$b

3$

(7

*/f.

FROM THE LIBRARY OF

REV. LOUIS FITZGERALD BENSON.
D. D.

BEQUEATHED BY HIM TO
THE LIBRARY OF
PRINCETON THEOLOGICAL SEMINARY

Dtvbfetf

^S^j

THE
Vv,;^
i

*WV.p.

i.

-,

1st

^5*1

of

rtfi^s

AMERICAN HARP:
BEING

><> 9 1932 ^MCH 6t*S

COLLECTION OF NEW AND ORIGINAL

CHURCH
ORGANIST TO
ST.

MUSIC,
IN

UNDER THE CONTROL OF THE MUSICAL ROFESSIOKAL SOCIETY

ARRANGED AND COMPOSED BY CH. ZEUNR,
PAUL
S

BOSTON

CHURCH, AND

T0|

THE HANDEL AND HiYDN

SOCIETY.

STEREOTYPED BY LYMAN THURSTON &

1

Co.

BOSTON:

PUBLISHED BY HIl)LIARD, GRAY

&

Co.

CAMBRIDGE: BROWN, SHATTUCK&Co.

/

Entered, according to act

of

Congress,

in the

year 1832, by

CH

ZEIXER.
Massachusetts

in the Clerk's Office of the District Court of

THIS
IS

WORK
RESPECTFULLY DEDICATED,
TO THE SINGING CHOIRS OF ALL THE

CHRISTIAN WORSHIPPING ASSEMBLIES,

In the United States of America.

/?

NIL MUSICAL PROFESSIONAL SOCIETY OF BOSTON,

Respectfully

recommend

this

work

to the Public.

I'.\(

EPTING Old Hundred and four other Tunes,

Professional

all

the .Music herein contained

Organist to the Park Street Church, and to the Handel and

signed Trustees of the Musical
satisfaction to express

Haydn

Society.
it

is originally composed by Ch: Zeuner, President of the said Society,now Mr. Zeuner having submitted this Work for the examination of the underit gives us both pleasure and purpose, combining a sublime and sacred character with

Society,
its

we have found

possessing great beauty and correctness; and

its

our entire approbation of

It

contents, as being perfectly appropriate for

ease and simplicity.

indefatigable Study
tdl

is

suitable for the different capacities of different Choirs,

it

whether

in the city or in the

country

and being a

Work

of great and

and laborious exertion,

interested
for the

is

but just that Mr. Zeuner should meet with thankful and encouraging acknowledgments from us, as well as

others wiiu

feel

promotion and improvement of Sacred Music.

To

select

Music

for sacred

Operas, Marches or Glees, and to introduce such into the Churches,

published
ir

we condemn

as highly improper and absurd.

purposes from common Songs, from This book is, perhaps, the first ever

and as almost every work passes through the hands of the Profession, more or less, before published, and and better conviction, we cannot doubt gaining public confidence The method of d patronage for a book, the merits of which are exclusively supported upon our own professional recommendation and responsibility. [ruction attached, is upon Pestalozzi's principles, as generally used, with great effect on the Continent of Europe, affording methodical facility to both
in this

country by the Profession

itself;

names are frequently attached

as a recommendation, even contrary to their wishes

jrs

is,

and pupils; and it surpasses any other method for instructing and forming Choirs. This book, if sufficiently sought for, is intended, in future The Small Notes between the Treble and Bass, are either for the Organ or Piano, and to reach four hundred pages, but nothing will be altered. Ale such as do not understand Thorough Bass to accompany the voices properly, although the accompaniment may be omitted without detriment to All the Hymns and Poetry are taken, with permission, from "Church Psalmody, a Collection, &c. fee. parts, which are perfect in themselves. Public Worship, by L. Mason, and David Green, of Boston, and published by Perkins and Marvin," which collection having been selected ked with peculiar care, judgment and ability, is a chaste specimen of Sacred Poetry. The Hyrnn tunes in Chant style will be found of great utility: uently difficult to find an appropriate Hymn to many Stanzas, they are intended to obviate many rhythmical imperfections,
I

as might desire
psic,

some

further information in Singing, as well as a collection of Chants, Anthems, &c.

we recommend Mr. Zeuners new and

it

original

consisting of Anthems, Motetts

and Chants,

to

be had of Hilliard, Gray,

& Co.
will give satisfaction not only to the

)ur profession at heart,

Stself,

we

trust

Mr. Zeuner's work will have an extensive circulation, convinced that

but also to the liberal Amateur, and to any congregation where Music forms a part of worship.
Sept. 12th, 1832.

[ox,

G. G.
C.

J.

E. R.

WEBB, Organist to the Old South HANSEN, Organist to St. Paul's GRAUPNER, Professor of Music.
Professor of Music.

Church. Church.

GEITNER,
GEIB,

G.

Professor of Music, and Organist.

G.

POLLOCK,

Secbktart.

Preface to the Second Ediiiosa,

is sensible of no small degree of satisfaction in presenting It is an original public a second edition of the American Harp. work of Church Music, composed expressly and exclusively for the worship of God, and not a mere adaptation of opera airs, glees, songs and marches. This character has gained for his work a degree of favor which alone has been sufficient to compensate and console him for the many difficulties with which he has had to contend, particularly as these difficulties have, in a great measure, perhaps wholly, had their origin in attempts to decry and slander the Editor and his works by some who are in the habit of imposing upon the public theatrical, operatic and other

Ic^pTiie Editor
to the

compositions, more particularly with Church Music, winch ought to be In the second place, it is sacrithe most perfect in character and style. legious to rob the church service of its solemnity, and dignity, in order Church Music ought always to be to gratify either ambition or avarice. free from unhallowed associations, and its character, dignity, and solemnity ought to be constantly guarded, and as far as possible religiously preserved from all derogatory influences and corrupt and debasing tenIf such be not the true character with which Church Music be stamped, there can be no limit fixed, and Sacred Music will become so mixed and entangled with every other style, that neither reason nor custom will be able to draw a line between sacred, and secular or profane Music, and instead of its being what it was evidently intended, and what it has always been believed to be, a powerful means to warm and raise the heart to join in songs of praise and glory to AlmighIt will be felt by the Chunks. ty God; it will become a mere mockery. as a curse not easily removed. It will offer occasion for levity, unholiness, and irreligious feelings. Are the public ready to substitute Secular for Sacred Music in the Musical part of public worship? Has the time arrived when Sacred icords are to be associated with Secular Music for common use in our Churches? " My house is a house of prayer, " Stc. If one happen to hear again in the Church what he has before heard in a profane place, he must indeed doubt, whether he be in an insane hospital, or a place of worship. Gretry says in his 'Memoirs, ou essais sur la Musique,' when he speaks composer who writes for the church of the style of Church Music: " ought to be exceedingly rigid, and to mingle nothing that appertains to the theatre in his work," What a difference is there indeed between the sentiments which reign in Psalms, Anthems, and Hymns, and the vehemence of the passions of love and jealousy! Thoughts which aspire so high beyond the reach of our knowledge give birth to feelings of awe. All the sentiments that rise to the Deity ought to have an appropriate and devout character. The study of harmony and the beau ideal of harmonical combinations ought to be the peculiar pursuit of the ecclesiastical composer. The Editor.

dencies.

ought

secular or profane music, (for sacred,) by slight adaptation of sacred words to such music as will suit their purposes. Among the objects of the Editor, it is a principal one, to contribute as much as possible towards establishing a chaste and pure style of Church Music. This he anxiously hopes to be able to accomplish, by From the abuses and absurdities that correct Musical publications. exist in well known publications, it is not a very difficult matter to demonstrate that the Church is inundated with Music of a frivolous, For example, in the trifling, and, may we not add, profane character! Choir * p. 55 'Sudbury' is the air of JVid Nid JYoddin,' from which also a strain may be found p. 290; p. 203 is a song To sigh yet feel no pain;' p. 241 is a comic composition by Handel, The Harmonious Blacksmith ; p. 332 may be considered as" a military march founded upon TJie Brave Swiss boy; p. 50, from a German Waltz by Mozart. a song, More special selections might be cited as highly exceptionable, which -even the moralist would, (and ought not the professing Christian ?) exclude from the worship and temple oi" God; viz. 146 No. 2 222 No. 2-252 254262269 No. 1306332 etc. Many pieces are taken .No. from operas, now performing on the boards of the American and English Theatres 1 viz. 72-83,-88,-117,-273,-321, 8tc. The pieces above de'

'

'

'

signated whether adopted through ignorance of their original character, or with a view to spice a work, to suit corrupt tastes is alike deserving of, and obnoxious to just criticisim. In the first place, ignorane and inexperience have at best but a very doubtful right to meddle with Musical
*2n<i. Edition.

Rem.

1st.

The arrangement of the

in

&em-2nd. The exercises

Tables

parts are as usually printed. The melody next the Bass, 2nd. Treble, next above the Tenor, the top line, and the small notes for the Organ. I. and II. may be practised without singing by counting the beats, and clapping the hands for each note, however quick.

INTRODUCTION TO THE ART OF SINGING.

Of music.
Remark: Music
consists of

grees, namely: five lines, and four spaces (counting from the bottom up-

Melody and Harmony.

wards.)
5

Melody, is the air or tune of a composition, or the most conspicuous and flowing, and generally the highest part. Harmony, is the combination of several sounds at once, by which an agreeable effect is produced on the ear, and the connexion existing between different Chords, (whether Conchords or Discords,) in a whole
composition. Notes, signify all signs by which the different sounds are expressed, recognised or represented; also the Cliffs, Rests, Dots, and all other The notes are placed higher or lower on the necessary characters. lines or spaces, according to the height or depth of the sounds which they indicate.

thus

43

The

five lines.

m
The

four spaceB.

On these lines and spaces of the staff* are placed the notes of music, (musical notes are expressed by white and black signatures, thus O or ; they have stems occasionally attached to them, which may run upwards or downwards, it is quite immaterial,) p pw

FIRST LESSON.
ON THE STAVB AND CLEFS.

m *
which are only seven
in

p"

The system
called notes,

of lines on which musical sounds are represented by signs

is

termed the stave;

thus

which has nine de-

number, and they are named after the first seven A, B, C, D, E, F, G, Should a melody or tune exceed these seven, the same series of letters are repeated.
letters of the alphabet:
is

As

it is

of great importance that the situation of the letters

upon the Staff should be perfectly known, the student

advised to commit to

memory

the following Scale or

GAMUT.
Treble, Alto or Tenor.

E First

Bane.

F Fifth-line
E Fourth space D Fourth-line
(Xj

above First space above

leger line

C B

First leger line above First space above

-A Fifth-line

o-

H J
w" -

-C
I)

BThird-lineA Second space G Second-line

First space F-First-line
First space

Third space

02

<
SB"

-es-

F Fourth-line E
Third space

Fourth space

-DThird-line

C Second space B Second-line

First space
First space

-G First-line-First
I<.'<'<t

First-iegtr-liue-below-

below

line

below below

INTRODUCTION.
gravity of considered

II

degrees of these notes, as to acuteness or of course understood, that a note can neither he acute nor grave, until it be compared with another) depend marks, representing letters, called clefs, which are placed at ning of a staff;
diti'ercnt
is

The

Bound

it

on certain
the begin-

staff,

thus: fix

Should more notes be desired, an extra

line is

then added above and below the staff and notes placed on them:

thus
All the different notes take their
cleft

M
names from
the lines

on which these

3
These
lines.

or

/j*s

may be

placed; Thus:
additional lines are called ledger or leger lines, short or light

Treble:

Bass

Tenor
F

Counter.

Alto:

ft
i i

Example.

this is of no imRemark: Some write cliffs, iffs. others cleffs or cleaves The word clef is derived from the Latin (clavis,) a key; in which sense we look upon a clef as the key that opens to us the names

nrzZTZZJ i~ a
E
F

portance.

"#" ""
Still

-mP9 iT^ P BCD

r r
D
if

++A
B

and pitch

with respect to acuteness and gravity) of every note in music.)

more notes may be gained,

necessary, in the like manner, by

the application of other lines.

Example. Example.

+-

iz^
than nine notes (which the staff can only contain) are required, two degrees may be gained, one above, and the other below the

-wr-F-

When more

[-3- "#""" """

B

-r t
u
E f

cue

QUESTIONS.

QUESTIONS.
8.
1
!(.

QUESTIONS
13.

Wh

it is

understood by Melody f

What menus the word Harmony What signifies the word .Votes? What is a staff' How many degrees contains the staff?
II hi'

How many How many

What What What
is

lines contains the staff?

Wiiat

is

spaces?

14. 15. 1G.

17.

What

is

the the

name of the name of the

fourth line fifth line?

?

Questions for Trebles and Tenors.

10.

How

do you do you

call the
call

spaces above or below the staff? the notes?

11. 12.

is
is

the the the

name of the first line ? name of the second line? name of the third line ?

18.

How do you call the first space How do you call the second space How do you call the third space ? How do you call the fourth space

REMARK:

The master

is

requested to practise after each lesson, the Time and Scale Tables, 1-2-3, &. 12.


INTRODUCTION.
LESSON
Of Notes and
The Bass
or

111

II.
Clefs.
situated on the fourth

The

Alto, Counter Tenor, or

clef

is

situated

on the

third line of a staff.

Clef

is

always

in

modern music,

line of the staff,

the note consequently on \&i that line becomes

_ZCZ

f trom

TENOR.

whence

all

the notes in that staff derive their names.

^
A &c
is

=Q=i
1

COUNTER OR

Example of the notes

in

the Bass.
k

ALTO.

rn n
_

I n-i-i-^-e-i

P
E"

9 T~

rrPTi

^
The Treble
note becomes
their

EEEEE T " * FGABCDEFGABCDEF

D

m
staff,

clef

is

always situated on the second

line

of the

the

from whence

all

the notes in that staff derive

names.

eTJ~*~
G

"

~l*~rzrzr rs~-* i zzz A BCDEFGABC

i
i

C &c likewise placed on the first and second lines of a staff; the notes in that case derive their names accordingly, C being always the name of the note situated on that line, wherever the clef may be placed, as before observed. When the C clef is stationed on the first line of a staff, it is called the soprano or canto clef, and is used for the voices of boys and females. In Italy and Germany this clef is in general use for the Voices, Organ and Piano forte, most in ancient compositions The Treble or G clef being reserved for the violin, flute, Sec. and high Treble voices. When the Clef is stationed on the second line of a staff, it is called the Mezzo Soprano clef, and is employed for the voices of boys and females, of lower compass in respect to pitch than the former. -r*

The C

clef

rrl

SOPRANO. ~
1

I' -^ ^#
1
! 1

"i

P
i

r~
I 1

P r
i

"i

C D

E F G

ABC
P
1 1

E F

ABC
m-F-

The Tenor

or

Clef

is

generally situated on the fourth

1

of a staff, the notes of course derive their which the C clef is stationed.
line

names from the

line

on

MEZZO SOPRANO

~^~ i i
i
i i

P
i i 1 !

-FPPf r
i

ABC

D E

I"

A B C

E F

G A

IV

INTRODUCTION.
tions,

or F Clef was also placed on the third line, in old composiand called the Barilono clef; it was used for the voices of men, who could not sing so high in pitch as a Tenor, nor so low as a Bass.

The Bass

In general use however, in our time only the Treble and Bass Clef, Tenor, and Counter Tenor, 01 Alto, seldom, and the other clefs very

uncommon.

IUrm >*.>.

^j^T* -*
QUESTIONS.
i

r-r=

=
QUESTIONS.
8.

QUESTIONS
use
'

1.

2.
3.

4.

On On On On

5.
t>.

7.

which line is the Clef of F Ba clef) situated ? which line the Treble Clef? which line is the Tenor Clef situated ? which line the Counter? For which kind of voice is the Bass Clef? Is the Tenor Clef for female voices? Which kind of voices have the Counter Tenor to sing.'

Which

clefs are

now

in

common

12.
13.

9. 10.
11.

Qiistioss tor Bas? SnrazRS. Can you tell me the name of the first line
clef ;

14
in the

Bass

15.
lt>.

What is the name of the fourth line? What is the name of the fifth line Know you the name of the firat space Tell me the name of the sec ind spa Do you remember the thir
'

What
Wli.it

is is

the the

name of the second line name of the third line?

17.

You

certainly can

tell

us the

I-

For which kind" of v icesisUieTn

tk first tirj lines

splayed?
12.

REMARK:

The teacher

is

requested to practise with his scholars, after each Lesson, the time Table 1-2-3-4

and Table 5

and Table

On
**
\)

the Tlarks

ol*

Transposition, or the Sharp, Flat, and

within a

.\atiiral.
Mat v.r n-D Separate I.* such notes as fall upon the line, or space ne bar, though to pit- < nt mistake >. they
t
-

Each of the seven primary notes, C, D, E, F, G, A, B, mentioned Thus, before, may be depressed, or elevated by marks of transposition.

Tune, they

affect only
i

3.

single,

&

double single h double

which
it

h or

h|).

on which they are marked, for are usually contradicted by a natural.

Both single and double marks of transposition are used.

Flat, directs that the note before note lower than its natural tone.

The marks
1.

of transposition are either essential or accidental.

A
A

is

placed, be sung half a

Essential,

when they are

and so
j

Sharp, directs that the note before which it is placed, be sung half a note higher than its natural tone. A .Vatural, directs that the note before which it is placed, be sung neither higher or lower than its natural tone: and it is used to contradict Remark. Flats, or the Hats r sharps, placed at the beginning. N.c. sharps, placed at the beginning of a Tun'?, affect every note upon that line or space, throughout the whole, but when placed before any note

sition, after the clef,

oint out the

written at the very beginning of a key in which the piece

compois

writ-

ten; in this case, they transpose throughout the entire piece, those notes whose place they occupy on the stave.
2. Accidental, when, in the course of tiie piece, they are placed by the side of the notes: then they preserve their influence, only throughout that one bar; unless, during the course of it, they should be again con-

tradicted bv a natural.

QUESTIONS.
1

QUESTIONS.
5.

QUESTIONS
9.

2. 3.

4.

What is the use of a flat? What is the use of a sharp ? What meaning has a natural? How many kinds of tlau and sharps

Do you know

their

names

6. 7.

are in use

d.

with a sharp ? Can you tell the name of the note A with a flat How many kinds of transpositions do you know ;
call the note

How

do you

10.
:

11.

12.

What shows an essential transposition What is meant by an accidental transpoe What is the use of a doable sharp What is the meaning of a double flat
: ;

INTRODUCTION.

LESSON
On
the

III.
the rests equivalent to

Names
them
I.onga.

of the Notes and Rests.

Minim.
Crotchet. Quaver. Semiquaver. Demisemiquaver.

form of

the notes, their value,

and on

Semibreve.

in duration.

rzzm
Notes.

various forms of the notes determine their value, time, or duration, rests, bear a certain fixed relation to them. These latter direct the singer or performer to cease for a longer or shorter period.

The

EQ3
Two
bars.

and the

Uncommon.

ilHi^j^i^!^^
I
.*

16

3f

Proportion of the Notes.

Form One Semibreve
of them, their value, time, or duration.
Rests.

_Q_
-

PH^H^Hg
"Uncommon
"5"
j

Semibreve.

Minim.

Crotchet. Quaver. Semiquaver. Demisemiquaver

is

equal in duration to

2 Minims

ZUZZ
"
i
i

4 Crotchets

r
i

"i

Here it may be seen that during the time of one semibreve, two minims must be sung; similarly in the time of one minim, two crotchets; in the time of one crotchet, two quavers, &c. &.C., in order to fill up the time of the longer notes by the increased number of notes of smaller valFrequently three equal notes are required to be sung in the time ue. that two of the same kind would naturally be; these notes are called triplets, and are usually distinguished by the figure 3.
The
triplet of crotchets, is

equal in value

The

triplet of

quavers

&c. &c.

Quavers

16

S emiquavers

3-2

D emisemiqua-

nrriTr n

rrrrrrrrrrr
-cr

vers.

vv^^S*5^s^^

a
5.
6. 7.
?

Two

Crotchets.

Two

Quavers

1.

2. 3. 4.

QUESTIONS. How many kinds of Notes are there ? How do you call them ?
Which is the longest note ? How many minims is a semibreve
equal to

QUESTIONS.

QUESTIONS.
?

How many How many How many

What
now

crotchets

minim equal to ? quavers do you count to a crotchet

is

8.

semiquavers ? means the value of the notes?

do you know the length of a note ? 10. What is a triplet? 11. How do you know that certain notes are triplets?
9.

How

12.

Do you know

the rest

REMARK.

Time and

scale are

to be practised.

{The master examines his pupils about the

rests.)

VI

INTRODUCTION.
LESSON
O.V TIME,

IV.

AND ON THE BAR.

and equal movement in music, which our feelings naturally resolve into short and equal measures, or portions of duration, and which measures, they again subdivide into a constantly equal number of elements, or units. These elements we shall call parts, and the constantly equal number of them, which concur to form a whole measure of duration, make what is called a Bar; from this we see, that whatever is rythmical in music, is comprised under the idea of time, and that the term bar, as compared with time, is only a subordinate division of this rythmic and equable movement, accordingly, Time includes:

Time,

is

that rythmic

The different species of time, are with one or two exceptions, indicated by two figures, in the form of a fraction; the bottom figure, shows the value, and the top figure, the number of parts of the bar contained within the bar itself.

^ji

4_4

0-:

1.

The

marks of figures which are placed

changed
2.

determination of those rythmic numbers of equal parts, by at the commencement of a piece, im-

Before the Pupil begins to learn any tune, let him, in addition to the signature, attend to the marks of time. The parts of the bar, are divided into accented, and unaccented. By the former are to be understood, those parts upon which our feelings naturally bestow a certain degree of weight or stress.

mediately after the clef and signature, in the course of the piece;

and which sometimes appear

The

degree of movement
strict

determination by means of words, of the quicker or slower (il Tempo;) and lastly: the constant, equable, and preservation of this fixed degree of movement, usually called, keep-

The latter pass by our ear, as it were, and, in comparison with the In beating, or marking time, by former, appear light and unimportant. means of the hand, the former are distinguished by the falling, and the latter by the rising of the hand.
Emphasis is frequently misapplied for accent, and accent Hy accent is meant a certain stress of the voice, of a emphasis. longer or shorter, stronger or weaker, higher or lower, quality of sound upon a particular vowel or syllable in a word; but emphasis is the peculiar tone of importance or stress, given to whole words or sentences. Without accent, there is no more melody in song, than in the humming of a bee; and without the regular management of long and short syllaThere are as many different accents, bles, there can be no versification. or modes of enforcing or enfeebling the meaning of words, in music, as There is a yes that says no, and a no that says yes. The in speech. voice of a feeling singer, can modulate all these shades, and affect the hearer on the side of intellect, as well as sense.
Remark.
for

ing (he lime. On (lie other hand, by the word Bar, is to be understood, a group of notes, which, according to the time fixed upon, are separated from the following notes, by strokes drawn perpendicularly across the stave, in order to place more clearly before the eyes of the performer, the rythmic divisions of time. Hence, all the space contained between two such strokes, [bar lints;) together with the notes contained therein, form what is called a Bar

Example.
1

_2

bare.

QUESTIONS.
1.
'2
:i

QUESTIONS.
5.
6. 7.

QUESTIONS.
9.

time or rythmic in general ? Wli.it is a incisure ? What means those figures placed in the beginning of a piece of music ?
is

What

What shows the top figure ? What else is to be understood by What means keeping the time ?

time

10.

What is musical accent ? Which notes have no accent?

11.
12.

9.

How

do you

call certain strokes across the staff?

to practise

How How

do you beat the accented notes ' do you beat the unaccented notes?

4,

What shows

the bottom figure

The master continue

time and scale.

I IV

T R O D tJ C T I O IV
To
Triple time belongs:
consists of three minims.

Til

LESSON
On the
There are three kinds of time, equal,) and Compound time.
1.

V.
Triple, (unj

3 Three minim time, -~- the bar of which

this time

As

Time.
sent
j

Common, (even, equal,)

all

does not contain any groups of three notes, if we desire to reprethe 3 parts by a single note, we may supply the place of the third
dot.

Common

the
ed.

first

times are those which contain an even number of parts, of each couple being always accented, and the second unaccenttimes belong: four Crotchet time,

part,

by means of a

To Common
time,

4 ris

usually called

Three crotchet-time,

3 j

as well as three quaver time, -q- differ from

common

and marked by a C;

this strictly

speaking,

a doubled -jthe foregoing only by the alteration in the kind of notes; as,

time, divisible by the

number 2 into twice 2 parts, of which the former is always accented, and the second unaccented; consequently, each bar of four crotchet time, contains 2 accented and 2 unaccented parts, as:

3_

-
The

is

3 S
Two

3.

Compound

times, are those in

main the same with regard

to the kind of notes

which the parts of the bar always reemployed, and which ap-

pear multiplied only with regard to the number of them.

Thus:

less Allabreve, or

2 minim time, -- generally indicated by 4fc

a minim.
crotchet

4
9

is

a doubled

4
3

8"

is

a doubled

8
3

contains two parts or beats, each of which

time,

is

a tripled

9 8

is

a tripled

2 -.

differs

from the less Allabreve, only

in this, that in the latter,

8
the parts of the bar are minims, in this crotchets

a quadrupl ed

are those of which the bars may be divided into 3 equal parts, of which the first is accented, and the other two are unaccented.
2.

Triple times,

It will now be of great utility to the pupil, to learn to mark or beat the bar of these different times by himself; by so doing, he will acquire a more correct idea of precision in time, and of musical rythm in general.

viz. the

Tables No.

1,

2*, 3, 4.

QUESTIONS.
1.

QUESTIONS.
4. 5.

QUESTIONS.
7. 8.

How many

2.
3.

kinds of time are known to you ? Can you tell us the names of all of them ? Which notes are the accented notes in common time?

6.

Which in triple time ? What is the difference between Allabreve and | time? Can you remember some of the compound times ?
to be practised,

What

kind of time
call f

is

| time

? ?
?

Don't you

Common

time

9.

What's the difference between accent and emphasis

REMARK:

The time

is

now

Table 1-2 and 3, also Table 3,-the first two lines,

and Table

12.

--

Till

IXTRODl'CTIOX

LESSOR
Marks
indicating repetition

VI.
at

On Musical Characters.
were more numerous formerly than

The characters now in use serves to denote the repetition of present. both parts of a theme or composition, as :||: or of the first part only, as or of the second only, as II: according as the little dots or dashes are
:
I

times under the notes, and implies that the group of notes embraced by it, must be connected together closely and smoothly, without striking the following note again. The word Legato (tied) indicates also that the whole musical Period in which it stands, even when no slur appears, must be played in the smoothest and most connected manner.

Mark

or

t
,

placed on the one side, or on the other. Should one or more bars at the end of a strain which is marked for repetition, be performed the second time in a different way from the first, and so require to be passed over on the repetition, such alteration is pointed out by the expression 1 ma. volta, (first time,) and 2 da volta, the second time;) and the bars to be slipped, are enclosed by a curved lii.e drawn over them, and omitted on the (2 da volta,) or repetition.
i

detached from one another. ed Stuccato.

indicating that the notes are to be perceptibly This stvle of singing or performing is call-

When

a curve

is

drawn over the

dots
it

the notes receive a

cer-

tain increasing

degree of emphasis, and

is

called portamento.

ma

vulla
)

_ _(iLret.1' "25

<>

2 da vol la ^second time)

The Pauses (^) over notes and rests, indicates a point of repose to the performer. Should two pauses occur one after the other, separated only by a few notes, the performer must dwell on the former a shorter time than on the latter.
Pause, or stop, /JH Sic, should be increased and diminished thus, after which a profound silence for a few moments, gives it a wonderful effect. In crescendo, we must open the mouth a little at first, and by degrees more; in decresctndo, just the reverse, both have a fine

=:=^::='~
The

slur

\ which
Tie.

is

similar in form to the bind or tie occurs

Slur.

effect.

thus

r~P~

sometimes over, and some-

The crescendo (~=Z) shows by its form that the quantity of tone or force required in performing, constantly increases from the point where the lines meet, towards the opening; as in the decrescendo (1=) it
gradually diminishes.

QUESTIONS.
What 2 What 3. What
1.

QUESTIONS.
4. 5.
tie
;

QUESTIONS.
7. 8. 9.

is
is
is

the meaning of a repeat? the use of a Blur > the difference between the slur and the

C.

What means a curve line over the dots ? Do you know the meaning of a pause ? What means the word crescendo
?

How

is

What What means

decrescendo to be performed means singing Ltgatof

the

word

Staccato T

REM.1RK:

Time, and Scale and Intcrtals are note

to he practised.

INTRODUCTION.

IX

LESSON
,

VII.

On Musical

Characters.

(This lesson demands the particular attention, as it has an important influence on the accurate perception of time, and on the correct division The It is closely connected with the preceding lesson.) of the notes.
dot lengthens the note behind which it is placed, by one half, of its natural value; consequently, a minim with a dot is equal to three crotchets, 8tc.
dot, as well as the tie or bind, lengthens the value of a note.

rests have a similar power to those after notes. Notes are termed syncopated, when their rythm sometimes precedes, and at others, follows after that of those notes which occupy the place of, and which mark the natural and equal divisions of the bar.

Dots after

One

ri" \~jr* STZ3 I* r

naturally,

w~P~\
syncopated,

3ESS9E m
1

:n:

T"

51

THUS.

On

Shakes.
marked
(.

i^iiiiii^i
--.

Shakes are

in

Music Ijiportant Graces.

is

5
=r

pmp^ipgia
is

A
thus.

turned shake

jt~ j-j

if to

be sung

n nTTTrn 0&&&&&P&?

If two dots are placed after a note, the first and the second to the half of the first dot.

equal to the half of

it,

thus.

>

^^h^p=fe^pj

Shake
written thus.*

men
TO BE SUNG.

^hake. leading grace. Anticipation. *Forzando. *Tenuto.

Bis..

QUESTIONS.
1
.

What

2. 3.

How How much

the use of a dot after a minim ? much, adds a dot after a note or rest?
is is

4.
5.

a dotted

minim ?

6.

QUESTIONS. How much is a dotted crotchet How much a dotted quaver? How much is the second dot by a minim
?

QUESTIONS.
7.
!

How much

6.

9.

the second dot by a crotchet ? What are syncopated notes ? How can you know the movement of a composition

Time, Scale, and Intervals are

now

to be practised.

INTRODUCTION.

LESSOR
mines the principal key of the piece.

VIII.

2. The major or diatonic semitone, on the contrary, stands always on the next degree, above or below; as:

On the Scales. Every musical composition is founded upon one or the other of the 12 notes comprised within the compass of the octave, and which note deterSignifies the Diatonic major or minor Scale, as formed from anj tone, in which a ((imposition is written, and from which tone it obtains its name. The Diatonic Scales, consisting of whole and half tones,
jr.

=**

J26~I

we

late or

arc compelled to use more or less, Flats or Sharps, in order to regukeep the tones at a proper distance, hence we have as many keys as halt' tones within an Octave, and hence the meaning of placing Sharps

or Flats, b< fore a

Piece of Music.)

character of the key depends upon the scale, that is, upon the correct orderly succession of the notes by degrees. By the word scale lamul is to he understood the regular succession of whole tones and semitones, ascending or descending by degrees.
<

The

Semitones are of two sorts, major and minor; The minor, or, as it is also tinned, the chromatic semitone, is formed by a #, |>, or fci, and stands always on the same degree of the stave as the preceding note as:

M
QUESTIONS.
i

zszzfai.

I
6.
7. 8. 9.

It follows therefore that a whole tone, always comprises one major, and one minor semitone; and, that between the two tones which form the whole tone, there is always a half torn in the middle. The scale is termed diatonic, (natural,) when it is composed of tones and semitones; chromatic, artificial. when it consists of semitones only. Each of the 12 principal tones in an octave, may be either major, (greater) or minor, (less); the former is determined by the major third, and latter by the minor third. Since each of the 12 degrees of the octave may be taken as the root or commencement of a scale, and since this may be either major or minor, there are in all 21 keys. To render the Pupil familiar with, and certain as to the succession of notes in the most common scales, Gamuts) I should advise the master to explain to the scholars the regular succession of tones and semitones in both the major and minor scale, and to take care that they be thoroughly grounded in them, for this purpose, the scales of C major and A minor should be selected as models, they being the most simple. The major scale contains 5 whole tones and 2 major semitones; in ascending, the latter full between the 3d. and 4th. and 7th. and 8th. de>
|

grees.

QUESTIONS.
Can von
tell

QUEST I%\
II

notes do you count within the compass of an octave ? Row many sorts of semitones do you know? How is a chromatic semitone formed? How much comprises a whole tone ?
[

iw

many

us the names?

Can you
nor key

tell
?

us the difference between major and mi?

10.

Of what is the diatonic scale composed ? Of what consists the artificial or chromatical scale? How many whole tones contains the diatonic scale ? How many halftones?
to the

12.

How many
minor third

semitones contains a major third

?

and a

How many

sorts of scales

do you

know

The master proceeds

common

usefvl practice of Time Scale

and

Intervals.


INTRODUCTION.

IX.
3 whole tones. 2

\i

LESSON
Scale or Gamut, of
DEGREES,
maj. se miton e *

C
*

major, as a model.
wh ole tones.

maj semitone

1-2

mj. sem.

2 whole tones.

whole tones.

mp. sem.

Remark: In descending, the succession of notes remain the same as

though the order is inverted. scale differs from the major in ascending, merely by the minor third, since the major semitone, lies between the second and third degrees; in descending, on the contrary, the succession of whole tones and semitones is very different.
in ascending,

The minor

Scale or Gamut of
maj, semit.

A minor as

a model.
maj
.

DEGREES.
maj
,

maj. semit.

sem it
,*
i

rzz~

T
Q whole tones.

semi t.

whole tone.

4 whole tones.

2 whole tones.

whole

tone.

(In descending Minor Scales, the major 7th note is often used in There still however remains much doubt as to the place of the minor. employment of it. For my own part, I introduce the major 7th note, when the scale belongs to the harmony of the dominant, and the minor, when this note immediately succeeds the tonic, in both cases preserving the minor sixth note.) As a practical exercise in all the Keys, and to impress firmly on the mind of the Pupil where the marks of transposition, of each Key are set; the master should write out the notes of a scale, and let the pupil add the required sharps or flats in their proper places, according to the arminor, given as models. rangement of the scales of C major, and By this means he will acquire a knowledge of the signature proper to any given Key, and will abstain from employing a false succession of notes through the want of a correct ear. Remark. The major seventh is usually called the leading note; some technically call it the sensible, or stimulating note; and others the pointer, from its seeming to announce the note to follow. The expression, leading note, is in general used. In addition to former scales, (Gamuts,) there are also enharmonic mutations of notes, (consequantly,) an Enharmonicul Scale. These mutations are of importance, as, though they alter the notes to the eye, their pitch and place or sound remain unchanged, as:

perceive that in descending, the two major semitones lie between the 6th, and 5th, and the 3d, and 2d degrees. The Pupils should pay particular attention to the descending minor scales, because from them he will most readily gather the number of sharps or flats required for the signature of the minor keys. The relative, (correspondent) minor keys, all originate from the major keys, having the same common signature; the minor third below the major key note, is always the root of the relative minor key.

From the model, we

Enharmonical Scale.

~T Q-itJ^'-t^^
I

"i

-./

i.

j:

3bSs@#-^
i"

'IT*

-#-#-

QUESTIONS.
1
.

2.
3.

Where do you find the two semitones in the major scale? Where is the place of the semitones in the minor
scale
?

QUESTIONS.
4. 5.
6.

QUESTIONS.
7. 6.

How

What is

the difference

between a major

& minor scale

do jou find the relative minor Keys ? What is the difference between a chromatical and enharmonical scale. Do mutations alter the sound ?

What

is

the only alteration

In which manner can you find out the relative (cor respondent) major Key ? 9. Which Interval is called the leading note ?

The master proceeds

to the practice

of Time, Scale, and Intervals, the scale icith,or without pauses.

Ml

LESSOIV \.
O.v Intervals.

IXTRODICTIOA.
Perfect Fourth;
one semitone.
iiiven note,

consisting of two tones and

Ex.

vJ o m.

Interval signifies the distance of one note from another which may be termed the root or bass note as:

Sharp Fourth;

<-
(called also

_Q
I

Tritonus;)

con-

Ex.

::___^_
Names of the Interval*.
Prima or Unison. Minor Second.
.Major Second. Minor Third. Major Third. Perfect Fourth.

sisting of three tones.

Flat Fifth;
Perfect Fifth.

(called

also

imperfect

or

fake

Ex.

^
--

fifth;) consisting of

two tones and two semitones.

Sharp

Fifth.

Minor Sixth. Major Sixth. Minor Seventh. Major Seventh.

Octave.

Perpect Fifth; consisting of three tones and one semitone.

Ex

,m cr

^
-

Sharp Fourth.
Flat Fifth.

Minor Sixth; two semitones.

consisting of three tones and

Ex.

^ D_
VJ
-

Example.
Prima;

EE== oo:
Ex.

Major Sixth;
semitone.

consisting of four tones and one

Ex.

ZV
*-

Minor Second;

consisting of one semitone.

rr --I
Minor Seventh;
(flat

seventh) consisting of

Ex. ffi1

Major Second;

consisting of one tone.

:,M o
)

four tones and two semitones.

^1

-O
Major Seventh;
five

Minor Third;
semitone.

consisting of one tone and one

Ex.

S^EEI
XL

(sharp seventh) con sisting of tones and one semitone.

Ex.

>-*'

Major Third;
What
II
\v

consisting of

two

tones.

:,B
4.

Octave;
tones.

consisting of five tones and two semi-

Ex.

m
\

QUESTIONS.
1.
J

QUESTIONS.

is

How many
manv

understood by the word interval : whole and halftones do vou End in a

;

How many
seventh
?

QUESTIONS
7.

whole and half tones contains a minor

a perfect fourth
? ?

8.
9.

perfect fifth
''

5.
?

Mow manv

contains an octave

G.
:

A A A

major third ? sharp seventh ? major sixth ? Jfcc. Jkc.

minor third

REM.1RK

Time and

st -It

are

now

to le

remembered, especially Tabic

1"2,

such kind of practise should the master bear in his mind.

INTRODUCTION.
May
be taken as a separate Lesson. On Appogiaturas.
itself

viii
to the dot.

the appogiatura borrows the whole value of the principal note, which

must be sung

Appogiaturas are at present often introduced as forming a part of the' bar, and represented by notes of the usual size; however in many cases they are still expressed by small notes. They may he considered as suspensions of the principal notes, from Appogiaturas are divided the value of which they borrow some portion.
into long

cz: xzdzzz
Written.

r>

and short.

long or accented* Appogiatura borrows one half the value of its principal note, when, according to the nature of the measure, that conIt will therefore be proper to denote at once sists of two equal parts. the real value of the Appogiatura by means of a corresponding small

The

On the
The

Turn.

note, as:

turn is a group of notes consisting of a principal note, and the It occurs over notes and also besubsidiary notes above and below it. tween them; it must neither be sung too quick nor too slow, but with vivacity, neatness, and energy.

Written

WRITTEN.

fe
TO BE SUNG. :e
Before a note with % dot, which by
this

3t_
-p--

^FFi^^^l
1
mi?

TC^
G

means

consists of three parts,

HI
D

LESSON
On the
To
learn

XI.
all

Keys.
the

how many #

or

\)

are contained in the signature of

more easily their relation under the same signature, we may employ what is called the circle of perfect fifths; Thus, seek from C as a root, the perfect fifth above, G one #, and again from this latter; D two #, the fifth again A three #, u. s. f. till we come back to C again; and we shall find that each new fifth supplies the root of a new key and scale. While we explain to the pupils their signatures, let them compare them with the scales as filled up by
major and minor scales, and
to ascertain

major has only one #, the comparison he then will find, that ascending, this falls on the 7th. degree before F; that in major, a second # comes before C, also on the 7th. degree from the tonic, so in all the keys; So they will find all the keys of the sharps. To find the keys of the flats, employ the following circle of perfect fourths, counting upwards; thus, (telling C again as the rest:) we will find that the key of F major has only one \), which falls, in ascending, on the 4th. degree B; and that in the key of Bt>, a second b comes beTo find the relafore E, likewise the 4th. degree of the scale &.c. &.c.

Upon

and

that, in

tive

minor keys look page

xi,

Lesson

ix.

themselves according to lesson.

far as Afc>

B. The master examines the scholars about the keys, perhaps so and E# together with their correspondent minor keys

xiv

!9

OF ALL THE KEYS. SCALES VA

.

Key of C, Major Mode

">
(

Key
lr-

f A, Minor

Mode.

X Seldom Cud.

"O"

X1T.

O
>

TT
oy /feu key o/*

1
KVy of , Mi nor

^ o Q O.
-3S

^ Q O ^

Jtloae. Major Mode. (r, Jylajor G,

Mo de.

_ 1=2X1! O"
Jfgy of D, Major Mode

O
_Kt_y of B,

*=

J^^==EEEJ g O
LL
Major Mode.

Minor Mode

.Key o/\2,

cr^7 o
--

it y

>-#-

r*

-OT^ o<>
-=

o ^
Z^ZQI

gs O ^y^-T- -cr#Q
t^v-

0/* .Ffl1 ,

.Minor .Mode

Key_of E, Major Mode.

- xr

Eoz^z

H=Z=:

^=^-^Z^ a

Keif of

C, Minor Mode, t

~o o
O Q

I
-- _cx

-:!Ez^
iTtt/ o/"

a
G#, Minor Mode, t

Key of B, Major Mode, f

- :^<3^

I
-^

1
K,
ij

- in:

^ev o^anj^ -EH

rie^
o/*B[). Jtfinor .Vode._t

Key of m,

^nor

Mode. |

of D\),

Major Mode,

cr7-7

"f"

O"

^O" :

g y -o-e i rc rR>-

"O --

SCALES.
Key ofA\), Major Mode,
t

Continued.
.Key o/*jP,

xv
Minor Mode.

- :cxz

---

Q.

o: -

m
-

zx --

--

:o

^
x>
Key of C, Minor Mode.

z^zeczxzo"sx - TJ
:o:

.Key

o/Eb> Major Mode.

--

Key of B\), Major Mode. --

-- T5~

--

Q~~

Jpxte^^^lsr^==: -
.Key of

XT

I
-

o o

G, Minor Mode

--

--

sx -

--

o -^

-^-^-Q^ b rr
D, Minor Mode.

.Key

ofF, Major Mode.

- IX

Jey of

--

XX -

o: -

--

--

:^:i<x

-- ^CX-

-- O"

QUESTIONS.
1.

QUESTIONS.
j

QUESTIONS.
I

How many
of

sharps do you find in the key (or scale)

4.
j

major?

5.

2.
3.

How many
Which

in th key f is the relative minor

G major

key of

G major

6.

do you find the relative minor keys in general ? In what way can we find out how many sharps or flats a major or minor key needs ? How many sharps has the key of C major ?

How

7.
j

Why
Do
y

has
ru

it

no sharps nor
flats
?

flats?

8.
9.

know any

sharps or Tell us how

other way to find ou^ *iow a kev needs ?

many

VERY IMPORTANT HINT FOR MASTERS" AND PARENTS.

Instruction in general should be made a source of pleasure and entertainment, and respect and confidence, unmingled with oread, entertained towards the master, by parents is the best security of the ultimate improvement of his scholars.

T
ALLE GRETT O

A.

BIIjK Ho.

1.

Exercise to practice the

ft"

Time without

Rests.
Mixt Time.

ISZZZ
La
ALL,:

51
La

m
La &c:
La

;izi.

o:

jQI
i

ffi
-&~

xizr:

531

MOPERATO.
"I

LCOII
ALLEGRO.
-2:
La

ZOI
La

"^

99

E3

9'

I?I

yzzzm~ ~izq:

La &c:

--

3
La
Si 1
l*>

75i~s: 3 =f 3

~5
H^*

Si"

-V-*

-V

351

-ft

H5
ft ~W

ANDANTiyQ
JL
)

La

La &c:
Em

~gT
La
-

sr-r@
La

3SSS?KPi&^
'

fcTlgrig?

3e
4TY P'T

T
r. i.tj

8^
l
i"

"

La

La &c:

MOPERATO
i

j"i"

La

'nri ft"-

~r

T~~rT IJZL"

r_ j _

r r~

EI^I ^
jj>~

^"Q~ft"~ft

TZ O 1Q"^lg"riS^g~^rgg~@ O r_ -p-r ^

_ o: :i*:^ o:
j j

^zgrgz^:

1
"[

Tr
"I
I

La

La &c

ANDANTE.

)fcz3=
La La

r
La &c:

& ^~pgiz en@~a ir-i ~~r h^ rfi r 'r~^~ri p-p~p-p->p p-|- p p rv p~i p
<s>

<&'

ft ft

'

"S^ft

~g

y
fc
i

&-&&

Tp-[

ALLEGRO.

3
)o /<

O'
La

^->

*-
1

<3

"Va>

A
i

A'

ft
i

A
i

A'

<K

85

_
i

_
r.

_
i I
i

JFi
:

ii!
La &c;

r
1

;!

_j
i

F-

A
r

<"^

f~\
i i

PIP!

^
I

-p -p-

3 A A A A -oFl - "HFg t ..Jn

i

ALLE BREVE.

La

La

PORTAMENTO.

ALLEIiKO.
I

TABLE
'

Hfo. 2.

Exercise to practice the time with Rests.

t

Milt Time.

STACCATO.

B e<fiES3^3
1 I

ss^s 3
'

ZfEZSZS
eg

SH
f

ryt
**PPP^

^=fe^{g^|
>

LLEGRETJp.

La La La La

La &c
:

3J*
i.

rF-i
I

ti

IS
La &c.

szsizs:

l>

tXTI.VO

6
A

t#-#-#ipiziz:

>8-! \

1p

U v^

^ F ~ P
it
1

^~~*
**

La
I.I. I

La &c:

P~

IB

BREVE.

e- o
Beal two.

FT^=H*
-oLa La &c;

SZIS

ZdJ
a

----

si^>

SSSI11
p H #

La

\i.i.k(;ki:tto.

>N

^
La. Sic;

a -grg y~r
-^

js

w- "
i

'.

rg

~or: y

V*

'^

~ P~

meiis:r 4* p ^ * -

^V P ** p~p~p~p
^*_*

^H
!*:

VI.I.KGRO ASSAI-

gS^^HSffiSl
n
1

liif

nil

MODKKATO.

La kr.

t-P
^zzz:

3T
La

1^
i^ziixa:
p'^
<:

Lt be

A I.I.BGRO.

O A P
1 ,v

'-5-<J

<

>

azgzzzt <rt"ff~B' i
i
i

B ^ ^~P
1j
i.i-:

-i

o_ 1ZIC
-^~

J*

p p~pht

La La

JVo. 3.
Sins always
L.

J. Improving a a clear a, like after or father. .W. ^^ .^h.

CiROCTVD AND FOUND ATIOIV OF ALI, SINGING. THE To To keep To good

sound.
2.

swell the sound.

3.

in the breath. 4.

strengthen the chest.

,<*.

SCALE
^M.
^^.

or

GAMUT.
^^
x^^

^h.

.^^

^fe.

-^

T5~

:on

if!
LEGATO
i

ESI HSHBI
-

SH
A
30I
(-

^^

>K

>^v

^J*

^^

'

^^
~

nrrw-i

Q"
A

:oz

A'
"i

A
r
r
"i
1

A
,

"ing on e A.
i

- Qr

ZTr~
one

r
i
1

"~i

HZI

_T

^o:

-,

^2Z=^C

A LEGATO,
~l

33EI

TX

^i

r r

1;

r_
1

A to

be sung.

"i

1
1

"P'g"
:rr:

rl

mm^

WU UEKAIU.
\C J

"

t&^EQ

MODERATO

MODERATO, LEGATO. ^ziSSi^ii: ~%~^5Z^5 o,-*-. irrr rn~n rn

,

~&

3C

MODERATO.

TABLE

IVo. 4.

Exercise to practice the

Time without
IZ53]

Rests.

Triple Time.

-4r
r#-i

loZL
Sol.

:o:
La.

-
Si.

:oi
Do.

1T
::
Re.

HZ

^
r:
i

=1

3
Sol.

n
Sol.

"zur

E
--

'Z~J

-Closc^ or go on.

Sol. &c: La.

4
)

r
Sol.

2JZTZ*:
&c: La.

10-

:or

Sol.

S3
ilH
---

Sol.

&c: La.

~Q

-ozzzwi

o:

~ry

xs:

Sol.

9-^rm~w - zzr^zz^: l" ^

r- v-

-i

l_^

7Z
t^-^
Jgr

Sol. Sol. Sol.

Sol.

&c

^ *

La.

~4e -

:fc~

t.:

;*^S~SIfi
&c: La.

MTSZ3L j>~"

7?~V~ n

1??

-*~

Sol. Sol. Sol. Sol.

WT1
i

** ";_

pr-

-
Sol.

j r*"~ :
Sol.

-^5z=; !i-j-L- T
<

&

<

TF~- -*T

"
'I

>

"

g"

ir-^

-&

Sol.

&c: La.

^ a

-*

)-4->---
Bol. Sec:

^NW^^F13
See:

Zc*7:x* *- V^~* -^ La.

jP~?-?->

~?

* *

Remark

Do, Re, Mi, Fa, Sol, La,

Si, are the names of the notes in die Italian language; and for the pronunciation in singing, the very best.

T A B Ii E
MODERATO.
._

I\o. 5.

To

practice the time

and Intervals without Rests.

-:sx

common

Time.

-La

:q;
La &c:

<y

&

La

La La

La &c:

re
:

La &c:

IOI

SC

S3
"l^ff8!*

-Ptp-

:*zz*zi~a
i

O]

tt^>~-

l=#Efc

p=

EiSi E *~ ^
-

La

^ff*i* l*ftff*"

La La La &c:

PPPP

KWW

~p~p^p

cnza=T

9999

JjTS

pppp

Pl *^^ ~rrr r
1

<^^^?

^
La

3i La &c

:tc

251

s
-i

r~r

"i
|

p-g~r rr
i i

g
i i

~p-

"i

La

#--^-^rp- ~ r r~ p~ T~i p p 1
i

z*z
1

H3

=5 r
-

b>

iferr-rf
~1
I

La La &c:

PzPPz^ p P~P'

~^~i

n p p p

r~r~r~rT7

~ppp ppp

^
i

T'

pppppg
\&9.9-99<3>-

fflfflSf xuzni O: pppi pppF PPPVPP"

^-w~-tjS-*s-ieri
"rr\

'-

"inrnr:
ISIS
La La
La La &c:

T5J is:

^---

"P~P~P~P

& 4-

3Ei32

gjgglg

i~~pt
1

lU.pg
3

'

Hf

p'pp^"rpp"h ttti

T~PP

trur P~P~P

_::*'
!

TTTTTTT
PPI
P"l

MO ERATO
I)

TABLE
La

Noi
--

6.

To

practice the time

and

Intervals.

Common

Time.

-
Do
Re

-O
Do
Si

O
La

Sol
I*r

Si

H^IH
or No. 2.

><
Sol

--

<>
Sol tc:

:c>

l>

-o

x?:

2
r
"i

iB-

=F
* > C
r

"n

xzz^xjz*
"1

33
-o
3.

or No.

j- j J- J- =j=1 h=

"

ff
"i

-
r
1

-r^-r* r*-f"i

'i

l~i ""

IT"

-o
:

Sol Sol

Sol Sol &c:

ia in
;

or No. 4. &c &c Only sometimes to conclude.

6jj

___r rW'n

" *

r rn

- !!,!
j J
I

rT&ttr
is

:rf

SolSors"olfac:~

t#

"
i

mjs
Sol

^CT
Sol Sol Sol

> B3
&c

>

--

^ s
"i

n:

s~rq
-o-

xnnzr_ rzrr-rz :*rd*zx*: 'angr

HB
m\

Sol Sol Sol Sol Sol

&c

-p.p-p-p-p-- :3r*3r:* , -, ^~^1~~p *~~o~ Tyn-j-r-r- i~V"r-T~r-rTl~ffjr77 1~P~P~P PiUTCC! nzTTiq: + * 1?*WW
'i

irwww*
ri
.

p.

"I

p~p-prr
&c

Sol Sol Sol Sol Sol

-Pl*-p#-p-*'

S3F

rjr

W*^

>^-=^

yaanwp

iH

La La La &c:

La

La

La

La La La

Sec:

TABLE

S^
A THIRDS.

SECONDS.

TIME AD LIBITUM

=1 1 |-d-f=i--P-p-^g-g-^-p-- g=y-! [ -j

I . i

^ggr
i

No.

7.

THE IITERVALS.
>

To

practice

them

in different styles.

ipippPz*^ =t ESB
> > >

nzi =

Sl
-
A

||pg
FOURTHS. ~

:-

:=E

W-

^*- ^
THZC
>
_T^f_

>

>

>

he
FIFTHS.

r
~t"

w-

^p

g:

P~ "a: r
i i

W
-'

33-

^9 i
i I

~
A SIXTHS. A

IX
--

-I

g
A
[_

^#=^ ^= 3=
32:
A --

r~QH

221

^C
:q

32L

TJ
I
I

^
I

o
A
I

a
A

ate*:

A A OCTAVES.

T
~9~

"P^^ L r~r-m
I

-- --

~Pi

E
i

tp-nt

-^ifs- -*

^^S
^
A
-

p-w- n

-T

T|

=s

SEVENTHS./
-fr

3z:

^
^>
A

dj
321

to:

ZT
MIXT INTERVALS.

22:

5i?
-

32
A

^ feS i ^oF
L
A
-

A
~i"
I I

"? A

-o-

~0~
-

iQ
-"

P" T ~ P~r r r
I

-1 j
->nrjzri^

u SE

i!

ALLEGRETTO-

TABLE.

Io. 9.

Exercise in seconds with Rests.

Semp: Legato.

Mht

Time, and Mixt Keys

.ALLEGRETTO.
:nzzzz

g|Efefcf: pr-p- P~T.

*_I*T

AAA

f> fS

-P*.

-'-

UZ&9& &'

r~r~n

1_~T

43 IOl

~~
~r

rr~i

ALLEGRETTO

TABLE.

i\o. 10.

Exercise* in general to practice the voice.

Mixt Examples.

~^Z

Timead

Hbil:

For a

liigh

Tenor voice

'"

.Jr.

m
:n

t:
:*z

--

<e^

^3=3
,o_
i

"y

m=:-

p
I:

o
A

g n

*
-

T=3ZX=CP ^^-e-

W
r
,

:.:

-f~

ZE

?
-

-9

?#

^-p^^e-osf

^^z^
r

^^

"

--

For a Counter Alto voice.

t*

:o:
A
1

iz#:
A

<:>:
-;=
1

f-F*r*#-

^^1
T=F rf^, J--fl

>

.jrr-

lira

"SILTS

jr-r

^r0-

,^t

1-

3 !

Take your

choice

3EMP: PORTAMENTO. among the Examples,

according to the compass of the voice.

ADAGIO & ALLEGRO.

IVo. TABLE. fffl

11.
,^

Exercises in general to practice the voice.

mfin

fc

RffSE gEg^^gj
li

wP-z?

*-

f^PA
q0<i
I i

:z:

l^
:zzs!
A

Each passage

fP
is to

Semp Legato.
:
:

Sing

."..

be practised se parately

in the

beginning, slow.

:#e^g:
>_

ALLEGRETTO.

5=ffl^fl=
MODERATO.
J*.

~~^

iTwizzr^HZC Z^H
ZH^-r r**^ -^'

h^p-z
ii

*^r g ~ zzz

rre
n Vm
-

#1*

SZZ*

^^zzr^hrz^zzz^zs:
ALLEGRETTO

ALLEGRETTO.

nn

ALLEGRO.

eJ

L
?

^3znizzi i^==ra-33i^SE3 ^qj_z^zzH^:^_-^^g__ fte

AlVDAJfTIIVO

zz*"^T

e_

^z^

5z|pS?35z?

* fr^P
-

ALLEGRO.

em
Take > our
choice, about Forte; Piano, Crescendo, Decrescendo,

ZZZ_EI?iZ
&c.

Mezza

voice, Staccato

and

t?i

atf

Tables,

employ your

own

taste

and judgment

TABLE
A
Degrees of the Major Scale"1 "

No. 12.
S<

To

practise the Intervals.

L'SF.FUL

VERY IMPORTANT AND

H ILARS TAKE

PRACTISE.

specimen

to

show how
9. ~~

AWAV THE BuOK9.

the Intervals are to be practised

.
3
-

I*Th^ Muter

10

12

H
m
i
II

to his scholars.

Pan "sound one!

rail

"Sound two!"
or

Sound
or

three!

>"

I
ALLEGRO.

out loud.

tor

Key note) ~tf*~

or

ALLEGRO.

ALLEGRO.

'the second;

ALLEGRO.

third!

One! Key

-~

.-.

>u

ud

in surresu'
|

lion

llirei- di

"" Five!

Bl

J
fj-

Six!"*"

Perfect
fifth
!

t^
Sixth
!

o
I

^p
HT^'
I

ion:
Octave !-=CZ^=-Repeat Uiird

1
line
for

A
Remark
If the pupils should
(ail, let

the master.)

( >

the Master show "j the degrees which are Tl to be omitted.

j

Key without pauses

^3

Sixth

Key

Sixth
:

1
zo:

o
Fourth
'.

I
&x.
A.

-Kej
!

i
Shaip
fifth
!

*
Key!

I
Key a Pause

1
1-

Perfect

fifth

Kej

without Pause or one

!

Two'

zy

One!

^
Key!
is

-
Five
!

\
Kev
Eight

Nine!

I
I
Eighth
!

PI

I
Kej
!

I
Minor Third
!

>Remark.

The

Uiird line

Major Third often to be repeated in fast time, last note short

!

-%gT
Key
'.

a Pause

4tc

ic.

EXPLANATION OF THK USUAL TERMS IN SACRED MUSIC.

Accelerando, constantly accelerating in speed. (ma, but non, not; troppo, too Adagio, slow.
;

Brio, Brioso,

Con Brio,

fiery, or

with great animation.

much
two

Motto, much or very. Due, Duetto, is a composition in two parts, or for

voices. Tre, Terzetto or Trio, in three parts. Quartre or Quartetto, in four parts.

Brilliante, a brilliant style or manner of execution. Cadenza, a close; or a preparation to close, whole or half, Explanation would Canon, a scientific composition.

Duo, Duetto, for two parts, with or without accompaniments of an orchestra. Duolo, con duolo, with pain, sorrow. E, and, as moderato eflebile, moderate and complaining.
Expressivo, expressive.
Fagotto, Bassoon also a stop on the Organ. Falsetto, or voce di testa, Head voice produces the higher tones; is of a more delicate and soft sound, artificial, and seems to originate from the throat.
Fastoso, sublime. Finale, the last part. Fine, the end. Forte or F, loud. Eortissimo or FF, very loud. Sforzando, or Fz., with force, emphasis. Fuga or Fugue, a scientific composition where the parts constantly imitate and according to certain Rules there are many kinds of Fugues.

A A

Ad

Libitum, without strict observation of time, or at pleasure.

Lib.

Ad

Affettuoso, affectionately.

Con

Affetto,

with affection,

or tender expression. Alia breve, or Alia Capella, or a C with a line drawn through, signifies two beats in a bar, and to be performed quick.

AUegrezza, lively.
Allegro assai, di molio, Allegro, (or Alio,) brisk, quick. agitato, vivace, an increased quickness of Allegro.
Allegretto, a little brisk. Allegrissimo, as quick as possible. Alto, in German, Italian, and French compositions,
;

be entirely useless without knowing contra-point and fugue. (There are a great many kinds of canons pr. Ex. canon simpler., canon duplex, canon triplex, canon apertus, canon clausus, canon amigmaticus canon cirularis, canon infinitus, canon perpetuus. Some canons receive their names from certain kinds of imitations, like canon in Hypoditono, in, Epidiatessaron, in Epidiapente, in Hypodiapente, in Epidiapason, in Hypodiapason, there are, perhaps, more than All such names and expresfifty kinds of canons.) sions, on the top of a canon, have no meaning for performers, except in the canons cirularis, and infinitus, where only one part begins. Cantabile, singing in a pleasing style. Calando, (or Calo,) a diminution of time and sound, in
general. Canto, Cantus, the Air, the voice part or the melody. Concertante, is added to a piece where the parts have the

><

means

always the second Treble, to be sung by a female or but in English compositions, it signifies child's voice a high Tenor voice. Andante, a little slow. Andantino, a little faster than Andante. Amen, yes it will certainly be done, or be it so, or may
be so. Amabile, amiable.
it

melody

alternately.

Chorus, a composition for not less than 4 parts, often to 5, 6, 7, or 8 parts, sometimes signifies Chorus ; Tutti;
for all the voices.

(Fuga ricertata, fuga libera, fuga saluta, fuga sciolta, fuga recta, fuga retrograda, fuga. per augmentationcm. fg. p. diminutione-m, fuga per arsin et tnesin, in relation to the Theme fuga composita, fuga incomposita, fuga authentica, fuga plagalis.) All such names and expressions are immaterial to the performers, and no
.-

Amoroso, tenderly. Animoso, animate. Anthem, in former times meant a portion of the Scripat present, however, it means not tures, set to Music only that, but also sacred words put to Music, for 1, 2, 3 or 4 voices or parts. A tempo, in time used where the singer is at liberty to retard, or quicken the time; and means that strict time must again be resumed. Aria, an air song. Arietta, a small air song. Arioso or Cantalile, a melodious air. Bass the Bass part, and the lowest part in harmony.
:

Coda, the close of a composition, or an additional close. Confuoco, wild, with fire. Con, with. Con anima, with soul expression.

anxiety need therefore to be felt concerning meaning, nor that of the different canons. Grave, very slow and serious. Gustoso, or con gusto, with taste. Hallelujah, Hebr. lang. signifies praise the Lord. Innocentamente, innocent.
Interval, the distance

their

Comodo, like Allegretto, commodious. Con moto, fast. Crescendo, or Cresc, to swell the sound
Deerest., to diminish the sound.

Largo, slow
Deerescendo, or

slower than Adagio.

between any two tones.

Bis, twice, or repeat.

Capo, (D. C, orD. Cp. to repeat certain strains, or from the beginning, unto the Fine, (End.) Dal segno, (D. Sg.) from the sign. Diminuendo, (Dim.,) gradually slower, diminishing. Divolo, solemn or devout. Dolce, sweetly or soft. Doloroso, con dolce, melancholy or dolorous.

Da

Larghetto, pretty slow. Lagrimoso, Lamentabile, Lamentoso, lamenting. Legato, slurring the notes together. Lento, slow like Adagio. Lentando, rallentando, ritardando, gradually retarding; Listeso tempo, in the same time. Ma, but Major, the correspondent major key, or major in general. Marato, diminishing.

EXPLANATION OF THE USUAL TERMS IN SACRED MUSIC.

Marrato, well marked, or accented. Majestoso, majestic. Mi l<ty, the highest part, principal part,
JUesto,
air.
is the art of sustaining or carrying the voice, (or sound.) blending the notes together; contrary to portamento is the staccato. Presto, quick Prestissimo, very quick.

Portamento di roce,

Stretto, and Vri agendo, pressing the time faster. Stringendo, pressing, hurrying on. Syncopatio, is a slurring of the notes contrary to the nat-

Mm.

less.

mourning. nun forte,

ural Accent.

less strong.

Primo, the

first part.

Mum
Messa

riro,

di cure,

with less spirit. swelling and diminishing the strains or

sounds.
ffezzo, half, mezzo forte, (MF.) half loud (MP.) half soft. Mi/Kin the correspondent minor key, or minor in general. Moderato, moderately.
,

Mnlto.

much.

Morendo, dying away.

Motetto, a vocal composition, in general fugueincr styl, the words taken from the sacred scriptures, and never less than 4 parts, often for 5, ri, 7, or 8 parts.
.\'im
,

Quasi, nearly as. Ritartando, to diminish the time and sound gradually. Recitatico, a sort of musical declamation, having to each syllable, a musical sound. Risoluto, resolute, resolved, decided. Ritornello, repeating certain phrases, the expression taken from a sort of ancient poetry Rondeau cest ma
llalli niniulo,
:

Tasto Solo, (T. S.) signifies in unison all unisono ; in compositions for the Organ, signifies it without the Pedal
base.

Tanto, very.

Tempo, time A tempo, in time Tempo primo, the time of the first movement Tempo secondo, the time of the second movement. Tando, slow.

ritournelle continuelle. Secondo, the second part.

not.

.\,,i,i

Sostauita, passing quickly

from piano

to forte,

and

from forte to piano. Organo, Organ

Pastorale, in a natural, (pastoral) style. Patetiro, pathetical, grand, passion, effect. Parlanto. more speaking than singing. Piano. (P.,) soft, (MP.,) half soft. Peilal. that part of the Organ, played with the feet. Perdendo, Perdendosi, losing itself. Pinri rf a piacere, at pleasure.
.

Semi Chorus, half the Choir or voices Segue, or (Seg.) go on to the following. Sempre, or semp. always, throughout the piece. Senza, without senza replica, without repetition.
Serioso, serious. Siciliano, a more slow movement, in general written in 6-4, or G-8 time ; like pastorale. Smorzando, becoming extinct.

Tempo gusto, like moderato, but not so serious. Tenore, con tiwrtzza. tenderly, with tenderness. Tenuto, like sostenuto, (Ten.,) sustain the tone with equal strength. Tenore, Tenor, a high male voice, the third part in compositions for four parts. Timoroso, alarmed, timorous. Trio, a composition for three parts. Trillu. Shake, moving two successive tones constantly,
and quickly
after.

Tutti, (T. or Tutt.) all together.

L'n poco, a little. Unisono, Unison, sounding alike, in one or more octaves. Ueloce. quick. Vivace, or liro. a quick movement. lirttcissiino, very quick. I'olta prima, the first time. V. S. I'ohi Subito. si rolti. Verte, turn, turn quickly. Vigoroso, strong, vigorous. Voce, the voice. Voce di petto, chest voice Voce di testa, head voice Zelo, ardent, zealous.

Soate, Sweet. Solo, for a single voice, (part,) Soli, for single voices in

more

parts.

Pianissimo,

(PP.) very

soft.

Pietoso, soft, hasty.

Fin mosso, quickerpiii presto, stretto, the same. Hiu. more pin Allegro, more lively piu forte, louder. pin tosto Andaute, rather a little slower. Poco. poco a poco, by degrees, poco a poco crescendo, to
swell the sound by degrees. Pomposo, grand, pompous.

Sopra, above come sopra, as above. Soprano, for a high Treble voice, signifies Treble voices in general. Sostenuto, or Sost dwelling upon rests, in giving them a peculiar expression. Sotlo roce, middling strength of sound.
,

Spiceato, distinct. Spirituoso. or con spirito, with spirit. Staccato, or Stoccato, (Stacc:,) short and distinct.

THE

AMERICAN HARP.
OR FIRST VOLUME OF THE

BOSTON PROFESSIONAL. MUSICAL. SOCIETY'S COLLECTIONS

OF

Church Music.
UN POCO ANDANTE.
if-Q-fr

AMERICA.
"'

L.

M.

131
9
j-Uli

-die

JUL
2d

n
TREBLE.

P-

zbczsz : ^4r tszs;

Ye

f5H

nations round the ea rth

1

^
Before the Lord, your Sov'reign King
:
; :

~S~

'

*"

liSSKia
-

TUTTI.

rej oice,

Serve him

rfrr^-^rJ-L .-J- p-,-T53-^^-^T-^TS - -TSr- -.-rr-

-Jt^^^N n^-E^
i

with

cheerful heart and voice,

With

all

your tongues his glory sing.

- ^ <$=*--,**,

Eu
ft
"S1

UNISON

SOLO.

h^tti* Tri-r r p u " TUTTI

j

rr

-g^zgzff-rtzizg r~

Kg.

T.EZ_-Z

v-

<

^i

r*

*i

-J

TTT

SgJg

8
_>-

ALLEGRO.
Tl

rrr i^iHH :^Sfe^ iHHi*^

T~l
.

SABBATH MORNING.
r
r~

L.

M.

Common Hymn.

"

:9LTJQLV.vuke,

r ~fn
I

1Z2E

Si E2=f
i
i

"i

TT-T

5ME3

ggl
;

=5S
is

~~i

Dl JO,;L
i"
i

I!

my

tongue, thy tribute bring,

To him who gave

thee pow'r to siny

Praise hiin
I

who

all

praise

above.

The

source of wisdom
i

L / N.

J.

32Z_
r:

T"

Jr

:j:?: fl.QT_^-.-j

5EE3!

o FF SB
and of
I

love.

ru-

rs

UNISON.

bbl
ALLEGRETTO.

ijy -^i ? QT
"H

j^
ST.
~l

-j-

j-j331

?'

J.

-J-

"!:

fefc r

SIMON.

L.

M.

HEAV.

Common Hymn.

3S
r4F

The
>
'i

'

v
fr
I

-*

^_~
die
:

FgJ'-i
lives, the
i

ra *5JS
on
high
:

Saviour lives, no more to

<^

He

Lord enthroned
v

lie lives,
i

triumphant

o'er the frave

He

lives e

ter

nally to save

rr

r r^3

vfs n
I"*
*"
I

nM^g~n"T
I
i

*'

rr~
-f~

Ttt

zl

o
I (

^3E5EF#FHEE
i
i

.n:so.\\ \!S<>.\\
.-

"-

S~
j.
j

J-

-J-

ii^iiipiiisiis

zr :o"*

IKSP

f-%

k_>

UN POCO ADAGIO.

ADORATION.
-F-

L.

M.

afc-t -9 F*

-Tl

rTP=^P KT - dh* ^
I

S
~i
in

Common Hymn.
--

J -

\~

fEW^?\ B^
for

Bright in thy

deeds and

thy

name,

ev

er

be

thy

name

dor'd,

Thy

glo

ries

let

world pro

claim;

Thy
ft

glo

ries

let

the

world

pro

claim.

3ra
r

3"
UNISON,

38
:"
-

s
ES

Si
f
p

>#=J
2

3^

"

=8=

XL

:~

-f-

to
_^_ r*

AM.F.GRETTO.

LUTHER.
i~ ti
r

L. 31.
^51
1

Common Hymn.

53
1

When

S^E F^ o i^feWs^fe^ 33=3:

ZT3I jCS_
32ZH #_
.

o
X5I

^
o'er

e~*

#-

-
of
-

face,

^
What
trans- port pours

at

this

distance,

Lord,

we

trace

The

vari - ous

glo

ries

thy

**

rf^i:

:o^~*:n:
r

r
1

"i

r~ _>-f-

... ":
-fc-

X3_
J

tXC

-J

f7
^
"i
!

" e-

r ^
e

e-

li

-*4

-Or

fic
-"T

r r~ zs:

^r

m
m ^
^
1

%-^rzZZ'

$
idizx:
z

:o~

:oi

o~

~r
-9-

c
I

Ok

<=.'

-aall
-

--

our breast,

And charms

*
and

ft3*-

-to
rest!

+-

**
^

TT
and

our cares

woes

And charms

our cares
-9-

woes

to

fc*E -75
C^t

"i

TO"

-r

':*
'

r~<5~

-i

T #^e?

o^

3^
r
- r-d
"

P^J

^3
~*3~

rest!

^r-r
--

jor
-

^
:o~:

J-

:cz

AXDAXTK.

GOSPEL.

L.

M.

Two

Stanzas.

Go preach my

j 9 gospel, saith the Lord

;

Bid

the whole earth

my

grace re

ceive,

He shall be

saved, that trusts

my word, And he

condemned, who'll not believe

i--^n.
N^
i^ ~1

17!

T
^J
WRr-Gr-m
J

.- j;""

--^

-PSECOND STANZA.

P-PP-:PzzP-iP
FINE./

I'll

make your

great commission

known; And ye

shall

prove

my

gos -pel

true,

ByaUlue

works that

have done,

By all
:

the

wonders ye

shall do.

j)~~fc

n^T
s

=ii ^ J

"T

iznr

r
UNISOX.

L-L-Tt| f

p-

j r

j.

'

r CTi-nr

zazs::

12

AI.I,K(;UKITO.

BISHOP HEBER.
:

L.

M.

Common

Hyniu.

U^M
Make

f=^

.oce;

:&*r3E
i
r

briz*td p^zsgxt

r~

us bv

HIS
I

s^hl
i

iozaicj
,
I

i
^

=!-!

I-

3 nn
58*
fair

^^^^lg^3i
may we
I

thy trans -forming grace, Dear Saviour dai-lv more like thee;
!_J

Thy

ex

^
--

J zp
i

-54

3 uz z^ zi rr-o
r

--

tr^rr

LTiM

r-r

^
i

|i
I

o= rag
I

_1_^

am

pie

trace.

To

teach us

what

we ou^ht
i

to
I

be

i_

ff
1

ftt -^mi=^l
*^
I l

TT

7
:

-f-r* I5XZ

IO
z:

'
I i

*=

u-t- -d-.

iI.I.EGRO VIVACE.
"

ffiS
Hf
Lo,

t~t
r~

^Al,LKRETTO.

GOD'S PRESENCE.

L.

M.
"I

Peculiar
r

Hymn.

sz^m~^ 2TIX TT
i

ZXZT-pZXTtZI

~o
TCTTI.
1
!

'

arefbti
DIM.

DOI.CE.

S'-TS: :cz ix

God
is

HIT
i
i

ful
is
-

solo.
L -
this place
!

P.

--*!

here
i >

let

us

a % dore,

-^ And own how

:ii
dread

:qz
all

o
with
-

ne
us feel his pow'r, 1

i-And
si
-

Let

in

lent

bow

be

fore his face.

35=
>-'

jfUff
r$-

-i

n1
pi

"i

IQ~

~T

-
G_
I

:o:
SOLO.

* ~-3 CZ*~ A. O-r

i

^
P
'|

-*--*

J:i

^islaig

-^-^-i
I I

n. p.J

-re'-->

'dim..'

,'
,

'

g-|ttr i r
i

:q
50" Male voices may
repeat tbe Solo

^r-T

DOLCE.

Si
j - *o'

Kr

ALLEGRO

ASSAI.

GRATITUDE.
ICE

L.

M.
^5:

Common Hymn

13

*e=

or

ze

"P

i^o:

55ZZip

:OZ
T~

.run:

:z:

3
be

-fjo:

F^
r

r
T"

fe

^
- ter -

nal

God,

u
zz

;riz
ce
-

Q~~
les - tial

JJI C lzt
Ex
-

SOLO.

~P-

For Alto or Tenor.

:^
2X
-1-

King,

al

-
ted
-

r
in

-
name; Let hosts
heav'n
-

thy

glo

rious

thy

X&3-'

L
X5
-eL

lj

--

-^
-^
-eL

T5Z?~er

p-

e r- zf-f ei*-*^r~ -feme!

err
1

n^
-

3Ei
r r
r

I1Z3SIIEZ

-eL

w.%&JL

X5I

=^

ID:

P_P tprzP^

p-r-

.?

"12: 9
i

r
-eL

f^r

SOLO.

-_L.

EEZ?
xe
o:

_T

ehBase part ad
lib
:

:|:

4a.
:zc

~l'

3 tx
-

iQ^ r
1

~
~l
I

f^FF
1

TUTTI.

_
praises
sing,

C!_

^ppg
And
saints

-
thy
love

:o~
pro
I

TZ-^IL^!z:
And
saints

_rt

cy
thy

on

earth

claim;

on

earth,

love

r#:

~cr

-L
JO

331

i=

in =^^
"Si

oL
o
-PT"

P
TUTTI. J-e1

-d~ L

S3

1>-w
1
1

: r^P Emr=f T O m-_ _ 3727- iOZ o:

0>

^ ^ zs: r i ^ XE L
pro
-

claim.

s"
i-

^~
-_L

-i

_i.

zz z:
I

_j_

d_

--

rO

r
1

LL T

^-

o:

z:

P-

q?=br

14
S-Pk

ANDANTE.

EASURE.

L. 31.

SOLO.

Common Hymn.

=*
-8Breathe,
i

Z4.
i"

idF=f>

=F=

glow:

3=E
-

:i^==
-

Ho

ly

Spir

it,

from

bove,

Un

til

our

hearts with

fer

vor

Oh,

kin

die

there

o
k

-*

ozzs:
MZm91

zn

zi:

--

isl
i*

j_Jiz_Z: &-
~r

CJ

j.

-H J

SOLO.
-J-

Tbe Duett

M
or for

two Trebles, Tenor and Base.

for

~M' U

fe
/8l"5

"

'

F
i

"
SOLO.

pi *
,
|

f*l

n
ij

r *
l

51

w
1

P >- ^
l^-^-T J -t-H

True sym
-

51

*-

_i *
hu

p_

-d
man

d
i

TITTI.

m
i

v u e
s %

j*

^._

^.-j. -

i 1

IK 1^
1

-^H ^ --s-U

True sym
-

-- --

H'-H
woe.

Sa

viour's

love,

pa

thy
'.

with

woe

pa

thy

with

hu

man
i^

l^
>b
(^
P"
'

f=
1
r
1

=} Fr J*
v

'-^-^

J
^

fr-

*
r

s
i

""I

^ -
r

--J

>"

*
r

SOLO.

!
i

a
1

"
i

{
i

1
1
'

-*

TITTI

^
* ^

^^=H
,

II

--

_!_.,

1
'u

u.r Bt=gd

H-^

ALLEGRETTO
, -r

ORATOR.

L.

M.
PT

Common Hymn.

15

t
-'

m
name, give

-ray

9
weet
is

^T3>
show

* _*~T5'
thy
love

9~
by

the

work,

God,

my

King,

To

praise thy

thanks,

and

sing;

To

3S3E&
1

PI**
]

-oL

~i

~C

e=J=S

P^
J

K_

I
And

arn:
talk
-

n_
n.

i.
i

^7
morn
-

""
thy

"C5-^~'
truth
at

T~

^^PI
*'

-y

ing

Z5:

"

^ T
light,

And

talk

of

all

thy

truth at

night,

of

all

night.

I
SOLO.

"si
-ap-

a - *

=4i:
I

TUTTL

S
I I

DZ r
r

SE ^r

^r

-!!*"

-gr*"i

r~

5=g P

Ir

3:

5
(

=s
-o
1

VS POCO ALLEGRO

EGEIVCY.

L.

M.

May

Common Hymn.
be used wuh attention to th e acc<- nt.

-JJ-eC
Je
-

hovah reigns, he dwells

in
I

light,
1

Gir
I

ded with maj

I I

es
i

ty and might;

The

world, created

by

his hands, Still

on
,

its
I

first

foun

da
\

tion stands

55
V
-

II

'

-:

HEtrg~
<5Zs_
I I

TZI
p~"

<^&*

*
S
(

q) J_
'
i

FT
-e-

i?-*
I
I

li
I

tri -p-r

i-

-|

-r

l|

*8-y-*-

^F

fl
^e--

J?

*:

rz
L.

^ffiE^r* -rT

;o

oIhM'

r
<

a
r>

3C3U. <->

izzzr

UN POCO irXEGRETTO.

ifKa
F^

.Tqrq:

B33
T5
O
Lord,

^
SOLO.

PERSECUTION. K.
r~

'"

^r

13"

TT

Id
TCTTI.

a
I

M.
-*-

Common Hymn.
9r

#-^
i~'i

-
are

or
foes, In
this,

T>9 TJ~ff
weak
state of flesh

'

~0~ sffiE!
-

iE
-

a
is

how ma

ny

my

and blood;

My

peace they dai

ly

discom

pose.

But

my

defence and hope

God.

ALLEGRO. ASSAI-v.

HYMN FOR ALL MANKIND.

^>:

L.

M.
_

Common Hymn,
OR ANTHEM.

:zc

na
-

!-"
"i

i^zzs^ It

:oz: -

=E :e*i-d^g
TJ
king
;

L_V__r

1*1
I
I

I- 1

vO"

z]

zor

L -^- -^ qT^^, -^--tio:

the

3
Be

~T5T
sov'reign

T
Serve

T
lions

3
"U
ful heart

Ye

round

earth

re

joice,

fore
I

the
I

Lord, your
I
I

him

with

cheer

and

_Q___qLLj

l'

zzo:
ZE

"o:

i~F

glo

CODA when
i

used as an Anthem.

~
'-

V
voice,

:S^
With

:oz
all

&

your

^
-d-

^
~L
IB

XT

~o:
FF.

--

P
ill
men.

ez
-

tongues his

O^
ry

-
sing.

~o~r o:
Lord,

3
sing
'

Je
-

^
vah's name.

-p

IOI ^tO-

id"

^g

Praise the JL

O
(O

ho

~o A
i

_l
ry
FF.

~t

r
'-

T^
|
~1"

ozzzzz zIzzz^FzzzrzF Z ZLZ p_ L_

Sv
i

o:
-o-

--

<3

--

o
"o"
,

--i
-e-

g:
^--

T B^
iO~

^rr

:o

Hymn fine. _i_

oi

f.

rr ~rs
r

~S"

-o-

-d-

J.
f

-3

Hz

ZQI

o cr

T~

XS

fS

ALLEGRO VIVACE.
<>

PERC1VAL. x3353 B5 J JJ <>

*-

L.
X>_

M.
6l^J-

Two

Stanzas.

Peculiar
May
to the

Hymn.

be used for other HyfflDB,witb attention iccenl and musical

HI

JJ1

J^r^-cfi-^rT)3
Come,

-^

~c*~^*
thy

-e^J^oE
great

O my

soul, in

sac

red

lays. Atte mpt

Cre

tor's

^
praisje^

i
But,

<jj^rg
tongue can Speak

las

SOLO.

oh

what

q=

"ORGAN

form a

robe

of

light

di

vine,

Ten thou

sand

suns a

round him

shine,

Ten

thou

sand

round him

shine.

Hil
@tt

o^-
iQ_

_?
F.

TUTTI.

"I

Fp
J^L

T^
'I
i

iSS
J

iO

^f-J--

IX o
^J

-'-'-

no

<5

On t i~v
1

rf-v

:o

pp

i i

r
i

#~Tr"i

-p-r :&. o: Sin:

!:

-t-p
lE^r
rn:

2L

-i to-

r- ^
Common Hymn.

ALLEGRETTO.

SANCTIFICATION.

L.

M.

Deep

are

the

wounds which

sin has

W*
made Where
;

shall the sinner

find

cureJJn

vain,

las!

is

nature's

aid

The work

ex

ceeds her

ut

most power.

laffigfe

-f-p-

;oz;
~i
(

~r

Of*

tpzn -Pn

a:

3E Ef?

~i

S5ZS

t-'r~r*i"l

jK

-gH

ifO

ALLEGRO.

KING
I

DAVLIJ.

L.
i

Common Hymn.

)4~- -/3\4e-*Fnm

I _

_J~

*c
zzi
[j
i

ri

'

ri

h~r
I

F.

~r~

15=3=
all

as
be
-

-O
the
skies

Gi e
-

o
-

that

dwell

low

Let the

Cre

...

tor's

praise

rise

Let the Cre

I

tor's

praise

t2=l
:

T
I

&

-4
II

izszir*
1

MS
~^~
si
1
,

1
I

F.

-d-

--

r>'

o:

I^3T
1
1

~or
r

O" -F

U r

~~r

_0

Q-

p ~p V
1

r >

m
^1
<>

S
--.~
|

:o: :r*"F

^
"i

T~or
I I

:<">_

23ZZSI

*"il
"l

JL3~

x=z:
r
-

CRF.-J.

MF.

Je

ho

o
-

feoEi
glo
-

-o
sung. Through ev'
[

3
,

szzJErc
land,
,

S"
er'
-

-o
tongue:

vali's

rious

name

be
I

rv*

by

ry

Through ev'rv

land,

b}-

ev'

ry

tongue.

bRBB.

S: Tip T-tb-o
I
J
<

LT_ULr^-_jqr_o'Z^Z=J==:

MF.
ai

O
I

2i

HL_I

H
I

s
I

r~i~ ~~r~~r
,e

#
-

w
r

-=

n
I

>

^ QZZS

o T5

r
rr^=^i

x:
m
~
"i

p-*-

f
:

"i

F=fc
-*L

^==F 9
-o
.

m
I

"

3Z

m
,

m~\

m P~m

-L

^~i
i~r

'

I'H* IF o:

^1

P- ha*"

-eL

1*~

n~ r~

ALX.EGRO.

MESSIAH.
:

L.
x?

M.
r
i

i^S
"~T

^
1

MF.

CRES.

Common Hymn.
TTid:

21

O
EE
name

g
.nit

w-#

o=
-Or

~r~

-o^oiHe
reigns
!

---reigns
!

3
lof
-

zrr
#*- :ior:

~r~
;

-=y-#
Sing
CRES.
to

:rzc
his

-o 1

the

Lord, the

Sav

iour

Sing

to his

ty

strains

name

lof

ty

strains

PS3ggg^
CRES.
i

MF.

W
i

b=ht
"i

iH-i-

rr
r

&--r

_
i

T
r

1*-

^--^5n ~rr
t*i

:?
r~
_r"r

T~r
1

ZO:

JOr-

1_

ALLEGRO MODBRATO

ISRAEL.

L.

M.
^CZ

NEW
C^qC

Common Hymn.

C.C

c^*

t:

h^'

3=

II

lipa^ss^gsi^p^iipipp
Loud
hallelujah
s to

the Lord,

From

distant worlds'

where creatures dwell; Let heav'n be

gin

the

solemn

word.

And sound

it

dreadful

down

to

belL

_i
I'MSON.

Z&bk3^&t\
:.r. r .JL
... ""

~r

#-

o
j.
i*

i
i

15?

rl

.J.

JZ.

4, 4

|__l

__4__l J
J.

J_,_J

O-nr
^\-

*
<

>

-
Common Hymn.

UN POCO STACCATO.

LEGATO.

^^^^^^^^^^^^^^^^^^
^ii j-*l^3rTj JhoFg FoF-JI --No change
of time shall ever shock,

MODERATO.

EASTPORT.

L.

M.

rVEW

:o:

lliliSiB
For thou hast
al
-

<3Z

isz,
to

My

firm

af-fection,

Lord .^o thee;

ways been a rock,

fortress

and defence

o mc.

Kt -Jr ia it:jb~ 4St 3f

r
i

is: i?:
t5:
p
.

p
-'-j.

^r^bm
J

">

g^ ~F
5
1

i;

-7

j75 -i

i 1 +

-<*+
-or

j. j.

Jjj-

J-

^-*

-r

33uB

EB

=EE

^r

lip

UN POCO ALLEGRO.

CHRISTIAN HYMN.

L.

M.

Common Hymn.

23

Great God, whose u

ni

versal

sway, The known and unknown worlds obey;

Now

give the

kingdom

to

thy

Son,

Ex

tend his

nower,

ex

alt

his

throne.

3
PENITENCE.

ALLEGRETTO

L.

M.

Common Hymn.

SEES
-e>- -Blest
is

-God, Whose
sins with sorrow are confessed,

-ot- -L-o- d-r --- -T

covered with his Saviour's blood

the

man

for

ev

er

blest,

Whose

guilt is

pardoned

by

his

And

Zoi
i
i

iji
r

Jiinzzrq

i:

T~l
a
i

F=?W
-J-

*i
-L

WTW

t
t-p-h-

ai
.el-

O
<&i

r~'

_r

--i
pgL
J
.

HE -P=P=^- 1TIS

:rn

T7~g

-J.

n-

JE-J& f-p-p-

r SOLO.*

SI
lis*
:

g~~#'

^-[-oL-Pfj ~o~

Ji.Aj.J VP
be repeated.

_J_

H
*

f^P1

-',

reL4U T4 CT

May

ALLEGRO.

TETRARCII.

L.

M.

Common

II > him. Accent pecul i.ir.

^^^-^=^EtE^^^E^^^^-~|^S^^^
*C -Blest are the

G^

I^HH
humble

"O
pov
-

"

s^li^lto
humble

'

u-_g
I

souk

that

see,

Their

emp

ti -

ness and

er

ty:

Blest are the

souls that sec, Their

emp

s^
-

r
-

-ti

ness and pov

cr

tv

Base Solo and Organ

Tl'TTI P.

5rBnn=3: in
Tlic Base Solo

n
I

UJVJ^eLJ-reU^
T~BT O.

^2

*t

*-i

O
--

r^rr
I

may

lie

omitted.

^es
._

'*

SO-- ?^
'

~rr

~rr

T - n

eri
of

joy

f
laid

O Q ^T
;
|

^
i

<s^

ffi

And crowns

up

in

heav"n;

&
?

_ T H

[z

o-iRgnH rer lic_j

)

<3

jg^4^
of joy laid

~ rzu rant -7
r

O ~o

Treasures of ffrace

to

them

4. J

IO

are

<riv'n,
,

And crowns
.

of joy,

And crowns

=*
i

F=P
_^-_ j_

"

TZ
i

^-Fte
~r~
i

L_p:_i

1__ _.u_j <s^- o<

-r-rzr

^q
up
in
i

heav'n;

And crowns

of jov laid up in heav'n.

f.
.

-4^.

imrnm^mtm
j

_t

j-

j*>

^^

TFF
J

o
I

ifefc
And crowns
of

joy

^r
i

<;;

jt.

-<*

-^

cv

ALLEGRETTO.

SAMARIA.

L.

M,

Two

Stanzas. r

Common Hymn.

25

5S&
Li \J ^J 3 ~W~r_Cfl___P
|

5r Q_

Efa
care,

n~i:
of man, with sap are
i-

e^E
ce
i

tSSiliil ^#As
those in

The

trees of

God, without the

Or

art

-d

-^Ti

fed

The mountain
r

dar looks as

r -i -i

JE9B55 HHMT p
:

I-

"IIP"

f-F

3S v

^z:

i i

fair,
1

roy

al

gardens bred

_ rsQr d-flLC

SIS
SECOND STANZA.

ISIIjiDn~iTT j_am
-ffiSSEEE
Safe
in

t~' fpiti

h# :

Til

=F

zz

o~

SrxFrrw

iaa
pi
-

the

lof

*
W

*
m~

ty
|_

ce

dar's arms,

The wand'rers of

the

air

may

rest;

The

hospi

ta-ble pine from harms, Protects the stork, her

ous guest.

ii-

jy-n u

^T rr
"

th:

znii^zTri-rz
lO
LL^_

p-

Kjt
ij

\-?I

ill
zzc

v Sfl

II

* "f-

e>-

Trrn

i"~yi or

rs

P~

^F

Tl"

"cy~r^

IOI1

JLfc O ~Q ft Op-1 Z5T H

?ii1B"

ct?r

tiO

ALL A BRETE.

fir

-.
i.

...1-S^^^Sfe^ttB

i

CATHEDRAL ^ CHANT.
_T_J
! ! t
r i f
i i

L. >I.

If
I
I

~~
_L

l f

se ES
i

^ ~r
-

^rail
thee, Lord, on

sHi
<rrave'

Common Hymn.

ntt^iz
dis
-

Zl^B^N
fly;

.<<>.

>

-=4

ijjfebskfl
=?-??'
'7.'

will

ox

tol

high;

At thy command

ea

ses

Who,

5!fe
UNISON.
J
t
I

-p~ri
-1

r
-o-

J
r

i>
t

TrTT~~r

hut a

God, can speak and save, From the dark borders of the

o
TT7
l l

-to-

-- -- -#-

^-r^-ti^gqr-

ite^Si
?W=g

- J- -2

-r
ALLEGRO VIVACE.
if r-f-rf KB
'"*-

ALOWETTI.
I

L.
:rx

M.
b-rr
1
!

Common
I

II\ inn.

Peculiar.

'Q7
1

en

ri

ri

rrT'l

mi :~ri~i n
i

r~|

13-O

I'~-i^B
a

High

o'er the hcav'iu

supreme, a- lone^Th'eter

mil

Lord

prepares

his throne: O'er all

his

kingdom

he'll

ex

tend,

Beyond

lim

it

or

an end

>

-,

i-
i

rPl?Z.t?
:

It

PHIS'
f\
i i

3Lj2
i

3
*

,""
,

^r"fcj
I "j

i zj
i

i
i

May

be repeated,

ttie fir~;

time, Solo ana rir.no, the mci nd nine, Tottl and Forte

ANDANTE.
re :fr~ fr--o

REMEMBRANCE.
s

L.

M.
.8
L^_

Common Hymn.
'i

27
_J

f~

ziz=Z

^~
-

ii
tend
-

r~

reuie Second ecoim Treble. a

-i .

TIZZI

d*s _i5z L*g

=s_!q3=zzszLqzz__ EzzzrrJEsE
est,
'rest,

EH
39
:

nrl

Yes, we'll re

cord

thy

matchless

love,

Thou dear

best

of friends,

*
Thy

w
-

sj=

V love

V
the

dy

ing

""TT-iTztzr;

z"

L.

:tp_.

t__rr.

'W

""

&~
Z&L

J3_
""

rizzziLj_^zi:
no
izfc
-

s_:
ty

&
tran
~~
-

L _

i-

*_

X"
scends
-

blest

praise,

Of

long

ter

ni
p>

scends;
_jrn:

Of

long

ter

ni

ty

tran

T
^

far
J

=3:

-U-'T

i-

izr

tr-tr
i

o
:

i*~i*~

T"

r
"i

r-

T
n:

T
ZE

in

-4,

&
:

"i

^\

EEt

:^

U ZT

ETHIOPIA.

L. IM.

Common

II

inn.

EL

ess
V
#==
Know
r#

-Q

-oi

<*r-mi

Qr

EE2
T~
-lone;

^~

z m P ~
U5T"

r+r
i

Q|

-^
"I

<~

:<:>

o o

~r

i _

*o

cy~

T r cr
Lord
j
is

-^ -

-o- is:
he r
de
-

a
strov

that

the

God

Know

that the

Lord

T
is
I

God
I

a
I

lone;
mi

He

can

ere

ate.
1

and

=f -
75

S
O

TTT o
-r

-oC-eC
^

,-

23-

:KZTJI

T J.
i

Jtl
m

:rzn

1:

io:

v
-oi

F.
I

TT
-Qr-

= O
I

I
d. c.

izffizerza:

-O.-r-fl-

~^ r
I

t
'i

IQI

-Or e-

5^T

zzsz

VS POCO ALLEGRETTO.

HEBREW HYMN.
"-[

L.

M.

Common Hymn.

i"

==
'
all -

<

F=^F =F
1 1

==

~n-

soul
i

sal
--

va
-

h
tion

1
I
1

my

straits,

My
'--

soul

for

his

sal -

va

tion

waits;

My
i

for
i

his

waits.

V -F^r
&

Z
-r

W=3=*
t
t9-

:t^

-'

n
d I '

~i~0
I

*'
I

*"

"zo:

Is
i

r'

T FT
J-J-

a>

=C
15"

TZ

cres.

& *>b<^

o>

n_

b[)

IT
"O
1

"

or

tf

23T

-Or

+T

lor

-m -gPn
God
is

""or

-"

rr~
our

:*o

ALLKGHKTT(.

MOZART'S SONG.

L.

M.

my

heart

in - spir'd

sing,

The

glo

- ries

of

my

Saviour King;

He

comes with

blessings

^c=i:
-*r
i

"T -*~
~i5~

IgZZT

-^
-tO-

f~

ZOI no

.: o=* ip--r *?~

j

'>

^ *

g^

PR^-^
^s

j
i i

i4
1
-5-

-p^p-f^-4=^
_
<

__l

-
na
r-^

JJ
p_

-J.

^E^
1

4J

P
'

Izf-fJ p
~r~
"i

-H

JJ1 i-J pp p r4 -^-P

5

m=m

JCzP:

>

p P-feP-

-%
~-F

-or

PP-

rr

TT

"P^bis:

I
II

T~"

m>

T~

<

.1*
-

wins the

O
-

3
his love
!

m
to

from

<

bove,

And
1

tions

to

And

wins the

na
~~i

tions

his

love

^52:

i?

=F

P
J

9 -t

-J-

~t

-CZIp

'^z

o
o
1

o
-J.

g~b*~ by ^ -'

~i

r*~r
1

*"
"s:

II

6-&:
!>

liJ5 -Or
T=

-el

a
-&"i

T
And
wins
the

10:

r-#-

-pp p-

~rv

s3

ALLEGRETTO

ORTHODOX.
ctor

L.

M.

Common Hymn.

The Lord

in

Zi-on

ev

er reigns,

And

o'er her holds his guardian

hand

Her wor

ship

II

L=b

efgS= ^\ ^

f=t

rr~i s~~t

=3?
1

r^

T^n;

^x
:.):

*=2
iO

-fi
cv
J_

PS
^
L.
J

and her law maintains, Which,

like himself,

unmov'd

shall stand

L-^r^

L I

=si
-ie-

F#=?
St

U._J :o:

-p-pJ

&+>?--9-._BLLqLU rf"r-t r r
r r

o)

o;
It
J

o- :

-J

^
'i

ii^L
SSI
"i

|J

r
r
'i

r ei-

"i

T~

_o

~OH
X3^

irx

-e

id

ALLEGRETTO.

THE RIGHTEOUS.
Shun
the broad

M.

Common Hymn.

way where

sinners go
i

Happy

La-^ --L
Shun

~l

II

the man, whose cau- tious feet,

J_

<y

-J

oW

ii"

H
:i

jCX

d"i

L
And

T~T
"i

^9E d
T"

-tc
fears to talk as
scoffers

m
do._

the broad

way where

sinners go;

Who hates

the place where ath'ists meet,

*j1

XTS

POCO ALLEGRETTO
-r

om lovett:s hymn.
'

l.

he
r

Common Hymn.

E=
ALTO.

it x: ft

r p

-ejj

I
SOLO.

II

i*l

-h

-
:*

4--L KEm3f3 -Lo o 'J

i

a
i

TT

the
I

^=p-

s
vig
-

TLTTI.

3^^
or

The

flow'ry spring, at God's

command. Perfumes
Pjj I

air,
I

and paints the land

mi

The summer
^.

rays with
,-->

shine,

To

raise the corn,

-

and cheer the vine.

rrv_]

b b
f,

POPISH:
.

*'

'#*
I-

H^
TTT

1^

IS

OLO.^

Sij

J4

i as J.
a

rr
#

:QU_ XZ_j
n
"i

-^Wx^* ^=t^F=cf .t^ri^x, t^LSjfc^l r^ -'^

J

ol

TUTTI. ^"i,

xS-iBEE
ALLEGRETTO.
i
i

rr e_ZE
t~:

T~

rT=

gng ti'lr
^rjg-rT

n XLTXtl

X r| F ST o o !
:I

JTEMPLEJS01VG.
X-it
1

L.

M.
r

Common Hymn

8
Stand

^rFf^^TT
up

^-S lux:
^^rTn"r
-

Sir
= l

x
E

i^^BI
O
Je
-

^rrl

f r TFh-^fQ-ol
-

my

soul,

shake off thy

fears,

And

gird

the

gos

pel

ar

mor on

March

to the gates of

end

less joy,

Where

sus thy great Captain's gone.

JTio -

n
I I

VS POCO ALLEGRO.

THE CITY OF DAVI D.

t"

L.

M.

Peculiar

Hymn.

33

4~i

=1-

*-

FtB

i?~~ ^~ ri

^l

'MJSZ.
1

r'

2-H
Wake,

YLZMl ^

EFEzqrq_
hail the

~l

O my

soul,

and

morn,

For unto

us

a Saviour's born

See,

how

the angels

wing

their

way,

To

usher

in the glorious day.

1
.4!

Sxife

HE!
-j~
1

3:

-'

J.J

j
i

r-s-P~^T-i-

4-

u-S-

Wb
r

Ij^CI^r

FS

ff-fc:

n
F?l
i~~
r

ALLEGRETTO.

EASTER HYMN.
T TT" T"
I

L.

M.

Common Hymn.
!

t~^

ri

rr

^r
XL
iC_i r
i

o
c
i

e
Itt"

rci
i
i i

rrj
c

zzzz:
~"
i

SHI
"

ri;

-j-S-J-r- rf-.
I

ifz3ir3E3
'#-

ar 9
lives,

-i

J
as
-

"

~
L

ZZIZj

zzirzr
F

zzr
He

JZ zv
i

i_

rfl rr|
,i

know
~~\

that
i

my Re
i

deemer

i*" What joy

ij.n

er i

^^

the

blest

surance gives!

He

lives,

He

lives,

who once was

dead,

lives

my

ev

er

lasting head.

it ~t~^t~w

ZI

=-3
I i

"i

--
-

-^-

n
TT

S
D3
J

m.

fT~fT

-T 133

3 r>

^-7-3

-s_ #

'-.-e>l -e
| i

ffE2I

Egg

x>

_l
T5""

25 *

ZLL

23:

o4r

AM.KUO.

NNOCEXCE. L. 31. thn r~~r TQEH

i

Common Hymn.
--o

rr

;""*

* IQZZT

O
Who
shall

53

33
.

Era

s?

-The

--
man who
loves
re
-

-li -

*
And humbly

ascend thy heavenly place, Great God, and dwell before

thy face,

gion now,

cr~w

-hF3 O T # Q
walks with

God

be

low.

Sjgb*3
IX
POt'O

ALLEGRO.

JOR
1
-1

L. 31.
r>
i

Common

liyini..

n
TtI

-.

"1

x>::

'g~ rjp~ ar

g iffidBEzE H3lJzl
-their

n:

~rni
Lord,

-^^^^^^-"^^^t^r^j&qf:
to

zl_

- --- -perfect

*J5
Be
-

-just

how shall wretched

sinners dare, Look up

thy
I

di

vine a -bode,

Or

off- er

im

prayer,

fore

and

ho-ly

God:

-by
i

bJ J -jf-"
:

rrr
,_j_

lfr

lac ?--

-d-J-

*?~:r
I

%& illllf

-,-**
i
i

J.
---,i ;

^Lj.

^_i

^zr

IQZ*

XT.

Z2

S zoisuzo:

.<;>

ANDANTE.

NEW
3
i-!

ifiEB^EFE 8-:te

ENGLAND.

L.

M.
:P-

Common Hymn

sr

13=

-
T~

^
i

35 P
f-

s!fe=i -8-&""

=j_
*1

::

i:

---
i
i

an
-

=c== L
-
gels
fill'd

g
sky
;

lit

"^:

3=3
Those
heaven
ly

"IT 'ST
-

Lord, when thou didst as

cend

on

high,

Ten

thous

and

the

guards a-

J-TZsr*

r^l^ll

round

thee wait

Like

chariots,

tend thy

state;

Like

chariots,

tend

thy

state.
I

Hn=C=
i

~b&

=*=

T
3=3
=F

IS"

o
ij
=x==^=
"]
-@j

f!

i
L
je~

#i

T
r
"IE

?1

36

AXDAXTE.
'N X

BRYANT.

L.

M.

Two
"!

Stanzas.
i

Peculiar Ilvmii.
May
!>

uril

fu

olhei

ll\

inns,

aitcntio

Pie
?
ZH
is

rxznzc
ZZ*J_J!

-f-p-p-F**~i

m
Is-

nil

B2E33EEE3:
This
the

^=

^q5=^q:ES
Sent
to

P J
-

tvck
~-*s
What
his

word of

truth and love

the n ations

from ab ove: Je

ho

vali

here resolves, to show.

alinigh

ty

grace

can do

ba)

_y i. _.
I

.***

SECOND STANZA.

SO

;- ^3
SOLO.

5
i i

5*

EZZ^I

=s=^
s

BE

SOLO. b^*\rij\r

^=i^:
re
i

t
-

-9

ztziezze: F
find,

z_i^zz:

n ..:
dis
-

the

-This

IS

i-

~J~

'.

sx
j

This

me

dy
'

did
i

wisdom
'

To

heal

ea

6es

of

mind

sov^eiirn

balm

r^l

*
!

"~~
j J

^
w

~r

^=3- =g.H 1*1 #*-y

^ *

"

whose virtues

^_

9
f

ran

re-

**

y J J J * r 7 f j
]

"

*v

t-b 5=tz^:

-T

-t^

T~

ITD

S-h-

e^eeSeS E^E hs
~t
store

MzjL
1

SSS
tjT-T
-

37

TUTTI.
1SZZ-1

s
^
creature
'

i"

~*1*'
EfSl

~T

T
virtues

^3
can,

I
-T#
man.

the

ruin

ed

creature

man, This

sovereign

balm, whose

Re

store

the

ruined

11
"~r
'i

25ZX

t*

$
"i
, 1

r
I
i
I

r r
I
!

siuzztzraiizzp
^N-

fe*

tjg'

br-4
1

J
1

rr^
-P-Trnzza=.ri ' ~e~
L.

gjg

Izfc

ALLBGRETTO.
rfrn
ZJQI

TUTTI.

!#!3 )#~4
..SECOND TREBLE.

zrczc Z7

-r*1

SABBATH. Si , -P--E--1**
* ~" "i
"I

M.

Common Hymn.

T p

3=BE
TUTTI.
At once they
sing, at

SOLO.

B
way.

Lord

how

de

light -

ful

't

is

to

see,

whole as

sem

bly

wor

ship thee!

once they pray, They hear of heav'n, and

learn

the

^
The Solo may be sung
the second time by male voices

3S

IX POCO ALLEGRETTO.
ol

If Ljl^CrC

I.

IiO^.
ce :
"I

Ld

-*I

Com in on

II) inn.

H! X3ZZ*
^-
He
is

?"
Sa

^^^SHH!
' :ozjI

t>

d ml

All

-<^-

-lo

-God
be
-

rm

I i

IT CT
lie

l~T

"*-

s:
bring
sal
-

-
va
-

-tion

^
down

power and grace

long

my
i

strength,

and

my

song:

He comes, my

viour

from bis throne. He comes to

^^R
!*
-a-

W-Tii *** *>

-o-

-^'

PT

^6?
sb

75T~

= n * LC51 rfrrsr fV
i

~l

rfr^rT

-^

o
r

*N

ALLEGRETTO.
--mm:

FIR3IA3IEXT.
hM~-
'

Ss

'

izz^zc:
*^~~s:
-|
i

~is

ii

r_i

Vt>-^
The heavens
u.

^
~i

s
SOLO.

L. 31.
-4,^

Coinniou

Hymn.
*

--

:oz
:<ti:

SOLO. *

Tl'TTI.

j~

h _L_ a eat,
;

3
when

^ zori*
V& read
thy

~s

22^1
name
in
fair -

1
lines.

declare thy glory Lord, In every star thy

|

wisdom

shine*; But

our eyes behold thv work,

!

name

in fairer lines,

We read

thy

er

^L

IN

SOLO. *

Tl'TTI.

<
i i

>
.

-
J

*>-

T>'

<j

^
I

%---f-

:= T

f>3

D. CP.

TT" T~r~y

:-^?*
-c._

it

ilk

XT

ALLEGRETTO.

CONFESSION.

L.

M.

Pecnliar

Hymn,

May

be used or other Hymns, with

attention to the accent.

q f\ O *J

POT

'Tis

by

the

faith

of

joys

to

come,

We

walk through des

erts

dark as night; Till we

ar-rive

at

heav'n, our home,

-e-

^r

-3_

331
.
I

:ov

-eL

IB

Faith

is

our guide, and

Faith

our light;

our

guide,

fc3-J|4=t
ne
*-

Ji=^
T-

p-

ZOI

-H

o
l

Tr

ty

-I

-o-

ff E^

*?

9 T~

It

~Q

Z2I

T~

^=
--

40
,-

m
l

\ I'OCO

ALLEGRETTO.
r

: ~
it,

BAPTIST.
'

L. 31.
^^
i

Peculiar
May

Hymn.

be used fur other Hymns, with attention to Die accent.

r-

-i

35
-- -

ab^HE^: S=5S
calm each mind,

,omc.

Ho
*

lv

Spir
:

And

fit

us

to

ap

proach our

God;
*i

Re
r

p
-

move each

|>G

i:

>:

_E

ZIZ

)
-fe

.-

=F==
-

sfg^
itSEF

^j

r*

EESfe
j

nr^

i^#--

CHORALMEXTE.

~r

vain,
r.

each
)

world

ly

thought,

And

lead

us
I

to

thy blest
"
l

a
i

bode;
I

Aid
~|

lead us

to

thy blest a
^i

bode.

_|*SlJ_^Z2^
J
..

*-l

>ZZ^C

TT^

I
i

i~. ""

.J

"*.

I
w*

'

J.

-^

y-v

Tw

^
i

ALLA BREVE

3
r#:

e7
:dz4
f

gz _g

MAGNIFICAT. o r
"i
i i

L.

M.

Common Hymn.
OR ANTHEM.

TC

"I

--

~o^iroiR r~y

r~i

zo_

O
X2
i

SZIZOL
i
i

5^l

-Jffazlop
i

:~i:

=F

zr:

~&M

to

-#--

ZOZXE
na
-

^b&
in
-

:cr

g
His

t*j
re
-

-&:

3
hearse, His
:

Kingdoms and thrones

I

God

be

long,
:

Crown him ye

tions,

your song

wond'rous name and power

^=
1

-r r-7_I

^-

t^
~f3JZW

-pT"

o
-

or

zr

T5~

TT

#F T

-f-

E ^
S33

m~rr

:-#" :on
lo
i-

:o:
;s

zoi

oz?_z
8

S3 JES
1

LOZ

f;

Sal
J

qLJ.

Op
~T

|97

J =p- JZZpZ

^J

CEzp

fe - -&-(*
rhLl

-eL- r -eL

iszzo:
<e-lt#
10-

=3
J2ZZ:*J
1

* CODA WHEN USED AS AN ANTHEM.

tf

"P~i

h
;r

i&1

- efe
jQI

Tit

-jzzzlziiLzz:bzzrigzbiJiJj_^ozr
PIU ALLO.

xh_jl:
DECRESC.

1
men.

FF
ICC
Lord,

t*

irx?:
honors

5=3
o
T~

en
-

pi
C5
verse.
r :

BUSr
o
J'm

:ozzz zzo:
praise ye the

'9-9~WW
Hallelujah

=^R]
'WW.
Amen, Hal
1-,-oL
-

5
le
I

-^
lu
-

sSkaxEoii
jah,
-

shall

rich your

Praise ye the

Lord!

t^zzzrziTi^i
p

IOZCT o p -

"i

^=
o

.L^L*' J_

L_ *-
FF. >

41
I

^-^
F
DECRESC.

ny" 5
F

_Q
:i

^l -QL'

HYMN
el

1*

FINE.

o>

*
I

rzP
1^-

^-S

H^l

-.-.dLJ--__

-eL

iQ-PnD. Cp.

1
1

u~

ITT"

ANTHEM

and

CODA

nfe^

42

ALLEGRETTO.

OM) CHANT.

L. 31.

Common Hymn.

How

vain

is

all

beneath the skies'

How
<-^

transient
_

ev'ry earthly

bliss

How

slender

all

the fondest
1

ties,

That bind us

to a

world like

this.

&
r

9 g?=
t

S
T5

3!

IN l=OCO STACCATO.

ALLEGRETTO.

1
-

^
re

*>-*-*-&-

g
sin lias madi
.

CONVENT CHANT. SEE o

1-p-(-r-t
-,
.

L. 31.
< '

Common

llvinn.

A< cent P< collar.

o^

'^^irZf
*n:

:^:^~

LFH
the

i
-

D
las
!

nature
r

"cr
s

O.
-

wounds which

cure

In

vain, a

is

aid;

he work ex

POCO STACC vro.

Ts^n^"^

rz
~3lSI&~-

fc-^L-g-c

^^=^fo~

....
-

: s

x
1

w?
n

:C

ez

=F

ffi^r~M^31

^-

GERMAN CHANT. L.M. rr T T rr r ^1 ^^J^Eg[=^^^S5|:gp^ n

ALL, A

BREVE.

Common Hymn.

l~ZZX
1
i

43

r~\ g~i

l-

i-fP-Np^qH
i

j 3 w~ -9 =W-Hlf& D7
~~

>>

=E From
ever

T5
:sv
lastinor

e02-

T"

can*'

~i

rihi
be

r
-

ro
'
dor'd

-'
was the Word; With God he was, the Word was God,

Before the heav'ns were spread abroad,

And must

di- vinely

t-r ZZZ _Lf

~r*

T-0!
iO

Gi-jyr

-.-:

r
^~r

-rrr

rr
r~rz

no

ql^u
JJJ.

5P TT *

o o

:.

ho'
f
9

--- JZoi* -9
i

> ^

e
I

'r^
i

^t4^:

STACCATO.

^zrrzn:r^7

C3

m^^$0^^s^^^^^sm
Common Hymn.

AL.L.A

BREVE

44

ALLEGRO.
?

LUTHER'S CHANT.
f
f

L.
f

M.
f
f
i

>

oiiiiiinn
I

ii

inn.

>S^

T
t

L 'MZ9I.9Z9Z t r

^
n
:r"

Peculiar.

~r :?z!L
i

;<>

_L
_"
i

"c:

^=F1
i
f T f

*-L '
f

ty

r
By

--.

^3
#
L

L_!

~^

trr-goc -
still
!

<">

a
II
it

I"

TZT OCX?! ^Q[ ^-(

33=

T5"

Great God,

~rr"l |
_
_

\vc sing

thy migh

*
?

i~i

^ L ~r _^
-eL

liand,

that supported

we

stand;

^_j

^^~i<->

1- -- r

i-r
f

S"0
T

r-

Q.CASI

l'.\

POCO STACCATO.

^W
f y
t r

-q ?= F3Ft T9
J

' ~
1

The
r

op'
I

ning year thy mercy shows, Let mercy crown

;~ J

Z5

~i

L_I

"^

_l

lift
-r

it

till

close

T
-I

4-

f- -f-f-

--

-je-

r
I

tif
T jaoKJC
-3=T
-^>^

~~F?
^3
:

-II

r^z: F^E=_E
Klli J\. _ 1^ 1 A-Fl 1
-

J_J t_ T-f-T-c ^3r :cszi

ALLEGRETTO
23l~T
8^
"i

AXDAXTIXO.
:o~^

^liii^f^J
ICf r "g
g~jg
IS IS

I^..'l.
:

Common Hymn.

t
I"

rr

^
?

"*--*-*r ;""

y?:

T7~ g

i^-fi
+-+-*

~s^s m-w- r-rII

L Why
droops

"^

zszisi
i

^*

azsi#--

--no

=^ ==**
balm
to

38
:

3ljszt ^i5Zi":orH
physician
to

mv

soul, with grief opprest

Whence

these wild tumults in

my

breast

Is there

heal

my wound

No kind

be found

.'

SN>. N S * nTj zEE

r* r*

w^r

^^pSi

rv
-r^-r^-r^

r*

SJ5I

:c=nzr

ITS

POCO ALLEGRETTO.

MORAVIAN CHANT.

L.

M.

Common Hymn. 4-*J Accent Peculiar. ^s

Show
=;

pi

ty
1

Lord,

nr ~i "*

9 ~~ZZ

n ^~ "

Lord, forgive, Let

i

re

pent

ing reb

el live;

Are not thy mer

cies large

and
1

free,
i

May

not

sin

ner trust in thee?

1

<~ ~i

I 1 1

9~ '

"*

ajTT

UN POCO STACCATO.

itO

1LLABBETE

EVEXLXG CHAXT.
~-p-9-p1

L.

M.
2
i

Common Hymn.
-J* n

m-\
b

l-i

zzrdLzt
.r

T
"

o^o
i

a
i
'

ill
'

> e
:

o
far tinI

S
.

ieLeU
led

<>
on.

*<>.
far his

*=33
pow'r prolongs
I

"~

3 ^ ~~r r
i

3
days;
'

3*-sLd
And
ev'ry

:^cltq
ev'ning shall

-
i
i

3* ^
"i
<

>

Thus

Lord Lath

me

Thus

my
,

make known. Some

fresh

memorial

'^

of his grac

'

">
:-""'_< L
T
,

--. .
. >

-ar-r-T-|-np-fi

^ -i

cz *

"i

<>

.<> c>

^f
l

o *_i -1r

::>
o'.
<

).

ol-d

cv

*
i

J
i

!""i.

POCO STACCATO.

AXUANTIXO &UASI ALLEGRETTO

l>.

T~ ^3 H TEMPLE CHANT. L. M.
:
i

r -

--- "

-i

<

"i

>

r~

o-o
TT

o o

m
vine.

Common Hymn.

So

let

our

lips

and

lives express.
_!
|

The
I

ho
I

ly
1

gospel
[*>

we

pro

fess;

So

let

our works and virtues shine.

To prove

the doctrine

all

di

T*'

_l

31-1

-rrf?^-*

>

ALLEGRO

ASSAI

OLYMPUS.

L.

M.

Common Hymn.
Accent Peculiar,

4-

^ i

~TT

Ye

nations round the earth, rejoice,

Be

fore the Lord,

your sov'reign king

"i

Serve him with cheerful heart and voice, With

all

your tongues his glory

sino-.

c_3=
r

<2Z

PW
rrzC:
r r r

T5:

~r

~e
1

!o"

-tZO^
IT

T~

izzszzs: T 9
i

tz:

--'

^2Zpll
T-

r_r_rip;:l_^o

-Mi

-P-

p
T~K"

>i
i

^p-qrpi

T3*-

CRES.

Hi

ffc-J

r~

:o:

r ~*Tl
"i

rzw:

TJ
TZ~

~~r~rri

:*^-z
"i

:^z:

TT

sn
L.

r~

izz^S T

07
-

|L

iT--r^f

zzdziz

1 X5 r

5[T?r;;;

UN POCO ALLEGRETTO. r# r ffZ^ZZTZZrz "Sir i rn~

:o:

M.
g g"^

IO" "r-iw"
1

Common Hymn.
i:

~r~

52Z IOZZ
P.

~ri;

iz~
34

ro

rp: SSBf
Come
in thou

~r
i

-~~r

SOLO.
I~i

TUTTT.
ivi^r

231
of the

ioz
Lord,

9'--

T
in

jZS_I
Je
-

s3-
cious
'~l

isznzbztgz rszszfazzizzi -Q z g m
:

P ixzih '-d- 1
And
-,

>~

err

bles-sed

Oh come SOLO., 3
---

^TEzlf

sus' pre

name

zzzz?zh~

5~TT

FT'

We welcome thee TUTTI. N, 1^

;

with one accord,

trust the Saviour does the same.

TT
J

i
d
r

-J

^"<j

io~r;

r*

ft

EP

48

^mwm^^m
ALLEGRETTO.
2ZZ!

:*!":
"i
i

sot
i

Common Hymn. Ml.VOK MODE.

ii
my

feS
,

<>

|=*>

Far from

thoughts, vain world; begone, Let

my
I

P
re
I

lig- ious hours a

ft*
-

c
lone
;

Mh*
Fain would

#
my
eyes

a sa
i

._.

<=5#*wait
a

o
vis
-

my

o
it,

Sav

iour see;

Lord, from thee.

a
s il
TT 1

xeu

II

P3 HE4u
1

F-i-

"i

ZX5~

Q -r "^
t

co

=g

izm Qus: r nrnzL

1

nrrir
rQ|

-3~

ICE

XXTCZ

~r:

IJH ^
nzc

ALLEGRO.
3i *fcP

"I

coze

TRANSIENTS ESS. L. 31. -# 10 ^F X5~#: TT 25 SSS ICZC rrziOr -T

"i

Common Hymn. MAJOR MODE.

:ozs: 331

~rr

TZ

ztzt
And
I

3>
TT

Hail great
r
I

Imman

'*

^&S
<

^ H -3z:
-'

uel,
_

all
I

di
I

vine
__,

In thee, thy Father's

glories shine;

Thy

glorious

name
I

shall be
-i

F^-F^Ftf Br
I

l_
=:

m-&

~r x~
=s
I

ador'd,

ev'

ry tongue confess thee Lord.

L__l

TT r
>

-=- -m'

f^

R m&
-#
l

^^F
"i

T~r

tr rr1 -^ rr- :es

i

~tm
I
I I

iii
i

ft
~nr
i

apziOSi-rq tf^
:<">*

rr
-r
<:>
i

JSt rr ne r
i
<:>

<o -9-

~T~

tt

O ^F

-arm m

--

IX

a:\da3ttixo.

L.

M.

Common Hymn.
r;

9To
r-#-

God, the great, the

ev
I

er
**

blest,

Let songs of

hon

or

be addrest; His mer

cy firm i for

ev

er stands; Give

-8~ -

3^ zn_
-

fc^_J^5Zf_S_zn_p_=q P f- 1P r 9
' fr
t
i

a
U-

hr- ~r
' '

'

=b;n
i i

S^5 - ?&=
J

~ in is prj~na
\n:
is:
P~l

,1

IUSI
9

"
1

Hfedfczgz: Hi - 8 *

s"

g T" -p~p^-- i

R3_

jL

re

_*

u
i
i

js.

e~

rmr
-j*-p-_

<&

Tr

r~

P-

him the

thanks his

love de

mands, His mer

cy

firm

for

ev

er

stands; Give him the thanks his

love

de

mands.

3tJ IX l'OCO AXDAXTIXO. DIVOTO.

>

llil L1*1A1UI\.
<>

Lt.

M.
ZX

Common

MINOR MODK.

II;

mn.

<:>

H"-H*i-

t<

EE:=S Of- o^S

---round
!

ZX?
<">

a*
^i

:>

rr

-o
lie dies
!

:F
-

^f=sa
-

ssf^a
sudden trembling shakes the ground

tlie

friend of sinners

dies

Lo

Sa

lems daughters weep

sol

emn

darkness veils the skies

y^.& r

l^i

rrrf

'

I.V l'OCO

ALIiKGRETTO. COX Sl'IRITO.

ii

a* F4-r
r#

szs:

=z=pp=

CRUCIFIXION.

L. 31.

Common Ilvmn. MAJOR MOPE m

*3
4.

43

The

s
ri
-

'-God
for
-

o - o
sakes the tomb,

ffjTfo j in
to his

up
the skies
::

sing

Up

Fathers court he
1

n
rj '

'

i n
flies;

Che

rubic

legions guard

him home, And shout him welcome

to

rt

rl

IX

-
I'XISOX.

<^>

3*
O
#
!

XX
r
I I

izjizr
II

"^ ?

ffl^

-Q-y-l-^-^^

o-^
But

XX
lo
!

"C?"

IX
tt

o-
"rr

x?~

X]

TT
see

what sudden joys we

PRESTO.

BOSTON.
Or

L.
rzPzzx

M.

Common Hymn.

Hh=
:fcp~r r

51

*F

n
my

^r^

^r

-Or

=F

3
Shall

Or

o- -Or

^
SOLO.
i

^^j^c^pj^j$-eEjjr^.e^^r^rgzpgE^z|jj^:q:j r =Q=^z|zz^3:zfztzrT|rfRzzz|
r

My
r#~r

ft

God,

King,

thy

va

rious

praise,

fill

fne

rem

nant
-J

of

my

days

Thy

grace

em

ploy

my
=f

hum

ble

tongue, Till

Oj-~4
*"
lO
I

|J--J

t
ZE
_

-e>-&

r
-&

r
>

io~

-ncr no
i

iO

-"

w.

Qr

rP~
"i

ISZjIfi:

-9 -!r "i

~P

O Z_ri
:ri

T
r

B=h z:
|
I

:r~

SOLO.

1 it e -f~
I I

a,

w
~[Z

^eL
Or

ORGAN.

52
e
.

ALLEGRO VIVACE.
o

We
<

1S 9
~

ELIOT'S IIY3IX.
< >

L. 31.
TKXOR.

<

onuBon II>imi.

a i;ro.
>

33ZZ

nil

XZL"

li r-S
t+J-e
ce
1

"i
~>

SECOND TI!^I1I.K. mziaizi

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all
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Sczir:OZG
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be

P*^
name,
E.v
-

^> itrvH
glo
-

E
1

trr

nal

God,

Irs

tial

King,

Ex

thv

glo

rious

alt

ed

thy

rioua d

P& T
s
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Bill
1

m
M<i.;;.

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>

jo
SOLO.

IP
1

TITTI.
--

0;

^-i^-l 03

=f|

TJ

"1

o_ BT~3~fe
Let
hosts
in
-

o:
-

And

J J J
saints

heav'n thy prais

es

sing,

And

saints

on

earth

thy

love pro

claim,

on
1

earth

thy

love

pro

claim.

LJ o
-e-

-.

ZL
<3I

-^"iiiid^T
TITTI.
J

r
r.
-el-

SOLO.
1
1

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<

.,

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or

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^r 13=:
T~

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_>_i>_ -"-

SOLO.

iei

ALLA CAPELLA.
-/"
"i r

CALVIN.
rrh

L.

M.

or First Stanza.*

o~
T

i-'
SOLO.

#,

H
~i

Arise!

eel
'in

izzxx.

WM ^
a
-

xr

O
The
J

iS^Sii
Common Hymn.
TCTTI.

53

sPsf ^,
-

glory of the
I

cy
lat
~

xjr XTJZ30-&
-

-^
is_
-

-~w
the
-

3=

-41 '-

is a

at

T
ris-ing
I

- cr-e^-

:rr

rise!

with joy

sur

vey,

ter

day;

Al

rea

dy
,

-d

IOI

:zo:

dawn he gun, Which marks

sr^.tr^

hand
I

A~v

II

UNISON.

m=& rt-pi i

r~TTi
Tq-;_r

11 53:
""Pi
I

--*r-f

HEHEn=fl
r

irozj

3e
r

a
-J
,o'

sun /?

if

tte
3
o:
r :cz:

SOLO.

JL.

TCTTI.

FINE.

5^

TTS~rcr

asEB

ALLA CAPELLA.

MELANCHTHON.
^ :Pmr*' CXI

M.
ozo

"Second Stanza.

Common

II

inn.

ox nozo

XT

S3
to

r z

K
TT T
L

F izzr

T5

o,

I ^

n^ :cj

ffi*
rrr
I

zF

"I

~OZ
rulers

iozqi
of the

I>

T
l~o^ff
land,
,

--

--

Ye mighty

<? i:

Give praise and glo

aw
r

tot xs
jc^id.

r^inje^p

E3

H
-,

"i

,.

i"

f=f r*:*h*

3 XT XT- EE o ^^ TF1
L

--

I e w~
,

n^~ iF Lr tzxr ~rFj ft i~~r rf ro _orz^OjL>_i^c^loz^rZ33l

~rr J I
"I
I

ry

the

Lord;

And

while before

his throne

t-,

/, cr.
-o
^~

,rr -,

"p>: Ki-

<y

o:

rFfrV
- -

ipzo:

EZ

IO
~P~

t j^~

SMS *
n
I

i
re- -cord.

ye stand, His great and powerful acts

f -d-|-4

T
i

FF--g=i?=
t^-to
1^

="0

"|^

[O

i i" -|.p
zl

^r

1-R-f

"ZC5-

IGT

1 or T~r

mi z5cs:

TINE,

>'l-

IX POCO ALLEGRETTO

^ jEgfimpB
Slay, thou in
-

^^^^^g^g^rfe^^l^lgi ggBB
^#
-

l'U>MJLATH>.V

L.

M.

Common Hymn.

suit

ed Spirit, stav,
it

Though

have done thee such des

t$^-i

:83_

z*

rr-i

n- i

i-r

^ ^W
o" T

pite

Nor

cast the

ner

quite

way,

Nor take

thine ev

er

last

ing

flight.

-*i

"*TT
'

f~T

I I

i-JI

!.

B
ASSAI.

rr-m\

e-rqf^ L H:ncr-Jq e -^--F p ~r~ i n r ^t~i h

-eL

^ PPtn

ALLEGRO

AMON.
~i

L. >I.
132
._____,
12,

Common Hymn.
<">

pgg^g
iSr

~m- Ft^H^
1
1

7T 5 :q^i
SOLO.
1

1r#--r

SB
' 1

XZI
My
soul, thy great

--m~w
Cre
-

s
;

'-

^> r
'

- f\ \~rm H fa fal (H^~ r\r -j~~nrn r~ 3j nr*~~ -J

1 !

TCXTL

~l

'

"HP
,

L/il H
r
I
'

^
-

a- tor praise

When

clotb'd in

his

ce

les

tial

rays,

He

in

full

maj

es

ty

appears,

And

like
I

a
1

bis
r

glo

ry

wears.

Tl'TTI.

- -,

i . 1

*
t

.Q-

J ?r -h rIre "-j* H rf jtt. MIUI

1

>

r~i

^
"
1

^^

A * r

xxfc

3Z

IOT

Hf Id

1-

1*

J-* _v
i

|C f.
1

o.
r

=S=

jSX

liilisPi F Oj T
.

t>.

<=

-.-

<>

^m&m^mm^mm
ALLEGRO VIVACEBREVE

tth

HASLINGER.
~r

L.

M.
ifc^KT --r

Common Hymn

&

t^-^^rr^jlozzorrty-'

ifforyw
Hark! from the
cross

E5i zzifzz: -t
of
love

i^fei*5JgQE
true,

a voice of peace, Bids Si

nai's

aw

ful

thunder cease

Sinner

that voice

bey,

From

Christ the

the

liv -

ing

way.

ALLEGRETTO

STABLER.

L.

M.

~
-]Jesus where'er thy peo
-

pie meet,

T*~1
mer
t

TTJ"
>

There they

be

hold thy
_i

cy

seat

a s4-?w i r
-rt~r
(g:

m^:
t

^
;

Where'er they seek

thee, thou

art found,

And

ev

ry

place

is

hallowed ground.

^^.

9-

?f
I
1

3=1
r~nr
"i

Tcr
r

rt
1

l>3

P ._

^m

T~t rzr

^l*

-^--eJ-.-QL

F
a

-?z*-^z^z*^zH =RE e i>-rpjt ^~^"7^'Tf r

f

F
,

I!

=FF

--p-^

^-r- p-p-pr 1

^V

r
cv
>
1

rr r r
1

TZf

r-*T~<y-"

ol

t-

-;z

:o~p

i^B^i fe^feMM.

tllll/,1,

'

"ipiiiK.ii

II y mil

:fj

=LEzr:

~7

*n

Sd^giiiig^sHiff^
The Lord
is

judge be -fore

his throne-

AH

na

tions shall

his justice

own Oh 'may
:

my

soul be

found ._ sincere,

And

3 V 4*

fnzn

stand approved with courage there

i^i^i^Sgiiilii^!giiiiiy
1

_T
,

of
i

j rS

qJ- J n ^^T
i

-S.^ia. S~ ^-sr*t*s-i

-^ J 5. hi'*

---tfc

J&

-'

i?^

fe

Of

ALLEGRETTOJIODERATO.

PISARI.

L, 31.

*SCC011<1 StailZ.1.

Common Hv

5=
Al
-

^T-*o-.-r
nngh-ty

=r^

:^3
r:
tf-

5me
the measure of
-

?9
my

ozd;
days
;

LCOl _OTd
-

E5P
-

o
to
-

*l
thy praise

maker

my

frame, Teach

Teach me

to

know how

=rf
fcfi
'

-I--J-4I

:oz

II

frail I

am.

To spend

the

remnant

II

:^dz5
-,

xj

.pL^

-T

W
5=5i
F*3
gfa-41

MODERATO.

or

&rm

o:

H
T
-f

mA-Gii"

MOUNT VERNON. L. M. ~n s 3 ^-zE 5

-OT
3:

Frojn the Ancient Lyre.

2=3

EEPFPf^riP

QZjfl

HF

~x i mil ^s
~r
8

^
need, For succour to
i

-W

EEF
I

~r:

3 ^
flee;

zgzif
mer-its

~T"~
t?<

-
My

Sztrpl *r: ^
goodness can- not reach to thee;

Pre- serve

me

Lord, in
I

time

~zza

of

thy throne

But have no

there

to plead,

v,

LJ

s& 3EEE
ALLEGRETTO

f*

fFf=Ft

g FF

T~

TZ

EfedSilrlr?^!
r~_r

DENTON.
d-^eL-d. -*
*. _o T"
i

L.

M.
:E

O*~
:i

2d

Treble.
I

lizo -&Z H ^) n 5^ "rrPSQ3EZI

H5Z
-

o;

Wh
i

i~~

fe
SOL.O.

3
1

-r*-g> f>izpizt
r
I"

TUTTI.

fefJMipiig^
joy -that from- thy presence springs;

its

"~i~r

zrfcffi

I
.

:S

Great God,

at

tend while Zi

on

sings,

The

To spend one day with thee on

earth,

Exceeds a thou-sand days of mirth.

58
be
c

ALLEGRO

ASSAI.

CHAfMAW.
ipEE
3-^< >

L,.
1

JML.

.Frojn <Ae Ancient Lyre.

T T

T-

_o

:o;

^F

t~ p pp--- p o
1

^
He
r

TS
that
-

S^^^^^
ref
-

hath

made

his

uge

God, Shall

find

~n M
-J.

_ _* -* ~
i

-oL-

^ Pi
5L,
r
i

==g=
-el

_:o_

p-.

5H--T-f1 31
71

lt
,

find

"i

4 "r

L 1*
i

= zHa:

"r
1

>-5EEl
Shall a

" r r

-p--,
"i

zo;

&c.

111111111
SOLO.
1

-T P*no

-o- # -- ~zra~

IB

2d.

TREHLE.
i
i

r ra
And

Tl'TTI.
1
i

izj

'

::
Shall walk
all

.T
i

SEE
-o
there
II
at

day

be

neath his

shade,

there at

night shall

rest

his

head,

And
I

night shall rest his head

m^
net
-J-

-r g
X5
I

I
I

r
.

r-

J * J -i-^-i.

-r--r
H,

n
;o

SOLO.

-p. TUTTI.

u
sLj

>
l

rr
: , i

" s s 9p-1
I
,

s"

J-.,*,
"I

1-

FfE

=1

1'

ll

__o \ffp n

<

>

MODERATO.
:zfe

INDIANA.
sc

L.

M.
-i

59
f

MM&m
O 5 T
is

-rr^&^Tf^ 3: xr
:

:a
3231

^
r~i

T\ '

^
xy ^s>
-

^=5

TJ

Blest

the

man, whose tender

ISf ^5
care

in
(lis -

3=&

tj

sr-sg-
tear,

WM m3 sp a
iT^f -
Whose hand sup
-

Relieves the poor in their

tress;
E

Whose

pity wipes the

widow's

ports the

fa

ther

less.

-^e=Rs

r
eL
-e|:

ii
d
J J

1
-eL

i
.

-J-

- ^" 9 P p"P-T "r I.I.

"
i

r
I
'

S3 ^op ti^^^p^^= r F
ALLEGRO.
r#

X.
M.
rrit"o "r~
r

&r?\ TT

CHESTNUT* STREET.
d:

L.

8*
f-

1
ex

IS*

"-^FF

-;* nr^ rr rj IX
_
"i

FS
ev'
-

O.

ntn T
SOLO.
2d.

IN

ij
TREBLE.
'

33Z
i
.

EEI

r
Tfil
Great
is

_;r~r

all

is:
pow'rs, and

H :ox:: :oq
ry throne;

pi
:&

the Lord,

alt- ed

high,

bove

What -e'er he please, in

S w-

earth or

TDTTI.

FF na ~r~e ~f:L?;:
sea,

r
<j.

ZOli

Or heav'n

or

hell, his

hand hath done.

^ftH
UNISON

EC,y

res *
s ill

13E

^-1

_x~r
|Q

tsb
<0
~i

Q*.
I

zizzr
JQh-Ji

I'

r
j*.

o
eL

d L 1 -J- J?
P^ ^xxV
-C^F

SOLO.

if

I*. ?zz

3? E

II

TUTTL
IT
-

'I

-po

J ft

-er i^tt
i

T3

~r

t>V
6

ALLEGRO
:
-

'3

^^
-cJ-

HARTFORD.
3

L.

M.

IVE^V

Hymn Chant.

iiijs
j~"
praise

I^Z^ZZZZq.
Come O my

3=^a is: l^:

soul in

f^TFFFj
riZilOZZQ: :c
;

zzl^zzct -o
Attempt thy great Creator's
i But oh
!

sacred

lays,

what tongue can speak

his

fame,

What

s
r
,

*S3z^!

mortal verse can reacli the theme.

m ^ ^
f>-L -!J

zz^zrxz:

'gyv
c

:Et=,=-

c"

-p-

PR
1

ZJZTZrr

#
4-

ir

-f-i
-J-

p~^i
-d
-J-

r-

-r^n

j.
i

.j.

J. J- J.

<L u j

-J-

J- -J-J-

~~ ~

H
-=^

-e^

L'X

POCO STACCATO.
v

zzzEz^zzzcz?li^ 1
I

"

r
' '

T~

-"

lE2Zf^

^ICTQ
Common Hymn.

S
I

I.I. v

BREVE.

KING STREET.

L.

M.

Lord when thou

fc*

didst ascend

in

on high, Ten thousand

r
1

an
1

gels

fill'd

the

skv

Those heav'nly guard around thee wait. Like chariots

that

attend thy state

n-

Dr
-Ci

--
*

J3S

FZ
i I

ALLEGRO

ASSAI.

OTIS.

L.

M.
*Z"1
i

61
r

=E=zE:TE

trfc

r^

II

il

r~r

r
Thrice happy

man! who

fears

the

Lord,

Loves

his
'

com
L_

mands, and
L_

trusts his
I

word;

T-

T2T a] fc:

Honor and peace

his

-=h
-r-Sr-f1 ' i

EH

S?

"T in

h-P-r 33 TT"

eF

TT
221

-o:

IOZ

T az^ r
i

iiz?:

-r

-F

a O "rzzr r r F~
-

0>

j.

-L

-e'-

TZ

i ft:

_j

J ?3h
J

\J

ALLEGRETTO.
<>

I...

.'I.

i^^ii^l
frs
--
Great
r#

3=
ra
-

^ ftr
r

from me

.tfncieni .Lure

I
tween

r r

gy
cher

T
-

shep

herd

of

thine

Is

el.

Who

didst

be

the

ub's

dwell,

EJEEgEJE
p
oL
j.

?~
T
"

"LT"

=1?:

4f

3t3::

o
T-

-^
n:

p"^

Eg

-L-^cg.

i
1

r#"

*
T
--

Pv
'I

SOLO.

2d.

TREBLE.

r^
l.3
i

~r
J.
thy

m
And
lead

J
-

$F
i

TUTTI.

sheep;

^=
I

m^zz^:
des
-

^3
and

i
the

the

tribes,

cho

sen

Safe

through the

ert

deep

~P

"

ESEtE?

i_rr :=d: i r
_p

J 4 :*

3S3ES^^EQEgE
Tl'TTI.
J.'

SOLO.

EEH "S

E*=p

jQ:

^o:

ILLINOIS.

L.

M.

Common Hymn,

God, thou

art

my

God a-

lone;

Ear -ly
i

to

thee

my

soul

shall

cry,

pil -

grim

land

un

known,

thirs

ty

laud,

whose springs are

~~i

33 rR~i T u~i BEn

i i

'-

T"
I

T T
-J-,

3-Xi-

"XI

*
Crescd:

T^

!
i

iii
-- - - f.

*#wf
,^j_

*>Hr

%r
J-.o
I
'

PH
i
i

dry.

if

eh

n-1

tx

FFRBiSd
Vs.
4.

x^:I
Sing

Ward

Pg. 64.

ALLEGRO.

ARKANSAW.
-m-wrarfjy,

L.

M.

Common Hymn.

Kingdoms and

thrones to

God
I-

be-long

Crown him, ye

na-tions,

in your song:

His wondrous name and pow'r rehearse

J_J__L_1_
r
1

3=xsa
Unison.

?3XI IOX uX w
l

r-r-p-

-fJ

%:r3

SEE xrzr

XX

&

1
1
i

f A -
iid:
L

..^

"crrn x rT Kit
TJf5
Unison.

a3=a=i

JCL3L

i
'i

3 n 6 IXX" rx *H E P tP-2 g X

His honors J
|

shall

en

rich your verse.

!

3=* n

-,-#-

"I

_ ?

wmm
L

-i

-r-i

1-|^"

ft

EZl t^;

0-i-

ALLEGRO MODERATO.
i

-r

fe
There
is

K
r

23E
rcn

WARD.

_S

L.

M.

From
_ozsj:

</i

Ancient Lyre.

1
And
wal'ring our di
-

a stream,

whose gentle

flow

Sup

plies the

ci

ty

of

our God; Life, love, and joy

still

gliding through,

vine
I

bode.

5ra=
T5"
I

=5W
-e 1

:-Rf T
<J-

gjggp^:^ ^
:

Q_ rr.r
II

Tyg-all

(JPW

r a rr

TT

Tip

rn-p-'-rf

D^p-r

ALLEGRETTO MODERATO.

UXBRIDGE.
^yii*

^-

v
At
an-chor
laid, re

iiHamraggg
L.

M.

or
I

^Stq itjat
r
-

is -T
!
.

~r

rgxg:
no Ion -ger
stay,

-mote from home, Toil-ing,

cry sweet spir

it

come; Ce

les r tial breeze,

But swell

my

sails,

and speed

my

way.

w=-.-i Esxar:
I
I

3L-J-.-eL.

-L_J _^. _^L_^ j

:

HJ.J

? II- -3-4-1

4- -trl

? XVLdT-OZZfT

32ITF

J--4
<

i'

~;i

0-i- rsx:

~ -rry-rrc

r '#T~o"H

CHORAL.

r rr

:s
r^-\

3 ~i rtl
"i
r

KOERNER.
-'
~r

L.

M.

EEE j
:i
ri
i

SB
1

Common

Choral

^^F:cs
7-

81

____

rif

:o^ #o
Deep
in

"I

p
I
i

323d3J:ris
-

So^
o
-

B :C =F
ho
-

m
:c
p
1

our hearts,

let

us

re

cord,

The deep-er

sor

rows

of our Lord; Be- hold the

ing

bil

lows

roll,

To

verwhelm

his

\y soul.

-e

-'

3Z
j*

327

rl M t
i
p
I

1*
]OI"0
-

t2 z: *3
i

rozp^z f<S 5 =F ~-^tfcy t:

f-

p
i

p
i

p
i

JU_

--

-J

i=ip
323

si:

32

32

1:

--

z?

L.

M^i
*T
"f-p-

p
1

Alg> .-r^nrj
r

EISENHOFER.

M.

Common Choral.
'"ft

ho-o-totgz!
The Lord how wond'rous
'.

#c
!

are his

ways

How

firm his truth

^
.

r "^L bo- -^^ how large his grace He

!

Ty~a>
takes his
1

W"

Ty
2Z-P-r

FT

a ^
-p
-J-

f^cT -J_s"
11

^
i

0^0 p p
J.

!
p

ct

-' -1 1 "T Trrzi ~ z\rrr~ 32

1
i

mercy

for his throne,

3J zEdgtew

ti T r

32 L l 3 ' 33 p p_
-C-

~rr^i

And

thence he makes his glories known.

1

ti

r^rrrr K2I rri

!Q.

-V

"p

T
! rt
d
.

V
F

._j_j*

-T

232

n_l

-hQ-H o^Q 22ZL

H^p-k

-3XT oTP_jo"flE^Jn EEEd=fe

-d-^-i-

- 32J

82
,.

CHORAL..

KA3IEAU.

L.

M.

Two
o IT
:

Stanza*.

Common

Choral.

F ap^ls^sl^ffil^fe
_.<:>_

gpfaf
T~
i ,
I

*=feif CT
Lord, hear

o ^
it

T~ z F=pf t-T=FF"f|= F--f ~QT~"ri -1

T~

'=otL

eC

SI
-

<-*-

=F

o o I
J

my

words
1
i

my

spir

see.

When

nr-'-i

wrapt in
r

solemn thoughts of thee

ri

ri

n
: ,
i i

My

King,

my God my
r

cries at -tend;
i

To

thee

my

suppliant pray rs as -cend.

rr-^-i

rr^

SECOND STANZA.
r-

;^pWz ^g=0[
i

ffl^zbcE
i

j-^rc?:

:r^i ^ n~n |-~r~TTiz

In

^^1ip-pr

~o
i

~r-\~ v-*

S3

O
i

I"!

XQ3I T5 n ~ h ^
l

"i

:o:

~i

331X3:
I

<>

o CI Pir:zy~ ra~- <> xff^Ed: rxx:

r

T-

~r"

-J
r
1

^
:

lift i

S>

^
I
1

T T

O -

~T~1

F=l XTT5 --; 3 ^

faith look
1
r*i

"Or
1

Whene'er

the morning
~\~~t
i
1

rays
1 1

ap
1

pear,

Thou

Lord,

my
1

ear
i
1

ly

voice shalt hear

To
1

thee

my
1

ed hands

shall rise,

<>

- - I2ZOI
r

/v
i

r~

*?*
1

:[

=fl=F

T
1

=Bl:
c rs

And n ^> ~n

up with longing eyw

I

Ti

1"~
1

>T*

Rf^f
-f
c

ZOl

CHORAL.
r~g?

BzEBzEH

ZQZOIZO 'i

331

~q:

^^^fe
PAER.
L.

M.

Common

Choral

83
OZZT

X5

5^
3

"T

zr

-
Bless,

-
O u my
1

soul, the
I

is o
liv

- n

czoE

LL o: - > CLOT, 1
that rove abroad
I

5 qSE -
r
;

QCgOI
me

fete
T
33
n

^Ffl

^1
so
di
-

n
^S>

I -
f-

T3

_^ ^c7 33:
-^
j

-ing God, Call __L__L

home thy thoughts

Let

all

the pow'rs with -in

join, In

work and worship

2X
I

r>

rH
f" f"

>

cy -d

~T

T
-

-f-

rr

3CE i ]T

-f-pp: 33i:
*3 ^R=FDE i
:

-'-r-f-

p^
ff-

W
r
i

vine

T~f
I

fW'8
-iCZZEIO!

L-SL

W,

xx
lno:

3]
CHORAL-

^P-FR
xy
?3Z

p-

1 crP

I
Common
Choral.

S ^j^^yjsi ^
-

VIOTTI. O :cr -L
i
r

L.
"O"

M.

3X32 1t
T

o:

""

ZEZl^tz nzz

z^ro-T?
Thro' ev'-ry
age,

^
e
-

oP'
ter
-

i
[

&-&<*
Thou art our

nal God,
I

s
P
I

EZ

- L TTrest,

<3f

T~ 0^33 ^3
a -bode;

TTO

C 1
1

m
i

-
/r

53
'

3S
stool laid.

our safe

High was thy throne

ere heav'n

was made, Or earth thy humble foot-

fe3
p

I3|Itg

te
I

3
f
7
s

-Pl

p
i

p
i

?3*zf^ f f
T"
"

3 ^p&i
^
d

ilZT^OZo:
z^J 5=^tpzfz^
fr

ii

'

S3
I

EI
p
I

-P-#f-

131

^# f

m B

f+
f*-

"

"

TT

331

E 3

izzor f3 Fp
LL

33

331

i-fiLi 5E
33

^-.-^ 1 t~

zzd:

f^

i^lB

GOMORRHA.

L.

M.

Common

Choral.

^rkX^lt
I

ic 2^1

Q -- e'ggj~
1

~CF cr
Thy Ho-ly
SpLr
- it

spread

my

sins

be

fore

the Lord,

And

all

my

se

cret faults confess

Thy gos-pel

speaks a pard'ning word,

seals the orace.

4e

P lp*g

>-

Q rg#
|

<:

y'

M fl

CHORAL.
i

E*T

^T^
i
I

i ! ! 1

CAIAPHAS. L. ML T ~r~r? PO: iz ^fe ^^3icr ^-& ^> 7 o <>

1

Common

Choral.
r

"

"i

>

o
i
i

CE QC
i

_]

II

T7J ^^S<y~oo^^f^^f& ^X^^^

"

i
l

r~
el
|
1

"|

"~i

rcr O OCT" _w_ J^\?"#

v
'

May
'
1

=5 O a
"CT"
trust

Show
L-ik

pi

ty

Lord,
.

Lord

for
I

give, Let

rr

^
i

a
,

re
1

pent -ing reb

live;

Are not thy

1

mercies large and free,

not a
1

sin
i

ner

in

thee?

I
i

/^
i
i

n /^

CHORAL.

DISTRESS.
t

L.

M.

d--d#g: lo^ozo
~r

-f^^
irer
'
no
merits
I

&m
r

Common

Choral.

85
EE

'$-e

FC cr^cr
:

T?
Lord
in time of

#'

S^B Q"
]

;=a^E
>

H^
I flee,

plead

"i

Oi_0"_
:

P.

3^<^_^
r

Preserve

me

need, For succour

to
I

thy throne
I

But have
"i

there to

Ts

My

goodness cannot reach to thee.

1

znzr ? =S 1
p

:loj_ol

xfc:

#f

-f-

F^=Ff
i

^ EE- Hcz:

^
;o:

*?=& y~oZI #f~f*f

J r

:^;
-^-p-

STF
i*

-J-J-

T ^n i IT q^i
CHORAL,.

1 :cn pzprjr =+

FB

o-pt-

<CT

^-era ^

rr
t:

fc^^rc^
jo:

x:

CHEROKEES.
S5I

C.
q: n

o:
j6-

ee

T'
:or

I - X5E
TZJ
p

^
"i

33rT7

-
L

xyzzo; T^

lone,
I

M.

Common

Choral.

-i

55:

: o:

q
i i
!

eJ
5T 1-

^
#
sn

_i

T"

r
:

^gT-

r<T ^ &- -
of

o^
-

T~T
;

Lord

hear the voice

my com
i

^-zyplaint

T Per
my
se
-

T~ r -
cret prayer;

^
thee

r r#'
a
-

oo
my
King,

:^c ^>
God, Will
i
I

for

~ZT

Accept

To

:o:
p

51 -'
f-

rr

:ozor
-f-

XE

^ u ar~St
p p
r
i

-
^P

P jL
l

pP

IJ

d_.

pqazi

ln-

"oT^
-

"?

^E

^
:o:

TT
i

my

~zy-

TT^FF>
-

them

^
help re
-

pair

p~
i

P
3-T^

xe

?r#

~[

o:

22JI

p^

o: F:ei

Ljcr

CHORAL,.

m^^
~~]

CHORAL SONG. CETCO, E Q ^ t

[
|

L.

M.
<:>

Common

Choral.

S3
fierce
.

<_y

<;

y c~y

<_>

H ^^i i
_!

ffl
1

But thy
wrath
I
,

T
cannot
bear,

IFF O7^ O =e32^

O
I

Lord,

can

a uf-fer
I

thy
I

re

l_3
_j5

bukes,

When
j

m
rise.

tliou
1.1
j

with kindness dost chastise

let
I

it
I

not n

or^i

^,

4P>

T>

gainst

me

CHORAL.

"i

T7

SODOM.
er^r
xi

L.M.

Common
X3l

Choral.

fcrixs:
r#-

-ft ipse X7~X

i

ZX
T

rc

c?

-Or - I2~*? r
-i

^=-2*5

<:>

rzz

J2I& ?B

"i

0~ XT

I,
1

s
CO "O

#2^3 ZX -&+Q^c^^o^ 00
"i

3~i

--

a
<:>

^^-5^ i
and robes of
honor shine
!

Lord, what a thoughtless wretch was

m
"F
-^

a
i l

Z3I o
"i

To mourn, and murmur, and

repine,

To
_

see

the

wicked

plac'd on hiiih, In pride,

(O

3?

^o

TT
I

?~r
l

-0r

J-4 O (>

^ W2 ror
I

I?;
i

o"i

^t ^- p-p-p ^e J-J S5Z<3T^f J-. rf* r p

jc:>_

ry~ Q"

?=q:
f>
j

-'

sS

r _^^-^J*

o^> o --o -e^^e>

jr

"i

"

-oj

1
<j
,

r^r ^53X
cT

<>

CHORAL.

THE HOLY
^R= X5
:orc^

CITY.

L.

M.

Common

Choral.

87

g5EPvi?p[

^^
:

Is
;

ra=i

m Ei or
'-

ioi

^tsz^c

^^^ -I
i:
!::

Twas by an
i

or

der from the Lord,

The

ancient prophets spoke his word

His Spir

it

did their tongues inspire,

And warm

tWeir hearts

with heav'nly

fire

T - *-e ;ro~i>q SE9^>

cy~

~o

&
="

r SI - -ry ^3

rzzr --

f- f- fJ

by

TF
^r -

-pf =5f
i

^ 33LI^m^zor^r
fr

f-

f-

>;

-p- e r e
"O"

xs:
r

Or

^ :o:
T~

^^FRr^F T m

JU_L

a I

e)

J_

T~cT

_ Q,

r~

=^P3C

iot;

rl_ ^-r ira: e T T or-

CHORAL.

F o'-l ZZ
1

~&
-

IO

IMMORTALITY. XT szo;r ^r Mr U r Or-Or ^r

1

L.

M.
^

Common

Choral.

n B^
And
i

zz

T~ 3 F onoF*E?EiE=S
'Tin
in

^- e:

O Un
*

~r
-

X7<T TT veil thy bo

r:

ion ^fl 1
^^
1

a
new
i

-
"O"
treas
-

T~1 Xtl xzr --- o-on^r

to

som, faithful tomb; Take this

ure

thy trust,

CT

~r <y o r W- - -p-*Q- -oLqC

^^

give these sacred rel

feii ^^r/^Ty
-

rff-

ics

room, To slumber
^^.

the

si

lent dust

^^

rW m

I7^i~
I

ill e o c3 rfcz^rjzrorJs: o io ~or Op^ ^

t^j ~
"i

if->

sq
p

:^ZZ-

f-

f-

f-f-tff

-P-

CHORAL.
.

THE PIOUS
>Ti

>IAN.

L.
.

M.

Common

Choral.

"W'lit-n

dangers, woes, or death are

nigh,

Past mercies teach

me where

to

fly

Thine arm Al

-^Fo^ m bM F^ FT
I

J
>

*Ps

<

-.

"i

^L rpn

mightv God can

aid.

When^sickness.
I

griefs

_J

_l

T*

and pains invde

zSrngrr
1

-^ ..^^^L^eL^-r-e -J
1

CHORAL.
<">

PEACE.
T~|'

L.

M.
o"ry
r>

Common

Choral.

n_r
'#-

fflF^ ^S o: --- ,GE 5pg

IP

^o
ffO <T

T"

CV
rtzzrj z: ^fell

o:
God

L T
-^

r^T t t r szsr_ ^ -- ^-'-

his

Wow may
I

the

of grace and pow'r, Attend

people's

L
sI

sT*

_J

feHH 9
I
I i

i
i

TT~T
cry;

xy #^- Defend them

in

^O
the

''

-r-O-l^zon
de
-

SeI
cr~

humble

^,

^
-I

needful hour.

And

send

liy'rance from on high.

CZL"
ie-

JBpfe
r-,

s-

g
^v

r^
zx

-O i
ICX

-- -v_ -&-

Or

^R--t^

1.

III

x?

CHORAL.

The

celebrated
=F=
:

OLD HUNDRED.
_r_i
:P_'i

L.

M.

common choraJ
p- :Pr

89

:czr_
.u_#

pz^p: ZQZDZ T~

IS
i

P=pEEF=F EFF

P=

p e3 P- FfEEpEEF
-3-E

F=& ~F
=i
-

ALTO or SECOND TREBLE.

5 d3;
G

-G

r
as

_ Eiii
So
let
it
I

B
there
o
-

FJ

Be

thou

O JSrod

ex

alt

ed high,
'

And

thy

glory

fills

the
I

sky,

be on

/ "?

/tv

earth display 'd, Till thou art here as J.

bey d

^^

CHORAL.

WORLD'S PRAYER.

L.

M.

Common

Choral.

In

dulgent sov'reign of

the

skies,
_.

And
:

wilt thou

bow

thy gracious ear? While feeble

i

mortals
!

raise their cries,

,.

Wilt thou the great Je

.

ho

vah

hear?

/55J

J-

"Q|
j

=C= F
bless
I i

-,-

^T

n
"i

SOLO*
in
r

"Ml

III

HI

JlJIIlfl.

O
js:
name.

^-Itzrz^

S*

LTfc:

3
-

9
o

335 fiS
ren
-

HE:
the

-**In
-

m^
Ac
-

der

thank*,

and

Lord,

yoke

his

sac

red

quaint

the

na

tiona

i_ __!

A IXEGRETTO

EXPLORATION.

C.

M.

Common Hymn.
Musical Sense Peculiar.

(\

-g

t-F _l

Great

God

the

na

tions

of

the

earth,

Are
^*

by

in

thy

works by

all

be

held;

Thy

t
w

'

o^

31

pow'r and

glo

ry

shine

And

in

thy

works, by

all

be

held.

Thy

pow'r and

ESSza
T f t T
Eft- r"

i-
f
UNISON.

n
-i

Z2C
:

N N v -55 5i=
'

glo

ry

shine,
, .

Thy pow'r and

1^"

glo

I-

"WT
5_

^.

p-

-r

rs

-e

ry

B HMW

LSI* 1

-O.

r^-?-

E: n

-P-

F: rzjzzzzzplirrzgzr

~r:

-fc&i

=Z=P: J_^_.
IB"

'!
-/ft1

XI.I.II.Ki. ASS A

I.

EXHORTATION. SOLO. C.
7u
i

M.
:r
his

Common Hymn.

-r-r-

Sllli
im:
To
our

- ----

"i,

"

~i

n
J

'

'

'

E
love
-

t>

_.

O
~r

may

im

moi

r
ta]

flame

'

Tur

EE3 o^-?
Re
-

3E
-

^S
glo

fWrJ
name,

J*JJ
the

J -i-=
song!

ee!

deem

er's

rious

wake

sacred

"J"
-^e-

ZETJTZS

P
_ ey^r c5"
iq:
r""r

n^
-^
J
"i

TT SOLO.
.

--

-eN

iozq:
t

+
O
may
his

<->

7~
love

1
!

im

tal

flame

Tune

ev

ry

heart and

tongue

VS P#Cf ALLEGRETT^
it':

rzzs

-8Jl
-8-^f
:?=*=
Blest

t^
~T

35

:^-:

-r
i

~~

:szzz^jzz

HONESTY. C. M. i r?1 g *jz

fez

Common Hymn.

93
IZ

Sz-=t=E U-1JL
=5
3:

^ t^ ^r
:

_L
the

g
place,

q5f=F=F :*-#*-Where
sin
-

is
_

the
f

man,
.1

who shuns

ners
8

love

to

meet;

Who

fears
-_j

__ __k i

:Frgzz:rzzz,
^zzzxzzpz:?:
^s

-r

S sts
:

in:

l^n sS $g
I

:^: 38 HZi

-a
3-

U*L
J-

r
-Sz:

r
zi:

^ i q
to
,

3z

T~~

IZ-
zr

hef
~T

p
2F

ea

X
r~

^ ^=
1

~f

B w
^
And

z zzzpqs zzz^R =E zz^ztizz^

P
5*-

T~
:z cf

DZZZIZZ

H
II

a
tread th ir
wicjfc
-

TT ?-EEESB ~T
^Z"
the

PP
seat,
-

^
-

:zi:

_r

zztzzEfl

ed ways,

hates

s^^Fers'

And
zj:

hates

the

sewers' cfcffe

seat

sipqzzzzpzlszzzzz:
r~"

pzzjzzz5j_

?E

333
r r

'T

SlU

?=#

ia

<>^
\

AXDAXTIXO.
b

REDEMPTION.
~r
-

C.

M.

^S?
b

:r

T=

3"

E
To
i

Commor flnm.

f-rt

^E
-

Jl
O

^J
all
-

jjj^jfcjjj-^
ye
lands
in

God

rejoice,

To

him your

thanks

be

long;

Umi
~T
F.

him your thanks be

long;

"XZIH5

ZZD5
SOL.O.

^S^ :5E?
--p-r^-l-p-

L=f==7?ztr,
-J-

Tt'TTI

-J-

_J_

nsbta
,-

-3 !

i
II

m
T~

p p-

4-v
"T"

EE

5^
UL

3
JiZI^
CI

L-iEEES

CRESr.

^i^^feS
^1
song,

ID

1'

In

strains

OT

glad

ness,

raise -

your voice,

In

loud and '(byful

In

loud and

JL

- t'ul

^ng.

5EBza1
SOI,(>.

zgrjr

~T

Tl"TTI.

>

-,-

~x r r

*=B

SB^P^RCTB

UN
_>-

ALLEGRETTO.

JSUPPLI|ATlf]V.
i

C.
r

^=FFr
>

Tl~ in

rffr~

-|-ri

~ ~j~[ rr * r~
r
I

rr f ~h-r

ill'" r
IZ-J
my med
,
,

-i p-p-rP _ r "PzoL: *b~ Ti

r

M.

Common Hymn.

95

HI
tend

=ffb E3=E
Lord hear me, when without disguise,
I

p^g
My
words
|
I i

-T

Ja 3=
;

J
i
,

i P^^
rise,

zr

'^^
4^i

II, -h-#T
- ?3I

to

thee

=5
r

^fi peg
^FF^
-J--JL

as

cend

And

when

T
c

tations
-

Oh
#<

gra

cious

ly

at

IM* fTT
i
i

i-Or
p-Oj-p-HJP^p-

J.

^L

JLJL

o<

T~ T T

-r

-Orp"i

or
i~~r

^rrrP

Q7

zgpzP -OppT~r

iozs:

QBE

r J=L

1=?!

ALLEGRETTO QUASI ANDANTINO.

LEfllRE.

C.

M.

Common Hymn.

-WLrd what
is

^ ^

man

pttr

fee

ble

man, Born of the

earth

at

first:

His

life's

sha

dow

light

and vain,

Still

hastening to the dust.

IO

ALLEGRETTO.

jra \j

& 2%. rmn i*.

Used with attention

to

ihflkii'

.1

s*-i

in

car

iH ill
-

natc

love

in

car

natr love

rr_sz _

TQ~ZK

E^Eg^^E^^

^E|^E^g
-

r 8

si
bove.

gS^^^g!!
bove,

To crown

tlffe

head

ALLEGRO

ASSAI

OBLIGATION.

C.

M.

new.

Common

Jlynin.

97

"a Bllfe

T~

grg^pP^gT-JNE-fl
My
i
i

Long

as

live I'll bless

thy name,

My King, my God
I

of

love;

work and

joy shall be

the

same, In

bright

er worlds a -bove.

an rn
f~n

n DZir
r

i
^'P
I

iCCZ

.tM^-ifMe-r?I

til P
I

f"
I

t'T.
i

f->

j-

f-'r-f-

p r
-j-j-j-

p
l

r
/-.
i

ii

?e3
ALLEGRO VIVO

HARMONY.
^3r

i^=a
L.

M.
Jr B, e:o r

IVEW.
~M

Hymn

Chant.
p- :s
:

Common Hymn.

-^-

jsia:

i=GB en

g g==

"~

T T
in

o_

:o r. =pf^=gp

^h>
~_r
i

r
r

Ti
is

TT

iE

3-^i^
serve the Lord,

rzi

rr~i~

rr^r

z^B^^^a
to burn,

"I

m
r
-r-

d-H
The
vil -est

-sin
-

BEEFH
may
xe X
-

Life

the time to

The time

t'insure the great

_!_
I I I

reward

And

while the lamp holds out

ner

turn

_ L

RP3=F "H" E3fl r zo^roz:?"*=^=o= -i Eiffl

.-

t-

rcp-j
i

-r P * Fan "rri H
="i
1 i 1 1

<=.

-r

T^T^TTr T~ B:

;i

G^

AYPAVTE.
3P HlZZE

HOrtG.

C. 31.

Pccaliar Hymn. May be used with attention

to the Accent.

HT ~t
7^JT2-\
fc._._S_s_5z
-

^R
-J-J-J-W-

rr^
Decree.

p
t

'Sj'

When

Death appears be

-fore

my

sight, In

all

his

dire

ar

ray,

Un

equal to the

dread

ful fight,

My

courage

faints a

war.

J-J-t-*-#^= FS }*#-*-r -J
3

'
I

--^=|5=F
i

"

--

llrr
si
i

*
^
>r
*

=t -"

---

J03g

T fl -. -J

rf f

r
Dec res

^m
Z
i

r~~ iszizz:
~~i
.

5i|
I

F5f,

*-*

4-^ Jjr

"

>

a.

a35
Izzf

^9"^ ~^
j

||

IX POCO ALLEGRETTO

ibozz

ri

i i

ti

PSALM. ^,S2SS2SA^ n n~~T~l ~r n~T~j H rrzizrs:

i

C.
-!

M.

Common Hymn.

'~i

r~* poz^l^zz: ^zzj^z:] f^b^c z rrT ^^

SOLO.

^
TfTTI.

T"
ssn?

-P|-

o
O
God

RF3 ~rzj~ra
How
love-iy
is

zzrpz:

Of *

o
SOLO.

$'

EH
i

s _*T^zn_
-

nj
-

3332 --^
brightness of thy face,
I

a
brightness of thy face.

of host-:, the mighty Lord,

the place,

Where,

in thy glory

we

be

hold,

The

E3-H
fcl- - -o^-*
:o:
_zn:;

l*

The
I

T
e

.^razEn

~ -^J-^--!L.--^_^-.-Jz^:^jT^- '^

- t~ -}-H-4-+e'>

n i i

r^i

rvyrt z>z*Zi?zJ
TLTTI.

ZZ^ffl

ALLEGRO

ASSAI.
.

^-^'^ -LeCQJ-e^

-1Q- ~0^ _ S" nr

~r

HUMMEL.
-ft

C.

M.
Li

Common Hymn.
<3=*IJ
]

--

OIOI

IZTZX

- ft r~ g~|
1

'

^
I I I

r: ^gzL e-'l vv S=Lor__^p

b?

<-v

'

F- F o -o^if
1

o-=-
-

^-
|

wake, ye

saints, to

praise your King,

Your sweetest passions

raise

Your

pi

ous -pleasure,
..

while

you
\

bxl

ises ^
Q.17ASI

_
r

sin",

s-^

Increasing witn the praise. s

I

1ft

j.

B -'-p-rf

~^fc:zzzprdzz::zizd
UN POCO ALLEGRETTO. AJfDAJfTINO E R1SOLUTO.
~i
EI

t'

^zr

COLUMBIA. L. R SR .nzrTftr: rft p- m -p-^-p-n -I:i^ isg:jrq_5fczb

S
"i

|-

ZZ^Z^- ier: is^fin^nHfn-F +1 rhrrr ~ ^(tjXHZ:

-
fe

SB:

^S
Ye
nations round
-

35*
earth
-

*1r=^f
.

!M
rejoice,

"T

PPPJ
"T7
;

SOLO.

TUTTT

3
all

IIZCE!

-'-

d J

tlie

Before the Lord, your sov'reign King

Serve him with cheerful heart and voice, With

vour tongues his glory sing.

e
UNISON.

^r PfrL f

_J

I
I

Li

T"

51

553=

rf~ft *zr~ P. 'PI Pr"* "r_

ft-ftj :mi_iczn^:

1H^=H

SOLO.

TCTTI.

>
"i

L~~
'

jl

n^rrji

-@:4r-T
rTTjgrj--_g

OO

IX POCO ALLEGRO
1

CANNABICII.
I*ZZr
-Or

C
r

3*1

TWO
I

StanxaS.

Common
<iK

ll>nni.

cc-^trj^^

^rPa
-*
^1
i

ANTHEM.

'i

/^.

3ZHCI
~r

^r V-r-i #^_^=7

SECOND TREHl.K.

?.

How

sweet,

how heav'nly

^-^^^v#
T-^'-i
r

J *-^ :

is

the sight,

When

those that love the

Lord,

^
-

SI
FINE. /-S

ill
In

^-*^^^^~~-^^?k^fl
i

-i

- iK-iVPl
And
thus ful

VIH'H
word

one

an

oth

er's

peace delight,

fil

his

tr -f
.

-f

Lr"
I I

ff

~tr-r or
I I
I

fl

_
T

C$4 J r f~Tf~^ p'^'^T

J.
-J-

i*

J.

r
.

n
I

FINE.
. V
I

s
SEE
,

JF*^
:.l
i

:---

"i

:.

"i

T~

P^ T
"i

El

SECOND STANZA.

SOLO.

S^pftft

^ss|p^^
Whea
each can feel his brother's sigh;

SOL O

ass
And
joy from heart to
-

-fer-

^ftft
TUTTI.

S
heart.

^z

And with him

bear

part;

When

sorrow flows from eye

to eye,

heart,

And

joy from heart to

SOLO

solo.

_j_

^-^J,

jn

J^ ^Lli?

Ja i

TCTTI

Tr^fin!?
D. Cp.

^ 5ft

I^r

^~

UNGELENK.

3^

C.

M.

Common Hymn. MINOK.

101

In

mer

cy,

not

in wrath

rebuke

Thy

fee

ble

worm,

my God

^^
"~r

My

spi

rit

dreads thine an

gry look,

T
i

3-

a-

i7

<

i-

*-**r

1*5
f
"

#* r
-J-

S
i

And

sB
trembles
at

thy

rod

%
,r

3
i

^353=5

in
:

-j*--j-

j*j.

J*

.-

J-

ppprT~
AXDANTINO.

4=

T~

:f=

i:

r:

5e^ebze1
Common Hymn. MAJOR.

UJVGELENK.

102

axdvxte.

KING SOLOMON.
S

C
5

y\

Two

stanzas.

Peculiar

OR AATHEM

Hymn,

fcS
-&-'

5E -p_:z:r^p=iz:_*zizri zl-jz zszzi: jtz

t
perform'd of
old
;

z
years

zuiVV
5c:
----

gg
;

^S=S^iS=S
Let
children

zh-F

T^ aziZjLt:

*=k

=?33:
s told

hear

the

migh

ty deeds,
r

Which God

^:

#=^ ~ 8
al
'

zt

^^JTJ> J^-fr^f^ kg3l f P

-il

n nzn
3T

Which in our younger !V-

we saw, And which

our father

*3

BBS
i

-j

fc

i_w

I*

4-

zzz?z

T~

#T n

it

'

~'~
i

'i

p~
r
r

"9mw
*~
.

pr-

:tz:*z:c r
"i

w
i
i

* SECOND STANZA.

i -* 5=
-

:**i

S__r
iszzszzbz:

=5=e

-#

^
:==
And
I

^ fes
~T
~~r
us

-i

EZZi

'

zzzz*
iizz^i
fa
-

zi
told.

~r
He

szr
bids

re
make

9
his

~~

w~*~
glories

Vt wzm.
and
grace
;

zzh:
And

S^rSl
con

which our

thers

known, His works of pow'r

we'll

vev

hii

5EEF:EEE^i

^N

=s=r*

~
-
I

HYMN.
Bl^=*=

Continued.

103

H
it= =3==^ HZ.

:r:

iz

U
3*
ry

ziB
5=E^i
ing
race.

-F

^a=
won
-

St

BE3
down,

-&
ris

ders

Through

ev'

ry

ris

ing

race

ZE T

~T
M

N
r

"1

-- tfl

r
p

f
p^

r r

n_

=*
:r
r

3 r

Through

ev'

ry,

-r

^
.

^=^;
i

^1
D. C.

.lira:
~zz1zzsr

J-^r^l

:=ic

r
Zsl

ANTHEM
J;

>^

*
-

T~

ALLEGRO

ASSAI.

MISSIONARY SONG.
i

C.

M.
i=pzp; z
F TUTTI.

wiwueri

hF ZZU r-r
:

:P- r-p- svc r:

-F

^
g~l
:

i5~i
'

3^
A - wake my

zneic^
And

"pzzc
in

SKiizw"

:r:

on:
!

9oul stretch ev'ry nerve,

press with vigor

"T
m
j.

=rar

P J ;s=s=? S'
i i

heav'nly

race de

mands thy

zeal,

bright

im

mor

- tal

crown,
L

bright
I

__.
-

BZnzzr

Znr:

"T

35
i-r
*:

j.

*
T

"

^3
-

T 1

C2Zi_#_

5^ QH
im
-

T~k~

Zj
-

W
T"

rr

mor

tal

crown.

N.

453fc si
' ,

TE: r

Ei

II

SOLO.
-P-

F TUTTI.

T"

p Zp-p-pp~i

"(~
"i

r~

*-r^-=- n -F Kuzn n-
:ii

rzszzzzzj

azirziziE

>z*--pazT ~~

"I

fte

f4-

A.V DANTE.

LIFERS PILGRIMAGE.
o 'MJZ~~rz

C. 31.
Irr*z~

EfEE
i

S^gp
!

15

"

~P~~*~

o"^
Lord,

EEE?! 3 i^P
what
a

:=

HI
h
That yields ua no
sup

TUTTI.

wretch -fed

land

Pfe
Si:

ZZ

^ S ^ :^ ^U ^fir - n _
ZZZ
Z

ZZZ

ZZZ

z:zlz?Ezz:
SOLO.
I*

^
j

is

this,

ply,

That yields us

no

sup

p'y.

No
1

ZZ Z ^
1
'

'rf TtXTI

w j

zizbci^zz?
"-i
I

-J-

T"

r
i
i

._
r

g
:

F-ffF-F

r_

rz~T gz

3e
'tTlCZs'

es^iii
:izzdzz

^=F

":

=^
*

zz

lg!zfzzzzr!

= zz^zz_z:^zizzi_.

Hpb
I

^^gg SQEzlHZ
cheer
-

azizizszEai zzztzzazb ztjz zrezzzzzszbfzj ~* _^ z^'_zt:*zz5jzi:nz-5izt-izzz

,

liv

"T

J
joys.

in<r

fruits

no

wholesome

trees,

No

streams

of

liv

ing

joys,

No
^1

streams

of

-EH-j-

HIZ^
j-

^
ij.
"I

_z*zz^z|:z!zzjzzs:

3SZ. EFT*8?

ZZZZZ^I qzzzzs: -I*=!$*; * ~r = = !__;._

=?
-

el

=
^
_

^E^ZZffiE^ZZFigEfl
-<-

v
j

f-

f *

r -

j-^ .^

">

l^H^l-

=F

:!zzz-

1
i

ziiii^a

ALLEGRO.

HALLELUJAH.
i
i

C.
i

M.
i

Common Hymn.

105
:jl[

IEI ~&r
i
i

LI

wm&
Let
all
tlie

L_

qzqsKqs
T -'--

lands, with shouts of

ZZ2Zfc[

~: z^z^ r=cz?: ki^# ._ _ _#__r iQ f-i^-rZZO(2 __ _, =1 F-r-M

i

^
1

joy,
i

^ _^i

LJ
i

J .J...m=im _L - !_
i

To

God

their voi
L
l !

j !

ces raise

Sing psalms in L
i

^'-*-*J
hon
-

V
I l
I l

SSyp
And
spread his glo
-

or
I

of

his

name, And spread

j

fc ,/?>

!__*.
l

_s L_c=i.
-2
__
_

:_*_

_J
i

f^ls^ T^i^4 ._ 9v
r
-r-

T glr,
-Mi

N^^ ^
his glorious praise,

rious prai*e

>-,

t-rZpd-rprz

-J3
r f r

Ml
-
si

UNISON

P
1-|*
t

_j

SHE
r

rarrr n~r"r id

l_#_

"r~

?--r n ."HT| t _ S_ ~ r~ :ctt * TTi i?~P" rr~g

.rirP-9T
r-

UN POCO ALLEGRO.
'I*g'

^~
.

ET3.

rz~

ri ri

rzr pui
i i

LZ

Common Hymn. CAPPADOCIA. C. M. sr=i %o:t ^ S ri=: ^33#?3*E^

<*
|-f,<$~ft ft

35;

--TS'

rff

PECOXD TKIBLE. ;^~i" "H

rt_.

T
.-_

"
!

5
Ye

i"

ET ^=3
tongue
!

SOLO.

Sing

to the

Lord, ye distant lands

tribes of ev'ry

His

new

dis

cover'd grace

demands

A new

and no -bier song,

=F ^' -- ^i A
~i
r

TUTTI

new and

nobler song

#-

r
i

j.

r--=
I

lT~~rr-i
r

^ a

iJ5
-gz&-:r-r:H^=EB =p
TUTTI.
pj
I

i
r r

o>

frn &14

S~~
"i

~P-

fF ^-p^F^ -FiiEpVf F^?? -^r^ ^ZZZZLZ *B

SOLO.

j1J

^
o

-p-^--EZCZI

Ot>

ALLEGRETTO.

MORNING PRAYER.

C.

M.

Common Hymn.

ALLEGRETTO.
-1

T~i
r~
l_

ETERNITY,
-o

C. 31.
x.
~i
<->

Peculiar Hyinu.
May
bt-

used without tba Rests.

"^f^i-|

FfH

~rr
<->
.

=1

zo^#

t:
The time
is

~i

_i
:ql

SZ^i'
short

sinners beware,

Nor

^S^S
tri
-

I'ZZ'ir

ejr
The word of
great
-

*>

sSl
<~>

fie

time a

way;

sal

va

tion hear,

While yet

'tis

called to day.

V 4=S
:J

5^

,,-

.*=?-ra ~ 5:
J-

T^-f-^ierTr
I

+-

1-r

&~T 9"
"J

o mr-irjn

li

nr
:

-'

^-+

art r

P=

J.^

3^

--

J
I

-J-

J.

B^

"Or3I
I

4i 4
O
i=F

4*
O ~T
-O
*>

32QE TT

T5r

331

35~* r
1

O^

-oL

ALLEGRO ASSAL

BITHYNIA. C M. Ett3?IS?

Two

stanzas.

Common Hymn.

107
I

" 1

si.-

SOLO.

all

the earth, with one

ac-cord, His wondrous acts proclaim

And

ggobatjT j Tj-T "T^'FR

|

SOLO.
I

<y

o>

o'

fc
75

XPES 3=* =J
for 2d.

3;

SOLO
._
let his

Treble or Tenor.

>
.

e?K TUTTI. z
1 en- r--L
1

-m~#

f-r-" _.
r

iO

T"
*i

"i

r~ 3r~
T
:ct
<E^-

^
faith
-

v
How

- ar *
by
-

3 FE=f--t==[F3=1
-J-J-J-,^1_J
1

--_

^-*=5
hell,

-O
a
-

ful servants tell,

re

deem

ing love,

Their souls are saved from death and

-

To

share the joys

bove

t#7-

*= SEP

*-

-i

5EHH

Ha
a

arc*

O
TUTTI .

rf-

ji

T~r

p.

i& vrm 1*-*r

o 3 E : il^
i

*=*^CT
-?

r>

r~l~i

*r -fT

r~
I I

i
I

oi

J-eL-

73~9

"

:s2

=9tl

txPocoAUEGRo.

MORNING HYMN.

C.

M.

Two

Stanzas.

Common Hymn.

fff-7-f*"
'

Wf^ ?y7rFgL =^M=t ^^tj- ffTTT 7 Jy rfr

=
l
I

"5"

111 ~
i i

r
al
-

~v
Pre
-

SJ: F3-Fp p
i

pr

,p

;*

zm~
i

serv'd

by

thy

mighty arm, &c.

m m
c

.SECOND STANZA.
iff

35
-

"I

T"

^
#'
I

#
"*"

.p
I

p -p-1-:p-p T r
I
I i i

"i

#-

<T
"i

rS=
=]_zn;

*ir-
Pre
serv'd

""

Se
-

izic:
i

J=3=irene, and
safe

by

thy

al

migh

Vff-

"O"
from ev'
-

S
s

ty

arm,

past

the

shades of night,

ry

harm.

To

see

the

morning

liirht

-J

J J

E^
r^r

-r- -rr

'9

Pt
1
1

ZT
tt
r r

I
f

=^c
75i

-i

J2. _
i

__j
r

_ > ^
P.

-r?
T

ny-

~m

:i

-j

r
~1
!

i 1

P P

:^i
"I

-pr-p-

-r

t MZJt -
i

ALLEGRO.

n
I

:*Tftz*r.
i

LUTHER'S SONG. C. M. :rzrftzrlz rr rP~mrr wr SOLO. SOLO.

~i*-*ft
i

Common Hymn.

109

'i
i

<s

:i

sg

E:

TUTTI.

d T- a>-t-g
the sa
-

i^-j

#* Z2Z
To our incarnate
Lord!
Let

ALTO

^3
SOLO.
ft
i

Awake, awake

jpred song,

every heart, and every tongue, Adore th'e-ternal

x?:

nrtr
j

f-r
J
-

-^-^r^r
word,

&
I

3^3* *#*-'
dore th'eternal
i

TZ!

^~
word.

T~

U fc=;

n ~n !"]

r
L

o"

frft-

#r

:oz (O
-eL

.j---^

-J

'-g-etbft.-ft-ft-fti

gj

-ft ft-ft-ftj-^ft
i

iczrzc

??
1

t>-

ft

n g

r
i i

p n ft-*'
i

TUTTI.
:r-ftzr r
"i

ft^i
i

& 1

UN POCO ALLEGRETTO.

PERSIS.

C.

M.

Common Hymn.

1v
Come Ho
-

]y

Spi-rit,

Heav'nly Dove, With

all

thy quickening powers,

Kindle

a flame of

sacred

love, In these cold hearts of

ours.

10

ALLEGRETTO.

s arrp
as

ST.

TIMOTI
<>

JS.
<*r^

C.

M.
<^r

Common
; -

llunn. OH ANTHEM.

o;

SOLO.

r SB ^ ZZE

i
SOLO.
ter

on

i"

LjjaiiLJ^] o*
earth

<>
pains,

He, who

2 3=t^ee?^#ffj5 P=F
J.

m
r i

man was known, And

bore

our sins

and

Now
sr

seat

ed

th'e

nal

throne,

The

33:
1

btfi
i*

r? r
-eL

p_
I

9"

J. -eL

?=**

US
SOLO.
I
|

-L

>

-J-

~s-

25:

fS=I w
?j
TUTTI.

r~

&3=eiri-^

/"

SOLO.

--

^h

^C

f=F ^

-oL

-^

CODA W HEN

USED A3 AN ANT HEM.

HYMN.

Continued.

W~W Or nzux
1
I

ocs:
I

Glo

Ill
,i
i

-LX

fzzpzri r^ izpc:
i

W-#
i

bbsse
'
L

^^oz:
p.

Je
-

fV

:t

d-

I i

k.1 1333 ^ * "

Glo
-

ry,

honor,
I I

praise

and pow'r

ry,

honor,

praise and pow'r,

1

be

unto the

Lamb

for

ev

er,

sus Christ

is

our Redeemer

"o

m~

J-H3I-

iV-r

"i

"1

s
i

p. p~
r

Pp-rs-

r
'I
i

r r

&r-?
i

^3^

OCZC

r=i*r-

"
I

r
I

#
I

2X

o^Fovra^
_

I!

353
-__! X
-

DECRESC:
Zt

g i ~r~
l*
i

r*~] m^'
i

33
le
-

Hal
-

~
le
-

'-

SL

qzc
men,

Hal

le

lu

jah

Hal

lu

jah

lu

jah

333
r~

=r
jr_j"

3=:

'

^c

f=P
j:

-j_J.

J_
r

j
1

^ ^T
Aj-LqL r
"i
i

B
sr

V
A
-

XT
A

d-f^i

1
i

men,

~i
_^

~!

_
I

~lzo'

r.

^atf P
r

^
P.
/-v

DECRESC:

gZ~lZ3L?:
"i

^s

P~;~P~

IX
~OT

F.

-s-rcrrr-o

II

112
1
i

CN POCO ALLEfiRO
<

METHFESSEL.
J^F
rzzzcz

C. 31.

Common

Ilinm.

b9 m!>r -m r
I

^~m

SOLO.

J^V
I 1

-O
in
-

- *-

> _ ^^zzzczizzsz: vJ=c^_i _zfaiit*TsH>i izzzpziz^zi

il l.
l~~!
.

M
er

Father of

mercies,

thy word,

What end

less

glo

ry

sliines

For

ev

be thy

name

dored, For

these

ce

les

tial

J J 1
sI

r
zi

p-

-di tu TT T
1

^^^w
32:
J

ozrj*~^ sz

=P

o
r" *~r SI lEEzz^F r
i

-J. -J?

4
I

Zrj
^T

SOLO.

^
-

NS5
'r
-

#-.-

XT
*
-L

izzzr

nr^
"I

^-zn r

tOr^-F-^ r
Tl'TTI.

<->..

P *Zi
I

1
--*
lines.

SOLO.

=fi 5
i

rzzz
ev
-

3nzzizzzz-L -For
these
ce
-

m
I

lines

For

or

be

thy

name

dored

For

these

ce

les

tial

lines

les

tial

Tl'TTI.

r
-i

i
i

r
J
'

t*
,

i <* ^z"zrz-i
SOLO,

J-.J

^
ZL
'

-J-

zc:
!

9 *

^ !" P=X ^^
_
1

'

"

ol

"I

:o_ _P_te
TT"

IB

ANDANTIXO

LIFE'S

THOUGHT.

C.

M.

Common Hymn.

113

How

vain are

all

things

here be

low,

How

false,

how

fair

How

false,

and

yet

how

fair

Each

i? j
SOLO.
-j-

'*!_

ESS 5
3^

(^ err
I

m
SOLO.
j

^
^T

3
:^L:

:r;

-i

S--J

P~
^r?_:

-P-

-Jr

TUTTI.
fr

fz

PrrP-

114

IX POCO ALLEGRO
I

-'

XINEVEH. C. M. o:*: -!^:ji7r g p^q^i JSB

i

Common llunn

znzc

e
o

i=h
But
in

;o

;cr

o
=f

3
-II

m
y

aS
Op
-

o
"o

'

"^i ;s*e^
I

i
my

^o-
Lord
;

:&
While
not
a

-&~m
ray

3 --

o
word

^a ^5d fS --^ww=frf-f^t *&F

tt
i

prest with guilt,

and

full

of fears,

come

to

thee,

of

hope ap

pears,

thy

ho

ly

"^

~g>

TTf

-
~f

3EEE
i

^irii-^-^-qr:

11

t'-b ,,0

ALLEGRETTO

5 1efc-r~

SS
~i

NEW NAZARETH.

C. 31.

Common Hymn.

2^rS^Si^E^Sr^^Si^^i^^5
If

"T a
-

~T

hu

man

kindness

meets

FF2=3 ctF
'

J.

^L

J.

^FFFf ^F ^
1

^^^
re
-

O
-

To
'

7UZSZ51
feel
i

ft
is

x?i
nigh

turn,
I

And owns '_ _|

the grateful
I.

tie;

If

ten

=0^
1

r r

t" 1-

^=S==*s

-r

m rr

-,

der thoughts with

in us burn,

a friend

-o
<>

- )

TO

3 ^ TT-T
O
=P
c

zt

-75-.

==s?II >.
>Ti

-J.

-^

^2

tO-^

ff-n

fcd

'gy^g~r~y -

i --

--

X5

:zg

UN POCO ALLEGRETTO.
\tzh:

JOSHUA.
53=r
-T-F
-^StM
$1>-

C. M. Mo
^nzP
i i

Common Hymn.

115

fcfefe <*-*

zcr

E
1

iz

HE
SOLO.

^
in
-

l
A
-

e
O

ZO
lift

E
thine

JJtiU 535 --j rrxr:

i

IQ^ZiPc

5=^LoFi
to
all

T~

rise

Lord

.-y*
-

up

&

hand,

And show

to

all

man

kind,

And show

man

kind;

That

thy gui

<>

^=*F- -?
[

V 33

-et

TT

:?^s

ti
i

^
-

dance

poor
shall

w
safe
-

find.

ty

1
>

ORGAN d

>

,^

pi

In
*
. ,

r
k.
P*

Izr
-

Jr

bo tctti:*
i i

i
=PF

z:

4
^r^?

-eL
w

&fe

5i

k *^~P r ii rf~ ii r
ri

mr ti p~T r~ r~ 1~ #-

< I

r
i?

EOZ

i 1

110

A.VDAMIXO,

I),

ZL-Z== 4rng~? ~g^ =

.,

I-

HUSSITTA1V CHANT. r irz :rzc ZLI

ta
ca
i

C.
"
1

M.

[)

S5 S33353
blest
I"

is:
name, Nor

-o
dy
-

X5I
ing

.
half

~o
so

II

Thou

Redeemer,

Lamb '.We

love

to

hear

of thee

No mu

sic like

thy

charming

E^

^f^ 2
iJLJi
<
i

r
r

ILI
ler 15"
I

3E33 r*
1"

35:
-#

dear can

be.

(V

IQC
H5~

^=^
'-9

P r

l
i

(
i

"t

TT
i_j
I

T5"

-II

j_..

-
L.N

"

TZTT
't

POCO STACCATO.

**

^^a

"

T
W~l

-icr

T
5

?"

A\DANTIXO.

ST.

LUKE.

C.

M.

lin u bouse 111 God'a "I O own J'li'lli his praise, His grace he there re II1II43V pronounce In

- -

veals

To heav'n vour

joy and

wonder

raise,

For there his glo

i

ry dwells, For

there his glo

ry

dwells.

JHi

^
.

ai

o*

^
J~

r-y| rH-rxzr __^J * _

ZZ=TZZ^jz, w

ANDANTE.

ALLEGRIS CHANT.
-^-

C.

M.
:~i

T~

pT~r
:

Common Hymn.
:zzz_r

117

r S -jZZZZ

z:

T 3=

T"
Not
to the ter
-

- "^"
to

3
thunder

zlzzzh

3
Which God on
Si
-

rors

of the Lord,

The

^i
spoke.

tempest,

fire

and smoke

Not

the

of

that word,

nai

^S-

-p-p

VIVACE.

~pP~TX

3-5 Tr
li
:

LOTTIS CHANT.
XXI Qt
eir

C.
e:

M.
-*->-

Common Hymn.
^T^

5
-'

^X

p=F
ijzce
hap
-

3
T~
CT
lO

fEESE
possessions >ns

-Or

-H

3=if:
On
Jordan's

T~
;r
stor

*
-

3 Hxr Jiz^r
I

~
9" -'
cast

xz ol
-

-- QL
fair

-^ :i=3z
Where my
lie.

my

banks

stand,

And

wish

ful

eye,

To

Canaan's

and

py

land,

iqz:

e i

-^

;r

i.

11 T3r 5S=

t~

l-O
i-

^sf^

L
I

_r" ~r-

-lOT
I

--i&-

z KF xx

i-

T r

t-f-^F
I

zTfri

-n

fc

CT 3" -f
r

:*:zpzxz:
i
"

m 3

g&
zzzlte^zz^:

-o

xs :PP:czx>:
x?:

r 5z
I

X
-

zS

2r
";~"

3ZXJ X>

xn

E QZ-

E^

SABBATH CHANT.
= == ,s== *z f ! F F!

C.

M.

Common Hymn.

%cr~m
Blest
is tlie

man
,

whose softening

heart, Feels all

an

other's

pain;

To whom

the

sup
,
~

pli

eating

eye,

T^

CN POCO STACCATO ro.

__

p
j

-_-t r
I

T7 J
>i

'

^
t

IS"

t 1 lT
.
\

rS
*

j
n

^.

-o -^e1"

s^
8

Is

ne

ver rais'd

in

vain.

^!S

w*& Tl
"V
VIVACE.
_-

E
33 ^rf

T~~

^=^
o
-

T^

:________
~?
_:

33=t

BE

m
il
-*

MOURNING CHANT.
i 1

C. 31.
Or
*^>-|-*>
"i

Common Hymn.

___ :o:
=

o
~~i

:_x

Q
I
I

<^

-o-

__* _____:
How

"i

o^o
short and
f

r
-&-

---

feohastv
is

:_x_____:_^_J:
To
I

id
lav
-

tLo^

*_""*

CN POCO STACCATO

S^ E

our

life!

How

vast

our soul's afI

fairs

'.

Yet senseless mortals vainly strive,

ish out their years

"""
*
"I

__=F

_or
m
1

~-

-J 1-3
I

^2-*-L^
1
I

O O ^
ZOI

-<3^

p-

T^
Or
"I

o
o

_r

--_-

o o
T5"
pi

f*
j j
i

5^=^
j

^__s___l_
"_:
-.
.

&5 S

Z=i-I__r

_M__: T-f-*rrzzr

o>

fe___

-I

I.
i

r~
[

x*:

-O
-__=____

______>:

J
Or

o^ o

_E_ ___?__

ALL, A

BREVE.

A DEATH CHANT.

C.

M.

Common Hymn MINOR.

119

When

youth and age are snatch'd a

way,

By

death's

re

sist

less

hand, Our hearts the mournful

trib

ute

pay,

And

bow

at

God's command.

-&"5"

-o-p-

W
-d-

--

H ^^

IS
!
I

trgTTS 1"

-o'
I -J f
I

75"

"P"

-o s
I
"

o^g
T"

^
=P=P

a
ol

a.a nzz

~on

*!- o:

zn:

ISX

UN POCO STACCATO.
ALLA BREVE.

^=

o;

=F

~CF v---

=c

^
M.
iO-

:^=^
X5IZ2

-eL-J-

22

i
/

A DEATH CHANT.
DEC

C.

Common Hymn. MAJOR.

^--^

iX

PEP*
-T-"
To
tri -

^a
the

Lord

let

us to our

TFT5'
ref
-

-O^
fly
!

XE
save
:

uge

Thine

arm

lone can

Give

us,

m^

--*-

Through

Christ, the Victo

fe

-
-

umph

or-zjr "O II
o'er

grave.

-^

UN POCO STACCATO

B^
120
Teach
b

ALL A BREVE.

NANTUCKET.

C.

M.

Hymn

Chant.

giilsiipgig|pl
J'cJ

&
And
learn
i

Common Hymn,
t-

eSi
iS ^m
.

J o
my

^
1

IJ
I

P? TT -
narrow space,

rne the

measure

of*

my

days,

Thoumaker
I

of

frame;
/*s

would survey

life's

how

frail I

am A

p--3~f f
UN POCO STACCATO ALLA BREVE.

CAPE ANN.

C.

M.

11%

inn Chant.

Common Hymn.

zozzqh
-"cr

I
c

Rebuke me

not,

Lord,

for -give; In

mercy

re-prove;

?~
.

- M-

S
r r
i i

SEic T-#
~

p
i
i i

And
'CX

in

ffTtriB

thy

mer -cy grant

re

- lief,

Nor

cast

me from

thy love.

j=S 9 -Mf
i i

-H*?
I

P
9

r
r:*T"

J-

IX

l'OCO

STACCATO.

1&

F3

-p^o -"

:z

ozz
-

-pH :crr

T<

h
_.

P=

ALL A BREVE.

PATMOS. WEW
era
-z

C.

M.
:z:

Hymn
i

h.11lt.

From
:o:

the Ancient

Lyre.

121

$s-e -^1

oz - -

"!-

1"1 H-:

M?
i^-3-|
-

q-?=

s
ozzoz
heart
re
-

I
joice.

eis^i^^i^Sgi^^S
Sing
to

1 e' =:
alt

if:
t

the

Lord ye

dis

tant

lands, Sing loud with

sol

emn

voice;

Letev'-ry tongue ex

his

-o-| -oF praise, And ev' - ry

:
|

=r

pn=F

ffTFfff
S^ g^gj-gggppz:cr
UN POCO STACCATO.
ALLA CAPELLA

"o

f-^^EI~f=B ~==5 nfLS.o II

f
l
I

-F -cf --- f-Fng^i-l-i 8

e 4-^-hg-rr-i-75-M-F o il

lo

T"

To

TT

ol

--

e-p
~r

FJzrSEBES
C.

~g

EH 3

o.

zJEEErzHE"

BOWDOIN SQUARE.

M.
-]--

Mvitin Chant.

SJfj-p^
in:

^z|^#|^ 9d fc
:

-r"r-|-

zHzzq:

^-^TlZzHBzzI-

sEz xz
fcc

"r^T2Z
who a
-

zc

T1~~D
o:

s
of

zo: :oz_o: May

vis
-

S^EH^fcJ s^sr
thine a
I

xzz^ I^J

SzzEtls^^sSS -oP
Whose

Lord,

mong

the sons

men,

it

bode

He,"who has hands from mischief clean,

eP--^ T~

_]

--ft
I i

tiz*:
m
I

^3 W

LJJ_

E
~1

q
\

3
~o~

.5~rn^~o"
1

zzzqZZ^z#: IZT zpzzezbzp:^

i
i

heart

is

right with

God.

cr

^
T~

~n

^4
P.
iQ

It

^
I

^
I

f
I I

"pzjs:

7-j5

^-fzzj-iia:|^zzjzgzp
T5~

rn-| j~
J
j

o'

-|~;

-dJ"L^= I _!

ij

d qL c

o'

o' e __ jOZ

lQ-i

:Td~

:pqzqzzra ?asg=fj

122
r#"

ALLEGRO

ASSAl.

LYNX. XEW
;

C. 31.
rr ^-p-^^p-cnci

o jr3?S ss Er^ISi rr -r~n

i
i

ryi

o-
QIQti 'cr^^l'rrz
I

'

E- ter

n;il

Wisdom, thee we

praise,

Thee
!

Spjglilgilg
<_)!
'

all

thy creatures sing

/-TN
I

L_l L _~L <eM nra^r^i-r^nj:

~1

iqzq: "r>t

11

Ph^
o-

T
1

riff
'-.

^TfTI
-J'

W
J

L^

While with thy name,rocks.hills.and

seas,

And

heav'ns high palace ring.

And

heav'ns hirii palace ring ~t /-N 1

'

jap::]

lq:

^-;^ w #

*s

,;<

-e -

-2-

-2-

-e>-

-T

-I^P

;az:z

rprp

8Hl
r

iii
<3

S
i

rP T 1"i
i

OioT
<>

ZL

:^-^:.:--i=t

~t

ALLEGRETTO
-T" *3 4-. -< t*

LITCHFIELD, new
<

3T

HI
sun;
It

*ffr1

."

-glo
-

1"

^~
TT
gilds

<

>

O
Ma
-

22TJI
i

-or"ry

v^ "r ^-alike the

What

the

sa-cred

page,

jes -tic

ma^
a
SOLO.
2<1.

e. 3i.

/Vom

//ie

jJncicn/ Lyre.

#-r-%i
"1

Treble.

TITTI
f

tj

V9hw
rives

f
a

L_l

EEB 1,1
O
/o

light to

ev'

ry

age,

It

irives

but bor-rowa none.

*>

_-_
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K;i
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-1

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^5

<5
i

r* ttr

cx

II

"

n^
1

=^
TITTI.

solo.

J J para i-4 frhfrtn. \ @* -a-^EFFE^

i
, ,

rig'*!

rir-r-rWjifa^i
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iiSiS

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ALLEGRO VIVACE.
r/lfrfcC

IZZ

Or-*
tftx=

- :o:

GREAT BRITAIN. & ^: =- =pzqf iFEfcbzozzfzi:

^=r
he
I.

C.
-

M.
:

123

T
"i

M
-

Oh
I l

^ Lord, for
I

Tk" ZOTZZZZTT
good,

^=
him

^
rest

=F
ob
-

zozz
In

F=

=
him

praise the
,

is

.-

~gy

zlzf :EzSE
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-

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13"

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we

tain,

zzzfce

if*"

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we
rzzi
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rest - ob

tain;

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zo:

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1:

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zr zz

i:
2d. Treble.

re
-

=F

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_oz
His
r

zoz:

p=~

mer

cy

has

through a

ZZTZLOZZ
ges
stood,

& -

-.
ev
-

IZ
er
shall
I

33
re -

:oz
main,

^ i

zozzsz:
shall

~rzzr

-
main.

i
a

And
.NC.

And

ev

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:or

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h*-r-^
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:oi

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i

TT
1

f
ZL

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ALLEIiRO ASSAI. 124,

/"

ROXBCRV.
-Or

C.
*

M.
-o
"i

OR SHORT ANTHEM

Common Hymn,

fcc

r Z3l

-O

j.

p -g-

o-

I
a

Op
1

r*=^ XE
r

-O-

TV

.jfe-rz

iozzq:

o
thanks,
-

-o

xrr XT
Lord,

ren

der

and bless- the

ln-voke his sacred -- name,

3im^^ ^
]
i

- -

1
name;

la

- -

voke

- -

his

sa

cred

m
--

-oj -O

X>C
c

5_

-f
*

-f^

~- c
d

T-tf -H*

f rrH--

r-

Zt
ic>

X>__ZX?_ ZTJIZZ31

1
1

rf^^r X>

XT

-&

-p-

X>

-J-

J.

x>=zq:

:-quaint

the

na

tions

with
i

his - - deeds,t-

His matchless deeds proclaim. His-

match

less

deeds pro-claim.

;i>

fcr:qx <>

'<>

T1 fcBfc

sn
-Oi r

_
.

^7J ffoCl*-.
r
.

Tofj-jzi j
--J-P-

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o
1

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...

y
T~
r

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Efer
1

.-,-*-

XL c
i-

p
-J-

tg
p

EtarrT 5=^ ^r X

-es

o-

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Or

-O

GREENTON.

C.

M.

Common Hymn.

1^5

God,

my

heart

is

fully

bent

To magI

ni- fy

thy name;

My

tongue, with cheerful song of praise, Shall cele-brate thy fame

L

ggp
-r

TT

:
:

33

Q
f
f-J-

nx: fe

I^IT

f-

r r

TP~
^ w-^

tt Hrr L-JlL^= LlT) 21 ^-IrdJ-^r-, ^fc jot-n o> rr_p o rr^

-Jrr
I

>

/9m rc^Vi

p~~ j-*

rri

sJ-OZZxl

"i

3:

xx

l;

ppjtl
&-E-p-

n^n^;

zo:

ALLEGRO.

WAYNESBORO.
I3pJ
~o~

m
0_L

i o.
n ~n

-d_-d.
r

-d>

J.

r
C.

fg
:o:

ma
:

M.
fH

Common Hymn

Ior
f

-"iir

5*-o:
j."

a:

i-3
"33
by

3
Si
grace

^S|^S^^^^iiS
Judge me,

io
thy

God, and plead

my

cause, Against a sin -

ful

race;

From

vile

oppression nd de- ceit

Se- cure

me

=e=
p

-j

^+-e-

^-- -orr - - -3 ==
!

rto

w~a

ta-~rjr
=e
'

~7^r
p

T"

^^

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i

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1- r g

igp
Zl

hee;eiesi!

:orJ

-pQ FFV^-Fo,
__liJr_r

TTT=

[-5 jtFPt 1 T-._4^1 t pL^-

p^e

26

ALLEGRO VIVO.

IRKLAND.
<*n*F ^rf ^t - ^~
I
1

n n

^ef

f ~ or-5
|

b|
-

^4^^N^ 3
mortal praise be- long

v- o- ^3> ttt rr X2=^C cr

al -

I
.

Songs of

im

To my

mighty God;

He

has

my

heart

and he

^3
my
tongue,
I

IZI

To

spread his name abroad.

cr

&-

iiiir
IjQu^i

T
J
,
el

lliiii
I

-f--p-

^<

<>

Q^r ^X

-A_^>1
"fs-r

XXZ^n
(J

,JL

3XZC

ICC

i=

=^

=L:

"r~i

l
I

H=F^
JTl,

e4e

IrfTPI m
or

IHP
1-^hP^

UK POCO ALLEGRETTO.

MARLOW. new

{_>

From Me
i

j2ncfen< .Lt/rt.

h # -gr-h--r hr
i

# I

--hi

pfJ
~ry

::$:

53
all

Let

the lands, with shouts of joy, To

raF^r^^hNt#trti f~cr"r
God
their voi-ces

llfljjrjiJI
in

raise;

Sing psalms

honor

of his

name,And spread

his glorious praise.

AIXEGRO

ASSAI.

NASHVILLE. zzzti O
"~
I

C.

M.

Common Hymn.

\ Ai

:i

~i

ri

ri

This
r#T i

W-

is

the

day the Lord hath made,

i

He calls the hours his own

IP"
"p
>

q
1L 3=t
i i

izr

3C =^=3= f0: i
zt
T~
<-

^ ^|JJ
;

Let heaven rejoice,

let

earth be glad,

And

praise surround his throne.

iqzroPzrzTzziri^Tz
~r~i

p p
I

*
(
I

IZ

~r-$f*
?-

IZ i

ISI
-d-

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*#

$ EZC
MODERATO

ICO
IQZ3

1-

"i

#
r

- O-

ZI

ijZfEJ^

1- I-

NATCHEZ.
1JI

C.

M.

Common Hymn.

XX

IOZP
i

:
j

7=^r

~~]

P3 =92
Ye
r#
sons of

HE -

- --;[
to

P"

"T

-J

men, a

fee- ble race,

Exposed

eve -ry snare,

Come

make the Lord your dwelling place,

-p-jrp And trust

ozgi

^i
*z"3

:oi

2 ?
If!

isszp
1

O
f"

cab ~CZZIZZTZT
P

his gracious care.

IZJ1

f~f
.*)-

pz*__. :zfzzrzLzfzfzti

PT

HP
i-

oL_J-.

J+L-Sfci
:"

^ztt?zzez?z ^--F^-p.-rzLZ^ro*i

Pr-

zzziPzizzzztzlzcizxz-Jnzzirz

ii

z dzEE

zz

tS

ZOZ

pa

1 jc$

ALLEGRO MODERATO
-"r-r
t~i

R03IBERG.
o
< >

C. 31.

Common Hymn. MIX OR.

T"

1&
1

o oor r

rr

i
-

rr

<^

'*-

l-^Etoqptss
"rr

EbSEEHB HES^Ei - o^
(5
1
'

"-=)
i

i ---+H: i~^ L-J-*-*^ -L ariar^:

1

Ha
T~
-

Cirzo ,-

~3I
n
lands.

unknown

Mv

soul

come medi

tate the day,

And

think

how

near

it

stands,

When

thou

must

quit this house of clay,

And

fly

to

s 4=?
~W:
_ 35H*Z5Z ^r^^T"f

iW-sfci

ALLEGRO.

~1

-cV

hr~
fRF.sr.

-e^^
i

hr
1

ROMBERG.
i i

izr

^
i

C. 31.
i
I

Common Hvmn. MAJOR.

x^:

^
i

*i

L:r

Hfi

6
A
-

T a^no*: s^t^ ^*--.:

Let
all
-

-'-

'C>

rd~ ~~r
-

"

e-o:

~Ft

Lord.

rise

ye people,

and adore, Ex
1

ulting strike the chord

the earth from

shore to shore,

Confess that mighty

aas***^*
S

TTxiXi r

hr

xzr-

u*^

*[f |l

-^=g

S ^I5IS
:

DEVOTION.
:5EEo;

C.

M.

Common

Choral.

145

My

soul

lies

cleav

ing

to

the

dust,

Lord give

me

life

di

vine

From vain

de

sires,

and

ev'

ry

lust,

Turn

off these ejes

e
^-

as or -& f
o)
~n

3=t
^

If--^
n

t-

>
ZZ

T ^ cXIqC m 2 ^ ^^' -P-*

:f:

fTo^^r
:o_r =
f-

rzz:

^S^

^Z

-r

aBEiE
l

o-

-JJ-Or

fry -L

-Or

H
:r

-Or

O
M.

Or T3

Q~

Jo^ ii
Common
_

^
of

mine

rl^r

ZO:

CHORAL,.

~Q
zzzc:

-#'-

1zx
-

o o
i
my
I

DARKNESS. F B #L - Q ~cr-i"o ~r
:

C.

Choral,

_r

sr -Or

2?

~R=F r or^zi^^r

I
?

i6

*HN
Let
death

T
- ~' iC
!

~r

Iirzzp
:

O"
do

my
:r

T J" t r -'O xzrzxra

days move on
so

dis

solve

s=gr ifa^ d&p n Sfr

f"

_J

bo

dy
1

now, And bear

r r r

my

spir

it

home

Why

:r ~r T .eL'O^-^L^ 5

slow,

Nor

my

sal

va

tion

come

-i

2^
f
J-,

TSL
r~

g II

^r
19

ZJ

ZX - 13
-pi

^
-f-

#& F7-n
gy r

izc

p>
f"
J-,

X3Z '
p
-p-

rZZT

fi

j-

r
3ZZ2I

rr l

a ono

T
-

^-

IS

ZX
2X

=~n

r zx

j_ -d-4 Of or

~P

^e

I -l-O

CHORAL.

SINNER.
oc!

C. 31.

E?fefei espies
I

3i
fore his face;
~i

|0-ie

o:

a
broad

Oh
t>-r
J-

that

knew

the

se

cret

place,

Where

might

find

my

God

I'd

spread

my

~cy~
wants be
[ -

c ^ ^-r-tV-r^-yV-l-^^-^^-r-fs- f ^p o ^n p w
i

-
r
d

7.

_TE
d

r~

*
i

Ty"r
i
i

^ =^ ."U T ^ ^o: 0* ^f
-f

And

pour

my

woes

P"

p
I

P"

IS
-31

-JL

S
sp

fe

<~>

:se
1(CE

^^Q_

E
n

J__d

?S f^t

f^ rzx

d 3JL o:

^ X

zi

-e

O P

CHORAL.

I3IILITY.
_ZEi
i

C. 31.

L~h
iCE

re
To

God

n
I

IE CEX5 IOZCE ^n^^P-K :o: -p r

'Ci

SEIQI
i

:ce #en=o_CE

irG

XZ QZZOZ
1
r

^
cr
fear.

^___

rfiESlz'rr
cried

!0
I

"cr

I
l

olo l,o^
l

'#^V

3 ^t^tfQsf
i
r
-

^
fill'd

^>

with mournful voice,

sought

his

gracious

ear, In

the sad

day when "trou

ble

rose,

And

my

heart with

ii.

=E9^E SSS P

CHORAL.

HOFMEISTER.
J

C.

tfM^

&r&.

M. o o

Common Choral. r TJ _'ZTJZZi iri_rr|

147

=^C
:

The Lord un
-

-
-

-oF CF
tend, In

trou
i

sz
dark
i

O^O^* fEE_o -

1
n

^= ^= c:tp*r T~ oTOcr
God
de
-

^"oF
by
his

c>

to

thy pray 'r at

bles

some hour
i

til

The name
ri

r^n

of

Ja
i

cob's
1

fend,

And

shield thee

pow'r.

r~ari

CHORAL.

FESKA.

C.

M.

Common

Choral.

~T3
i

I'm

not

sham'd

to

own my

Lord,

/gs

Or ,1

to
I

de
I

fend

his

cause

Main

tain

the
I

hon
I

or
I

of

his

word, The

ry
glo
-

ry of
his
cross.

148

CHORAL.

LENT.

C. 31.

Common

Choral.

Oh

may

my

heart,

by grace

re

new'd Be

TT
re
-

deemer'e throne;

And

be

T7 my stub

born will

sub

dued, His right

/"?S

ful
.

claim to

own.

-^

2ZZaE

CHORAL.

TRUST.
^C ^TX5T
I3IZ3

C.

M.
-G>

Common
7^1

Choral.

'&&Z
i*e

<:>

^
hopes

-&i

-gOI

33T

~r -- 33:

3
I

o>
or
trust

3 q^zq:
i

<=^
fa
-

o Qtc^ Q
i i 1

^ 3 zz O xz
my
i

22:
the

3 ^3= o
331
of

sl X
shall not

Al

migh

ty

ther

of

man

kind,

On

thee

re

main
/-r*

And when

5
in

1
-e^
vain.

day

trou
i

ble

comes,

#eZZ

Z3Z
P D

o o o

IX ZZ
ffJ15"

dzte
J<*r

rf zx

Z3LZ31
'"

^>-

ir

^^J Or

Op

--ep

13=1!

>T
^-*-

J-

T
r

3 zz ^ f ^ oo f
^
r

p-

Z3
ff"

_r~

3X
r

^ f

.11

Or

ZX

^r ZZ^:

zz

<*r

o ^r

^-d_o

r^y I

fgg^S^
CHORAL.
ALTO.

DORIA.

C M. Two Stanzas. XXXX XXX f^Pgfd^l^L

zrrzr

Common

Choral.

1 4 J
X2

*XIOi

szzz

jr^^ A
-

i
mid

or
I

O
re
I

SX.!
-

D32
Re
r
-

-
store thy

xx

thy wrath,

mem
I

3
;

~W
let

xx
fath
-

er's

^=c ex

ber love,

ser

vant Lord

Nor

chast'ning, Prove like

&
~cr "O
"V

XX
QT~ 3T
tf

_j

'-

13:
i

a S^ THV-V-Fp^-y+nh-f
31

gX"CX
p p

X2
-p-

ITX2

-orrcF frr
-ST A

^^^ xx T
P-

P i 3 ^oi si tt^tt*?
"f

^c^
an
a
-

<->'#'-

venger's sword.

t $3

b=<

_j_j

ra$

^
o o
r

or xxOf
i

xxixx

* o:
xz

_d

feg 5
-
~o\

rr XXF3
dL"i
"i

-J dL

x.

xx

a
ip
tone.

SECOND STANZA.
S-

XX xxxX
-J
My
-sins
L

^
j
"i

Each Stanza may be used

separately.

- g-.

=F
l

X5

s xx :XXX2
r

^5= n o
r

zr

XX - - ST^f
a

^
pear,

-ffC xfl L
li

XX ^rhStd:

r
"i

TT ^
Lord,
I

CX
-

T7 #et TJ
not
bear,

:=
e'er

~T3

hea

vy

load

ap

And

o'er

my

head are

"^

XX T~P-

-f-

XX #P" f-f"
r
-r
-d-r

X?
p

-#?-

gone

The

HP
a
-

bur

den

Nor

the

guilt

_!__
p

XX ^ XX_ 3 r XT ft "FT
-
P
I

P
I

frf-

^F^XT

&

-i-^J
T 2X

ccz^:

sx

=F*

xx

& ?B

faJ,

j.

XX o r^f
j-

w
or

ex -r

-r

XX XX Op

*>U ALLEGRETTO.

ZACCHEUS.
rr ffi
t

S.

M.
r>
"i

Common Hymn.
r r

h-]-.^ er> -p?- p

SECOND TREBLE.

:<

33l

"rr

T~

-en*

^eB
"II

O- God
to b

''
earth incline,

E
from
a
-

to:
bove
;

3 5 j::o:
And
let

SOLO.

TUTTI.
::
-

S
=

>:*.

?F
1

m #
With mer
J-~~\

s^
-

zr,-r
shine,
-

OTO
beams of heavn'ly

o^r
love.

cies

thy

pre

sence

round- us

5FW ^ts
S"

=*BP fctt
TT
~<J-

H
1

^
'

With

SOLO.
iRGAN.

** 1 If

O
"I*-"

s
,

1 1
5.

gJr=

o; rr"n"Tr'o~rr~ 1

rr^

'TT*T~r
C
7
.

n*

'

^
1

TUTTI.

an

&^

o.

o
4,

ALLEGRO

ASSAI

FESTIVAL TUNE.
To an
-

S. 31.

Common Hymn.
Without the Terses No.
and

3:

&% 4ri

B
-

immor

tal

tune
1

:2H
To

=3=
an

^o
-

lL

z
;

jZ
Let
all

~i
the

azo:

IC =F ~r
earth
re
-

_o
Of

t
les

T_

Raise your

tri

umphant songs,

im

mortal

tune

(Is. Ce sound the deeds,

tiai

grace has done

|S&^^5^EFi^l'

^=^

:--4-J-j

eUSH

UN POCO ALLEGRETTO

JERICHO.

S.

M.

Th

Stanzas.

Common Hymn.

151

-fcz~

p pi*zziP'

To

bless thy

chos

en race,

In

mercy Lord

in

cline

And

cause

the

brightness

of

thy

face,

On

all

thy

saints

to

i ^dzs: -ip
i

3iia
~? -T=f
I

zjn:
H^-

r
j

=F=
.OL J. J.

qpqprj^e.
,QL
-eL

tx:
e>

31"

-r

JL.

f
I

T-

s"

f3

"

1
.

ol

.J.

_L

^L

-eL

fe^H
r

"

j-

&r^-

-P pSECOND STANZA
~m

fczpz

^F

iH

~CT

^=r

icszzx?:
=1

^
1

That

so

thy wond'rous way,

May

through the world be

known

While

distant

lands

their

homage

pay,

And

thy

sal

va

tion

own.

152
^

IX POCO ALLEGRETTO.

LATRIA.
I

S.

M.

Common Hymn.

-fP-

S31

r=s= P-ZPML
f

3 SEE^sS^^^f? #

I
"jff

S
Have
r#-

qzzzp:
i

"i

#cy
me,

mer
"i

r%
-

cy Lord, on

^
As

T
thou wert

ZOF
ev

5EEB3
tp Let

;:;:

_L_
loads of
guilt,

3I
find

-^-1

3to-

er
I-

kind;

me,

op

prest with

Thy wont-ed

par

don

>

rrr

-*r

m
P

3332E
T
5"
I

r-r
* :-' *~
i

33

P_i

r a T-?

_ _L_

r
1

--P-T

J__
i

T
1

1-

-
"i

44-' I
i i

ALLEGRO.

!>

s
To
I

NEW -^P~^p
1
hail this

ETF LEI EM.

Oj

S.

M.
i

Peculiar Hymn. May be used with attention

to the Accent.

-^j

OjO
SOLO.
~J

^ rrti I

Tf TTI _____ T _____ lZOi - -^ e r fif

from
.

z3
i

TJ
is

~&x

come
.

witli joyful song,

happy morn

To
i

hail this
I.

happy

morn

Glad

ti -

dings

an

angels tongue. This day

Je

sus born.

.I

^o~
I

175-1* r*

'

*_

-^

I?

d.

''Civ
vt
s-

_zfe_
1

d * =5=z
T" iQ-

^tzcdn
in
i

-eL-e'-

a_

UN POCO ALLEGRETTO.

=z

ISAIAH. pT

Common Hymn.

153

l q__rzri_]r cE^se^
-J

f*

The

Lord, Je

ho

vah

reigns, Let

all

the na

tions

fear

Let

sin

ners tremble at his throne,

And

saints be

humble

there,
I

And

saints be

humble

there.

^~pr~' ~r~p
i

'~tlp p'/vy *^"r~T

ZTJIO'
L.J-J.

-Lfs=^p=pr iz TfSr:zz^zf:z?5
-rr

of.

sU

-
j

|--pJ
L L _ l<_J

-g-ftfe rrfFPr,

r~

r~

p- 7gr L
.1

LtLtil
Common Hymn.

UN POCO ALLEGRO.

LYSTRA.

S.

M.
r~rrn*T""i
r~i

r r_ r? T^f zz^tzrr^r-^lrrrzEigrlgizJ
'

H ti-grin ~;
i

-e
Sing praises
to

g
!

niLzrpI ^] j-lTZ) ^-(--Q-g-#L|__[ILj

i
i

our God,
i

urnws~T|

And

bless his sacred

name His great

:

salvation,
f*>

all

abroad,

From day

to

day proclaim. His great salvation

i-i

all

abroad,

Vt
;
S2L
Ti~'r-

*.

^-|r-A^--?
i

^g-^-i-rr^r
l

From day

to

day proclaim.

-J-

-J

*^
i

-L -J.

_L

r~

^*~"
i

pr
20

P-i9

~T

V^
i
_

i-yg-c-fj
( r WT-!_ JZZC TTT 3
1 1

.^n
rr

-i
r

rs.
i

T~

-r-~

:rt

"i

rT

fag
T-|

TJ
1
1

I >-*

ALLEGRETTO.

TY CHIC US.
XX
SOLO

S. 31.

Common Hymn.

-#<>-

^"fflS^^H njH-JE v
Suiij

SOLO-

r fiE^ii^s^SI
XX

few
T

:o_

fl

Tl'TTI.

praises to our

S3
,

i-^-S
i

* j~=

God, And

bless his

sacred

name:

His great

sal

vation

all

abroad,

From day

to

<> 3

=g=^ 31*
UNISON.

22:
SOLO.
*
.
.

~T~

^^l -;

day proclaim,

From day

to

day proclaim.

lozd Ibfiz
zx~:~g

>l"l
o_-

_^T
,

:* _
SE
I

Tl'TTI.

r*

1 1 1
I

"O"

-j
"

r-O

_^ *i

-53 t~

ALLKtiKO V1V.KK
iT

Srx;

> T>

3~~

3>IIE15E. trO*fl -g

S.

31.

Common Hymn.

tOE
<_~

o- -o-~

E=x

1
p
1

:q 3X _.

zxxz:
-o-

~*

EtlOZzt

-O

I
f

T*

3~SI
\."-trrrubling rig captives
lie ir,

ii=:^
e>
,

te
<~y~ c V
t ,uinls
;

fl

'

o- .^Trj:^[
i-v-'
1 a.
1

*-fc3
Or
heal

*
felt

,J

hew, The gospel trumpet

No

mu

sic

more can

char-n

-the

ear,

--o- -o^
felt

i n

your heart

wounds,

Or heal

your heart

wounds.

^P"

ft ft
i i
i i

rrrxx -o
UNISON.^,

^^:

=nS=

g^g^g -o

VS POCO ALLEGRO.

EPAPHRAS.

S.

M#

Two

Stanzas.

Common Hymn.

155

How

beauteous are their

feet,

Who

stand on Zion's

hill

Who

bring

sal

va

tion

on

their

tongues,

And words

of

peace
I

re

veal

SECOND STAXZA.

T
6=r=

SOLO.

gll

tt
M
PH_

^T 5 ?=-

^r~
TUTTI.

x?

~~r-|

ppjjjjE | ^g^tel E prgl

o~rr>
-

55
affiff
~I

How charming is

SOLO.
their voice,

^
!

_rr

O^TC^
I

& T V- o
-

i
I

snio:
He
I I
I

E3 ^==S=s
TOI

How

sweet their tidings are

Zi
-

on, be

hold

thy

Sav
:

iour

king,

reigns
I"

and

tri -

umphs

here.

--

ZZ -1SOLO.
-JI

o
l i

Jti

J*,
o"

J-

T^^zn

O r o
J

"o^iO

F^
|0

O^* - *
O.

o ^*s

eI

=-*

*>-

XL

-|e-

xtrxTi.

"V

s=E

5^-E
j.

aU-el
ozes:

oHo^

3R3 t q* o. d O ~zzo: s*i

x>

-q:

TZZ II

r~

i_

1 j to A LLEG RETTO. ^3} 5j3

TOM ASCI SECK.

i

S.

M.

Common
nl

Ilvmn.

peculiar.

F L_

L *L
~_

F
SOLO
I

l
~i

P
r

l
r

SOLO. SECO ND TRE BLE.

TUTTI.

x~
peo f^v
-

n n

up,
,

1
SOLO.
-

"ST "#" the Wit dllU bless !. S3 UIJ, and Stand up,

IIPPPP^:^=^i
"T
1

^=3i
-

Lord, "'Uj

Ye
a. \.

pie *

of "

-" his

choice w.v,x.

; j

Stand ...

and

bless

the

Lord

your

God,

With

-j

T - *
l

.e

f
1

*
;

p=6SOLO
4

^
-Or
IQ~
i

TUTTI.
I I

did
t r>

"

=F
r-

h
o>

SOLO.

r*

i"

_-_4-

p pp pr:
TUTTI.
<5

I
P
l
"i

#
r#-

in

&TT
J21

P'
r

"i

-~\-

r
IX

iil=iheart,

^
z

T
_o;
voice.

EEE :c:
up,

3X
and
bless

cr
the

and

soul,

and

Stand

Lord

H*
your

-&r
God,

^^
soul,
-

T~~

and

"Cr
voice.

HI
i

With

heart,

and

"#-

::

jl zw<2

.xcizj:

P
(J
.>1

"T
-el

13"

~n

-0_

r_-_

r
rr

(O

f32=J
"P
#2:

-O

rr

F= --ner

4.

o
T~

LL.

iE

~r~

^r

l_0

J_P
i

ALLEGRETTO

Efefe
If!

PzrzP-l

i?p-

3
f

^
TT Down from

AGRICOLA.
^--p-p"i
i

S.

M.
=f

Pr
~ ir~r
take
:

(OZ,-p

.^9^_~zZZlf
3<jr
praise

Sztei-B
Your

ZZL

jzo:
ye trembling
saints,

5+
i

ZI
1
I"

ithe willows

_5Z*ZSI
-

harps,

Loud
I

to-

:fc

z:

EF^^-S^3r-iP=lT

z::

III
1

the
"

of

love

di

vine,

Bid

every string a
1

1~

Fn-zF

--

33
o

jiz

T5"

J
I

wake.

^TN

:oz|z^zzzi: z& T9 - -re-rI

T*

ALLEGRETTO.

!f*S
-p-f
3
I

zPz*

P~P #-y ^r
Ye
crea
-

^
X2
of
r

VOLLAND. xs
SSj
1

S.

M.
x>

Common Hymn.

T"

"i

xj

:on
n
And
cast
-

1<s^

o
Zl

=31

5?*

K
tfL
;i

l*

F-4i
Ye

xz:
sons of

^
earth,
-

xi
a
-

o
day

m
Redeem

^.
~~r

^F
a
-

m
<?~
!

rise

tures

the time be bold, be wise,

your bounds

way.

-4J

nz^zzr zozz< p

-rzz
..|Q_

^
I I

",

-*f-

X2 ^.T ">=:

o o
1*.

_f

_

i*.
r

F-

3=3=
T 5,

rzi

<^ TI _ Z^Z
anp!pr,

UNISON.

s-ap 3T
"l

mi.
I

M^ F
:Pz

iil
<&-

-J-

/-

:P
i

f-ri

'i

p-v
i
i

UNISON.

"I

11-

?zz

rzzcrr

SB

I rj y

IN POCO ALLEGRO.

iS

WEIXLICH.
xs

S. 31.

Common Hymn.
Musical Sense Peculiar.

T
SOLO.

-^E^i

ill

r
TCTTI.
"

:*=sm"

Behold, the
lofly sky,

r
i

"Prl

Declares

its
I

maker God
mi
I
I

And

all

the

star

ry

works on high, Proclaim

his

pow'r abroad, Proclaim his pow'r abroad.

BE
Be
-

^H^ tq^=
SOLO-

#p

Hffl
Tl'TTI

--:

m
j-

hold the &c.

jj-^i.

j
F^

@s?
ALLEGRETTO.

Sa
EJi V
high proclaims,

i^zs,

[3.j'irp>.fi.- Jyl ^ii

"i

m&
s4
The Lord
on
' -I*--;

NEUKOMM.
?

S. rr

31.

Common Hymn.

5n:
J_

orri- ^3TZ

"i

sy^zrer-g; XZII

=r=r=t
^-"-^5

^t^4

iiS c- His

Ijljr
God
-

E
throne
;

ZXT"*"
Mer
-

i_J_'. -
will be

head from his

cy and
"i

justice

are the
"'

names, By which he

known

5fSE3
rf
"i

^ T~r r^
d-L

as-

rrcr
^FF

E-EziFblS

^-T

^T^I^P^
-p-

TH

r
-eL^L

-^

orr *
n
-I
i
:

f-

PT

1^

S
:
>_

V-#

S5g| ^

T*>
i

KT

Si

JS

Sfe^ E

-u*

rot 17

ll

ALLEGRO.

ZUMSTEG.

S.

M.

Common Hymn.

159

Ex

alt

the

Lord

our God,

And

worship

at

his

feet

His

nature

^ ^s

^
-&>

CJ.
3

TT7!

^S
4i

~~
i

rrir~r r
is
-

all

ho

li -

ness,

And mer

cy

is

his

seat.

iy

WJ
r

no

jrr

i
rr

X-j
-^r-r*

mrcy fcn
<*r

er#
im*IiE

^rft

ALLEGRO VIVO.
r*
-]-|-]-|-

4
r#

DITTERSDORF. S. M. SOLO. tDJ TTi O r p~g 3EE fee

i
i

Common Hymn.

r~

"i

"i

TUTTI.

^d

6-3
<e^

aicE

22 ^-#

5 ^= n ov-

n
A
-

^3
mid our

ioi

vine! Let rays of heav'nly love,

gloom and darkness shine, And guide our souls above, And guide our souls a -bove

m
-p-.

M=
J

o io
i

S^
=fe:
SOLO. JX
,
I

^L ^_qL

J- -eL'
:ti

_J_

_T"J

J~l
'

TUTTI.

tf?r~
1

Pf
3
1

fr flS

^^QTi ^

gtir?
^S

23ZZO
'jQp Pf 1
1~7~

^T i^Srr ^rpr tzzzr

i

Phi

p P^P ri

?-?p

-|-|el T~

^cr^iQ^f

rrr

160
,/
_ t

ALL.A

BRKVE,
<

DANZFS CHANT.
I
,1

S.
O.
it

M.
1
b-s-is <->^

Common Hymn.

r#-

iro=TT X
r#-

>

E^
^
the

li

P^q

,#0^
Blest

< >

_G>
tie

5E
that binds,

M1
Our
hearts in

7
e^
love!

^ T5 O--EN1
The
fel

1 ^fefps
jrl*~~
r

C?=Z2

be

Eir^M
^i=*=?=

Chris -tian

low

ship

of

kindred

minds

Is like to

that

bove

"
IX I'OCO STACCATO,J_

op-

IOL_K
:

P^#ot I2IZZ Z^ZLCfJ ~ZT^ZMZ ZZTZZZT ~

.

r
-eL
-eL

^e
.

so-}

nn

fE^ ^

^v-. tzm-p-Fa-rfj-^^
i

.LJ

_!
i

.!

J L^qI !_

jq:

^fS

tC-

32T1J

__ fell

ALL, A

BREVE.

CHRISTMAS CHANT.

S.

M.

Common Hymn.

VTS

POCO ALLEGRO

PASTORAL CHANT.
-r-^r

S.

M.

C POCO ALLEGRO.

EPISCOPAL CHANT.

S.

M.

Common Hymn.
<T>
-

Lord our

heav'nly

King,

Thy name

is

all

Thy

glories

round the earth are

spread,

And o'er

the heav'ns they

shine.

1
r;

T O ALLEGRO

ASSAI.

HARPSHEAD.
:a

S.

M.
*
r

Common Hymn.

^ju-pr
r_

F
r

'

P=F S3
:

ecr:

S3?
i

r-^D r

F3

a
:

rzr

-S~?
his

H 3=* o ^J
"i

J*Wjf- p
7=f
-

&fS1
Ye
i

E^ =lzrTeE35=F3E=^
:

EI

Behold

wondrous grace! And bless Je-ho-vah's name:

:rj=:
1

servants

of the Lord, Jus praise

By day and

night

pro-claim

iLy^jjrTr-n, XCjltZ
rr^r^z^
---

5 ooEaH?
s
i

-j**_l_

ses
-P

-|

--

-#.

--

in
*s

isrr

-!

w~\

r~

E
!

^g
Soon

J-k-i
j

-:

-o;

AXDAXTE.
"~l

l*
05=
)8~

^?

i=T=fbrr.

OREVILLE. ^F& P
-

^RE ^-#s~- n*
-iS

8. 31.

Common Hymn.
:

1
_

m
^B

3?
awful

y=g=^
vour souls a- wav.

~r

Ye

sinners, fear the Lord,

While

vet

'tis

called to- dav;

will
1

the

voice

of death

Command

:.-S

<TpjTJ

J^-iH^TTi
-*^=*
tn H
I

33

"

IT

wz j

ill

f-MB~~
2=3

~T I#

I'

^-SEES
-i

AL.LA

V"

r
)

BREVE.
rt~^i<3:

ST.

Hymn Chant. i^ErE^-Ffen^z =HfFP~F= b =P :o: * HS2

S.

DOMINGO.

M.

Common Hymn.

179

==

-*~m~~ ~r

S< n~n:

The Lord my shepherd

u: if<
-*-

^^3
T

'

E=fe=ES|EE^Efe f
is,

1QT.
is

I
-

l
i_

j
his,

I shall

be well

-+ ZZjZZSI =t

-r

i^-94

"i

s_
-*-

S^S
supplied;
u
-I

Si#ce he

mine, and

am
n

What can
dz
<*

want

be -side?

--

zozizziz:

-it

-r-rr

TJ

i:

:c?:

-P~ *

-
,

-J-

-^

-o-

@i
ICir

T"

- T~

^-i^
S.
"*

^
_.__^
t

r r
E=3
"I

zczzo:

r~

c-

JO

UN POCO STACCATO.
ALX.A

BREVE.

VERA CRUX.
zzpzirr-r1.- -Q|-f--

M.

Hymn
--T--r~
r

Chant.

Common Hymn.

-6:

fT
i

1
J

3^5
J
i

i5Zzcy:|zo:|:r

P HZUZZZE

~^>-

rr r h

i
- fl

tibc
::

Come, Holy
#-,
,

^ ^-44;
LSpir
,

ifcP
,-.
I

pJt^Egg^a^E^^
a-rise;

it,

come, Let thy bright beams

.
i

Si.
P
P
:

T=R -f=*
r

~p

I5
P
i"

M&z TE&
4

Dis-pel the
I

sor - rows from our minds,

The darkness from

our eyes

14

--

"TTl j
p1

F^"|

-f
hL
'l

g^ffi
1

:ql_.J
-p-

_f~~

-r-

6~

-i

Q i ^ e UN POCO STACCATOFT
< :rr Tz:j:

TO"

iitr*

Ipi

-j-

~[p

p
1

p r~

F=-F-f 3!

.-F
-~r

m
i

9
r

BEt T~

17

HO

DOL.OROSO

SUNBURY.
<:>

S.

M.

Common Hymn.

<"ft- b

4m
I

~
-r

>'b

nr

T'

~i

love,

1
it~!

_
zi

ruz:
thee

n
I

-n
1

My

God

my

life

my
n

To

thee, to

call;

can
J

not

live

if
!

thou

remove, For thou

I i

in
1
i
j.

:x>
iiQ

o
-*-

_ol_i:
-t*

jr~i
L
l

art

all

in

all.
i

_T>

zL^

-i
1

X5_l
zESdfc
MODF.RATO E FLEBII-E.

-2

p^p-

"73~

"1*=

4-i-o-

O."

VE

SSBI
Common Hymn.

LLE.
r

&
T~

I.

^mm
i
Be
-

~i

p H-f
3
cr

;q:
:
"i

FFP

QZ EEL

Z3

T
:

gg
t
mortal race,

O
i

-#
i

^T

r r

a
a a
iB

"cy

5?-^)--ofather has bestowed

SI
On
sinners

"CJ
of
a

F^ ^ -r*gr
To
call

~H

I"

hold! what wondrous

graceThe

them sons of

God!

S3t

-e^
c
a

r
:

"p

&-4

35

<i_
--|Q-p-

Sgjfei^

3 F=F
t
JjQZZjE

AL.LA

BREVE.
JCE :o; r~ar

SUMATRA.
**1^-

S.

M.

Chant.

-6--*P: T
II
l~

<

- ty

IQ

JET

Thy name, Al-migh

r*h
;<f

Lord, Shall sound through distant lands; Great

^^^Si
Common Hymn.

181

T-^C ar"oi <& ES r 321

is

thy grace and

sure thy word;

Thy truth

for -

ev

er

stands.

J J y
JL

^TO -
e
pi

P *
-J-

r
i

p p

-F

f>-

"f

P
I

Sim

_,_

<L

o:

3EE3EE
UN POCO STACCATO.
ALLA BREVE.

;o: -

^E-^-y-pmr~i
r
r

--

i^si^^ ^ a NOVA SCOTIA. g^p ~ ^ fc3o: fe=^S

f-ff

=fei

Z5IZ o:

i:

SJ-

iP-Fir*
I

i'l

T5-n-

f"

S.

M.

chant.

Common Hymn.

rn

O-tg:

n^

q=

vM&-

PP
J
i
<i

^rcr
me,
r

S^^i^pM^^fed^
As
thou wert ev
-

T
mer
-

Have mercy,
dfczc

Lord, on

er kind;

Let

me

suppress 'd with loads of guilt,

Thy wont

ed

cy

find.

&3B

T
:3:
r d

L
-f

13=3

-'

3= ^^
:
P

rV
p
i

ff

iOZZ

sx

t^-

UN POCO STACCATO

^
;o

2X

no: o:
.

i-

S~

ANDANTINO.

+hi -t
~rr
Oil
i

=3=
be
found, Rest

ITICA.
=
1

S.

31.

From

the Ancient

Lyre.

E^

Fz

i=

<x

i
I3
soul
?

fiS*
T?
vain
*

iS
CT

H"!

!T~!

-c->

3E
the

^
wea
-

q
to

where

shall

rest

for

ry

'Twere

the

cean's depths

sound, Or

pierce

PUP
to
-

ei

ther

pole.

=f -4

-e> Hf-

o
;o

r-rg d-r~ azfttzT*

1

-ar-4W

5^
-ft

P^
i"

251

?Si
3
_QIti
.

P
"T

'

-^ <X
=F

tP
~l

^-z

<2;ic

"?5^

"?y

Hymn
Chant
nr\

ALLEGRO
5

ASSAI.

FRONT STREET.
T
FT* i_r
i

SWI
-ol

K J"J-J
the

S. 31.

From

Ancient Lyre.

^g
J

^g
S! ii
_J
r

orrl-Q
have heard,
!_

3
i i

sEEpzzg

jiBIS
ed
trace;

xz

r rti

~~|

sfegil=ffe
-

^
long
sue
-

-'
-

Lord what our ears

l__^J -&-T

~~r
_ <5^

Our eyes de
!

light

*
i

rftf
r

#
r

r
o'

-i

TX =:^zr
1 iQTI^lZQ

^
_J_

Thy

love in

ces

sion

TT shown,

BZJEE
To
Zion's

m
Q
en
race.

choe

r
*

-i p
*.

IIS

.
i

mt
s I
i
in

s I

^r
:

je*

f^-r^ H r- 9~r-r

:cd

~i

^-

*^

o o

AIXA BREVE

ELEAZAR.

S.

M.

Chant.

Common Hymn.

Great

is

the

Lord

our

God,

And

let

his

praise

be

great

He makes

the church his

blest

bode,

His most

de

light

ful

seat.

UIC

POCO STACCATO. MODERATO.

SANTA CRUX.

S.

M.

Common Hymn.

Mine

eyes

and

my

de

sire,

Are

ev

er

to

the

Lord,

love

to

plead

his

prom

- is -

es,

And

rest

up

on

his

~1

j S3=*EE cr

1*

s
H - 1 ^
i

~r

Czl

g
J.

i~rp~T~

M.
i-

3
r

a
-^rf
i-J-

=2=3=

r
-eL-rJ l3-

&p
^4

4-

r nsr

a
word.

to:

^cr
~~r

J^_

iR
:

iO~SL

&M
22

-oL

X5Z*
-)

~?y~

-&
:_o. :
id:
:

184

ALLEGRO VIVACE.

THANKSGIVING.
2*
-Or

S.

M.

OR SHOUT ANTHEM.

Common Hymn,

O
J r O
high,
i
~\
t

m
1

-i-

m
|

5
Sing

r?---#
to

^
Lord

-omost
-

^^gjgz^fFZZ-

the

Let
.

ev'

ry

land
id-

dore,

Let

ev

ry

land

dore;

^21

:o:

^ d

|i -i^
r
-^

Z3T.

-J.

z
=^:
X5~

i=
J.

2
-^

IE
*k-

mr '
i

-J-

--

Or

33:

jdrZZZfc

m
\\
i
.

^~
I

PI
iizl eL
With
grate

op

^r

-Or

Z5Z
|

=*=-F=*-_.
l

o-

o
tH
"O

::qi
- - ful

^= i
and

^3voice

['Ml f^zzrg-Szirrzrzdii
[I
i

z*zzzfzzz mzLz^z:
His goodness
'

FEZ & I
power.

heart

make known

His goodness

and
::
:

his pow'r,

and

3 =

GET?

F g 33H ZZZZZZZZZtZZZZZZZZZZiZ|ZiZ__,

-W-v-J-H===:=

z#z:

1 f^h^zH
:<x

j.

T~

ix

:#:

5!

ALLEGRO

ASSAI.

BARRINGTON.
zi

S.

M.
PrPc
_r

Common Hymn.
-'i
i

1^5

&j~ rz

~i

:c:

o^

e^S
_

p-"

i-ffffiEfc

nzprr

ri"

s ;es^^es
~r

T~r-~

CTIZ^Qr^

-F:-

31

3*
eve

33sm
~n
:

wake, and sing the song, Of Moses and the Lamb!

cy Wake eve-ry heart, -And

ry
i

tongue,

To
L

praise the Saviour's

I
I

name!

To

praise the Saviour's

name

EE3Ei o5
p

ri

_L

'ZTJImm'
a'

c'--errjt r
p

izr:

itT
i*
I

'^
(

~H
fl

M
I

gEra
p

^
Your

,err
i j

r
fcr

"i

'i

-r~ pn
i

Qrt-r-i 1

^zrrizzr^sij p - rrnJZZ rrzr ~1

,
-
- -ry
:

:o7

T~

"l1

ifWT" *te
I

TT

ALLEGRETTO.
n_

S. M. BELVILLE. "I" [ - \zzizizzztzz

1

I<2

F^

:x3:

~T
-tj-

3^
Down

cy~;

^ ""^r
lows

in:
5

to

-
cf

F=E

r
gy 3
-

33ZTJJ
wake.

harps, ye trembling saints,

from the wil

take:

Loud

the praise

of love di-vine, Bid eve - ry string a

S6

.YTX.EGRO.

SIAGAKA.
# fei
-,

r
1

(-

^gss
S. 31.
1

i"

=f
.

i =:
j
-

Common Hymn. MAJOR. ^-

^-e

^znirn_
the

1'

1
n

if
-

XI
claim:

a=*
And
all

p=q=E:
i
i

Oh', bless

Lord,

=p^ALLEGRETTO
I

my

sou!! His grace to

r-=
t

w ~r

thee
i

pro

that

is

with

in

me

=3^ To
join.

jQ

^i

bless his

ho

^_tr

.l
?

*~r -^-j-<crz

S
S.

4-

rt:

rr
\y

name
r

rfcy

7X

:jx

MOM
'

EAL.

a " zcr

i*

3=

M. pr
-#:

Common Hymn.

^X

jSE^pF^
a~* o~
field,
It

4- 9
-

Our

days

m
are

-75"

S~"35
I"

^
as

"

O
3

S
Or

-e -- -farrlike

r
S-

xicra _oj .
!

"o

"T

o
hour

the

grass,

the

morn

ing flow

\\

hen
i

blast- ing

wind sweeps

o'er the

withers

in

an

:$*.+

W-4~sr

i~ TT

7"^*
1*

*-*#
-S-.
--

2*

^
<>

PI

^
z

i^

IT.

m
a

'

5ES

--r*-f-

^ P

O > O --#

CHORAL,.
ife-i
:

EVIDENCE.

S.

M.

Common

Choral

187

fcfjzq^::

^
Sinners

^
--

10.T

O O
i

I"

?x
q

o:

3
And

ggigiilliiil
1

o:

jo:

"O^
Let

KP=f^
f
:

a^M
choose the
1

r rrn f EEFFH tar E 'iinn-g-^ o~#gy~r e - e ^bjar-crro o~o

'

'
dai
-

111 T i O"
"CF
lv

~$-

iEEara
f
1

take their course,

road J

to
I

death, But

in
I

the
J

worship

of

my

God,
r

I'll

spend

sa^KF
hf

/5N

'
I

T"
J~jr

f ^p i
r

r^

^=fa^ra^
CHORAL.

'

---.

3
1

:&ttd

m
-1
r

>
1:

p~r
f"

21"

T
f-

p
1

ft

=^?*t
ip
1

m
r

my

breath.

d?oi
~T

FFP

-1

Dzzzxzrha-

1-

raoi
Choral.

ICONKJM.

S.
id

M.
IiCl

Common

--

T(y

:o~

3^=o:1E:oz H-^fc^F E^Eg3

T ocy~
T"
,

-W
Did

^ #
Christ o'er

:slj2
sinners weep,

shall

^2=r

3S o
dry
?

"O

T
^f= cy
v
ev

~^r o^
-

And

our cheeks be

Let floods

of

pen

ten

tial

grief,

Burst forth from

ery

eye.
1-Jt--

p
I

T" T"

"p"

ffr

aht'HORAU

De

fend

me

Lord

from shame; For

still

trust

in

thee:

As

just

and

righ

teous

is

thy

name, From

dan

ger

set

me

free.

B^^rr; C-o**S

CHORAL
zfc

EVEiMXG HOUR.
zc

S. 31.
zt

Common
-- 321

icd^^rzcr xezo: so XI :^e_x>.^>_ *=p=;a=S2: :feo:3SEriHz=r

n
I

--

T"

Choral. _

T5I -

IB

s5e--x>

xc
1

o
past
1

- T7~"CF XX
and gone, The
771

r
<;>

ZL
et-o'-^eT
Oh may

~
-

ev
-

TT~Q -ZXEZCt
er

a
of

The day

is

ev'

ning shades ap

pear-;

keep

in

mind. The night

death draws near.

Eft -

TTT
_
T-

O XC:
-r-

- o__.
T

~7qr r 7z cr ot _x?z

TT
1

sz:

-sb
-P-

XE
T

f
iL<3.
T-

-o-

>
-^ aJ 1- XZJo

Tf>

TT

V eoe

X?ZXE
_

-o
!

c
1

^
cI

"f

- zxe
_J
J

.^^

^~

ZCzS

!^3

XX

XE

-^(U zzz^zxe

--

a-

Q X*~xr

TT

1 m

PASSOVER.

S.

M.

Common

Choral.

CHORAL.

ATHEIST.

S.

M.

Common

Choral.

sin,

Be

cause thy
I

grace

bounds, Or

cru

ci

fy

the

Lord

gain,

And

pen

all

his

wounds ?

190
.-ft

ALLEGRETTO.
"I

HANDELS
LIB
21

SONG.

L.
:

M.
21

Six Lines.
sp

Common Hymn.

^ffi^gr'
i

^H-^-h--

r^P"

F^

=*p-

T"g

s*
'I
I

bove,

Thy

P=Ptp=P

SH* 3

321
IL

^>

-P W

o:

T-

-^

^iCT
throne of

-oglo*- rious

-raaj
-

^
es

*
-

35
deign
-

2*3
to

*
voice,

231
bid
-

Si
my
droop
-

'

r
ing
heart
re
-

ty:

Oh

hear

my

fee

ble

And

joice.

$=

Sfe
:f=
f>^s>

-
-;/
.-

T~f
J
"

fr- F (3r

W~
J

J=35I
ner

<&

3
w

r*

'i

J
1-

P=

r^3

^S

I3

1-

p-p-p
-oi

XX

^I

ALLEGRETTO.

PAMPHYLIA.
St

Siv Lines.

Common Hymn.

tf

The

Lord hath spoke, the migh

'1
'
.

ty

God, Hath sent

.

his

sum

mons

all

broad;

From dawn

ing light

till

day declines, The

list'ning earth his

?~s

TUTTl/^_S.

Kf

S33ffES Sri?*
ff
i

T
If;
i

n
r
i

-j-

T-

1-^
o>

"T

rTi*rri^^j-jpxgiczcn] 3 TT
Solo.

_*.

:e^:

-A p-

^j-JJ

r~P

p-m-f q

voice hath heard,

And he from Zi

on

hath appear'd;

Where beau

ty

in

per

fee

tion shines,

Where beauty

in

per

fee

tion

shines.

w~r~

102

IX

l>OCO

AIXBGRETTO.

JEWRY.

L. 31.

Coniinon

Hymn.

The
:

Lord

my
r
i

pasture

shall prepare,

And

feed

me

with

shepherd's care

His pre

sence shall

my

wants sup

ply,

And guard me

with
i

^WJ _~rn
n

p^i -OY
::q:
r>
i

.,.
i

ees x>:

~i"

Tn-TT X>Z_
-f-r
I

MO^r-r

Fit;
ig~

.^

>

-h

n"
Li

BE J
~i

T"
-el

~ ^

-- r-eL-J*
1

-o --|- g - -p-e

1
-

-^J
!

J-

A
--

eL-i

"i

a
1

&

O- p
"T^

r
tf

r ri <<
i

oi

i rn

~i r ~~r ~i szs-r^^^ r* "^ zfza "~h~l" gjjrzzdgb=g r #~ #1^:

~
~

'
;

S
shall
-

il
+^ Paa
-

rlJIr*

-13 T~

r~l

nr

XI ~Z IXI
i

in

pi--
at
-

j7 *_
And
all

-#i

rl

a x> J
1 i

~X> ""
1

ife
all

watch

ful

eye

My
it:

noon

day walks he
i

tend,

my

id

night hours de

fend,

And

my

midnight hours

defend.

3=m

qfn^zsqzf
3

x*z

zcrftdiJ:

R-f
-o

e'
"i

''

ol

Oi

ff ><?>

1:

x>:

EEEJEsg

&TZ91
T
T

--t-i

ALLEGRO

GILEAB.

L.

M.

Six Lines.

Peculiar

Hymn.

l"o
w~r~\

_J

^35353
-- T --
In Judahthe Al
-

mighty's known, Almighty there by wonders shown, His name in Ja

cob

does
...

T^
fffl

4+F-z^ ST
j^

~r

^
-J-

3z*: ir-'-^l-iT? ITT SLii :-:

i

LJ irr

_J

>

^=s
EF
-.-

ex

eel:

His sanctuary in Salem stands; The majesty that

* *

I.

^^- pi

JT^
1

Ld
L

"T"

p
i

:ilSTTJ^
UNISON.

-rz -

c>

-e-

i^

^^8~S~ P
ESP

T?? F

IZ
C

F^==

1:

-PtP-0-0Jg_E -^-^.-

~ ^ T~p~r~

li)4
i

,v poco ai^gretto.

THESS ALOXIC A.

L. 31.

Six Lines.

Common

Ilyinn.

v} !

^F
=F
that has

zxxit:

-ohis

He

God
1

guar- dian made, Shall

I^ISS^^i^^^
i

:o:

qa
I-;

~T

Ijaczt: a:q_
i

^f
to
-

un

der

his

Al-migh-ty

shade, Se

cure

and

un

dis

turb'd a
I

bide

Thus

inv

soul of

1"

*fc
-..

-t

~
r

-o'. --

-eL

t-^

I<X

~C J
i

.zinc :x5^,_

-J-

i._i

.
{ (

,_

$~j~
=>
-i
1-

-t>^zzs: ~ja__jr|zo:

IOC

T51

^>

331

^2>

^1
-

&=3
him
-

"T

TZZl

DJ

C cq_zi_j:

He
i

#->-I'll

T5 ^
i

#<^and

w #'
my
stay,

say,

is

my

for

tress

My

God

in

whom

will

con

fide.

.czz._
T~

o
i

CZJ_

>-o

E
5
*

--

#i

^^
I
I

or
#
-e<
I

~r

1 i

rr~

"T

"~~t

~~i

33:

--r

O
<

-----^3-

<>

V^WT

J-

-e'_;"l

-*r>
!~

oy
--

f-

XT '#-

~r~

33:

3E

^1

23:
"I f

<">

1o

ALLEGRO

ASSAI.

SHADRACH.
~m

L.

M.

Six lanes.

Common Hymn.

195

-In

Judah

the Almighty's known,

1-

Almigh

ty there

by wonders shown, His name

in

Ja

cob

does

His

-i*

TX~
sane
-

_fe'~

~C5~
stands;

tua

ry
i

in

Sa
,

lem

The ma

-jes -ty that heav'n commands, In

Zi

on

con

de

scends
C5I

to

dwell.

r
.

_^._ ^P-"

Q" | r~ | P- P"
X?_X5I

o
j

~r
i

r
o(

if
--

53-

--

C5S= ~nz (O
P- P"
lO- -2-

i~

IOTJ

i_JL

o
o:
"T
E5I

UNISON.

->r

"P-

i^i

1&-

~I

o o:

-o

T"

nn zpz

T3~r

00

VNDAXTIXO

IIOSEA.

L. >I.

Six Lines.

Common Hymn.

God
tf

is

our

ref

u<*e

in

dis

tress,

A
i

pres

ent

help

when dan
1

gers
|

u-v

r?

y
73"

#"
-

ft
3
*S-

T
o>
m

T
i

-o

s
press;

In
I

him
I

un

daun

ted

well

con -fide; Though

k-

ea

e-

-*&

m
'i

-g5^f

fet1
o
.

'if

30i

o__*_

4fr

^w:

nim:

o:

-j.
-

-*W-

nO-

o -o

1
;c~r

if-;
1
1 1

^s>

"i

^
1

351

jar
~T

TT

-4
1
r
:

T
1

r
r

n-

3=P
earth
-

- T*
*were
from
her

?*:
cen
-

toss'd,

~ui
And
mountains
in

^=i
the
o
-

ZZI

CF
hv
-

tre

cean

lost,

Torn piece-meal

the

i 3=5
:

m
11
!__

roar

ing

tide.

f=^=i*

-o o
25:

=F=E

3=1= rv

-ie-

^
CNISOX.

^T=iT
10

O
--

^T
~o

FT ~

_m

i_

-0_

gz

3X

j
>:
:

<

T-

f~

z-o

ALIiEGRO ASSAI.

SILVANITS.

L.

M.

Six Lines.

Common Hymn.

197

Ye

saints

and servants of the Lord,

The

tri

umph

of his

name

re

cord

His sacred

name

for

ev

er

bless

Where'

er

the

se

wrr ^fe^fei^^
-\S

g-

ir
-eL

T-

T
$=**

d
C5

JL-J.

J-^d;

Ji
i

FT^^==ffi-tWq^ f
iL-JL

f5""o

E
^v

S^5
plays,
!

nzi:

d o:

j-

?=5
XZE
.SLczzz

T"

X
name
for
-

p p ZX
ev
-

oLJi zz*zp^
er bless
:

msTt
circling

LZZZzfE^EJ ^
Where'er the

His sacred

er
~t

the circ li ng sun dis

tti

n^riHT
sun
dis
-

&c. f~r

"

'

Where'er the &c.

cir
-

cling

plays His rising beams or setting nays,

-

- -zrr

jW -

J~-

Due

praise to

his

great

name ad

dress,

Dae

praise

to

his

great
'
.

name ad
I

dress.

'-

Jo
b

AULA BREVE

-ft

STEFFAJ S CHAM. L. pi ~T pppp r

< >

31.
-

Six Line*.

Common Hymn.

-PPP-

^TP
---

^T-

iS

F^
Come
3=

^-
all

=^_e[
-

qzzqzzz
'

"
I.
.

-
his

cred

~o
na,

3>.-W

- ^
i

H3
J.
JJ

ye ser

vants

of

the

Lord,

And

^
----

praise

him

for

ea

word,

That word,
L

like

man

sent

from heaven,

~r=x?: i^gr
J

lo

"^_J_
T5
"

v
s
.

_> :
4

je K5~

JL
.

&

TT

^
-

IT
-p (-

- s
I

^
-

rr

IP
e
gr-

life
-/.

ip=p
^ZIl

^5zr
io:

321

IX POCO STACCATO-

-3

zE
1

--

2X

~CT

*=t

EE
"P^

&
^
&C^"^
To
all

e
"
free
-

sxzgiz:

:_#l

xjztq:

jQ

zz_
r

--

--^

--

i
~cr
and

*
who
Beek
it

^ -
ly

3
:g.
.

b
_

-fears

move,
;<->

-^
And

m
fill

'
our hearts with

-joy

i
^cr
love.

given

Its

prom-is r

re

~
fcfc
-
i*

- 1=5
T
i

5"

V
J
jcr

w
T~y

:ns5:
|0-

zr
-e -?r
:

T
5
"

i"

^
tt

xr

--

J._.L__^el

eL
jG>
: -

E5 Efc

--i.;

s=-^
-p
i

i^ri

-rrzp: I

o:

p.

---

CHORAL.
-

CONFIDENCE.
X

L.

M.

Lines.

Common

Choral.

199

nr-\eS-^ -2-

ie-

3
- :?o:
clouds

-norst
r~

3 -

dark,

3X ~o

o;

zx
:

3
c>

^=-^
o-ath'
-

T"

^C^oC
round
I

view,

o^
And

When

rino-

days

TT
T~

-^r- T?
are

* 32Z *t'and J
friends are
I 1

GT :o: -
few,
..

zz zzzvo: XT
I
i

xt.
in
i

On
l

him

lean,
,
i

who,
i

not

ta=rz=l
^-
: =fci 5-S:

f
*3i

t=M-

5^
T-

-'
:

^L

:o !&=&=<*=* f
-J

^=s
-J-

^H
i

,,J

^=t
i
3>_J.

E ^

^
n

p^

TT
-

o:

ifcxjzrxj

"~r

^ J_

4-2-

g _L
XT
-

- -n-

:q

' tM -

^=

<2Jl ZIP

P i^d?z^
I

32

ll

^
Ex

=^=^ XT,
ev'
-

T
-*1
man

X5

O
He

pe

rienc'd

ry

hu

^^
feels

o "o ^
griefs,

XF
my

^
fears,

"^
*S2- "?y
And
counts

XF -- XF -xf~
treasures

pain ;

my

he sees

and

up

my

P
I

tears

--

xfzxf
=F

T X T
p
1

L "-p frf-

--

f
p

o
1

cf

c
fff"

xf

^s>-

xf ZZZZoC *: -p

-j-

331

--

32 #^^s-

SE z:

XF

-5

~o

CF~

O -#=*ZZpZXZZZf^L ^Z ^-F= #= ~~T :z

1

-j

^n
j-

Tl

XF ^'

- i
"DC

CHORAL.

CHORISTER.

L.

M.

Sii I,ines.

Common

Choral.

Izl^^j
In

;&e 1QZZ:X>__QLi_ c c t
,

"i

deep

dis

tress

oft

have

cried,

To

God, who
"

nev

er

de

nied,

To

res

cue

op

prest

with

"t
p

33
p

p-,

iry

T r tO r
r

T
:r

T
r>

P
i

T
1-

T
-
zsx

3X

^
-

F
i-

~~f

^i^E^^ f=|
+b^-

_- r

J.

- ftHfeq^ftazqg IZZCZZZ^QZZZ' ~o

tz^zzo: o^

EdE

;*xzn

zxzzzzczJ

-/-fT

>r"
-r[

p -F"
r

Q~~rr -

dzji o
c?

i-

o:

- 331
zrzzzzz

m
go_
-

pp'fcg S=^t :zq__ql

-And

hoZZoz:^wiongs: Once more,

r~cr
O
Lord, de
-

-
liv'
-

o
From

=2:
ly

:^^
lips

~r~

cy~
soul

*
from

-*
the

~cr
rage

-
of

ranee send;

my

^^
Bland'
-

de

fend,

ring tongues.

CHORAL,.

AMBROSE.

Htz 3
jOLZZzr -r

L.
1-

M.

Six tines.

Common

Chora).

201
ne

ri~Q'~

--e'_

L s~

- 1CT

P=

o o BEEfl=

iE

IT
~r

3:

The
Lord

T
Z2T
-

r~
shall

r
pre
-

p:gc
pare,

5
feed

g^l iPS^^FEP
^ ^
O^
a

S
a

my

pas

ture

And

me

^ ^ O "
-

-F
my

r o Q 1SJ
1

with

shep

herds

care;

His pres

enee

shall

f-H :oi ve
ffy

n 593
zertfr
^

wants

sup

ply

r~r~
321

?3I

b S=^
T5
p
I

And

3
if:

3Z
i,l
p
a

isir^ri
r
cT
i i

=n:
d -Ji

=3 '-wtztzr ^
p
i

r:~^=
p

f-

p4

zzB~oiz 4
_

edz!
-

E^ ion
c>

:3n:

fee
32~
:o:

n o 33: zrzz: ^q
-

9"j

-J__j_

zo:

:ozi

IT

_>-

o::
-J
--#'-

131

T
ig:
watch
-

Q
T

:oi

^E3Q- g^E|^3|^
And

T
^E>
guard

T
me

T
01 tax
with

r
ful

-
My

IOI
noon

T -
-

XZ=^T
walks
he
shall

--

331
-

eye;

day

^
T
P

- -^T""cr^_
"1

T
35^
hours
de
-

fend.

at

tend,

all

my
r

mid

night

331

iEF
f-

331
-pi

-
r-

T
E

321
'ZC~

~&-

zzt

~j

T~^
S
1-

ncn:

io:
-J-

32" -rzrxz
-P-

T
-2

IZ
J-

T
f-

f-

I.
^r

12
72.

Si
26

--

^
1CT

IS i

io:

oz

p 32

niiipro:

*m\l

tt

ALLEGRO
-1-1<

ASSA1

GIBEOW
r
y
i

L. P. 31.
\

Common Hymn.
OR ANTHKM.
I

>

is
|i
j
-

Tli 111

_E

p
~r

iqzh:

Al

CL zn

51

l#-

e^j
With
grate

l-l

jtjz z:
r

=:rzczz; cr

i3

o
I

-#ewe
raise

-'

-J
"

F1

ful hearts,

with

joy

ful

tongues,

To Cod

ni

ted

songs
"jg
i

His pow'er

and

mcr

cy

$W A zzzzizltice:
1-

J "VI

FSZ

KtSZ
- -f- '-^

m
T
Lord,

mi5
**:?
v

Qi
<>

1-

-p-

r#-si

*^rf
-eL

-e

:**
Long
as

i&the

~C.
her

F I-H
-

'

F-tf--p-man

moon

course

sliu.ll

run,

Or

~jTT
-

be

hold

n the

O
in

-O

T
land
sup-

cir

cling

sun.

our

^/-

rozz^Q

P rd+ffl '*?
!
i

^P? SqEEES
-5 Through
ev'
-

TTV

S
^fl*l
I

T"
i

^
i
;

-i-o- jo:

>

^r

~i

,_!_i^
claim;

-eM-'
we
own.
Je
-

X5:

ry

ase.

^ ho
:

X?:
-

Z5I
hen-

T
his

vah

has

fix

ed

throne,

m
And

'%Z n

rr

port

thy

reign

Crown

her

just

coun

sels

with

sue

cess.

With

truth

and

peace

her

bor

ders

Mess.

And

CODA

ANTHEM.

coda.

203

1.

triumph

in

his

mighty name.

And

all

thy sacred rights,

And

all

thy

sa

cred

rights

main

"O"
-

tain.

men.

^j^f^^fli^z^^ h &_ ^p^

-.
j

i*
J

-f

1
i

n
.i

i^

pn^ F
^

-- --

f*

zo
I

:o:

S*
2.
all

^
-r
thy
sac
-

HYMN

FI NE.

Q,

^
:z
"

Q>

~'

o
-O-

4=

e-

e--.

_o

-T

j_

1izazzEzEr zfc
ANTHEM CODA.

TZZZZIZX i_j

r
ZOZ

^v

red rights maintain.

CHORAL,-

THE RICH MAN.

L.

M.

Common

Choral.

o"
Life
is

_ql
burn,

iThe
vi-lest

w ^e-e^
sin-ner

the

time

to serve the Lord,

The time

t'insure the great

reward

^dxtot
iezi:
d

^ Z ^
-f-

J_

rrT
p

=^ 31rf1-!-

^
o

And

while the lamp holds out

to

may

re -turn.

^^o

-vgy p
--

ZqLqT:
p

t;

ro:

zi 2^~!

r^

Tp
~1Q
I

L-lFrta dr1 zozLQ^icy

r

*- f-

f"

'-P-

'tt

sste* ir!4lZZBE^EEZ3te

^^xi
I

rizo: I

ZZZir

pteffczzz: zozzozf.

rZZTLZZZZZZZJZOZ

^ZZ^ptl!

I"

o-

04

ALLEGRETTO.

SUNRISE.
=F
t-#-

L. P. 31.

Common Hymn.
OR ANTHEM.
1

n r*B
Ye

jum:

dt:

-r-

ElzSBBE^
-of
-

EE^ES
^=i
his

M m *^
--

~ i=fc* 1
-name
-

ZZIZZir^

Iplipili
-

-'
8*
His
sa

1
for

saints

and

ser

vants

of

the

Lord,

The

tri

umpli

name

re
i

cord

cred

X3
>4r-

4=Efc

^z:

?S

Jtiin^
-

'P

f J+d-j--^

I-tQ

* r
I

:g-i_-f-l

:s:

T&

1.

ev

er

bless,

Where'er

the

cir

cling
I

sun

dis
I

plays

his

ris
I

ing

rays.

Due

praise

to

U--_

l~-

_C
-e'*

-io

*r'

-et=

-f

-*-

^
2.

\ cv

r P=P^
him

pi

SOLO
<~>

s ^=F*
i
i '

55 ^=:
Tl'TTL

..

75
"P"

'

ORGAN.

"T5I

o:
ex
-

Who

ohthe

^
-

^1
-

~TT
-

glo

ry

are

To

whose

ma

jes

ty

eels.

made

heaven where

in

he

dwells,

Let

no

ere

HYMN.

Continued.
.

CODA^WHEN USED_AS ANTHEM.

<&

i^=
H

1_

fak^H*-^
i

ZE
:*"
-'-

q
-L.

: ~y
'

w
i

ZT

-']

T
L

205

'

37*-j:
Due
praise
to

"Of
his

^
great

his

great

name

name

?
ad

ere ted

L
dress,

Let

no

power

com

pare.

2.

ted

power

compare

CHORAL.

MORTALITY.

pow'er

com

pare.

L.

M.

Common

Choral.

-^C^
Why
x*-

^^^jF-^^^
to

-j-f should we start, and fear

die

'-What timorous worms we mor - tals

are!

Death is the

gate

of end

less

joy,

~zy And yet we

-^oF dread

-C^
to

there.

en

ter

-p-

- ^ u mr
1
-p-

ICE

- :<z

-p-

=F Fi^
!
1

1^-fp
1

f*

z<x <y aFT'Tr

- xy
-f-^-pJ-

O
-

'

p~ZEZfri3
I
I

asizr^I Wr
1 1

^&3Z>

;#<%

s
1

d-d

1-

^^

jQ-

- OZ2 <U^L o: ST iPz^: ?3I jECZE

ZZO"

zt

-*i

TD"r

T^

:o:

g?

-*cH3(

ZSJZ
f

1?00

IX POCO ALLEGRETTO.

KKOMxMER.
p"

L. P.

M.

Common Hymn.

mnzr

p
i

li"^
1
1

HI
gives
his saints

fe
K*& :fc
lzbz

SECOND TRF.BLE.

z X3CIiI 3
-

H^S^iE^ii
-

For

ev

er

bles

sed

be

the

Lord,

Who

long

re

ward, For

all

their

toil,

re

proach, and pain

Let

3f^
-f-

TT~

Z2I

__T
i

^
1
i

r-

"i

~i

r r

~*
d

i
:cxz:

--

,-d-

o)

fr

~o:

1i

<n
~

Sb

0:

*/

fc-1-

i i

zizz rm:

T=X -

o:

o~~ir

i-

mz:
r~i

=np

a
I

=*T
-oL
all

^
-

Tr n
f

-&to
-

4^
wond'
-

-"i

r
re
-

ZX
peat
his

-loud
-

L
A
r
-

be

low,

and

ail

bove,

Join

pro

claim

thy

rous love,

And

each

men.

t
fcfe
T-J

r"~r '9 I
JL

33t
i

f. JL_^ D

*^=?

JL

r
i

^-77^
-

=-*'

aritzd: -- :rr

r
^r
i

T
oL
r r

5]
--

J-

Ji
o

._
a.

35

o;

irf-? r

nzzzn:

izzn

nr

ALLEGRO

5"
.

fa%

s
ASSAI
"ST
all

SPOHR.
ZX3I

L. P.

M.

Common Hymn.

j%Ji

I^ZOI eCP-i: T" F =i ^czx

(- i

r bzzr-_

a^fe

Let

~hzn ffik r~

^ 3
the

-O
To
:

->

^
psalm

SOLO.

5
of
I

^3

X>

E
To

-&
-

-
-

-name:
His

earth

their

voi

ces

raise,

sing

xz:

^juyz -
o:

2i
I

<=
I

lof-ty
I

praise,
.

sing and bless

I

Je

ho

vah's

..)

-,!

-
iI

ek-i
o-'-^-

J__J

22:

32;

--

:r
SOLO.

T"

^
4 4

o:

o_

o.

E
1

o d cr
)

xs

*L

-beL

*T

fQr-g-

SOLO.

EE
OL
let

o:

T-,

P^r
i

^
i

H^i^
'i

"i

xz
works
pro
-

m
a
claim.

TUTTI.

O
the

3X
-

^
won
-

T
-
his
I

C?
all

XE
sav
-

hea

then know, His

ders

to

the

tions

show,

And

ing

zEE
g>

TT o
solo, o' <2
r~

^c
jg-

T
o
brr
-J-

321 -

*v

E s

-- -e1

OTV~

2? r~ r~
1
"i
i

d
i

TUTTI.

321

r o o

SB
^ II

Jr

eL o
->

<J>

1i


208
.0

CHORAL.
<->
<:>

WAKER.
___:

L. P.
nr
-'

qiiixx

o
#o.
-

T~~T

& :^m
r-

M.

Common Hymn.
'~

'

"~ T xx =^=^=

^
TF
doth

T_

if- ^
O
i

xxrzxx
God,

-gra
i

xx
God,
I

<:>

=P=S= - thee,

cr
shall

T EE c=^ cr
of
-

my
r

cious

to

My
I

ear
I

e.t~d=g: *-

xxzxx

]y prayers

fer'd

be;

For

5^^
thee

CT
thirs
-

nzi~
-

my

ty

soul

czzqxz_ rzxx: r^zixz ^>

/^

>
-%xx
~\-

rr
o
1
1-

"F
1:

r
r*

-
:r
j

zEE=
xx
<y
a

xx
j -q
-

^
I

T
XT p
l

5&0 ^=^
f-.i

T T

r
>_

ISO J

^e
xn

<:>

xsr:
I

*M-
|Q-

o^'a

xx
r

^
P
fresh
1

t-

^~

<

>

IS
pant
!

1
-

- c:^ xx

-X

c>
_r

pxxz -#-

XTizcxzn x 3
T'

xx

a
--

-r-i

3
faint

XXT7
plores

< X2TZXX
grace,

XXIZ^
dry

rzxxx^'X>:
place,

E3
-

O B
want.

My

ing

flesh

im

thy

With

in

this

and

bar

ren

Where

re

ing

wa

ters

UN POCO ALLEGRO.
tCSHc

SALIERI.
?-w
t

C. P.
^zzr^c:

M.
P~m

Common Hymn.

^20U
R

-h iUSh
i

iszsz:

I
O
r
cred
I

rzrzr

^^^f^FFg
-

frz

_
I

-5^-1-: '
The

~C? 1
fes-tal

Q~

ozzszuo:
my
Godis

2X
dome, Thy pres
_
I

morn,

come, That

calls

me

to

thy

sa

ence

to

dore

My

gups
7

^=1
lo~

^Pg| f_J 75"

e
__?

zztzgjT

^-N

~n

pm*

~T

o*

o*

T5

15~

t^-SI en 3z3jfcE -6-k

&2
if=

1-

=r?

-JZ^_ H - p

zz._j_j_.

&p- -

-e'-* ,-

:zg*r
ZE

-jo j'

Hr |k -j-^rzcz

r--i

".fes~

E
e
feet
-

*
tzftzi

se
zxz:
er
-

>:

-^
r
-

zzzzfez:
r

*5^
zhi
courts
-

-g-| arhQ
"i

_.;

= F^ j^-fg
:sz:o

X
1"
i

^OLO.

S ECON D

TREB LE, OR T ENOR.

Tl'TTI.

T
tread

O
-

T^P"
i

-
I

;?zzszL
as
-

iszuaZizozz:
And
-

the

sum

mons

shall

at

tend,
I

With
i

will

if*
~~9

:oZII[
o_

II

ing steps

thy

"

cend,

the

hal

o
J

^R

~r

f3 :
SOLO.

i&LZ?zbf|zi TUTTI
h*
*

~t
.'

iq:
floor.

;czzr;

lowed
-

T5"

gfczz& T

-ei-

J-

"

~i

27

no

e.

n.

, p-

TZ

210
r/-fT

ALLEGRETTO.

ZACCHINI.
:r~
jce:

C. P.
'i

M.
::.:

Common

Hyinu.

fc
H
I

T""

i-

<

>

i i

"~

3&~

o
T

s
-

^4

* W_
pre
-

23
cious

-sa
-

ini w 3
3
af
-

Eirzn: ~0~
in

Lord,

thy

cred word

What

light

and

joy

those

leaves

ford

To

souls

deep

dis

tress.

cr.

<>

<3:

s
for
-

XE

'i

-^r~.+Thy
pre
-

cepts

guide

our

dctubt

ful

way.

Thy

O
stray,

a 1
rest.

fear

bids

our

feet

to

Th}

prom

ise

leads to

ALLEGRETTO
-Jm

EXPIATION.
i
i

C. P.
i

M.
i i

Common Hymn.
OR ANTHEM.

^11

P_

*1

9 r\

"

1.

Great

God! -our

voice

to

thee

we

raise

Tune thou our

lips

and hearts-with

praise,

Thy good

ness

to

dore

Our

life,

our health,
I

/si

and

2.

Stretch o'er- our heads

thy

guardian wings, Se

cure

the

weak,

King

of

kings

Our

shield

and

ref - uge

be:

Thy

spir

it,

Lord, -con-

9
1.

o
i

er *
of the
poor.

eve

ry

friend,

From 111
-

thee
L

rise

1V
Kind
la
-

on

thee

de

pend,

Kind

father

ther

of

the

poor

.J/^s

^
-r:
2.

^=~
^ r

SSE
-

-o-

icr

T
_
j
-p|

o
"i

^: *k

F P!
J

ZS2I
thee,
to

_i-e
1

-/]

^l

L
-

^n
-

o--|--
That we may come

T "DZf" rznicn
that

t?:

H
n^
7*3
thee

duct

our youth, Through Christ, the

life, -

the

way,

the

truth,

we

may come

to

212

CHORAL.

WRANITZKY.

C. P. 31.

Com.

thou,

that

hear'st

the

pray'r

of

faith,

Wilt

-^"bd"
thou
not
soul

from

death,

That

caste

self

on

thee

-
f-

xe
1^-

CT

3E
oI

XE
XE c
I

T
-eP^-&
i

XETCT s i"b

~T

icr

5i p1Q-

K3

T
io:
tO-

xe XE p

c>

-j.

<s, fee"p"

r>

XT

^E3

=f^

=6ef

=F
x?:

J
i

dL
r Is
-

<>

xyCZXE

P
I
I

X5ZZX5I
-O-

cezixez^c

rr

--

~cr

^y
to

-O
what

^ ^
my
Lord

-gcx
hath

-t
done,

r T T? ^r #0L ^ XT #eT ^ O^

I
<

>

And

suf

fer'd

once

for

^W r~T
XE
x?:

^s>

--

xe

xe
#<

--

xe

xt:
-

XE

ALLEGRO
:

ASSAI.

CHERUBINI.
r
r

S. P.
I

M.
-Q
I*"

Common Hymn

:Ifefe

^-r 3X 1 r

H"

~r

tt^r
:or
Come,
let

213 "O" ^r~ T EE

Pr

^E^zEE ^^-^ How

pleas'd

r~

3
r~
peo
pie

l
was
I,

~<y

P=S

:oz:
us seek
"i
i

Tyiy
God
to

IO~
day

and

blest

To

hear

the

cry,

our

Ib-e-

-
o
1

xz TT
L
cv

r:
-S-

-P

P"

J3z=m. T2 ^1 r f o
:"
i
1

"~1

P *

-rr
3" T

TT

'j

f ,o ris"r

rr j~ ~r~"!
i

r =^ j~~

--'

p=z
-dL

49eL

x>:

qgiB

y+^

---|H=g[rzg[

'32Zk"T

&Z^
-1-

FP
-

g
--.

T~ ~jg
1^-!

--

a
^^

-fczF^c

-r

rzr
SOLO.

rfs=0
L
and

TCTTI.
--=?:
hill,

IF

33ZSZ
Yes, with
a
cheerful

:<x^f
zeal,

-P-* iil

zx i=*
We
haste to

ijiits:
-

hill,
-

-&
vows
-

s:

We

haste to Zion's

Zion's

And

there our

honors

S
pay.

LI

214

^ JJJ
|

^EgSSfc.

HAYDVS CHANT.
J
|

NO.

1.

S.

P.

31.

First sia.. 2a
^5T~r
"i~

T7U?^UM4P^?^
LEGATO.
I

p .V POCO STACCATO

l^g
J
!

SaBSaJSW

"T

)3E^Szz
The Lord
Je
-

i
ho
-

vak

reigns.

And

3^5
roy
-

=#
-

d
ful

i
i

-o

'

,.*!

al

state

main

tains,

His

h^4,

usui JJ JL
r

J zzp
J

4?

r r r "a U d jL_^j^_^_jj_ E3E3 g r

i

Fitrj3 ^C S3 v
-

head

with

aw

glo

ries

crowned; Arrayed in robes

I

izr
1^
i

=iS
f

>

of

light,

>

-r

9"

tft

-g-*<

s:
?

="

S21
"i ~i

:^
i

T- p
.

51

iO-

tr
I2I

"?

o-

^"

UN POCO STACCATO.
y
::

LEGATO.

T~

-P

^
1

1
Z
LEGATOr

i-

^&-

i:o:

rE
T

::

3^5 ^
Girt

a
of

-o

jes
-

with
!

sovereign
f

might,

And

rays

f>

r#:

^
I
LEGATO. O
1

^
JL

3^
ty

cy
round,

-o
And
rays of

ma
-

"~

I
round.

jes

-o~zr -

-o

no

=F
I

T^

i
II

IZ

-i

zx
p-rrzc:

&

<x
--

ALLEGRO ASSAI.
r#r#

HAYDN'S CHANT NO.?.

1
_r
r

S.

P. M.

Second Stanza. c^SffI

used separately.

K21 5
1

^e,,

^T-p-

ZXTj^j

jCEZZZ
LEGATO.
_r

1^
j

--^1-

3EFP
-'

"

r~
i

T
r

"i

iczkz'A"

ft

U N POCO STACCATO-FLet floods and na

-

#
And
all their

^
power en
-

_o

w
tides
-

R
:

~r

XL
the

in 5
ter- rors

tions

rage,

gage

Let

swelling

as

sault

sky

The

of

thy
1

r#

Jl

3^2

-eC
*or

qLk"

frrrr
:

* 5F T
=
MiCE-

g^S
f
r

n
g

"'

$
h*

r
#
LEGATO.

tH& ^3 e-=p-4

XE
!_ 2_J

"I
oi

O
J

ie-

^EtiTi
-P.

f
"(-

r-rrt
i

i f

0_0_
LEGATO.

rO"

:*~r
3

3
i:

n^

1
XE

UN POCO STACCATO.
r ?

-frtfr*

- SE

P
X?
high,

J
I*
'i

J_

XT
T
J
f

I
LEGATO.
r

r#

uZl_OL
frown,
-

3 sE
Shall beat their

-
Thy

6
-

~T3f-rw
ev
-

O'
stands

gy
on

d
Thy
r

T~g
throne for
-

W
ev
-

o'
er

madness
I

down

throne for

er
-4

stands on

si

high

-fri J"Pl

'II

r
Ifci

XE
-e4 -P-

XE - -r3~p
^>-

XEZM
:

X
:
(O

F=EF
P.
r

o J

XE
!
I

PSI
I

s*

CE

XE

ei

x>:

...

T3

O
:xr

t|

LEGATO

LEGATO.

~ 1O
^.i:

IN POCO ALLEGRO

CONTANZJ.
RFTr^i cTjr ptpz
1

S.

P. M.
j~i

l.

Ep p
pleasant

sa
'tis
-

3
Kindred

i-EB
-

f
Each
in
-

r* p-r-p-

SOLO.

^H
^
-

Common Hymn.

TITTI.

^^33^fc:
How
to

see,

and friends a

gree,

his

pro

per

sta

tion
,

-fc-

"-=J-h-.

move And each

;

Ail

fil
I

his

part

Wit

CHORAL.

EBERWEIN.
1-

S.
-

P. M,
--

Common
n-

Choral.

~l

][

-k fef-i:
r-fezm

^
and
P-cL

rzzx
~r

r~

p-M-p- tzpzzsz .m

,-

ZL

P jmrtq^: h ^%
3~
to
I

r^r
How -~f-

~o^~ pleas'd

ir
blest

was
I,

To

-
hear

the

u_

o-

peo

pie
_

cry,

T r~ xz o^ or o Come, seek
"i
1

'-

ZOZZ
-

let

our

God

day

z
P

TT ^
3F

XZ XZ
=t
-d-

pp

==
bo izxz

T
(-

XZ
n^

zer

^Kcz
p_
p

-"cfe
p

^3

xz:

o
=p

p
"i

r~

ffi^t eEfa

XZ

XZI

xz

<o:

3
XZZXZ
if

sz
=}

xz:

CZ

gz

rxz
~

ihzi

h-

^flS
Yes,

xz :& zzzi
T'
-&-

e
T~
-

xzzzz

;cz:

C5

-'

El ^=>L XZ
T~~

:r~

-F xz

rrin -

rzizzczozq '

xz
zeal,

^
haste

g
to

ez
Zi
-

rznxz
on's
hill.

-there

-q!
our

r
and

rr
-

LZtzzzr Ffe1

^a

with

cheer

ful

We'll

And

vows

lion

o'rs

pay.

_cy

JX
O

--

a: p

$3= xz

=f=F
T"

F^
=F=
: - xz

~Q

pr
=F

^rzxz:
f

:r~

r~

:l

XT
d

^>L
d

,o_ -1-

o
IT

iS

=4=
28

nsz

i-

T~

i1

F zr
:I

Q"

ii

xz

-ft-

gg8

21ft

AXDAXTI.VO.

CANAAN.

H.

31.

Common Hymn.

'-^ :
Ye
tribes

of

Ad

am,

join

With heaven, and

earth,

and

seas,

And

of-fer notes

di

vine

To

your Cre

tor's

^
:

s
-

sirczsn -- -
i

praise.

Ye

bo

ly

throng,

Of

8'
"j

^><: -IT3E
?=PE *
i

~J iaJ
.

-d-.^-Ef

""

tr-F
jLj;
""'

.j

J^
p
"i
i

t-Z*=p=p: ni|^ p
i

-*I*ZE

?"
o-

:t"
"i

-m- -P r
~i

'

35

---,i

i*

I
'

lf3S3E
n

uc:

HEE^ES

9P
"~i"

^*~ -z ^F^-^ Fi^ *~?R j b "~c J J

i
i

:
i

~a~~^

r^-F
i

/s

/^

/^s_

!*___

F^=*
angels bright, In worlds of light

Ye
ho
<N_
-

-
-

^^-^
In worlds of
light
I

Be

gin

the

song,

ly throng,

Of

oji

gels bright,

Be

gin the

song.

I f=^FS
*

2S

^ 9

^f-j

> -N-J zzc

*J.

m T>
"i

_,^T^
r

n
n -

ZE

s-

:zzi3:

(i

i
i

*-

-J!

'

Uf
i

"r

:^z:

_ zztU~~^

ALLEGRO.
n'-ftffc-

SEBASTE: BACH.
ErVH
'i
i

H. M.
ff-ff-t
i
i

Common Hymn.

219
Vr~i~ft~T

mac

u.

fcz:

:r~n
-

"i

:P-zr
1
I

SECOND TKKBLi;.
I

iti"

high!

g^
B
all

i&t&

1-

frri
And
raise thy

--O
Zi
-

on, tune thy

voice,

hands on

^S
Tell

SOLO.

Yt
joys,

the earth thy

&r4
in:

e
And
boast sal
-

(tl
tion

9 a

n*"

33
-

va

nigh:

Cheer

ful in

God,

arise

and shine While

m
, #-

T~l
i
.

WW
I
i

TF.

r^

^^
i

ft*

*r

-TT r-*fTT-T^T-r

P
i

ff J

SOLOi i i

M Er
j
i

utLuzl

H*

p-^-p-fi I i

"i

P P-w
j

I~Li
n

iM*
i

pfif mj r^
i

..l

^a

O ^
-o
ORGAN.

EEB^=J

di

vine

stream

a
i

broad

Cheer

ful

in

God

rise

and shine, While rays

di

vine

stream

all

r^-L

nzc:

"men: 6 EL
"i

C>

T5"

T~~

O
1

121

-ie-

ft rz ff
TUTTI
: r~

"O

rf

<=*i

lO

3?

Z!

TT

=5i

-e-

P? :

-^

220
ft
ff

ALLEGRO.

NAUJIAXX.

H.

>I.

Commou

ITyinn.

Cm

iri

<--#:

*V

FF
To God

sz^zrr^zztu:
honors raise
;

'

o
God
the

^=0
To

^T
Z

bri:

3CJS L K3
God
-

"i
praise
:

iF"
all

ESt] =
-e

the father's throne, Perpetual

Glo

ry

to

Son,

the

Spir

it

With

our pow'ra,

=f=pt^3
T3-

=[=?33/O 10

^=ZZ*I
T5"

X3l
1

^
er

jy?jflk?-f?^
L=k_ e-

:exnz#:
+*-el-

^
-

jQ -pn

-eL

-b-

izr^z

--^sciff
X5ZX5I
121
1

CT

<->

3 ^=^

i"
-r"1

33ZZ3:

Q O

r
1

^r^r r
r

*3r

- :o:

:o:

^zoz^-

i
IB

o- --
tor
-

<~>

nal

King,

Thy name

we

sing,

While

faith

dores,

With

all

our pow'rs,

ter

nal

King,

Thy name

wc

sing.

While

faith a

dores.

AL.L.EGRO ASSAI-

PICKERING.
:

H. M.

Common Hymn.

221

S0-/1
2d.

iqra

T
~l

F3

<Q_0

~o

-P-:P- =P- =P-ZP

1
-

!((

!"

o:

fc

TREBLE.

Let

ev'

ry creature

join

To

bless Je

ho

vah's

name,
i

And

ev'

ry pow'r

nite,

~*Z3L

TI

rn
-i-

J_-

<X

rr
"r

=T-

f=F=P=f?
J -

PUP =*!=

B
To rn~'
ri

swell th'ex

alt

ed

theme: Let

na

ture raise, from

LT -%W-

^1 -O

:OT

-p-f-

.^L

W~9'

-J-

-J-

-eL J

X'

^e T"C eP

'C~~ ft
[i

pJp-

P^
SE

-& _o f^
^

rrr 3

IT
zz
-o
X2I

5
*!

^3
=atE
praise.

sz

Q
j

i i

E
=F-

nc

&
-o

^
ev'
-

xxj
tongue,

zx xz
grate
-

^>
na
I

o.
-

SE
from
ev'-ry tongue,

o
A
gen'
I

ry

XX -&
(gP-p-^5

~U

HH
!

gen' -ral song

of

ful

Let
I

ture

raise,

ral

song
I

of
I

grate
,.
..

^
-

ful praise

IT
Iff?"

<y~

^
"I

==

XX

^=2

fc
:

XJZ-ot
it: r

Sr
i

trff PP
^~
i

-"a

~F~T

^fl
EE3

Or

w-P- acfl tt
I

J^L

-J,

J.

xx
r

o:

i
~<x

PT-P

p"

xfcq: -^

r^

ALLEGRO.

MOUNT
:

SINAI.
a

H.
"i

31.

F=

IE

r
-

o:

Common ~ ~T #

If

inn.
"1^3

~^~

rfc

*C
Yc boundless realms of

g?
Ex
-

#
His
praise

3X so
your tongues employ,

3
:

Two Tenon

or

two Treble..

1
-

*c

"i

&
r

joy,

alt

your Maker's name:

bove

Fi
r

T~

:*=fzt: u*:
ft:
-F
1

#-*-

i jQ_

rvr
:

?nr
eh
"I

^ =^S ^
the
star
-

ry

frame: Tour toi

ces raise,

Ye

#^

>

|fcp=

aftZZ* CZPI

<-

-t^-

ZI

5E

P~r
i

P"
r

-r

P~

^0_^Q

XT

./

lO-T^

^T^

p. p
J

rp i^i^-rr >
r#T

ijhi

p r

r
TTTTI.

SLZX
"i

5E
iqi

:o:

_*-f^
cher
-

231
voi
-

3
ces

xj:
raise,

a: -^E33:
Ye cher
-4
-fr-

:z~*
ser
-

&
his

XX
praise.

u -bim.

And

ser

a- pliim.

To

sing

his

praise;

Your

bira,

And

phim,

To

sing

^-OL GV
:=*:

~~

hF=F

-^-i

* -

r^i-J**

ZTZZi
Si-'

-i*

Lv
-^

O
@* *
i

^^^-fM^^P P
*;~;
i

1
i

O- ^L

zx

H ^ H
I

UN POCO ALLEGRO.

STOELZEL.

H. M.

Common Hymn,

223

i B&3
i-rH

The Lord Je

ho

vah

reigns, His throne

is

built

on
1

high
l

The
l

gar -ments he as
i

K-l -0

WJ

rx

x:

Sl

3=
#3C ^-E

-o

-r -i

:
-

i-^HS *
"

-rJV-r-r-r i rJn-J-nK-t n --

sumes,

Are

light

and ma-jes

- - -

ty

His glo
t

ries shine, "With

1pTT

3*
J=

rrj^-.L r^S
--

I
J
,.

^E
~P~ g

-^ UNISON.

^
~i

J.

E
XE
T~

51

_J~3 * a~

-PPP-W
nzzzizni:

p=PJ

^ ~ E?
i

.IZ2

tZJ

a===

ffzc
i

=
-

X5ZLZII

XX
-e^

"
I*

i
ZEE
sight,

XX
"1

^
~cx

H
^
sight.

mor
-

sEe
eye can
bear the

V
No
mor
-

5
tal
I

-^
eye
-

beams

bo

bright,

No

tal

can

bear

the

-I
=t
I

cx
"~

3=f
1i

^ A
:o
r

f=^
1-d-

2
1j

n.

UNISON.

:
i

_
r r

^o_

^
r

x>:

yj/ X
i

-si
I
1

W*-!

23'j-

tJ

2X^

224

ALLEGRO

ASSAI.

ROSETTI.
d
iO
[

H. M.

Sf=5 n -g-f-fg r r^ z?r ff

g

:
i

k -j^^
r
~i?

B33z^E

* p--'

Common llumi. MAJOR.

r
'
I

if :

^=^=3=
-=
i

^
mer
,

tq-

-F-H ~i
3

^i

P-fe
E

r-R
t
sure
.

-
-

^C=[

a
n

_.'_:-dor'd.

<

*
dure,

f O
And
v
!

Thy
B*
I

cy,

Lord,
!

Shall

still

^
F
g^:

J_

_t_

^==0-=^5^
T5~
j.

-J_o:
i

z -9
j
i

3
ie-

O T io:
-

er

hides

or -1

thy

word.

-?>T-

J.

~
-J.

#
i^

_o.

^cr

T
-e

"
iq:

^=i

qzzzq:

T -

z~rz35:~z: :o

at

J^j

'

r^ oi
3:

CL

lH^m 3 ^
1

A1X.EGRO MODERATO.

ROSETTI,
zr
T
lie,

H. M.
-#^-
Zlzzw
:

6T

Common Hymn. MINOR. ]~f

-
-

225 I

-
All

rjper
-

He

saw

the

na

tions

ish

ing

in

And

pit
1

ied

the

sad

state,

The

ru

in'd world

was

13
j-

mT-#*
*
p

w
'

3E33

f*

TT

T
T5~
I

JOEZZ

T
J-

_-j^_-j

s^F

5
"F"

W^M
r* iJ
1

i-

E
x>:

3LZ1

aJ

Sg=
^>

1
~n

*X -p p-

oT

IP^l
-ipzrs:

231
"31

qo::

T
-Thy

^
r
thy

T
-

key
mer

T
cy,

Lord,
Shall
I

still

'

>
dure
;

w
:~r
i

^r~^r-^'ev
-

-
bides

And

er

word.

r
^
31

if

F
1

-r: 15-

T T

"
ie-

i
JL
-J.

^^=^= i t
-r
6T
i
1

I~zzzrr
#1-

T5I

Hi
~i
iOLl

S
ZOZIZX

=Xfii
Tt
:

2X
29

ZSH _i

o:
IZ

ST

33
:c

^i

-e

O131

q^

P:

ISX

226
?.4

ALLEGRO MODERATO.

T
*
QtZft

i^(O

FERRARI.

^?JJi fljT 3^4U^ F-?" %fw fr^ j_col H zccz^ibat =pH=i fc*=LL
All
hail,

m4a^B ^^^P^fe^g^
H.
31.
Common Hyma.

^r

:;

i:

^E^t^B Q
writ,

*dbe

in

car

nate

God

The wond'rous

tilings fore

told

Of

thee,

in

J_

J-H rsz:.^zi-J=
i 1

<>j

J]

a ^^ ^
-.

cred

With

joy

our

eyes

<y

w~

-p-'-m

r
lO-

-el

i-

joE^qi:

*=fc^

zy^-j

* r

"1

r
i

E ^

SI t

^773 ^~i^
'

^"~~*~

*
jf^:

^ 4
"o"~y
i

"f^-rrrrn^-Ft
"?y"
I l

i-

SZ

fc*
3

t-

Iffl^"

^ O

"I

-3"

XT
~i
i

cr

ALLEGRETTO MODERATO

A FESTIVAL CHAN'tf
/Ts
_<.

H. M.

Common Hymn.

227

jrzzzrz~&

k_t_J

nr.

IS

"i

?
~T
r"

If

=5
rao
-

3
low
de
- lights,

-r-r
to

~#
reach

metits blest.

From

and

mor

tal

toys,

soar

im

mor

tal

joys.

2
P

-v3*
i

T7

2
T
r

isnzp.:
-Bl-

TT

r
XL'
:

~r~

CHORAL.

AB1* VOGLER.

^~

Common

Choral.

~o

-Or

--

--

<>r

--

-r-

-r

X^ :^=

xr

""

"-

^
nigh

XZ

-O- x?:

1
i

o
nut

T
-ture

-God
J

X?I

-
the
I

x>:
tow'r

-
To r>
which

xz:
fly:

-
Hi-

-2-race

In

r
-

made

ev'

ry

hour.

ixji:

X27

x?:

x?:

"
--

oi

--

xr

x?:

^T
-x?:

xz:
-d-

-
I

Or
I

--

1 I

-,-

-XJI

--

xz

-- ITQ"

TT

--

~rr

r^

j-

X2I

Or

CHORAIm

PERG0LES1.

Z?3

H. M.
-#>-

Common

Choral.

229

-&z
r#-r

"3zzs- h.

o ^=

r
ILZ

:io;

E
:r;

p^Z-er-^F =^p*a
"I

-or T"

fel
T=
xz:
an
-

*
Join

L-c XT
all

-O-

~CT
rious

-wis
-

o
dom,

^iioUiizrzzi

So
love,

"_

^>'

',1

*?.

-
mor
-

-
tals

-i

Or

fro
knew,

the

glo

names,

Of

and

pow'r,
I

That

gels

r#-

^_
-fz

T~

c:

231
p

^r t

zzzn
zf:
p

^
::

f
Wt

T
:oi

T XL O J& 1||1
I

-
-

#f

f
~Q7
T~

x
r~

r-er
--

X5T

:or

-r

- L

'-

f EH

230

l.\

POCO ALLEGRETTO

WESSELY.

Sevens.

t^>
Son of God, thy t>~fr~3~~
bles
- si

Sfess
ng grant,
f

l^pusi
Tree of
life,

Still

sup

ply

my

ev'-rywant;

thine in

fluence shed.

With thy

fruit

my

spir

it

feed.

T~LT

fcb

m
T*>

Ti^
zzzzm:

rw

g*
T5->-

^fzpi^gi ^d= xg: sci

-e-

-*-

J J .-ftl

J-JJL J.

5S3 0 MX
A

1^-r

d:*

";_

1-

3=U

"P

'gly>?jg. =" rrf^rf ^zre o i q:

1
!

<**r

TO POCO ALLEGRETTO.

BEETHOVEN.
n^' nz

sevens.

Common IIvm.
'

fc*
i

?=*

q:
:

f r~~r

l~rTi i-t t H
|

SOLO.

111
-:

35
is

fcF3

-P f frfip ^5,

'iiS
r

*s

T
--

' I

"1 1

hH

the

Tl'TTI.
:

rl

they
join to

T
OWhen
-

-o
-

^5:
sing
-

Sweet the time, ex

ceediag sweet!

When

saint* to

gether meet,

the

Sav

iour

the theine,

When

of him.

ALLEGRETTO.
30T
2d.

J4~d-

FRESCOBALDI.

Sevens.

Common Hymn.

231
<x

TREBLE.

^
H S
God
!

*
TT"
-

-o
~rr

o:

*x

^&

o:

s s^
-

3
-

xz
praise,

SS &
For
the

iiEi
love
-

"o

Praise

to

im

mor

tal

that

crowns

*-4\
*

53-:
~

?_&.
=r*

fy~

~
J

-F-

EI r
T
i>

S
our

^
days

^
of

Boun

teous

source

~n

szjzz:

Al

p
iO-

i te? $4

J
ie.

:?L 10-

d
-o'

M
~ior

u
U.
-J-

r^f-el
-J-

3X

tO-

232

UJ.EfiKO

e
-P:

MET/.

Sevens.

5-h*=

n^_^-i Praise
llie

s
*

Common llunn

gggisisi
Lord, his
glo
-

SOIX).
-I-

HP
li -

iw
as

^ r^ &$ ^ru Fi ^ ^Tmorrpp

bJ33*
.

ry

bless,

Praise

him

his

ho

ness;

Praise

him

the thertie in

spires, Praise

him

as

^
his

rat rri
i

--

--^J-i

iH
^r azzzpzz:-^:
or

f^ fcfc
SOLO.

*
TUTTI.

ft"

:o~

-Or
n

rr

H
i
zrc

:S
fame
re

-
fame

_ce
re

T ^
quires.

quires,

Praise

him

as

the

theme

in

spires,

Praise

him
I 1

his

r^FTit r
rittt

\;

ivrrn

*-*-

-J-

-o
HP-

JI2Z
=
cJ

Z5

t
'

-j

^E* 1

1^1

ALLEGRETTO.

JOMELLI.
T~
icJzs:

Sevens.

Common Hymn.
fezoz*:izz^zzizz3zz:z:

233
ozzzi

^zpzBzpzdzzztzq:

-rrr
itJzl

rl

1~1~~!

T^ZZ).

~o
Come
di
-

^sfelilisgz^i f zHeeB Pig o

-i

_OZ

--

vine and peaceful Guest,

Enter

each

de

vo

ted

breast:

Ho

ly

Ghost, our hearts in

spire,

Kin

die

there

the

gospel

fire

rTfr-T
-- ie

3 r

Szi^zlzz^
fi I

_eL.J.

_L.J.

-J-

-eL

^zzzz

-n
i

-obzjzfzzz.-ft
i

h-Q
:*i

e'-J-el-

F^pf4-p
Ij

T
1

~r

UNPOCO. ALLEGRETTO.

MARCELLCK
ZL
;r~
]

i^i-^-r t~i

zlzzn^L FFzzizEzlztzzEEQ-zz^
i

or

ii

SCVCHS.

Common Hymn

u.

3E* SECOND
Wake
the

9i?zft

Jin :rzzczzizzzr
-i

i-ft*- -!"

-@

w
"i

zz
_
izz
t?z

ft,

IS itizzzezh -Fh-P-EFf

TREBLE.

ifzSzHr~Z ^nzj
S5zz4^z?
song
of

rrn
-

r zz

i^lzt
i"

^i

TT
Ju
bi
-

z5zx^zzEz
Now is come
fe the

lee,

-Let

it

ec-ho

o'er the

sea!

promised
i

hour;
fc
_i
i

Je

sus reigns with sov'reign

powei

$^qzzi^zzzpizzjzzzpMzzi=Pi=i-:

zzjzi:zrzzrs:pj?_zr_^ lid
e

-4-^--FM-Ht fF j= -*-F rr-r

I I

f#T1

P
i

fs-Ti

"i

'I

* :z5:

Z
"9"

f
*

-A

^4^- r r
i

^-n-n%

A A "
1
i

%~ F H^ J
I

#
1
1

1**

'*

rrT

^:zx_ -PT- h r-( r <S 1 S?^ _ZZ^f_

rzn
i

,-

A 1*

"PT-ft
i*

-J-

n
J 9 n --

# ^EL__r
*;

/~n
"

/-S

A F
I

A F
1

^Wl >
-

II

30

^O"*
J

IX POCO ALLEGRETTO.

WEBER.
-
^^i

Sevens.
r

Common

11

>

imi .

^=F
$OLO._4LTO. ^ u
*^i
.

SECOND " " TREBLE t_

*

S3
Chil-dren
ol
-

the

heaven

\y

King.

As

ye

jour

ney,

sweet

\y

sing;

Sing -your Saviour's

wor

thv

praise

e *g
I

^:f

.j

n_:!:

_i
_.

r-1<y
i I

ii

1 ' A

o
T~iO"

T-

SOLO.

x>

T
i

1
r-rft
i

SOLOn
r>(

^Ei 2_tj]

'

t-&-~
~i

B
JjJ ^
I

:5~r*:

"T]Q jH

Tl'TTI.

Glorious

in

his

works

and

ways!

Sing

your

^
Sa
-

ii

I^J
wor
-

*-l^ f
thy
praise,

"
Glorious
in
-

i"

wavs

"i

1
fl

viour's

his

works
I

and

:zzrzz#z
1
r

:zr

_:zo:

SOLO--f

Tl'TTI. _L

' | I

-J-

-eL

-J-

-2L

_i

_a.

_L

XL

-
'f

:nro;
3
.

r1~l

"

~t*L iJ
1r
"I

|^
-

V,.,

UN POCO ALLEGRO.
iffr^

RIGHINI.

Sevens.

Common Hymn.

^O O

Songs of

praise the

an

gels

sang,

Heaven with

hal

le

In

jah

rang,

When Je

hovah's-work

be

gun,

When

he spake, and

it

was

done.

ALLEGRETTO MODERATO

PALESTRINA.

Sevens, or Sevens Six Lines.

Common Hymn.

fStsttittiO^
Now
be
-

gin the

heavenly

theme,

Song

of

mercy's healing stream

Ye who

Jesus'

kindness prove,

Sing of

his

re

deeming

love.

TTT~

Fine

for

Six Lines.

Common

Sevens, Fine.

')0

IX POCO ALLEGRO

|gj

EE2EH
-

3
here
!

GREExV VALLEY.

Sevens.

Contra on

Hymn.

^s;
Trees and
fields in

ISZZE

O.
i

^
r
!

ioz

^HF

IZ"Zrz_irZX

1
1 iP
praise
!

'if qzzz =3 3=3

Pleasing spring a
-

=|= =f3* 5^t EFJ3: 3S 5=5 dzz^ 3zzq= =33! - 4 * #

bloom ap
-

gain

is

pear

Hark

the birds, with

art

less

lays.

War

ble their

Cre

tor's

4t

L_

1_+tX
I

-m

IT
i I

u
<4

-ill r
r

.Z

_.

_LTl^5 ^l
-r!
'

i-h^-i s*^?*^ T"

JPIt
-

^x-

JB.i
1
'i

-O

:izzr

rr

3
1
~r

-*L

--

X3

BE

SHS^ w
B

-O-

r^

III
Common Hvmn.

*gj

ii iflzfcgzg || ;
r#T

IX POCO ALLEGRETTO.

ZIKLAG.
,-&-= -d

-^

^P

SOLO. TWO TENORS

and "A.SE.

X
i

^Ng
Tl'TTI.

Sevens.

^
o5
tzzt r "O ~ T5~
"i

o-*
"i

^ 3
"i

^
i
stray:

o:
Oh how
blest

the

man, whose

ear

Im

pious counsel

shuns

to

hear;

Who

noi loves nor treads the

9 the sons of

^5"
Where

^jr^rry
folly

way,

oi

VS POCO ALLEGRETTO.

HOMILIUS.
IOr~P-P- -pp --p- ~o~ T~ "ZZC T"
"T"

Sevens.

Common Hymn.

237

iras s-e-V-- i_
:

ppP:
ZT

T"

1 zTzPzPz
~T
the

;P--Pl*-P-

~-:
Hark
!

^
song
of

a:
ju
-

o
bi
-

mJS
Loud

s
as
i

33e;
mighty
'&"* J*
thunders

Q: TT
roar;

EFFETE effe
1
sea,
i

:oz~*~

the

lee,

Or

the

fullness

of

When

it

breaks
i

upon the shore

_

fcZZZjZZZK

--

-
"T

^j:
p
p

zSE?
=P-el.

,-LTSr

fcfe e
"

o~

~~i

:^n-i3
o"
t

See

Je-

jrziezd

n
L

(3- __

-eL

J.

5*

1_

H^-f-f-LTP
t

r __r_

P~
i

-j

a~^~
rz:P-

z^zz:

p p 'pl izzEEB
"^ZZ T~

"Zr

5
T2I

:o;
i

TZI

j~:

: ^zzPz-p-

"Or

^P"

-P P-r

^T
j

hovah's ban ners furled

=* Sheathed his sword he speaks

5^
'tis

i"

^i=i
done
!

xrzrszs:
Are the
-

^
kingdoms
of
his

^H
Son.

Now

the

kingdoms

of

this world,

i
-bp-

s:
~t

t T t

w-

5V z4
f j
i

^^BEEf^zS
J
.

^ZZ?ZZZZZL

-fr-G>-

sa^^na
r
jcl
J

^
fefc
iPzzm -r
T~

r*

See*

azzn

-??- "PzzPz ^zzP:

Common Hymn.
May
also be song by

men's voices.

Hear

my

prayer, Je

ho

vah

hear!

Listen

to

my humble

cries:

Seethe

day

of

trouble near,

Heavy

on

my

soul

it

lies.

itrr:

33 - cl~&
net
TQ^e

#
<ym
*

c^^S 9
1

HO T5"

Egg
-

."oi"

fC

o)

ol

:o:

--

1
JZJZX

oJC5I

?w fc^
Oh

ALLEGRETTO.

LATROBE.
xo
23:
"T

Sevens.
cj

BB
2X

F^ cx>~

S_
_T

m
xms: ^r
Wonders which
I

Common Hymn.

q=

^
that

:cr

'CX~ ~

men their songs would raise,

All

his
I
I

goodness

*^? ^
to
-

'-
All Je
|

.51

^3-

de -dare,

hovah's wonders praise.

their children share.

'

2d.

rtf~ ~i

1st.

CHORAL.
TENOR.
i

KREUTZER.
~i

Sevens, or 8's

&

7>s.

Common
Comp;

Choral.
male

for four

OOQ O XJ
fil

$*

o-o <E> =s roz^ -fOf TENOR.

iOZ

T~

-
^fer

zioco:

f-

fQfpiSj e r
soar;

IZQ
s-

Q[ <^ :o :s5Zot:p

s#;^ ex - xx ffp
Who, O Lord, when ALTO or 2d. TREBLL

-p_2_p
o'er,

Ql xsS^-

&<3 rzn
ev
-

531

guest,

^pbiII
In

lifers

Shall to

heaven's blest mansions

Who, an

er

welcome

thy

ho-

ly

place shall

rest.

BASS.

ALLEGRO MODERATO
^
t

PICCINI.

8.

& ys.
-i

Common Hymn.

r#:

^ S3 !^3S0S 3^^s ess

Z Z
1st.

2d.

TENOR.

tt
P
i

eti:

*m
'i

\-

r~_

S
ye

Comp:

for four

male
/

voices.

"T

L
-4-

TENOR.

~i

^j

J
bless

r L
his

o: fr-T
my

y-f

<

theLordJe - ho alio or ^a ALTO 2d. TREBLE. i:,

!

Lo

vah

liv

eth

He's

my rock,

name: He,

God,

sal

vation giveth; All

lands ex

alt

his

fame.

_iN__

NIP
,1? JT
i

m f
?

_ ?=#

-^-

Si^II ^JJ/l?
r-

"S_

EZPZZ* p #-6^-p ca
i

Tl

i*"

i! X
1
1

J.U-t
i

A JL
fti
i

it
P_
i

HZT

"BASS."

T~

:orj

r"
"i

6?
f

E c

pa

240
tt

I'OC'O

ANDANTE.

GLUCK.
=t*
-

r~

'

s*
my
ac

Search

my

heart,

tions

prove,

-rN-^-rf-te-fcN

a-

Sevens, or 8

7.
-1-

IT

Conmou Hymn.

thy

d
they

J
rise;

Try

my

thoughts, as

For

kind

ness

-<
:iczr:

inHifi

^.

*%t

J.

Jt

r=e

K
"*

~^~

^^

...

fw

=*r

UN POCO ALLEGRETTO.

Sevens.

or
"i

T~ 3T
'

i
f^r
j

-E
rn;
i

r~1 on 3E^ he 5 Pn:

I-

I'rn;

? :eee?f nz

._..

TT"

__
|

mzzz:
i

n TTOi Pfc=ftff o-d

Common Hymn. MIXOK.

^4
,=s

p.

OZj 22TS
i
i

rrz-rn-i

T~

e
i

-"iS
,

KA -o^SShall
[

ij

-rl

F
?

rnfn
,i

rr~!

c:zi
| '

rF
ri
?

~r-~Tsr

3
-*ie-

r~j3

r
way

rr

Lord,

my

God, how long by thee,

quite for

got

ten be

Lord,

how

long

for ever say

i
i

Wilt thou turn thy face

~n
,>
I

E3
i

JICOE
1
i

ie--ic "

EE fa R ttzit p
1
1 i

..]j>*

|J^L

:-c^:
^

r<E*S3
1ST

p-

"otto
^-

iO

>

0>~~ *

-sMi
=1

U^izldbzE

r
i

TT

=F

T~ T2T&

p^|op:3:^ yFeppF qw^-PH

E:E

ri

e^eee

3T

'I

on,

now

rise

and shine

Lo

thy

liffht

from heav'n

is

come

These that crowd from

far are thine,

2~r~

Give thy sons and daughters room.

r tJ~'TO'

W1

r~ r

ri

rr" ozz

 -S-U
if

l\\

POCO ALLEGRO.
l5=*rr

IOMA1V CHANT.
Lzzre:^
--&r-^

Sevens.
,
l

Common

lit n:n.

H::--s
I
b

>~^n
i

zsxs
r

Thanks

^bijffli
for mercies.

1
With
eter
" -

IB
i
in

~CT~~
-

Lord

re

ccive,

Pardon of our

sins

re

new

Teach us henceforth how

to
.

live,
.

ni

ty

view.

*T

-
"i

S3 o
(>

335
j
>i

_jSi
.r:

15ns:
~<3~

T*

N_J

=f

. -T^X

:.:

ii

'

e ^^ f^^TTO

-#r*~* n T-pH
i

r tr
s*-

~Z5~ ->-

3M;
T~
e>

-b-

>g>

#_

r~i

-i

-r
~r~

r-#

BE

3
-

ALLA BREVE MODERATO.

PILGRIM'S

CHAM.
w=;
e
o-

Seven*.

Common Hymn.

:ferr=

Ibfer

VM
I

F~?

I
Z] in
re
-

pre
r

r w.^ J
I
j

J czz
we
pair,

to

^ ^X
wor
-

xxiszxi^zj b#-^*-^r^
vail

1~"

il

To

cv "o
mer
-

cr
seat.

thy temple

Lord we love

^CTfe ^ *
75ii

-o-

T^T* 3= SZSZjI
jl~x
r r r
*

:s2
<

ru

ship

there; There within the

we
r

meet. Thee up

on the

cy

-o-

T~

-d-=---

>-

^--

W+

'i

--

-j

-<&-

C wSbE3EE3EE=B
~8J*~<

IH5ZZ ]=*m=:

^FvS rr
j-

p-

ISX or

ys
o

W- r

__Q_

-o^-eL
9'
.

S3 <> zee
>

IT.

O O

ALLEGRETTO.
*<-*-*

TELEMANN'S CHANT.
-p-fs-

Sevens.
"I "i

%% *J
r#--#
Christ, the Lord,
is

3 *

hszEtsFF,

py-p--p-"l

^9 "p p p

Common Hymn. " p~zr~ :P-PI

243

B W
^
ris-en to day,

Our

tri -

urn

phant ho

ly

day
-!-

He

endured

the cross and grave.

Sinners

to

r#-#
8

3i
r

:*:

en
*

si"

N
-

re

^
-

deem and
I
I

save.
I

f-T

-*- r
J

=f
J

--

-a

r-v

f
"i

^rf
a *

*"

rzr

Z^ZgZf /UZ~~p_ S=*4{ UN POCO STACCATO-

"~r

# --P

* P"
fcz

.n

:*tc^-:

3E p p jg

y p p
~r

r~r
p
+

P^ ~r
--

*~*~

ALLEGRO

LEUTHARD'S CHANT.
32-

Sevens.

Common HymU.
By omitting
ver
the quarest.

fh

^44

m^^^^^^^^^^^^^^^^^^r
AIJ-ECHETTO,
Ail.

MA XOX TROPPO.

Tenor

Libitum.

mils lakr n from a Fa mily

1 1\ SI iJL*.lJM P raye Boot

8'fe.
IJ
;.

& 7'. B
I.

Common
Tn

Ilyn.n.
!

For two

Treble! rind

Bi okn,

oston.'

Tenor Ad. Lib.

*
,

3:

i'-^i
-

HHlSSi!
ger
to

-
Now

S^Sffll
-

g
go.

Cease here Ion

de

tain

me,

Kindest mother drown'd in woe,

thy kind car

es

ses pain

me

Morn

ad

vances

let

me

.-

*T3X

T~

o-r-|-r

-4-P

gj

TO

H^lffflj^ Sgg&
r

ie-

T EFHie *~lie
=

->---

SrSS
8>s.

On

the death of a child at day-break.

CHORAL.

MARSCHNER.

& 4..

Common
"C:

Chorai

CHORAL.

i i

rr~;Ho~ro ~zi~^r<&
~r\

53*8
i

~~~i

RIES.
:_:

Sevens.
_*_
i

>r

^CJ

H=3
"Oi
Lord,

SS&SlBS^il
suit
dis
-

Common Choral. z:n:

245

-e>
At

TTT ott-^ o _xzr

thy
feet

we come

be

- - fore

km
ro-

thee

now

we hum
ri

^d- p
oT^
-'-

~
-

bly

bow
i

Oh do

;~~ra

not

our

dain

Shall

we

seek

thee, Lord, in

vain

SjS
-pi

FF FRi
p "p
"f"
~P"

sfct^S
K-hi.

]o:

i 3

:o:

&
and
large,

(II -4
p

J-

_Pp

5-

"-EL

ii
p

"p"

>

<OI

T=

i X5L -h-hD22 -

P^l^ -h-n^
rr

I-

tM
Common

4-

y=Jh:=p:li^pzl^_-p:

i^te^li^l^ll
Choral.

CHORAL.

CLEMENTI.

rr
fffc-f
1

^ ^P

thy
pastures,

gllfe
fair

23

3_Ijq:

"I

r
r~
:

S BE
1

Sevens.

E3
^ &2L~
care,

^^cr --

-^^q
T~"

s
"I

~T~
7

~Q
To

IQLTQT --H
Heavenly

IOt

shepherd, lead

thy

a ^

COL
And my

cn? G2I -

"T

~T~1
springing

LOZOZ

zz
grass

31
-

charge

couch, with tenderest

'Midst the

pre

pare.

--u

--

246
1

ALLEGRETTO.

MUFF AT.
B-

Sevens, or

8>s, A: 7's.

&H
TT"#
;!*3 s^b-^ -o^
-i

J^ h^^m^r-1
fe}'-* 1-

MINOR.

l3S

-"^

iizucdzii

q!^tzp : a ~n

ch z^i

d
-

~r r

W
Roll-ing
::
!

*1^^
?

i- ^
7

=R
1

5^^f=gya
-ncry

Hark what mean those lamen

tations,

sadly through the sky

Tis

the

of

heathen nations,

Come and

help

__

|/?s
--*-,*-

^_^__^

"?>

us,

or

we

die

"wtw

r-=*T
I

rI

T5~
I

^-^^r-r^r *#

tela?Sfe IMS:
ALLEGRETTO

MUFFAT.
1~*
3.
"i

Sevens, or
<>

8's,

& 7's.
jryj-p

n'^5HQffi ?T F^
:

Ql n
i

jEl2~^oz#:

J**

qr -

I SolEE
I
[

i.

a:

un
-

=F n j E5
utter'd
lie?

^=i
XT*

S^S
:oc*:
who came

Common Hymn. MAJOR.

Brightness of the

Fathers glory

Shall thy praise

Break, each tongue, such guilty silence, Praise the Lord,

SH
'

'-

to die.

&=4

>~P r
^cp
:

no

^=i

^1,

ze

rr-

S# ^b^

d
IZ

T
T*I

5-^-1^-^

B5H"^ ~W~T
T"

ttftt
Q3E

;ozh

r~i

Ti

^y 4

^
^

XX

UN POCO ALLEGRETTOrffc* r '3 g-L * -y| D- 2Z

GRAUN.
T
_

8>s.

&

7's.

Common Hymn.
OR ANTHEM.
i

*,

4tl
zzzczr
jzzi

|g
-

nO_

To-

p -p p-p-

i^

i^SSl
Hail thou

long

ex

pect

ed

Jesus,

s et

thy

peo

From our

sins

and

fears release us,

im
T5"

o
1

-r

IK
LUJ
CODA
When
f

-^-tJ

#!-:
r
:
.r

-P-r
i

p~W
',

f-r a
~Q~
~r^-

t-f
i

f-f
i

-O-

,-eL

i
3

=F
-&

n
i
-

5z:

&
r
-

XL

m
"o~

szszs:

p^JEzz?

^S
zo:

p=g
-

i
'

~^5I

Z^~l p-p p p
!

*~!>~p~ I*- * -^ I!piczzzc

used as an Anthem, or Conclusion to verse

4.

~~w

Tfro

3
thee,

.#-&S

E
231
in

TUTTI.

Let
Prf

b i^ggpjgs
Halle
-

iwzezezs: :z*zc:
i~j
I

zaz zo:
A
T^-

us

find

our

rest

in

zfz:
SOIA)
-el

*^ ^j
TCTTI. F-

Let

us

find

our

rest

thee.

lu
f

jah,
f

Halle

lujah,
1 I

N N
.

men,
r,

men.

~i
1

zrf: fcgb*
*>
-J-

HZ*I -s"i

"

I*"

- eZT

-p-r- 1-7*FINE.

"i

ffl ^
:

f*

:i

Eg-5.

-el-

d.ozr:

"3!ZrSJZ

f-f&
~i

-J.

-e'-

HYMN

_J7t_

_J_ _J_

_J_ _j_

REPEAT THE CODA. /

E51 r1 nr
::

p-pi

~~

tO-

zF

zJzzzrzlzznz zoz:

p-p
p^p-p
'i
i

Ff

24rS

l-V

POCO ALLEGftETTO.

tt r, 3
'

NEW JERAULD.
r

8% &
-,

?' S .

Common llunn.

'

i liteHsSfflSSl^

r,

j-

-fcdaH
Vain
-

^
ly

#33
hours,
-

watch,
lest

through mglit's weary

Keep we

foes

lanu

Vain our bulwarks, and oar

I

lowers,

Bui

for

God's

pro

- -

tect

ine

arm.

j~3

-
|t> i>

^
D

1 yO

of-

J,

d ^

-r-eLif- -^

p-p-

-_
&

r-=r-r

-^
n

^
1

J J

-rf

:o:

S -oC
OLiD
! fl<

z
K.

A.VDA\TI\0

ftl'ASI

ALLEGRETTO.

"

Lrfi.F.

S's,

7's.

Couuioa Hymn.

35

mm
heads and
die.
1

When the

winter's

tem

pest

lowers.

O era

bleak

and

cloudv

sky,

Nature's

fa

ding

fruits

and

lluiv

its,

Hang tlieir drooping

0-4
i

ram
r

"
i

J"

_
IT

"'
I I

>

Sffi 9

--

O-O

^fa-tl

cHrri B i

ALLEGRO

?__ L _il-_=:^z:^z: tzrz ^_ .^ZX*ZZaJ_OI

Praise the

Lord

'

ye heav'ns a
Jl

dore him, Praise

'.

him angels

in

the height

Sun and moon

.
!

re

joice
I-

be

fore
I

him, Praise him

,-.
.'-

all

ye

stars

of

light.

^=50=5=1

--^

r-.

I-

*--

!-r-

! ! J-

J=5plPi:

Jfe,

>

?*--

*r^=

_COJ>A. _ ANTHEM.
-

"

ZL7" z>?:

gr~

~ezizzz
=

r~
"I

zzs: T <F_

a --^
1

" r CT

1TZZZE

"zbEIEE

T"

= ---

<

~r
-SF^F-P-

Igzt
**,

#7

sn -g~i*
i*i
i

s;~i

"

rz

F
15 :

-l-?
Hal
fil
-

btem KzzHEE ^zarrrzi

A
-

le

g"T

Hal

le

lu

jah,

Hal

le

lu

jah,

le

lu

jah,

men.

Hal

le

lu
!

jah

JV S --^-^-^pzzzz3ZLzzzz pzzjzzjszjzzjzrzazzzzr
N
|

Hal
IS

lu
I

jah,

^
~~|

3z*zz:p

^^"o
"

Hal

le

lu

jah,

A
'-f

**

&..

t-^zLzzzi

i i

r~l

T' J"

rr-jj

r
i

^zrffie

I 1

^eV^i^J

"I

%_

|T

3^

3^
I

T
'

or
FINE.

"I

IT. "J
:
32

ri p-^-~
~p~t~
I~T~

TTT zfz^

"i I - ~rzz^'

TF T7^

II

ANTHEM
-L
F

*>

-A.

r"j~r"

T ---3"
-|
I

9
L ^~

9 9
-K*-

~9~

-"F zzzuzzzzzzz^L

r-

250

wnAVTE quasi allegretto

DIABELLI.

7 's Six Lines.

Common Hymn.

33

i*
Safe
.

C>

S
God
:

tz

E
SOLO

Let
us

335
brought us

g=r:=zr:
way;
-

ly

through a

noth

er

week,

^^3

Mfe=S

::
~Er

-#-

^m
has

on

our

now

bleas

ing

seek

r
~<x:

r T1-q-J-hf-iT g+ fz^
:

iff

SOLO
I

-W-

JEZa:
>

"r*

r*
I

1-

^^j
i

SE
TTTia
Wait
inT

*!_U

IOI
L

PES*
e
Day

+T

zr

o
-

T *E3
*
of
all

^pia *cr
I

his

courts

to

dav

the

week

the best.

Em

blem

of

ter

nal

rest.

SEES*

-a

*
-

at
**

EEi!

v=*tr.
-j-

_ <3~

-*

Tl'TTI.

fc

# tzzzz?jzhri~:Ti

IB

CHORAL,-

MAUIiER.
i

Sevens. Six Lines.

Common
(O

Choral
:c5

~T

^|p;pig^
the

i
a
-

<*i

\
Christ,

-o ^the
true,

whose

glo

ry

fills

the

skies,

Christ,

on

cr-~o
-

ly

^zzgor.zr.
Sun
of
righte
-

.:

II

light,

ous

ness,

rise,

Q O

o:

~o:

--

:&

o:

zx

:o:

XT

O"

331

32:

EEEz^E

--

T r *-
:

Triumph

o'er

the

shades

of.

o~
night

:*qg=r
Day
-

^
from

2X
high,

^i
be

:o::
near
;

Day

^^
in

221 <

_IJ?
ap
-

spring

star,

my

heart

pear

30!

i g

:dE

:=
-d-dL

ZJ

^5>

XT

*
p

--

IX
t-

xz:
f-

zo:

33:
-d

:o:

^
^

T TT
r
1

p
1

:o:

fz
f-

ITT

=F

:o:

:&

---

331

3X

--

o_

?x

J-

3E

ZOI

252

T meS o
rfc-cn
Be
-

IX POt O ALLEGRO

AL.L.A

BREVE.

ONSLOW.
Emtfc3

5's.

&

8'.

Cornmou Hymn.

o
Tw

*tt
o
!

Jig =* :^lhold liow the Lord, Has

girl

9 3E
sword;

"i

13
How hap

33
they,

on his

from conquest to conquest proceeds

py are

Who

live in this

day,

And

witness his wonderful deedi.

13

13

^s

T-l

'75~i

=ff

L i -r- r- ---ffsrh?:

fe

3i!!:

T^lt-I:

st'

sT
CHORAL..

ffs

SCHNEIDER.
j-P -^f-e
1

7>s.

or 6 Peculiar.
*2 ^o-

Common

Choral.

"o
rr

-!*:*

^
-

133

-ozo:

^T
<^vey,

T^

^
oo
du
/
-

n
:

IZ at
-

^g- o
In thy

"c:

5F
feet
-

S s&
While

-o
,

^p

^^
Make

a
I
/*>>

IQl

Gracious Lord, dis

close -thy

way,

path

my

sus

tain

my

foes

my

steps sur

the path of

ty plain.
s

/Tv

3i

CHORAL,.
f(
"

REICHA.
oil^pzzrn

Sevens or 8

& 7s. Two

r,ozcr 10:

X5I

zzzzzjzznzzi_ii
:

o^.g^ ^^fs^- =1 fR--j

;

iG

H
re
-

Stanzas.

OR A CHORAL ANTHEM.

Common

Choral.

&t

qzzsfe^t

_o:

S ^1
^c1CS
-

O Pi Q *IO

rl

-^
Spirit.

rl
J

iz

~rj

n
rr

^i? I<3Z@r
light with -in
1

Gracious

Love

di

vine

Let thy

me

shine;

IO -oL^OT r
All

a
SI

my

guilty fears

move,
1

Fill

me

with thy heav'nly

love

CO r-
z

-^(-^q-^EFrlERFT^rlzr ^
--

T5^~ 1
zz;

f-

-f
.^_

T"

%z"T

^
.

^
3ors:

.B^_^J_^d >_o
n
;o:

r
-p-

ZK_

^ -a-

"
'

_n_

44-.-=l
1

5pp T A
-d.

~?Fi?=:
f-

32

o_

ii izozp:

..zo

fee]

oz^

X5;

fs>

first.

i 1
l

SECOND STANZA. Iizfe^ ^3

T~
;i
i

P" h

^-

TZT
iz=
oz:

Se
i

Z^I

T7
i
the

S ffe;
S5
"TJ"
"i
r

The Second Stanza may

but not the

be used separate,

X>ZQL

ZZOTZTZZ^ZX
ifc
rl

3ZZI r 'go^-re?-

^oz^rtor:
Let the
burden'd
J
I

o cr ^^
Lead

i sE
of
y

- eUeitn
Wash me
in

his

~o'#L
precious blood.

Speak thy pard'ning grace

i

^f Jj^^^^lpJE^gdzZilZ^E^zli^
Jzz5zrH-g:s-p b_ff "p

ip f
i

~o c

^
p

to

me,

sin
I

ner free

me

to

Lamb

God,

~^p

^L

=aE

i&zzl == ZZMSTZfZl

-'
-J-

r~r
:zz

te

ffi

_:

r
'i

ol

cy

FINE.

ss
1-*-

i*H-

X?7 T texzpqr

*5

e
Z2I

m 1

a54

ciiokal.

KOHI'OTII
jCTi<5

8s

& 7>s, or Sevens.

F 3X --

Common
7

&

MINOR.

Choral.

ID

o~~c~o""p"

_>_|SA__^!

?^Bp3-^i f e fT C
~i

o
!

^
can
there

O
be,

_o

^ 3
still

lOIQ^(3
served for

--

^ ZSZ^I
his

"p
I

0~p
I

3
the chief of
sin
-

Depth of mer - cy

Mercy

re

me! Can my God

wrath

for

bear?

Me,

ners spare?

CHORAL.

fcb S-^ ^=> --

ifez:

^ ^i?
n

WEIGL.
:

8' 8

&7' S

frr

;o:d

"I
r

Common Choral. MAJOR.

O Q 2X

o o o^c>-|-^>F J" II

EE
"cy

-
Ian
-

q!

o-

3 T=^
you

F=S o o oroz -
'

O^f
-

"I

=^0 gi
"
-

Cease ye mourners, cease to

guish, O'er the grave of those

love; Pain,

and death, and night, and an

guish,

En

ter not the

world a

bove.

UN POCO ALLEGRETTO.

STERKEL.

8>8.*7's.

Common Hymn
OR ANTHEM.

255

I
Thou
art
I

ev

crea

ture's

theme

Hal

le

Iu

jah

Hal

le

lu

jah

Hal

le

lu

jah

men.

-'-

m
*s-

J-

^r

^
Sd

**

1-

______ r t-

t r
i

J-^fejF-q^ -=S?,

e>-

o_

o " 5

f^

5"

U3G
f^T-

'i

xr

J-

*I"

Ig

-P!
r

J.

1*^ r~t

HYMN

FINE.

?=i
ANTHEM
FINE.

25tt

ALLEGRETTO.

SOLO

GRUNER.
-

S's. 7>s.

& 4.

SOLO.

S*=
Lord, dis
2d.

czzzztinzn

j^
Fill

miss us

with thy bles -sing,

^^B
OB
.

Common Hymn.
v'J'lit;..!

t.XuLOGY.

our hearts with joy

and

TREBLE.

i^ifeis
solo.
Lord
dis
-

SOLO.
I

peace

*r "~n a

s~rn

peace

""

^;

""

ei^i

-i:
-

miss us

with thy bles

sing,

Fill

our

hearts with joy and

HfMiUljJliii
SOLO.

a
*

r r

SOLO-2^-

w
"i

SOLO.

MJHfr ^ "a
i_T

ft

H^
i

SOLO
r
-

-::trz^
Fill

Lord

dis

miss us with thy bles

sing,

our

hearts with

jny

and

peace

TPTTl
i

When

us<_-(l

9
r~
'

i*

\~~9

9 ~rpzazjiE
f~~F~n
Fi

an an Anthem, t the whole may be sung !lmngh<v:t Solo,Jtnd Hie Tulti r^ peair .l in <.' hurU8.
i

:zz9i

PM

j~r-

MF.f
~r

sl^ilO
Tizq:

3izq:

J^-fe:
Let
us

isis:
-

<*

^E^E^!i^t
in
re
-

Oh!
re
-

sm
T
wil
-

each

thy love pos

- -

ses

sing,

Triumph

deem

mg

grace.

fresh

us!

Trav'

ling through this

der

ness.

-^rnzzqi^rii

T 3=
-Ji
.

rV
"i

i"

-j-r

-.

i
'

. 1

-J-

*-i

">

MF

r~
J.

'

J-.i.

J.

J-

J:

L_
r-

i 9

.J.

.J.

pa

J.
~i"

i)

v _
I

lt*I~S

t~'

^O

a
-i

5=^3EEEf

# r

ALLA BREVE:ta

WEBSTER'S CHANT.
TP~^~1
.5
>

Eights.

Common Hymn.

gzfpp: qg^fflg:

""ljid:

257

i tji

1-

fe^fer^feri^fei SSL:
r

~r^-r

sr=F
Ye
j

ijzrfzzicE^SESrl _o:i W- -o^^-#- --

3
u
-

a i
l ^?N

IOZSI
all

-f-H IO_i
i i i

a i

vho stand round the throne, angels who

And view my Im-man

:

els face,

^l_

In

rapturous songs
, ,
,

make him known, Tune

,

i_

^rzr gz^ECT_e
i I

your

soft barps.to his praise. _i

t\

rx
I !

o
-eL
-J-

EEFte
CHORAL.

9 p-p- i i

4^
i i

T"

-Q-_ -_ ;__ql

E
^_

-|Q-r-^f-F^]

PUNTA DELGADA.

Eights.

Common Choral.

(O

"^drsi^idh^x^Lioislz^^ozs Q^^o-to
The
love

of

the

spir- it

sing,

By whom

the

tonement's applied:

Who sin

ners to

Je

sus can bring,

i

And cause them in

cl

hirn

to

bide.

r-tr

'"#=?I

roift
r

J_ K- J_
p
p
j;

f T
f~

,1 rd
I

r^

3
f" f1-

rJEz

^FPra~^i lir*

*h1

o-

f-

f f f
i
~o~
-F>

jT

3=1
33

;o

^
4-t

jo:

--

ffiS=

~T

t:

21 o

SI

-^

T3Z

II

258

IX POCO ALLEGRO.

"-

FLIXTS TUNE.

81. 7*.

^ra ^SSi^

& 4.

Common

OK AWTHEM.

Ifvinn.

Sonu-s Songs

new

of oi

hon non

or

framing,

Sing

w- 33=^= -J-*^ Zj-iL f r^

7
1

J
.#,

-<r~!

jl

-.-

H^r

i-ku

~
i1

<*

-p

^51

355!
-d-.

+i
and

Je

bus

wond

-- trr 'rous works hath

M
have won.

done

Glo

rious

vie

tory

Glo

rious vie

tory

His

right

hand

arm

Jl

t*

*
*

33_
'

Anthem, The

first

time Solo and Piano, from

The second time Tutu and

Forte Sl D.

Cp.#

ALLEGRETTO.

NEEFE.

8's. 7's.

&

4.

.Common Hymn.

259

On

the

mountain's

top

ap

pear

g>

the

sa

cred

her

aid

stands

Welcome

news

to

Zi

on

bear

ing,

ss i^ r
f-

a==s
J-

IP!

-I

-^

r
-elL

m=*
-j--^.

3E

S*

~r

P i
*

351

rxip

m
1

-Or

*
SOLO.

H5

-i

Zi:

=*

^
cap
-

TUTTI.

nr

:=

-
-

W
-

"O^
lands.

d
Mourning
tive
!

"T
him
-

F
loose

1
thy
-

Zi

on

-r

lf=95 s
tJ
r

long

in

hos

tile

Mourning

cap

tive

God

self

shall

bands.

-C
-E.
-i

5*
i5z=^Eztszzz*
r
SOLO.
i

"ler

Tt'
I

SSI
1I

J.

J.

TUTTL
"O"

Efc

iE Ei T"

EEEgEt

T~

S3:

260

N POCO AXDAXTINO.
-P'-m'(

LING.
^=F
r~

h4-'
rtfo

r
r

lO-

"t

)_^_^c:^:
God
-

of

S
our
-

f~

m
s
'

< >

T
*\

3
us,

8's. 7's.

& 4.
^i

OH ANTHEMDOXOLOCY.

Common Hymn.

%
i

=P%jt:

o
-

2-

zz:
-

_o
ere
-

jzj we
go;

oT"l
When we

I^r^ gE#g3n^zj
I
join
-

sal

va

tion, hear us

Bless,

oh

bless

the

world, be

near

us,

r#~

?~j2ZI*
Lest

22:
cold
-

we

5 e
and
care

^
-

rv
-

2 IS
iour,

less

stow

Sav

iour,

keep

us,

Sav
I* -

keep

us,

Keep

'- -ef=^ F=r=T <y w

us
safe

xzn:

i
foe.

from

ev'

ry

TT

'

E
i

is
f"T"
^-ff:
r

-G>

GI

r^
~!
-e^-

I
i
;

@EH

ZZ
-e^

-O

lQ--r-

2-

r~

r*

Z5ZZ*:

.la

%3? td^
Lo
rtf-

ALX.EGRETTO PORTAMENTO.

iCOC

ISPs
pear
-

SPAZ1ER.
i^FF

8 B .

wh. -

& 4.
xxs

Common Hymn.

261

j_
SOLO.

g^ ffip

HI
the

#JF

5
!

#'migh-ty

ing,

---

zz

the

God ap

From on

high

Je

ho

vah speaks!

^^

5 f^^rf-^^TTi
-o
L

SZSl fr^xt

^HEFii if-r ;^--rr fTT

^
"13"

East

era

lands the

sum

mons

hearing,

O'er

west

his

1
'
l

"

gft/QZff 35

X2

s:
r

"o

- =* T7

sj 2X3:

XI
i-*

ifc^Esbe

Of
o-g:oi

XI

'in
.

j-^
TUTTI. *u
J

:p-i*i

<oxP: ^-^-K
i

iozzs:

T5T

5
3
-

=1=
thun
-

T>
Earth

S
h;

#-#

T>
U
ni
-

<3lxs:
ver
-

o:

F!

^
U
-

^ni
-

der

breaks

beholds him,

Earth beholds him,

sal

na

ture

shakes

ver

sal

Da

ture

shakes

m
!

XT
!

TT
---

_OI

i
tit
r r r

li

Jrr TUTTI,
1-

t
r

r-

T7"

P5

ozzm

lOXIM

rS

=^=3

r
r

=
J.

UNISON.

5Z*
rznzc

Jt-JL

-^ fcft

J-r-

2k\3 JU UN POCO ALLEGRO.

^zz^zzj;

Z=F1

EDER'S CI ANT. 1 i
f^'

8's. 7's. A: 4.

Common Hymn.

^r
Th

-r

^=#

%
Who

-?-- ?:
but thou,
al -

H M-H-f i
migh
-

*=-*Can

-'
I*-

3=33 - e-S JiJ-rT] ^r wr

?

2^^
till

ty

Spi

- rit,

nT5"

the
>s

hea
i

then world reclaim

Men may
-o
TS"

preach, but

thou fav

_hr

=E
j_

"Z

=i

!
i

r
3=

P=^ 3"

^
-m
O)

-o- f:
-15-

2
*
r

r
r

^
i

55=F=F
p
-r

xj>~ir

i
331

5EEE

5
::^S

Spir
- it,

=9=^
ICZZL

1
s

7~ _

^sz
-

-o 1

^will

*
be
still

w~
-

~&
to

name.

or,

Heathens

the

same

Migh
~jcr

- ty

Wit

ness

the

JZH5

-o

4f-<

^
m
,

w
*?-

IOCZT

-F

TT
i
t

To

=?

~
fg~

T
r

p=E

^
*?-

Saviour's

O
=p

f
T~

T=*
25

SEffcz:
T~

TT
T'

:^=:

-*Qr
i

J21

__E

X5i:

ANDANTINO

QXTASI

ALLEGRETTO.

r*-5

i1-

T-p-

x?:

ETIRCOPYH. 8.. & 6> s zs tzPg ixe ^F

Common Hymn.
OR ANTHEM.

2(
7

Vr-P-

:z t-rzft

^ 5=q
1.

^
for

SlS
distressed,

q;
-

There

is

an

hour

of

peace

ful

rest,

?f i
-

IOC
mourning

o:
There
is

Sa
a
tear
-

To

wanderers given;

souls

zfc
r
p

r*

"s

2.

There fragrant flow'rs

irn

mor

tal

bloom,

And

joys

supreme

are

giv'n

There rays

di

vine

dis

perse

the

gloom,

Be-

X
T
f-O

"
1

r r

r F

Op-p^

-f

Or

Or

3ezH

balm

s
for

^
ev'
-

j
ry

pits:
breast,

GL
found
a
-

O"
lone

"
found
jT

mounded
i

'Tis

in heav'n, 'Tis

:fezr~ j~~jjLlJ

Inzer

ez

l_j}
_p
: p

?=?
O
J

5
-r
p
I

=E

rI
I

&

* "0

-Ji

-eL

-^

f
1^
Ap
-

^
J
121
J
-

^r-#:
-

lone

^=f
o
1

m PTTl H
heav'n.

ZZ3~
yond
the

^F
dark

T3T

Sl
and
nar
-

3 "T
row

Q^

g
Ap
-

pears'the

~P
dawn
-

i-

5t

tomb,

of heav'n,

pear6

the

dawn

IT

^ IPS
3:
heav'n

^64

l.l.l

.ui>

ASSAI

HANSEN.
o

Tens.

Common Hymn.

r-e
->
r-tf-

_ ----&-

XT

o
=FF

1
The

o>
From
Jcs
-

root

i
be
-

-e
branch
a
-

o*~Whose
sa
-

o
cred
flow'r

^
the

xz:
skies.

se'a

hold

-e-

^-Mst
<..

< >

-&

-^p^j^zj i r* ?=f

&=
T5^

rise,

with

fragrance

fills

xz;

^OJ
TT
I

^czrzzif

fc-Ho S-

s-

1
1

IT
r

-e-

_^

1&-

^r

ALLEGRO VIVACE.
_>-

KUH1VAUS' CHANT.
g-:=^
T~
-i

Tens.

Common Hymn.
-f

*=T
_nz
ZL

ion

ss

?- :

^r_-r

EEE
sa
bands

^Qu
_

p-

lSLLcsz
~r

T"

A
long

_>_Jk
the

Jet
cur
r~
-

cm
Our
cap
i

f
-

^=3
in

=S&
-

banks where Babel's

rent

flows,

tive

deep

des

pon
->
IO

dence

fea
- e"
:

-O

o =F
<5~
i

_r:

idE

-s- "K. i^ UJf POCO STACCATO.

33JI

^-r o?>
"i

=#=1

^=:
-p~:

3EEE
:
-#r-

-i-

r
-e,

=^
is T~
-

^EEfE^
TT
XS

&

.-eL r-ri
r~

o'

T~

o~

C>
r

E=E

xsziiql

"O
:

F
i
zizt: with

il
-F-

o>

fEI iduz:
While Zi
-

-on's
fall

IOI

o &
friends her
:

chil -

~m
dren

cr
the

^
dead.

stray 'd,

T5~
T3"

^?
:

=iS

n
JJ1
-p-

in

sad

re 1

membrance
1

rose,

Her

mingled

n
t-

-4-

t*

r t
:

r
-n IO_
I5I

itEB ittf 1

-Or

xs

F=F

25,

34

:o;

^c *

iiOG

CHORAL.
<~>

HICHT.
E izoczzcr: ~
pi

Tens.

Common ChoraL
i^c:

fe
-*^

ry~ iz^EEoE izor

1=00 2
T

o-

^=^=^

ii

C? A

^
day
re
-

I o
of

T
r cr -^
he

cy

-
made
I.

the

^
world, Je
-

gain

the

turns

ho

ly

rest,

Which when

ho

vah

blest

When

*e
zlz

r?

-H ~r
f
f-i
c
I

:qi

-f
-j.-

jcr
i

T o

X?

o
i

-^
.-p.

ZXL

o
_zs: -

*<?

-U

<&0
::,

II

^>

f
n

r 2
a

^L

^3:

C5ZZ&

^o:

"O" zz:

--

w/'frfi

"S

ALLEGRO

ASSAI.

KUHLAU.
2Z*
i

io's.

&

li's.

Common Hymn.

267
~*3
"i

fc
2d.

J_.

^g
1

k~l

EEB=
For 2d.^TREBLE, or

=EZt * r
-l
1

xr
TUTTI.

*P* F
1*!-
praise

TREBLE.

SOLO.
IQr;

TENOR.

H-PT
-

T >-fl

rzn:
great
as
-

to

:r=^r
-l
sem-bly
sing;

9 -m-

3
great

as
-

praise

ye

the

Lord! pre

pare

your glad

voice,

His

praise in the

His

in the

m
_>"

cr
J3.

-? P-

ff-ff H
1

-J-ofe

~eh
^3
-1

^-5=
*:

-ie-

SOLO.

^
jq:

'tutti.

*F
J

-P=>
-eL
_

*
J

-L

e# rpzf^
551
ie>-

T^-r

-^ r~4

-J--'-

s^~*:

d^
-^
E

-&:iP-:

Oi" _L

:rz

jzz|i^z:jzzjz ^izcz{:j

i^ 3*
sem
-

Or
to

X
;

^
-

bly

sing

In

their great

Cre

tor let

all

re

joice,

And

SS
heirs
-

of
I

^
sal
-

^^
-

-o=2=V
be glad
in

fen
King.

va

tion

their

3 o~

bff

i
f

^
"F
sol o, m

--

r r

SE*
r-f-

_o_
-oi

Z2I

rfcni

X^*
1

V
1

^ jQ_
r*

-443X

2XX

'r~

TtTTTI.

:S

IZElEz

268

AXDAXTINO.

NEW JERUSALEM.
"zz:z^:
*'
"? ~*~^?~~w~ w~?-

12*.
--SOLO.

Common Hymn.

8 ^jr^:>-g- ar-g *

S P P f P

2.

With joy

shall

we

stand,

when escaped

to the shore;

With harps

in

our hands, we'll

praise

him

the more

We'll

range

the sweet plain's on the

bank of the

riTer,

CODA, ALLEGRO ASSAI.

!- r~y
TITTI.

-MZ3_ca
HYMN FINE

t ?=S=q
1.

~o
in

_r*

$#* 55:
a

51

Hn

blood flows so freely

streams of sal

vation.

Hal

le

lu

-jab

to the

Lamb,

Who

has bought us

pardon; We'll praise him again,

^ssjm
When we
pass o
-

ver

Jordan.
"*

^1

Cp

n^L5fd?pdxi*:
L'NISON.

r
2.

And

sing of sal

* vation

-^
for

ev

SifEf^l^lS HYMN
-

b ~
l i

. .

TZ2I1
The
2d. time,

T^
Anthem
fine.

er

and ever.

FINE

VS POCO ALLEGRO.
[

GALILEE.
*

Elevens.

Common Hymn.

269

^--r

IP

t
"i

r
i

P-

^tttt=r^^
Jhe
will

tvzs:

d:jzjzzJzj_ FzE
SOLO.
2d.

TREBLE.
1

r#

fr

jjVJijSuJrJ'litJ
The
Lord
is

i__L

his

---kindly
pro
-

"O
vide;

3*
To
sheep
of
his

5tic?
mer
-

our shepherd, our guardian, and guide, Whatever

we want,

pas

ture,

cies

bound,

His

IS

TZ\Z

fnr
tf-fr
i i

-^-S
r r r
r

-
r-; -p ig.
_:
!"

-!*-.
l i
i

~g~r

ttotc
j_l_t

S OLO.

^\-

!TT-P -p pp

ORGAN.

M
#

f*
I

K
I

H"
C^_

T_

ies

-e>

*
i

r _l___E
1

f=r
f

EP l\
~r

%%
i

~r

TUTTI.

care and pro

-

'
'

t-

32TZ
To
sheep

5^^
of
his

S31*-* *
-

pro
-

.
tec
-

tion

P^3

his

1
n

tec

tion, his

flock will surround;

pas

ture his

mer -cies

bound,

His

care

and

flock

will

sur

round.
i

!~
i i

&?---&&-
5*i
^V

=P=*
"75"

%
T

-f-r-rr
I
'

TUTTI.

-p
"i

rfefi pr~

-^3J-^

rr

T^u ?
r
i
i

~r

dx_*

-#-#-

270
/

kg *-

MA ALLEORETTO. 5Z ii
r

CHORAL.MENTE.

EISCHLEBEN.
-d-O-

lO's
<>

<fc

ll, or Elevens.

Commoi Hymn.

o:

P
"i

jcr

<>

^
<>

3^

F^3
-r>
the

3
cr
and
die.

^
Great
p

-s The

?^c
is

$cc:
far

-spent,

-
the

x>
ev'
-

r xr^c o o ro
ning
is
,

t$02i
lay

~o
bo

day

nigh,

When we must

cr #
-

Ty-cy

down

dy

jOT

==*?
=F

^Ce^
-c-

S^
M^
J>

F
"P

f
P"

ff

rV #2 vo Q o Ifto-^ f
~l
1

'J ;*-

O^
i

fc^-

3Z= Tf
J~
f
P-

"p
i

^ =^3= #^
x>

CS

^ ^C

zn

p
-

#:

p O

~P jQp_ T

o_

EH
-

2-

-p -p

our

^
--

p|QK2>

i-

1-

~T

=E

o^

1 i

$-

,cn
we
sur
-

c>
ren

cr
r
-

i
dust
to

God,

der

thy

^
tier
But,

^- :go:
!

^55 3
summons,
our

spi
-

T?
nt

C5T
pre
-

O
-

care,

oh

for

the

pare.

f*~j-tK7

ALLEGRO.

SUSSMAIER.

6.

A ;4.

OR ANTHEM DOXOLOGY

Common Hymn.

271

:^^zz-

F=r=^

T
CRESC:

'T

P^

i-

the

:o:

:&
-o

5
Who
I

a
er
-

FF.

^
Or
-ie-

35:

II

T
thy
the

xx
Lamb,

a
i
r

all

our
1

sor

rows

bore

Saints

sing

for

more,

Wor

Wor

*^
15-

thy

Lamb.
r

ZOG
-&-.

*==
J.

jlZMI

JL-

-i-

J.
"i

T
CRESC:

fr
1^"

f r
J.

Tl

lo

-J.

FF^-.
lT

F=

1r

xr:

31

H?3 1

t-

ALLEGRO.

^^
5

SEYFRIED. pw ;es

Sixes

&
--

Fours.

Common Hymn.
Or Anthem
before Service.

s
-

run
<^

^
r-=-High

spcfc fcczr:

r_OTZ5 A-3UK "T-T

izr
"17

FF
Je
-

~r

:q:
Praise

3
his courts pro

-claim;

s
-

-~cr
dore
:

--

ye

hovah's

nunc, Praise through

:dz-JVi!

fcn
hJ.

JE
^ ^
"

^ SQ^
-e-

Rise and a

o'er the heav'ns a

bove,

-eL.i_' Sound his great

si
acts

of

~r cob* . -- -h-p-yT-i-

T T
j

T a

IgU
F
Or :__

J.

^L

-e

1-

o>

S-^Z,
"\

"

-~

~~y

CZZT-|

E^-^~i

m
^
Nrl

--

I
~0~
love,

Or

While

^_ZZjI

a
TRESC.

35

Z3I
FF.

::x*

^F
-

T5"

F T~
T~

f^F^f?

J.
as
his

^
pow'r,

H
xzzixy:
Vast
as
his

-pow
r.

-?5~

-^
~0~

^
7
-J

his

rich

grace

we

xy
prove,

Vast

2
"ST
::

i
3E

321

-
FF
-e-

o
-e-e-

<r>

r r

:esc.

?
35:

=F

-y=

W- TT

331

j-r-j-r-^- ir
:cr

--

o O O O

-4
35ZI

_==:

f^

^1

ALLEGRO MODERATO.

WEBB.
:

5's.

& 6>s.
n

OR ANTHEM

Common Hymn. TWO VERSES.

^|0

O"

-jgefcj B

ZOI
1.

F ^zszz~ zzo^zz:
works,

=^:
saints,

#-^Z#~ir "Tl
w*-true,

^Ts SOLO. 4~ qzzir

1

How

wond'rous and

great

Thy

God

of

praise!

How

just,

King of

And

are

thy

ways

Oh,

who

shall not

^s
2.

To

nations long

dark,

Thy

light

shall be

shown

Their

worships and

vows

Shall

come

to

thy

throne

Thy

truth

and thy

.p.
1
i i

"P-

9 -P P"

1.

n
"

EE

^EJ
1r
:2:

TUTTI.

3
1.

O'

#
ly

~Qr-#art

"hi
"V

fear

thee,

And

hon

or

thy

name

Thou

on

ho

ly,

Thou

on

su

preme

Thou

on

ly

su

preme.

:=tq

=3=3

_*L

^=?
p

T
TUTTI,

O
in

@s
2.

-I&-JL
:r~

o P :#*- ^Q_p_
-

-TO"
I

l-p-

L.
T

~W~-WTo
rS"

=^=

3 II
'El

JL
EX

&II
Con
-

judg

ments Shall

spread

broad,

Till earth's

ev

'ry

peo

pie

Con

fess

thee

their

God,

fess

thee

their

God.

274

ALLEGRO.

AMSTERDAM.
izzzzzzzzsz
zzzzr
i
r

kew.

r*.

&

6> s

Common
ZZ<PZ
:tzz!
r
i

II

um,

tzzzzzzzzzzzz

3zh=^F 3=3-

1
place

'Fe=\jtz#:
Rise

3-i3 -soul, stretch out

ZKX

;
thy

~jr
wings,

:zzzzizzzrzzr -ZZ 9 _ ZCL

bet
-

T"

:oizz*z:
Rise from tran
-

=?=?

zzz^zzizzs:

my

Thy

ter

portion

trace;

si

to

ry

things Tow'rdsheav'n thy native

g V

*
f
*
I

3;

==z

r~

1^

!*==*: _^ z?_s: _ozc :t*T^*=* zz^zlzz^zzzzzzzz zx

ZJX

|f( jff

=jr3
I

zzz
L

tp^tzzrzzp:

z*E
"9:

6:
de
.*?

shall soon this

'ill* ,
earth
re
-

f c-8-ir-*- H:
my
soul,

ga
a
-

Ehb
-

Sun and

moon

and

stars

cav.

Time

move;

Rise

and haste

a
|

way,

To
I

seats
|

__^

-*
O-

^Tl

*>

- J -- 3^g=0=

-f-e

zz^zzztzzfz ~*~m~

j~f
r t
:*rz;:

^gn~T ~r-il]
|

prepar'd *_

bove.

JL

J.

^zzij^z^zzzz:
I

ri

UN POCO ANDANTE.

ELAM.
:Eg
fa
-

8s. 3's.

&
do

6>s.

May

ALLEGRO.

be used as a Duett for two Trebles, or a Trio, omitting the Tenor.

tf>

COMMON' HYMN.

0~ h"

ii
my
God,
I

<5orr
bless

;o:

vor, This day

show'd by

my

r~
Sa
-

viour,

do

bless

my

EI
Sa
-

E . 4 *3

viour.

yffifej
2.

Leave me

not, but

ev

er

love

me

Let

thy

peace

be

my
fc_

bliss, Till
I

thou hence re

move me,

Till
I

thou

hence

re

move

r*

s-i
3.

-(,

a
-

>-p
,

a
I

p
sleep,

,-

thy

ITT ESls^EB L -442^ I

-e-

rrri

Sg
:

13 T~
J31

p-

Thou my Rock, my Guard, my Tow J. -J- J_ J: JJ.

er

Safe
-J.

ly
-J.

keep, While

Me

with

all

pow

er,

Me
I

with
!

all
,

thy

-J.

-eL

gfrF

- ~m r i-gi
r
With
the

-L

* ^
321
num
-

pow

er.

eL

^ra
4.

EH?
whene'er
in death
I

T~~
slum
-

And

ber,

Let

me

rise,

wise,

Counted

in their

num

^FR= r
Counted

ber,

in

their

ber.

ALLEGRO MOLTO.

SYRIA.

10's.

&

ll's.

Common Hymn.

fe ezp-fTg^zg^
r

~TT~!"
:~
-

dd Ml

-h
Oh
praise

n-r r
With
voices united the

-9-e-

I--I-
I

a
I

"3

U IT
music divine.
L __!_

ye the Lord, Prepare

I

anew soncr, And let all his saints in

I

full
I

concert join;

JgESL
'-
'p-*FP
|

~T
-p-

H -T
p
l

anthem prolong, And shew

J
l I

forth his praises in

I

szusfe
1

'p.p

-f"

"or

p p p TT^ "pill

'

,J

--'

-*

o
1 '

-r^r-p-y pp_p_u

p-p-i-c--I

2 TO

ALLEGRETTO

MASSACHUSETTS. SECOND
FIRST TIME.
-j.,

8..

7*.

TIME.

&

4.

Common Hymn.

*
I"

^M*-#T
2

fcozII

Sffig
Lo
!

FT ipzsij;
_"l
slain,
:

_r
Hal
I

miH^#feg
-

he comes, witk clouds descending, Once for favor'd sinners

r r r r r r r
I

f f^W

iQ.J;^

^^
f g

'1

le

lu-jah
I
I

Hal-le

=T

T
r nrf pJ f

r r
z:P
"i

ig^gg
J.

j J Jj

^
-

lujah
I

God appears on

earth to

reign.

to

-j-

-i-

f-

LJ

^^\

--p-p_]

-J_

P-WH
saints attending,

r*

Thousand thousand

ALLEGRO
Lc^ji.q"j:n
i

ASSAI.
ijz

MOUNT HOREB.
rr i

Swell the triumph J^p

QZFof

his train.

to'-

& '
i i
r i

irn

rrk

r~r z

~n rr~rr
i

Oh

praise

&yittessis
ye the Lord, Prepare your glad voice, His praise

f
c
_

ir rl :o~a. .qzozo:

3
ii.j

Common Hymn
p-rPp-cf

I ~t~j
i

"I
i

tdzcz^:

a
iLI
p

$3
r-

?=dz?

3 s'-^-p-r^-^ P^^TTTP?
I

S^

in the great

assembly

to sin<r in their

great Creator let

all

men

rejoice.

And

heirs of salvation be glad in their king.

5-

_
p

rd-J-C

H P TIP P

HPr^q ?^v iiSIiiSl^

_

f"

t^

Jj

- _

^i

:jiaz;
p p

>| [_ ^_

r-

i*

-f

-O

d rd0--J

,-^

MODERATO.

1I1YAM.

ll's,
-i

&
:
_

12>s.

.*5
r#

5SE
O

3E "H

U"

*L_

T
I

Common Hymn.
i:

Q"

^
Lord,
let

1
our

songs find

ac -cep- tance

be-

r#o
p
I

HEB35HE3 v
fore thee,

F=f=
-

=E

:J
the
skies
-

e^
to

And

pierce thro'

thine

up

permost

throne;

.j

T
J

f
p

.r

JE*fe^| M
r

*3

+ZSL T^r
i&-

t E
:*

-e-

IP
r#for

I
--

S ^i3;
thou stoop'st to
lis

:zz*:
-

d-J^t
when
mortals

=t
-

:?
And
sendest
thy
blessings
like

a
a

*=3

3
T"

ten
1

dore

thee,
1

L_ _0&
T-t-f

frrf-h^-J- ni

r-R^
r
r r

=iU_J
-r

J*

uJi 5=
r

_|
1

mes

sen

gers

down.

J-.Ci J-J-J3

p-

r
d

m^r
b^;

5 B

,a_j
W-

JZLA

^1

CI

2T8

jp-.-j

TR[o.

UN POCO ALLEGRO

-1 -P --;

CHRISTMAS.
ram
-

8' 8j

&

y.

AXTHEM.
-

2d.

TREBLE
!

r"

-i^---^
sounding through the skies;

331 E
Lo
!

S^ES
-

ia
COMMON
HV.M.V.

Hark

what mean those holy voi

I
I

ces,

Sweetly

th'

angel

ic

host re

joi

ces,

Heav'nly

hal

le

-lu-jahs

rise.

1st.

( lJ -1 r-r-1 TREBLE.
I

""ta

o^
T

n# _[_^*_^_i^-. o~ c H3H

M-r^-^

s iB
^
im
God

JCLM

'

ORGAN.

"S-SF
3d.

rjr<^Sfc
TREBLE OR ALTO

V* la^f^^q^rlpF^^^^^R*^^.
"IT "

21

g
!

"
IOZJ
Hear
!

1
'i

mi
r

= -F*-P33E y~i rn o ~~rct

::

flai
I
I

"i

-i

1
i

J-*
1

f-t
iTjfl
-

j_be -- to

#
on high

hear the

w-ond'rous

sto -ry,

Which

they chant in

songs of joy;

Glo

ry

in

the highest, glo

ry

Glo-ry

3z
#p
1

~~ r

fafe#*rtS^ ^
"i

-t-Ujetr 1

EMS,
1

&-
"p

nz

y^ eJ**iol
r~

{"

V. s.

"V

jJb J 'J J J J Ji

JJ

J'

&ji

b? ri

<->

F.-FV* taUL --

r^~"T~"~~r? -

Chorus.
TENOR.
'-

HYMN.
W^--r
i
i i

Continued.

ie-

zzze:
F
2 d.

tf
i

rf

T0-

^
I2I icz;

TRE BLE

ry __P_lst^TREBLEJ
-

o Glo
p
p

xz
in
.

x?:
the

m
Glo

m
iB

279

taEiiatijjE
be
-

high

- est

Glo

~1
,

:oz

y^g~

--,3
o_

_q[

ry,
!

-to

God

EEEEE3EE

S3
5 f=f:

-J-

^m
on

high.

-E

F
s-fc
-b-

BASS.

:^m
'-!
:s::*: i

^
~Y<

ie>-

--

MODERATO.
if:

t~T~i

rn~f r~ r~ iv ^3 O]
1
1

^
r^r
i

CUBA.
r

8'S.

Common Hymn.
:oi

-'-I
i

~r
r
"i

-p~

"i

r~i 1 ?
~
i

~jr3~

'

i"

'WW
Tis Jesus the

I I

l~ I"

yH-Qr-rg -*3
last,

3:

"i

i"

_iOrer
**
-r

I
;

:w~mzw
praise

zy:
is

xz
And
_?:

first

and the

Whose

a
trust
1

=*
for
all that's to
'

1
come.

spirit

shall guide us safe

home We'll

him for all that

past,

him

^
~4r

-r
"i

52?
nr

f-r
J
"I

-J-

J-^LJ-

r
4- T~cr
i

^
r
4-

i at rrijZ*~*~
i

XE
f-

JUJ
-J--Jf

JI
J

tH

&P:' ra=F

Eft
f

-J-.

JL!

m~

# -!-

p-p-pr
i i i

pr-He-r
1
r

f
I

W~B~~W
i

280
#.
P.

SING UNTO GOD, O E 3= r "~i~

i (

YE KINGDOMS,
r-t~T
1
1 i i

duotetto.)

P8AIJlf 68 .

82 , aa, 84, 35.

U-

:czz:

3E
"i

ALLEGRO VIVACE.
::

4
Sing

zpqs
.
God,

e>z ;
sing

un

to

God,

ye

kingdoms

un

to

li^lalll 31
kingdoms
of
the
earth,

ye kingdoms, ye

un

to

God,

O
I

ye

kingdoms,

##--

~'~T~!

r
'i

CRES.__

1
r

rQE o

f~r

vS^-A-et i-

y^-p-f

- r

m
i

Tr
;
j.

j__j nzj -pri-Fh-n

r

J S2zir-zrzL_

L ^-^

N
"i

o
i

r~

rl'

* -

^zr.-.
r
J

J-Jlf^rzzzz
j
i

-9

g.

r#

r-r- 5
FF.

1 ri

^~>~gT-|-Q
4

EZE

Frro P~T_i
I

eZIH

i
i i

gzezpzrzizzzrzzz

rTw rr~
i

f=

rfr:

*?:
:

ZZZttzt~n
;

^zjstzjzzzt:

<^zpirz[zzrz^|:ozEic

dzzWz
praises,

^^zeztopz^J:
Lord,
I

ye kingdoms of the earth,

O
rG>-

sing

sing

praises

unto the

Lord,

sing

praises,

sing

praises,

sing praises unto the

'

rl 1

*-<y

9
P
~

J*_*_
9'
p

rr
FF.cV

V*

'

lT NISON.

f- --ZL

&

Z~9 ~~~*

J_

qL
T

_J

e*si re

M*-F r
i

-11 +

5zV

i
:i

..zfzwzsn

r;-re

e,-H
jtze

"l

I2_Z

T~r

'
'

^* "i

' i

? ^

p.

in

l =JZZ

MOTETTO.
1

Continued.

3=5

- ^
g^Z

the

281
-o,

-S r-J-=J
who
r#
:#:

9-'m -'- sitteth

the heav'ns

over

m
F.
all,

E=C:
FF.

feqpqK
iz

15 *E? g^grp-ig
be
-

^1

=s:
T2 q
all,

be
-

^^=^^^tzizz*i z15^ Fr
ginning,
his

from the

ginning,
:

ver

from

worship

and
i

strength

is

^zq
zjzzzizzqizzizz 9 ^-9 0-L!
p.

-a r - Lt# Zl
F.

3^ w&

J- 1

j___r

i_
j

zz?zz?zhzzzz^^iz?zzzzzzzb^zfe<

_rt r;

H
r* _r

:3^ze~**zi:
S=f

5X

"SI

15

e _

_"
"i

!~

i-^r-

Wfl

e -.
r

fcT
!

:iz^rV- rn-

^~~jy

zB T
F.

IS
in

:z^zj

MP. zpzz^z|z]zzzT5zz5:
\:<li%*=rjd:

ijgzfe:-o
i

1-

p*

:~T5i r T!

pzziz"

:zz*:

OC
i

I*'

izzz^zzzzE
r

X_CZ_ z

5=F

zzSzz^ z^
the clouds
ascribe

S~T

^=
to

sszzs:
ye
the

__o:
*o
-

^^
-

#m

i_ zjz _J izrzz - S !_zn nzs: 'SZZS* -*-^-^-j---a=zzpc^^ ZOTZEZ

pow'r

God

ver

Is

ra

el,

ascribe

ye

the

pow'r to

God
i

over
i

Is
i'

ra

el,

-
P
f-

3zz?z <> g- zzzzszz^z

>

_oZ

^~ r>
f

_ga r rz*7-

b-

tzzzirz:
^e-

^^

~zzE
i

to
zs?zz^zz

c~

h ]3~~ izz:q
i

T~rr~

~
r

zij:_.p4br. fc ikze:

3 25

35zz:

36

2S2
if-o*i

AXTHE3I.
a~~TZ
:zq:

Continued.

jrr

3:

_.<1IZ

^-^^

3!EO
-rrcr-

:!: -P -(

Ml'

Z2I
O
God ho w
wonderful,

3
in

Ji
-

J^iT-^-JzO
wonderful art
thou,

how

wonderful

art

thou

thy

ho

ly

pla

cea,

God

how

iqr-

in

r~

r^

T'T

BSF

>

MOTETTO.
~r~
i

Continued.

283
~i

w~*r

^E^5S

ijznznziNZpzrzi izx^z!!z^: :Pzh

TEMPO PRIMO.

"fe^pPzfezPr
Tt
I i I

P~P"

P-PP

zskr- tin*

p-3zp-n-

sing

284
9
,

./ ft* -tt; i

z~

MOTETTO.
~M
o
*
T

Continued.
>
so: i miMzmzMis:

V U

br-g

iHzz
C ~TT
r

;s
"i

II

FF.

Ht

f
*q

S5^ ^E3nx
JSS
unto the
I

s
Lord,
I

zz^
ye

nhj
^
I

sing

praises, sing praises

Lord, sing

praises,
_
I I

sing
I

praises
I

unto the
'

O
I

kingdoms

sing

unto the

Lord,

:rz<v
FF.

^ n

*.

* rr>

j
.

11 ~

N N

^
iJ

/?V

/?S

.J.

-4

.1.

'

'

Lsa

'

'

-el

S5ZZlZjO~M
*v
praises,

-^1 1 i

4-

JZZ

' -p PB

I*^!!*!*]
~l

wzw ^n;

g~

WW

-^ j*-jp r~^~| TZT IE

o
I
i

w jtESW
i

^
-F-

sing

;=#

-
F.

Z5:

fzizEEzh ZE
AXDAXTK,

zx
a

azizQ
-

J&

->

"I

zo:

zr

+-=
-F.

O o
"

_o_

50.

Tem po.

-4
to

-
Lord,

cr

3
II
un
-

DEC RES.
I

TT
God,

3 I^pt^ZZZTZt
O
i

,j
of

the

~T5~
earth.

h
Bles
-

T
be

^z 1
God,
-

the

to

ye
r

king

doms

sed

men

^
:r

*#&I

zzz:
i

i-

T"T
4e-

-
>

73"
i

g"

T
i

IOI

:*
I

F.

AXDAXTE.
i

c X& ^ 73"
"P-

^^
-
^E>

-- ^=
-p

jf
i

Z5:
-73"
I

-
DECRES.
--

II
-

Tempo.
I

P.

r r

-Or

~e>

"

feo;

--

- --

--

--

ALLEGRETTO.

MY HEART
Z2I
231
1 I

IS

FIXED, O LORD.
O
r 331
CRES.

uiotetto.

285
33

$=W a
pp.

"O

O
221

o; <3

O TX

ii
-*-

^=e

zx
My
heart
fix

J
O

~Q~

- L
is

xx
fix
-

23:
ed;
I

-will

22ZZTX
and
give

; -
praise.

ed,

Lord,

my

heart

sing-

WW^
pp.

:c:

32:

szrizcx:

XX

zxzzx

-W-^
I

X3 o
-

rz*
-P

1^

P~

r r - T5ZZTX O Q
-e-

---

-c

-*H

o,

S^

T~

E
r

^RES -de Q Op -- XI
1
|

T^~F
t
-or

T5

Ji_M.O
y
i*

ALLEGRO VIVACE
1 T

sfc

3X33" X5

33

o,

T
is,.

re .^_^_
- H^H^i Zl_l_j

PT7!p~g~

g j a~~
s
I

^-^--r
IPGI

O9 hT-h-rf #t T~F

Tr-&-

-o
1

r L55
I

fr

!_-j_L IJ

^ ^ u~s_
the

^=^
--I will

"I

B SD
1

Awake,

w&
early

----praise thee

%&am
the people,

3
people

my

soul,

Awake,
|

psalt'iy

and harp,

will

awake with

dawn;

among

O Lord, among the

i

among

the people

I will

"1

-w-tt TT

N.

gj_pzg^jsnzn:przzi_g:r

/JWfWVlJ

&
fsoisZffzfcczrztdir# ?"m ^
I I

l___J

I'll

<

2S6
-
n
1

will

sing to thee

AJl "TH
sing to thee a
-

*^ ^f^JlJJrrrirrr'rfiffpirrr|rf :^^LrfS^i^SBffi
among,
a
-

MOTETTO.
the nations!
I

Continued.

y~g

mong

will

F.

r
!

lS^

**
among
the people,

mong

the nations

will praise thee, I will sing to thee

among

the people,

among

the

na

tions;

^^i

--

>|

P
I

P
i

^5
11
1

^-/
[
1

,e>
1

' 1

**
1
1

*>
1

*n

jr

w*
1

**
1

r_j_

_j

^-j

stc S-B~f
1

]_j

ii ~fi

-fey^nr r -p

?5-

<s^
I will

zjzel_U_

r-p
|

Jill

'

r ~ {~
|

'~ ~
1 !

"

g-g-i

sing to thee among,

mong

the nations!

will

4=4
J3I --

--!=x=l

-!

N
--

So:
1

^Nfe
F.

IXZJC

<~>

--

-1

>-=--
for tliy

S3
great

3P
the
clouds.

04Be thou
ex
-

Z^i_
all

s
the heav'ni,

mer

cy

is

great,

thy mer

cy

is

unto heav'ns, and thy truth unto

alt

ed,

Lord

above

~Jra
p
1

p
1
,

p.

MOTETTO.
I will

Continued.
_L_L

287

i i

:z:l*jl* i*~i;izx

tftf^l
sing to thee a
-

IfiSSfB p r
i

p-ft irr^
r

zo:

mong, a

mong

the nations,

will sing to thee

among

izn

^-(---Fif^i
And
thy glory
a
-

s H a
"*n ----

-O-

-&-

--

e'r
I

bove

all

the earth; I will sing to thee a

mong
i I

.-._
liJ

iSH
the
i
i

3 pg
I will sing to thee

X5Z*:

<^
i

<g

nations.

V V

m~wm
PT
the nations, I will sing to thee
i

FFq^FW^F
I will

sing to thee a

trrrrT
-

v -*r
-e-

itJ L

mong, a

mong

among

^S
^J-

' 1

'

-t

:-*"
:rr

>mrmrw
i

TT
I will

"

r p~i

^2
-

-^2sl

~~rr

*~

S^Eg
I will

sing to thee a

mong

the nations.

sing to thee

IQI

:or
the

r- prpr a t r * # "T T~i :pzpi nzc TZL

i

p~p-

m~m~mr- -mrf-p-*M yr 3:~3ESl3L t~! p p r bzpzc

--

o-

TT

11

nations.

xz zi
-

mong, a

!~F~> 3|eS5e5 --- 3l -- W4 --:B* 3 J

1
i

.fr

mong
I

the

nations!

1 will

praise thee,
1~

will

sing to thee

among

the

people,

among

the

na

tions,

Amen,

"i

"

_J

FS5
-

T
Si-i-?
|

fi
"Or

XX

Z5I

XZ

the

nations.

~f~ -f-

-e-

J.

.J.

F.

-* Pr
t

-P F
i

1 ! P~ r
1

r
r

p
e-

P~30
i

r
the

03

1*
1
i

*r
I"

nignz 'P~P

>

P ^

is:
--i

^o

jgdg

mong, a

mong

nations.

a
Fine.

288

aixbgrmto.

DAUGHTERS OF JERf SALEM. --fc^-f r~ idz~C ^3=i"r :*PEfc IZI^zrzr rfr

DECREE.

--

for

ion

Ml1

MP.

;6e

./.
Daughters of Je
-

s:^
ru
-

-'-#
weep
I

IX
me,
but
1

ire?
weep

*
your
-

:o:
selves;

juazsz?
Daughters of Je
fj>

S
-

T"
5~#~#
ru
-

galem,

not

for
i

salem,

weep not

for

P>e

R=
UNISON.

i*f:
I'N

-r_.-i^J..L::_ iQ-ft r-f-

^^

am.

ht

--

^t,

rr:
-

pTZZj5nznz

-^

but

--g-tfi 9

32:

P
POOO
P.

i-^
PECRES.

t -^x -.

?ES
r

T~&~

xtiMz*:
tr-mI

:*
*

--J

^ 5^
i

.p P
"i

CBH

CMP

W
i

~T<*

i: ~L
PI \\'<>

P"

PP.

o
s:

'

^r-,

^*

-el -^ - ^ * rf r - .-^--r-^QL * rT f _r *n
1
1
1

in pchXTcres.

MP.

'

DBCEBa.

vSF.MPRK

5=6=
I

-U

.,

-*

15-

1
i

MnnE.vno.

g"

25ZT"ai

~*~#
ho_z:
-

T?

O
yourselves.

T5
Fa

cr
Fa
r
-

O
ther!

*
-

*
give

~0~
*- -for

*-*

-- -what thev MOREND'O.

do.

^B li

f^r weep &ECRES.

ther
"
*

Fa

ther for

them,

y-sSF.MI'RE

PLANO

PP.

"T^

P.

they

Know

not

:.=.-.

p^-gT"^-^
Of

TT
o

"CT

o
e-

IT

T "O". i IS'
-L-

jf

~
i

"hrlt'

^
r]

eUof
^r

-eL

- 1

-e~

zsozrr*

il

--

3 5:

-el

-&-

RECITATIVO. BASSO.

WHEN THE LORD.

s*
shall

Recitativo and

IVIotetto.

289
CZ

|f^=

-F-

fe

EF
~P~
Lord

3s:

J r
Zi
-

A-ZZZZIZiF _p~ e r ^
i

CE

-I
up
-

:g
ap
pear
in

Wlien the

build

on,

he

shall

nis

glo

U-

:or
---l-

T
-|l"i"

T r

-b-

P- *'

P
I

rf
I

^r

ORGAN.

jo:

"T

T0-

T5_

3
"cy
f
i

Jjfc.
I

r p B
shall

r p
be

p~

*
rest

f P
for
-

gr~g

|Q
r

^
j^
" r~

r->

ipzip:
I

": ~p
p"
dwell,

p p

* r* p p p~~p p
i

2Z^;

# ^
i

_
i*
i

&
HHHl
Q~
-

This

my

ev

er,

saith the

Lord;

here will

for

de

light therein.

ra

M=\
nrr

:r

^ES -ok
"O"

q 51^
<r

:c5r

p^-p

^:

^~

-e^

37

200 CHORl'S.
3
l>l>

ALLEGRO

O PRAY FOR THE PEACE OF JERUSALEM,

-^

xotctto.
t

FFF^-^ EEEE i
O
pray for
th e

e^
of

3S
Je
-

-
sa

Ifc

for

peace.

fo r the

peace

i'<

Ipii
-m

~~r
-.

^^m
ru
-

lem

O
IQTi

Je-

,pi?y_

the peace of

3ESE
fo r

I
peac e

ii -f-

-p
f!
-P-

^T
j>eace

33B
rr
for

t
the

r
peace

XT
i <

Si
i

the

peace, for the

-L f^
O
pray

S
for

3 3--i

**f<<,

'o-v-

e-

pray

for

the

of

Je

ru

sa

lem

tlie

peace, for the

j>eace

"i"r-s

Tl

--J"
.i

PT
P ra7

E-Pfor

-,-

-P-

-P-

the peace of

Je-

5b
ru

_
_

:|*
-

^S
-

<3p&1*-

l
-

T
.

sa

lem

they

shall pros

per

)ze>
of

^
-

?P*m
it

rjT-^FP^s:

EES3

lOLO.

TENOR

or

SECOND TREBLE.
'
i

3
they
-

:rn~ a j mi
love

zm*zz
thee.

Je

ru

' >

s
sa
-i--

*
shall

lem

"
I

pros

per that

rn
- T-

"i
I

*TSOLO.
tliey
-

J_Z

*f
of Jp
ru
sa
-

m-p* 3S S=D
^r

l.>m

shall

prosper
E..

lem;

MOTETTO.
they shall
prosper,

Continued.
pp.

291
peace

they shall prosper

that

love thee, that love

thee.

Peace,

=:

HEE3H5

HH
i i

:^S-J5S*iEii

":

^
"O"

TT

"cy

-F:

Ty-

they shall

prosper,

they shall

jj prosper
i

U.

'

.'

that

TUTTI.

~0

be with

thy

walls,

-----

and plenteousness

within

thy

pal

ces,

and

plen

teousness within

thy

pal

ces,

q_._

iszh: n_n

TX

^L-

Ml

Tl

gC
ID

42nor

-rthy

t^
1^5
walls
I

h
T5
P.

r g~ g f~ ~- J
t-r

and

^5i_,i

^--^ 5 ^

3!l

35

51
p
ces,
i

n
>. >
i

-r
thy
pal
-

r
a
- -

-r
ces,

be with

and
.

plenteousness

within

plenteousness

~a

-&-

o>

Prp-

P"*
"i

btt

ff

within

thy

pal

-P

-#- -

1^

f^

1=

S" r

292

JIOTETTO.
ijzz^:

continued.
X>
r_

-F
pp

XLZkI

&

3 ^1-EHEl
rp.
and
plenteousness
within

SSS^E^
walls,
-

=SZZZ5
pal

Uiy

ces,

peace

I*

fc

I*

f. -'-

T pp.
and plenteousness
within

pp
thy
pal

-r
peace,

s
I

r r
be

ces,

peace

with

in

thy

walls,

FT
and

Z3:
,S

"I*

T
.

TZZZC

k_

-F-

xt:
CRES.

:sl

^
1
I
men.

23:

i^X j

XT

o
~i

5t
=1-

feEgE^EgE
plen

"~r

-eUi.
pa

-Ila

XL
r

5^
-

te

ousness

with
|-

in

thy

XLXX
-FT'

o
~r

la

^3
A
-

men. CRES.
-

XL
=F
men.
J

XL

XL
men.
I

pces,
-

plen

teousness

with

in

thy
_j-_.

pa

A
eL

x*:

XL XL
r

5:

2E

ALLEGRO.

WILL ARISE AND GO TO MY FATHER.

:xr

Motetto.

^r
:

-r

&
p.
jg~

CRES.

293
23"

35

o-

MF.

~^T
T~
-Gf-

-e
and

1
i

3=
i

T
i

T~

"I

s=?t

T*
my
fa
-

tt
I will

cy
- rise,

5
and

will

rise

go
!

to
i

ther,

will

a
)-

- .rise

T~
^sf

,s

zx

--

MF.

-&-

3E

-1-

r r-t
F=F=F

To

T
-
SOLO

E
-&>
p.
T-

:I

F^ ^=j:
-f=3CRES.

33:
i

-o-

r t
T5T

^H Y~r
-Or

2S

^5

-Or

fc
SOLO.

UNISON.

to

my

fa

ther,

and

will

say un

to

him, and will say

un

to

him,

29

TITTI.

MOTETTO.
o
MF.

Continued.
>r

3=
pp.
fa

S^EF

_OI

^3
-

rZT
I
p^~

=1

<->

^^
^- :

DECRES.

.*-4
against

^
heav'n

^
and
be
-

^F=
thee.

IT"

ther,

have

sinned

fore

"I

^==4ob=
t
MF.

II ?

5
I

-O-

pp.
<:>

o
i
i"

r^r
~m
a
reL

-o

=9=

-m

JX5I

'*

-o-

Tl'TTI.

DECRES

'-*&

XT

Z2ZO
X2Z^r
no more

.o:

4
be

-o:

JSZZX

:az

%&>

-*

3
i

iEEEjS ==* 1
e

^
and

--

If
wor
-

gcr^o
r~

E1
son.

am
xz:

thy

to

call

ed

thy

son,

to

be

call

ed

thy

c o

-o

^
-o-

HZ
-r

O"

zr
'Sex

^C=s~i:
9-

r f
-J-

^^ 1

X
7T

f
P.

-
'*

L
(5-

15

-eL_eL

.-

-6

o
_rv

--

o: ZZff

*<*-

"^

~?y
<">:

j^ZZ&

aixegretto.

BEHOLD, LORD

IS

MY
T'
1

SALVATION.

Sentence.
SOLO.
1

295
B~Pt "i

3BE
=

5
Be

^
o:
f*
i-

5
_zOhold,

_Tg_

X2Z

:n CT
hold.

z
Lord

m m
is

^^ r =pj-^
my
sal
-

^
i

*^
^T
-rt~'

?=
Lord
is

sis
my

c.
sal
-

S
va
-

E
will trust

be

va

tion,

Behold,

tion,

4
r
]^P-

'
"Si

^=
TO"

8v

J
TO1

W-&d+
*s-

p-EdLr^d 4

JT
J9
i i

esS HPT dj
hL
r
trust

S3
t-tZlT B=
SOLO.
-r-

-J-

r
i

e-r- IT
1

WTW
r

T1*"P"

lOS2_
not

will

trust

C^ESc F
:

-o
trust

HZ?!" CX
]

h*

r~r P^F ^^ *=
I

3?~t

will

and not

be

fraid;

JP

T
and

<^

T7

will

5=
TUTTI.

O
I

T
X3T
will
trust,
I

*i^^c:
will

tQZ
not

-Obe

-O
a
-

trust

and

fraid;

for

the Lord Je-

296
i
r

33
for

s
Lord
Je
i

SENTENCE. r~ ~WW
i
i

Continued.
Tho

O
-

"i

O
is

hije
i
-

the

iia'arnzn

hovah

is

my

strength, Je
I
]

vah

ill!

my

strength, m^r

m
ICL

CO'

is
EF^F^

1T~~H

jaEjg:
for
:

E^^^lb^^^l^
vah
is

"
I

the

Lord

Je

bovah

is

my

strength, Je

ho

my

strength,

my

strength

T-

i=*z*

^L_l

e
strength, Je

^ i^ri 3 ?rF*F
z?3:
1ho

#F
3
my
strength, Je
-

U-v

rqt
ho
yah
is

^
my
strength,

^
..._....

-<e-

hovah

is

my

vah
-J

my

for

the

Lord

Je

hovah

is

WW my

strength,

my strength my

strength

^P*
1 1

--

H
and

_ z~*x~ i^ ^:

:r~r

zzz:
;

~i
become

ww.

-\

my
sal
-

--#**

song

he

-V-

O
-j-j.
75"

x?:

:u:

T~

?R=

75"
a &^^*-

h-

P
.

^o- T
-f^=

==? i* r t s v ~1W IC* izr T O xzz__i_

s
..

al

so

is

my

salvation,

vation

he

also

is

become

my

sal

vati on.

my

*
sal
-

vati on.

"diJTJJJJJlJJH
* >
I

.*
I

J*"S~#

hoe
7*1

V>

-feCT-

^8F
8

^r~r
:*zs:
5_

J
q:

=^F rr rmr ^;r 11

J.
J..-JTZE3.

SE E

---.-r
-J--J-

=P _c

HE

_ _.

JuJ
t

jq;

o
=F

'WWW

r*1

^J*J-i^r.

-j-c^

:: -r - r

SOLO.

SENTENCE.
-*-!*-

Continued.

wrf*
Be
-

hold

Lord

is

my

sal

va

tion

SOLO.

TUTTI.

JJ
I

~i

trj""iri
;

will

trust,

will

trust

and not

be
~~i

fraid

for the

Lord

Jc-

c
r

rl* 9m
lO

"T

II ^rf rr

a
5
r
:

-=B f-f

TUTTI.

Ld 1iC5~~ & *- *
~

u y
Lord
is

y "-^
sal
-

tion
;

my

va

hovah,

is

my strength and my
N

ii

song, he
P> P.

al

so

is

become,

is
l

become
I i

20 O ALLEGRO ASSAI.
Praise

PRAISE GOD FROM WHOM. 1- |3 -^-pHZ= ^zza: t~ #C o -rJ-*- ZQZ ZO_Z

r :z
i

Anthem.
DECRES.

*e

xl
him,

^P-F=r*

rit

God,

praise

God from whom

all

blessings, all

blessings

flow

Praise

ALTO.

MF

praise

him from

*e-

TV o:

O-h^r^
331
--

-O-

"O

IQZ

--;

t~ mc o~

pm o
Praise

~1

"r;

T
God,
praise

O -^ -^
1-

o
T5
all

Praise

I?5

^P-^ T5

T"

=ji=3
flow;

^izn i^zii
Praise

X5~
hlm yJ
.

IS
fron

f^zT

God

from

whom

blessings, all

blessings

praise

him from

mf.

Praise

him from

-*-<

^^?# TT-rr
"

~\

<Ei:r
him a CRB9C:
-

-o^

IZUZ
bove. praise him a
-

'r>~gy-ci
bove, a

Z^ZSl ^t
'

1-

o'
host,
/.

X.
lwre

^
Ho
-

_c>.
ly

t?:
Ghost.

L
ye
-Pf

whom
r#"

all

blessings

flow;

Praise

P.

=r

heavenly

praise Father,

Son,

and

*.

PP.
~;
i

^
Tt

-
*-
whom
I

E3
u
1-."
flow;

---i

as

i i

zzzr r?z?z
---

X> zd: ICTZZO:

1 r-
1

o
T>

"

uzqzm:
>-r
p.
n *-*-

r-f --? ."75all

g-H._-.-_l__
him a
-

a ~ 1
-

fi

^
i

F^^F^T* zr
r>
"1
-

-lJ

-"

TT~^

cr

p
W
ly

E
*&,
"

UE^wzmz
r \ i host, praise Father,

^TF=^=^ r~ iSon,
I

blessings

Praise

bove,

praise

him a

bove, a

bove
-J

ye
>

heavenly

and
I

Ho

Ghot

cresc;

==;

"

PP.

ANTHEM.
ifc:
-

Continued.

3E
-#praise

--

* CE

O"

--

FF.

-r
-
and

299
-i-

3
pp.

xz

Q^

*E

XT
B2=
*

God,

:sx
him

xe
Praise
fa
-

ther,

-Ho
ly

25:
Ghost,

IDE

--

-men

a
~23 o

Praise

Son,

A
io:

men,

A
---

T
I

- TL

j_

oz;
-e-

--

^E>'

j^i
-eL

- '

~_

e-

J^_

o
--

si^d:
o"

7E

-f
_ jpp.

F-

I
I!

---

_Q-

FF.

O +& ^

o, o 1-r ~o~rio~
s

#:

a
1

13:

--

1-

--

ALLEGRETTO.

n:

CHRIST OUR LORD IS RIS'N TO DAY. ^Z3lH a rrtr f1 ^ h - iTl r

-

Easter Anthem.
_

",

:#~~it

" !
i

r*~r
1

*--

fc

MF
J

T
3

F.

2** *
ns n
to

3^^
__

5:
le
I

Christ our Lord

is

day,

Hal

le

lu

jah,

Hal

lu
i

jah,

Hal
I

le

lu

jah,

Hal

le

lu

jah

*
-L^r
-P--Pr"

&

J m

-i
**-?
r>

J=V
v.
P.

MF.

UNISON.

S5

-ft

-f-

P-r*"

300
"r- :
Sons

ANTHEM.
3=^
angels
say,

Continued.

S
"i

of

men and

Hal
r.

le

lu

jah,

Hal

le

lu

jah,

raise

your joys and

triumphs

high,

Hal

le

lu

jah,

FF.

men and
an
-

:-

Hal

le

lu

jah,

Hal

le

lu

jah,

-&^~-~Em
r

^
r
le
-

-&-

^^
gels say,

*
. -

W
I
1

J=5f!V
your joys

J.
.-

E:2

*=F
and
triumphs
high,

Sons

of

Hal

lu

jah,

raise

Hal
."ft-

le
J*

lu
I

-jah,
I

FF

*-

Si
i

~rT

T
-

t-

a
'i

xr

>i

IK

r-i

|*H-

1^-1-

'ft.
i

T~

gr

-^-^-^-h*^^ 11
:z-*
:

^^
:n#*
jah,

~*T

*~ *~
i

r~^--r-* *-h.
"i

'

r
i

~i '

r
s~

F35J53 i*SK
hal-le
-

-#-

S3
-

m
jah,
hal
- le
-

ik
-

-
le
-

hal
-

m
le
-

-F-

lu

jah,

hal

le

lu

hal

le

lu

lu

jah,

hal

le

lu

jah,

hal

lu

jah,

lu

jah.

ANTHEM.

CRES.

Continued.

301
&Z-P-

p-r

P
-

Ip

E
-and
.

sing

33
ye

-
heav'ns,

^ISIIP
re
-

~r
zs:
le -

PF

sing

ye

heav'ns,

earth
.

ply,
/

Hal
r

le

lu

W EE
^S-

J EE

A
EE

l=i -pF=F
J

el, J J
:

pi

r_

SL ^|_ j_ _n
j

jah,

hal

lu

jah,

hal

le

lu

jah,

[%-pyJ* Jft

F=F

2f

r
/ys F.

EE
-r-r-

:iz

CRES,
J

~TEZ*E T

a EE a

EE Pt-

ol

# r^ p& Vi

jT

FF

r r

p-

BE 1

fra

EE

EH

EE

i
^=>

* ,_!?=
hal
-

3=SS=i
hal
-

XE
jah,

XE
-eU
HO

XE
lu
i

I
lxe:

le

lu

jah,

le

lu

jah,

hal

le

lu

hal

> EZZZZ

>

r
r

at

^
^T

"-

--

-r
-J-

m
-el

le

jah

EE

XE
-eL

E
-eL

i
XE

-eL

J-

p. p g~ r P

=P=

x^

XE

^I
XI

-X

302

A1 *o.
<->

BLESSED ARE THEY, O LORD.

r*>;

IVIotetto.

^r^

who
4-

IQ

y~E~~
(RES.

XX

r=&:

?
!.'

SE5
sed
are

ZZ
they,

_>

O
dwell

ST
in

O
J3I

^
thy

mwho
1
are

Lord,

house

T?
ev
-

er

3i
prais
-

1
ing

S~

3
f^
Q|
.

^
H

5*1
"Z5"^

zczt
-

Tft

-r

f-

^=r
-j.

P=
^_,
:

3 _

-^r^

^r.

J-

n ^=
*zzs:
i

~i

^
o
F=P= -y-pr
35ZZ5I
i

i'RES.

XL

::o

^
1
i

<=nzi

p~ ~yi~g-

^
-i

l__

in

>
"

# w r
r

33T

^r 1

=^=
r

^=^
-9h-9

J~
I

-thee.

-^
Bles-sed
are

EE?EEg3EEa
they

thee,
I

W~
-

-prais

-*
ing

'

o
thee.

who

dwell in

thy

house,

who

are

ev

er

praising

ev

er
-I

F^

j2_ ^~
TT

T5-

j^P^
j.
4.
-dL

5 itnc:
*

A-J>

N
-

ZUZ
te:

^
^
I

3E3E
J
-eL

^'^
i

32dE

:g[Zr

-g

g-

!==

f-

ssl SI

"-33:

SOLO.

MOTETTO.

Continued.
J

303
f

83 p3E
Blessed
is

*
man, whose glory
is

P~w
in

FF
TUTTI.

st
j_l
J

the

thee

nzzKS
SOLO.

22
-^-m-

-F-

-ei- -4- -4=T~-m- m -mIn whose heart are the

-F-

-ef -#ways
of

S=

_Q
the

^
ways
of

ST~
Zion
'.

i~r

Zi

on

ZE
T>

rW
ffi

3 T

^
is:

^
I

ti=r

3-12-f"

1-.

s-

SOLO.

TUTTI.

^f S5 rr
s:
J

In whose heart are

They

J
S_

f-f
-eL

S-

3= *~r
I I

5 TTT

9=ft ^tft g r
1

L-r

3-

-^

-Pr-P-

IE3C

^EPE3E& TZZ
25;

~<>

^
go

^r^
1

ior

%&r
"i

ISZZS3
r

E
-ri-ri
-1

Pl_^

-^^^^--rrj-^^
I I

3
-

go

from

strength

to

strength,

They

from strength

to

strength,

Un

til

they

ap

pear,

they

ap

22
cmsoN.

$*

=^

-'

#*
q-^t -
-

f*
2>

%z^^zm

V^

rr
J___L

75-

-e^ p

^ o-O.
'
I

TJ_._

#^#f Q p
.

#r
J

r
J

J*

J 7,-el'

J-

-P

251

304
z^zz^zzz

MOTETTO.
T=J=Z

Continued.
-ei
r

l=J=F -

:^r

-TZ

^
be
-

0^
fore

bm^-m
be
-

33=|S
fore

-&
T3"
Zi
on.

pear

God,

God

Lord

hosta,

tetei
zE
--

*f

;~f
i

s
i

35E

L
jC?
/O

g :&=E:
xfe Or

Ji^J.V

tesci

S
op^z

r
,-s J

ps*r=
J

o
i

?
c)

5
p"
<>

=c

^
a
I

ol

ol.

T^
IT

_LT

^
o
i

P^~

F
oJ.

r:

5Hf151
-er-'

^tr^

-Or

^e
^

iF^EE

x>

_L

xz.:z*j

^
they

-qr

^rzP
*

_r>

^?
o

35E^r 5555
Lord
of
hosts,

^T - O
Lord
of

-;

I*X_?
Bles
-

iE
O
Lord

dwell

hosts

sed

are

who

^D>[

fe:
oL
J
"i

^= <^F ^ ^ztp
J
-eL

-p-

??
-eL.

-e^

3T

Qi

eL

^ ^ t^f
r^

CL
-?r

^p:
'-M

fefe
f-

tx^n: ifeqzzpz ztozr: ibcsrzp

-epT

XI.

zzzzs:

ro:

>r

Z3ZZL

n-

MOTETTO.
^N
!
1

Continued.
SOLO.

305
the

r?V

Blea

sed
lm

is

man whose
ma
I

glo

ry

is

in

thee

f
1

f"

Bles

sed
!

is

the

man whose

glo

ry

thee

till
In whose
lieart

are the

ways

of

Z\

on,

In whose lieart are the ways

of

Zion

Blessed

is

the

man

who

trust

eth

in

thee

TUTTI. F
f~"

^Z^ZSZZIII T~r.r | zJ zz z~ zzzzfzT _^-i:^o^g gL_L-p_^-Jz _ _zzr^ Cv : T T

I

T
I

suss
I

p!

T^

1^ T".-

JZ
I

~~Pb&~
~i

zzz:
--

feszzrs:

-erf?
1

231

39

P~S?~V P

7?

306
^
1.

ALLEGRETTO

THE LOUD
rfl^
III
is

IS

GREAT.
rf-*
of

Aufheiu.

t=3
The Lord
f.
is

great

the Lord

great

'.

ye

hosts

-4 #3.

H*

at
is

3
<;reat
!

=P= 3E5
is

LXD r

T* Mr-

HF=F
his
]5:

The Lord

the Lord

great

mer

cy

S
heav'n

J-J 3=J

XL
dore

i=zk r
"i

him,

And SOLO.

ye

who

tread

IOI
bound
-

ing

Ye

an

gels

strike

g
n

I.J

.i.-*_ _

-#T ZHZ3
r r
iij

33
MF.

this

earth

ly

your

gold

en

CXISON

_
i

_
r

s
*

ir^ip Bir

-i

r"

f
i.

zzq:

~T
x5_z: --#'ye

~P=*
ball
;

tj:
:zr:=
tread

and

who

T
this

-r
earth

s:
ball;

^X
In

-O-

n>;
itangi re-

ho

P.

Tl'TTI.

CRESC.

O3.
ft

gels

-
strike

T~ E^E
your
gold

T"

=St
chords
!

^
O
praise

e>God:

-51
with

chords

'.

1 Ye

=
P.

^5Z~
TITTl.

-oh

-E

T
zcr::

r
ix?;

f-TT
:c
35:

^o

<1

icl

^
:

xlz
=P

r
CRESC.

*fcd
:#:

==

Z35ZZZ

=8+

-Qr

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"T

ANTHEM.
V
r-#

Continued.

*=3=
joice

n:

~T

EEEEEE3
a
-

T~

E
him,
re
-

r ^
EE
be
fore

And

307
i

:or
his

Izfei
zzz
praise,
-

1.

loud

be

fore

joice
:

loud

him

shout

who
p.

|E^-T =^^EH=PzzzrzzJE^Ej ITT* ^

p
X5
3.

FEE=^I

r~

TZ

iz-H=|zz^E=|E ,
re
-

X3ZZZ
;.

SEE ZIZ5ZZ
of

i
and

voice

and

harp

re

sound

ing,

with voice

and harp

Bound

ing

The

King

Kings,

ZJ
P
I

EzzzzrlzzzzF EEEEzfEgzzEj
i~
P

gi T_

o
iO

~g
p

T
p
1

~i
p

j:

r
or

i
f

:qz
p-

zzz
-O

BEEbzf:
*

EET
*?-

z|ig^izipz^z^zzri^g
^

TZ

"LZ

-r

--

IZ

sf ^liEliPlzzl
made
you
all;

JTi ys._r-K

ZZZ^r
shout

T'
his

IPPsygjEiiJiEiiii
praise

And

who

made

you

all.

-m

pzzzrzzpzzzrz
:oz
Kings,

T~
Lord

:r

T
of

=3=
Lords

zr |_Z^CZ_jZZ^r;
The
King
of

^ JIJ lEPii=l
Z2
and Lord
of
Lords.

m
s
%-

-
75

IEEE331

z:

r~

--|-~-t-D--=-W.

-eC

"P"
-ei

IzSpEilPiEtEz? fJ.

3
<e
1

=3=
1

A
:*:

FINK.
VS.
^

1
i

-T

"cr

:or
---

zzxz
t~

oOH

ALLEGRO

ANTHEM.

Continued.

:**=

cz

H*

=sFF^
_SQL01 _
The
Lord
Is

IH
-5--P
majes
-

mm

from
praise
-

^m^
r
r*

JSll^sj^^
great,
his

=^
-

Si^

32 ^^35
shore
to

ty

how

glo

rious!

Re

sound

his

IP
shore

SOLO.

E*rf &4~rOEGAN.
o,

^
Oi frf

-<5-

-^
-,,
-

zr

-F--

f
~

=1

The

R^4
ORGAN.

^ir^

EB3
'$r-

"T n" *f

3
1
i"

o
3:

,
i

~*

.'

Et 4T^=

d^iT4unn
~"
1

^> ^

=-=P=SOLO.

r~r~
'

j"l

*-r

~* ^ I [rmrr -- zl5m*i-d rl- mini* J --i

i
I

hri

li

mmmmmi^m
Lord
is

O'er

sin,

and death, and

hell,

now made

vie

to

f^-f-iP
(zz^zzcz
:#:
from
shore
to

fate
-

tz3^=P4tz=f
O'er
sin
-

*:
vie-

great

his

majesty

how

glorious

Resound

his

praise

shore

and

death

and

hell

now made

ANTHEM.

H
ever
"r*
-

Continued.
!

Is

309

1
-**"

3:
n

~ g-rrrT-h

TI

~~7

I**"*

^
-

**

sic.
nous,

#*
Fand reigns, and
(>

He
r~i

rules

reigns

for

more,

for

ever

more

He
*

TUTTI.

rules

and reigns

for

ever- more.

^'#i~frrrrpl'r~P~
to

^
He

,^T_-_*

"P*J*" *

1*"*

rious,

rules and reigns,

and reigns

for

ev

er

more

ever

more

He

rules

and reigns

for

ever

more.

ALLA BREVE MAESTOSO

r^r^

GREAT JEHOVAH!
txziorxJ
ZQI

Anthem.
--

U N POC O ALLEGRO.

Ooxology.

^r

~rr

--

"3z5

^r
:c:

^-L=i ^^S:
MP.

io~e rr re
"i

0~I-p_

d&

^-o
Great
Je

--

3
vah

FF
-3CF.

-dore

E
thee.

t~
^e>-

the

i"

ZOE
God
the

ho

vah!

Great

Je

ho

God

Father,

Son,

k~_QZ 35
F.
Voice.
.

"T rr

zoz: :qizx ^21

~^

:o:
T-

1331

UNISON.

t-P
.el-

^r
no
-

fe
"V
Oigan.

S
E

F
xr
o
FF
1

*
--

TT

--

'

no

4o
J
TO

~T
'

T-

~QHP~

-el

MF.
J
,

>iJ

9"

HI

XL

33

;o:

ANTHEM.

Continued.

God

the

Spirit

joined

in

glory,

On

the

same

ternal

throne

Endless

praises

to

Je

hovah,

to

Je

ho

vah,

three

X5

Of
~rr
1

1*~r
r

~rr

^^

JS

X5T

FP

MF

E^^^E^^ ^ ^

ALLEGRO VIVACE.

PRAISE YE THE LORD.

WJM- QuZil
SOLO.
The
Solo for
t

5^=9:o
p. Second
Treble.

e? 5
sr
praise

wo

Trebl ea, or for

-v-e

15
:o:
the

S
O
my

g#^M^E
.

iwotetto.

part of the 105,

and 106 Psalm.

311
OV

Teno r and Basa

:

F.

T UTTI

R=E
!

=ithe

^^
iz:
Lord,
praise

*Si:
soul

o
ye
the
|*

Praise ye

Lord,

ye the

Lord,

praise

the

Lord

Praise ye

^w

d5
-or
.

L_|

3l
22:

o
F TUTTI.

OZiZ

Lord,

Gh

=?

SOLO.

m ^P

Or

-&

"

^r

T~

I
T-

XT

-3P-

22,

u T-412

&^

&
MF.

--

3
SOLO.

ZJZI1ZTZZJZS
praise

e?s
J,

-
ye the Lord,

^5
praise

the

Lord

^
P"

221

5S *s
-

the Lord

-
2

"3: my

soul,

praise

my

soul,

g
rf

5
-o-

4-

i3

l
MF. 4 ^-T"

^1
231

E
12
J

9Nfe Tm R-^ t-t

r

-eL

-el-

-J-4

|E$

:=P

^ TO
=

3^

OLO.

312
MF

TITTI.

SOIX).

MOTETTO.
TUTTI.
CRES.

Continued.

^
O
my
soul,

sa
prais-c
-

the

Lord.

z
praise

^e^e\

gp^Fp-F
praise

the

Lord

-O

^
T~r

iSgsfe
soul
praise ye the Lord, praise the

-.^rpi r-

:-

^
r

^g^EEP
SOLO.
i

ALLEC^ETTO.

,<-i

-p r"

n r icons IS
1

^gig^g^El3^?
O
my

Alto in 8v

wtt\~t

iKIpS
soul.

IT iJI
is
i

tJ
nigh,
i

Jl:
the
t

ll

i^ng

;^=^Er
-^r
~*T^>

~ ~
i-"

5^
J
i

Lord
L

O my

soul,

e^
J5
1

Ti
-oL

a is
a

O ~~ T-

my

The Lord SOLO., N

Lord
.,

is

nigh unto

III
I I

~5

zszzzJ^Qz^tLzo:
,

Szzffla^ TT
t:

IE *^=ff

e'-

mm.

J -^4._ j

i(lhft 337:

MOTETTO.
'&

Continued.
=:
: FF

313

=N 3
=*

?f

35 zi_rz
i*

i
all

&&BsE
call
,
,

jgE33 -'-'all
I

5g t3tit
He
will ful
-

them

that

call, that

up -on him,

to
I

all,

to

-,

| I

_i

that call IS _
I

up - on him, up
g>

on him

in truth

fil

_N

the desire of

^fs
them

that fear him, that

-5

iS2
t~i

rf=-F^F8^^=^
T-r%-r r~r :zji
-r-

rrLT'r.f'fl^-r
neb^kD-JJ.

^S?BK^|

p.

gSEEfeEE^
-/-

ff

3&E
.e ..

p
and

TEMPO PRIMO.

*=P

rrrg

yP
:

"i
:

IOi

9 Ua K

r*

'9f~W~^'

~&~w

^rT
T~

lirr;

M^rfhfflr irrhr ri
TUTTI
F,

[" &*

~t i TiTi:
h:
he
al
-

iR

35
will save

iH
them, and will save them.

~r

We 1
__L

r?^j:

ife
for
I I

"o

lei
for
L

fear

him
i

so will hear their cry,

and

The Lord

shall reign
I

ev
I

er and ever,
I

ev

er

cz
P

B?

^f-r-r- L: -trr-r^r-

FH t ^^*3

fcefi r-3

or o
P.

X>_ si

2
t

s3HE
!

sS

ZL TT
40

f#T

TUTTI.

UNISON.

TJ-

gfgg

T
"

r^T~'

_LJ

MOTETTO.
I>
i i

Continued.
j
r
r r

wTrp-p-f

3rpzi

jt^MI
For

ev

~T

J '*" ~*~

LWISON.

=F!

.
I*

!* " r~r~
!

--

-JJ
L

- *-

gppl^S
J.4J-

er

and

ever,

for

ev

er and

ev

er.

^ J.-J^
i

_j.j.

rf

-~s*~

"I

S~

^5-i

"S
ho- :o:

_L_L

13uj

~<~ 1

f
1

S~

I'XL i<
i

"zb: i
r

<xzr
CRER

^ 75E
s
"r

-p-p-

T5"

<>

K-fr

SFFF
T5 #p1

T
ev
i

ir c
"*

n 1 ~~]T^-~r id
i

>>

i-

ssn

sn ^T T r rr
~i

en thy God,

thy

i~-r~<

cz r
~i ~
f

?_; God O

51
all

#<
Zi
-

on,
I

un

to

gene

ra

tiona.

cirri:
f

*r

s
-)e-

fe=
f-fJ

'

^e-

CRES.
-el

-eL-^-i.

fe,

^
7?:

MOTETTO.
-/-

Continued.
=2=^

315
>

3--

22
F.

fe*

H=crtc

5
SOLO.
The
Solo for

=3=
j

F.

EfcE^
J_J_ 5g j g

ror
1-3-

o
o

c?z

II!

Praise ye the Lord,

praise ye the Lord,

ffi^ft
praise

two Trebles,

or for

Tenor and Baea.*

i

TUTTI.
:

rh* e
O
~~i

r
:

FF ^grzts-Ks
my
soul
praise

IP *"

the

Lord

ye the Lord,

g
^

=5=

3 =3
ix
F-

IX.
i

TTQ ~ c!ty ?^r- |i

r

m
.

r~P"~.

qJ
~

<

dz=
S f-rtP-P-H-

UNISON.^.

eL -^-

-eL

solo.

w
Or Bass and Tenor Repeat.

S3
j

TUTTI. Q F.

=eb

r#
i

j*L
r

:^_4
:P-P"i

:Qh
praise

i= or
o

praise,

ye the Lord,

SO LO.
-h-

-&-T
p.

&SOLO.
F.

TT
TUTTI.
_

-o
T"

i -o SJ o ^
praise the

r =0^=
O
-

^ses 3^* -- lxj:

my
soul,

:oi
soul,

praise

Z2I

icr
soul,

Lord

praise

the

Lord

O my

O my

the Lord

O my

soul,

sn

316

MOTETTO.
1

Continued.
DEPRE.*.

F-

1>#
n:

<>

IO~

is:
FF-

is

Tt'TTI.
:

i=r MF
-Z5I
soul,

pjE^i^

i=q
ISIifc*
praise

-T

Z2
praise

25;
the

^B&Ff S
-E<fv.
1

ye the Lord,

Lord

is: o

_S
-

Jlt
Amen,

my

soul,

my

1^
--

IS
=fe

rbs:
er^

-S

;ees=
T}
J
I

is
FF.
MF.

-&,?

-F

I"

I 1

F.

TUTTI.

TZSL

Zit =- -pi
g^

-^

Up|
-

DECRES.

SI

is:

--P r

--

-o-

in
1

BLESSED BE THE LORD.

Sentence.

Blessed,

Blessed,

Blessed,

Blessed be the

Lord

for

ev

er

more.

Blessed be the

Lord

for

ev

er more,

Amen,

men

My

b rej*it.

VTi

POCO ALLEGRO.

BLESSED

IS

THE PEOPLE.

Motetto.

317

SOLO.

oThey
shall

^r

r
"i

r
in

'Tf

w
the
light,

p
the

w
{

walk

p _
thy

5
-

-!--

-m^m

Lord,

in

light

of

counte

nance.

TUTTI.

F-

=^

*
They
shall

wjpO
Lord,
in

5
thy

walk,

the

light

of

coun-te-i

$=^
They
shall

^fefi S
fr
walk

t
F.

Lord,

in

the

light,

in

the

light

of

thy

counte

nance.

SOLO.
1

g^i out
i

-&

14 fl n v

^ m

TUT TI.

_n
P

"3- .L

J-

-J.

n^T
^3j^~
jTT

-L

Or

-^- ^=p=zp:

P P

31

MOTETTO.
SOLO.

Continued. ~ wr w~ p L i* ^
I !

"

w
<

XX
is JSZK
l

*T
i

BlJ_* r
i

pis: P_ZPZC~

^5
l^
i

^
They
6hall

^
walk

TUTTI.

^ Egg --W
Lord,
in

35IIK J!5
the

iszir:

J5ZJK

9EB
-

^
F. walk
;

zrp]

the

JC2I
Lord, in
liorht

3s
of thy countenance

the

light,

in

solo.

-et-

f-'-T

5E?

light <

of

thy coun

te

nance,

They

shall

r. r tz3[ TUTTI. F. r

=q

Ed

~p

CI

^^^=^b^R=l
t !

EF^=^
SOLO.

cfe

=F ic=

"
i

-or

far

s
TUTTIF.

-*p3zzi>:

Fr=

JzrJ-tfeEztiz+ri
In

5T=g:
-

xj
all

x?
the

W
and

5=T
in

thy

name

shall they

re

joice

day,

thy righteous

ness shall they

be

ex

alt

ed.

$=r
SOLO.

wrr
-^
j
-J-J-

cr

P^
-*
"I
I

~CT
r

*
TUTTI.

P-f-T^^
.
r

S&:

*- pp-

^nr

F. J-

J
r

~l

-r*

- * E~P=3E
1

i=LiP- P -r 1

P g~gr

EE3

MOTETTO.

Continued.

319

HE
And
in

S
thy

!SZS t=3=g ~~Ti" ~g

-

t.

^^ ---^-

F.

righteousness shall they be ex

1.

alt

ed, In thy
''

_J

*J ,

_fr J -

Eir*"
-^
.J:

-rJ-J-JUP

IP
all
I ,

JS__h_

3T3

S^fe^is^
shall they be

name

shall they rejoice

the day, and in thy righteousness,

^-*-J
L

-L

J.

:
Zl
-

n
P P
r

c#-f

SS
PP1

ex-alt-ed,

LL
-F

#sr-#-

UNISON. UNISOX.

>

'-

'

fcpnp=f T'
I

f-f-g-gnf^szm:

21

~i?~l*~

P
'

gg^f^l

#
FP-

iF-^ w^

m. m
_

>

m U

q-

f-O

e- o

7?
i

==B
.

-rJ-r-f
^
1

CRES.

DECRES.

^
22:
shall

--:

22

23

22:

t:
ed.

22

they

be

ex

alt

^T A

-OL.

&.
men.

1
fl

l
I

*^
i i

^==

"

p^loT
~r ~Qt

221

CEKS.

^e
22:

^
22:

221
jg2:

3
~&t

n
1-.

22
DECRES

22:

^r

-et

Ok
f:

^-eL

22L^

J-r

-eL?_ -r

320

ALLEGRETTO.

THE LORD
_o
in
his

IS IN

HIS
pie

$W^
Tlie

xz
Lord

3
is

HOLY TEMPLE. ALLEGRO

ASSAI.

Motctto.

SE-cJr-j-r-^
ho
ly

-^tt^
tem
-

^
Tlie

c._tz:ie:
Lord
ia

tj^

r^

In
s

his

gfefE^JE^g
>ho
~$~-

lE^g^EJ^

_>

25

-X
teni

II
pie
;

jllbJ- J J
Let
all

jl

O--

:
-

-F
L
-

^o
-

^
The

g
ho

tj
ly,

snct t H
his

th e ea rth k eep silence sile nce

be

fore

him,

-*---

i
;

in

ho-ly

tem

pie

""P.

T~Tf
pie, in

:?x
-e-

m^I=
Lord

^
his

ho

IT

xn:
-

-
pie

be
-

r^rrun
fore
-

ly

tem

-<

rp
1
his

c_q_ zzo:
:o:
ly

^ rj^
~l~

Let

all

the earth keep

silence

him.

<Q-_ _
keep

tem

is

in

ho

pie;

keep

silence,

MOTETTO.
1

Continued.
r

321
sir HUP"

-r-ri

Ei^
n

^szP:

-r-p-f*i

-^i

p.

FpKeep

S
l_
si
1

w *
_E,
i

IIIILZE332

liEfa
fore

tzt

Keep

~cr
lence,

* K^
T
"

_~

ese Effii^EJEBEEE^r^S :
him,

silence be

fore

Let

all

Ihe earth keep silence be

him.

"i

TT~

fcBZ r
--

---F-*-

$52

r^r'g*

5^
UNTSON. P.

ff {VnOgl
-^p-*- '""
I

^5~

F=:

r~

r
p.

p.

--

P
lence,

P iggzfi r~r

fore

p-tP
1
:

w~\

_
be
-

fEJ-

33
him,

keep

silence be

$=

:
T~
-#-

him,
i" -.
i"

Let
.

all

the earth keep silence

fore

^.
-#

keep
i

_^

J&

^P"

rr

-#-

3X

-m.

~c
F.

T~ '
tjcr
lence,

'
si
-

=f
-

cr
-

XE
The
Lord
-

Si HH
ho
iy
Q

keep

si

keep

lence be

fore

him,

is

in

his
i

$-

T
fc?=

-#
'

T _C
tip

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zz:

-te

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-te 1

^
ft

p ;
,

~i

1
i

r
Q-

P"

T
-^
Z3I

-#5"

6-

r
P.

le

#r

r
f

r
r

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PUI ALLO.

rs

i^
silence,

CT
si

ri O
lence,

p
keep

^^F^-o
no
r
i

r^Qr-p-rP-

T T

EEEE

keep

41

si

lence

be

fore

him,

322
if;

3IOTETTO.
< >

Continued.
STRING.

s
tem,
-

im
the

1'

nzie:
in
liia

LIZ
t

BEZE
I

--

-o:

>
i

O
ail

pie,

Lord

ho

ly

em

o~
earth

pie

le t

all

the

$5
< )

-Or
\

=1==
JZT
f

i^5
xr_

3
let

o
23.

CT

m
be
1

be

silence,

be

ail

ence,

be

$=^
U'ni
-

r-- r 'T
~<5

J
i

-qzzqizqzzqsr^:
,

silence

57

IS

251

_L_
ly

O
tem
-e-

3E=^E
earth

-sil
-

pie,

the

Lord

is

in

hia

ho-

pie;

all

the

ence,

SL

JQL

^L _- *
_r

-&-

$^<;

-T

3E5

rzzczzc:

ZOI
UNISON.

1 n-

-e-

XL
r
r

x?:
silence.

"i

:^pqpz3i:=33
tie si!

_Q__IC5
ence

The Lord

is

in

his

ho

ly

tem

pie
;

Let

all

the
i

earth

be

)
1

fe^E---
silence,

E5BBB ^
silence,
ai

TE_MPO_PRI M
i

ocy~

zzo:
cr

n
ALLEGRO

<>

o
O

2g

9-

ailence,

lence,

>

ASSAI.

r
a
-J-Qi-

7~

-*

-O-

3-

=^*
i

-O

"To-

rr-r-
The Lord
is

XE
in

a
his
1

-r->'

-o^ho

Oly

S
-

tem

pie

Let

all

"

the earth

~l

1
i

liftpSS
7X2
ail
-

iraa;
ailaeo,
lileaoo,

3E&

*3.
-,

F>, ,

O p

ZLJTi

TV

be

p^F

-f-

JUjgL

ailenco,

ence.

UNISON.

MOTETTO.
F^i^ :oz
DECRESC;

Continued.
-Q_.
x>:
~cr
:c5:
P.

323
-o
pp.

--

zo:

:o:

:oz

.Q_

1 I

22:
lence,

-obe
I

XT
lence,

XT TT

X?
be

CJ
lence,

XI
-be
lence

si

be

fore

him.

--

=^=

i_

X>I

f^

~5_

o: o
ZEZTII --e-

3
lO

xEES
T5"

23:

IT xe
P
-r
r
-

XE
-p.

=
PP.

IXl
-6

n
I

r^

X>_

o*

-d-

--

,_l

ps
1

xe
DECEES

XL

i^:

--

eL.

-&-

--

O^
him.

xr
be
si

xr

~o o~ lence be

o"

xr

fore

allegro. v,vace.
.o ,o
i

PRAISE GOD, FROM WHOM. rr~^ f^i

i

Doxoiosy.

rr

Praise

God from whom

all

blessings

flow, Praise

him

all

creatures

here

be

low

Praise

him a

bove ye

heavn'ly host. Praise Father,

Son, and
II

Ho

ly

Ghost.

TZ

toS
^

ri

~r~r

r J

T~F
-

oi

DECRES: and DIM:

rr

pdzzfi^-^n-orr-ri

ipS

rli

324

a^egro.

MEN OF

GOD, GO TAKE

YOUR STATIONS;

,.

artli

d^ TzSzi: 3?1

i t

r^
bear the
ti
-

ANTHEM.

Continued.

325
1&-

tormr

1r

JSi

H
Bear the tidings,
1

tcr*
bear the tidings,

SffiE^^^ES^B^
dings
ti
-

*4^L=i
dings

S*=*Z=:
of
-

^
-

:Hq3
viour's

dings,

the

Sa

fJ-r^- -i----^ v %=r- t3

~i
TCT>
p.
i i

r3=2=3

=t
|i

jQ_L

-*

2
0i

n:oltr==*
-P-^T
-p-.
i
i

fT
r

mr
i

33!

m
X?!*:
i

worth,

^ T
-^

^
|Br

^
i

r
r

1-

"""
i
i

1Q-P-

at

=&^"i

?y pt^fflgs
i

ALTO or TENOR.^-^ solo, jj.^ ~jfl*

_~zT-* r^"i
1

raft

j+

_^_ .a. ^~ _~ " r~ _ r^

E
i

n
i

P-HhQ--r^
iP
lO-

-=r

SZp-cterS
-F-

JUL

Of his

gos

pel

not

sham'd.

'T

is

the

power of

God

to

save

Go where

Christ was

nev

er

named,

Pub

lish

SOLO.

W f-r-T

^EH t;tv.

*:

-
75"

e
-r

a $:p

"CS-

Bt

M
is

e>-^-h=s^ rar?

#E
=_

Hr

326
/

AN1
p-:

EM.
)R.

Continued.
SOLO.
i

taEE^ge

Sp
r
SOLO
r

.f3T
:qi
jh:

EeTe?5^^
.

jet IO

^ordzt^iif
freedom
Blessed

freedom,

pub

lish

free

dom

to

the

slave
1
I

Blessed

freedom

x>

m r

P-

i t

freedom' free SOLrO.__

!

5?
-

cr
Zi

5
p -f-1

5
ons,

dom

tl5T ^P T
Cr

*E

e
_~

th
p. *\

a
I

nil r^ftjf -p--ai

-pj
- P

#f--

pi ^
I

25E^^

ip:a:

:&
When
ex
-

e
posed

rzP-?r
to

1fearful

1 f r
dangers,

PT ^
1
his

Je

bus

will

own

Si
fend

de

Zi

^=dw*=
ons

^
chil
-

&.
dren

.-n=have.

PI
-'- -J-J'

3E?

oo. _L

:_-

St p=fc=$

E=|l
"V

r f-r

^
-e

*&: -ijx
p
o

5 sol o. !

"P~
i

t r-P"

d
:

F=p
E

1p-*-r=i
I

B
.

J3

-d
i

rl

Whea

ex

posed

to

fearful

dangers,

Je

bus

will

his

own

de

fend

ANTHEM.
-&L
Borne
a
-

Continued.

327
~
l

:Qh
"I

-o,I

zizrii Ep-p-p :rzc ^h I

i

^ttqtoz T
He
will guide

l~r

V
you

22
to

far 'midst

foes

and strangers,

He

is

with you,

He

is

with you,

you, will guide

the

end.

a^
Borne
a
-

-eL

cJ

-J-

bj
"i
i

J
<^:

r
far

p-m I"
'midst

r T

L_L
is

_iJj
He
is

le

JL^nG
r
I

--

5=E

@ mcr
to

foes

and strangers,

He

with

you,

with you,

He

will guide you, will guide

you

the

end.

./-

TUTTI.

5
^>
Men

_ni

^=F
i

-^
n

Z2Z

MP.

CRES.
~i

p.

^
the

^
i
"i

zx
i

=^

S2l
of

go

3=c
take your sta- tions,

r-

zz:
i

r
-

^
Go,
pro
-

claim,

God,

Dark

ness reigns throughout

earth,

pro

claim a

mong

the

na

tions,

328
-OM
1

ANTHEM.

Continued.

&r
"i

^&r
i

33
i

ti -

--

E=3
So.

-joy
-

o
birth
I,.

ful

news of heav'n

ly

tt~tt73~
! I

U~v

-o
bear
the
ti -

-G)
dings,

^ffiEaEESS
the
ti -

bear

dings,

bear

the

dings,

bear

the

SH
ti
-

dings,

J1PP
-i-^l

ALLEGRO
^/

ASS A I.

ARM
22
rzjroz

THE LORD, AWAKE

jrG

SEf: =T
o~igT(

^r
Put
|_
_!
!

33
i

'

^
na
-

Hymn.
rr

329
:<x
z:

or

r_ =F Or rzziz:
~r*

^-"

T5T

'""!"

iL

:.iP-r-r

6 4 6

-*_*_ ry
i

p.
i

T~

rzi

E5FF1
~Or i

CRES.

_<x s *-*1 - aArm of the Lord awake awake

!
i

=f
I
i

q ^=S2Z9
:
!

-o^^aJ-
on thy strength, the

FFF ^FE~ 3-i-T ^zs: 55 v:gcz:zs ev s-

tions

'
dor
-

*~
in<r

1
I I

T
i

IS

S s

II

shake

Now
h r*

let

the

world a

see,

Triumphs of
I I

ZZZC

32 T n
~r

xz pzzzz

o^oz:

~i

r
!

mf-

=p=f=p=f
I

T-^r

ir^fo

__LT

L '

~r
p.

~"

e^p^E_

ZL^ ^V

XX rozzizj
I

>~~is

j*

E#

~TTT~

-4-

-^

CRES.

.1

??

r~e~ iot" z^tzzEPz-Fzirf.

1

t rzzpnzzzzz :orzr F

or

jl

J-.

~EE]

33
IQZ
i

rzr
i i

~&~
.

HYMN.
i

Codu
IOI

x>-'<m ICO=^= o sE
"**

x ^y
!"

J
'i

II

FF.
1
| 1

MF.
I
1 1

j7

w
Thy

-='

* *^ ff
i

O
shall

J*T
confound,
I

-HP
1
1

CT"
al
-

__ A
to

o~ *
And

-^>
ca.st

'

%~-f .

O Q
1

"1

T*
1
1

'

1
1 1

tars

-^T>
1

the

<--

III imqzz
voice their
i

dols

And

cast their

"#

lOII'Z^s*-r

55

O
I

-rr

^T^"
ZX>
T

SI
#
-

tars

the ground,

their

al

to

ground.

~0~

*?-"-!
IMF.

T~

F=3
Oe<-

<arT
I

9-

o^
i

^^e^*
r
i

XX "" __ ::Q ^' Y r f ZZTZZZir

^
P

ff. 'Or

e^ r^

^r P;r r^-er
?

^T

g^ i O^T-O^ p~\

XZTL

rxisox.

|3fi
DOLCE.

Q> ^p-r Fp=B

r~r

Ot

TT-J^

rWM

-^

fe^f6S=

n-#-x*
i

X5z: ^

'C&

g
fe *=
Let

izn
(j
Zi

fa
-

CIlM^<
-

on's time of

vor come! Oh. bring the

i

tribes of

Is

rael

home! Soon may our wond'ring eyes be

hold,

Gentiles and Jews in

Je

sus' fold!

o'--*-

S^SE
r

'WW
#>p.
1
i

s" I

1"
I

^?z:oFP=:Qh

::
!

Qr-P
i

IJLIZXZ

--^-r
i

4I

&H
1

-rV-FtHS"

Bg

_L

"i

i i

# (?or
r

5S ^
'

:zz^Tzr

tr- P-

o
<^

'

HYMN.
MP.

Continued.

331

^C=3=3-i
Al
-

io 5
!

3
-r'

^
-

^T
ry clime of

^8*
ev'ry

oPJ^jJiC
!

^P ^

fall,

o
Sav

o.

4 IQ_I
of

^
all
!

uiigh

ty

God

thy grace proclaim, Thro' ev'

name Let adverse pow'rs

before thee

And crown

the

iour Lord

ALLEGRO

332

AXDAXTE.

To

the

memory of

*^7

ELIOT.

Funeral

Hymn.

-Wr
1
.

*"
-

L*

"-"
soon
the

'

-*
va
-

Life

is

span,

fleet

ing

hour,

How

por

flies!

Man

is

ten

der,

= ^~3
P.

f
-^*

-r

r ^

I*

L
t

ffirt^
ilbfcS
2.

I~~r

-fsr

The

once lov'd

form,

now

cold

and

dead,

Each mourn

ft^fi^ em
ful

thought

ploys;

And

na

ture

weeps

her

^/

h~ h=?
fcfc
1.

=F

*
flow'r,

**

**"
1

w
1^-

-'-

tran

sient

that

m
in
-

pp. -=

^
bloom
-

w
wj
in<j

dies,

That

en

in

bloom

ing

dies.DCp.V.

-r

TZE
^Pr:

I
fai

m
2.

*r

pp.

.dEtEE
'J.

EE
-

3:
-

-= r*And
with
-

com

forts

fled,

And

with

er'd

all

her

joyi

er'd

all

her

joys. V.

ALLEGRETTO.

,gb-4-r-T-ZCZgfi
MP.

^ SfeO
CKEBC:
i

HYMN.
=
CRKSC;

Contimied.

333
XT
J
:o:n:

~r

rr rrttc:
I

St rrrr

afr fffr
3.

^B5 &h gg P?*

bounds
-

t:

h~

r TJI
plore,

CRESC:

^ ~c:
-

zrj:

TT
full

w
im
r

MP=n:
:^i^#: j.
-

Si
more.

-DECRESC:

&S
prime,
i
i i i

^
to

Hope

looks be -yond the

of

time,
!

When
!

what we now de
-v.

Shall rise in
i

mor
I

tal

And bloom
i
i

^fe
-4

^ N _-*P
r
"i

V
'

,^-n

Mill
p~r

fade

no

r-r-r

MP.

fun p tamttrr T--Tr

_?
i

zfLni*

pr u-p-f

'

^-^

-r-i

~i

CRESC:

'_
I

DECRESC:

~P~

CRESC:

-frprii-J

n*i*~"
1
.1

ilfezi

<OI

TT

&zm
1

XH
LL

P: :-

see

ac z&zh lT

5
g
I

S5TZ:

52

ANDANT1NO.
.4,

11

tzBzzE
J

^
~1

i&p1

ph
CRESC:
I

* r~ Ip rg

T~i

p p

~i

l~p

p
-

*-|

a^^
4.

S >3 N

MF.
^\dwells on
high;,*^,

I"

^3

=T
ev
-

r5 t
-

K3*q*^ =*

_*_L_L

TW
never

Cease then fond

nature,

cease thy tears,

Thy Saviour

There

er

last

ing

spring appears, There joys shall

~I1WIWZEMZ

T"T

334
5USI

HYMN.

f

Continued.

*"|

!--

p-p--ji

ffil ffiliin-Jlj fe
never
die.

j ji

jT jjjheJB
i

Cease then,

fond

na

ture,

cease thy tears,

hy Saviour dwells on high

There everlasting spring appears, There joys

shall

never die, never

die,

never

die.

"J

!|

51

51

-I

5J

ay**

FP_

J^faJ

^^

DECRES.

FINE.

ALLEGRO.

THROUGH EV'RY
-O
jCZ

AGE.
-l-

Hymn.
-
-r
i
F-

Doiology.

^^

4
-

-*-

MF.

)-&-'
Through
ev'
-

HI
ry
age, e
-

-o
ter

"i

>
rest,

^fe^
'

-e^-

5
Or
p~

nal

God,

Thou

art

our

our

6afe

bode

High was thy

4-*
F.

<.

u
3T~3T -O~25~

o
i^:

-&

UNISON.,

f r
p.
i

m-

=I=T

-r
i

S
-+

-
r

throne, ere heav'n was made,

l~I

Eft:

:o:
J_

-&

SZZiZZH
1

"i

^^

F~r~^~T^
-i

MF-!

m
I

-.

HYMN.
-/

Continued.

335
=c
^

35
i

7XZB4

*----

i-

Sir
^=3-1 ^=
JZ

jo:

6?
-o
hum
i

*^E:3
k^p

--

SOLO.

"O
-

-be
-

*"

'jr
-

<>
laid.

3
was

7#
fash
-

s I
"#:
"ol

earth, thy

ble

foot

stool

Long

hast thou

reign'd, ere

time

gan,

Or

dust

ion'd

to

man

^Nxr_:i ^c
'

*
'

3=^
,o

P-^
Q~~

r-

^
-

SOLO.

m
*

rirr
G> pT?~P"

f~<y

Fr^f^
-d
J-

-F-

'SOL.O.

T
^>
SOLO. TENOR
or 2d.

-L

-&-

^
And
-I

TREBLE.

TCTTI. TENOR.
-

f"E

*>HF

^
and

o w

m m
e
long
thy

MF.

DECRESC.

fAnd
long
-

^=^
earth
-

thy

king

dom

shall

en

- -

n^
r
p
4

b^S: -j-^-.g-J-ffPf H
-

S t 3
r
i

dure,

When

time shall

be

no

more.

P
-o
-J-

JOI
iO
,

*_

i
*

5
king
-

"i

shall
-

SOLO. ks:

T^

MF

-el

bJ

DECRESC. L -J- j.

D. Cp.

EZC "TUTTI.
en
-

Pf

ZL

F^

22

dom

dure,

336

ALLEGRETTO.

ss
God in
i

GOD IN HIS HOLINESS. O PRAISE ILLEGRO ASSAI S U3is: > fi PRgrfSyiC" 6 C i .C E

.
^

Hotetto.

SECO ND TREBLE.

DEC RES.

/^

CRESC

% ^
lg&2_

3EH36
praise
i

3*

_ 9

li
-

lcz:

his

ho

ness,

Praise

him

in the

firmament

of his

power;

Praise

him

in

his

no

ble acts, Praise

him

ac-

M*-!* ---

o
-eb

>

ST3L io ST 75
DECRES.

n^
CRESC: UNISON.

^
^^-^J-P==|=
___

J J

* *
p_
ft.

:v~:
!
:

pl=
I

TST
/-s

/^
~i

i"^l^r it

_,

#
i

FF

MF.

llSSB^
ire
i

p-?-p-
l
i

+1

7" ^ x ~P-^IIZ2D2:

oT

"r-h

1-r

___!

Ttrzszzt: t
r

"B~L

Us
*=
I

IZI2I
i

E tOt 351*:

33Z*T #"
kzz:
~i

=:HI

^~>"

~o~i

g: ffi -^-p-__r:

~n

i" r~ > -?-

jgjgzzn
:

=^3
5ZS

0-_^_l:
cording to his

B ^3 s -#o '!

i
-fr-Su
I
1

r*

excellent

great

ness;

Praise

him

in the sound, in the

sound of the trumpet, praise him

in the

sound, in the

sound of the trumpet,

J-^_
1

atro:

r-r-"EEF
j

i
i

ZlSli
lo
-*=-

^?5

*3i

D_ia

5IS

geuyr-

sa
*

te+*?

L3
O"

L^

IT

^~~i

WW
i

-v:^z>:

r*^

#I2

be

MOTETTO.

Continued.

Praise

him upon the

lute,

upon the

lute,

upon the

lute

and harp;

Praise

him &c.

E -ye-o

strings

and pipes,

Let

every thing that hath breath

praise

the

Lord, Let

every thing that hath breath praise the

Lord, Let every thing that hath breath

p-pn

pr-p

JIOTETTO.
\

ALLEGRETTO.

THE GRACE OF OUR LORD.

irri

II

li

1*

Q**11
CKESl'

T~~r~ w zeo:
i

CRESC;
:

t
...ll A
-

ft

c J|jJJLffl J JJJJjl Tnf--7^T

The
grace of our

H^
Ho
-

T"
-f-LeU 321
-

T^"

Lord

H*
4.

r~

Je

sus

Christ,

And

the

Love of

God, and

tlie

fellowship of the

ly

Ghost,

Be with

tu

all

ever,

ev

r.r-r f"-p-eL4-4

si
r
^^
I

33
:

i i

3s*zde*Li:c?:.

g 1^ r? ^ ^ > ST^
.
l :

TJ

r~rr

er

more,

men.

::

3.-

CRESC: CRESC.
i i I

ST*

i z

HTO TOW ^Lrrpptii^za^z^z

1

=rd

nnL-

:ojio: ~i~i jrPr9- I

Si

i-

-eU4 a

o.

^PP

TO GOD THE FATHER.

Sentence.

Doxology.

339

To

God

the

fatter,

God

the

Son,

And

_
God

the

spirit

three

in

one

Be

hon

er, praise,

and

glo

ry given,

By

all
I

on
I

earth

and

.J-J.

at

err

ALLEGRO

ASS A

ALLEGRO ASSAI

34r0

ALLEGRO.

BEHOLD GOD

Si
I

IS

MY

SALVATION.

'lull

Ho.

s
Be

hold, be

-hold

God

is

my

sal

vation.

will

trust

in

him,

Be

hold,

be

hold

God is my

sal

Tation,

:d
TSr

le-S5"

V r-*

I

m ^FFF2-i
P P

ji_N-PP

T
i-

p
I

MF
I

31-

1*~P

"V

FT

-o'

s^?^ r
1
I

&

WE*
JL'P
,
5_

>JS

N J
n

-._ -

g"

J
i

(JRESC.

hf-pp-i*

-ol

-T-

i<* p-

P P

P P-

i^
j5iia:
F-

-#-#-

;= ;oze:zc5

x?z_l

SOLO.

>vp-F-p-
i
i

!:

-p-

T~

"i?~p'

f^HSS
-#
al

5
trust

TITT1.
I
I

*<=
in

him.

for the

Lord Je

ho

vah

is

my strength and my song,

he

so

is

my

sal

va

tion.

^o-

F^-7 w
-el

^EF^ #
SOLO.

Praise the

:PzP__jQi
r=~i

ti
s*
r

Jn i
(
i
i
I

F-

TCTTI.

:g=E

T^ZTZ^r
i
i

I*

ri

~
r
__

MOTETTO.
r#
tf-

Continued.

341

ffi

55Zpr
Ti"

3#iS
Lord,

o#
praise the

Stt
Lord and
call

SOLO.

-o
name,

-#-for the

TT ^
Lord Je
-

5
ho
-

S# jF 5 ? =p*
my
Strength,

upon
ft

his

Z2
-ft >-

ft

ZOL

ESSE:
^

a
- T!

i
ff*

7-

IT*
SOLO.

^p^S^^^
is
-

vah

and

my

song,

he

al

so

is

my

^
sal

J:-*.

m
r#

S5ZSI

ape
Z3I

:rP

i^szp:
_j_

i=^:
r#

=F
F.

icr
"g

XT

?3izs:

ftZZft
f*

*=5=

TUTTI.

is: TT

3 -#^*==#'

ZT

IlcSz
praise the

^^

n*~
-'call

D5~S
-ohis

Vff

#=J5
Lord,
sing un
-

ration,

Praise the

Lord,

Lord, and

up

on

name;

sing un-to the

to

the

Lord,

342
rfr

SeS
for

3X

MOTETTO. F- P* H
fr

Continued.
~

mr - mr

PzzPz^snw P^~ m
:p
v*

P~~p~

*-

'i

r#~-

g PPP33^EH*?
he hath

cr
things,

5&

ei
-

^ZZH

#things,
this
is

feS^SS
in
all

done

ex

eel

lent

eel

lent

known
I

the

earth, in

all

the earth,

in

all

the

-3^
r
MP
-_J
r

3^
^
(O

^-J^- j-^
i

N N
J

_ J*_. *L J

fc

*j=y-P4f-F
A1.TO.

^j

p^

t^

=
-

i^E
i

33

321

- r ^o

p -p-

PZ

*tf.-i

p^~g

PP-

E
i

L'MSON

zn

"P

P~z|

P p

S2m
FF

^^K
3X
JDT_
and
shout,

.* fc zizb:

_
i

-P-ZBI

s?

EEE
-#and shout,
thou
in
-

-p p-

f> Pr
T

tr o
earth;

^^P 3
thou in
-

5 r~iT~r
1

5
of

JE^-^j^-j^g^rT-j
hab
-

Cry

out

hab

it -

ant

Zi

on

Cry out

it

ant

of

Zi
f

on
f

>

ro
FF

*5I o
i

sF-

i^=P: S' 8
-

-rQ

p-

T-Tr
-P P"i r~ ~P P~

tj
P* P

*=&
i

f
Pr~ r~
"i

It

p p

P~
r
I

r
r~

P^

EF

-PzzP.1

IPZIT

-Q*

TENOR.

MOTETTO.

Continued.
i*

343
J^=

m&
p=P
for

m
tgreat,

_"

tg

g
i r
-

----

"

xr

-Oi-

xz:

35i

T~

-FXT"*
Is

MF
X>L
el,
.

r#
-ftfj*

P P
great
is

JP7
the

X_JlJ
one
of

x^
u

-eE

"nr ^ cr
for

^
one

1
of

id:

Ho

ly

great

the

Ho

ly

t#_j5 ^eh- ^e 11

=C ---

XT
UNISON.

T
qo3

SH
nT~

T_

o Pj
l

r^P^-.f
MF

<= r pr
x>^

^=
pr

r^rr
i i

-e

sb
x>:

i=c

ipzp:

zfti

5
-

^z

Xn

E
pi

szsnEr r
i

i
i

r~^

r#:

e=tp
i

too:

=P R^
Z

f-f Ten p-p~ ~p~p~p

"^pp~
_
i

?
"r
trust in

H
him Be
;

^z^z^ 'T

r#:

zrx>

_!

33:
in

Tmidst

x?:
of

XT
I

xz
Be
-

-eh
-

i ^#3
God
is

H
-1

3515

X2Z
-

_L
be
-

el, - -

the

thee,

hold, be

hold,

my

sal

vation, I will

hold,

hold,

-Wjsh-&-

5 --
j__C _
r
r

T
I3

P *K

XT 3I

UT
o
P

T
~n~

ICTi

TTVji

a
f

-ei-4-d

az

D""T~T
P

f
X2I

Idj~~

m r

-eL.

ET

T'

^i*

TT

231

.J--J-

=^3 ~T

#M P

"P~p~

n^pr

TT TT

xe:

34

r#:;ilJ
"

MOTETTO.
*
i

Continued.
1

SZJiE-

^
^^
o~~i
I

:a:

ZJZl

~i~rri~^K- -g-jr

mii.ii.

}5=Es
God
is

n
in

my

sal

vation,

will trust

him,

for the

Lord

Je

ho

- -

vah

is

my strength and my song,

he

eo

is

rm
ll"

-q-F-

in-:
iO

my

sal

vation

~V~

^:
-pr

rs F=
SOLO. L>

P N
I

u^

Lw]

k>

;^-- p-ptzz:

w2- t iSm

-
-

* fcJTl

P=
'

hi.

EEEierr

Z2I

*-l

^ttv

g-

^~*-*-y\

Praise the

Lord,

praise the Lord,

and

call

up - on

his

name

for the

Lord

Je

ho

vah

is

my

strength and

my

song, he

al

so

is

my

sal-

MOTETTO.
iflfe
IT
FT
-eC
Praise the

Continued.
~&~

~@~

~H*

_OZ

TTT
m
-p-

3= 35s 2JPTZ

- - - p-p~l
| i

ft: -y~i~i-

F TUTTI.

5
vation.

I^Q
Lord,

=^r? suit
praise the

SE 7~t ^ r:=izr-z^ri zo^r o _r izzzd_ - n e- e r

,

E"t

"1

H
"6

345

I^TF^

._!_

"T"""
sing unto the

&

~9~l
Lord,

T~T
and

a
call

Vfc

^tjsV
upon
his

Lord, and

call

upon

his name, and

call

upon

his

name;

name,

for he hath

done

ex-cellent

things,

excellent
i

things.

Cry

out and
!

shout thou in

hab

itant of

Zi"n;cry

out

and shout,

thou

in-

_^j

|___k=. el_l_

feJ

346
_>"

MOTETTO.
^3~:
i

Continued.
fr
Z

^~i uZ:CI*in
f

^~

z~ Tzztzzz^zztr: j?zz^
r

^^-F
thou in

9*zc
F

^
T

ie r

i-

rfc

'---Jhabitant

BEE
Zi

~2

ssz ?
out

?5Z^^ H5 TO 33 *--*---#
-

GRANDIOSO.
~i
:

CRESCENT)

iy
I

^
33

:o:
Zi
i

of

on.

Cry
I

and shout

hab

tant
i

of

on
i

Great

is

the
I

IIo
t

II
p

jr

r r T
--^
.

:*~~
*

: ::_

rr

ps~f

r
r

azz*izs:
"f

"T

i^ i5V

PP9-

P~ p-

F-

"i

oo_^

T5T

GRANDIOSO. CR ESCENT).

r p

t_Zi_

^ :XT

:r:

r~

o
~r

<g

P~ P- "i

S5"

zzo:

3r

T=^

iiill
I
-; A

FF

T~"

loIiZ

3 o

-l
"i

MP
^-

:o:
Great
I

^e>-

X3_
el,

2E3
Praise

of
"

Is

el,

in

Is

ye

the

Lord,

3t

<j

=F

J-l-o]
I

-
: : o
I

P
I

:ozrn
:

P"
MP
1"

T
~

"i

*^

^
I

T5"

^
-o-

^
=

f-

-jr. r TZ__L

t^

qL

1 P" 1

-hs

^-^

7t

UN POCO ALLEGRETTO.

INDEPENDENCE.

feat fete
1.

When

^ss
Was
=

L.
'Wf~w
They

M.
y
g~~g
cal l'd aloud

TWO
g
on

Stanzas.

Patriotic

Hyma.

For Anniversary's of American

I ndependence

<\A"I Orr
_#
-

qs:

*_

Pz-p-p-*
zi^zzs:

V: 9CMZ3EJE.
fre edom's
:

|r

rSiS i
fi

stern oppression's

o n r od,

ra ised to crush o ur fat her's right;

Cod, And b ravely dar'd the p atriot

zszs:
Bequeathed

^=ff =

#s
to

E f S
rr

3v ^KE
And
laughs at

HiiP
fee
-

ght.

us that

glorious prize, Its

ancient

splendor

yet re -tains;

It

still

oppression'spow'r defies,

ble

tyrants chains

&
.
3.
1.

r. *

-m -*
-r

\-

m p

FT

t
I
I

ry
!

.
r

si
i

'

-*

JZzzx p
p

T
*

"

J" -J-

"\

" -* j

J
i

JSZK

3to realm, o'er

^35zF*
all

T ^liidzzzzzz^zi
J J

TTI
-p-zp-

From realm

mankind, The kno wled ge of the ir rig hts

zPzzPz
In vain
against them, giant strength,

"r P~rgT~i

:gzr I
Her
strongest, fierest

T1_

l_g ~i?

J'

z~g~gz
i

shall fly

A nd monarchs,
,

in dis

may,

shall find,

That lib -er

ty

can

nev-er

die

p~np

p" p~
:g:
for

P-I"i

a
i t

ef- forts

made; Bright vict'ry crowned theirarms, at length, They gain'd the boon

which they pray'd.

r#

wz
Of nations, we,

ggjggg
the
first,

ZjnriZA__is

sw~~~s ZE
But soon,

-#-o'er all

5S
n

rV-HZLHzz

!!:

:z:

Ki^zzS^zzz^S
-

N__Ni

fcZZS.

Sfc
birth.

2.

were

bless'd,

the_ peopled

earth; Fair lib- cr

ty

shall

be

possess'd;

The world shall rise

in freedom's

z?B*H^zfezzc^
"*
r

Onrd?

g
i

>-^ CSZZjIZZ^ZZSr j5Z**t

-*^

-^

i fcMfr-f

ft* r^y-y JE
"CT

r*R--Kr-T-nrzr ---

rf r
J.

p
-t
J
J

zi
I

T
-p-

.-1

J-

IS
w:

r
-

ID. C.

*V
3.

g: .g g-p Re- joice, Columbia's

g.

Pg

"I

airrr
1

TT

zgzg:
sons, re
joice,

PZEg-Pzz g~>~ S~ ~fS^~W rztzzzg g

"i

EBI
-

The song

of freedom

loudly raise; ;

Ar And

let

ex

ul

ting heart and voice,

Un

ite to

swell our shouts of

praise

34 ANDANT1N oai AsuLLicGRBTo. 4 i!3E=*

&4 5c3:r
:

SAVE LORD, OR WE PERISH!

11

\ lie 11.

> 2 *

CRESC:
1.

"-
sail

When

through the torn

the wild

tempest

is

2.

Spirit,

thy

ransomed

to

cherish.

Re

buke

the

de

stroy

er

Lord!

we

per

uh

FINE.

k_

ALLEGRO MOLTO.

O GIVE THANKS. n & ~9* F*~ rn^mr j ~Z3

-

Motetto.
[-* jsrmr

Psalm 118,

verses 1. 19. 24. 26.

29.340
i

FT

ZOIC

~OZZZ

Wi
he
is

ozzz:
:diii

Irrv

ij

un

to the

Lord

O
L

give thanks, give thanks unto the Lord; &c.

~T

OC

'-E^j
O
1

T~

353 Zl
:ti

HE52
is

m^

9
:

For

-szffiid:
-

gp^Sjz]
his

give
~"!

thanks
,-

un

to the

Lord
]

give thanks unto the Lord ; For he

P"

FT

,__eL-H_ J

good <=a

&

good:

be

cause

mercy en-

q
MF->-J-

n^-P

-j--
-ei-

"PES

SE
"is:

lr

Jz :*E*~*z?

-J.-i.-J.

J- J-

-bL*

%l

-el

.-eL

:a:

XX335E&?: X
O
give &c.

p~p-ri

nr
i

=T&
-s =S~Q~1*~'
1

_J_,_^_J_

j;

i-t t~

Sip*

5351

s
-

"i

is

-<e-

r~rr

-9-9-9-

51
i

&*~

F
-1-5
du
-

--

**
dureth.

s
be
-

-
cause
his

IOI
mer
-

--L--*cy

5?
r

endureth for

ev

er,

en

dureth, endureth

XE
I I I

+F
-t-

W#
for
i !

BE
ever.
his

-&
-5en mercy _l !5J_

i
-

reth for

ev

er.

kr: '~:
i

3ET
i

fj

d^
=Ff=F

si
I3Z:

r
J-

w.

;#

s
i

"O"

L-4- r J'

r~"i
1 i

1?

i 1

nm

pP

Jf-

fzx

J [3 ~*~~~yi r -p--p"pI
i i

-*

-eL -i-J-

#-1^
i

J"

rr-T

J-

. jE

Pzs:

ZeZC

3 3 O ALLEGRETTO SOLO

MOTETTO.

Continued.

Open

to

me

the

gates

of

righteousness

will

go,

will

go,

will

go

un

to

them, and Twill

PSFSfc n rr
i

1i

:: gr
I

"

P*f
praise
-

5
the

^rS*
I

o:
praise

_z 5#
i
r

tLJJSJI
Lord,
-

^J r T
praise
-

Lord, and

will

:#ngjiz:
I

praise
tj

the Lord, and

will

Lord, and

will

and

will

the

JLk
(6)

^
tj

w
praise

'-

ur\

S9*^
j*^2
j?z^:
I

?fe3i^M=^
n
praise
-

_
>

J?

I*

I.J.

.+-

" 3J - 21;
r

ipse
praise
-

er
the

^^
Lord,

J-*
=<
T I

~2
praise

the Lord, and

will

the

Lord,

and

I will

and d

will w

the

Lord, and

will

-/-

ALTO.

MOTETTO.
*=T

Continued.
-Tfc

^rpip
praise

^e-gq

-eLL
Lord.

i^H
Alto Tenor or 2d. Treble.
'te

i^zr i r~

t e v j^r"g~r

351
Pr-rf-

TT

1111
3.I
made we
:

the

SOLO.

~|

r"

~"

ZS~ 571

-i|-**iv
This
is

5
Ld

-oF
Lord hath made
:

^E

&c.

the
!

day which the

This
-

is

the

solo.

H-

Lss

H-

day, this is the day which the Lord hath r* v r^ r^ r^ \_ , N

will re-

<n*

-G^-

-i-

IT

T~V
This
is

r Ht
th e

day

this is the

tl

23

'#!*-

_L
praise

the Lord.

tr-rf B
fi

f
:

5S
and be
glad,

fcfe

-f-f-

a^'
5
E*

rr

n-ff
:-a-

^ KiS
-

s=

r~f~

EH

tszs:

3
-

3E3E*
it,

m '
-

jjM^j^
joice

i^S
be
-

^x
it.
J

joice

and be glad

in

we

will re -joice,

we

will re

joice,

^PV TT =^3
'
' I
i I

^^

q-o

MM we will re

and be glad, and

glad

in

Ml

^*

_~

we

will re

joice,

&c.

tJu

LuEJI

*-

~
i

_zgzzpi:

Lzzr:

352
m
Hies

MOTETTO.
r

Continued.
3=r
r^zzhouse of

f^3EJE p^pzz^jzz^E^^^agE^ -f^t~ jl~

r
blessed

i^L-l
the

sed,

be

be that cometh

in

the

name

of

the

Lord:

we have

bles

sed you

oat of the

Lord.

TEMPO PIUMO.
--.

TUTTI.
z~
i

^^iiEgfessi^^^li^^^^ n-4^t-4~+ =s & i ^Ki=i M* lis

#
+-*r

l_

^.*^_

?-

zz:
the

T=l=f
-

Bles

sed,
|

blessed
*

TEMPO PRIMO

III J g
i

be te

r he

%r

1-0-

that

cometh

"

O lr-_JJ.ll -t-Zl__-gf*__e
in

name

of

the

Lord:

we

*e
bles

*
Lord.

T"

have
i

sed

you
i
,

out ol

of the

: |--j
TUT'

efe
O
give

"

r^lP-

illl^E

F-F
jLHI

5^
I

*-i

III
house of

the

fit_J

i__

s
thanks
i

BE^ceg-: t
un
-

X5I ~T
is

to the

Lord; Ogive

thanks, give thanks unto the Lord, for he

good:

for

he

^SKjj
good
:

be F.

cause his mer

cy

en-

!=3FFF=r: ^..

ig^ TTjT
i:
8

J L F5?
!.

#^
k-.
-

^r ^-rtf*
give thanks
-J-

ner^* v
un
I

r
Lord
;

r~rzr

""Tr 4 "!^
is

o4 p-*rr |ES
good
:

"i

rw

-iik

f=5
mer
cy en-

to the

give thanks, give thanks unto ^he Lord, for he

good

for

he

is

because his

-^
zo:

g?^F

give

&c

MOTETTO.
SEFF
iil
r

Continued.

353
33.

njg f=Eg~ 5 <2I

for
-

because his

mercy

en

dureth, endureth for

ever,

for his

mercy endureth

for

e.v3r,

his

mercy endureth

dureth, endureth

for

ever, because

sEEg]
his

mer

cy.en

dureth, endureth for

ever, for his

mercy endureth

for

ever,
-j-j.

his

mercy en

dureth for

- n

>

J -

J- *\ J5
i

^
~ a W n TP'FTiry
a>~
for
-

"ox

:Pz*:
T_
'i

o F 3
"i

~i~i
I

..

~~ z

PPwPrP'

i^4

j,

TT

lieii^hhiKbiixstsbd IFE?ER
C

:pz#

f:

<ff

rr
!

CD
for
-

a - - "- ~g~e~^~l*' ------- --^-- rr :r:r~ r~i r\ p T~r~r T"g~i* P g pg _r~_ r^p pi zpj^i

r~i

'

"i

rr~ pp

l*-rT=-pr

tzzsz
for

12
ev

^-2H

ever, forever

and ever,

ever, for

ever and ever,

for

ever, for

ever and

ever,

for

ever, forever

and ever,

_____

FF

3 ^2G*=8r
ST,

hi

~~l_r_

---;

55
*
it*
.

'c

[QSESSi u
_F

z?^ijrl

_T

o:

LC__

ffii
A
-

rrr
for
-

r-f-T-'-Lg--'
ever,

7 *r
for
-

7 r*

ff^ir^r
'
!

rr

ii

rr
r

fT&
r

>tt
r

r
i

ttj ff rr f r fLTfLT t ttt txt t t_T 1 ft HUH-I and and

ever, forever
ever, forever

*
for
-

__j

[j

e
for
-

ever,

for

5F

V
i

:--!: r "~i:

45

f ZZ

--*---rn r :ns
-f~r

FF -

ever, forever and

ever,

ever forever and

ever,

ver,

men.

1~~ -~

P
j

nzEn

-Pi

'!

ifi

r~r~;

m m PE
PTP

QI21

SE

-^

3 O 4-

A LLET. RO ASSA I.

THE GLORY OF THE LORD.

Tlolrtlo.

1'vnlm 101.

v.

31.

Ji'miig J-^F-gH
3
)4-<

izrzn -p

II

>

+^?
of the

The Glo-ry

Lord

shall

^Ec^fc^i
'

^-S- +dW-+dn-J-4-^ JSr-+^-rJ-r-r4^^Hr.--H

C

en

dure for

ev-er, for

ev

er, shall

en

dure

for

ev-er; the

Glory

of

the

S^E^Efe^
-.
-r-4-

r-r-^i
p

-1,

f.

=F
f
is

a:zo: ?^33

UN1SON -i-

d
mzm tjejsz

-^

-J.
I

^Vczzizi 3QL

'i

-pi

-prm

^#

rr* g
*
I

-*:
r

nsre:

^r ^ Siii gag
Lord
shall

en

dure

- -

for

ev-er.

for

jS

r-r-rP-,

-p-*-

fes

"I

-'-

y y ^Si^s
IPCIS

w^~w w~ZSZ~9^-m 351 1 r r ^rre: J -J. i E MF

:*z:

1*==^

^ LZ
ev

- <5~
er,

Q^

....

"

>

the

Glo-ry
!

of
!

the

5H5k ^
F

>

>!*!> ^
shall
-

Lord

en

dure

for
i

ev
_i

er,

the
| .

Glo-ry

of
.pa

the

Lord

shall

en -- dure

for f.r

ev

er,

shall

en

->

^3
I

"

r t mf

r:
r
fc

pf5~

"f

"-f-

3
h

S^
>

o-

~i ^o~^~!~ ~n~~ ~r

^^

t?

3E ">sr

^-p

/-

s
T> dure

qzzq:

^^^pe^^gg^^^^F

mi

MOTETTO.
^

Continued.

355
P:n?z^r^ H-i

5>nP-.-p-

ri^BZIBZZJ

for- ev

#3
i

g
er
:

_
-#'
Lord
shall

:cr
-

^EE3b^E=
Lord
shall
re
-

~r~
in
his

T
works,
,

I5II

the

re

joice,

the

joice,

shall re -joice
.

oti
the
.

' -~
re
-

Lord

shall

joice, shall

re-

-T-

_?_*[_

H_S j

4
-P-

;- .i=q=qs:
-,-

.n

*j

i-

he

,-si

p
i

Jfrp- T-TT -

>JL

W^R
^L
J

-p
*__":
r~
UNISON.

~|5~

LH"

*"*
I

&-=fT

mr j T~

O
1C3

l*

is

-J.

KE3I

.?

JL,

L jO___LTZIg. ~~g~~

'

3
.(""

"SI

P~

"e

-P

-pr-p-

-P . * irzig: -p
I

cr:f~ p~-

p-

joice

in

his

works, the

Lord

shall

re

joice, shall re -joice

in

his

works, shall re

joice,

shall

re

joice, shall re -joice

in

his

works.

*=^
3=3
"*-

~V

UNISON.

T5~

O"
"

P
i

P" r

-mr-r

JgZZSL

:P= r
"i

e-

35

g
i*
li

^^SCRESC
1

MOTETTO
n

Continued

r~ -*

:?

eeze
MF

g^gjg^gS
CRESC:

~i
i

-i

-and
it

i;

1-

^z
it

-#-#trembleth,

isE^&I
and
it

IS

ZOI
CRESC
:

Si
i

He

look-eth

on

the'

earth,

trerubleth,

tiem

fcJEHi I>-L m
t>
i

3
CRESC:
>

s^
n wj
iazzi
j

r
r

JMF

^ ^

bo

T"

.qL

bL

W 5
---

CRESC

cc

^ =FAfcrr
:

>1

he

touch

<^M^
eth
tlie

-F
Ifcr
and
I

-^they
I

:&=

hills,

smoke, he
I

3 5

m
eth
the
hills
-

touch

TT
-

az=5
-s
I

E5

=
.
Tc5~ Jd

-f*~

"^

TT I
iO-

UNISON.

1.
T
I

I'NISO.N.

g:
,

<_,>-

d:

J^p

fcziac

Q_

MOTETTO.

Continued.

357

and they

smoke,

they

smoke,

they

smoke,

and

they

smoke,

and

they

*t 4
=:
f)J .CRESC
:

:bd^
==

*=&
bo
J

=i>T"T

=5=p|

Oj

:ia

-*-^

T-.

esse f
t*

-Or
bio^
,

]
|

gEfi==*

e.

qa:

fr*

.IsLf,
io:

CRE9C.

J31

pr

PO
"#!"'
r-

I&

ih

bo

:\k%:

=[-

w
-o-

^=

=bo

r r

W
=5^-r

io:

I*

l*

f~

1^

5T

3
they

-F-

MP
-O *t
smoke,

iefr
-

=5^-r

<^
they

E
i

r*

o^
and

g
:^2i
they

=o^=
smoke,
smoke.

they
I

smoke,
i
I

smoke
f*
"i

_L^

test
>^&-.

=g
I

=^:
bJ_

]
bJ

=bi^v -*=K
~TT>

^qs^ 3p
jO

T
r^

=g=

E
"P"

tno

3
I

gg
HI

22

*"
^ft r-

MP
g

pbJ

bJ

#;
--

358

MOTETTO.

Continued.

^^^3
will

sing

un

to

the

Lord

as

long as

live,

will

sing

un

to

the

Lord

as

long

as
I

live
!

o
*p
MF

TT
^

f r

r
CRESC:~*~
J

=T=P
J. J!

E
<

::

-*.

J.

J.

^=*

^
231

gg^jrEEffgg
^5:
21

ST
=F

<^

f^^
^e^^
n

: T ~

P^
3
.

E
si
I

=51

S^-r--

MF
-Fsing
praise
-

5
be
-

5i2=

W
will

^:fe^ -S
LCZ
sing
praise

lEtcEi
un
-

T~r
-

^=^n^
while
I

SE
-

ICH
-

will

to

my

God

have

my

ing,

^m
F
V-

4
T

St <a ^-^^^^ s
=f
I

-&r
-&-

-&r-s~*y~
'i

^
"cy-

o-^

=J
I I

"O'

-J-

(^

-3

MF
-F<:>

JL

i?o!

bcv

ts:
^p:

cK

J>Qu

{?>

5t=

"h

MOTETTO.

Continued.

359

:o:

zz:
to

3
my
God

w
will

w =*^
sing
praise

-^
un
-

fcs?

u
while
I

cr~
have

-&-.
be

1
zo: P-

^
g
:?dr

^
"fio:

cr
I9

S
J-

=3=

^bH
1 r
i

to

my

God,

hC

-J-

pT-p-

Sffi

^ ^

-J-'

J!

-J-

^ FT?
bJ
>Or

my

^
r

-'
1".

-p-

-Pr-p

4-r -eL

fe i r

P"

^ E

T^

s^ w

TEMPO PR IMO.

The

Glory of the
I I

Lord
I

shall

en

dure for

ev-er, for

ev-er, shall

en

dure for
I I

ev-er
I

the
I I

Glory
1

of the

Lord

shall
I

en

dure

- -

for

ev
.

er, for

g g
"

5 :^3^
ig-fg:

*
:o:

JL_S

fro
t
w

-#

<^

,_

^T
~W'iS
w

5 f
f"*
i

^5ZSZS
ny-g-

(-

in

-frnr

TEMPO PRIMO.

'

I
1
i
i

-"
r
"i

"g~y

BE

i
i
i

UNISON.

3GO
<y

3IOTETTO.
T*

Continued. ^EfciP-zP:
i

^/

HiE

"'
1

_k_.

^
er;

The Glo

ry

of

s S
:the

:mz "IEEE
---

<>

P=^
,
for

FF
I

SE^eSS
.

N A
-

t**:
-

Lord

shall

en

^^m

dure for

ev

er,

shall

en

dure for

ev

er,

ev

er,

e
^
S5] n x:
'

and

ev-er.

""

>
p
si

^-*m1

r
I

^ TT
~

^
"f"

'

r-

f
f> p-

*
-p-

3:
i
i
'<-

rdr3
1

"F

Q^
~l

^~;

jgr

"'

KZ

IC

m~m
_ZZ:

o~p-

'

r_r
XL Ef

ip=SZ5i_r

<3C

O:

3X

"Q~
Ig.

r.

IOC

C5J

-er

2X7ZIx:
FF

:T

^
men.

*
The
Glo
-

3BE ^= =%=*
of
the

lOI
en
-

IOI
for

ry

Lord

shall

dure

SEE
4=

~C?I
-eC

r
i^z

u:

IQ_

O E^
-i-

^ ^ ^
a

r^

er,

IQ_
May
be lepeated.*

^^

-eL

l_g_ X

(CL!

T<^

FF

? 1

MOTETTO.

Continued.

&'-

r~

i-

~e>

rv-

IT

S3 o
T
"Of"

361
-

z^fcrzg:

MP

DECRES.

-FINE.

xn
men,

S2

A
I

A------- men

^ ^
IOZE

P L'

--&-

=^
XI
J-

#
-*r
J"C"

T
-
I

J.
ZL
"V

X
jO~-

LI33D
|

MP

_cr_

ASSAI.

IL.

:oj

m
11>S.

DECRES.

I
,_

T ^ *
l

r^iz:

~:EEEz

on
X5]
^=^~r

-ok
X53

pE

~03

ZESj

ALLEGRO

MOUNT HOREB.

Common Hymn.

*ia

2EI3

szozo:

fB3 g?
i

Ts

:d:|dJ^g:[:d^^g:|is:l3j:Bzj

m=

""i.

=ptp: o44t-

"HI

"T
y- q- -

531
1

'G---'-^-^

:g- _crc

trlcrb.a3: ---'--d-rl
we want, he
will kindly provide;

o:gro :ro .^crgicr

To

aT ^s^st^lB^ P^-g-
di

The Lord

is

our shepherd our guardian, and guide, Whatever

sheep of his pasture, his mercies abound, His care and protection his flock will surround.

t
^r^Z^ggj

f-

-p1 i

f"i

j r

r? ~
i

S^HiBE
46

etf

oUd-d

feiii^ii

362

MODKRATO.

WO UNTO

THE>1.

Anthem*

woe,

woe

Jsz: ^^
-4

-^-4-p
FF.
r

T
J$o:
-4-

S
un
-

to

them,

woe
*

un

to

them

that

tar

rv

long

at

the

wine,

till

wine

in
I

flame them
.

'

'

-P~ #>
i
i
i

f
I

W
i

g^ie:

'

5^
i

fe r

"itEE & *

-_'

1^" T_J&?-

o fog -n-p> ^-p>*

2EE ">

-o

**~

n
o
<> Woe.

v
i

'

~i
t

r
i

^
r
1

b*

- :

:#=i^ii^'=^
till

=P3
in

MF.

sg
1
1"

5o-t

3^

sH
.

-^~r
;

:=!:
"glut-t(5ti

~izr~r

-e>T

*J9
to
I I

\$t4

-
ty-

wine

flame thein

for

the

drunkard and
t

-shall

come

I
1

pov

ihz^zz*:
:n=T:
i

S3
i
i

_J

MF.

pt-p
i

~^~

T
i

Pi

IOI

-o^

=3= =*

o
O
or
"i

dt

r>

b
:

r
iliu

azi t
I!

J
J

J.

J*U

C^ a

|
i
1

* Written for

21st Annierary of lli Massachusetts

Temperance

Society, and performed in Park Si. Cnurch, Feb. QGth, 1833.

T~

e-

f^

-^
Ss
Woe,

ANTHEM.
-r

Continued.

&-$:

m
Let
-F-

363

&OL.O.

m
r
m

-VWoe,
unto

^i=T o;F3- ^5E

them,

~i

i"
'i

rr
-

**
"i

not

thy

heart

en -ry
I I

sin in

ners nen

but

be-

thou

in the

fear- of the

Lord,

Let not thy

b~~o^ &: te
-p.

-=p-;

Z
"H- r

3
r

o-

p
^fcz

rr
E >

^1! S r-f^r
-p~n
SOLO.

^g

_*L J

!_
r
1

its:

UJ

_>_ J

it
r

~ -y-gn ~*~ rr - ^^7 y r r?* r^^s

i

*- B Bi
*

>,

! &T~~r

(%

U b

" "
1

SOLO.

fip S*^

w
'
.

"

p*
1

fw
1

P~~
1 1

Sp-

f f f ^
'
i

1*.
ll

l*

fc-#~ 1 f^h^r* m p r~ q;91 .J.'9'l p w U L L,

-

'"'

IKS
1

I"

^
sinners
:

3F is
but be
thou
in the
fear,

~cr
fear of the

in

the

Lord, The

fear
I

of

the Lord

is

the

be
r

ginning of'
t try

wis

dom,

'Tl^i
*

fi^>
I

NTH

j*
.Zl^Ii

ft

'^m-

o^

JZmZSZrrl

ziza:

&

TT

7
Hi_
r*
r>*

-*-

361
^/

Tl'TTI.

AXTHE3I.

Continued.

tzzzn^i$J-i

ggjgssp
he thou in the
fear

rr_
I

of the Lord,

My

son, for

get not the

law

of the

Lord

but

let

thy heart keep hia commandments,

keep his com

raaadmentg.

Tl'TTI.

T*

j^^
p.
i

"Ti
"
i

rj3 _0 L
r

~rr

J31
i

J *a
i

T"

tutti.

f.
~ffp"i"l*~
*

s N

:5_S-Sr^.

=P

^e

Ql
i

_^_

3=P? i=T

1* -

^=
)

^
i

m
;^:rrb*

zroc

[^fe3
:
l
'

'#rt

ALLEGRO.

Tl'TTI.

SOLO.
n

S=^f
5EH
years
-

'TT~1

yyi

^T

be

x?:

pS |p* r~ ^~-p-he"-^-p^ hi i^z i>-j

,

SIS

^
32ze[:
life

r:on
And
the

r-

r -XHI
F.

Tl'TTI.

* ^ H

"

i^.
life

SS
shall

of thy

shall be

ma

ny,

And

the

years- of thy

life

shall

ma

ny,

And

the-

years of

thy

be

-.

5=S ^-r-^F'

SOLO
Si*:*
*N

a
!

m "
4

<J

TUTTI.

>

F-

Tl'TTI.

MZ1
-P

m$

ANTHEM.

Continued.

365

p~~

n
-

*
f

T~

1&T

<2^

l^r

Hal

le

lu

jah,

g
-

"Z3

i^
A
--p-i-

IDl

^i
men.

men,

s
r r

=^r
H
5

h
I

p "p
I

FINE.

T-

T^T-

T^r

IB

CN POCO ALLEGRO

MISSIONARY ANTHEM.
SOLO.

Fath

er,

fath

er,

Let thy
f*"

king

dom come,

thy kingdom, thy

kingdom, thy

king-dom.

built -

on

love

and

fa
-

'*=*

nr

;i

.nzir "

^m
f"

"o c
F

--

:-

a~
SEf -to*
I

f"

"f"

solo

-f-

r
i

TCTTI.

SOLO-

SEp* 6-h^qF^T^E

^ ?d^
EEEo:
grace!
-

^
F TITTI.

it

b=5:

i
In

~T
1IT

^zM
give
it

IZj^I
room,
- in

eve

ry

na

- tion

^s^piP
ev'
-

ry

heart

af

ford

it

place, Stc.

b^:
jC^j
-e>

e^4
-F FM^
In eve
-

J J k

Xi==i-

p 'J

ff
ry

-^-f-f-ff-

*-

-^^-
ford
- it

-o^H
The
TCTTI. F

^
ry

r
-

T+
give

na

tion

3S

n
it

- -

room,

in

eve

heart-in every heart

af

- -

place.

=^=F=

ANTHEM.
i^g^FH^t^BEEEEEF:

Continued.
<DL

367
ijirozzzs:

*W- -?w
JZ L

"i

i^jsi
as

zzr
is:

^ fcb

--

&

earth
"i

is
is

:i

LZ

zr
p
-

1"
i

MF przziz,zzzrz- zzzz=.zz:z
pQ=zzjz|^::[:ic:| zfz=|zz^
thine

#
- -

cze:
I

XJ
the kingdoms
'

thine^-set

rfr

3-P? 3gr~r~rr
r

up thy throne, L_ I

And claim *
t

own;

Still

na-ture's

aw

- ful

dark

ness reigns,

*fcH^l^^h^^zSzTzfzp:

t j^e_zzo

r^p
T

Male voices.

TUTTI.
j_
i

^
I
IZ

And

?=ZJ-

'-

E-r=^

XZK2

r
r
-pr
I

ORGAN,
one 8 ra. lower,
fcc.

o:

*B35 Qr 5=eS2

X2ZZX

Zl

cr

"i

35

fc

=5zz& Et 33 #f-5zZZtff ezzbe :*==[

~i

S*
sin - ners scorn thy

MF

ho

ly fear; Still

Sa

tan holds

the heart in chains, -

Where'er thy messengers, thy

mes-sengers ap- pear;

EEz^

=**

K ^E^

-pr-- r

MF
i

tz^i "o
i

^F=E*i

nzc

L 1

g-

g
L r

ri

Zfe -fczc * kf:

368
_/>

b zbzZ[

P=^i
"
i

P Tl'TTI

^g^gP^gJ
-

ANTHEM.
~r

Continned.

^zqizz^zz^rjgr-F-

EP rzc: ^B
i3i
i

'i

^^m
i

gg^ro^gg
Oh
rise,

great God,

in

love - a - rise -

And

bless

all

na

tions with thy righteousness; .*

Oh

rise,

great God,

And

bless all

feu*4

U
-f,

^~

fcE
r

^f

TUTTI.

-r

i:

r^

V^

3T

^r-

zezzzrj

Si

ST

F
-2-3E
I l

-'-

m
--i-

rr^Es

M Z?EE
:^ E-^zqzzzq
naturns with thy

P
righteousness,

!*-

3ZSErzazzztEEfe
ozzs:
-

cr

kfe3

ih

ii
FINE

^Z3S1
i

I"
righ
-

bless

all

na

tions with thy

teous-uess,

men,

men.
1

mJ3 jl.rJV?* is
a
j

H
f
i

^ Tl

* s~

zf> ^e frtr'T

Zirzzz
p

te

f
o-

Vmh^r r li
fi

z^ig

ii-

IZ

l^PP

oJZZC 3E

ALLEGRO.

THE LORD WILL COMFORT

~~

ZION.
>r~^

sentence.

369
rri
l

5
he

m b

Ni

r~n~~".

rrT"

*r

w~^
s
.

mn=^
n,

TUTTI.

The Lord

will

comfort

Zi

- on,

will com-fort
fc>

her waste pla- ces, and make her like

*
f
1

*
* rrr.
j-|
.
i

ei

E- den, J__J__^"i

like the gar-den of the Lord,

And
r

^-g+rr-gl w r~~h tr-i*~ r~i-r'-rj Ti

lJ

r^-p

-4

SOLO.

|
i

r L rT-t
-t3<

r~
s -frr;

m
IT
5

TUTTI-

y
i

KJ5

Pi

-fc:

i
the

<3

r*

I*
_i

I"

O
~o

ife

zl
m

make

her

like

Illl^gglNfe
-

=E

den,

like

the

gar

den

of

Lord,

Joy
i

and glad-ness
i

^
~
I

Joy

and glad-ness
>

P=zpEL=z:f r

rrr

F
-f.

zzzfrzzzztzzzi.
:rr~"
I

p^zzJizzfzridzzzszz^izzjizK^iiriitT L r -*-&I *t. n~ .g

p19"

zzzzzzzzizczz
-p-

"

~~anj"
s"

n
~

I *s

H r
r*

r
V.
S.

zzzzEZzzzzzzzj
:

&r
47

~w

- 1-

J.

-J-

370

SENTENCE.

Continued.
J
1

r
'.%-

*
and glud-ness
shall be

3 IS
found there-in;

_P

g~P~t^~~^~~r ~^"
;

EElEiEE

^^=^^3^
Joy
Thanks-giv-ing,

Thanks

-giv- ing,

and

the voice

of

me

- lo

dy,

rf
J
f>
I
I

"

F
el

J~

P~

llE?E3
r#-

-Pr-a

EfEE
lO

gr

ICE

is ss
"~r

PL
r

> f
'

orz:

F-P^-^-^q

Coda.
~!!ZZC

np:
Mr

p^qfe

i^pzz^EEo&EidE
;~^

^ll^lg^i
^jgj^P^P^ I Tt F
cr
-

feE

3E5E
and
the

voice

13^
.--

I
me
i

of

lo -

dy

men.

TT

^=
TI I

^s:

>1F

:z:

t^:

T~~

**
n:

-e 1

ei-

1-

3J
iUj

ilp

bs repeated.

moderato > PiKxoso

_>

MY VOICE SHALT THOU HEAR.

^
-ET3 EE * i-f-e^i H|^V
CRESC:
::

ScntCUCC
^P-

Befb.e Service.

371
py>MF

fcfefe

f= -^p~L^
DECRESC:

H -

MP
life:

CRESC:

tire:
-

J My

XHUCZC
hear in
the

in:

O
I

-^
I

"
I

"CF
voice shalt thou

morning,
I I

Lord,

nr5 In the

r ^i
i

d
my
i

_ i"T~7~i
i

morning

bo^

T"

un
-

will

di

rect

prayer

to

3cr thee, in

the

1-T1~-

Brfe
-G>-

3=
q

:zz:c:

trSr
CRESC:
I I

-:

p"TT
1r r

~r
qir
i

Xj
>
i
I i

g
^:

MP

p
i
r

DECRESC:
"C5~

t
I I

or p
/T^

CRESC:
I

s=fe:

^-Pf*

^i?Lj^i-^
:

"9

i~

~S"

MF
jz;

: iQ_

7:=

'5

-"-

#?5
-

z^rrrr::

^E

ANDANTE.
33

r
DECRESC:

~ -e

F
fe3
to

--

1-

"o izizzzriLzcrpzoir
i^

adacio.^

<>'_

Largo, *\ n ~t m
:o::

^
SB
Ft

MP
J31

MOREXDO.C
J

my

T
"CF
prayer

TT
thee
-

E=L-~
and
will

T
look

T
up.

morn

mg
I

will
I

di

rect

un

P
-

men,

"cr
-

men.

XE
3I

1*-

s
1T^

DEC RESC:
1

T
--

T".

1 T
T

:o:

XT

T
i i

T
p. -

p **

-I O

1-

P ANDANTE.

MORENDO

^F

- S= =F=^

niOizzp: no: :o:

372 a LLHGUO ASSAI.

F.

AWAKE! YE *SJg?^3Zg 1
I

SAINTS,
*x
1

AWAKE!
"-S
i*
In
r
1

Anthem.
i

,*, *..

r#:

*c-

Li

P
ye saints, a
-

sb=3
wake

hail this

3
sa
i

O
day
i

yr^cn&
lof
-

333^1
I
-

wake

And
:

cred

Uest songs of

praise,

Your joy

ful

hom

age

pay

s*e=
-

ic3 =^
P-

S^
--

^
1

'&
-

^
A
|W
1 1

7 5=a fv^
? 0.4
|
!

-#

32
r
1

^
J.

F.

W$~7*-m^-%&-?
it
'

P
i

P
i

i"
i

P
i

o
i i i

P h p

.AC r~
i

-i

f*

1
|

tf""

* * P
1

( 1
1 1

A P

P
i

o
p
=*[

oi
v*%

V*

s gF=_"
SOLO.

#=m

jz-

lOZZZT

^zzzr-\=h
that

5=?:

Q--

^==iC
f
-

-QL

32:

-o E=E

.=z =^f^eef^=
of
\

Wel
i

come

the

day
!

God

hath
;
,

blest,

The
i i

type

heav'ns

ter

nal

rest.

t!L

J h u-T' 4*

~i _ r 35i
i
i
.

3
i
i

L
i

^ES
^=

-^

321

soix).

r>

e^-

J.

d
JL_J-<->'

P=^t

-ot

r#

^
-8-4
Wei
f
-

ANTHEM.
Q p
=?2
i

Continued.
11

373
O
i

rP

P-P
r

3X

(O
i-

SOLO.

TUTTI.

5
come
the

TJ2
day
that

r?

Ty
hath

IS
!

13S;
The
type
-

-
of

'
heav'ns
e
-

-'-

IOI
rest.

=^=i
Wei
-

IOC
day,

God

blest,

ter

nal

come

the

i#=
r-

K3
o.

o-

-J-

J
I

-P

3i
F

,1

o
S-.
1-

o IE
-e'-.

: j"
-tO^

3X l
-

SOLO!
=8 -#-

P"

g: Pe>

32Z

-P-

?C=?5

n^-

ie*.

J-

-^

P- TUTTI.

=:

y
*x

lO-

73"

ZX

d=

"7T

^
^xzz&

xx

/:
:fc

--

OlZZil

iC^

--

1
"i

zc
"i -

T
-

I
rest.

r#:
>#-

xx
wel
-

32:
come,

T
wel
-

:d
come
I

_OL
that

3E
blest,

-
The
I

the

day
I

God
^j

o
:i

<x_

^c
I

T
o
--

=
cJ

5E

^t

hath

type

of

heav'ns

ter

nal

.J. zo:
lO
T5"i

32:
-f-

XJ=1
-4-

Lr

_:

'^o
ST

33

G>

J
T0-

-el-.

-J-

^9
FINE.

321

"#-

zx

?x

IX

exzzzrq

374

XJ

f?2

HOW
/^S

BEAUTIFUL UPOi\ THE MOUNTAINS.

*

iKotetto.

_
F.
I

MP.

CREBC.

/-s

3 pifc-
How beau
-

Hi
how beau - tiful

tifuJ,

s-6

MFCRESC
r
<j

^1
r

:_
r
i

S
rv
w^*
-

&
feet

-|Vt
-
of

upon the mountains are the

him

that

o
bnngeth good
I

tidings,

that

pub

.!
-

liuheth

peace

that

r*
;v
j:

<r

^ ~o~ s
<-

1"

"

e^
t#-

r H=" ~g~r

'
ri

m k
ill?
1-

--

f"T

Pel
-tor

IZIS

f-

sff^
JCL

--

---

^
r 13
How
1

(3-

5
sal
-

a
un
I

r:

1*0:

-X5I

ist
Vringeth

3^33^pEJ
-F
good
ti
-

-va
-

-
-

-reign
-

IZ
eth-

dings,

that

pub

lish

eth

tion

that

saith
I

to

Zi

on

thy
I

God

dti

fr

l-NISON.

?s
r

~T
-

- fr
5

80[

--!--

--

ft

V f
^1

f
p

rT
p
.

1
-m-z*
1
jg.
.

g*

EE3r;

izzr

(*-

3ES =t O SOLO-^a^=
it-

331

C==T

-1-

MOTETTO.

Continued.

_90IiO;

375

m
u,

i
TREBLE.

2d.

*zrr.

=fi
ti
-

^Sgfe
beauti
I

SJL

EIS^S ^4 ^
feet

fe^pili
that

beau

-'

ful,

how

ful

upon the raoun

tains are the

of

hira

bring

eth good

ti

dings, that

pub-lisheth

peace;

N ^_

fc_fc

^
"

SHE IX jqsr*OE3==^=g

^rrri

P rr ^

SOLO.
-F-f-

^* r XZ^zr
i

"i

P
i

^ ^* r
-

9P

IQH?2

si
of

TU TTI.
Pip: r
i

3G5F

*: IZTT

$*=* r
i

i
e_
-

r#-

beau

tiful,

how beau

tiful

upon the

mountains

are the

feet

him

that

bring

eth good

ti

dings, that publisheth

sal

ya

tion:

That

1
r

IKX
-tiful,

yr Ja * ^3 Kg 1^
-e 1

J.

^-^-

beau

how beau -

5?
mountains

^^

1~W
I
i

-J>
i

iJ-

N #J- J-

'

-^ruT

r
[i

=i-i
i

mts: 3EZ1L ZI!r_

sal

P
va
-

J^-j.

tiful

upon the

are the

feet

of

him

that

bring

eth good

dings, that publisheth

tion:

3I0TETTO.

Continued.

Allegro*

J
Sing ye waste pla
-

J>J|Jji J.jJ i
ces

s ^5
Lord hath com -fort
-

aB
cy
peo
-

3E
Je
-

i"

3533E3
ru
-

of

Je

- -

rn

sa

lem,

for

the

ed

his

pie,

he

hath

re

deemed

-rr^pf-rx-H-c U&&S r J T 7s 7 tt
r r

F^
C

Ba-lem,

p
J j ~m ~
I

r
i I

IE.
j J

t
a

MF.

..

&^-^ qr ^=c

^~ ~p ~,n> o~~ j"

jzn

t ^g~fr~ pt
fc

4-^t^r^iTi Ft
"

ft
j

T'C f
a

TTrTT
JEOt

zr

P' P' P

*-f

MOTETTO.
1st.

Continued.
2d.

377
ie>

Time.
i-

Time.
251

r#-

SeSe
hath
re
-

Je J
-

T~

S=
o 21
P
i

zEz;

<e-

F=pzq=zgg=3==|q=izzpzqiprzzz^zzcz.przzzir
lcz
he

K
lem.

deem- ed

ru

I'll

sa

lem,

Je

ru

sa

lem,

mm
l A
F
T".
fC

FF

cy

:?2Z

~Tmen.
r

!EEZ^^Z^Z^E^^Z-^Sf|ZZ^HEiE
- ^ #

h_

zzoz?

P
.

US
__
i

"1"

-g

"p"

>

p p -n

P J__

P
"CJ

SP

-f.

"P".

FF

-^f.

J." IT.
|

* ~

p: p_

EzzSE

&
'l

'

izhzzzr_ Jzzr
8>s, 6's,

^^zt=^= t^cztl
Hymn
ZBZTC

ALLA BREVE. UN POCO MODERATO.

zzEE
r
I

"

qzzziz o =pi

GOLGOTHA. E
:z
1"

& 4.
i

Chant.

51

:dz tzpzrozzp: :^zzzpzz-oz o:

~r
1

LIU felzi*
T
-J2
r

1-

_.__

_ e_:3

"O^
Our
blest

ere

-o-

Redeem
'

-er,

he breath'd* His tender

-F3 j

T J

irH*

z?x
i

- zz
r
r

3 I fe=^^L*z^ 3
zx

iszz^a
i

~r

"

133 o"

-ef

:oz:

g^;
bequeath'd,

"^

to

Izl dwell.
-o-

last

farewell,

guide, a

comfort -er,

With us
r

izrzazzoz # p~

JO

pzz!r
zez

=jz

P"

"f

f-

--

'V

4-4-4 ZtZZiTZZ^g Sztzz

UN POCO STACCATO.
48

T *
pT ^-1J

T ^
-

1
II

f"

-F

33

=f

1H1e

-3Remark
:'

Old China

is to

be found in the ADcient Lyre.

g^

i
:o:
n_

378
_-

YE SERVANTS OF GOD.

i*M> ?r\<^\ r
I

^m ^
I

Hymn.
_TZI

i>*,

&

n>, or

ff>i,

&

7>*.

S,*erf%-t

r j j i

SOLO.

iS-J-1
1.

I:

iz

r
-

zr H
i

^1
vie
-

TITTI.

Ye

servants

of

God, your Master pro- claim, And

publish

broad -his

won-der-ful

name The name

;

all

torious of

Jesus 9

ex

tol

; ;

His

-j:-3

jfrj

r~r

^Pf_

?Jqi
_
.!

ZTM^:

r-T-l
-J

H
"!

HHE O
2.

-r
1
let
-

4 p-

r
us a
-

E-f i E
dore, and give

fe

r^
Jr

f -czrf_J

TITTI

SOLO-

:"'
T~
glo
-

ORGAN -4-

:o:ir
ry

T
wis,
-

~o~r
i

T g
honor and blessing, with angels a
-

him

his right, All

and

pow'r,

and

doai and might

All

bove,

And

CODA. ALLEGRO DI MOLTO.

^/TT-~
S

:^bI
zzz:

E?

EB
1
I
I

JTfl r

fife . T-y~rl 'rrzw-\

i~i

B
praise.

P
__->

ifac

FF

;ffl=T #!
1.

kingdom

is

- rious, he glo oI

rules

o- ver

all.

Let

ev'ry

nation

sing thy

Let

ev'ry

nation sing thy praise

And

ev'ry tongue rejoice.

men,

men

i>

A* * 6*

3&S
,

n

.

_
a"

__ 5r~

cT

A La.a

ICo

l" ^*
f C

fcE

-M-f
3

EftM B^
3 TbaiiUi nuvur

!L ___

r^q

HYMN

FINE.

J;
-i

FF A

* .*^j;
..

?
I

rr.vE

!-

_i_
erasing,
for

> w
-

Orgj-p rv~>y~fcr-ig-g-p- ie-^3Z

love.

1^-|

i i

l^

^n--1
CODA-*EPEAT

zbii:^:
\^

in

finite

;The

first

lime

MEZZO FORTE,

the 2d. time

FORTISSIMO.)

ALLEGRO.

FIRST PSALM.
^?

raotctto.

May

30, 1832.

^
MP
CRESC:
-

^1

T=F
MF
35ZHT

CRESC:

Bles

~^T'

^^

^ ^
bles

T
"")_

^ *V*
blessed
is

the

^ man
r
~

that
f

walketh not in
the

counsel

of

the

un

godly,

~~

:si:cz

-P"
t-.

MF

CRESC:

r tT.T
MF
Dl
I
I

-r-f-

o
^o:

TOE

32;

T~T

-- I^rP
"PT ^"

r r r f T.y t r W W
1

*
ht

^
W

*i

t- -F

Ifc.

k.

I*

T"

B
3X
=1=
:if

-if-^

HS2I
DECRESC:
"~1

zo^

XE

-#>-

:*"i~!?:

IltoZL

N
^^

=5 q=p
nor
sit
I

3 :ES3E6 =3=8*
in

^G
ful;

nor

standeth

in

the

teth
I

the
Nj_

seat

of

the

Bcorn

HZ

SPS
r

:r:

333
UNISON.
h*

"r

:o:

?~

T-

i*-.

f-.
-eL

nai
l*

tQT

33

DECRESC:

g:
^\

:g=i:

r==:

o:

o o_=Pg

:czzcz=

H3 Fftpg

1-

380
-F-F-

MOTETTO.

Continued.

?>

m i"i _r~ r
i

jcr:

pT-m
~g

9-

S
i
Lord:

pppij^p^
But
his
-

" SZDS
Lord;

de

light

is

in

the

law

of

the

But

W4
his

de

light

4
'

33? *
is

m
of
the

in

ZZZE

^ r
^
3

j=

^ J a
*

t^ 1"

Ml m

^C

_t

S3
TT VT > A /
.
-

the

law

T SZIH
=?=
1J
1

^
Et
o

T T F.T
1

i*

s
I

TT

zzs

^1

!=U

4i nszz
'

T3~

~g~g

^=

^E
o:
o:

j*_ i*

^
zpr

H^

P ZL
-

<?:

S53

gy=p T
FINE.

3 3zzjz=Ji3zg
And
-<
-

V?t

5
me
"
-

zr

_
-

o
t

^
day

J3Z
and
night.

in

his

law

doth

he'

di
1

it.-

day

and

night,

y-wj
-el

<>'

~3

jF

^y

"CT

xs:

zz:
"

SO^
.,
.

TTf-

<&:
1

;
-eL

^T:

&^
"S

^L

1~

fF

i-r

5?

:o-

:o:

75-

MOTETTO
P-TT
'i

Continued.
r

381

=P^T
~*r~Z5>L
be
like
i

r
shall

r
tree,

Z=fc g

z-z:
:cz
IP

pp- ^=P? 3
MF

MF

And

he

&c.

^=5**
And
he shall

^ziq=jzzjz^jzp:^EEj
be
like

E
by
the
riv
-

4~CT
ers

tree,

like

tree

planted

of

wa

"O"
forth

ter,

that

bringeth

his

5 O~|rsnmw
fruit

in his

son:

His

S ^
MF

azz*
-i

tt=&=i=f5=2t=rA
F"

:=*
|

:
I

i
"i
i

J?

r IFh
&c.

-r

r-

3=
-J?

ZTt
r

75"

3s
"P
j

.qzzj:

J.

-b
r

MF

T
^-ff:

m
I

m
i

-d-

#p-

jC5_rizr_
jp
be
like

-J

J~

T
And
he
shall

p
tree,

g__K

SZJE.

F
J

fer-f
y~~r

i &L
--

:P P:

P P

1
his

fe
"i

cr
leaf

5^ 3EES Ei^EE^S^ETE^S^ & ^=i = 4^

i'

L
L

-'^

o:

2X

T
shall

T
not

-
with
r

al

so.

shall not
l

with

er,

his

leaf

al
?

so

er,

and

whatso

ev

r^S
-

er he doeth

shall

=5*

iFfoSi

EsEjjE
r

~io

#r

SSP^ieaf

al

r
.j
i

=
j..

v
-tr

JL

1T

is

^T-

t"

-#P&c.

QZ#P"
ZJ

or

his

r=r

r*
i-

-{=-

SPi

r tt^ -oo"
C5IP

-L ,o
P

1
v. s.

LX5i

KTT
31

IX

z:

g
-d-

382
MP

MOTETTO.
ppi

Continued.
r

^^^^jJz^^^B
T T
pros

zr j?zzn
i

* -P Us:
FF

^=^=? ^

:r

CRESC:

or
per.

---&~?r^
The
:

un

god

I*
not
so
:

-
the

un
-

>4^k
god
-

-
are

so

E3
but
are
like the

SS)
like

^
the

ly

are

ly

not

chaff, are

##}
P^zp:
iC5Z*tj-

~m~M mmr
.pig:

JL.V
ii

?:

zz
KS

^Qn>Tg-|-^f-ir-(T-f
^zie:

:3R
::.3

5^
FF

5
fee -*-

Fway

FF
jz: _js :

0s:

333=2B
a

sis

ISIS
-O-MIM.
wind driveth a
-

:_j_Al

331
I

3
-

chaffwhich the

wind driveth

way;

are like the chaffwhich the

way, are

like the

chaffwhich the wind driveth a

J5
~i

> s

ws

r-j-s -^ 9-3
i
i

r^zgszqg
-

r~s ^-a

. ..

n* f
I

-1

zrfcd

Hta

! '

sr s-

**i

"

1*

y^g

n^

if

__

--

^~~

g~ v~
1

If

iT^y^

M3ZX

MOTETTO.
^o:
"I
r

Continued.

^
iy

Tn^i
not
stand
in

383
i

.i**

ei.

'i

Z2
nor
Bin
-

1
ners

fore the

un

- -

god

ly,

Therefore

the

un

god
I

shall

the

judgment,

-T

5-~S

X2I
Therefore
the

-Gh^~
-

un
-

FT *
^sT
godly shall not
stand,
shall not

Si X?
stand
in

:s~
qicrtf:
judgment,
nor
the

Pi
sin
-

un

god

ly

shall

not

stand,

the

ners

m
WIS]
There

h&r
-

3KZH
J"
J!?_

=*5F

-O

'MZMFJ3

^
fore,

r~ WW
i
i i

r
-

w
shall
-

r
r
"

TT
"i

q
1-i3-

-*

P~PHgZg

-i #-p-pv-p_dI

-J-

-J-

_E
'i

-4
i"

bo:

Therefore the un

god

ly

not stand, not stand in the judgment, in the

judgment; &c.

T
.o:
the

FUG ETTA, ALLEGRO.

d
the

^
r

fey
For

3E IOl

p s Hg
way of
the

con

gre

ga

tion

of

&c.
F.

the Lord

knoweth

the

f- W"
the

"T

T
the

T
righ

gre

ga

tion

of

^
teous,

The

fugetta

may

be omitted.ft^-

5
r

Ii=J
.

zo:
-eC

IOI
*

PJ*-J?

m 5=5 lES^ knpbi

ji

r lL 3g

dJ- E

:q]

^Z
"CF

-oh

fceL

-V-

-fH*
For
the

J3
_J: 1

384

MOTETTO.
righteo us
;

Continued.

for

the Lord k now eth the

way of the

righte ous

;,

for

the

3~=^ "= 3Lord knoweth the way o f the

hJ

VV J * ^
1
teous,
for

zsr:
for

BSgl^^B
-

the Lord

knoweth the way of the

righteous,

for

the

Lord knoweth the way of the righ

the

as
J

J f
I

:-q=z=zq:
-bm
i 1

A""3-

jr=r iT^~
-

=F
Lord,

4
for

jj

the
1

Lord knoweth the way of the

righ

teous,

the

the Lord

4 W W W t" w 4 knoweth the way of the righ

WW

qt

f
T
righ

-L

teous,

for

the

p-p- p-p

pr
Lord,
-for
the e

"I

for

*&,*I

W
3
teous,

3>

I
i

teous

the

Lord knoweth the way of the righ

the

way

of

the

-*-

^E
of

T
the

"

F
righ
-

:EE0
teous,

bn

way

the

Lord knoweth the way

UVUl^
!

> ft

f-V?1

of the

righ

teous,

the

g
1

a_
the

? '-+-<w3
for

Lord knoweth the way of the

righteous; for

Lord knoweth the way of the righ - teous;

the Lord

knoweth the way of the

V*

teous,

=5i?
Lord,

y
for

y>

'

3EE^ -r^T
knoweth
3-

P^
:te
1'
i

Hffi
.

-3

Uie 3-

ySr-3"
-J.

the Lord
J

the
.

way

of the
.

right

eous;

for

the

Lord knoweth the way of the

no'. ~~~,

-^

-P
righ
-

f*5-r--#-r-r-(teous,

*>**

91
i

-i

_.V

J>*_
!

ho
teous,

fc

=F=
for

~V~*W 'rpgjt*. the Lord knoweth the way of the

f z^=F
-

righ

teous,

for

the Lord

knoweth the way of the righ

the

Lord,

for

the

MOTETTO.
*/-

Continued.

35
right

BEE
eous for the &c.
,

~rm~m

:j?z^z^i

r~ T~i UkU
/

3^
F.

_{Kr

ZE "P r
|

^^
Ei
fr
I
i

385

^ N *

_0_

"f

3:

-&

W
r way of

f*

*ff

_^

3^?

ZJZ # ?

Wt *"
for the

right

eous for the Lord knoweth the

way

of the righteous, for the Lord knoweth the

way of the righteous,

-erighteous,
for the

Lord knoweth the

rfr 3- sr f the righteous, )US, &c

| i

r*
I
ft5"

2?
F.

UNISON.

-p-1-g=^-p-p xzt> > ^-r"

ii

-iML

3
righte
-

EE~'~E5:
ous,

1^-^
By omitting

^3'
the Fiipetta.

"

Lord knoweth the way of the

the

Lord, the &c.

y~g~p

ww~w~r ~r~
\

S
MF.

~T L_5=zJ_J__pi*Lr=

E3^ffi=F
~"T

"nrrszzs:
3
'

i._S=
-

st
way
of
the

^
-

-3^-

"3 9~
|-

J~

Lord knoweth the way of the righteous,

for the

Lord knoweth the way of the righteous

But the

god

ly

shall

pef:

3S6

MOTETTO.
MF

Continued.
JgZ 3
Z^IfLbCt, f M p r~r c
!
,

33
the

-r

-i

DECREf

un

god

\y

shall

per

- 1.-.I1,

shall

per

ish,
i

shall

per

ish.

<>

f-

r?

f
p

* j

SS
DECREE";
<->
(*

-e^

3EZ

VJZ2I

azi tfl*
1

r;
Sing either

DA CAPO oj the CODA, as a conclusion.

PSH
,OR CODA.

D. CP.

F
If,

ES mis3=iziEbiE3E 3=?
E3EEEBE
the

CODA.

-4

^=

siI*
MF
:

*ZZ3

> P
l

P-1

^
DECRESC:

tbSr

^f
Bat

--

e%^:
-

er
per

3
ish,

^ ~ * w9EH 9 9
1
1"
i

>

id:
shall

iper

-&T
-

-T
ish.

1
1

way

of

the

un

god

ly

shall

shall

per

ish,

shall

per

ish,

2Err^^BEErS!F3=S^ ~T
:hfc

^r

e^

^5^E^E^
1

-^-

r rjmson "9!

u=X=n *7Z&~?:

^S

^p^
I

=^
siz:

O
k

p=P]8?
=F

MF
"1

DEPRESC:,

ST

* iT
:r:

o-

FliE

UN POCO ANDANTINO.
if*-3?-

CREATE

ME A IN TUTTI. _JT!~
- '-=&
TUTTI.

CLEAN HEART, O GOD;

~i

Jttotetto3g7

WSOLO.
Cre
-

&
me
a

^
clean
heart,

re
I

ZE

-
O

re
SOLO.
God
I

-zgp

a
right

-w~w~

a
'-*#

t^zrjniz: ??gjz rrrt^L

spir
-

ate

in

/T

=R
:c?:

*
U.^hM
Cre
-

fe
m-Pclean
-

=q*ra=3 T>Ii
TO-

and

new

it

with

in

me,

cast

me

-pi

TT EE= rf -m -Fi?
*-i

-FT
't-^r

Sa>-y-|n ~,e -r-rT

TUTTI.

SOLO.

.qL SOLO.

r-rfw-y-^hrr^-i

<*r

XE
-

<y

-SX
T"

r~

<^

XX
I

TT~
ate
in

m
a

xs:

S~~
1~-

:f-:

&t
spir
-

-o E_
it

me

heart

with

in

me.

cast

me

not

way,

and take

not. take

not thy

ho

ly

spir

it

from

388

MOTETTO.

Continued.
SOLO.

S
i

&

"'

SIXXl
Re
-

3E
the

SSfejEp!^
store

store

unto

me

joy of thy sal

vation,

and

up-

unto

me

the joy of thy sal

vation.

and

up

hold

me

with thy

free

spirit.

3ESSS*
rz-J- j
i

o.i^i
T

SP^P
-r-f
r r

T=:

...

F=F^? 3=^H
t]
]

czr "r~r~~ ~r ^iz^:

SOLO.
r"i

^>"
~T

'

ITT~r"

M
hold

Dp hi
"~
!
'

LT
F.

!?""" ts~;
will
I

Se^
.r
-

Tun

CZi

r~~

me

with

thy free

spir

it.

Then

teach transgressors thv ways, and sin

ners shall

be con

vert

ed

un

to

thee.

izziz

mm
Fi i

TITTI.

o-

35

B-~

^7

Tl'TTI.

^ ^
-

Then

will

I
I

teach transgressors thy ways, and

, I

iii
i

sin

s ners shall

be

con

ver

iir rj un
tea

r
-

to

thee.

r
.
1

^b*^i._..hQ,

--H

rT4

F- Tl'TTI.,

jQ>-

b.

p-

rirTTrl T J Jh

+ 4J-p ~T

^r

~ ^3 Sa=g: 53ii
)o

ZOI3K

F-

TUTTL_

g^^^E^^ggpg^fe^^Egg^
O
God,
and
re
-

MOTETTO. SOLO.
/S5>SS_
_

Continued.

389
spir
it

SOLO.

-Cre

5 -
-

ate in

it

Jeit
clean
l

_
=[=|:rzd=i
SOLO.

new

right,

a right

with

in

me,

cast

!T" -'

TT

-*-o'me 1
1 I

S^^^fefe^^S
rr
-eb

C
-'-

heart

r f s o LET 23 BS S53^ pun = E3

I

pa

F
1

e
"P-

tZ

3S

t
FT-t

F.

TUTTI.

SOLO. p~T

O'

^VSOLO.
c>

-J-t

<)

XL
God,
r
'

^t
r~
and
re
-

=SF

' ght
-

Cre

ate

in

me

clean

heart

new

spir

within me.

F^ i:
not a
-

way,

rt w me way
i

rzx
x>
ho
-

cast

not

XL
way,
<>r
5

KE j|i?isai^Eg
cast

-and take
not, take

-er
ly,

3 ^
ho
-

=r-C

me

not

way,

not

thy

ly

spir

- it

from

=3=-=E ?TP= r-rrxrzz^zo ^F rtr T r

:
"

^ ^fPf
Pg*s
cast

SjpSZg

yjl
TT
way,
-

o>,

j=e
take

Jk jW

not

oxm
ii

XL =o^
p

me.
i

w ac % \
l-L
cast

^^s
i

me

not,

me

P
thy ho
-

wfrom
-

not

and

ly

spir

- it

13

Or
ho

p:i

iO-

jQ-

j~Xf
and

ft

XL
not,

ft
r
ly

*r

rx
Spirit

me

not

way,

take

take

not

thy

from

me.

390 TUTTI.

^
Then
will

fefe Se
I

MOTETTO.
Pm_. _Al\ijro.

Continued,
p.

Si
will
I

<>

SeE

:q:
con
-

izo
ver

teach transgressors thy

ways,

Then

teach transgressors thy ways, and sinners shall be

feSf^Sl
ted
to

thee.

Tfsr

d=E

is:

TT

will I Thenrinri

ispgipi^pi^gig= u_r rr rrr f

r
!
'

teach transgressors thy

ways

Then

will

teach transgressors thy ways, and sinners shall ana

'.r

^
-

T
I

isa
i

be con

ver

ted

un

to

thee.

TCTTI. F

ggggg

-r^P"

~~p~r~*~-i
fQ-r=-

!3

:i

irzrr

UN POCO ALLEGRETTO.

YE. REPENT ALLEGRETTO.

ite^
Anthem.
fcfcr
th e

^ 3
of

tK ^r
O
at

SOLO.

i7fX ^
Re
-

:C5Z
re
-

om
T5

ze?

1
for

2^
dom
of

.: iat
heav'n
heav'n
is

pent

ye ,

J-k J
Re
r=r-J-

U
-

pent

-i_--_:_ye

king

hand.

-HF

#>'

ALLEGRETTO.
-n-p-

O'
pent
ye,
re

=tEl
SOLO.
for the

rrr~ fcu^jgji jjjiija

dom, the king
-

^
is

r
at

pent

ye

king

dom

of j

heav'n, of

heav'n

hand.

^ S^H^z#

-eLi^d

CV-

*3I

XX

^fl

J.

A
i

L
-

j r

j.

rr
=3=3==F^ F-

^FES

ANTHEM.

Continued.
TUTTI.

391
OliftT^Ift
-

bf
-;^

oEf

S^SHSgitaHBg
SOLO.
Re
-

Re

pent

Hi
hand,

pent

re

^
SOLO.

EL

#
re
-

T--

"O"

HE
Or
of

pent

ye the kingdom of heav'n

is

at

hand

the

kingdom of heav'n

is

at

Re

pent

3=^
^_

3-J
W
A

PS5
-

PHH
Re
-

PS
Re
_/_A.
-

51

m
kingdom of

ZL
pent

pent

TUTTLI 4_tLA*iJ

I
ye,

e
'

pent,

Repent

ye the

king

dom

is at

hand

is at

hand,

I P^F
r

SOLO.

:_o:

= n:
ye
the

g^
3

Oi.

EEC 23Il|r
heav'n
is

bo
:

TT
heav'n, the

5
hand,

ZOL
-

i
ted

kingdom

at

Re

pent

ye

HI
'$I

TO!

3
ir^i

QI
:cs

15
-p

o#
~>j

:o:

:]_:
SOLO.

^
Re

T =t
r
i

3z

?~
(
of

o.

J~
at

z^zr

r~
"I

iO
-

ye

tlie

kingdom of heav'n, the

i

kingdom

heav'n

is

hand,

Re

pent

*_

fa==L^Z
ZTOT
u

i or Or

:qi

<*r.

T^

*<
r*~

l_i_j. T-

_#-X

392
_-/.

AJVTHEM.

Continued.
g~
is

5=

EEHBir-\
Re
:

r I H r-*
-

hi 1 -*
1

ttzzfznzzt
hand,
is

ZZ
SOLO.

j>ent

ye the

king

dom

at

at

hand.

5=

it
Re

'

pent

pent

=s 5
i

iz

S^
-

m
kingdom of heav'n
is

n
the

"
1

is

iqz:
hand.

-dfct

.J

pent

ye the

at

hand,

kingdom

of

heav'n
J

at
i

SOLO.

m^zzzz^zzz
*s

ff^-r-FI I

._t_Jl

J-J-.

:^zs:

^J
i

h
TrTTI.

1^

W ^ rr
Re
-

f^|^-^z^zz^j=zz;zzj
pent

ye

lb~'

zz^^i^zl
Repent
ye

^
re
-

o
pent

:o:

C>
ye

rz

MODERATO. err

*=*
of r

o
is

* [J
at

The kingdom
n

heav'n

hand

zdJliMli^LUJ
ye
the

xxz
hand. Tl'TTI.
I

h0-

O
1

,,*

-'
L

#<^
J

*<->

king

dom
~i

of heav n

is

at

S=

..
:

H WK
X
i

~~j~

-Xnz

n XZZZ1Z

w~v

<*Repent

zzzzg#:
:^zzfzf^
kingdom
ye,

zl:<3zz*:

zznzjz
ye
re
-

P-:
pent

'""OZEt^TZZZT"
I

-f*r
is

The

Z^gZCZTZp
*'=?1
1 1

1 r=

the

king

dom

.
i
"i

J-

-eU^p-^. -J

.-

TVj

of

heav'n

at

hand.

Q.

of

?P

Oi

,-

of heav'n

is

at

hand

MORNING PRAYER.
TENOR

VENITE, EXULTEMUS.
IOI

NO.
--

1.

Before the portion of Psalms.

-<

ZE
A
ffn
\JX7

--

3
i i

FIRST & SECOND TREBLE.

r* ^y

A
\J

(>

o M
1

1 1

1
-<=*-

"<L>

or

^J

-ST r

_o

Ei

BASE.

2X
:qi

tp
-

TT
sal
all
. -

vation,

ORGAN.
1.

3.

come, let us sing unFor the Lord is a

5. 7.

The

sea

is his,

10.

For he is the Glory be to the Father, and

.... ....

...

to

-the
. . .
-

Lord,

great

and Lord
to
-

-he
-

our the

God; made it God;

Son,

Let us heartily rejoice in the strength of - and a great King a and his hands prepared the and we are the people of his pasture, and the and to the

our

g
4

bove

gods
land,

...

(J

ry

sheep

of his
ly
-

Ho

hand. Ghost.

8
li

Finale.

--

o:

-
~o~
--

J21

~l

-P-

^-

j^SgS

---

--

---

E
O come let us worship .... O worship the Lord in the beauty of
For he coinelh,
for

TT
-

X5~
and show ourselves and the strength of the and kneel be- - let the whole earth
and with righteuusness, world, and the

in
is
-

XE
him
his
-

_lW_J_^

T
-with
our of
his
-

o:
psalms.
also,
3.

Let us come before his presence In his hand are all the corners

with thanks
of
-

the
fall
li
-

giving, earth,

-----

glad
hills

men.

5. 7.

and ho

down
-

fore

the
'.Tl

Lord

Maker.
him.
truth.

ness

stand
judge the
) j

awe
with

9.*
10.
-

he eometh

to

judge

the
is

earth

to

As

it

was

in the be

ginning,

and ever

shall be,

world without

P eo end,

" -

pie

A-

men.

men.

MORN'IXC PRAYER.
TENOR.

GLORIA PATRI.

NO.

2.
-o

After the portion of Psalms.

SJKT
j

:q:
2d

^
-
IOZ
-*

i-

3:
T~
I

ISO

i
~cr

TREBLE.

\h<t

--

zoz

-L

-
:o:

:cr
--

--

--

be

r~

1^
-Son,
!

^c

zx
13:
I

x>
o

m
Glory be
,y

o
to the Father,

Jo
1

:o:
the

JS.

-i

to

o
the

g_

I5I

-Ghost,

and

to

^
i
EtsE

:o:

jj^^^ g^i ^
T
----

and

Ho

2X

X3I

3
1

^=
b
\

^
r
r
is

--

--

cr

--

Jed^H-^J
--

^=rf
'f

m
rr

--

3X
a
c*-

->-

3 ^
^3:

zzrcr

4-

:o:

-Qi

1QI
world without

ry~

^
-

:p
men,

I
men.

was

in

the be -ginning,

now, and ever

shall be,

end,

men,

MORNING PRAYER. PSALM

a

C.

Tenor.

JUBILATE DEO.
:m;
--

NO.
--

3.

After the Second Lesson.

^=t

1st Treble.

2d Treble.
Base.

2
gates with
-

^F xx
p
i

---

221

3
-
sence

-
-p-

a
-p;

--

m.fe
1.
3.

all
-

H T
ye
-

lands
praise

o o
with
of

O be joyful in the Lord O go ye your way into his

serve the Lord with gladness, and

be thankful unto him, and

thanksgiving, and into his Glory be to the Father, and

courts with
to
-

...

the

Son,

and

----------------

-....-..

come

before his

pre

a
his
ly

song.

2.

speak good
to
-

name.
Ghost.

4. 6.

the

Ho

-r

m
1

--

<yzy

22:

^
^

:o:

s
<s8:
2. 4.

--

XX
->

Mo B

he ev ev

^5p^
r

^=g
^1

i3|
xrJi

_o_

33
-

God;lasting; shall be,

it is

a
his-

25

33
pasture.
ration.

23
he that hath made us, and not we ourselves; we are and his truth endureth from gene world without
people and the sheep-of his
ration
-

6.

sure that the Lord - - - For the Lord is gracious, his mercy is As it was in the beginning, is now,and

Be ye

is

na
3. 5.

erer-

to

ge

end

A- men,

neA-

men

A-

men.

MORXIXG PRAYER
In
l

BEXEDICTUS.

NO.

4.

After the Second Lesson.

iinnii.

i
-e-

"J

ORGAX.

~W
S.h

-4

$s
*e-

H
2.

ss:
^v
1
.

=EEgE*|Hy
;

3. 5.

As

Blessed be the he spake by the Glory be to the

Lord - God of mouth of his

Father,
-

"-J
Is

ho
to

ra ly

el

for
-

he hath visited
-

prophets

and

the

Son,

which have and

and - re been since the

to
-

deemed
world
-

his

people.

be
-

gan.

4.

the

Ho

ly

Ghost

C.

IQI

1QC

-O

=3

^=
:

CT

-O-

--

I
--

g:
~\2. 4.
6.

-#r -e
33:

-e-

*
1=.i

;i=Hi
hath raised up a mighty sal That we should be saveu from our As it was in the beginning, is

zp=3r- L-pi

:82=:
in

HHgH
David.
hate us.
-

And

....

vation for us

the

house

of
-

his

ser
all

vant
that

3. 5.
-

enemies

now,

and from the and ever -

hand
shall

of be

world without end.

EVENING PRATER. PSALM

Tenor.

XCVIII.

CANTATE DOMINO.
T
~T3~

NO.
Q~

5.
^51

"CF

cr
2d Treble.

"O
~r

O
--

dr=^=!
or
3~r

:r

:o:

UNISON.

^
P

r[

^
-

c>

sing unto the Lord a

the Lord

new
his
all
-

song;

for

he hath

The Lord declared Show yourselves joyful unto With trumpets,

Let the floods clap
their

sal-

hands and Glory be to the Father, and

let

the hills be jojful together be-

also fore to -

ye and
the the

vation; lands,

shawms O Lord;U=10
Son,
-

his righteousness hath he openly sing, re show yourselves joyful be- -

done - - showed-in the

joice fore to

the

marvell-ous sight-ofthe and - give Lord - the

things.

2.

heathen. thanks.

4.
6. 8.

King.
Ghost;

and

the

Ho

ly

~M-

--

--

TTTT

s:

u:

-
UNISON.

---

?^e
-r

gB
,-J-

m
-Or

12.

T3I

ex?:

2.
4. 8.

With

his own right hand, and with his He hath remembered his mercy and truth towards the house of

6. Praise the

Lord up
all

Let the sea make a noise and lO-U'For he cometh to 12. As it was in the beginning,

that

hath he gotten him self- the vie to - ry. all the ends of the world have seen the salva - tion of - - our God. psalm of thanks - - giving. on- the harp; sing to the harp with a they that dwell there- in. there-in is, - the round world and qui - ty. judge-the earth With righteousness shall he judge the world and the- people-with e is now, and ever - - - shall-be, world -without end.

TT ho-ly
Is
-

321
arm,
el;
-

a
3. 5.

11

ra-

and

-..--...

7. 9.

J> ft tt-

EVEV.NG PRATER. # Tenor

-

FULM

ICIL

BONUM EST COAFITERI.

g~z:

NO.

6.

After the First Lesson.

P*=&
1st

xe
UNISON.

x>

?e

^
fc>

Trehle.

^
^
-

xe
UNIS ON.

XI

.3

=1

2d Treble

xa

o-

*+
O
on
-

:*:
1.

XE
a good thing to give Upon an instrument often strings, and upGlory be to the Father, and
It is

3.

5.

thanks- unto the on - - the the to

Lord,
lute

Son,

and to sing praises unto thy name, upon a loud instrument, and up and to the

Most
the
ly
-

m
2. 4. 6.

Highest.
harp.

Ho

Ghost.

-^r

--

XE

3
> =8

xe

ice

--o-

-o

XE

iff

-O-

x>

XT *f

-O^
J

1
i

^
XE
2.
4.

*
:cr

To

of thy loving kindness early For thou Lord hast made me - As it was in the beginning, - - tell

the morning, glad through thy works ;

in
-

^f=^
-

5
now,
-

tXE
r and of thy and I will rejoice in giving praise and ever shall be, world without
for the ope-

T
night of -

truth - in the ra - - tions

season.

3. 5.

thy

hands.

is

end.

A-

men.

A-

men.

EVENINC PRATER. PSALM LXVII.

_
Tenor.

DEUS MISEREATUR.
n

NO.

7.

After the Second Lesson.

4fce
\Jp
*

"
Treble.

o
l

o
<->

-or-Hi

0"
firr

1st

JLhf* ^
2d Treble.

o
_c-

o
*1
f\

t*

1 1 I
1

ol

uo
t

Q
d
i

o
"-

o
,-,

1 1
1

(?)

* N-'-hf*

l_/

U
1.

o
be merciful unto us and Let the people - - - - Let the people Glory be to the Father, - -

o
....
O O
us,

vJ

~
and show us the light of his countenance, and be merciful
yea, let all the people yea, let all the people and to the

i
i

1
1
1
-

God

3. 5. 8.

bless praise thee, praise thee, and - to the

God, God,
Son,

-----------------------

un

to
-

praise praise

us. thee. thee.

2.
4. 6. 9.

Ho

ly

Ghost.

2H
--

25

c>

-o

UNISON.

"cy

s
r

x?:
-or

22
-r

-&

25:

3K
-Or
-Or

m ^f
2.
4.
6.

s
-

^r
earth
glad;-

That thy way may be

O let the

known- upon
joice - and be forth- her inbless is
-

nations re

Then shall the earth bring ET7. God shall 9. As it was in the beginning,

crease; us, -

now,

thy saving for thou shalt judge the folk righteously and govern the and God, even our own God shall and all the ends of the and ever

-----

a^
-

o lo
-

2?

health

mong
on
bles fear
-

all
-

nations
earth. sing.

3.

nations- up

5.
7. 8.

----------

give us- his

world
shall

shall

be

world-without

him. end,

evening prayer. PSALM cm.

BEXEDIC AXIMA
Ul

5-e'

^
-Q-

-&-

JIEA. NO. o

8.

After the Second Lesson.

^
1

HHill
i

3 3X ^
5=3 T
-

--

- -

rr~r

^r-C
~

_L

ICE
soul
sin,-

ZT
and all that and healeth
ve that
fulfil
is

T
ho--)vfir-

1.

3.

5.
?.

Who O

Praise the Lord forgiveth praise the Lord ye angels of his, ye that exGlory be to the Father, and

O
all

ray

within me, praise his

thine in

name.
ties.

2.
4.
I

thy
-

all

mi
ly

eel-

in

strength,

his

commandment and hearken unto

the

voice

of his
-

to

the

Son,

and

to the

Ho

word. Ghost,

i:

l'raise the

Lord
life all all

4.
I

Who
()

O
ye works of his
in all places

my

saveth thy

praise the Lord

it

> 7.
(l

O speak good of the Lord,

was
in the

of

from-desye - hishis - do-

soul, traction, hosts, rninion

and forget not - - and crowncth thee with

vc servants of Praise thou the and ever
-

all

his
that
-

be
lov

fits.

3.

rnercy-and
his
-

ing
-

kindness.
pleasure. soul

5.

do

his

7.ILT

Lord
shall

Aa

beginning,

is-.,

&

now.-

be,

world without

end.

EVENING PRAYER. PSALM

Tenor.

XCVIII.

Additional
-
r

CANT ATE DOMINO.

iq:

NO.
zs

9.

After the First Lesson

:a

-3r

1st

Treble.

<^
:Q

WW
<2A

XT

Treble.

F
-

23
F

-o--

^3?
-o
-

^
TY^3
marvel-loussight -of the and - give Lord - the -

:q:

-O-

eF
1.

-o-

--

3. 5. 7.

sing unto the Lord a The Lord declared Show yourselves joyful unto the Lord,

^
new
his
-

-f
-

song

for

he hath
-

sal

vation
lands,

With trumpets
Glory be

----and

all

10.

to the Father,

also to -

ye and

his righteousness hath he openly sing, re

done- - - showed -in the

joice fore
-

things.

2.

heathen.

4.
6. 8.

shawms,
Son,-

show yourselves joyful be

the-

and

to-

the -the

Ho

ly

thanks King. Ghost.

11.

IDl

zo:

--

s:

B^^^^E^I

2. 4.
6. 8.

With

his own right hand, and with his ho He hath remembered his mercy and truth toward the house of Is

ly
ra-

11.

Praise the Lord up Let the sea make a noise and As it was in the beginning,

onall

that

the there-in
-

--

hath he gotten him ; el; and all the ends of the world have seen the salharp; sing to the harp with a is,the round world and

arm

self

the

vie

to-

ry.

3. 5.
9.
-

va - tion of - our Psalm- of thanks- -

God.

giving.7.

is

now,- and ever

they that dwell-there- in. shall-be, world without end.

Additional

CAXTATE )OMIXO.

Continued.
:o

^uozt: IM
o o

^
apsf zozr
_s
d

SSI

--

o~
_o

SBs '^ff
,-J-

ZQI

3 13 rP tor.

Si
Si
e

-
K
'" 9
'

hw'^^fi"tortS^l

W'^''^

M
and with righteousness
shall he

et
-

^'e-

fore - ,he

Lord

for

he cometh to

judge the

earth;

judge the world and the

people with

qui

ty. 11.

V_

MORMXG Tenor.
ID

I'll

i;

Additional

GLORIA PAT II I.
r

XO. 10.
_^n=

After the p rtion of Psalms

>-e
Alto or 2d Treble.

"i

mt
~o~
Son,
-

--

-o-

fsH
o. II
;

#5
t

T"

is:
-

rsziix:
to
-

-and
to the
-

tr^g-

Glory be to the Father, and

the

Ho

]y

e==
^
it

^g=| cD
-g /-
-

T -o
c
'

_Q_
-

beginning,

r
--

:o:
now,
-

As

was

in the

is

and ever

shall be, -

world

mm^^m
-

mm
-

Ghost

&
.

without

end.

men.

ANTHEMS
329 372 Motetto. 340 Sentence. 295 . . Behold, Lord is my salvation, Motetto. 302 . Blessed are they, O Lord, Motetto. 379 Blessed is the man, (first Psalm,) 316 Sentence. Blessed be the Lord forever more, Motetto. 317 Blessed is the people that know, Motetto. 274 Create in me a clean heart, . Anthem. 299 Christ our Lord is ris'n to day, Sentence. 288 . Daughters of Jerusalem, Funeral H. 332 Eliot's memory First Psalm Motetto. 379 Miss. Hy. 366 Father, O Father, Doxologie. 309 <$ Great Jehovah! Anthem. 271 . < Glory to God on high! Anthem. j> God of salvation hear us, 260 <j> Gracious Spirit, love divine, Choral An. 253 -4> Great God our voice to thee we raise, Anthem. 211 How beautiful upon the mountains, Motetto, 374 Hail thou long expected Jesus, . Anthem. ' 247 Anthem. 110 < He, who on earth as man was known, 100 Anthem. ^> How sweet, how heavenly is the sight, How wond'roiis great, thy and works, Anthem. 273 <j> Motetto. 293 <> I will arise and g> to my Father, <j> Kingdoms and thrones to God belong, Anthem. 41 <$ Let children hear the mighty deeds, 102 Anthem. Lord dismiss us with thy blessing, Doxology. 256 Men of God, go take your stations, Anthem. 324 My heart is fixed, O Lord, . Motetto. 285 My voice shalt thou hear, Sentence. 371 <> Mighty God, eternal father, Anthem. 255 O give thanks, 349 . Motetto. O praise God in his holiness, Motetto. 336 212 <> O thou, that hear'st the prayer of faith, Choral. Praise God, from whom all blessings flow, Doxologie. 323 <J>Praise God, from whom all blessings flow, Anthem. 298 Praise ye the Lord, praise the Lord, Motetto. 311 < Praise the Lord, ye heavens adore him, Anthem. 249 <* Praise ye Jehovah's name, Anthem. 272 Repent ye, for the kingdom of heaven: Anthem. 277 < Sav Lord, or we perish! Hymn. 348
of the Lord, awake!
.

METRICAL INDEX. CHAIVTS.

Motetto.

Arm

Hymn.

Awake! ye saints, awake! Behold, God is my salvation,

.

Anthem.

j
t

j j

Sing unto God, O ye kingdoms of the earth, *$> Songs anew of honor framing, The glory of the Lord, <J> The grace of our Lord Jesus Christ, The Lord is great! The Lord will comfort Zion, The Lord is in his holy temple,

j
j

j
i

j j I
!

....
. .
.

280 258 Motetto. 354 Sentence. 338 Anthem. 306 Sentence. 369 Motetto. 320 Qr To God the father, Sent. Dox. 339 Through every age, Hymn Dox .334 Choral An. 270 < The day is far spent, <$ The voice of free grace cries escape, Anthem. 268 <$ There is an hour of peaceful rest, Anthem. 263 When the Lord shall build up Zion, Recit. 8c Motetto. 289 Wo unto them, Hymn. 362 <*> When stern oppression's, (Independence) Hymn. 347 4* Ye servants of God, Temp. 378 < Ye nations round the earth rejoice, Anthem. 17

Anthem.

7's.
Page

or

6's.

Pee.
252.

12>s.
Page
268.

8's.
Page
257-279.
fe

6's.
Pag.s

8's. 7's.
8's.
Fage

4's.
256.

Commencing page

& 6's.

& 4's. 7's. & 6's.

271-272.

Page
263.

274.

8's. 3's. A: 6's.

Page
275.

lO's.
Pages
264, 265, 266.

....

lO's.

&
&

It's.

5's.
Page

& 7's.
&6's.

378.

Pages 267, 270,275, 276, 378.

5's.
Pages
269-270, 279.

Page

273.

Il's.
Page

I3's.
277

8's. 6's.
rage

& 4.
278

j 1

j
j

Metrical Index, &c.

i
i

|
\

L.m.
Page
7, as far as

page

89.

S.
(

P.

I?I

j j 1

'd

mmenciug page

Chants.
213.
j

C.
Page 90, as

M.
page 149.

far as

h.

mr.
21S.

Venue, Extillemus Domino,

Gloria Patri,
Benedictus,
>

Commencing page

...

s.
Page 150, as

n.
page 189.

far as

7>s.
Commencing page 230-252.

Jubilate Deo,

i
I

<

18. Lines. Commencing page 190.

L.

& 7'.*. Commencing

8'*.

.... .... .....

No. 1 No. 2 No. 3

4
Ne.
.No.

Cantate Domino,
!

5 6
7

page 246, and pages 239, 240, 253 & 255.

Bonum

est Confiteri,

l. p.
j

m.
202.
|

Commencing page

7'$.
Page

6 Lines.
250-251.
j

Deus Miseratur, Benedic anima Mea,

No. No.
No.
No.

8 9

C. P.

M.
209.
j

5's. &: 8's.

Page
252
i
j

One additional Cantate Domino, One additional Gloria Patri,

Gloria in exceUis,

No. 10
11

Commencing page

Signifies Short

Anthems,

Hymn

Style.

INDEX OF THE TUNES.

Abt Vogler, H. M. Adoration, L. M. Agricola, B. M. Allegris Chant, C. M. Amon, ],. M. Vincrican < 'hant, L. M. American Psalm, < '. M.
2-28

Chestnut Street, L. M.

9
157 117 54

Chapman,

L.

M.

Christmas Chant,
Clenienti, 7's.

S.
-

M.

Convent Chant,

L.

M.

43 98
201

Ambrose,

L.

M. 6
/'.-.

fines.

America, L. M.

Vmsterdam,
Aquuilfl, L.

&
-

(?s.

M.
!..

Arkansuw,
\tl>< i~t.S.

M.

7 274 49 63
189

Contanai, S. P. M. Confession, L. M. Confidence, L. M. 6 lino*. Consolation, L. M.

J

M. Columbia, L. M. Crucifixion, L. M.
(

'iillociition,

L.

...
-

M.

'ubn, 8?s.

59 58 100 245 42 216 39 199 54 38 99 50 279

io 145 119 145 57

Evidence, S. M. Exploration, C. M. Expiation, '. P. M. Exhortation, C. M. Factum, C. M.

<

187 91
-

Hiller, L.

M.

211
!2

Hieht, 10V. Hope, C. M. Hofmeister, C.

Festival Tune, S. M. Festival Chant, H. H.

90 150 227
147
22i
i

Feska,C. M.Ferari, II. M. Firmament, L.

Flints Tun.',

Homilius, 7's. Honesty, C. M. Hosanna, C. M. Hoseah, L. M. 6 lines. Humility, c. M.

.... --...
-

56 266 98
147

M.

237 93
'.hi

196
146
!X>

Rf.
7's. -

36

Hummel,

.-'s.

&

CM.
M.

4.

Frescobaldi,
Galilee, ll's.

7's.

258 231
182

Front Street, Chant, S. M.

-

Huasitan Chant, C. M. Hunn lor all .Mankind. 1- M. Iconium, S. M. Illinois, L.

-

116
17

1-7

Bach. Seb. H. M.
Baptist, L.

219
40 185

M.

Barrington, S. M.
iioven, ?'s.
Belleville, S.
liitliynia, C.

230
I..

M.

Bishop Heber,
Boston,
!'.

M.

1..

M. M.

185 12 107 51
121

Dan/is' Chant, S. >I. Darkness, C. M. Death Chant, C. M. Devotion, C. M. Denton, I.. M. Diabelli, ~'s. H lines.
Distress, L. M. Dittersdorf, S. M.
-

German Chant,
Gilead, L. M. Gluck, 7's. or
i>

I..

M.
-

Gibeon, L. P. M.
r's.

269 43 202
193
-

Immortality, L. M. Innocence, L. M.

...
-

lines. -

Independence, L. M.
Indiana, L. Ireland, C.
Isaiah, 3.
Israel, L.

&

7's.
-

240
12

250 85
159

God's Presence, L. M.

Gomorrah,

L.

M.
-

84
11

M. M. M.

63 87 34 347 59
126
153

-\

iloiu

Square, Chant, O. M.

Bryant, L.
(

M.
H.
-

Iniinabicli, ('.

Calvin, L. M.
<

36 100 53
84 g is 105

Doria, C. M. Eastport, !>. ML Caster Hymn, L.

149
.M.

Ebcrwein,

S.

I*.

M.

'aiphns,
rUIUIttU,
';.;.
1

1,.
1.

<

M. M.

Eischlelmn, 10's. & 11's.or Eiaenhofer, L. M. Eliot's

IV.

22 33 217 270
81 52

Gospel, L. M. Gratitude, L. M. Green Valley, To.

M.. .

13

Graun, 8'Si \: 7's. Gruner, 8's. 7's. >!t 4's. Great Britain, C. M. Greenton, C. M.
Hallelujah, C.
1

236 247 256

1-23

Jericho, S. M. Jewry, L. M. 6
Joniclli, 7's.

151
l!^i

lines.
-

padoei. i, ( '. M. Catliedral Chant, I..

Hymn,
8's. 3's.

L.

M.
6's.
-

M. M.

(
(

"i'|m-

Ann
(

Chant,
1..

<
'.

nchrea

'bant, 1~

M. H. M.
-

26 120
85 213 86 200 23

Khun,

&

275
183 155 177
-

Handel's Song, L. M.
laslinger,
'..

lines.

<

!herokeea,
'hur.-il

M.
I..

Eleazar Chant, S. M. Kpaphras, S. M. Episcopal Chant, S. M.

i

Cherubim,
(

S. P.

Song,

M. M.
t'<

Eternity, C. Ethiopia, I..

M. M.

lot;

Hanson, 10's. Haydn's Chant, S. P. M. Harpshead, S. M. Hartford Chant,

I..

...
-

125 105 190 55

2J4

Job, L. M. Joshua. C. King David, L. M. King Solomon, C. M.

M.M.

--M.
-

233 34
115

20
102

King

street, L.
1_
8's. 7's.

60
81

Koerner,
Kospotli,

&
or

7's.
8*8.

or
<Si

7's.
7's. -

214- 215 178

Kreutzer,

Krommer,
Kuhlau.

L. P.

H.
10's.

<
(

'horister, L.

M.

lines.

Ihristian

Hymn,

I..

M.

Evening Hour, B. M. Evening Cliant, I.. M.

28 188
-

M.
-

HO
97

Kuhnau's Chant,
10's.

40

Harmony Cliant, C. M. Hebrew Hymn, L. M.

&

1Mb.

254 239 206 265 267

152

29

Latria. S. of.

INDEX OF THE TUNES.

Latrobe, 7's. Leo Hassler, 7's. Lecture, C. M. -

238
241

Nantucket Chant, C. M.
Natchez, C.
Nashville,

Lombard's Chant,
Lent, C.
Life's

7's.

95 243
148 1 13 104 122

CM.S.

31.

Neukomm,
j

M.

M.

Thought,

CM.M.
-

New

Bethlehem, S. M.
8's. 7's.

120 127 127 158 152

M. Punta Delgada,
Priscilla, L.

8's.

Kameau, L. M.
Redemption,
Reicha,
i

C M.
8,

7's.

or

Neefe,

&

&

7.
-

47 257 82 94 253
16

Sumatra Chant,
Syria, 10's

S.

& ll's

M.
-

1^1

Telemann's Chant, 7's. Temple Song, L. M. Tetrarcli, L.

4.

Life's Pilgrimage, C.

Litchfield, C. 31.

Lowett, L. M. Lottis Chant, C. M. Luther, L. 31. Luther's Chant, L. M. Luther's Song, C. M. Lystra, S. M. Lynn, C. M.
-

32
-

Marehner, 8's. Mason, 8's. &. Marpurg, TV.

Marcello,
7's.

& 4's.
6's
-

...
-

117 10 44 109 153 ]22

New England, L. M. New Jerusalem, 12's. New Jerauld, 8, & 7. New Nazareth, C M.
Niueveh,

259 s 35 268 248

114

Regency, L. M. Reinemhrance, L. M.
Rieder's Chant, Ries, F. 7's. Righini, 7's.
8's. 7's.
-

& 4.
-

CM.

'

244 263 238 233

41 126

Niagara, S. M. Nova Scotia Chant, S. M. NorthChurch, L. M. Obligation, M. Old China,

114 186
181

.Magnificat, L.

Marlow,
Maurer,

C M.
6

M.
-

Old Hundred, L. M. Old Chant, L. M. Old Jerauld, 8, 7. Olympus, L. M. Onslow, 5's. 8's.

&

Massachusetts,
7's.

8's. 7's.

&
-

&

62 97 377 89 42 248 47 252

15

C M. Rosetti, M. Roxhury, C M.
Romberg,
11.

Roman

Chant,

7's.
-

Sabbath, L. M. Sabbath Chant, C. M.

27 262 245 235 242 128 224 124 37

118 19

M. Temple Chant, L. M. The citv of David, L. M. The Holy City, L. M. The pious man, L. M. The rich man, L. M. The righteous, L. M.
Thessalonica, L. M. 6

275 243 32 24
4h"

33
87

88 203
-

lines.
-

Thanksgiving, S.M.

31 194 184
15(5

Tomascheck,

S.

M.

Treasure, L. M. Transientness, L. M.

14

Sanctifieation, L.
Salieri,

C P. M.

M.
-

Trust, C.

M.

4's.
-

276
251 53
-

Orator, L.

M.
-

Samaria, L. M. Santa Crux. S. M. Sabbath Morning, L. M. Schneider, 7's. or 6's. Pec.

Seyfried,
(."s.

209 25
183 8

Tychicus, S. M.
liowetti, L.
Utica, S.

48 148 154

M.

26
10.1

rngelenk.C. M.

M.

lines.

Orthodox, L. M.
Oreville, S. Otis, L. M.

M lanchthon,
Mehul,
8's.

L.

& 7's.

M.
-

M.
-

31 178

&.

4's.

249
21 112

Messiah, L. M. M<--thfessel, C. M. Metz, 7's. Missionary Song, C. M. Missionary Chant, L. M. Mozart's Song, L. M. Montreal, S. M. Mortality, L. 31.
-

Paer, L.

M.
7's.

Palestrina,

61 83 235
191 177

Shadrach, L. M. 6 lines. Shimmin8's. 7's. Silvanus, L. M. 6 lines. -

&

252 272 195 244

197 146

Lxhridge, L. M. Vera Crux Chant, S. M.

182 64 179

Yierling,
Viotti, L.

8's. 7's.

&.

4's.

Sinner,

CM.
L.

232 103 45 30
186

Paniphylia, L. M. 6 lines. Pastoral Chant, S. M. Passover, S. M. -

Sodom,

M.

Moravian Chant, L. M.

205 45
106 108 118

Morning Prayer, C. M. Morning Hymn, C. M. Mounting Chant, C. M. Mount Sinai, H. M. Mount Horeh, 10's. & ll's. Mount Horeh, ll's. Mount Vernon, L. M.

Muffat,

7's.

or

8's.

&

7's. -

Naumann, H. M.

222 276 361 57 246 220

Patmos Chant, M. Peace, L. M. Penitence, L. M. Pergolesi. H. M. Percival, L. M. Persis, M. Persecution, L. M. Phehe, S. M. Pickering, H. M. Pisari, L. M. Pisidia, S. M.

189 121 88 23 229

18

Spazbr, 8's. 7's. Spohr, L. P. M. St. Luke, CM. St. Timotheus, St. Simon, L. M.
St.

& 4.
-

...
-

86
261

M. Volland, S. M. Ward, L. M. Waker, L. P. M. Waynesboro' 31.

Weigl, 8's. Weinlich, S.

207
-

&

260 83 157 64 208

125 254 158 234 257

7's.

C M.
S.

Domingo Chant,

M.

Piccini, 8's.

&

... ... ...

-

109 16 154 221

Steffimis Chant, L. M. 6 lines. Staddler, L. M. Stoelzel, H. M. Sterkel, 8's. &. 7's.

116 110 8 179 198

31.

Weber,

7's.

...
&
-

Sussmaier,

6's.

&

55 223 255
271
-

Webster's Chant, 8's. Webb. G. 5's. 6's. Wessely, 7's. World's Prayer, L. M. Wranitzkv, O. P. 31. Zaccheus, S. M. Zacchini,

273 230
89 212
150

4's.
-

C P.

31.
-

56
188

Sunrise, L. P. Supplication,

C M.

M.

7's.

Pilgrim's Chant,

7's.

239 242

Surinam, Sunbury, S. M.

...
-

204 95 361 180

Zanesville, S. 31. Ziklag, 7's. -

210 180 236

159

Zumsteg,

S. 31.

Again the day returns, 10's. All !>.ul, incarnate God! II. M. All power and grace to tiod belong, I.. 51. Almighty Maker of my frame, I.. 5l. Almighty Father of mankind, M. Along tlie banks where Babel's current Bows, At anchor laid, remote from home, L. M. Awake, mi soul, Btretch every nerve, C. M. Awake, my soul, Ui a mud his praise, C. M.

....
-

INDEX OF THE
266 226 38 56
148

H1'.?1.\S.
How
beauteous are their feet,
plcu.,'d
13.

...
-

10's.
-

263 64
-

Awake, awake ihesucred song, C. 51. Awake, and sing the song, S. 51. Awake, my tongue, thy tribute bring, L. M. Awake, ve saints, to praise vour King, C. M. Ainid tliy wrath, remember love, C. M. Arise! arise, with joy urvey, L. M. An..- O Lord, lift up thioe hand, C. M. -

-99

103 106 109 185 8

149

Depth of mercy! can there be, s '-- 8c 7'.-. or 7's. 254 Deep are the wounds which sill hfU made, L. M. Cha: 42 Deep are the wounds which sin has made, L. M. lly. 19 Deep in our hearts let us record, L. M. 81 ]87 Did Christ o'er sinners weep, .S. M. 190 Eternal Father! God of love, L. M. 6 lines. 13 Eternal God, celestial King, L. M. 52 Eternal God, celestial King, L. M.
Eternal Wisdom, thee we praise, C. M. Exalt the Lord our God, 8. M. thoughts, tain world, from begone, L. M. my Far Father of mercies, in thy word, From all that dwell below the skies, L. M. From Jesse's root behold a branch arise, Forever blessed be the Lord, L. P. H. Give thanks to God most high, H. M. Glory to God on high! 6's. St 4's. God is our refuge in distress, L. 51. 6 lines. God of my life, Uiy morning song, (". M. God of cur salvation, hear us, 8 *. 7's. &. 4's. Go preach my gospel, faith the Lord, L. M. Gracious Lord, disclose thy w iy, 7's. or 6 pccul. Gracious spirit, love divine, 7's. 8's. <St 7's. Great God attend while Zion sings, L. M. Great <i'l ir voice to thee we raise, C. 1*. 51. Great God weeing iliy mighty hand, L. 51. Great God, whose universal sway, L. 51. Great God, the nations of the earth, C. 51. Great is the Lord, exalted high, L. 51. Great is the Lord our God, 9. 51. Great shepherd ofthine Israel, L. 51.

M.

How
How How How How How How
If
I

and

blest

was

I,

S. P. 51.

... ... ...

-

bow heavenly is tin- sight, C. 51. pleasant 'tis to see, S. P. 51. precious Lord, thy sacred word! C. P.M. vain are all things here below, C. 51. vain is all beneath the skies! L. 51. won. f rou- and great thy works, t< 6's.
sweet

155 213-217 100 2H> 210 113

42
273
-

5V
-

122
]

.39

human kindness meets return. C. M. know that in \ Redeemer live.-, L. 51.

.

114 88

CM.

Arise pie, and adore, <.'. 51. Be thou, tiod exalted high, L. M. Before Jehovah'* awful throne, L. M. Before the heaven* were spread abroad, L. M. Behold how the Lord has girt on Ilia sword, 5's. Behold his wondrous grace! S. M. Behold, the blind their sight receive! Behold the lofty sky, S. if. Behold! what wondrous grace! S. M. Blesl are the humble souls that see, L. M. Blest be the tie tii.it bind-, S. M. Blest comforter divine, S, If, Blest i- tin' man, forever blest, L. M. Blest is the man, who shuns the place, C. M. Blest is the man, whose tender care. L. M.
|

53 115 120

... ...
-

SV ... ...
&
-

89 28 43 252
178 43 lo* 180

48 112 20 264 206 224 271 196 108 260

11

252 253 57
211

.... ...
-

24 160
159

44 23
-

91

-:

i.1

the

man whose
liv

ray soul, the

soft'niog heart, ing God, L. M.

M.
-

23 93 59 118 83
14

Breathe, Holy Spirit, from above, L. M. Brightness of the Father's glory! 7's. or 8's. & 7's. here longer to detain me, 8's. & 7's. u>e, ye mourners, cease to languish, 8's. Sc 7's, me, all ye servants of the Lord, L. M. 6 lines Come divine and peaceful Goest, 7's.
i

246 244 254

198

Have mercy Lord, on me, S>. 51. Hark! from the croi-s a voice of peace, L, 51. Hark! what mean those lamentations, 7's. 7's. Hark! that shout of rapturous joy, 7's. Hark! the song of jubilee, 7's,
Hail great luunanuel, all divine, L, Hail thou long expected Jesus, 8's.
51.

... ...
-.

59 Ig3

62 55

181--i.'>2

extol thee, Lord, on high, L. 51. ^6 u J spread my sins before tl" Loi 51. I'm not ashamed to own my Ls i:. C. M. 147 In Judah the Almig ty's known, L. 51. 6 line-. 193-6 In deep distress, I oft have cued, L. 51. 6 line.-. iOO In (iod's own house pronounce his praise. C, 51. 116 In mercy, not in wrath rebuke, C. 51. '01 Indulgent sovereign of tbe skies, L. 51. 98 Jehovah reigns, he dwells in light, L. H. 16 Jesus wher'er thy people meet, L. 51. 55 Join all the glorious names, 11. 51. 22?> Judge me, U tiod, and plead my cause, C. 51. 125 Kingdoms and thrones to God belong, C. 51. 41--63 Let all the earth their voices raise. L. P. N, 207 Let all the land.-, with shouts ofjoy, C. 51. 105-126 Let children hear the mighty deeds', (.'. 51. 102 Let every creature join, H. 51. 2il Let death dissolve mv body now, C. M. 145 1">~ Let sinners lake their course, S. 51. Lord, what our ears have beard, S. 51. 182 Lo! God is lure! let . 12 adore, L. M. Lo! the uiii;litv God appearing, S's. 7's. 4'.-. 261

I will
I

...

....
&
7's.
-

ic 8's,

233
179 . 109 40 47 1S-60
-

He

Spirit, come, S. 51. in.-, holy spirit, heavenly dove, C. M. Come, holy-spirit calm each mind, L. in, thou blessed of the Lord, L. M. <) my soul, in sacred lay, L. M. in Iren of the heavenly King, 7's. a.isl, whose glory fills the skies, 7's. 6 lines. Christ, the Lord, is risen to day, 7's.

Come, Holy
i

dies! the friend of sinners dies, L. M. He, who on earth, as man was kuovvn, C. He saw the nation lie, H. M.

51.
-

He He

reigns! the Lord, the Savior reigns, L. 51. that hath made his refuge God, L. 51. -

216 243 237 48 247 50 110 225 21 58

194 31

Lo! die Lord Jehovah liveth, 8V & 7's. Lo! he comes, with clouds descending, 8's, Life is the time to serve the Lord, L. 51. Long as I live I'll bless thy name, C. 51 Lord dismiss us with thy blessing. 8' 5 7's. Lord let us to our tefuge fly! 51. Lord, m; God, h w long by thee, 7'.-. .

7V k
-

4's.

239 276 97-203

-

in 4's
-

97 256 119
241

Loud
Lord, Lord, Lord, Lord, Lord, Lord, Lord, Loid, Lord,

Hallelujah's to the

I.'. id,

L. 51.

...
-

Create,

God, my pow'n anew,

troiu

8's.

&
-

4's.
-

Defend me. Lord.

shame,

Si.

11.

234 251 213 211 188

lie that has (iod his guardian made, L. 51. Happy the man whose cautious feet, L. 51.

lines.
-

hear me, when w iihoiil disguise, C. 51. hear my words, my spirit see, L. 51. hear the voice of my complaint, C. M. how shall \vi etched sinners dare, L. what a wretched land is this, C. 51.

22 95

82 85 34
104 37 95 182 121

Hear my prayer, Jehovah hear! High o'er the lieav'ns supreme,

7's.

alone, L. 51.

rJoaanuah to our conquering King, How short and hasty is our life! C.

CM.
51.

238 26 96

US

how delightful 'tis to see, L. 51. what is man. poor feeble man. C. 51. what our ears have heard, 8. 51. who among the sons ol'nieu, C. 51.

INDEX OF THE H/MNS.

Lord, when thou didst ascend on high, L. M. Lord, we come before thee now, 7's. Lord, I can suffer thy rebukes, L. M. Lord, what a thoughtless wretch was I, L. M. Make us by thy transforming grace, L. M. Mine even and my desire, S. M. Mighty' God, eternal Father, 8's. & 7'*. My God, my King, thy various praise, 35-60

245 86 86 12 183 255

51 180

Raise your triumphant songs, S. M. Rebuke me not, Lord, forgive, C.

...
M.
-

My My My My My My
No

God, my

life,

spirit looks to

soul, he on thy guard, S. soul,

my love, S. M. God alone, L. M. M.

tie day, C.

...
M.
-

29
189 120 145 54

come meditate

Rejoice in Jesus birth! S. M. Safely through another week, 7's. 6 lines. 250 Search my heart, my action prove, 7's. or 8's. & 7's. 240 Sing praises to our God, S. M. 153-1 Sing to the Lord, ye distant lands! 105-121 Lord high, Sing to the most S. M. 134 Shall we go on to sin, S. M. 189 Show pity, Lord, O Lord forgive, L. M. 45 Show pity, Lord, O Lord forgive, L. M. 84 Stand up, and bless the Lord, S. M. 156

150 120 160

Thus

far the

Lord hath

led

me

on, L.

.... CM. ....

M.
-

soul lies cleaving to the dust, C. M. soul, thy great Creator praise, L. M.

Stand up, my

soul,

shake

oft'

thy fears, L.

Stay, thou insulted spirit, stay, L.

M.

shock, L. M. Not to the terrors of the Lord, C. M. Now begin the heavenly theme, 7's. Now be my heart inspir'd to sing, L. M. Now may the God of grace and pow'r, L. M. all ye lands, in God rejoice, C. M. all ye lands, rejoice in God, C. M. bless the Lord, my soul! S. M. God, thou art uvy God alone, L. M. God, my gracious God, to thee, L. P. M. God, my heart is fully bent, C. M, God of hosts, the mighty Lord, C, M. God, to earth incline, S. M. holy, holy, holy Lord, L. M.

change of time

shall ever

22 117 235
30

Sweet

is

the work,

So let our lips Son of God, thy

Songs Songs Songs Sweet

my God, my King, L. M. and lives express, L. M.

blessing grant, 7's.

O O O O O O O O O

88 94 107
1S6

63 208 126 98
150 9 236 16 185 267 90-124

O
O O O

how

blest the

man,

7's.

Lord, how many are my foes, L. M. Lord, our heatenly King, S. M. praise the Lord! prepare. 10's. & ll's. render thanks, and bless the Lord, C, M. thou, that hear'st the prayer of faith, C. P. M. Zion, tune thy voice, II. M. On the mountain'* top appearing, 8's. 7's, & 4. M. On Jordan's stormy banks I stand, Opprest with guilt ami full of fears, C. M. Our days are as the grass, S. M. Oh may my heart by grace renew'd, C. M. Oh that men their songs wotdd raise, 7's. Oh! that I knew the sacred place, C. M. Oh praise ve the Lord, prepare a new song, 10 & 11 Oh praise the Lord, fur he is good, Oh praise ye the Lord, prepare your glad voice, Oh where shall rest be found, S. M. Pleasing spring again is here, 7's. -

O O O

...

CM.

Praise to God, his glory bless, 7's. Praise to God! immortal praise, 7's. Praise the Lord! ye heavens adore him, 8's. Praise ye Jehovah's name, 6's. & 4's. Preserve me Lord in time of need, L. M

...
&
-

7's

212 219 259 117 114 186 148 238 146 279 123 276 182 236 232 231 249 272
57-85

M. of mortal praise belong, of praise the angels sang, 7's. anew of honor framing, 8's. 7's. 4's. the time, exceeding sweet! 7'e. Thanks for mercy, Lord, receive, 7's. Teach me the measure of my days, M. 'Tis by the faith of joys to come, L. M. The festal morn, my God is come, P. M. The flowry spring, at God's command, L. M. This is the day the Lord hath made, M. This is the word of truth and love, L. M. 'Twas by an order from the Lord, L. M. 87 There is a stream, whose gentle flow, L. M. 64 There is an hour of peaceful rest, 8's. & 6's. 263 The Lord is our shepherd, ll's. 269 The Lord my pasture shall prepare, L. M. 6 lines. 192 The Lord my pasture shall prepare, L. M. 6 lines. 201 The love of the spirit I sing, 8's. 257 The Lord hath spoke, the mighty God, L. M. 6 I. 191 The heavens declare thy glory, Lord, L. M. 38 The Lord! how wondrous are his ways, L. M. 81 The Lord on high proclaims, S. M. . 158 The Lord in Zion ever reigns, L. M. . 31 The Lord is our shepherd, our guardian, ll's. 269 The Lord is judge before his throne, L. M. 56 The Lord my shepherd is, S. M. 179-185

... ... ... & ...

-

C C C

32 54 15 46 230 126 235 258 230 242 120 39 209 32 127 36

Thou blest Redeemer, dying Lamb! M. The voice of free grace cries, 12's. Thrice happy man! who fears the Lord, L. M. Through every age eternal God, L. M. Thy name Almighty Lord, S. M. The rising God forsakes the tomb, L. M. To bless thy chosen race, S. M. To God I cried with mournful voice, C M. To God I lift mine eyes, 11. M. To God, the great, the ever blest, L. M. To God the Father's throne, H. M. To our Redeemer's glorious name, M. To thy temple we repair, 7's.

46 116

268 61 83
181

...

50
151

146

C ...
&

To

thy pastures, fair and large, 7's. Unveil thy bosom faithful tomb, L. M. Vainly through night's weary hours, 8's.

228 49 220 92 242 245

87
7's.

Wake,

my

soul,

and

hail the

morn, L. M.
-

Wake

We come

the song of Jubilee, 7's. with joyful songs, S.

delightful

248 33 233
-

M.
-

152

Welcome,

What glory gilds the sacred page, C M. When at this distance, Lord, we trace, L. M. When dangers, woes, or death are nigh, L. M. When death appears before my sight, C. M. When gathering clouds around I view, L. M. 6

morn! H. M.

227
122 10
-

When
With

youth and age are snatched away,

C
&

lines

88 98 199
119 202 239

M.

grateful hearts, with joyful tongues, L. P. M. Who, Lord, when life is o'er, 7's, or 8's. 7's. shall ascend thy hea\eoly place, L. M.

&

...

....

Who Who Why Why

34

The The The The The The The The The

Lord Lord Lord Lord

Jehovah reigns, H. M. Jehovah reigns, S. M. Jehovah reigns, S. P. M.

. . -

. .

unto my prayer attend, Saviour lives no more to die, L. M. day is past and gone, S. M. day is far spent, 10's. & ll's. or ll's. time is short! sinners beware, trees of God, without the care, L. M.

CM.

...
-

CM.-

223 153 214 147 8 188 270

106

4's. 262 but thou, Almighty Spirit, 8's. 7's. droops my soul, with grief opprest, L. M. 44 205 should we start, and fear to die"! L. M. 248 7's. When the winter's tempest lowers, 8's. 257 Ye angels who stand round the throne, 8's. 53 Ye mighty rulers of the land, L. M. 7-17 Ye nations round the earth, rejoice, L. M. 47-99 Ye nations round the earth, rejoice, L. M. 45 Ye christian heroes, go proclaim, L. M. 204 Ye saints and servants of the Lord, L. P. M. Ye saints and servants of the Lord, L. M. 6 lines. - 197 378 . Ye servants of God, 10's. and ll's. 178 Ye sinners, fear the Lord, S. M. 222 Ye boundless realms of joy, H. M. 157 Ye sons of earth arise, S. M. 127 Ye sons of men, a feeble race, C. M. 218 Ye tribes of Adam, join, H. M. 154 Ye trembling captives hear, S. M. 27 Yes, we'll record thy matchless love, L. M. 157-185 Your harps, ye trembling saints, S. M. 241 Zion, now arise and shine, 7's.

&

...

...

25

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