Portrait of the Artist as a Young Man Summary Portrait of the Artist as a Young Man takes place in Ireland at the

turn of the century. Young Stephen Dedalus comes from an Irish Catholic family; he is the ol dest of ten children, and his father is financially inept. Throughout the novel, the Dedalus family makes a series of moves into increasingly dilapidated homes as their fortunes dwindle. His mother is a devout Catholic. When Stephen is youn g, he and the other Dedalus children are tutored by the governess Dante, a fanat ically Catholic woman. Their Uncle Charles also lives with the family. The book opens with stream of consciousness narrative filtered through a child's perspect ive; there is sensual imagery, and words approximating baby talk. We leap forwar d in time to see young Stephen beginning boarding school at Clongowes. He is ver y young, terribly homesick, un-athletic and socially awkward. He is an easy targ et for bullies, and one day he is pushed into a cesspool. He becomes ill from th e filthy water, but he remembers what his father told him and doesn't tell on th e boy. That Christmas, he eats at the adult table for the first time. A terrible argument erupts over politics, with John Casey and Stephen's father on one side and Dante on the other. Later that year, Stephen is unjustly hit by a prefect. He complains to the rector, winning the praises of his peers. Stephen is forced to withdraw from Clongowes because of his family's poverty. Th e family moves to Blackrock, where Stephen takes long walks with Uncle Charles a nd goes on imaginary adventures with boys from around the neighbourhood. When St ephen is a bit older, the family moves to Dublin, once again because of financia l difficulties. He meets a girl named Emma Clere, who is to be the object of his adoration right up until the end of the book. His father, with a bit of charm, manages to get Stephen back into private school. He is to go to Belvedere Colleg e, another institution run by the Jesuits. Stephen comes into his own at Belvedere, a reluctant leader and a success at act ing and essay writing. Despite his position of leadership, he often feels quite isolated. He continues to be a sensitive and imaginative young man, acting in sc hool plays and winning essay contests. He is also increasingly obsessed with sex ; his fantasies grow more and more lurid. Finally, one night he goes with a pros titute. It is his first sexual experience. Going with prostitutes becomes a habit. Stephen enters a period of spiritual con fession. He considers his behavior sinful, but he feels oddly indifferent toward s it. He cannot seem to stop going to prostitutes, nor does he want to stop. But during the annual spiritual retreat at Belvedere, he hears three fire sermons o n the torments of hell. Stephen is terrified, and he repents of his old behavior . He becomes almost fanatically religious. After a time, this feeling passes. He becomes increasingly frustrated by Catholi c doctrine. When a rector suggests that he consider becoming a priest, Stephen r ealizes that it is not the life for him. One day, while walking on the beach, he sees a beautiful girl. Her beauty hits him with the force of spiritual revelati on, and he no longer feels ashamed of admiring the body. He will live life to th e fullest. The next time we see Stephen, he is a student at university. University has prov ided valuable structure and new ideas to Stephen: in particular, he has had time to think about the works of Aquinas and Aristotle on the subject of beauty. Ste phen has developed his own theory of aesthetics. He is increasingly preoccupied with beauty and art. Although he has no shortage of friends, he feels isolated. He has come to regard Ireland as a trap, and he realizes that he must escape the constraints of nation, family, and religion. He can only do that abroad. Stephe n imagines his escape as something parallel to the flight of Dedalus, he escaped from his prison with wings crafted by his own genius. The book ends with Stephe n leaving Ireland to pursue the life of a writer.