ANDRE

KERTESZ
Chez Mondrian, 1926

Group G

IntroducAon
He moved to Paris, 1925 The Avant-garde provided him with a source of aestheAc and poliAcal reecAons in his work This resulted in the series Paris

What do we see
Loneliness Frame within a frame Harsh strong lighAng, which is very direcAonal, coming though the door. Strong sense of line, very angular Wide tonal variaAon The lighAng has highlighted he texture with in the rug and oor

 ANDRE KERTESZ studio and I went to [Piet Mondrian's]

insAncAvely tried to capture in my photographs the spirit of his painAngs. He simplied, simplied, simplied. The studio with its symmetry dictated the composiAon. He has a vase with a ower, but the ower was arAcial. It was colored by him to match the studio.
Ge\y. (No Date). Chez Mondrian, Paris. Available: h\p://www.ge\y.edu/art/ge\yguide/artObjectDetails? artobj=62371. Last accessed 15th oct 2012.

Visual elements
Coat and hat hanging Flower on table Light thought doorway Stairway light and dark Door mat

Visual choices
Level angle level playing eld Sense of perspecAve, possible showing your life Large Focal, possible showing memorys

Background
Religious meaning- controversial with the meaning of heaven and hell

Thoughts and Feelings

It seems boring, however aler looking at the image in more depth we feel that this has made the image more interesAng, from our viewpoint An original representaAon of limbo We see it from another perspecAve now we have done some in-depth research