Antique Green Game Board
‘with Orenta (detail)
by Daniel E. Greene, 2005,
2e 24 Coutesy Galery Hoch,
eto, ewok
EASY REFERENCE
Acrylic: 2,38
Chalk: 6
Charcoal: 68
Colored pencil: 14
Gouache: 66,70
Graphite: 68
Ink: 32
il: 16, 18,32, 42, 50,58, 68,72
Pastel: 26
Watercolor: 32, 65,70
4 Editor's Note
6 Letters
7 Art Mart
10 Quick Sketches
Workshop Uses Camera Phones To
Attract Younger Audience...Edward
Hopper Film Accompanies
Exhibition of Artist's Work... Wayne
Art Center Hosts First Annual
Wayne Plein Air Festival,.Colored
Pencil Society of America’s ssth
Annual Intemational Exhibition
Award Winner
18
26
32
38
OVEMBER 2007
‘Simplifying Relationships
Yu. STEPHEN OOHERTY
Richard Baumann relies on two
complementary colors to develop
his landscapes and interior scenes,
applying mixtures of them around
the canvas so he can orchestrate
the relationship between shapes
and values, As a result, subtle
color accents stand out against the
balanced composition
Dave Stout: A Disciplined
Approach to Pastel
BY UNO SPADE
With limited time to paint,
pastelist Dave Stout has learned to
pare down his supplies and
develop an efficient and effective
working method
‘The Intimate Paintings and
Drawing of Mark Karnes
br ERAN RUBENSTEN
Maryland artist Mark Karnes
paints everyday scenes by
sketching value studies in ink or
watercolor then slowly painting in
oil or acrylic without a detailed
preparatory drawing.
Responding to Landscapes
in a Personal Way
When she first painted in
watercolor 30 years ago, Florida
artist Marilynne Roland thought
her lack of art training would be a
deficiency, but workshop leaders,
encouraged her to build on her
understanding of design, her
curiosity about materials, and her
love of landscapes.42 Gleaning Inspiration From
Formative Experiences
In an exhibition opening this month in New
York City, Daniel E, Greene presents stil-life
and figure paintings inspired by the
‘experiences and objects of his childhood.
‘Those paintings allowed him to explore the
themes of challenge, contrast, and competition.
50 Susan Gootz & Robert Schneider: Two
Informed Approaches to Oil Painting
va, STEPHEN DOHERTY
‘These two artists, who are husband and wife,
studied with some ofthe same instructors and
developed techniques based on similar
historical precedents; yet they focus on different
subjects and use varied palettes and procedures.
58 Rembrandt at 400: The Painter in Context
YJ A, ans
Anew exhibition at The Metropolitan
Museum of Art allows us to examine the
‘work of Rembrandt alongside that of his
Dutch contemporaries,
66 Exhibitions
Gabriel de Saint-Aubin (1724-1780).
Graphite... Flights Into Fantasy: The Kendra and
Allan Daniel Collection of Children's
Mlustration..Antonio Mancini: Ninetenth-
Century Italian Master.
74 Technical Q+A 79. Index to Advertisers
76 Business of At 80. Coming in.
78 Bulletin Board
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Unique omaments and hliday table placecars,
Dplay them on our §° wood eat
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