PROLOGUE
COMPOSING MUSIC isthe
process of constantly making a decision about when
you're going to update what you’ve just done. When you
play the note, or sing the note, or PUSH the notes down,
you have no choice ... you can only get so close, and then
the note appears as a real thing outside of you. At that
moment, you've got to decide whether you're going
to reconsider that note, or go on to the next thing.
My point of view on all the pieces I've presented is that
they are variations on how much | allow myself to recon-
sider. Some of them are a direct output from whatever
that organization of mind is that produces the music.
Others are elaborate, elaborate reconsiderations.
For example, the first episode of “Perfect Lives’,
The Park: Those words were not changed, except for
the most trivial aspects, from the moment | sang them
to myself, But I didn’t know then what role they had
in the opera. In other words, in writing “Perfect Lives’,
Ihad this practice: I'd go into a room, close the door,
and start singing. And then, when | couldn’t retain that
image any longer, when I'd lost it, as it were, I'd stop.
But until I'd had the experience of doing it for a couple
of the episodes, | actually didn’t know that THAT was
producing a coherent form. I thought the sound of the
individual chords and the melody were nice, but that
I would have to go back and rebuild it. | didn’t realize,
at first, that | actually HAD something, even though
Ihad a kind of child’s faith in it. It’s like learning to do
a flip. I'd always thought it could be done this way,
but I'd never had the experience of trying it. Because
of the conservative idea toward what music is in our
society, I'd been taught that I shouldn’t do it that way.
But it’s EXACTLY what | should have done. Having had
that experience, | can tell you that with most of the things
Ido now, I start at the beginning, work to the end,
and | NEVER think twice. ROBERT ASHLEYagape
1 |a'gap|_ |agep| |agerp|
adjective [predic.] (of the mouth) wide open,
esp. with surprise or wonder: Downes listened, mouth agape with incredulity.
oniGrn mid 17th cent.:from a-2 [on] + gape.
agape
2 |'gt,pas “age-| |aga'per| | age'per| | ,agepi|
noun [Christian Theology] Christian love, esp. as distinct from
erotic love or emotional affection.
noun, acommunal meal in token of Christian fellowship,
as held by early Christians in commemoration of the Last Supper.
onre1N early 17th cent.: from Greek agapé ‘selfless love.’