prOductS guIde

SUMMER 2012

Phil Dudderidge with George Martin at Air Studios

REDNET ............................................................................. 4 Liquid Saffire 56 ............................................................... 6 Saffire PRO 40 .................................................................. 8 Saffire PRO 24 .................................................................. 9 Saffire PRO 24 DSP ..........................................................10
Dear Reader, Thanks for taking an interest in Focusrite! Since 1985 Focusrite remains the go-to brand for the best in analogue signal processing. But time moves on and we have kept up with the changes in the recording industry with the move to Digital Audio Workstations (DAWs). Our product range now not only includes our heritage ISA series, which has its roots in the 1980s with transformer-coupled microphone preamps and the legendary Focusrite EQ, but also hybrid analogue / digital signal processing found in the Liquid Channel. Digital conversion is today as much our expertise as is microphone preamplifi er design. The ISA One features optional A-D conversion that out-performs any other product anywhere near its price bracket in terms of dynamic range, noise and jitter. Indeed, all our ISA A-D converter cards are the equal of, and in some cases out-perform, the best converter brands available, and often at a fraction of the price. Which brings me to our fastest-growing business segment today: Audio Interfaces.
Focusrite would like to thank the Academy of Contemporary Music, Guildford and Simon Changer

Our Scarlett USB 2.0 and second-generation Saffi re Audio Interfaces are truly State-ofthe-Art delivering on one simple promise the best sound in their class. The growing range includes products for all pockets and requirement levels, from the Scarlett 2i2 - our entry-level interface - to the Liquid Saffi re 56, which combines two channels of Liquid mic-pre emulation with six Focusrite Saffi re mic pres, specially designed for the Saffi re Range. RedNet goes one step further, using innovative networking technology and standard ethernet protocols to completely redefi ne how we see the modern recording studio. So we are both Focusrite - the Heritage Analogue Audio Company, and Focusrite The Interface Company. Old School and New School. We aim to continue to be the best of both. I hope you will join our family of satisfi ed customers.

VRM Box ..........................................................................11 What is VRM ....................................................................12 Saffire PRO 14 .................................................................13 Saffire 6 USB ...................................................................14 Scarlett 2i2 ......................................................................15 Scarlett 8i6 ......................................................................16 Scarlett 18i6 ....................................................................16 Interface Comparison Chart ...........................................17 Saffire /Scarlett MixControl ...........................................18 Midnight ...........................................................................19 OctoPre MkII ................................................................... 20 OctoPre MkII Dynamic .................................................... 21 Control 2802 ................................................................... 22 The Liquid Channel ........................................................ 24 ISA430 MkII .................................................................... 26 ISA828 ............................................................................ 27 ISA428 MkII .................................................................... 28 Digital Card Options ....................................................... 28 ISA Two ........................................................................... 29

Phil Dudderidge Owner & Managing Director

ISA One ........................................................................... 30

at The Church Studios for allowing us to photograph their facilities.

tHe cOMpOnentS
RedNet 1 and 2: 8 and 16 channel AD-DA Interfaces RedNet 1 and 2 feature Focusrites precision 24-bit AD and DA conversion for superb audio RedNet is Focusrites powerful new scalable professional digital audio networking system, delivering everything you need in a studio environment. Using standard, robust and reliable Internet Protocol (IP) networking technology to carry high resolution audio over a standard Ethernet network, RedNet makes studio design, installation and confi guration easier than ever before. performance, with over 118dB dynamic range at sample rates up to 192kHz. RedNet 1 provides eight channels; RedNet 2, 16 channels. RedNet 3: Digital I/O RedNet 3 interfaces existing digital audio systems and components up to a maximum of 32 inputs and outputs. Sixteen ADAT optical ports provide a full 32 digital channels in and out at up to 96kHz (S-MUX2). Support for AES, S/PDIF and ADAT digital audio formats and word clock.

RedNet 4: Eight Microphone preamps/line inputs RedNet 4 provides eight specially-designed Focusrite mic preamps and line inputs with two selectable DIs plus Focusrite world-class precision AD conversion and specially-crafted mic preamps. Front panel or remote control.

At its heart is the robust, tried-and-tested Dante digital audio networking technology, from Audinate. Dante uses standard Gigabit Ethernet networking components to carry up to 128 inputs and 128 outputs over standard Ethernet. Dante has become a standard in live sound, frequently relied on for major events. Focusrite brings Dante into the heart of the studio with versatile, superb-quality audio interfaces that will revolutionise everything in your studio from wiring to workflow. And unlike other digital audio systems, RedNet is non-proprietary, working with any ASIO or Core Audio compliant DAW software including Pro Tools, Logic and Nuendo. THE RANGE RedNet initially comprises fi ve products. Four high-quality, versatile interfaces deliver traditional Focusrite ethos and performance, where sound is everything, with exceptional value for money. Accompanying these is the optional RedNet PCIe card, delivering under 3mS latency at any sample rate*. Every analogue interface has dynamic range in excess of 118dB, 24-bit resolution and sample rates up to 192kHz. Each embodies the most advanced conversion designs and components on the market. Each includes JetPLL for ultra-low-jitter clock recovery. The result: quality that is second to none. RedNet Low-Latency PCIe Card Where low latency is critical, such as tracking, the RedNet PCIe card for Mac or Windows delivers sub-3mS latency, 128 inputs and outputs, and sample rates from 44.1 to 192kHz. A standard Ethernet RJ45 connects to your network. Alternatively, use the Dante Virtual Soundcard (DVS) and your machines built-in Ethernet port, for latency comparable to Focusrite FireWire interfaces.

SIGN UP TO THE REDNET NEWSLETTER Get access all the latest updates and news

www.focusrite.com/rednetnewsletter

*Latency under 3ms requires the RedNet PCIe card with the DAW buffer set appropriately.

Liquid Saffire 56
prOfeSSIOnal fIrewIre audIO Interface featurIng lIQuId MIc preaMpS

FEATURED EMULATIONS:
RED 1 H - BASED ON THE FOCUSRITE RED 1 QUAD CLASS A MIC-PRE CLASS A 2A - BASED ON THE NEVE 1073 MONO MIC-PRE TRANY H - BASED ON THE API 3124+ DISCRETE QUAD MIC-PRE SILVER 2 - BASED ON THE AVALON VT-737SP VALVE CHANNEL STRIP SAVILLEROW - BASED ON THE HELIOS CONSOLE MIC-PRE / EQ MODULE DUNk - BASED ON THE MANLEY SLAM! TRANSFORMER / VALVE MIC-PRE NEW AGE 1 - BASED ON THE MILLENIA HV-3D 8 CHANNEL MIC-PRE OLD TUBE - BASED ON THE PULTEC MB-1 FIXED GAIN VALVE MIC-PRE DEUTSCH 72 - BASED ON THE TELEFUNKEN V72 VALVE MIC-PRE STELLAR 1B - BASED ON THE UNIVERSAL AUDIO M610 MONO TUBE MIC-PRE

Liquid Saffire 56 is Focusrites fl agship 2U multi-channel FireWire audio interface. Liquid technology combines with Saffire PRO FireWire interfacing to deliver a host of authentic preamp fl avours, seamless software integration, excellent routing fl exibility and future-proof, rock-solid driver stability.

Two Liquid mic preamps The marriage of a fl exible analogue front end with cutting-edge Dynamic Convolution DSP. Each Liquid preamp lets you choose from ten different classic preamp emulations. Six high quality award-winning Focusrite mic preamps Six Saffi re mic preamps complement two Liquid preamps. All eight preamps demonstrate the same wide bandwidth philosophy behind the early vintage Focusrite units. High quality 24-bit/192kHz FireWire Interface Professional digital conversion and JetPLL jitter reduction technology; pristine audio quality and reliable synchronisation are guaranteed. Total I/O count of 28 inputs and 28 outputs A host of I/O options are provided, including a unique loop-back facility for routing audio between software applications via Saffi re MixControl. Saffire MixControl ultra-low-latency DSP mixer/router Provides an 18 x 16 DSP mixer with excellent routing fl exibility, intuitive one-click mixing confi gurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!). Liquid preamp remote control Saffire MixControl

Scarlett plug-in suite

IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY and the LIQUID logo, and SAFFIRE are trademarks of Focusrite Audio Engineering Limited. DYNAMIC CONVOLUTION is a trade mark of Sintefex Ltd. All other product names, trade marks, or trade names are the names of their respective owners, which are in no way associated, connected nor afliated with Focusrite or its LIQUID SAFFIRE 56 product and which have not endorsed Focusrites LIQUID SAFFIRE 56 product. These other product names, trade marks, and trade names are used solely to identify and describe the third party products the sonic behaviour of which was studied for the LIQUID SAFFIRE 56 product, and to accurately describe the functionality of the LIQUID SAFFIRE 56 product. The LIQUID SAFFIRE 56 product is an independently engineered technology which utilises the patented process of Dynamic Convolution to actually measure examples of the sonic impact of original analogue products upon an audio stream, so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as producing the same effects as the original products studied.

FireWire and the FireWire symbol are trademarks of Apple Inc., registered in the U.S. and other countries. The FireWire logo is a trademark of Apple Inc.

Saffire PRO 40
fIrewIre audIO Interface featurIng eIgHt fOcuSrIte MIc preaMpS

Saffire PRO 24
16 In / 8 Out fIrewIre audIO Interface featurIng twO fOcuSrIte MIc preaMpS

The Focusrite Saffire PRO 40 represents the latest generation of Focusrite multi-channel FireWire audio interfaces. An unparalleled preamp legacy forms the foundation, with eight award-winning Focusrite preamps. Legendary sonic performance is combined with the very latest in FireWire interfacing technology to deliver seamless integration, excellent routing fl exibility and, rock-solid driver stability. Eight high quality award-winning Focusrite preamps Upholding Focusrites high bandwidth (20Hz to 200kHz!) philosophy, ensuring low noise and distortion whilst delivering clarity without unwanted artefacts. High quality 24-bit/96kHz FireWire interface Features high quality A-D / D-A conversion and JetPLL jitter reduction technology; pristine audio quality and reliable synchronisation are guaranteed.

Total I/O count of 20 inputs and 20 outputs A host of I/O options are provided, including a unique loop-back facility for routing audio between software applications via Saffi re MixControl. Scarlett VST/AU/RTAS plug-in suite Upgrade your standard software effects with Focusrite compression, reverb, gating and EQ VST/AU/RTAS plug-ins Two separate headphone buses Two artists can receive independent and fully customised monitor mixes. Each output has an independent level control available on the front panel. Two Hi-Z instrument inputs No need for a separate DI. The fi rst two channels feature instrument inputs with switchable Hi-z.

Saffire MixControl ultra-low-latency DSP mixer/router Provides an 18 x 16 DSP mixer with excellent routing fl exibility, intuitive one-click mixing confi gurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!).

The Focusrite Saffire PRO 24 is a 16 in / 8 out FireWire audio interface designed for the modern home studio environment. An unparalleled preamp legacy forms the foundation, with two award-winning Focusrite preamps. Legendary sonic performance and a host of I/O options combine with the very latest in MixControl software to deliver seamless integration, excellent routing fl exibility and rock-solid driver stability.

Two high quality award-winning Focusrite mic pres High Quality 24-bit/96kHz FireWire interface Total I/O count of 16 inputs and 8 outputs Saffire MixControl ultra-low-latency DSP mixer/router Class-leading LED metering Scarlett VST/AU/RTAS Plug-in Suite, for use in the mix Unmatched routing exibility

ADDITIONAL FEATURES: Dedicated front-panel headphone bus , Bus-powering, Two Hi-z instrument inputs , Tactile main monitor dial , Switchable phantom power, Software PFL

Saffire PRO 24 DSP

fIrewIre audIO Interface wItH real-tIMe dSp-pOwered tracKIng and MIXIng SOlutIOnS

VRM Box
cOMpact HeadpHOneS MOnItOrIng SySteM wItH VIrtual reference MOnItOrIng

The Focusrite Saffire PRO 24 DSP is a 16 in / 8 out FireWire audio interface, featuring real-time DSP-powered tracking and mixing solutions tailor-made for the modern home studio environment. Alongside DSP-powered Compression and EQ for ultra-low-latency tracking and comfort reverb, is VRM; a Virtual Reference Monitoring technology that lets you hear your mix in different environments, through different speakers and from different positions, all just using headphones.

Virtual Reference Monitoring (VRM) Two high quality award-winning Focusrite preamps Onboard DSP-powered, tracking and mixing tools High Quality 24-bit/96kHz FireWire interface Total I/O count of 16 inputs and 8 outputs Saffire MixControl ultra-low-latency DSP mixer/router Scarlett VST/AU/RTAS Plug-in Suite, for use in the mix Two dedicated front-panel headphone busses Bus-powered for mobile recording Pocket sized and built to last, VRM Box places Focusrites Virtual Reference Monitoring (VRM) technology in a robust, palm-sized audio interface. VRM Box functions as a high-quality 24-bit/48kHz USB audio playback interface, compatible with Pro Tools or any other open DAW software. VRM Box also features a digital (S/PDIF) input, which supports sample rates up to 192kHz, allowing you to run it in conjunction with Pro Tools HD or any other interface with an S/PDIF output. 24 Different Mix References Virtual Reference Monitoring (VRM) from Focusrite lets you audition your mix in different environments, through different speakers, just using headphones. Hear Everything Boasting a dynamic range of 108dB, VRM Box delivers a high-quality reproduction of your sound, ensuring you hear everything. Ultimate Playback Interface Whether youre mixing, creating music or simply listening to tracks, VRM Box is the perfect playback interface for your digital audio software. Pro Tools Friendly VRM Box features a digital input, allowing you to run it alongside your Pro Tools interface or any interface with an S/PDIF output.

Watch VRM in action here:

10

www.focusrite.com/vrm

11

What is VRM?
Convenient though headphones may be, theyre simply not the same as listening on a pair of monitor loudspeakers. And yet listening on one pair of monitor speakers isnt enough either. To tell how your music will sound in the real world, you need to listen in different environments, with different speakers. Until now, you had to burn a CD or transfer a file and play it back on real systems in actual environments to A/B your mixes in different places. But now, theres a better way.

Saffire PRO 14
8 In / 6 Out fIrewIre audIO Interface featurIng twO fOcuSrIte MIc preaMpS

VIRTUAL REFERENCE MONITORING The answer is Focusrites unique and well-established VRM (Virtual Reference Monitoring) technology a room and loudspeaker simulation system for headphone monitoring. While listening on conventional monitoring headphones, VRM lets you select your listening environment pro studio, bedroom studio or living room and choose from an extensive list of industry-standard studio monitors and loudspeaker systems to listen on. VRMs extensive selection of built-in loudspeakers and listening environments is based on precise mathematical models derived from convolutions of actual impulse responses measured using the original loudspeakers. The use of mathematical modelling provides maximum fl exibility of combinations of loudspeakers and listening environments for the highest possible accuracy of the virtual monitoring simulation. VRM allows you to choose between 10 pairs of industry-standard nearfi eld monitors in an acoustically-treated control room. In addition, two extra rooms are provided a large living room and a smaller bedroom where you can choose between speakers such as quality hi-fi , computer, cheap stereo and TV speakers. VRM GUI featured on the VRM Box VRM GUI featured on the Saffire 24 DSP (part of Saffire MixControl) The Saffire PRO 14 is an 8 in / 6 out audio interface with legendary sonic performance and unmatched fl exibility at a truly affordable price. The latest in Focusrites new generation of FireWire audio interfaces, the Saffire PRO 14 is designed to make home studio recording and mixing easy without sacrificing audio quality. Twenty-fi ve years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. Combined with a host of additional I/O options, the Saffire PRO 14 helps you get the tracks you want without having to constantly re-patch your studio. Two award-winning Focusrite preamps High quality 24-bit/96kHz FireWire interface Total I/O count of 8 inputs and 6 outputs Two Hi-Z instrument inputs Saffire MixControl ultra-low-latency DSP mixer/router Scarlett VST/AU/RTAS Plug-in Suite, for use in the mix Xcite+ software bundle Bus-powered for a tidy mobile recording rig

CHOOSE FROM 15 INDUSTRY-STANDARD STUDIO MONITORS AND SPEAKERS

12

13

Saffire 6 USB
2 In / 4 Out uSB audIO Interface featurIng twO fOcuSrIte MIc preaMpS

Scarlett 2i2
2 In / 2 Out uSB 2.0 audIO Interface fOr MuSIcIanS On tHe gO

The Focusrite Saffire 6 USB focuses on just one thing quality of sound. Whether youre a singer song-writer who wants to record, or a laptop DJ, Saffire 6 USB will make the most of your sound. Two Focusrite mic preamps, professional digital conversion and custom drivers with super-low latency, make Saffire 6 USB the best sounding interface in its class. Flexible monitoring, four phono outputs and a professional high-level headphone output make it ideal for DJs too. Two high quality award-winning Focusrite preamps High-quality 24-bit/48kHz USB interface with super-low driver latency

4 RCA outputs make Saffire 6 USB the ideal interface for the laptop DJs performing live Xcite+ pack, including Ableton Live Lite, Novations Bass Station and 1 gig of loops Scarlett VST/AU/RTAS Plug-in Suite, for use in the mix Monitor either the main mix or cue mix via headphones, all switchable from the front panel Dedicated Mixer dial lets you blend your monitor mix between what youre recording and the DAW audio, for true zero-latency monitoring

At the heart of the interface are two awardwinning Focusrite microphone preamplifiers providing a clean signal path for mic, instrument or line level sources. Bundled with the Focusrite Scarlett Plug-In Suite in addition to Ableton Live Lite, the interface provides all that is needed to get recording right away. Since its bus powered, an additional power supply is not needed meaning that the Scarlett 2i2 is truly portable.

High-quality 24-bit/96 KHz USB interface Two high-quality award-winning Focusrite preamps Anodised Aluminium Unibody Chassis Ring LED signal indicators Direct monitor function for zero latency tracking Scarlett VST/AU/RTAS Plug-in Suite Ableton Live Lite 8 in the box

See a recording made with the Scarlett 2i2: www.focusrite.com/scarlett_2i2

Andreya Triana

Jono McCleery (Ninja tune)

14

(Ninja tune)

15

Sa

Scarlett 8i6
8 In / 6 Out uSB 2.0 audIO Interface featurIng twO fOcuSrIte MIc preaMpS

Scarlett 18i6
18 In / 6 Out uSB 2.0 audIO Interface featurIng eIgHt fOcuSrIte analOgue InputS

Scarlett Plug-in Suite

prOfeSSIOnal rtaS/VSt/au plug-In SuIte By fOcuSrIte
Scarlett Plug-in Suite from Focusrite is a professional set of tools for tracking and mixing, including Compression, Gating , EQ, and Reverb. Each powerful plug-in has a host of fast and easy-to-use presets, providing a great starting point for a huge number of popular sound sources, from vocals and guitars to synth bass and percussion. In addition, every plug-in parameter can be finely tuned to bring out the optimum sound you want, exactly the way you want it. So whether you want a fast set-up or an advanced set-up, Scarlett is destined to become your new 'go-to' plug-in. Scarlet includes the most popular formats including VST/AU and RTAS (Pro Tools).

SHIPS FREE WITH EVERY FOCUSRITE INTERFACE

ffir

CONNECTION / PROTOCOL NUMBER OF ANALOGUE INS

The Scarlett 8i6 is an 8 in / 6 out audio interface with outstanding sonic performance and flexibility at a truly affordable price. Part of Focusrites new range of USB audio interfaces, the Scarlett 8i6 is designed to make home studio recording and mixing easy without sacrificing audio quality. Twenty-five years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. Combined with a host of additional I/O options, the Scarlett 8i6 helps you get the tracks you want without having to constantly re-patch your studio.

Two high-quality award-winning Focusrite preamps High-quality 24-bit/96kHz USB interface Total I/O count of 8 inputs and 6 outputs Scarlett MixControl ultra-low-latency DSP mixer/router Scarlett VST/AU/RTAS Plug-in Suite, for use in the mix Xcite+ Software Bundle Two Hi-Z instrument inputs Dedicated front-panel headphone bus

The Focusrite Scarlett 18i6 is an 18 in / 6 out USB 2.0 audio interface designed to make home multitrack recording a breeze. Alongside two award-winning Focusrite preamps, six high-quality analogue inputs allow you to simultaneously record guitar, bass, vocals and keys. You dont need to stop there either pop in the ADAT optical cable from an outboard eight-channel mic pre unit such as the Focusrite OctoPre MkII and you can track drums at the same time. Eighteen high-quality inputs feed cutting-edge digital conversion combined with the very latest in USB 2.0 interfacing technology, making Scarlett 18i6 the perfect tracking interface.

Total I/O count of 18 inputs and 6 outputs Two high-quality award-winning Focusrite preamps High-quality 24-bit/96kHz USB 2.0 interface Scarlett MixControl ultra-low-latency DSP mixer/router Scarlett VST/AU/RTAS Plug-in Suite, for use in the mix Xcite+ Software Bundle Two Hi-Z instrument inputs Dedicated front-panel headphone bus

NUMBER OF DIGITAL INS NUMBER OF ANALOGUE OUTS NUMBER OF DIGITAL OUTS VIRTUAL LOOPBACK INS ADAT OPTICAL INPUT ADAT OPTICAL OUTPUT STEREO S/PDIF I/O HEADPHONE OUTPUT ANALOGUE INPUT PADS NUMBER OF MIC PRES LIQUID PREAMPS BNC WORDCLOCK I/O VRM DSP INPUTS PROCESSING MAXIMUM SAMPLE RATE STANDALONE OPERATION MIXING / ROUTING SOFTWARE XCITE+ PACK BUS-POWERED RACKMOUNTABLE

Liq ui d

Sa

Sa e5
8 18 10 18 2 YES YES YES 2 2 8 2 YES NO NO YES YES NO NO YES

Sa

eP 40
FW400 8 10 10 10 2 YES YES YES 2 2 8 0 NO NO NO 96kHz YES YES YES NO YES

Sa

Sc

ffir

ffir
FW400 192kHz

ffir

Sc

Sc

RO

ffir

Sa

ar l

eP

eP

eP

ar l

ar l

ffir

24

e6

et t

RO

RO

et t

RO

Unmatched sonic quality at an incredible price A faithful recreation of classic Focusrite compressors and gates Stunning GUI with life-like classic port-hole VU meters Multi-modes enable creative gating techniques Classic Focusrite EQ curves and controls Professional reverb based on classic studio designs

et t

DS P
4 10 6 2 2 YES NO YES 2 2 2 0 NO YES YES YES YES YES YES NO

US

i6 18

24

8 i6

2i2

14

FW400

FW400 4 10 6 2 2 YES NO YES 1 2 2 0 NO NO NO 96kHz YES YES YES YES NO

FW400 4 2 4 2 2 NO NO YES 1 2 2 0 NO NO NO 96kHz YES YES YES YES NO

USB 2.0 2 0 2 0 0 NO NO NO 1 0 2 0 NO NO NO 96kHz NO NO NO YES NO

USB 2 0 4 0 0 NO NO NO 1 2 2 0 NO NO NO 48kHz NO NO YES YES NO

USB 2.0 USB 2.0 4 2 4 2 2 NO NO YES 1 2 2 0 NO NO NO 96 kHz NO YES YES NO NO 8 10 4 2 0 YES NO YES 1 0 2 0 NO NO NO 96kHz NO YES YES NO NO

96kHz

16

17 17

Saffire / Scarlett MixControl

MixControl software is a powerful ultra-low-latency monitoring package that enables you to create several independent mixes and send each of them out to any interface output. Each mix can be built up using a combination of input signals and DAW outputs. Intuitive one-click confi gurations help you track, monitor and mix as quickly as possible.

MIDNIGHT
tHe claSSIc plug-In SuIte By fOcuSrIte
4
Focusrites new Midnight plug-in suite takes two of the most iconic Focusrite modules of all time the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them simplicity itself to use. The Midnight modules deliver incredible power and fl exibility into your digital studio in VST, AU and RTAS formats. Now you can take a massive step up and incorporate the pure, warm,

delicious sound and straightforward controllability of these classic analogue processors in your own tracks - at a price you can actually afford.

MixControl GUI
Saffire MixControl utilises a unique tab system for mixes, allowing you to send whatever you want, wherever you want!

1 2 3
The software window comprises of four main sections: a mixer, a router, a monitor section and a device status section: The mixer section allows you to create independent mixes - each of which can be routed out to physical outputs for monitoring, headphone cues or external processing. The router section is used to send any combination of physical inputs, DAW outputs or usercreated mixes of these streams to any outputs. The monitor section provides control of Volume, Dim, Mute and independent left or right cut. The device set-up section shows the status of synchronisation and connection, as well as allowing the user to change the sample rate and the synchronisation source for clocking.

Fully-featured mix window with clear input and output metering Multiple independent mixes can be created, each accessible via their own tab Solos, mutes, pans and PFLs available on every channel Mixer output channels can be routed to any number of outputs Routing section provides a clear indication of all audio routing Monitor section lets you switch between different monitoring set-ups quickly Clear device status section shows sample rate, sync source and more

4 5 6 7

18

The image above is for representation purposes. The con guration of MixControl changes depending on the interface in use.

19

OctoPre MkII
eIgHt fOcuSrIte MIc preaMpS wItH BuIlt-In 24-BIt / 96KHZ adat Output

OctoPre MkII Dynamic

eIgHt fOcuSrIte MIc preS wItH cOMpreSSIOn and BuIlt-In 24-BIt / 96KHZ adat I/O

With eight channels of Focusrite pre-amplifi cation and a built-in 24-bit / 96kHz ADAT output, OctoPre MkII is Focusrites powerful input upgrade for your Pro Tools system, or any digital audio workstation. Its also a great expansion for any analogue or digital console, or hard disk recorder. The digital output allows users to make the most of often neglected ADAT inputs; ideal for expanding the number of mic preamp inputs on your interface. Connect OctoPre MkII to your audio interfaces ADAT input to create a high quality, multi-channel recording solution, ideal for tracking drums, vocals, guitars and more.

Eight high quality award-winning Focusrite preamps The best sounding multi-channel mic pre in its class. Built-in eight channel 24-bit / 96 kHz digital output Make the most of your interfaces ADAT input. OctoPre MkII connects via its built-in ADAT Optical output, with a real world dynamic range performance of 110dB. Mic pres optimised for tracking drums OctoPre MkII is designed not to clip, with 10dB pads and preamps optimised to handle extreme levels from sound sources like kick drum and snare. Two quality Hi-Z instrument inputs OctoPre MkIIs fi rst two channels feature DIs, ready for you to plug in your guitars and bass, instantly accessible on the front fascia. 5 LED input metering on every channel OctoPre MkIIs fast-acting 5-LED input meters provide clear reference of input levels, helping you to avoid analogue or digital clipping.

Direct outputs on every channel For routing and fl exibility, especially in the live environment. Each mic pre can be routed to the mixers analogue channels, with two mirrored ADAT outputs (44.1 kHz) left free to send to digital recorders. 48V phantom power available on every channel Switched in two groups (1-4 and 5-8) every channel is capable of supplying phantom power, for use with most condenser microphones. State-of-the-art clocking OctoPre MkIIs internal clock delivers a jitter performance of less than 10 PPM. For external clocks, a BNC connector is provided and industry-standard JetPLL jitter reduction technology is employed.

With eight channels of Focusrite microphone preamplification, eight VCA-based Red 3-derived compressors and built-in 24-bit / 96 kHz digital inputs and outputs, OctoPre MkII Dynamic is Focusrites feature-rich expansion upgrade for any digital audio workstation. Its equally an ideal expansion for any analogue or digital console, or hard disk recorder. Eight award-winning Focusrite preamps Focusrites unparalleled preamp legacy forms the foundation of this device, with mic pres optimised to handle extreme levels from sound sources like acoustic drums. Eight single-dial Focusrite compressors A single dial gets you to the right amount of compression, fast. These new VCA-based, feed-forward compressors model the character of the celebrated Focusrite Red 3.

Compress transparently or with effect The classic soft-knee design achieves beautifully transparent compression that caresses your sound. Focusrites unique More switch doubles the ratio to deliver compression with effect. Built-in eight channel 24-bit / 96 kHz digital outputs Make the most of your interfaces ADAT input for tracking, with eight channels of analogue to digital conversion via ADAT, boasting a real world dynamic range performance of 110dB. Built-in eight channel 24-bit / 96 kHz digital inputs Switchable from the front panel, digital to analogue conversion via ADAT provides analogue monitoring of any digital ADAT feed, as well as the ability to clock from any ADAT device.

State-of-the-art clocking OctoPre MkII Dynamics internal clock delivers a jitter performance of +/- 20 PPM. For external clocks, industrystandard JetPLL jitter reduction technology is employed. Two high-quality instrument inputs OctoPre MkII Dynamics fi rst two channels feature DIs, ready for you to plug in your guitars and bass. No expensive external DI required.

OctoPre MkII Dynamic More Function

Each compressor on the OctoPre MkII Dynamic features a More button for an enhanced compression effect. The More button doubles the ratio from 2:1 to 4:1 and shifts the threshold range, so you have more sensitivity on control.

Working together OctoPre MkII & Saffire PRO 40

20

21

FOCUSRITE ARTISTS

Control 2802
SMall fOrMat analOgue MIXIng cOnSOle wItH etHernet-BaSed daw cOntrOl
Control 2802 is a super-fl exible analogue console plus an Ethernet-based DAW control surface in one. Precision analogue audio architecture delivers a superb, big studio sound, while it demonstrates extraordinarily versatile routing capability, with cues and auxes available to provide up to 32 mix inputs, all while retaining a compact footprint. The Ethernet-connected HUI control layer allows DAW operation right from the console. Eight superb Class A hybrid discrete microphone preamplifi ers with up to 60dB gain and eight balanced line inputs, all with HPF and polarity reverse Channel Direct Out selectable from four points in the signal path from mic pre out to post-fader Eight balanced DAW inputs and tight overall DAW integration Pseudo-in-line style console operation delivers maximum fl exibility Eight moving-fader Ethernet-based HUI DAW control surface with jog/shuttle wheel, transport controls, four multifunction rotary encoders and OLED channel display VCA bus compressor with wet/dry parallel compression capability and patchable I/O

Rafa Sardina
Rafa Sardina is a Los Angeles-based musician, mixer, engineer and producer with a stellar client roster. Stevie Wonder, Beyonc and Lady Gaga adorn his credits list, while his foothold in the Latin music market has seen him work with Luis Miguel, Rodrigo y Gabriela, Paco de Luca and Alejandro Sanz. Rafa has been nominated for an impressive 25 GRAMMY awards, winning 11. The Focusrite sound has been at the heart of Rafa's GRAMMY-winning career from the start, and it remains so. "I have compared the old and the new ISA gear, and it really retains that warmth, grittiness, I don't know, the sound that really appealed to me from the very beginning. And that was the main reason why I got the ISA828. The sound comes fi rst; the convenience is very important too, and it is a plus in this box, but the sound comes fi rst and that's the main

DELS
Eight Class A mic pres and ultra-widebandwidth signal path for superb performance. A fully-featured master section. Latency-free monitoring and up to 32 mix inputs. 100mm long-throw motorised faders. ISA One ANALOGUE DUAL LAYER TECHNOLOGY

reason I got it."

The sound comes first and that's the main reason I got it.

23

Kerry Leatham
Scarlett 8i6 is the perfect fi t "It's easy to use and sounds great" Singer Songwriter Scarlett 8i6

Matt Robertson
I trust the sound, and I know its not going to let me down Recording engineer

Ethernet-based DAW control surface. Full transport controls. Instant fl ip between mix and control modes. Your favourite music software is always at your fingertips without leaving the console. DUAL LAYER TECHNOLOGY DIGITAL

Uses ISA One as his main vocal preamp Ninja Tune artist

Octopre MkII Dynamic

22

The Liquid Channel

any MIc pre and cOMpreSSOr In HIStOry

MIX

Liquid Channel Shootout

In Summer 2011, we put Liquid Channel through the ultimate test: an old versus new shootout and blind test. We lined up a handful of Liquid Channels beside some of the original vintage units that are modeled in the Liquid Channel and recorded the results. To judge the shootout, we enlisted the help of Guy Massey (Abbey Road, Beatles Remasters) and Marco Pasquariello (chief engineer, Snap! Studios, London). The results were astounding. See for yourself at youtube.com/FocusriteTV!

The Liquid Channel is a revolutionary channel strip that can emulate any classic mic pre and compressor. Combining radical new analogue mic preamp technology with Dynamic Convolution techniques, and augmented by fully digital controls and remote software, it provides the ultimate fl uid vintage collection. Loaded with 40 classic mic preamp and 40 compressor emulations 100 programme memories provide full recall of every setting LiquidControl software allows comprehensive remote operation via USB 192kHz internal processing and ADC/DAC as standard Focusrite digital EQ based on the Forte Suite software Adjustable harmonic distortion accounts for variance in vintage originals

WHAT IS DYNAMIC CONVOLUTION? Dynamic Convolution is a unique, patented technology that emulates the sonic properties of original compressors, EQs and the amplifi cation element of mic preamps. Essentially, it samples (as opposed to models), the effect a processor has on the audio signal through the application of a unique, leveldependant set of responses to that signal. These measured responses, sampled at numerous levels and with a multitude of setting combinations, are applied to the input stream on a sample-by-sample basis for extremely convincing results. Liquid Channel Remote Control Software (via USB)

Everything I heard sounds great!

Marco Pasquariello, Snap! Studios, London

For more information on the Liquid Channel shootout, head to the Focusrite web site. www.focusrite.com

25

24

ISA430 MkII Producer Pack

tHe MOSt VerSatIle cHannel StrIp.

ISA828
eIgHt claSSIc MIc preaMpS alOngSIde a preMIuM eIgHt-cHannel a-d cOnVerter OptIOn

Combining the best of yesterday with the best of tomorrow, Focusrites ISA828 eight channel mic preamp features exactly the same classic microphone preamplifi er design as Focusrites critically The ISA 430 MkII represents the pinnacle of Focusrites analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and fl avours, alongside unmatched internal routing and connectivity, the ISA 430 MkII confirms Focusrites iconic status as the leading manufacturer of channel strips. Classic Focusrite transformer-based mic preamp with variable impedance and Air feature Multi-format compressor; transparent VCA circuit and two vintage optical solutions Classic Focusrite EQ design; an expanded version of the original ISA 110 Post mic pre output for the shortest possible signal path Proprietary Focusrite discrete Class A VCA gate and expander designs Optical de-esser featuring De-esser Listen for precise control over sibilance Soft Limiter to avoid critical digital overload (requires optional A-D converter) Optional stereo A-D converter with 120dB dynamic range acclaimed Fort console. To partner seamlessly with Pro Tools HD and other professional DAW platforms, the ISA828 integrates with our finest eight-channel A/D converter option.

The classic Focusrite mic pre at its lowest cost-per-channel to date The best A-D performance on the market, bar none (requires optional ADC) Integrates quickly and seamlessly with ProTools HD Switchable impedance to suit any microphone Multiple front panel instrument - No separate DI box required High pass filter, phase reverse and phantom power on every channel

26

27

ISA428 MkII
fOur claSSIc MIc preaMpS wItH dI InputS and a preMIuM eIgHt-cHannel cOnVerter OptIOn

ISA Two
claSSIc dual MOnO tranSfOrMer-BaSed MIcrOpHOne preaMplIfIer

The ISA428 MkII provides four of Focusrites prestigious transformer based microphone preamps. It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability. With switchable input impedance, direct instrument inputs and an optional eight channels of high quality analogue to digital conversion, the ISA428 MkII creates the perfect front end for the discerning recording professional.

Four classic Focusrite transformerbased preamps 8 channels of cutting-edge A-D conversion, running at up to 192kHz (requires optional ADC) Switchable impedance setting, ideal for mic matching or extended microphone creativity Four front panel instrument inputs - no separate DI box required Dedicated analogue insert points on every channel Classic high pass filters on every channel

Why go digital with Focusrite?

For 15 years now, weve been tirelessly perfecting our digital conversion technology. By simply slotting into the back of the analogue unit, audio signals travel the shortest possible distance and remain free from extraneous clocks or other sources of digital noise. Fine tuning the marriage between analogue and digital audio circuitry enables our A-D converters to achieve superb dynamic range with extremely low noise and jitter. Featuring two channels of Focusrites premium microphone preamplification with variable impedance to get the best out of any microphone plus both line and front-panel instrument inputs, ISA Two is perfect for superb stereo recording or for additional high-quality channels. With 80dB of gain, dedicated insert point and HPF, its ideal as a DAW front-end when connected to a high-quality interface. Dual classic Focusrite transformer-based mic preamps with four impedance settings to get the best from any microphone Dual front-panel DI inputs plus rear-panel line inputs for maximum exibility Dedicated per-channel insert for connecting compression, EQ or other processors Ideal DAW front-end simply plug into your favourite interface such as Focusrite Scarlett, Saffire or RedNet 80dB of clean, low-noise gain from Focusrites tried and tested ISA topology allows ISA Two to deliver plenty of signal from the most diffi cult sources Variable cut-off, easy access 18dB/octave high-pass filter makes removing unwanted sounds simple Perfect for critical stereo piano recording or stereo acoustic guitar (or mono with vocal) or if you simply need additional superb-quality input channels

ISA 8-channel ADC

Eight channels of precision Focusrite A-D conversion for ISA428, ISA428 MkII and ISA828, with 121.5dB dynamic range and jitter below 250 picoseconds. Digital connections include AES/ EBU, ADAT Optical and S/PDIF (coaxial and optical).

ISA Stereo ADC

Two channels of cutting-edge A-D conversion for ISA430 MkII and ISA One, with 120dB dynamic range and jitter below 300 picoseconds. Digital connections include AES/EBU, ADAT Optical, and S/PDIF (coaxial and optical).

28

29

FOCUSRITE ARTISTS

ISA One
claSSIc MIcrOpHOne preaMp wItH Independent dI and prOfeSSIOnal dIgItal Output OptIOn
The ISA One microphone preamplifi er delivers Focusrites prestigious ISA transformer-based preamp in a rugged and portable chassis, at a groundbreaking price. ISA One shares the same preamplifi er topology as Focusrites classic ISA110, featuring the original Lundahl LL1538 transformer and bespoke zobel network. ISA Series transformer-based preamp Encased in a rugged and portable chassis, offering the classic Focusrite microphone preamp at its lowest cost to date. Flexible independent DI channel ISA One is ideal both for engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp and an independent XLR output on the rear. Switchable impedance Choose one of four carefully selected input impedances, including the original ISA 110 setting, to suit any microphone. Class-leading stereo A-D conversion Easily installed in any ISA One, this card embodies cutting-edge conversion technology, incorporating Focusrite analogue circuitry to deliver the best A-D This preamp topology formed the cornerstone of Focusrites legendary Fort console and ISA Series preamplifi ers have been used on countless hit records over the last two decades. With its robust construction, the ISA One has made the classic Focusrite signature sound more portable and more affordable than ever before. performance in its class. Dedicated insert point Allowing you to place extra processing between the pre amp or DI and the optional converter, such as an EQ or compressor. Phantom power, phase reverse and high-pass fi lter All available from the angled front fascia. The high-pass filter operates at 75Hz, 18 dB/octave. The ISA One features an independent D.I. channel with its own gain control, an output for routing to an amp, and an independent XLR output on the rear. Stereo cue mix inputs and a dedicated insert point are also available. More than a mic preamp

Tiff Monique
Tiffany Monique is best known as one third of Beyonc's background vocalist trio The Mamas, having been a permanent fi xture on the last two of Beyonc's world tours. Tiff has also worked with such greats as Mary J Blige, Mariah Carey, Christina Aguilera & kelly Clarkson, but is a recording artist in her own right too. She records demos on her travels with the Scarlett 2i2, and now her recordings made on the road are good enough to use in the final track, as she explains: "Before, I had a Radioshack microphone that I would just plug into the laptop. It would give me an idea of what I was trying to do with the song, but the actual take itself was of no use because of the audio quality. Now that I have the 2i2, I can actually use the recording that was done in my home for the finished song."

I can just pull it out, plug my mic and headphones in and get to work.

Jono McCleery
Focusrite first became acquainted with the music of singer/songwriter Jono McCleery in late 2010, when a remix of his song 'Tomorrow' featured on the Ninja Tune XX Collection, a compilation of music from the London-based record label and artist camp. By early 2011, we were hearing more and more of Jono and his stunningly great music. He supported fellow Ninja Tune artist Jamie Woon on his Uk tour in the spring, and by that time, we were just itching to work with him. So when we needed to team up with an artist to feature in the Scarlett 2i2 promo video, Jono was our first call.

31

Fantastic sound quality simple to use, and easy to transport.

You can find out more about Jono here: www.jonomccleery.com

30

Model pictured has the optional ISA Stereo A-D Converter installed

31

Its always nice to have something that you know gives good results. I was a tape op when Focusrite came along, and whenever I got the chance to try Focusrite equipment, it always sounded amazing. Its something that Ill always go for if its in a room, because I trust it and I know it always comes through. The Focusrite sound is always nice on anything you want a lot of high fidelity to. Drum overheads always sound great, and its the same with strings recordings. It works really well on vocals; It helps me make the mix. Adrian Bushby Double GRAMMY Award-winning Recording Engineer Muse, Foo Fighters, Band Of Skulls, Two Door Cinema Club

www.focusrite.com
FA0135-07