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2. How would you play an accented note differently from a staccato note?
3. What sort of articulation would you put on the last note of this famous musical example?
5. Create a musical example in the space below that utilizes at least three types of articulation markings we have talked about in class.
6.Look at the excerpt from Carl Orffs Carmina Burana below. Note the articulations marked in the score. Do you agree with Orffs decision to put accents on every single note, or would you have used a style marking such as pesante to communicate the intended articulations?