Jayplay volume 7, issue 14 - RIDE ALONG FOR the 2. A Saturday night with SafeRide and SafeBus. Kansas basketball a n d calendar 3 thursday, dec. 3rd friday. OH OK / SUEDE BY PERFECTION / japanese game show.
Jayplay volume 7, issue 14 - RIDE ALONG FOR the 2. A Saturday night with SafeRide and SafeBus. Kansas basketball a n d calendar 3 thursday, dec. 3rd friday. OH OK / SUEDE BY PERFECTION / japanese game show.
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Jayplay volume 7, issue 14 - RIDE ALONG FOR the 2. A Saturday night with SafeRide and SafeBus. Kansas basketball a n d calendar 3 thursday, dec. 3rd friday. OH OK / SUEDE BY PERFECTION / japanese game show.
Direitos autorais:
Attribution Non-Commercial (BY-NC)
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Baixe no formato PDF, TXT ou leia online no Scribd
December 3, 2009 food among friends The company you keep can affecT The way you eaT all about asexuality how The orienTaTion fiTs inTo The sexualiTy specTrum
A Saturday night with
SafeRide and SafeBus RIDE * ALONG FOR THE 2 Jayplay December 3, 2009 // volume 7, issue 14 * Cover and table of contents photos by Adam Buhler TABLE OF CONTENTS 12 03 09 2 Better safe than sorry Behind the scenes with SafeRide and SafeBus 8 Why dont we do it on the road? Rock band State Radio brings a helping hand to Lawrence 13 11 No money? No problems Will that diploma make you any dough? 15 Rising above Writer Hannah DeClerk comes to terms with her height FOR A CHANCE TO WI N A 32 TV JOI N OUR BASKETBALL CLUB .S5329S56 3900 W. 6th St. .S5S32S33S 2520 Iowa St. ENJOY DELICIOUS FOOD KANSAS BASKETBALL A N D CALENDAR 3 thursday, dec. 3rd friday, dec. 4th saturday, dec. 5th sunday, dec 6th monday, dec 7th tuesday, dec. 8th POKER PUB Conroys Pub, 6 p.m. & 9 p.m., free, all ages THE JUNKYARD JAZZ BAND The American Legion, 7 p.m., free, all ages TRIVIUM / CHIMAIRA / WHITECHAPEL The Beaumont Club, 7:30 p.m., $19.50-$21.50, all ages INGLOURIOUS BASTERDS Woodruff Auditorium, 8 p.m., free-$3, 17+ JAY NASH / CAITLIN CROSBY / CROSBY LOGGINS The Bottleneck, 9 p.m., all ages OH OK / SUEDE BY PERFECTION / JAPANESE GAME SHOW The Jazzhaus, 10 p.m., $3, 21+ AUDACITY The Replay Lounge, 10 p.m., $2, 21+ NEON DANCE PARTY The Jackpot Music Hall, 10 p.m., $1-$5, 18+ CINDERELLA Lawrence Community Theatre, 7:30 p.m., all ages AMERICANA HOLIDAY SHOW Lawrence Arts Center, 7:30 p.m., $5-$10, all ages BLEEDING KANSAS DODGEBALL OPEN PLAY Community Building, 7:45 p.m., free, all ages INGLOURIOUS BASTERDS Woodruff Auditorium, 8 p.m., free-$3, 17+ JACOB FRED JAZZ ODYSSEY / PANDA RESISTANCE The Bottleneck, 8 p.m., $11-$13, all ages RETRO DANCE PARTY Wildes Chateau 24, 9 p.m., $3-$5, 18+ DISCO WITH DJ PARLE AND THE REVOLVER CREW DJS Fatsos, 9 p.m., free-$3, 21+ BIG GIGANTIC / SOMASPHERE The Jackpot Music Hall, 10 p.m., $10-$12, 18+ HYBRID MOMENTSSS WITH IGGY BABY The Eighth St. Taproom, 1 0 p.m., $3, 21+ RAS NEVILLE AND THE KINGSTONIANS The Jazzhaus, 10 p.m., $4, 21+ POKER PUB Conroys Pub, 6 p.m. & 9 p.m., free, all ages THE WILDERS HOLIDAY HOEDOWN Liberty Hall, 7 p.m., $10, all ages DISTRACTED Inge Theatre, 7:30 p.m., $10-$15, all ages CINDERELLA Lawrence Community Theatre, 7:30 p.m., all ages INGLORIOUS BASTERDS Woodruff Auditorium, 8 p.m., $2-$3, 17+ RICK SPRINGFIELD The Midland Theater, 8 p.m., $37.75-$77.75, all ages EMMITT NERSHI BAND / DEADMAN FLATS The Granada, 9 p.m., $12, all ages THE DACTYLS / LANDING ON THE MOON The Jackpot Music Hall, 10 p.m., $6-$8, 18+ BAND THAT SAVED THE WORLD The Jazzhaus, 10 p.m., $5, 21+ POKER PUB The Pool Room, 7 p.m. & 10 p.m., free, 21+ SMACKDOWN TRIVIA The Bottleneck, 7:30 p.m., free-$5, 18+ 85TH ANNUAL HOLIDAY VESPERS The Lied Center, 7:30 p.m., $10-$12.50, all ages DARIUS RUCKER The Midland Theater, 8 p.m., $35-$55, all ages JACKPOT HOLIDAY SIP & SHOP The Jackpot Music Hall, 6 p.m., free, all ages DISTRACTED Inge Theatre, 7:30 p.m., $10-15, all ages STUCK! Liberty Hall, 8 p.m., $8, all ages ORIGINAL MUSIC MONDAYS The Bottleneck, 9 p.m., all ages CHOMP WOMP FAMILY NIGHT The Eighth St. Taproom, 10 p.m., $3, 21+ SYMPHONIC BAND AND UNIVERSITY BAND The Lied Center, 7:30 p.m., $10-$15, all ages DISTRACTED Inge Theatre, 7:30 p.m., $10-15, all ages TUESDAY NITE SWING Kansas Union, 8 p.m., free, all ages BRAINVILLE TRIVIA Johnnys Tavern West, 8 p.m., free, all ages THE DUTCHESS & THE DUKE / GREG ASHLEY (OF GRIS GRIS) The Replay Lounge, 10 p.m., $2-$3, 21+ UNDEROATH / AUGUST BURNS RED / EMERY The Granada, 6 p.m., $20-$23, all ages WHAT WOULD JESUS BUY? Liberty Hall, 7 p.m., $3, all ages POKER PUB The Pool Room, 7 p.m. & 10 p.m., free, 21+ DISTRACTED Inge Theatre, 7:30 p.m., $10-15, all ages DOLLAR BOWLING Royal Crest Bowling Lanes, 9 p.m., $1, all ages ACOUSTIC OPEN JAM The Jazzhaus, 10 p.m., $2, 21+ WE ARE COUNTRY MICE / LONNIE FISHER & THE MOBILE SPIRITS The Replay Lounge, 10 p.m., $3, 21+ KIOSK BENEFIT The Eighth St. Taproom, 10 p.m., $3, 21+ 3 12 03 09 The Bottleneck 737 New Hampshire St. The Jackpot Music Hall 943 Massachusetts St. The Jazzhaus 926 1/2 Massachusetts St. Community Building 115 W. 11th St. Lawrence Arts Center 940 New Hampshire St. The Granada 1020 Massachusetts St. The Eighth St. Taproom 801 New Hampshire St. The Replay Lounge 946 Massachusetts St. The Pool Room 925 Iowa St. Wildes Chateau 24 2412 Iowa St. Duffys 2222 W. 6th St. Conroys Pub 3115 W. 6th St., Ste. D The Midland Theater 1228 Main St. Kansas City, Mo. venues // wednesday, dec. 9th editors note // I remember be- ing really excited to start real school. I was born with severe hearing problems and at- tended a pre-school for hearing-impaired kids from about age 3. But when I got to be main- streamed into a public kindergarten class, I was ecstatic to get to be with the normal kids. Feeling good in my favorite denim dress, I jumped of the normal bus to go into the normal school to be exuberantly accepted by all the nor- mal kids or so I expected. Unfortunately, it didnt quite pan out this way. What I didnt know till years of social ostraciza- tion later was that I entered school cursed with a triple threat to any and all possible popularity. First of, I had to wear hearing aids, which, in the 1990s, were dinosaurs compared to the sleek, feedback-free models of today. On top of that, I was already able to read and so became the geeky teachers pet a role I played very well with my super-thick glasses and chubby frame. And did I mention I was the shortest kid in the class? I was doomed from day one; I might as well have been the kid who ate paste. Like writer Hannah DeClerk, I went through school assuming something was diferent and therefore, by middle school social stan- dards, wrong about me as I continued to self-consciously hide my real personality be- hind painfully awkward shyness. But like many fellow socially anxious nerds before me, I eventually survived high school. And I even made it to college, where, gradu- ally at frst, something amazing happened I started to relax. Today, Im 21 years old and still awkward as hell. But Ive fnally begun to accept that, even if I am diferent in some way, theres nothing wrong with me. Im always going to be awk- ward and shy and even a little bit weird but thats OK; thats just who I am. Check out Hannahs essay on page 15 about how she came to accept herself as she grew up as the tallest girl in her class. Perhaps we all could use a dose of self-accep- tance to help us with our self-consciousness. // ALEX GARRISON, ASSOCIATE EDITOR EDITOR // Sean Rosner ASSOCIATE EDITOR // Alex Garrison DESIGNERS // Laura Fisk, Liz Schulte CONTACT // Mia Iverson, Hailey Osterhaus HEALTH // Kirsten Hudson, Amy Johnson MANUAL // Francesca Chambers, Patrick De Oliveira, Andrea Olsen NOTICE // Hannah DeClerk, Kelci Shipley, Valerie Skubal PLAY // Sarah Bluvas, Zach Getz, Jake Lerman CONTRIBUTORS // Mike Anderson, Taylor Brown, Amber Jackson, Chelsea Johnson, KJHK music staff, Sasha Lund, Landon Mc- Donald, Abby Olcese, Brett Phillippe, Nicolas Roesler, Amanda Sorell CREATIVE CONSULTANT // Carol Holstead CONTACT US // jayplay09@gmail.com JAYPLAY The University Daily Kansan 111 Stauffer-Flint Hall 1435 Jayhawk Blvd. Lawrence, KS 66045 (785) 864-4810 FOLLOW JAYPLAY ON TWITTER AT twitter.com/JayplayMagazine THANKSGIVING BUFFET THIS SUNDAY WING BUFFET WEDNESDAY Jo Shmos burgersbeerbocce.com Restaurant + Bar 724 Massachusetts St. WALL TO WALL KANSAS BASKETBALL J Sh BASKETBALL $5 SANGRIA PITCHERS WATCH THE HAWKS PLAY THIS SUNDAY TONIGHT HEALTH thats disgusting // SHOWERHEADS dude. gross. // KIRSTEN HUDSON Photo illustration by Kirsten Hudson Bathing in bacteria: Showerheads can be a perfect spot for growing bacteria. During your daily shower, you probably dont expect to get a face full of bacteria when you turn on the water, but that might be exactly whats spraying out of the showerhead. A study conducted by researchers at the University of Colorado at Boulder tested the bioflm (the scummy stuf on the inside of the showerhead) of 45 showerheads in nine cities across the country. Te experiment found that levels of bacteria were 100 times higher on the bioflm than in pre-shower water. Te inside of a showerhead is moist, warm and dark the perfect place for bacteria to grow. Some of the bacteria the researchers found were what you would normally expect to see in soil and water, says Laura Baumgartner, one of the researchers of the study. But the researchers also found Mycobacterium avium, a harmful bacteria that can cause respiratory diseases and infections in people with weakened immune systems, as well as the elderly. Fortunately the bacteria probably wont harm the majority of healthy people. If youre still worried about germy showerheads, Baumgartner suggests letting the water blast for about 30 seconds before stepping into the shower. Because some of the particles are small enough to inhale, this will give the bacteria time to spray out and dissipate. Changing your showerhead every six months would also decrease the level of germs because it takes about six months for enough harmful bacteria to build up. If youre using a plastic showerhead, consider switching to a metal one because germs stick better to plastics than metals, Baumgartner says. Or just skip the shower altogether and take a bath. 2 12 03 09 4 The ne w pr e mi e r f a s hi on bout i que i n Lawr e nc e Pr e mi um De ni m Uni que , Sa v v y Fa s hi on Spl e ndi d , La Rok , J oi e, Twe l f t h St . , 7 Di a monds , Fr e e Pe opl e HOLI DAY PROMOTI ON Nov. 30- St op Da y B AU H AU S HOLI DAY PROMOTI ON HHOLI DAY ROMOT ON HHOLI DAY PROMOTI ON HHOLI DAY ROMOT ON Gi v i ng i s Re c e i v i ng 933 Mass 785.856.9246 Join us as Pacific Northwest artist BenDelicious presents flow me in collaboration with Lawrence area skaters. Move over you are what you eat. The new saying is you are who you eat with. 3 5 12 03 09 // KIRSTEN HUDSON Choosing a healthy salad or a greasy cheeseburger (with extra bacon) for dinner may seem to depend on your mood, but you may also be ordering based on the person sitting across from you. A study published in Te Journal of Consumer Research in August found that people eat more when dining with a skinny person who eats a lot than with an obese person who overeats. Te study observed how much food participants (undergraduate women from the University of British Columbia) put on their plates after watching either a skinny or an obese person load up frst. Te experiment found that participants mimicked the behavior of the skinny person when she took both small and large portions and did the opposite of the obese person. How much we eat often has more to do with social and environmental cues than with feeling full, says Nancy Hamilton, associate professor of psychology. And we often imitate others eating habits unconsciously.
WEIGHT-OBSESSED CULTURE Te results of the study may also refect our culture where thin is in. Most people dont pursue obesity as a goal, but a lot of people do work to get thinner, says Darren Dahl, applied marketing research professor at the University of British Columbia and one of the authors of the study. People may mimic a slim persons behavior because they see thinness as desirable, he says. Photo illustration by Jerry Wang Finger-lickin good? Studies show many factors can contribute to the amount you eat, including not just your mood but also whom you eat with, how large your plate and portions are and how aware you are how many calories youve eaten. Jp HEALTH STUFFING FACE YOUR With stick-thin celebrities and scrawny models on TV and in magazines, people probably do try to follow their example, says Meredith Chait, Chicago freshman. People tend to imitate others not just with eating, but in any type of consumer behavior whether thats buying this seasons plaid shirt or not ordering dessert. Women and girls especially feel pressure to follow others behavioral patterns, says Brent McFerran, assistant professor of marketing at the University of British Columbia and one of the authors of the study.
A SOCIAL SETTING
Often, eating turns into a social experience. And people use diferent eating habits when they eat by themselves or in a group frequently eating more with a group. Just look at Tanksgiving, Dahl says. Te comfort level of the people you eat with also afects how you eat. No one wants to be the only person in a group of 10 to order dessert, McFerran says. Although Kori Talbott, Kansas City, Kan., senior, considers herself a healthy eater, she tends to eat more unhealthy foods with family and friends because she doesnt worry about them judging her. Next time your friends decide to supersize their meals, think about it before you load up, too. Or at least you can blame them for it, right? PLATE SIZE Different plate sizes change how much you eat. A smaller plate makes the same portion look bigger, which helps you feel full faster. But using a bigger plate when serving yourself means youre going to pile on the food and eat more because of it.
PORTION SIZE The more food on your plate, the more youre going to eat before feeling full. Eat- ing is an evolutionary adaptive trait, says OTHER FACTORS THAT AFFECT HOW MUCH YOU EAT Nancy Hamilton, associate professor of psychology. Our ancestors ate what was there and consumed as much as they could at that time because the food wouldnt always be there, she says.
AWARENESS People are generally oblivious to how much theyre eating, Hamilton says. Studies have found that people underestimate the num- ber of calories theyre consuming in a meal by about 500 calories, she says. CONTACT Alone at the table: Asexuality, characterized as a lack of desire to have sex, is a little-known and commonly misunderstood sexual orientation. Photo illustration by Alex Bonham-Carter Asexuality is an often overlooked sexual orientation Jp 2 12 03 09 6 LETS TALK ABOUT SEX,BABY AND NOT HAVING IT ... EVER In a sexually charged society, the conventional wisdom stands that sex is usually on our minds at some point in the day. But Devin Moss, 2009 graduate, hardly ever thinks about sex. He has no desire to have sex with anyone, and he has completely sworn of penetrative sex. Te only time he thinks about sex is when hes trying to explain his sexuality. He says most people dont understand him, and they dont believe that he isnt straight, gay, bisexual or any other part of the LGBT community. Moss identifes as a gay asexual, or, as he likes to call it, a same-gender-loving man. But no matter how hard Moss tries to explain his sexuality, he says the majority of people just dont get it. Asexuality is a mystery to many people today, but it is slowly starting to gain attention. Dennis Detweiler, Lawrence social worker and sex therapist, says asexuality can be better understood by thinking of all sexuality as a spectrum. At one far end of the spectrum is hypersexuality, or a stronger-than-average interest and desire for sex, he says. Asexuality refers to a sexual phenomenon at the other end of the spectrum that is characterized by an absence of sexual interest, desire, feelings or sexual attractions. Asexuality may be the sexual orientation some people identify with, but it still hasnt been added to the growing sexual orientation acronym. Te term LGBT has recently expanded to sometimes include an I for intersexed, and a Q for queer or questioning, but there is no letter for asexuals. Moss sometimes feels a bit left out of the community. For me its more or less just trying to get people to understand I dont have to do what they do, Moss says. I feel like Ive been excluded because people dont understand. Saida Bonifeld, Lawrence graduate student and LGBT Resource Center coordinator, says asexuals will probably never be included in the acronym. She says the acronym is based on sexuality, or attraction to other people. Even transsexuality may not ft under the acronym because thats more about gender than sexuality. Asexuality would fall underneath the word queer. Because queer is often seen as an all- encompassing label, Moss doesnt have a problem with ftting in this large category. But he would rather have people understand asexuality. When another orientation, such as gay, precedes asexuality, it is used to further explain the sexuality. A gay-asexual such as Moss is a male asexual person who is physically, but mostly emotionally, attracted to other men. People will often think asexuals dont have the ability to be attracted to any gender but Moss says this isnt true because he is attracted to men, he just does not have the desire to have sex with them. I am attracted to males but not women, Moss says. Te thing I like about guys is that theres a connection, an unspoken connection. Guys just get it. With females, you have to explain yourself a little bit more, he says. Moss idea of a perfect relationship would include a loyal partner and children. Te relationship // HAILEY OSTERHAUS would be about enjoying each others company and helping each other raise a healthy family. Its about doing everything without the pressure in the bedroom. When people dont believe that asexuals such as Moss are truly uninterested in the act of sex, they automatically assume that they are repressing their true sexuality, or that they experienced some sort of childhood trauma. It is also said that they have a psychological disorder. Similarly, homosexuality was listed in the Diagnostic and Statistical Manual as a psychological disorder until it was removed in 1973. Although asexuality isnt listed, assuming that asexuals have been psychologically disrupted may be completely false. Some people believe sexual orientation is socially constructed as people age. Moss does not believe this. Ever since he can remember, hes never felt a desire for sex. During high school he did have sex with boyfriends, but because it was undesirable for him, his hormones didnt go crazy like every other teenage boy. It was fne, I just didnt get anything out of it, he says. Some asexuals have come to fnd an online social network called asexuality.org. Moss says he didnt know what his orientation was until he visited this site. I used to ask myself, Am I the only one? But when I visited this site, everything just clicked, Moss says. David Jay, the creator of asexuality.org, was a guest on multiple talk shows in 2006. On Te View he was asked why he felt the need to organize and replied, We need to organize because its not being talked about. Co-host Star Jones shot back, But if youre not having sex, whats there to talk about? Moss and many other asexual people say there is plenty to talk about because they are still being ignored and misunderstood because of the ignorance of others. Tere are many questions that have been unanswered about asexuality, so educate yourself, and visit asexuality.org. SEXUALITIES YOU MIGHT NOT KNOW EXISTED Monosexuality A person attracted to just one sex or gender. Pansexuality A gender-blind sexuality. Pansexuals do not take gender or sex into consideration when deciding whom they are attracted to. Polysexuality Polysexuals do not favor just one sex and refuse to be called bi- sexual because it refers to only two sexes or genders. Polysexuals do not see sex and gender as an either/or classifcation. Pomosexuality Pomo, referring to post- modernism, combined with sexuality to de- scribe someone who avoids being labeled with a sexual orientation. CONTACT // MIA IVERSON catch of the week // ANDREW LEICHT our weekly peek at a fsh in the KU sea. Ideal date: Flying to a city neither one of us has been to before, exploring the city together historical markings and other random stuf. Main hobbies: I enjoy reading all kinds of genres, but mainly non-fction. Anything to do hometown: St. Louis year: Senior major: Architectural engineering interested in: Women Photo by Mia Iverson with physics and cosmology. I like to learn things and acquire knowledge. Getaway: I take trips. My roommates and I just went to Boulder for fall break. Favorite quote: No worries, as said by every Aussie Ive ever met. Its a good way to live life. Favorite food: Pasta, although I do like all kinds of food. Major turn on: A girl who can carry a conversation. I dont care much for boring people or awkward silences. Major turn of: Smoking because its disgusting and not a good habit to have. Dream job: Travel writer for Lonely Planet or Frommers. Why not get paid to do what I love? I like meeting new people and exploring new places. 3 7 12 03 09 // MIKE ANDERSON Relationship researcher Mike Anderson tackles the sticky world of relationship advice, one weekly Jayplay column at a time kansas in heat (print edition) // CONFLICT MANAGEMENT *THE OPINIONS OF THIS COLUMNIST DO NOT NECESSAR- ILY REFLECT THE VIEWS OF JAYPLAY. KANSAS IN HEAT IS NOT TO BE CONSIDERED AS A SUBSTITUTE FOR PROFES- SIONAL HELP. Mike Anderson, Dellwood, Minn., graduate stu- dent, is the host of Kansas in Heat, a talk show about sex and relationships that airs Wednes- days at 8 p.m. on KJHK, 90.7fm and at kjhk.org. Q: Sometimes when my boyfriend and I get into arguments, hell interrupt me and I dont know how to deal with it. I have no idea how to really approach the issue without sounding rude, but at the same time I feel like it is so rude for him to interrupt in the frst place. Any suggestions would be greatly appreciated. A: What concerns me most with the scenario you speak of is the ratio of equality being shown in your romantic relationship. One of the biggest predictors of whether a relationship is going to strive or break up is perceived equality is there an equal amount of listening and self-disclosure in the relationship? Do both sides do an equal amount of chores and tasks in the relationship? Do both people get an equal amount of sexual rewards, or is it just that one person gives and the other person receives? If someone is a chronic interrupter and has problems with listening, that is a major red fag. About 65 percent of the variance in the intimacy we get from a relationship comes from self-disclosure and listening activities. Tis means that while your partner doesnt have to self- disclose when you do, you would at least like them to listen to you and give you support. Tat is a major reason why we engage in romantic relationships the physical and emotional wellbeing and warmth that we get from another when he or she gives us support and listens to us. If your boyfriend is always interrupting you, I would question how good of a listener he really is. And if he is always hogging the conversation and not allowing you to speak, then the ratio of equality when it comes to communication is going to be way of. You also say that your boyfriend interrupts you during confict. Tat is another red fag. Studies have shown that it is not necessarily the resolution of the confict that you come to, but how you manage the confict that really predicts relational outcomes. Couples who use sarcasm, fght dirty, have major emotional outbreaks and interrupt each other may not have the best confict management strategies, and therefore confict will more often hurt the relationship instead of help it grow. In dealing with this problem, I recommend a direct approach. Confront your boyfriend (not when you are actually in confict) and let him know your complete and honest feelings about his interrupting. Try to use as many positive comments and remain as calm as you can. Frame the conversation in a productive manner; tell him you are trying to build a stronger relationship between the two of you, and having a difcult conversation such as this will help. Confict management and listening are two variables that have major efects on your intimacy and relational satisfaction. If you are not satisfed with either of those key variables, then you need to have an honest and productive talk. And how your boyfriend responds to that talk will tell you all you need to know about his intent to make the relationship work. Heres to happy communicating. If you have a question youd like answered in the Kansas in Heat print edition, please e-mail it to kansasinheat@yahoo.com. abejakes.com841-585518 to dance. 21 to drink.
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TONIGHT $ 1 NIGHT FRIDAY 50 CENT DRAWS ..... DOOOOOOOORRRRRRSSSSSS OOOOOOPPPPPPPEEEEEENNNNNNN AAAAAATTTTT 9999999PPPPPPMMMMMM PPPPP THE WEEKEND IS FINALLY HERE 7 16 09 03 09 8 12 03 09 FEATURE // WORDS BY ANDREA OLSEN, PHOTOS BY ADAM BUHLER Its 10:30 on a Saturday night, and all three phone lines are already fashing. Aaron sits at a small desk in a trailer surrounded by papers, a computer, a phone and a radio. Tere is barely enough room to walk and with three people inside, the trailer seems packed to capacity. Aaron takes a deep breath and picks up the phone. Its just the beginning. SafeRide, he says. He winces and holds the receiver away from his ear; the student on the other side must be somewhere loud. He hates when people call from bars or noisy parties because its more difcult to hear the caller. He patiently listens and deciphers where the caller is, how many people need a ride and the destination. A car will be there in about 25 minutes. Have a great evening, he says before hanging up. He logs the information on a sheet of paper, flling in the addresses and the call time. Tis is just the frst ride of the night; by 2:30 a.m. he will have flled in almost 120 rides. He picks up the handset and contacts a driver, who will pick up the passengers in a Toyota Prius and take them home. Ten the cycle starts over again: Answer the phone, get the necessary information, log it, relay it to the drivers. SafeRide is a free service available to all KU students who need a safe way home whether its from campus, a bar, a party, etc. Te program operates seven nights a week between 10:30 p.m. and 2:30 a.m. Te average wait time for SafeRide is 30 minutes, but on very busy nights it can be up to an hour. Last year the program had close to 20,000 successful passenger trips. SafeRide wont take you from party to party; it is strictly enforced that you are getting a ride home and sometimes SafeRide and SafeBus provide an often-unappreciated service to students BETTER SAFE THAN SORRY a proof of residency is required. Tough some students oppose this, the drivers must enforce the policy because they are liable for all their passengers. Te lights continue to fash and Aaron picks up the next call. Te student is near 14th and Tennessee streets and is looking to get back to the dorms. Aaron pulls out a map and checks the routes. He explains to the caller that he can take SafeBus, which will pick him up at the nearest stop and drop him on Daisy Hill. When the caller protests, Aaron calmly explains that the bus runs every 20 minutes, making it faster and more convenient for his situation. SafeBus is another program designed to provide students a ride home. Tree bus routes yellow, blue and red cover all of campus and many student neighborhoods. SafeBus operates the same hours, but only Friday and Saturday nights. Te program started in 2007, and has signifcantly lowered call volume for SafeRide. Last year SafeBus had 24,000 passenger trips. An hour into his Saturday evening Aaron is joined by Sam Schlageck, his supervisor. Tey trade of duties Sam answers calls while Aaron radios the drivers. Tonight four cars are operating, much less than the usual 10. Its hard to get drivers who want to give up their Saturday to drive around and pick people up, Aaron says. So they have to work with what theyve got. Te phones keep ringing, rides are requested and more students start to argue. Tey dont want to take the bus. Te wait is too long. It took too long for their call to go through. Tey dont understand why SafeRide has to take them home. All aboard: SafeBus, a program that started in 2007 to accompany SafeRide, consists of three bus routes that cover all of campus and many student neighborhoods. Teir ride isnt here yet. Why cant the driver call them when he or she is outside? Even when a caller yells, argues or swears, both Aaron and Sam keep their cool. You have to be polite frst, Aaron says. I try to keep a level of professionalism. Certain individuals think theyre the only ones calling, and their ride should be there immediately. But thats not the way it works. Wait time is by far the biggest complaint. With a limited number of drivers and only three phone lines, its difcult to accommodate the demand. Derek Meier, Independence junior, works as the liaison between SafeRide and KU on Wheels, 17 09 03 09 9 08 27 09 12 03 09 FEATURE 785-864-SAFE SafeRide Monday through Sunday 10:30 p.m. to 2:30 a.m. SafeBus Friday and Saturday 9 p.m. to 3 a.m.
Cramped quarters: Sam Schlageck, 2008 graduate, is the head supervisor of both SafeRide and SafeBus. Schlageck spends most nights of the week either taking calls at the SafeRide headquarters or driving students to their destinations. which oversees all KU transportation including the campus buses and Park and Ride. He explains that the problem with wait time probably wont be solved. Spending money to add more lines or have another person answering the calls wouldnt get the available transportation to riders any faster. SafeRide began in 1986 under the name SecureCab. Te initial program looked the same as SafeRide today, and had the same goals. KU on Wheels contracted with the City Cab Company, but when the company went bankrupt in 1987, Student Senate changed the program. SecureCab became Secure Shuttle, which was more like a bus route with 11 stops around Lawrence. Because of high costs and low ridership, Senate changed the system again in 1989, resulting in SafeRide in its current form, which has been running ever since. Te operating costs of the program are completely paid by student fees. Every student at the University pays $10 per semester that goes directly to the SafeRide and SafeBus programs, but Meier says the fees will have to rise in the next few years to keep up with infation. In 2007, SafeRide switched contracting companies from the Lawrence Bus Company to MV Transportation. Te new transportation company uses Toyota Prius cars, which get better gas mileage. SafeBus uses the same KU on Wheels buses that run during the day on campus. On busy nights Sam often ends up driving either a car or a bus. Halfway through this Saturday evening he takes the car out to pick up students. He gets sick of arguing with people on the phone. Hed much rather be part of the action. Tough its a stressful job, he wouldnt do it if he didnt enjoy it. I feel like its redemption for my college years, he says laughing as he walks out of the trailer to his Prius. Sam graduated from the University last spring with a degree in industrial design and urban planning. He drove the T bus, which covers routes all over Lawrence, for a year and then applied to work with SafeRide. He is now the head supervisor of both SafeRide and SafeBus, even though the students he picks up are often no more than four years younger than he is. Sometimes he picks up someone he knows, which he says is a little awkward, but he shrugs it of. No one should be denied a ride, he says. When Sam walks out to his Prius he switches classroom training where they learn defensive driving. Tey are taught to anticipate and prepare for sticky situations to avoid accidents. Ten they spend two weeks shadowing an older driver, learning the system and the streets. After the month of training, the driver is ready to go it alone. SafeBus drivers go through the same training, but they have to get their commercial driving license. Tis requires two additional weeks of training on how to drive a bus. Its harder to fnd people willing to drive the bus, but Sam says he prefers it. While the shift is more intense usually there are 20 to 30 people on the bus at a time you get to see a lot more interesting things. Driving the bus is like the ultimate form of people watching, Sam says. On Halloween he volunteered to drive the bus because he wanted to see all the costumes. Although you get to see more people, its also more difcult to control what happens on the bus. With no seatbelts and a lot more passengers, anything can happen. Fights break out and students try to drink or smoke on the bus, all of which is prohibited. Driving the cars is more manageable because there are fewer passengers, but both the car and the bus have their drawbacks, such as passengers puking. Two to three times per week, somebody vomits on the bus or in the car. Vomit is a biohazard, and when someone throws up the driver has to take the vehicle back to base at the corner of 31st Street and Haskell Avenue and switch it out for a clean one. As supervisor, Sam is in charge of cleaning up the mess, which he says is the worst part of his job. Drivers spend a lot of their night waiting on students to claim their ride. Drivers dont call students when they arrive; it is the students responsibility to anticipate the arrival. About half of the callers dont take their ride for various reasons. Tey might lose track of time or decide they want to stay longer. Te drivers are instructed to wait fve minutes, and if the student doesnt show up they move on to the next call. Casey Prohaska, Olathe junior, has developed a system to ensure that she doesnt miss her ride. Once her request is accepted she listens to how long the wait is and then sets an alarm on her cell phone. If the wait is 30 minutes, she sets her alarm for 25. Tat way she doesnt have to keep checking her watch; the alarm reminds her when her ride is almost here. She hasnt missed a ride yet. Te person answering the phones often gets calls from students wondering where their rides are. Aaron explains that drunk time seems to go much faster than when youre sober. Sometimes it feels like youve been waiting forever, but only fve minutes have passed. With these calls Aaron maintains his calm demeanor, telling callers their rides will be arriving shortly. When students accept their ride, Sam writes down their destination and the time on a clipboard. He radios the dispatcher saying the passenger has been picked up, makes sure everyone has a seatbelt on and drives away. He loves when passengers talk with him. It makes the time go by faster. Sometimes they ask him about his night, if hes seen anything crazy or if its been busy. Tere are 20 drivers for SafeBus and SafeRide combined. Some are nontraditional students at the University; others are older. Sam says ideally he wants more students driving, but most dont Continued on page 10 It completely boggles my mind how alcohol can turn completely normal people into animals. Sam Schlageck, 2008 graduate
modes, turning into a cautious, defensive driver. Riding with him is like being in drivers ed again. He sits up straight and keeps his focus. He slows down at stoplights as if anticipating that they will turn yellow at any second. He is wary of slow drivers and people who swerve. When you have a strangers life in your hands or rather your car you have to be cautious. All SafeRide drivers go through two weeks of wescoe wit NOTICE // VALERIE SKUBAL Entertaining? Oh! I thought you said Dick Cheney! PROFESSOR: lol. Where are all the hotties, man? KU sucks! GIRL: 714 11 19 09 GIRL 1 : Youve never been to Abe and Jakes?! GIRL 2 : Well, Ive been inside, but Ive never gone. GUY : (as he sips drink) Oh! This is better than sex at my house! This is where it gets sexual and I know you guys like that so youll pay attention. PROFESSOR: GUY : (talking about a slideshow in lecture) I cant remember it. Its like, my eyes were watching it, but like, my brain was asleep. GIRL : (mumbling to herself) Story of my life. GUY : I love seeing people on campus I saw wasted last night. 7 16 09 03 09 10 12 03 09 FEATURE tomorrows news // LAMEBOOK just call us Cleo. Facebook allows us to micromanage our popularity with social events, private messages and friend requests, but sometimes the updates and posts can be downright hilarious. Cue lamebook.com, a website created to bring together the funniest and lamest of Facebook. Started in April by two graphic designers from Austin, Texas, the site has stuck to its proclamation of posting lame and funny pictures, status updates and other gems. Te blog site is updated six times daily, and is entirely user-contributed. To make a submission, readers send their name and e-mail address, along with a screen shot of the lame status or picture. All submissions // KELCI SHIPLEY The best from the book: Lamebook.com hosts funny, weird and gloriously awful Facebook postings. The content is all user-generated and is separated into categories such as WTFights, Douchebags/Doucheba- guettes and TypOHs! Contributed photo protect the privacy of the subjects by blurring out their last name. Submissions are divided into categories such as WTFights, Douchebags/ Douchebaguettes and TypOHs! Although some may fnd the content on this website ofensive, the creators say that it isnt really meant to hurt anyones feelings. Rather, the site aims to remind people of the dangers of inappropriate posts and of the importance, in turn, of internet etiquette. So next time you want to shout your status to the Facebook world, you may want to keep it to yourself and avoid being categorized in the TMI section of Lamebook. want to give up their nights. Most of the current drivers have day jobs and are looking for extra work. Tat or they like working nights, like Sam, who is a self-proclaimed night owl. He drives most nights of the week. Sam says hes seen some pretty crazy things on the job. Students so drunk they can barely stand. Interesting outfts. Girls in skimpy clothing and heels when its snowing outside. Crying. Yelling. People rolling of the seats on the bus. PDA on the bus. People trying to bring odd things such as plywood or signs on the bus. Sam says men are harder to deal with on the bus, while women tend to be more difcult in the cars. On buses men sometimes tend to get aggravated and start fghts. But in the privacy of the cars, women tend to be more emotional and angry. Sam only intervenes if riders are breaking the rules. Students cant smoke, drink or fght on the bus or in the car. And PDA has to be kept PG-rated. Sam says he doesnt want to act like a parent. But driving drunk college students is like being a parent. Sam says you have to treat them like they are 4-year-olds. Hes had people throw tantrums over the phone and on the bus countless times. He has to remind them of the rules and talk slowly so they listen, and he has to clean up after them too. It completely boggles my mind how alcohol can turn completely normal people into animals, Sam says. Animals who heckle drivers, yelling and swearing. SafeRide cars no longer drive down Massachusetts Street or near the corner of 14th and Ohio streets because too many people approach the cars. Drivers used to have people hit their car while walking by, walk in front of the moving vehicle, throw drinks on the car or at the driver, and even throw rocks. Tese areas are now the main routes of SafeBus, making it easier on drivers and the cars. Driving for SafeRide isnt all about Continued from page 9 transporting drunk college students. During the week a lot of students use SafeRide to get to and from campus at night. Aaron says the callers from campus are often the nicest. Tey are pleasant, on time and they dont try to lie to you. Many international students without cars also use SafeRide to get home. A handful use the service on a regular basis. One particular student calls SafeRide to come home after a late shift at his job almost every weekend. Derek Meier, KU on Wheels supervisor, says many Big XII universities look to KUs SafeRide program as a model for their own programs. KUs program is ahead of the curve, using a professional service and paid drivers. Most other universities are run on a volunteer basis, making it hard to accommodate a high demand. Oklahoma State University recently approached Meier for advice on how to build and promote its program. Other schools are usually impressed by the SafeRides driving efciency, high ridership and how it is integrated into the school transit service. Tough SafeRide is a model for other universities, the program still has its faults. Meier is always looking for feedback from students so the program can expand and improve. Te money paying for the program comes from the students, so they should have the ultimate say in how the program works. We just run the show, Sam says. Ultimately its about what KU students want. Editors note: Aaron requested that his last name be withheld due to harassment he received about his involvement with SafeRide following a previous news article. Jp YES, THERE IS HOPE In this economy, it is difcult for anyone to fnd an economically benefcial degree. Megan Hill, associate director of the University Career Center, says she suspects the salaries for careers in these felds are lower than in felds such as fnancial services or engineering because there are more people with these degrees than there are organizations that need them. However, Hill says that using the University Career Center will truly beneft these students. She says she can also help them to think outside of the box in terms of employers who might be a good ft for them that // HANNAH DECLERK Shannon Tygard, Leawood senior, is graduating in May with an elementary education degree. She says money doesnt matter to her, but her love for kids does. Her advice for a student looking to pursue this degree? Make sure it is really what you want to do, she says. Being a teacher is a hard job and requires a lot of patience and love. Although this degree is dedicated to helping the less fortunate, the people in this job feld often are not the most fnancially fortunate themselves. Stephanie Cooper, Overland Park senior, decided about a year ago to switch to social work. She says she had been switching majors and couldnt seem to fnd something she enjoyed. All I have ever wanted to do is help as many people as I can, and make a diference in someones life, Cooper says. Cooper says she is aware that her major is not as economically benefcial as most, but shes decided that paycheck size is not the most important thing about a particular job. I love going to work every day knowing that I could possibly change someones life, and that is what matters, she says. Photo illustration by Jerry Wang Money-maker or music-maker? Students in majors that traditionally lead to less lucrative jobs including mu- sic, social work, theology, elementary education and Spanish may have to choose between going into a feld that interests them and earning a high wage. But career center experts say there is hope that wages may rise. 3 11 12 03 09 NOTICE The top fve worst degrees economically, and how to survive with them. So what are the best money making degrees? According to Payscale.com, if you are in engineering, you are in the clear. Not only do these degrees almost double the least-money- making degrees, but salaries also double by mid-career.
NO MONEY? NO PROBLEMS. During these lousy economic times, many students are struggling to fgure out what would be the most lucrative degree. But others are still pursuing degrees that are not known to roll in the dough, so to speak. Payscale.com, a large survey database with information on employee salary data, collected survey data for full-time employees in the United States who hold a Bachelors degree to determine majors that lead to jobs that earn the most meager paychecks. Music is a major that contains a lot of talent. But will talent help you in todays economy? Not necessarily. Lucas Homer, Overland Park junior, is aware of the economic risks but still decided to pursue a minor in music. Now an American Studies major, he still believes that his one passion jazz music is benefcial. Homer says that a major is what you make it. In the end, its how you market yourself and use the resources your major ofers to prepare you for the career you are going for, Homer says. SOCIAL WORK Starting salary: $33,400 Mid-career salary: $42,000 1 ELEMENTARY EDUCATION Starting salary: $33,000 Mid-career salary: $42,000 2 MUSIC Starting salary: $34,000 Mid-career salary: $42,000 3 THEOLOGY Starting salary: $34,800 Mid-career salary: $51,500 4 With the interesting range of classes that this degree has to ofer, such as history and critical analysis of major religions, Mike Quick, Hinsdale, Ill., senior, had a hard time passing it up. Quick says he recognized his classes were unrealistic in terms of fnding a economically friendly job once he started enrolling in the courses, so he decided he would also pursue a degree in English. I am really interested in being a screen writer, Quick says. Te courses apply to subjects Im interested in writing about so it made the choice of pursuing the major fairly easy. Quick believes that fnding a degree should be less about economic benefts, and more about want. He says college is the time to pursue your interests. SPANISH Starting salary: $35,600 Mid-career salary: $52,000 5 In a country with so many Spanish speakers, it may seem odd to think that Spanish majors could not be as successful economically as others. Stephanie Koch, 2009 graduate, says a Spanish degree can be benefcial if a student uses it as a bilingual tool a marketable asset to help the student stand out as an applicant for a job. Koch, for example, is pusuing a career in medicine, which she thinks will be greatly helped by her langauage skills as a Spanish graduate. People who speak Spanish are a precious commodity, she says. perhaps they hadnt thought about before. And, most importantly, she says she would encourage these students not to give up and to keep an open mind. Persistence is key in fnding meaningful employment no matter what feld or industry you want to work in. Hill also has a positive outlook on these grim statistics. One of these days this economy is going to turn around and salaries will rise, she says. We all just have to hang in there in the meantime. DEGREE STARTING MEDIAN SALARY to MID-CAREER MEDIAN SALARY Aerospace Engineering Chemical Engineering Computer Engineering Electrical Engineering Economics $59,600 $65,700 $61,700 $60,200 $50,200 $109,000 $107,000 $105,000 $102,000 $101,000 Jp PLAY stage presence // ROMAN NUMERALS local musicians. feel free to swoon. For these four musicians from Kansas City, what was supposed to be a one-night Halloween show as a Joy Division tribute band has now turned into a fve-year stint as Roman Numerals. Te band has a post-punk sound, but has a bigger aim. Our main goal was not to sound like Interpol, guitarist Billy Smith says. Te band has a wide range of backgrounds from metal to electronica, which has led to the bands current new-wavish sound. // ZACH GETZ Roman rule: Roman Numerals (from left to right) Billy Smith, Ryan Shank, Steve Tulipana and Shawn Sherrell. Contributed photo Its a little bit more rock n roll and a little more electronica, keyboardist Shawn Sherrell says. We sometimes shoot ourselves in our own foot trying to determine what we sound like, and I think that works for us. Tough the band has had a carousel of drummers including a recent stint by Ryan Pope of Te Get Up Kids, the band has a lineup that they believe works well and has allowed the band to be more creative lately. Experience may set Roman Numerals apart from other local bands as each of the band members have been in other bands such as Shiner and Dirt Nap. Many of the band members also work with live music venues in Kansas City such as the Record Bar. Check out the Roman Numerals at myspace. com/romannumerals. 2 12 03 09 12 VOTED BY STUDENTS BEST POOL HALL 925 IOWA 785.749.5039 $ 1 WELLS EVERY SATURDAY $ 2 IMPORTS $ 3 JAGER BOMBS $ 3 GUINNESS EVERY THURSDAY FREE POOL SUN. - THURS. AFTER 12 AM GAME DAYS 10 FT. HD TV TO ENTER 18+ 8FDBOIFMQ $FMFCSBUFUPP NVDIPWFS 5IBOLTHJWJOH CSFBL DPOUSJCVUJOHUPTUVEFOUTVDDFTT 'SFFDPOEFOUJBMMFHBMIFMQ PLAY 13 12 03 09 When musicians pass through town, they seldom leave anything in their wake other than snapped guitar strings, clouds of tour bus exhaust and foggy memories littering hung-over minds. State Radio is out to prove that a rock band can do so much more. Te Boston-bred three-man outft was spawned from the ashes of the collegiate roots-rock band Dispatch. Te bands lyrics decry a slough of social and political injustices, which may not seem like anything new for rock musicians, but what makes State Radio diferent is they actually back it up. After years of crisscrossing the country on tour, State Radios guitarist and lead singer Chad Stokes Urmston realized the untapped potential of his audience and soon set in motion an organization that would couple the messages in his music with his passion for humanitarianism. Urmston gave the organization the name Calling All Crows. Calling All Crows rallies interested fans and local activists from the towns State Radio tours through to participate in service projects that help the community and other causes. Te organization is more established now, but it all began with what Urmston calls guerilla-style public service. Te band would blow into a town and try to fnd anything they could do to help. It wasnt until their last tour that they decided on a more organized approach and Urmston, along with his activist partner, tour manager and fanc, Sybil Gallagher, founded the organization. On stage, Urmston is the voice of State Radio in more ways than one. Not only do his reedy vocals help defne the sound of the group, but his strong political views also characterize the attitude and creative direction of the band. Tis passion for public service may have been sparked by youthful run-ins with the law. After being arrested for protesting at a 2000 political debate in Boston, Urmston was sentenced to serve time doing community service. He says this early state- sanctioned service helped him realize the efect that regular people can have by getting active. State Radio play under the banner of their own independent label, Ruf Shod Records, and the band relies on touring and word of mouth to get its name out. As a result band members are constantly coming into contact with fans from all over the country who believe in their message and are eager to help guide the hand of change. Despite their best intentions, at frst the bands ambition outweighed its stamina. Te members WHY DONT WE DO IT ON State radio brings service to the community Contributed photo Concerns of the State: State Radio frontman Chad Stokes Urmston (left), along with bandmates Chuck Fay (center) and Mike Najarian, bring a rock n roll fair to community service. Urmston founded Calling All Crows, a national service organization that volunteered at Habitat for Humanitys ReStore, 708 Connecticut St., before State Radios gig Oct. 15. found themselves doing a service event in every city they played, which became too strenuous to keep up along side their impassioned live performances. When the music began to take a back seat, the band opted to start organizing projects for every other city it visited. Today the management of the organization is in the hands of interns, who fnd potential projects that ft each city and set the wheels in motion ahead of time. Before State Radios gig at the Bottleneck, 737 New Hampshire St., on Oct. 15, State Radio and the Crows decided to focus their eforts into volunteering at Lawrences Habitat for Humanity ReStore, 708 Connecticut St., which collects and recycles used building materials donated by local individuals, stores, contractors and manufacturers. All of the income generated from this project is used to expand the building program of Lawrences Habitat for Humanity afliate. Te Lawrence branch of the organization has built homes for 72 families since its inception in 1989 and continues to be a strong infuence in our community. Te pre-show project attracted 20 of Lawrences most devoted State Radio fans who spent the frst day of their fall breaks alongside the band cleaning up and organizing the ReStore. Its really great how so many people who didnt know each other came together just because they were moved by the bands music and wanted to get out and do some work, says Jill Dryden, 2008 graduate. Dryden works as a concert action leader for Calling All Crows. She and others like her across the nation are the keys to the organizations grassroots structure. It took State Radio a lot of touring to build up such a strong network. On their earlier tours, before they began doing service work, their time in Lawrence was spent much diferently. Urmston recalls drinking Irish carbombs with fans at the Jazzhaus, skateboarding around the train yards and exploring the banks of the Kansas River. At one point they were even on the verge of toting around hockey gear to play at local rinks to kill the time. Although Urmstons experiences left him thinking of Lawrence as, a great little city with great people, he found the freewheelin life left him wanting. Te void was truly flled when he realized his passion for community service could fnd a happy home on tour. Calling All Crows was a way to bring my interests together, he says. It was a natural progression. State of Georgia A song about death row inmate Troy Anthony Davis whose much-debated 1991 murder conviction spawned rallies by Calling All Crows to bring attention to his case.
THE ROAD? STATE POLITICS State Radios lyrics reflect their political views So now were calling up lady justice Tell her we need her medicine Im about to be killed by the state of Georgia And it dont matter if Im innocent
Camilo A song about former Staff Sergeant Camilo Meja who was sentenced to a year in prison for desertion after refusing to return to Iraq. From another lands war-torn corners To a prison cell in my own Punish me for not taking your orders But dont lock me up for not leavin my home
Sudan A song looking at the violence in Sudan as written through the eyes of a child.
And if I had but one wish on which to stand, Id see the weapons all turn to sand. Id see the gunners watch their empty hands, Fall down to their sides.
// JAKE LERMAN Jp REVIEW music review // DOOM UNEXPECTED GUESTS KJHKs weekly guide to sonic consumption. Fresh of the buzz of his comeback album Born Like Tis, which hit shelves earlier this year, DOOM (AKA MF Doom) returns with Unexpected Guests. Its a collection of guest appearances DOOM did on other rappers albums that spans more than 10 years. Hence, its a disc that will appeal most to hardcore fans looking to get their hands on every damn thing hes done. Highlights include Project Jazz, in which DOOM trades bars with Talib Kweli and Hell Razah over funky jazz rifs. Some smooth Fender Rhodes keys make the KMD-assisted Sorcerers a treat. Tere are even a few J Dilla collaborations. However, there are times when the album just doesnt gel right. Even when viewed as a mixtape, it lacks any kind of cohesiveness. Also, there are a couple head-scratching moments where DOOM is completely absent from the songs. Overall, it functions as a spotty retrospective for an accomplished rapper people tend to love or hate. DOOM cant write a hook to save his life, but what keeps his listeners coming back is that intelligent, non-sequitur, word-association- like, conversation-type fow. No other rapper does it quite like he does. // DANNY SPENCE KJHK ROTATION DJ movie review // As far as Im concerned, John Hillcoats Te Road is the feel-good movie of the year. No other flm this year will make you feel as grate- ful to be alive in these troubled (but hopeful!) modern times. Alternately inspiring and un- nerving, this harrowing portrait of a father and sons struggle to survive an unspecifed apoca- lypse will warrant serious consideration in the expanded Oscar race. In a year in whch Hollywoods love afair with armageddon reached new levels of unin- spired excess, Te Road sets itself apart from tepid end-of-the-world epics such as 2012 and Terminator Salvation by concentrating less on soulless special efects and more on the power of intimate drama. A painfully emaciated Viggo Mortenson gives the performance of a lifetime as a charac- ter we know only as the man, whose bound- less love for his son drives him to endure the end times at any cost. Relative newcomer Kodi Smit-McPhee astounds in his portrayal of the boy, a child whose simplistic notions of heroes and villains are permanently distorted when his father starts committing evil in the name of survival. Other performances of note include a nearly unrecognizable Robert Duvall as an ag- ing prophet of doom and Charlize Teron as the mans despondent wife (seen only through a series of heartbreaking fashbacks). Hollywood hits, indie ficks and everything in between. THE ROAD // LANDON MCDONALD Te Road is based on a novel by Cormac Mc- Carthy, the same rugged existentialist behind No Country For Old Men and All Te Pretty Horses. Like the aforementioned works, this flm ex- emplifes the very best and worst of humanity, exploring our infnite capacity for kindness and cruelty. McCarthys lean but lyrical dialogue meshes perfectly with the masterful direction of John Hillcoat, whose frst flm, the minimal- ist Australian western Te Proposition, already seemed like a lost McCarthy tome. Hillcoats version of Te Road is a remarkably faithful adaptation, given the source materials incredibly bleak subject matter and disturbing content including a particularly unsettling scene where a child is taught how to painlessly commit suicide or another that weighs the moral pros and cons of cannibalism. But every scene of Te Road is utterly indispensable, and I was pleased to note that hardly anything from the original novel had been omitted or censored. And for that rare feat alone, Te Road should be considered essential viewing for audiences in search of something more than sulking vampires or giant warrior Smurfs. restaurant review // Dempseys, 623 Vermont St., is an unassum- ing burger joint that packs in masses of people daily and boasts arguably some of the best burg- ers in the Midwest. Robert Krause, a local chef, began serving these top-shelf hamburgers in 2009, and the Burger Stand at Dempseys has been gaining momentum ever since. During my visit to Dempseys, I dined on the falafel burger (a delicious vegetarian option), the Kobe burger, sweet potato fries and trufe fries. With homemade condiments such as cherry- the taste of the town. one meal at a time. DEMPSEYS pepper ketchup, pickled cau- lifower and apple chutney, the gourmet oferings dont end with the burgers. Te restaurant ofers a re- laxed venue, yet maintains the local fair that draws crowds during both lunch and din- ner. A no-frills approach to fne dining, Dempseys com- bines order-at-the-counter service with quality fare wor- thy of white linen. Te culinary experience Kansan file photo // SASHA LUND at Dempseys proves to be delectable and af- fordable, especially considering the high- quality food you are sure to receive. Dempseys has merited the constant patronage of locals through its supreme oferings, and it shows no signs of slowing down. Visibly distinguishable from other, run-of-the-mill hamburger joints, Dempseys has created a burger sure to be the favorite of many Lawrencians. 2 12 03 09 14 (GOLD DUST) posture, and once in awhile I feel like a giant at the bars, but thats what seats are for. Besides the fact that the only gloves that will ft my hand are baseball mitts, and I occasionally get embarrassed when raising my hand to answer a question in class, I am OK with my height. Looking back to eighth grade, I wish I knew what I know now. I would have worn my brown clogs with pride. SPEAK 15 12 03 09 Jp // HANNAH DECLERK My alarm goes of at 6:45 a.m. It is the frst day of eighth grade. I wake up, stretch and feel a pang of nausea mixed with excitement. I have a new outft picked out: a jean skirt with a white T-shirt that reads Abercrombie Beach Babe 02. My favorite part of the outft, however, is the shoes a pair of brown clogs with a 3-inch heel. I get dressed, put on my new backpack and prepare for the walk to the bus stop. Before I even get on the bus, I am greeted by friends at least fve inches shorter than me. Tey lean in for hugs, and I give them the awkward side hug. I fgure they wouldnt want to sufocate in my chest region. As I enter the school building, I immediately regret my choice of shoes. I walk through the hallway like a real-life Goliath. My friends, crushes and even teachers come barely up to my shoulder. Stupid shoes. I get home from a long day of school and, feeling like a freak of nature, chuck my shoes into the trash. Pretty much since the day I was born, I have been a big girl. Te second I came out of my mothers womb, the doctor exclaimed, Wow! Tat is one tall baby! I was 22 inches long. I still wonder why my height came as such a shock to the doctor. My whole family sitting in the waiting room that evening resembled a tribe of Jolly Green Giants. My dad is 65 and so are my uncles and my grandfather. I ft in well with the men in my family. As I grew into my toddler years, people thought I was mentally challenged because I was, basically, a 2-year-old in a 5-year-olds body. People would kneel down to speak to me, expecting a 5 year- olds response, but I would just hit them and run away. My mother was shunned by her church group because I used my size to beat up other children; I literally would take them by the hair and pull them up of the ground. When I reached my elementary school years, I began to develop much sooner than everybody else. In the third grade, I remember looking down and fnding two small rounds placed perfectly on my chest. I remember my mom surprising me a few days after with a Wal-Mart sack packed with training bras and Clearasil. I remember her sitting me down and telling me, Hannah, you are starting to bloom into a young woman. I am starting to see your mosquito bites (thats what she used to call my breasts humiliating!), and they need to be covered now. By the time sixth grade came around, my feet had grown to a womens size 10. It looked like God had played a mean joke and stuck two skis at the Contributed photo Standing tall: Hannah DeClerk (back row, center not the teacher) with her kindergarten classmates. DeClerk grew up embarrassed about her height, as she was always the tallest person in her class. She has since learned not only to live with her height, but to embrace it. RISING ABOVE a short tale of my tall life bottom of my legs. I tried everything in the book to make my feet look smaller. I wore extreme fare JNCO jeans; I even crammed my feet into tiny shoes. People still noticed. I remember people making comments to me such as, Gee, Hannah, you have some huge feet. Guys made up nicknames for me such as Big Bird. Still, all I wanted to do was make out with them. Unfortunately, guys were more apt to run from me than stand on their tip-toes and pucker up for a kiss. By the time I got to high school, I started to embrace my height. I began to indulge my love of shoes and of short guys. Being tall became less of an issue. As I stayed the same height, other people grew. While my best friends in high school were watching their weight, I was eating for my height (meaning, to my friends, like a guy). I ended up dating the cutest boy in high school, who was an inch shorter than me and loved me in heels. I fnally embraced my height, and in return people respected it. Now that I am 22, my height is my favorite attribute. I still have some problems with my
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