Introduction Schedule Video of me (introduction) Teacher Contact info.

and business hours V-class link, schedule, and recordings Course Requirements Assessment Supplies - Drawing - 2-D Design - 3-D Design News Forum Meet Your Classmates Module 1 Portfolio Portfolio development 2-D portfolio description 3-D portfolio description Drawing requirements Journal - reection Self-Portrait Drawing Planning The I AM poem in your sketchbook, lightly number 17 consecutive blank pages. Use a pencil to label each page as indicated. Over the next few days, using pencil, develop a full page image for each - page 1 - your full name, and the date - page 2 - I am ___ and ______ (two of your special personal

characteristics) - page 3 - I wonder _________ (something you are actually

curious about) - page 4 - I hear _____________
(an imaginary sound) - page 5 - I see ______________ (an imaginary sight) - page 6 - I want ____________
(an actual desire) - page 7 - I pretend __________
(something you actually pretend

to do) - page 8 - I feel _________________
(a feeling about something

imaginary)

- page 9 - I touch ______________

(an imaginary touch) - page 10 - I worry _____________
(something that really bothers

you) - page 11 - I cry _______________ (something that makes you feel

very sad) - page 12 - I understand ______________
(something that you know is true) - page 13 - I say _____________
(something you believe in) - page 14 - I dream _____________
(something you actually dream

or daydream about) - page 15 - I try _____________
(something in which you really

make an effort to do) - page 16 - I hope _____________
(something you actually hope

for) - page 17 - I am ________and ________
(two of your other special

personal characteristics) The Language of Art Art Theory Quiz Module 2 Breadth Breadth Portfolio Requirements Discussions - Sharing Art and Artistic Integrity - Trends in Art - Critiques - Description, Analysis, Interpretation - Critiques - Breadth Assignments Summer Assignments Drawing - the use of perspective (atmospheric or linear) - gesture or contour drawings - rendering of basic geometric forms in different spatial positions - works dealing with positive/negative relationships - works in which line and/or tone are used to generate the illusion of 3-D forms

Outline for AP Studio Art - integration with/of human gure with still life or other background - drawings as social commentary or to express a particular attitude - works involving collage/montage techniques - works utilizing interpenetration of form, shifting planes, etc. - metamorphosis or transformation of an object or shape - a series of views of the same shape/subject automatic drawing (j. Pollack, A. Gorky) - copies of exemplary works for a particular ends - a section of an object(s) enlarged to a point of abstraction - still life drawings of crushed paper, cloth, the gure, etc. - studies of wrapped objects - drawings of dreams/fantasies - a study in which an image is divided into modules and reassembled to create a fresh series of relationships. 2-D Design Show engagement with a range of: Design principles such as: Balance Emphasis Rhythm Scale Proportion Figure/ground Design elements such as: Line Shape Space Colour Texture Value Breadth Portfolio Assignments Drawing - Drawing Suggestions or assignment opportunities - Drawing - Eraser Paper - light shining in Darkness - Colour Portrait - Fences and Gates - Seated Figures - Corner of a Room - Basketful of Something - Hands - Liquid - Black and White Portrait - Vegetation - Shining Objects - Storybook Illustration 2-D Design Colour - colour theory such as that embodied in impressionism or pointillism styles - colour organization using colour subsets such as primary, secondary, or analogous colours - colour used to indicate transparent effects - symbolic colour - colour used to create harmonic, lyrical, contrasting, or abrasive effects - colour used to create or intensify the expression of a particular emotion Design - illustration - positive/negative space, counterchange - repetition using reections and/or transparencies - development of a repeat pattern or modular design/motif - abstraction from observation - typographic organization, layout, calligraphic project or logo - graphic design for posters, book jackets, CD jackets, postage stamp, webpage, brochure - plans for industrial, furniture, architectural, fashion/apparel design - theater set design - game design

Outline for AP Studio Art Image Development Strategies Essential for Design Breadth
Image Development Strategies Juxtaposition Combine unlikely images or exchange, overlap, or superimpose parts to create unusual relationships and a new synthesis Multiplication Multiply parts to produce repetition, rhythm, or a sequence. Art Ideas for Using This Strategy Create a log that expresses opposite feelings and combines contradictory elements. Artist who have used this strategy - R. Rauchenberg - G. Little child - J. Cornell Marisol - R. Magritte - B. Kruger

Image Development Strategies Fragmentation Split, fragment, insert, invert, rotate, shatter, superimpose and/or divide an image and then reconstruct it to create a new syntheses of parts. Viewpoint Depicting an image from unusual points of view. e.g,. birds eye, bugs eye, through a telescope.

Art Ideas for Using This Strategy Create an image of friendship reconstructed from reduced and enlarged zerox copies of your own portrait and those of your friends. With a magnifying glass in front of your face take a photograph of yourself. scan it into a computer program such as lightening paint and manipulate it to depict yourself as others may see you from various viewpoints.

Artist who have used this strategy Pablo Picasso George Braque Paul Cezanne

H. Matisse M. C. Escher

Repeat an image of a person, tree or a landscape and change colours, textures and tone to suggest various seasons, moods, or times of day. Create a surreal painting that suggests the shadow side of yourself or someone you know. Use the laws of nature as metaphors for feeling states. Reverse night and day, and gravity, sizes, etc. to portray your subject.

Any Warhol Jasper Johns Paul Klee

Reversals Reverse the laws of nature, e.g., time of day, seasons, gravity, size, age, function, etc.

M. C. Escher Jean Dubuffet

Outline for AP Studio Art

Image Development Strategies Abstraction Depicting an idea or essence of an image by reducing it to essential elements.

Art Ideas for Using This Strategy Create your vision of a city that never sleeps. After sketching a cityscape, experiment with the play of shapes, patterns, and lines found in the city. You can introduce different viewpoints and reduce areas to geometric shapes or patterns. Create a design which depicts pain or sorrow and then turns into a feeling of renewal and joy. Draw a fruit in a cycle of decomposition and renewed growth and as a metaphor for transformation.

Artist who have used this strategy Frank Stella Frankenthaller W. Kandinsky Stuary Davis

Image Development Strategies Magnication

Art Ideas for Using This Strategy With a view nder, select a small signicant section of a photo of yourself as a young child. Enlarge it in a detailed drawing in order to give signicance and insight into an aspect of who you are. Select a photo of an individual who is expressing an emotion. Using a ne felt pen, atten the image in black and white, eliminating all grey tones and detail. Create your vision of a tattoo that ts the contours of your face of hands. Include patterns, textures, and embellishments , elements that suggest your culture, interests, history, personality.

Artist who have used this strategy Georgia OKeefe Chuck Close Judy Chicago Gathie Falk

Simplication

Metamorphosis Depicting images or forms in progressive stages of growth or change.

M.C. Escher Salvador Dali Nancy Spero Gathie Falk

Jean Arp R. Diebenkorn R. G. De Chirico

Elaboration Embellish, add pattern, detail and adornment to an image Marcel Duchamp Giacomo Balla

Miriam Shapiro Gustav Klimt

Animation Serializing images in various stages of action to depict movement and progression.

Repeat an image of a gure in action by repeating it in various stages of an activity.

Outline for AP Studio Art 12. Assemblage Junk sculpture - give an inanimate object the illusion of life (humour) 13. Wire and tissue Victorian costumes 14. Nevelson - conned space. 15. Draped objects with cheesecloth and plaster 16. Restrained forms - the container is the piece the form appears to barely restrain what it is containing 17. Repetition - plastic knives, spoons and forks 18. Paper clay (decay) 19. Create a miniature wold within an existing environment - slide one shows just the world and slide two shows the environment. All 3 portfolios - 5 assignments 2-D & Drawing - Self -Portrait Myths, Legends, fairy tales Unity and Diversity Drawing lost and found 2-D Design Pomegrante Puzzles Negative / Positive Counterchange Drawing an act of painting Drawing - take a closer look Drawing/ 2D Design - images and memories Skeleton Drawing 3D Lost and Found 3D Musical Instrument sculptures

Image Development Strategies Distortion Bend, twist, stretch or compress an image

Art Ideas for Using This Strategy Scan an image into a computer program. stretch, sh eye, bend, and compress your image and print different versions. Collage them to create a dreamlike interpretation.

Artist who have used this strategy Francis Bacon Slvador Dali Modigliani Jean Dubuffet A. Giacometti Kathe Kollowitz

Illustration Assignment p. 64 3-D Breadth Planes Packing tape project Altered book project Bell Pepper & foam core project Assignments 1. Transformation - organic to mechanical or industrial - realism to abstraction 2. Plaster masks 3. Slump molds - theme based elaboration of surrounding spaces 4. Plaster and cheesecloth body casts 5. Clay clothing 6. Sight specic piece - combine face mold with a ready made object. Use surface texture to create the illusion of unication. 7. Basket weaving - incorporate natural materials 8. Calder mobiles - bamboo and tissue paper 9. Paper sculptures - instruments, boots, hats 10. Medal Screening - planes, weaving 11. Bust (face mold)