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Stockhausen,Boulez,andtheSharedConceptofStatisticalForm

JenniferIverson
UniversityofIowa
jenniferiverson@uiowa.edu

AMS2011
SanFrancisco,CA
Friday,3:30p.m.

Figure1:Networkofactorsaroundstatisticalform

Jeux

analysis

MeyerEppler
Electronicstudio
(1954)

experiencesand

limitations

Cagesuseofaleatoryand

indeterminacy
Stockhausenselectronicwork

STATISTICAL
Gesang(1956)

FORM

Boulezsmultiplication
StockhausensGruppen

Boulez/Stockhausen
Lemarteau(195355)
(195557)

correspondence
Tombeau(195960)

(195354)

Example2:Boulez,pitchclasssetmultiplicationforLeMarteauandTombeau

RowAlphaandtworowsofitsmultipliedobjects

(SketchtranscribedfromPaulSacherFoundation,Boulezcollection;myannotations)

Row:

2
4

2
1
3
RowAlpha:

:
a

c
d
e

multipliedrows:

AN: ba bb
bc
bd
be AllT5

: ca cb
cc
cd
ce AllT7

Workscited:
Borio,GianmarioandHermannDanuser.ImZenitderModerne. VolumeII.FreiburgimBreisgau:Rombach,1997.

Boulez,Pierre.Alea[1957],StocktakingsfromanApprenticeship.Ed.Thvenin,trans.Walsh.Oxford:Clarendon,1991.

_____.BoulezonMusicToday.Trans.BradshawandBennett.Cambridge,MA:HarvardUniversityPress,1971.

_____.Lemarteausansmatre.Facsimilieedition,ed.Decroupet.PublicationsofthePaulSacherFoundation.Mainz:
Schott,2005.

_____.Tombeau.Facsimilieedition,ed.Piencikowski.PublicationsofthePaulSacherFoundation.Vienna:UE,2010.

Fox,Christopher.MusicAfterZeroHour,ContemporaryMusicReview26/1(Feb.2007):524.

Heinemann,Stephen.PitchClassSetMultiplicationinTheoryandPractice,MusicTheorySpectrum20/1(Spring1998):
7296.

Iddon,Martin.DarmstadtSchools:DarmstadtasPluralPhenomenon,Tempo65(2011):28.
Koblyakov,Lev.PierreBoulez:AWorldofHarmony.Chur:HarwoodAcademicPublishers,1990.

Koenig,GottfriedMichael.StudioTechnique,trans.uncredited.DieReihe1([1955]1958):5254.

Latour,Bruno.ReassemblingtheSocial:AnIntroductiontoActorNetworkTheory.NewYork:OxfordUniversityPress,
2005.

Losada,Catherine.IsographyandStructureintheMusicofBoulez,JournalofMathematicsandMusic,2/3(November
2008):135155.

MeyerEppler,Werner.Statisticandpsychologicproblemsofsound,trans.uncr.DieReihe1([1955]1958):5561.

_____.Themathematicacousticalfundamentalsofelectricalsoundcomposition,trans.H.A.G.NathanofNational
ResearchCouncilofCanada.TechnischeHausmitteilungendesNordwestdeutschenRundfunks6/8(1954):132.

Misch,Imke.OntheSerialShapingofStockhausensGruppenfrdreiorchester.Trans.HentschelandKohl.Perspectives
ofNewMusic36/1(Winter1998):143187.

Peyser,Joan.Boulez.NewYork:Schirmer,1976.

Piekut,Benjamin.ExperimentalismOtherwise.Berkeley:UniversityofCaliforniaPress,2011.

Shultis,Christopher.CageandEurope,CambridgeCompaniontoCage.Ed.DavidNicholls.Cambridge:Cambridge
UniversityPress,2002:2040.

Stockhausen,Karlheinz.VonWebernzuDebussy:BermerkungenzurstatistischenForm[1954],Textevol.I.Cologne:
DuMontSchauberg,1963,7585.

_____.howtimepassestrans.CorneliusCardew.DieReihe3(1957[1959]):1040.

_____.ConversationswiththeComposer,ed.JonathanCott.NewYork:SimonandSchuster,1973.

Trochim,WilliamM.DescriptiveStatistics,TheResearchMethodsKnowledgeBase,2nded.
http://www.socialresearchmethods.net/kb/statdesc.php(accessed08/10/2011).
Recordings:
Lemarteausansmatre.PerformedbyDasNeueEnsembleandaltoLuisaCastellani,CordAria,2001.
Pliselonpli.PerformedbyEnsembleIntercontemporainandsopranoChristineSchfer,DGImports,2002.
Gruppen.PerformedbytheWDRSymphonyOrchestra.GesamtausgabeCD5.StockhausenVerlag,1992.

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