Contents

Page

lllustrations
Page

Introduction Installation Mounting the units Connections Pickup(Disc)AdaPtor ... Tape Adaptor Initial Checksand OPeretion Controls Loudspeakerphasing Loudspeaker position Operation Summary Service Specifications Guarantee

2
J

4 & 5 6to10 7 l0 13 13 to 15 l5 I7 l8 18 l 9 to 23 24

Installation Schematic Pickup and motor wiring Mounting the Quad 33 Connectionsto Quad 303

3 4 5 6 7 8 8 9 10 1l l2 l6 23

DIN plugs DISC input

Disc Adaptor Board Tape and Radio inputs Tape Adaptor Board Tape Adaptor adjustments Quad 33 rear panel laYout Quad 33 controls curves Quad 33 performance curves Quad 303 performance

CO. MANUFACTURING LTD. THE ACOUSTICAL

ST. PETERS ROAD, HUNTINGDON,ENGLAND Telephone: Huntingdon (0480) 2561 Telegrams:Acoustical Huntingdon
lssue 4/3m/271

INTRODUCTION

QUAD for the closest approach the to originalsound

This amplifier has been designedto provide the best possible quality of reproduction but it must be borne in mind that the standardof performanceof the complete equipment will be limited by that of the poorest link in the chain. Thus, the gramophone motor, pickup, loudspeaker, etc.,shouldall receivecarefulconsideration if full advantageis to be taken of the capabilities of the amplifier. A complete installation is shown in Fig. I and the samobasic arrangementwill apply in whole or in part, whatever associated equipment is used with the Quad 33. Installation is quite straightforward and should present no difficulty to the intelligent enthusiastprovided the following notes are observed. Please note that threeprintedcircuit boardsfrom the for Quad 33 are packedseparately safetransit. These must be insertedduring installation. See Fig. 3 and also instructions containedin the packing.

It

Page Two

INSTALLATION
Normally equipment of this type may be either mounted in a wide varietry of housings or used freestanding, and if you are designing your own layout it might be advisable to assembleall the parts in a mockup form before deciding on the final arrangement,just to make sure there are no unforeseen difficulties of operation or inter-unit wiring, etc. Adequate ventilation must be provided for units producing heat, including transistorisedlx]wer amplifiers and if the latter are to be mounted closer than about 12 inches from either control unit or tuner it might be necssaryto experiment with orientation and position to ensurethat no hum is inducedin the latter units.

0lN plugto DISCinputotO33

FIG. 1

Page Three

Close proximity of the control unit and tuners to each other should causeno problem unlessthe control unit is mounted immediately on top of the tuner, in which casea spaceof about two inchesshould be left between them. Hum can also occur if a low output magneticpickup is too close to a mains transformeror if its leads run closeto the mains wiring. (SeeFig. 2). All metal parts must be earthedbut, because multiple earth connectionscausehum, they should be earthed, directly or indirectly, by one connectiononly, and the whole installation earthed at one point such as the E terminal on the rear of the control unit, OR the third pin of the control unit mains socket,but not both. (Note: All the Quad units are already bonded togetherby their own inter-connecting cables). Alwaysfollow the manufacturers' instructionssupplied with pickup, motor, tape recorder,etc., and refer any query which may arise to your dealer or in case of difficulty to the manufacturerconcerned.
Page Four

PLUGIN BOAROS 2 x M12017 M120lS I ' ( 2 O m m )t i c k

OUAD 33cover Lugs .

CovsrLocatins Slid6

t)

FIG. 3

If the Quad 33 is not to be used free standing you will require an aperture lA' x 3" as shown in Fig. 3 and a template is provided in the rear of this booklet to assistin marking this out on the cabinet. The cover is then removed from the Quad 33, the unit p'assed through the aperture from the front so that its lugs locate in the aperture,and the cover replacedfrom the rear, thus gripping the cabinetpanel betweenthe Quad 33 front casting and its cover. The securing screws shouldbe insertedfingertight and then givenone further half-turn to lock the unit firmly in position.

The Quad 303 carries no controls and may be mounted out of sight inside the cabinetor at any other convenientposition in the installation. The Quad 303 may be either stood on its feet on a shelf or baseboard of a cabinet,or more securelyfixed by drilling four holes in the shelf or board to coincide with the feet centres,removing the feet securingscrews provided,up throughthese and passing longerscrews the holes, through the feet which act as spacrsto assist circulation of air under the amplifier, and into the tappedbushes the base-plate. in Slots or holes should be cut in or near the baseand in or near the top of any enclosedcompartment to permit a flow of air upwardsthrough the compartment, past and through the amplifier to assistventilation. In confined spaceswhere the exit vents are not directly over the amplifier a deflector plate of plywood or may be mountedat an inclined angleabovethe asbestos amplifier to help guide the rising warm air towardsthe exit vent and prevent an accumulation of warm air under a closedhorizontal top.
Page Five

CO N N EC T I O NS

Din styls plugs showing method of assembly. See individual illustrations for Din connections.

Control Unit to Power Amplifier Two leads are supplied with the control unit. That with a 4-pin connector at each end is reversible and connectsthe control unit output to the power amplifier input. The other connectsthe switchedmains supply from the control unit to the power amplifier and the 2-pin plug at the control unit end of this lead is reversible.(SeeFig. l0). Longer leads are permissible whererequiredfor specialinstallations(seeSpecification on page2l).
Pape Six

Power Amplifier to Loudspeakers Ordinary lighting flex or similar cable may be used for connectingthe loudspeakers the power amplifier to unless very long run is involvedin which casea heavier a calibre cable should be used. As a rough guide the DC resistance the cable should not exceed about 5,%of of the nominal impedanceof the loudspeaker.Each loudspeakershould be connectedto its appropriate llower amplifier output so that the two pairs of wires are connected in the same way, to ensure that the speakers operatein phase. For example,if the top output socket on one channel is connectedto the left-hand terminal of its speaker, the top output socket on the other channel should also be connected to the left-hand terminal of its speaker. This is quite straighfforward but should there be any doubt the phasing can be checked later experimentally. (See Page l5). Where one loudspeakeronly is used for mono, phase is not important and in this case either outlet may be used and the sockets the other channelleft vacant. of In cases whereloudspeakers, such as the electrostatic loudspeaker, also require an eneryising supply, the

instructions provided with the loudspeakershould be followed. Each loudspeaker shouldbe capableof handling the full output of the power amplifier. Notez Quad electrostatic loudspeakersprior to serial number 16800need slight modification before being used with the Quad 303 amplifier. Pickup (Disc) Input The pickup input is via a 5-pin plug and the same connectionsare usedfor all types of pickup. The necessary changein input circuitry to suit different types of pickup is achievedby the Disc Adaptor Board. This board provides matching for pickups of low output magnetictypes (Ml), high output magnetictypes (M2), ceramictypes(Cl), and a spareposition (Sl), according to the edge insertedinto the holder. (SeeSpecification on Page20). The M2 position should normally be used for most magneticpickups but for those with very low outputs Ml shouldbe usedinstead.

The fourth position is to enable the amateur or professionalengineerto provide any other circuit conflguration he may require and it alsoprovides,of course, facility for accommodatingany new type of pickup which may be introduced, requiring a different input from existingtypes.

*6lril

ru.*tgdr foebd,

FIG. 5

Page Seven

input and an AM tuner for long distancereception to Radio 2. Quad self-powered tuners are supplied with the correct connectors and may be pluggedin immediately. The connectors usedon other self-powered tuners should be adaptedas ncessary and thosealready fitted

u u' t
Rldb I

Tcpr Rrcold

fS.Qlt

DISC ADAPTOR BOARD

,f,-,Sc
Sbrt

AgfSG

Radio

(SeeFig. 7)

T,?t--euAD33

Socketsare provided on the Quad 33 for two radio tuners to be connected. For example, an FM tuner, usedfor mono or stereo,may be connected Radio I to
Page Eight

FIG. 7

with the sametype of plug shouldbe checkedto ensure are that the sameconnections used. The output of such tuners should be suitable for the Quad 33 input of l00mV and l0OK ohms (stereo) or l00mV and 50K ohms(mono). The mains supply for these tuners should also be taken from the mains outlet socketsat the rear of the Fig. l0). Quad33. (See
WARNING On no accountshould the HT ILT lead of earlier Quad tuners be connected to the power supplies sockets of the Quad 33 control unit. If such tuners are used a separute power pack must be provided.

Tape Three essentialfunctions are provided for tape

recording: (l) to provide a signalof the right level for recording, not afiected by any of the tone, filter or volume controls and without afiectingnormal listening; (2) to accept a signal of any likely level from the recorder for replay and subject this to all the appropriatecontrol facilities,and
FIG. 8 TAPE ADAPTOR BOARD

(3) to monitor the signal off the tape during recording without interrupting the recordingoperation,providing, of course, that the tape recorder has a monitor output.
Page Nine

The plug-in Tape Adaptor Board provides three each for recordingand alternative signallevel settings replay on both channels,by means of small screws from the underside the board into the approof inserted priate positionfor the signallevel of the tape recorder on 20 to be used. (SeeFig. 9 and Specification Pages and 2l').
Scrws for adju$ing outpu! lrcm Ou6d 33rotam rcoder

pins of the replay the control unit to the corresponding are socket. Where the levels and impedances such that cross-talk can appear in the cables and connectorsit connections will be advisableto usecompletelyseparate for recordingand replay. Mains Outlets These socketsare intended for supplying the Quad 303 power amplifier and the FM stereotuner. Normally to it will be moreconvenient run the mainssupplydirect to tape recorder and gramophonemotor since these incorporate their own on/off switching, but if other units are run off the Quad 33 mains outlets the total current drawn must not exceed2 amps. Mains Input A 3-pin connector is provided for the control unit and this should be wired to the mains supply using a suitable grade of flexible cable. In countrieswhere an earth connectionis not usedor where an external earth is connectedto the E terminal of the control unit the third pin of the plug should be left blank.

L6fthandchannol

In$dthi6dgs inlo rar of contol Untr

Righ! hand channcl

FIG. 9

Normally either one or both tapesocketsmay be used for recordingand replay as convenientthe (L) and (R) beinglinked inside pins (See Fig. 7) of the recordsocket
Pape Ten

Combined record/replay socket. Any programme passing through the Quad 33 may be recorded w i t h o u t i n t e r r u p t i n g o r m a ll i s t e n n Ing. Input for stereo/mono radio

Two switched Mainsoutlets AC f o r s u p p l y i n g a d i o t u n e ra n d r poweramplifier

Additional inout for tape replay only.

A C M a i n sn p u t . i

Inputfor stereo,/mono pickup.

QIAD 33

Output to power amplifier

Plug-in printed circuit board permitting independent adjustment of signal levels for both recording and replay on each channel.

Second radio. e.9., AM for long distancereception,or Auxiliary input. Ftc. 10

Eanh terminal.
All signal connections comply with the intemationally

Plug-in printed circuit board canying pickup input circuit. This board may be inserted on any of its four edges to provide f o u r a l t e r n a t i v en p u t m a t c h i n g s . i

used DIN standads.

Page Eleven

V o l u m ec o n t r o la n d on/off switch C o n t r o lf o r a d j u s t i n g b a l a n c eb e t w e e nc h a n n e l s

l Q U A D n a m e p l a t ei g h t su p when unit is switchedon

I
l

I I I

P r e s s o s e l e c tl e f t - h a n dc h a n n e l t a n d u p p e rt r a c kt a p e . P r e s s o s e l e c tr i g h t - h a n dc h a n t n e l a n d l o w e r t r a c kt a p e Press both together for two c h a n n e lm o n o Page Twelve

I
P r e s s i n gh e C a n c e lb u t t o no v e r t r i d e s t h e s e t t i n g so f b a s s ,t r e b l e a a n d f i l t e rc o n t r o l sa n d p r o v i d e s v e r y u s e l u lr e f e r e n c e t a n d a r d s F i l t e rS l o p ec o n t r o l ,u s e d i n c o n junction with the 5K, 7K and 1 0 K p u s h b u t t o n s ,r e m o v e s r e cord surface noise, high frequency distortions, eic (see performanceurves) c

Press to select the input required Pressing the Tape button while another input is selected also provides AB monitoring facility off tap during recording: Press to listen to tape: Release to listen to original.

FtG. t1

INITIAL CHECKS AND OPERATION

Before connectingthe mains supply, ensurethat the voltage marked on the rear of the control unit and the on settingof the selectors the power amplifier and tuner are set by are correct for your mains. Theseselectors withdrawing the cap $", rotating it to the required voltageand pushingit fully home again. Then connect the mains and rotate the volume cantrol to switch on the equipment. The Quad 33 nameplate,the Quad 303 indicator light and the tuner scaleshouldnow light up. alsoFilters) Pushbuttons (see The input (Radio 1, Radio 2, Tap, replay or Disc) and the service(Stereo,or Mono on left-hand speaker, right-hand speaker or both), are selectedby pressing the appropriatepushbuttons. With Stereo pressed, all inputs are connectedfor stereoreproduction. In the caseof radio, the tuner will automatically switch to Stereowhen a stereo signal is reverting to Mono at all other times. received, Pressing either or both of the Mon buttons will

reproduce a mono sigral from Disc or Radio I whether tle programme sourceis mono or stereo. With Radio 2 or Tape inputs, however, apart from selecting loudspeakers,the Mon buttons also select left or righthand inputs, each to its own speaker. In addition,* either by input may be reproducedover both speakers pressing the Stereo button as well as the <-Mon or Mon'+ button and, of course,Radio 2 or Tape.
* This facility wan not available prior to serial number 7500.

Volume Control The volume control is advanced to the appropriate level, bearing in mind that apart from enabling a level of sound to be obtained which suits the listening conditions of the moment,the volume control also has the important function of adjustingthe intensityof soundso that it is correctly related to the perspective of the recordingor broadcast. This is obviouslyimportant for realisticreproduction. For example, if a voice is picked up close to a microphonein a very absorbentstudio, then on reproPage Thirteen

duction that voice will take up a positionat the centre of, and in the plane of the loudspeakers. For natural sound,therefore, loudspeakers the shouldradiatesimilar powerto that of the originalvoice. If on the otherhand the voice is picked up someway from the microphone in a more live studio, then the voice on reproduction will take up a positionsomedistance behind the loudspeakers and it is clear that the power required for natural sound is now very much less. The positionor perspectiveof the reproducedsound is fixed at the studio end and there is little that can be done at the listeningend to alter it. It follows that the volume settingfor natural sound is to a large extent fixed at the studioend. page16). Filters (See The filtersaffectthe extreme harmonicrangeonly and do not interferewith musicalbrilliance. Their purpose is to enablethe maximum contentof the programme to be reproduced with the minimum distortion. With most types of recording the distortion rises
Pape Fourteen

rapidly at high frequencies and the wider the loudspeaker rangethe more audiblethis will be. It may be removed mitigatedby rotatingthe filter slopecontrol or anti-clockwise from the levelposition. As the controlis " rotated, the quality and " cleanness of the reproduction will improve. There will, however,be a point beyondwhich further rotation degrades sound due the to lossof the usefulharmonicrange. The pushbuttons marked5K, 7K and l0K, determine the frequencyat which filtering commences and that marked 7K is the most useful for modern recordings. Pressing 5K pushbuttontransposes filter operathe the tion to a lower frequency use with older recordings for and pressingthe lOK pushbutton transposes to a it higher frequencywhere it is useful with very good recordsor high quality radio transmissions. The Cancelbutton bypasses bass,treble and filter the controls to give a level response.This position is a reference which the effectsof the settings the other by of controlsmay be judged without upsettingthe position of thesecontrols.

Balance Control This merelyadjuststhe balanceof the two channels it and after initial adjustment shouldrequireno alterarecording a unless misbalanced tion for normal listening which is unusual,or is or broadcast to be reproduced, unless the position of the loudspeakersor their environmentis changed. pagel6). Bass and Treble Controls (See The musical balanceof a programmeis carefully and adjustadjustedduring recordingor broadcasting mentof the bassand treblecontrolsshouldnot normally or unlessan inferior loudspeaker the listenbe necessary ing environmentproduces some effect which needs therecorrection.Onceset for a particularinstallation, Smalldeviations shouldbe little used. controls fore.these of the bass control will affect very low notes only. Greaterdeviationsaftect not only the very low notes to a greaterextent but also the high bass notes. The treblecontrol afiectsbrilliance.

LoudspeakerPhasing there is any doubt about the way If, for any reason, (seepage 6) are in which the loudspeakers connected playing a mono their phasingmay now be checkedby when the soundshouldappear disc over both channels, to emanatefrom a point midway between them. If to this is indefinitethe connections either of the loudbut speakers, not both, should be reversed.Correctly will the connected speakers give a definitecentresound by sourceaccompanied a more full bodiedsoundin the tenorand bassregisters.

Page Fifteen

As the Filterslope control is rotated lrom 0 to 25 the filter swings from a level response to a steep cut as shown. f is the frequency selected bythe skHz. TkHz or'10kHz push buttons.

&
nt

&

"
lA.

) / 7
t
All sub-audio signals below 20Hz are drasticallyf iltered as shown. Thethree curuescorrespond to minimum,leveland maximum settings olthe Bass control.
s $ 1 6

The Bass STreble controls provide smooth and independent adjustment of the responseto suit programme or environment

ttl

QUAD33 PERFORMANCE CURVES

,l
Page Sixteen

LoudspeakerPosition The standardof reproductionobtainedfrom any loudspeakeris influencedby both its position in the room and its position in relation to the listening area. The optimum position can only be found by experimentand this cannot be carried out quickly or in a perfunctory manner, if long term non-fatiguing listening is to be obtained. It is a fact that the standardof reproductionin many homes,both mono and stereo,is significantlybelow that which could have beenobtained had sufficientattention been paid to loudspeaker positioning. Broadly, for should be 6ft' to 8ft. apart stereothe two loudspeakers from each.Clearly, with the listenerat a similar distance when more than one person is listening they cannot both occupy the same position and all listening tests should aim at obtaining good stereoover a reasonable area. This can usually be achievedover an area immedi ately behind the listening point already defined'with a and width equal to the distancebetweenloudspeakers with a similar depth.Outsidethis areathe overall quality

may be should be satisfactoryalthough the perspective of degraded.The measurement 6ft. to 8ft. is basedon a small room. With a larger room the scale may be accordingly. increased The quality of the resultsobtained will dependupon the following:with respectto (a) The position of the loudspeakers the room boundaries (and sometimes floor joists). (b) The direction of loudspeaker axis. (c) The position of large piecesof furniture. With stereothe following may be added:(d) The distanceapart. (e) The point of intersection of the loudspeaker axes. (f) The relation of the base line (an imaginary straight line joining the two speakers)to the room boundaries. (g) The positionof the listeners. The instructionssupplied with the loudspeakermay resolvesomeof the variablesand the rest must be solved
Page Seventeen

by experiment. Few people can successfully complete theseexperiments a singlesession at and it is strongly recommended the followingprocedure adopted. that be The loudspeaker(s) should be tried in the various room positionswhich appearphysicallypossible, in order to ascertainwhich positionsare likely to be worth further investigation. The loudspeaker should now be used in each of for thesepositions normal day to day listening.The usual attention should be paid to the programme itself without any consciousconcentrationon the quality. In this way the optimum positionfor most satisfactorylistening will soon becomeapparent.

Adjust the filter to obtain the bestquality inherent in the programme remembering this meansfilterthat ing aslittle as possible. Adjust bassand treble controlsonly if it is necessary to alter the musicalbalance the programme. of Adjust the balancecontrol only if the programme levels of the two channels are themselvesout of balance.

SERVICE
Normally the dealersupplyingthe equipmentwill be able to assistwith adviceor any attentionthe equipment may require but in caseof difficulty you should return any Quad unit you wish to have checked, direct to our ServiceDepartment,or that of our. main agent in the country concerned, carriagepaid and preferablypacked in its original carton. If this is not availablea pack will be forwarded request. on Do not forget to enclose note giving your nameand a full details of the reasonfor returning the unit address, and all the symptomsyou have observed.

SU O P ER A T I O N MMA R Y
With all the testsdetailed in the previoussection completed, operationof the Quad 33 should now be readily apparent and completelystraightforward. It may be summarised follows:as Use the pushbuttons to select input and system required. Adjust the volumecontrolfor a levelof soundsuitable for the programme.
Page Eighteen

UNIT FOR QUAD 33 CONTROL SPECIFICATION

DISTORIION:
All controls level, O'SVrms output, with anv inout. Any coritrofsettings and any level within overload ratings 0-30 phon weighting ls'7kHz bandwidth controls level or cancel Any input, any output RIAA or flat as appropriate :L ldB of published curves (see page 16) To pubtished curves at Sktlz,TkHzandl0kJlz! (see page 16) Within ldB with volume control varied from maximum to -45db 9dB either way Dependant on input source impedances. Reilav/record typically better 1an 70dB 30-10,000Hz Intirchinnel tvrjiiattv better than 40dB 30-10,000 llz Page Nineteen 3/o

o.o2% ) Hz ) 30-lo,ooo o.r'% )

-90d8 t0.5dB 30-20.000 Hz

RESIDUAL NOISE: FREQUENCY RESPTONSE: TONE CONIROIS: FILTERSI: INTER.CHANT\IEL BALANCE: BALANCE CONTROL RANGE: CROSSTALK:

UNIT FOR SPECIFICATION QUAD33 CONTROL

rms) INPUTS(all voltages

Recommended Source Impedanoe
l.

Loail Impedance

,
l00K ohms
4OK ohms

Input l*vel for 0.5V lMain Output 3. lOOmV

Maximum Input 4.

Signal to noise referred to level in Col. 3 0-30 phon weighting

RADIO
H

20K ohms or less any any any Low Output Magnetic 0.5-2mViCmlSec. High Output Magnetic 1.5-6mV/CmiSec.

2Y

85dB 85dB
85dB

1V 400mV
lOOmV 2mV at lkHz 5.6mV at lkqz l00mV at lkHz

10v
4V

TAPE REPLAY

M L MI

40K ohms
40K ohms 68K ohms

1V
40mV at lkHz

85dB 70dB
I

DISC

M2

68K ohms

120mV at lkHz
l.2Y at lkHz

8odB

; t

cl

Ceramic 450-800pF 2l80mvicm/Sec.

Special

s
Page Twenty

FOR SPECIAL REQUIREMENTS

FOR QUAD 33 CONTROL UNIT SPECIFICATION

(all rms) OUTPUTS voltages

Level Source Impedance lK ohms 5K ohms 800 ohms 180ohms * 3OVoprogramme modulation WEIGHT: DIMENSIONS: 6i lb. (3Kg.) width Height Depth l0+" (260mm) l1t" (92mm) free stalrding, 3|" (83mm) panel 6 j" (l65rnm) free standing 5*" (l40mm) behind cabinet panel when mounted (Allow a further 2i" 64mn) beyond rear panel for connectors) 50-60 Hz 1.5 Watts. 100-130/200-260V Page Twenty-one Recommended Load Impedance lOK ohms or over 25K ohms or over any any Maximum Cable Lengtbs (Using 20pF/ft Screened Lead) 100 feet 150 feet any any

TO POWER AMPLIFIER
H

0.5v
l00mV *

TO TAPE RECORDER

20mV * * 3.7mV

POWER INPUT:

SPECIFICATION FOR QUAD 303 POWERAMPLIFIER

The figures and curves refer to measurernentson either channel, with or without the other channel operating. POWER OUTPUT AND DISTORTION (with unrestrictedbandwidth) FREQUENCY RESPONSE: OUTPUT SOURCE IMPEDANCE: INPUT LEVEL: INPUT IMPEDANCE: HUM AND NOISE: INTDRCHANITIEL CROSSTALK : STABILITY: POWER INPUT: WEIGHT: DIMENSIONS: O.O3% ll ^7O Hz cj.6ln I anv level up to 28w 16 ohms load .titit uZ nnY level up to 45w 8 ohms load o.lV; io nri 1 -ldB (ref: lkHz) at 30 Hz and 35kHz into 8 ohms -ldB (ref : lkHz) at 2O Hz and 35kHz into 16 ohms 0.3 ohms in series with 2000pF and 6pH. 0.5V rms fqr 30 watts into 16 ohms 22K ohms in parallel with 60pF -l00dB below full output 30-10,000 Hz better than 60dB. Input load I K ohms. unconditionally stable with any load. 100-125 or 200-250V 50-60 Hz. 40-200 watts depending on signal level. l8 lb. (8.2Ke.) Width 4i" (l20mm.) Heisht 6+" (159mm.) Depth l2*" (324mm.) (plus 1]" (38mm.)for connectors). The ampli{er may be used for any purposes into load impedancesgreater than 8 ohms. Below 8 ohms applications should be rbstricted to music and speechreproduction or intermittent sine-wave dutv.

I
I

OIIIER

APPLICATIONS:

Page Twenty-two

t t

r r |

8n Resistiw Lod 70Hz & 70OHz ------lOKHz

I
----.. ... . VA ohose Oo(Resistive)

o i I

16^ Resistiw Lood TOHz & TOOHz ........ loKHz

VA ohqse 45" VA ohose 96o(Reocriw)

Woits

+l

8ntu

o
-t o _ ,

QUAD 303 PERFORMANCE CURVES

-3

t@ --------

t@ hnr tuqsq tud Le$ tfEn tZ Dbt at aryfiq|ry L6dbolzqdataryftqumry Odb =4li watts

0.m

&@

Page Twenty-three

6uarantee
This instrument is guaranteedagainst any defect in material or workmanship for a period of twelve ialendar months frorn the date of purchase. Within this period we undertake to supply replacementsfree of charge for provide.d. that such any parts whici may prove on examinatioi to be defectiu_e tieieitiveness is not ihi result ol misuse (including use with unsuitable ancillary. and further that the instrument was purchased accident or negligence, eq'uipment), ai tie proper retail price prevailing in the country ol purchase. Any set requiring service under this guarantqeshould be taken to the suppli.er throuih whom it w7s purchased,or, in-case of dificulty, it should be carelully puckeZ and 'purchase consigned,'carriage paid to the main distributor for the country-of quoting ihe date and place of purchase. It must not be sent to any other agent or distributor except by special arrangement. with and does are This guaranteeis valid only when these-conditions complie_d not cove"rlabour or carriage iosts involved in any repair under the guarantee.

No guarantee card is packed with the equipment.

Page Twenty-four