Illustration 1: Photograph Courtesy of Moundville Archaeological

Park, The University of Alabama

The Moundville Rattlesnake Disk

by
Clifford C. Richey
May 2009

Revised 06-21-2009
 Illustration 2: Drawing Courtesy of Moundville Archaeological
Park, The University of Alabama

This sandstone disk is from Moundville. Alabama and is about 12 inches in diameter. While the
imagery on the disk is obviously of Serpents and a Hand-Eye design, one should not be distracted
by this. One should focus first on the overall Form of the disk which is a Circle with notches on its
edge. This means a location that has holes (holes as viewed from horizontal section as opposed to
the usual overhead bullseye style) in its surface. The locational sign is relatively large and this sign
is also used as the number one (made by counting the Finger Tip). Therefore the statement, The
Great One. Next we need to look at the Secondary Form created by the total imagery. From this
pattern we see that it is the image of a Buffalo Head. There is a line on the Buffalo's Nose that
points to one of the the hole signs. This message may be based on a metaphor relating to a buffalo
wallow.
 Illustration 1: Buffalo Form

The Great One

Buffalo
(at)
His Hole
(in)
The Ground's
Surface

Exactly what this Associational Form (the Buffalo Head) meant to the Native American that
composed it is unknown. However, we can find some historical information as to what the Buffalo
Form meant to the Winnebago Tribe. Perhaps similar meanings were held by other Buffalo hunting
tribes.

The following is material from Paul Raden's Notebook.1 “The spirit of the buffalo, an animal that
seems to traverse the whole earth in its migrations, is the very essence of the land. When Earth
maker created our world, he saw that his creation was unstable and moved about uncontrollably, so
he created the land to help anchor it. This land is in spiritual origin a gigantic buffalo. However, the
chief of the buffaloes is the complex deity Blue Horn. As it is said in Blue Horn's Nephews, "He
was one of the chief Water spirits, that was why he was called "Blue Horn". He was a Buffalo
Spirit. He was the chief of the buffaloes, but he was a Water spirit, it is said. Blue Horn is also
associated with the blue sky and the Evening Star. Esoterically, the buffaloes over which he has
command are the vast herd of stars who undertake the massive migration across the dark plain of
the celestial sphere every night from east to west, only to come to ground or to disappear below the
ground at the end of their journey. What makes them Buffalo Spirits is the mysterious journey they
make from west to east, either somehow across the land or perhaps subterraneanly, traveling until
the herd reemerges in the east following after the setting sun. As the Evening Star (Red Star) who
lies close to the horizon of the sunset, he leads this herd of stellar buffalo across the sky. So the
1 Paul Radin's Notebook 58, a manuscript with numbers corresponding to the pages of a lost syllabic text. Pages
104-107 were found as a single loose page fragment inserted in another notebook (#59). The translation is in the
style and hand of Oliver LaMère. collected by Sam Blowsnake, ca. 1912

Paul Radin, Winnebago Notebooks, Philadelphia: American Philosophical Society.

Buffalo Spirits, like Blue Horn himself, seem to be split between a celestial home and an abode in
the underworld.”

As we shall see there are some elements of the above description that fit well with our translation of
the signs found in this disk. The description by Raden (above) provides several links to this disk's
message. As we know from previous translations the Serpent imagery means a river, a stream, or
current of water. There are two Serpents in this composition and they appeared to be tied or bound
together as shown through the two knots on either side of the composition. The Knots are
compound signs created out of the Circle sign for location, an opening sign (“V” shaped) and a
rectangular place sign. The general meaning of this is that of streams of water that are intertwined
and bound or tied together. The Knot on the right side of the disk should be considered as in the
West. The common Native American associations with the West are the setting sun, darkness, and
death. Here the Knot has the opening “V” shaped sign pointing downward, covered over by the
location sign and meaning the opposite of opening-up, a held-down place. The place sign is below
the location sign. The intent is to show that the stream of water is moving downward in the West
and all the internal, to the Serpent, place signs are compound thus incorporating the held-down sign.
The places are within the streams of water and they are places that hold things in. The lowest parts
of the Serpents Bodies are shaped into the sign for contained as in a bowl. Above this is the second
loop of the Serpent's body whose internal signs are composed of multiple Feet. An upright Foot sign
is interlocked with another that is upside down (a Foot is the sign for a walk or journey. -these
journeys are thus intertwined or interlocked). In written gesture sign language a human or animal
body that is upside down indicates that it is dead. Thus the many upside down Feet mean a death-
walk or journey of a multitude. Together the Feet indicate a journey above and below the surface.
The surface is indicated by the line that makes up the upper surface of the Serpent. The Double
Lines of the Serpents Body means that whatever in internal to the Serpent (within the Serpents
Belly) is hidden or unseen. This walk or journey is within the Serpent thus within the streams of
water and hidden from view.

Because of the two, double, Loops created by the Serpent Bodies ,one above the other, the disk is
effectively divided into and upper-side and a lower-side. In other words the upper and lower worlds,
the walks or journeys take place below the earth and above the earth.

The Serpents,
The Streams
Tied Together
Above
and
Below
A Multitude
of
Journeys
Above
and
Below

The Journeys
Up
and
Down
the Sides
(of the earth)
 In
The West
Unseen
Movement
on
The Side
of
Earth-Female
The Unseen
Turning Places
The Serpent's Mouth,
The Water Source
The Many
Doorways

The Hole
in
The Surface
The Doorway
The Doorway
to
Turning
Below

Beneath
The Surface
The Serpent's Throat
a
Vertical Place
of
Water
and
Transformation

The Location
The Knot, The Tie
That Holds Down
The Axe
in
The Place
Below
The Under-Half,
The Underworld

The Serpents,
The Underground Streams
Within Them
A
Multitude
of
Journeys
on the
 Sides
A multitude
of
Openings
and
Places

Descending
The Tail
of
The Serpent
The
Many Captives
The Doorway
Its
Entrance
on
the Surface

The Knot on the Left or East side of the disk represents the well known Native American
conceptualization regarding the East, the rising sun, light, and rebirth. Here the knot has the “V”
shaped opening sign facing upwards. The journey that was initiated downward into in the
underworld now turns upward and continues through a opening-place to the upper world and the
arc of the sky.

The Heads and the Tails of the Serpents are likewise opposites in meaning. Starting on the Left
there is the wavy double lined sign for unseen or invisible movement -a turning movement. This
movement enters the Mouth of the Serpent (a sign for a source of water or moisture) through the
Fang (the triangular sign for earth-female) . The Lower Jaw of the Serpent is created from the signs
for female- places (earth-female-places). The “U” shape of the Serpent's Mouth is the sign for
turning-female. This sign indicates that the Male Buffalo has turned Female. This is another way of
stating, through metaphor, that the Buffalo has died. The Eye of the Serpent is the obsequious hole
sign and attached to it is a “U” shaped sign that repeats the horizontal view of a hole as seen along
the disk's edge. The two lines at the bottom of the “U” is the sign for a doorway or gateway.

There appear to be two Horns on the Serpent's Head. The first is the Triangular earth-female sign
while the second, larger, Horn is a Finger pointing to the Edge of the Disk just next to the hole-in-
the -surface sign. The Neck or Throat of the Serpent has the jagged signs for water Criss-Crossed
with each other thus forming a second sign which is the “X” for an exchange or a transformation.
The other part of the Serpent's Throat has a vertical-place sign and a Double Line meaning unseen.
The Serpent's Head on the Left side of the disk is, of course, presents just the opposite meaning of
the Head on the Right side. It will be noted that there is a very subtle difference in the composition
of the Serpent's Tongue. Here, on the right, the double lined wavy movement actually touches the
hole or turning sign on the edge of the disk rather than touching the Line for surface. We are thus
informed that here the Serpent's Mouth is a place of exit as opposed to an entrance. The exit to the
upper-world.

The Serpent's tail on the Right is in the Form for descending while the Serpent's tail on the Left is
the sign for ascending. The Rattles on both Tails are created out of the signs for three captives (the
three is used as a shorthand for many). The distinction is that the last Rattle is the sign for a
doorway or gateway. On the Right an entrance into the earth while on the Left an exit from the
earth. This distinction is made by the orientation of the Tails. The right side Tail the gateway sign is
under the surface line sign while on the Right it on top of the surface line sign. The Maya had a
constellation known as The Tail of The Serpent whose ascension and dissension may have signaled
some ritual event. Perhaps, in this case, the event would have to do with the Hand-Eye sign at the
Center of the composition.

The Serpent's Face,

Its Appearance
Below
in
The West

The Unseen.
Movement
on
The Side
of
Earth-Female
The Unseen Turning

The Places
of
The Mouth,
The Water-Source

The Serpent's Eye,

The Water-Hole
in
The Surface
The Doorway,
The Exit
to
The Ark
of
The Sky
(at)
The Hole
in
The Surface
The Serpent's Throat,
The Water Passageway
Here
The Place
of
The Journey
Unseen
in
The Water(s)
of
Transformation

The Knot,
The Tie
 The Location
Opened-Up
by
The Axe, The Arm
The Place
The Multitude
of
Journeys
Above
and
Below

The Tail
of
The Serpent
Ascending
The Multitude
of
Places

The Many Captives

(Those spirits trapped in the stream of underground water)
at
The Doorway,
The Exit
to
The Surface

The Place
of
The House
of
The Journeys
Up and Down
The Side
of
The Eye, Venus
Contained
 Illustration 2: The Axes and the Knots

In the above illustration we can view how the Knots were positioned in the West and East. In the
West the Knot (yellow) is drawn so as to present the signs for location (the entire Circle even
though the Circle is cut) and held-down (the upside down “V” shape). The Axe (gray) is drawn
beneath the above signs so it is the Axe that is held-down. The “handle” of the Axe is the double
lined sign for unseen. Furthermore this sign is “U” shaped thus indicating it is turning back
upwards. In the East the Axe (gray) cuts open the locational Circle (yellow) or Knot/Tie and its
“handle” is in the form of the sign for ascending-unseen.(orange) and at the top of this ascending
sign is the form of an Eye (light orange) (Venus). It is quite possible that all the imagery of knives,
spear points, arrow points, axes etc. that appear in the glyphs are signs that could have been
generalized into the word for arms. Thus in many glyphs it is the Arms and Hands of the Sun that
are the subjects. So in this glyph we have the Arm and Hand of the Sun descending into the
underworld in the West and after “cutting itself free from it watery bonds”, ascends in the East.

The Knots in on both sides of the composition appear to give a “pinched” appearance to the rather
oval appearing sign that surrounds the Hand-Eye signs. In one sense the pinched area gives further
definition to the Upper and Lower Halves of the composition but it may also represent a Grooved
Stone axe. If the Axe sign was used to indicate a warrior then its relative size would indicate that
Buffalo was indeed a great warrior and perhaps, this Large Axe indicates the Sun.

The Great Axe, The Great Sun

His Great Hand, His Great Steward
His Great Eye, Venus

Finally we will look at the Hand-Eye compound sign. The Wrist of the Hand is the sign (relative
size) for a great place. The Hand means a servant or steward (of the Great Axe, The Sun). This is
not clearly spelled out for us in this composition but the Hand as the sign for a servant or steward to
the Sun seems to hold true as a trend among a series of glyphs. The Wrist making the sign for a
Great Place leads us to believe that the House of Venus and probably also related to a Temple of the
Sun Clan). The Buffalo Clan men were probably also Warriors of the Sun. The Thumb has the sign
for earth-female as the Thumbnail. The earth-female is aligned (Stance) with the angle of the bent
Thumb meaning, on the side (of the earth-female). The Tips of the Fingers provide us with a count
of the earth-female number four (the four directions or four corners of the earth).
 His Great Hand,
His Great Steward
His Great Eye, Venus
Its Location
Its Great Place
on
The Side
of
Earth-Female
Her Four Locations,
The Four Corners

The Eye in the Center of the Palm has a sign turning above- over surface. The surface-location sign
is thus centered on the hill sign, a surface location, hillside.
This curved line over the Circle is the hill sign as there are short straight lines (the ground's surface
on either side of it). Beneath the locational Circle is the held-as in a bowl sign.

It is also a possibility that the Eye imagery is a Dual imagery Bird Head looking in two directions.
If this is so, then the meaning would be flight in both directions (East and West). Thus the
ascending of the Serpent's Tail (in all likelihood, a constellation as would be the Head of the
Serpent) might have signaled the rising of the Eye-of-the Sun (the Warrior's Star, Venus).

Two constellations may have been observed so that when the Head of the Serpent descended below
the horizon the Tail of the Serpent would arise. The two constellations would act like the opening
and closing of a door. From what we have gleaned from this translation we have the outlines of the
warrior cosmology, the death of warriors, and their journey through the watery trails of the
underworld within the form of underground streams. Eventually these streams rise to the surface
where the warrior spirits make their exit to their journeys in the sky as Venus. Metaphorically
compared to the Buffalo arising from its wallow. The multitude of journeys (the multitude of Foot
signs) below the earth and above it could be compared with a Herd of Buffalo stars.

We take one final look at the Large Disk , The large Circle, (The Great One)and see that the space
between the imagery and the edge of the disk on the Left side is in the shape of a Large Hand (The
Great Servant). The Right side is in the shape of a large Bird's Head (His Great Flight).

The Great One, The Great

Steward
His Great Flight, The Buffalo.
 Illustration 3: Right Buffalo Horn, The
Water Horn

There were certain problems that arose in translating this composition. The first problem was the
Form of the Buffalo. In many glyphs the Secondary Form is not easily recognized and even when
recognized its meaning or association may not be known. It is in such cases that we have to look for
historical sourcs that may give us clues to the associations such as we found about the Buffalo in
this paper.

There does appear to be quite a difference between the manner in which the two Buffalo Horns
were drafted. The Horn on the left is quite straightforward but the Right Horn (gray), in terms of its
Form, appears twisted. Another way of looking at the notches around the disk's perimeter is that
instead of a just a horizontal view of the land's surface broken up by holes it is possible that the
intent was to show that it was the land surface itself that is moving up and down. The Crook in the
Horn of the Serpent would become the sign for taking-downward. This all seems to make a good fit
for the description we have read about Blue Horn.

Under circumstances where color could be added in as an actual image of a Buffalo it would have
been easy to simply color one Horn blue (thereby indicating a Water-Horn). But is this composition
the Buffalo is found in Form only and can not be colored. But the right Horn does contain the
Wavy sign for movement and the Head and Mouth of the Serpent which equates to a stream and
source of water.

In the West
the
Land Surface
Moving Up and Down,
Shaking

(thundering herds of buffalo with their feet shaking the ground?)

Taken Downward
Here

(The Finger pointing downward below the surface sign -the edge of the notched circle)

Beneath
The Surface
The Serpent, The Stream
 The Mouth,
The Water-Source
The Turning
Places
The Many
Doorways
etc.

Despite the problems described above the overall message is very similar to that of the story of the
cultural hero, Blue Horn.