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and his wife before the tragic events. Then, the policeman tells
how he captured the bandit who committed the crime.
Policeman’s testimony was interrupted by the bandit Tajomaru
who tells his participant version of the crime. Then, the woman
victim who was raped tells her version. This was followed by the
woman’s murdered husband who presents his version through
the lips of a ‘medium’. Finally, the woodcutter revises his first
testimony, which he says needs correction.
According to the bandit (accused), he first raped the woman in
front of her husband and when he was about to leave the scene,
the woman stopped him and demanded a duel between him and
her husband. In that duel, he killed the husband and the rape
victim ran away.
According to the woman victim, when the bandit left her after
the rape, her husband spurned her because she lost her purity.
Then, in a spurt of grief, she killed her husband and ran away.
According to the woman’s husband, after the rape, his wife
agreed to leave with the bandit, but insisted that bandit should
kill her husband first. After the bandit left the scene in anger, he
committed suicide - being shamed by his wife’s behavior.
According to the woodcutter, once the rape was done, bandit was
pleading with the woman to join him. She said that only men can
decide and she cannot decide what to do. Her husband and bandit
then had a duel and bandit killed the husband. Then, the woman ran
away.
My comment on Mervyn de Silva’s eulogy
Mervyn de Silva in his eulogy had mentioned that Rashomon was
Kurosawa’s first movie, which was factually incorrect. I wished to
correct this error and I also wanted to bring to his attention some
facets of bandit Tajomaru’s logic, as presented by Akutagawa, the
original author of the two stories. Thus, I sent the following letter
dated March 31, 1991, to the Lanka Guardian.
“Akira Kurosawa’s first directorial venture was not Rashomon,
as stated by columnist Kautilya in his eulogy to Minister Ranjan
Wijeratne. In 1943, Kurosawa made his movie directorial debut
with a film titled, Sugata Sanshiro, about a judo master. His
first popular movie Yoidore Tenshi (Drunken Angel), starring
Toshiro Mifune as a sick gangster, was released in 1948.
Rashomon was released in 1950. It did introduce Kurosawa and
the Japanese cinema to the Western audiences. But giving undue
credit to Kurosawa for the Rashomon theme is like asserting that
Cecil B de Mille authored the Bible. The Rashomon movie was
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Political Assassinations
Anti-LTTE propagandists like Rohan Gunaratna repeat ad nauseam
that LTTE is the only organization to assassinate the heads of state
belonging to two countries. The manner in which the investigations
on the assassinations of Rajiv Gandhi and Premadasa progressed
during 1991-94, prompted me to write the following letter to the
Tamil Times, in which I commented on the then prevailing situation.
Excerpts:
“Political assassinations and what follows when an associate of
the assassinated leader ascends to the power has remained
predictable since the times of Julius Caesar. Bertrand Russell, in
his classic work, Power (1938) wrote,
‘A politician, if he is to succeed, must be able to win the
confidence of his machine, and then to arouse some degree of
enthusiasm in a majority of the electorate. The qualities
required for these two stages on the road to power are by no
means identical, and many men possess the one without the
other’.
According to this principle, the associate of an assassinated
leader is placed in a precarious position, if he is not photogenic
or does not possess mass appeal. So, he will do everything not
to revive the memories of his assassinated colleague. Lyndon
Johnson ascended to the power following John F.Kennedy’s
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