPD, PD, PB, DIPD, PD + soco
II. Supreme Rising Rage Flash: PB, DIPD, PD, PB, DIPD, PD + chute
III. Blue Nocturne: PB, DIPD, PD, PB, DIPD, PD + chute
14. YUN (Hong Kong)
Movimentos Especiais
Tetuzankou: PD,PB,DIPD + soco
Zesshou-Hohou: PB, DIPD, PD + chute
Kobokushi: PB, DIPE, PE + soco
Zenpou-Tenshin: PB, DIPE, PE + chute (perto)
Rraigeki-Shuu: DIPD + chute (no alto)
Superataques
I. You-Hou: PB, DIPD, PD, PB, DIPD, PD + soco
II. (ní¬vel 3) Sourai-Rengeki: PB, DIPD, PD, PB, DIPD, PD + soco
III. Genei-Jin: PB, DIPD, PD, PB, DIPD, PD + soco
15. KEN (Estados Unidos)
Movimentos Especiais
Hadou-Ken: PB, DIPD, PD + soco
Shoryu-Ken: PD, PB, DIPD + soco
Tatsumaki-Senpuu-Kyaku: PB, DIPE, PE + chute (no chão ou no alto)
Superataques
I. Shoryu-Reppa: PB, DIPD, PD, PB, DIPD, PD + soco
II. Shinryu-Ken: PB, DIPD, PD, PB, DIPD, PD + chute várias vezes
III. (nível 3) Shippu-Jinrai-Kyaku: PB, DIPD, PD, PB, DIPD, PD + chute
16. HUGO (Alemanha)
Movimentos Especiais
Shock Wave: PB, DIPE, PE + soco
Earthquake Bomb: giro de 360 + soco (perto)
Devastator: PD, PB, DIPD + chute
Monster Lariat: PB, DIPD, PD + chute
Ultra Trhow: PD, DIPD, PB, DIPE, PE + chute (perto)
Meat Squasher: giro de 360º + chute
Poison Taunt: segure Select, R1 + R2
Superataques
I. Gigas Breaker: giro de 720º + soco (perto)
II. Megaton Press: PB, DIPD, PD, PB, DIPD, PD + chute
III. Hammer Frenzy: PB, DIPD, PD, PB, DIPD, PD + segure soco
17. ELENA (Quênia)
Movimentos Especiais
Scratch Wheel: PD, PB, DIPD + chute
Rhino Hom: PE, DIPE, PB, DIPD, PD + chute
Mallet Smash: PD, DIPD, PB, DIPE, PE + soco
Spinning Scythe: PB, DIPE, PE + chute (duas vezes)
Lynx Tail: PE, PB, DIPE + chute
Superataques
I. (ní¬vel 3) Spinning Beat: PB DIPD, PD, PB, DIPD, PD + chute
II. Brave Dance: PD, DIPD, PD, PB, DIPD, PD + chute
III. Healing: PB, DIPD, PD, PB, DIPD, PD + segure soco
18. DUDLEY (Inglaterra)
Movimentos Especiais
Jet Uppercut: PD, PB, DIPD + soco
Machine Gun Blow: PD, DIPE, PB, DIPD, PD + chute, soco
Ducking Straight: PE, DIPE, PB, DIPD, PD + chute, soco
Ducking Uppercut: PE, DIPE, PB, DIPD, PD + chute, chute
Short Swing Blow: PD, DIPD, PB, DIPE, PE + chute
Cross Counter: PD, DIPD, PB, DIPE, PE + soco
Superataques
I. Rocket Uppercut: PB, DIPD, PD, PB, DIPD, PD + soco
II. Rolling Thunder: PB, DIPD, PD, PB, DIPD, PD + soco várias vezes
III. (ní¬vel 3) Corkscrew Blow: PB, DIPD, PD, PB, DIPD, PD + soco
19. ORO (Brasil)
Movimentos Especiais
Nichirin-shou: segure PE, PD + soco
Oniyanma: segure PB, PC + soco
Niouriki: PD, DIPD, PB, DIPE, PE + soco
Jinchuu-Watari: PB, DIPE, PD + chute
Hitobashira-Nobori: PD, DIPD, PD + chute várias vezes (no alto)
Superataques
I. Kishin-Riki: PB, DIPD, PD, PB, DIPD, PD + soco, soco (perto)
I. Kishin-Tsuki: PB, DIPD, PD, PB, DIPD, PD + L1 (ní¬vel máximo)
II. (ní¬vel 3) Yagyou-Dama: PB, DIPD, PD, PB, DIPD, PD + soco
II. Yagyou-Daikon: PB, DIPD, PD, PB, DIPD, PD + L1 (ní¬vel máximo)
III. Tengu-Stone: PB, DIPD, PD, PB, DIPD, PD + soco
III. Tengu-Ranseki: PB, DIPD, PD, PB, DIPD, PD + L1 (ní¬vel máximo)
20. GILL (planeta desconhecido)
SECRETO
Para jogar com este lutador secreto, você precisa vencer o game em qualquer nível
de dificuldade e com qualquer lutador. Faça isso com a opção System Direction no
-normal-. Não use nenhum continue.
Movimentos Especiais
Pyro/Cryo Kenesis: PB, DIPD, PD + soco
Saber Lariat: PD, PB, DIPD + soco
Psycho Head Butt: PB, DIPE, PE + soco
Moonsault Knee Drop: PD, DIPD, PB, DIPE, PE + chute
Superataques
Resurrection: automaticamente ativado quando derrotado
Meteor Shower: PB, DIPD, PD, PB, DIPD, PD + soco
Seraphic Wing: PB, DIPD, PD, PB, DIPD, PD + chute

Segredos
System Direction Page 8
Vença o game com cinco lutadores
System Direction Page 9
Finalize o jogo com 10 personagens
System Direction Page 10
Detone o tí¬tulo com 15 lutadores

Por Saulo
Marcadores: Detonado, Dicas, PS2

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