Hari 108 Gmail Sanatana Goswami has written this song "Srimac Caitanya Deva Tvam".

The official name of this song is Obeisance 104 Verses 403 to 406. This song is taken from the book Krsna Lila Stava. (1) srimac-caitanyadeva tvam vande gauranga-sundara saci-nandana mam trahi yati-cudamane prabho

(2) ajanu-baho smerasya nilacala-vibhusana jagat-pravartita-svadu-bhagavan-nama-kirtana

(3) advaitacarya-samslaghin sarvabhaumabhinandaka ramananda-krta-prita sarva-vaisnava-bandhava

(4) sri-krsna-caranambhoja-premamrta-mahambudhe namas te dina-dinam mam kadacit kim smarisyasi

(1) O beautiful, fair-complexioned Lord Caitanyadeva, I offer respectful obeisances unto You. O Lord, O delight of Saci-devi, O crest-jewel of the sannyasis, please protect me.

(2) O Lord Caitanyadeva, O decoration of Nilacala (Jagannatha Puri), O Lord whose face is smiling and whose arms reach down to Your knees, O preacher of the glories of the nectarean Holy Name of the Lord througout the universe,

(3) O Lord Caitanyadeva, You praise Advaita Acarya and You delight Sarvabhauma Bhattacarya. You are affectionate to Ramananda Raya, and You are the friend of all the Vaisnavas.

(4) O Lord Caitanyadeva, O great ocean of the nectar of pure love for the lotus feet of Krsna, I offer respectful obeisances unto You. Do You sometimes remember me, the most wretched of all wretched people?

shri hari-vasare hari-kirtana-vidhana nritya arambhila prabhu jagatera prana (1)

punyavanta shrivasa-angane shubharambha uthila kirtana-dhvani gopala govinda (2)

mridanga-mandira baje shankha-karatala sankirtana-sange saba haila mishala (3)

brahmanda bhedila dhvani puriya akasha caudikera amangala jaya saba nasha (4)

ushah-kala haite nritya kare vishvambhara yutha yutha haila jata gayana sundara (5)

shrivasa-pandita laiya eka sampradaya mukunda laiya ara jana-kata gaya (6)

laiya govinda ghosha ara kata-jana gauracandra-nritye sabe karena kirtana (7)

dhariya bulena nityananda mahabali alakshite advaita layena pada-dhuli (8)

gadadhara-adi jata sajala-nayane anande vihvala haila prabhura kirtane (9)

jakhana uddanda nace prabhu vishvambhara prithivi kampita haya, sabe paya dara (10)

kakhana va madhura nacaye vishvambhara jena dekhi nandera nandana natavara (11)

aparupa krishnavesha, aparupa nritya anande nayana bhari dekhe saba bhritya (12)

nijanande nace mahaprabhu vishvambhara caranera tala shuni ati manohara (13)

bhava-bhare mala nahi rahaye galaya chindiya padaye giya bhakatera paya (14)

catur-dike shri-hari-mangala-sankirtana majhe nace jagannatha-mishrera nandana (15)

jara namanande shiva-vasana na jane jara yashe nace shiva, se nace apane (16)

jara name valmiki haila tapodhana jara name ajamila paila mocana (17)

jara nama shravane samsara-bandha ghuce hena prabhu avatari kali-yuge nace (18)

jara nama gai shuka-narada bedaya sahasra-vadana prabhu jara guna gaya (19)

sarva maha-prayashcitta je prabhura nama se-prabhu nacaye, dekhe jata bhagyavana (20)

prabhura ananda dekhi bhagavata-gana anyonye gala dhari karaye krandana (21)

sabara angete shobhe shri candana-mala anande gayena krishna-rase hai bhola (22)

jateka vaishnava-saba kirtana-aveshe na jane apana deha, anya jana kise (23)

jaya krishna-murari-mukunda-vanamali

ahar-nisha gaya sabe hai kutuhali (24)

ahar-nisha bhakta-sange nace vishvambhara shranti nahi kara, sabe sattva-kalevara (25)

ei-mata nace mahaprabhu vishvambhara nishi avashesha matra se eka prahara (26)

ei-mata ananda haya navadvipa-pure prema-rase vaikunthera nayaka vihare (27)

e sakala punya katha je kare shravana bhakta-sange gauracandre rahu tara mana (28)

shri krishna-chaitanya-nityananda-cada jana vrindavana-dasa tachu pada-yuge gana (29)

On Ekadashi day Mahaprabhu, who is the life and soul of all beings, decreed that every-one should gather for kirtana. Hearing the sound of His own name, He began to dance in ecstasy. (1)

In Shrivasa-angana, Shrivasa Thakuras divine courtyard, He inaugurated the auspicious reverberations of the kirtana in a booming voice: Gopala! Govinda! (2)

In the courtyard the sounds of the mridanga, small cymbals, conch, karatalas and beautiful singing all mixed together. (3)

The loud sound passed through the entire brahmanda and filled the whole sky (reaching Svetadvipa), destroying everything inauspicious in all the fourteen worlds. (4)

From morning Vishvambhara (He who nourishes and maintains the whole universe by bhakti) started dancing. Many groups sang charmingly - each group singing a different melody. (5)

Shrivasa Pandita was the guru of one group of kirtaniyas, and Mukunda was the lead singer of another. (6)

Govinda Ghosha was the head of another group. Gaurachandra danced in the middle of the whole kirtana party. (7)

The mighty Nityananda Prabhu protected Mahaprabhu when He swooned while dancing as Advaita Acarya secretly took His foot-dust at that time. (8)

Tears came to Gadadhara, Mukunda, Shridhara and others upon hearing Mahaprabhus kirtana, as the rising of ashta-sattvika bhavas overwhelmed their hearts. (9)

Vishvambhara danced with so much force that the earth trembled, causing all the devotees to become afraid. (10)

Sometimes Vishvambhara danced so gracefully and sweetly that He appeared to be natavara Nanda-nandana, the best of dancers. (11)

Mahaprabhus beauty is unequalled and unsurpassed, defeating even Krishnas beauty (even Krishna has no mahabhava). All His followers eyes filled with ananda seeing His dancing. (12)

Mahaprabhu Vishvambhara danced, absorbed in ananda. Hearing the rhythm of His dancing feet, the devotees became spellbound. (13)

As Mahaprabhu danced, being filled with bhava, His garland could not stay around His neck but broke, all the flowers falling at the feet of His devotees. (14)

The auspicious sounds of shri harinama-sankirtana spread in every direction while Jagannatha Mishras son danced in the midst of all the devotees. (15)

Shiva chants the same blissful name and becomes so absorbed in prema that his cloth falls down. Hearing Mahaprabhus glories, Shiva starts to dance, and Mahaprabhu, hearing His own glories, also dances. (16)

By this same nama Valmiki achieved the wealth of austerity - he saw all rama-lila. And by this same nama all of Ajamilas anarthas and aparadhas were pulled out by the root. (17)

Hearing shri krishna-nama totally cuts all worldly attachments. Shri Krishna Himself came in Kali-yuga as Mahaprabhu, dancing and advising all to chant krishna-nama. (18)

Shukadeva and Narada also chant this krishna-nama and distribute it. With thousands of tongues Mahaprabhu sings the glories of this nama. (19)

Taking Mahaprabhus name constitutes the highest form of atonement. Seeing Mahaprabhu dancing, the devotees became supremely fortunate. (20)

Seeing Mahaprabhus bliss, the devotees embraced each other and wept loudly (as the rays of Mahaprabhus ananda entered their hearts). (21)

All the devotees attended kirtana and Mahaprabhu personally decorated their bodies with candana and garlands. Shri Gaurasundara and the devotees sang and tasted krishnarasa with great joy. (22)

Absorbed in kirtana, all the Vaishnava devotees completely lost sense of their own bodies and everyone else around them. (23)

Jaya krishna, murari, mukunda, vanamali. Day and night all the devotees sang kirtana in great happiness. (24)

Vishvambhara danced twenty-four hours with His devotees but never tired, because His body was sattva-kalevara, fully transcendental. (25)

Daily Mahaprabhu (in full prema) danced in kirtana the whole night, and only stopped three hours before sunrise. (26)

Daily Mahaprabhu, the hero who enjoys the prema-rasa of Vaikuntha (Svetadvipa), tasted and distributed great bliss in Navadvipa. (27)

Gaurachandra and all His associates enter in the hearts of the devotees who hear the allvirtuous hari-katha with full faith. (Thus their hearts become Shrivasa-angana.) (28)

Vrindavana dasa says, Shri Krishna Chaitanya and the moon-like Nityananda Prabhu are my life and soul and I offer my dandavat-pranama at Their lotus feet. (29)

Author: Sanatana Goswami Book Name: Krsna Lila Stava Language: Sanskrit

LYRICS: (1) p a-dh tu-m d-d ru-sikat -ma i-lekhaj

s d te pr tik tir acal v cal prabho

(2) lagr ma-il c tha yatra kutr py avasthit y d t d v pi bhaktair bhakty bhip jit

(3) bhavat dhi hitt sarv saccid nanda-r pi tvam eva kathayase sadbhis tasmai tubhya namo nama

TRANSLATION

1) O Krsna, appearing in the forms of stone, metal, clay, wood, sand-drawings; jewels; and pictures, You temporarily or permanently appear in Your deity-incarnation.

2) O Krsna, who also appears as the Salagrama-sila, wherever or in whatever form You manifest Yourself, the devotees worship You with great devotion.

3) O Krsna, I offer my obeisances to You, whose form is eternal truth, knowledge, and bliss, and confirmed by Your saintly devotees. Official Name: Volume 6 Song 24 Author: Rupa Goswami Book Name: Stavamala Language: Sanskrit

LYRICS: (1) (k a) deva! bhavanta vande

man-m nasa-madhukaram arpaya nija-pada-paokaja-makarande

(2) yadyapi sam dhi u vidhir api payati na tava nakh gra-mar cim idam icch mi niamya tav cyuta! tad api k p dbhuta-v cim

(3) bhaktir udacati yadyapi m dhava! na tvayi mama tila-m tr paramevarat tad api tav dhika-durgha a-gha ana-vidh tr

(4)

ayam avilolatay dya san tana! kalit dbhuta-rasa-bh ram nivasatu nityam ih m ta-nindini-vindan madhurima-s ram

Book Name: Harivamsa Purana Language: Sanskrit

LYRICS (introductory verse) ahovalam narasimham gatva ramah pratapavan namaskutya sri nrsimham astausit kamala patim

(1) govinda kesava janardana vasudeva visvesa-visva madhusudana visvarupa sri padmanabha purusottama puskaraksa narayanacyuta nrsimho namo namaste

(2) devah samastah khalu gopi mukhyah gandharva vidyadhara kinnaras ca yat pada-mulam satatam namanti tam narasimham saranam gato' smi

(3) vedan samastan khalu sastragarbhan vidyam balam kirtimatim ca laksmim

yasya prasadat purusa labhante tam narasimham saranam gato 'smi

(4) brahma sivas tvam purusottamas ca narayano'sau marutam patis ca candrarka vayvagni marud-ganas ca tvam eva tam tvam satatam nato 'smi

(5) snapne 'pi nitya jagatam asesam srasta ca hanta vibhura prabheyah trata tvam eka strividho vibinnah tam tvam nrsimham satatam nato 'smi

(concluding verses) iti stutva raghusresthah pujayamasa tam harim puspa vrstih papatasu tasya devasya murdhani

raghavena kutam stotram pancamrta manuktamam pathanti ye dvijavarah tesam svargastu sasvatah

TRANSLATION (Introductory Verse) The glorious Rama once visited Ahobala, where He saw the deity of Lord Nrsimha. He offered His obeisances to Lord Kamalapati (husband of the goddess of fortune) and prayed as follows.

1) O Govinda, Kesava, Janardana, Vasudeva, Visvesa (the controller of the universe), Visva, Madhusudana, Visvarupa, Sri Padmanabha, Purusottama, Puskaraksa, Narayana, Acyuta. O Lord Nrsimha I offer my respectful obeisances unto You again and again.

2) I have taken shelter of Lord Nrsimha unto whose lotus feet demigods, prominent yogis, gandharvas, vidyadharas and kinnaras, are constantly offering their obeisances.

3) I have taken shelter of Lord Nrsimha by whose mercy people receive all the Vedas, the essence of all scriptures, knowledge, strength, reputation and wealth.

4) You are Lord Brahma, Lord Siva and the best person Lord Narayana. You are the master of the Marutas and You are the sun, the moon, air and the fire as well as the Marut -ganas. I offer my obeisances unto You.

5) I offer my obeisances unto Lord Nrsimha who is the creator, the maintainer and the destroyer of the entire universe. Although You perform all of these three acts simultaneously You are completely beyond these activities. You are the all pervading, unlimited supreme spirit.

(Concluding Verses) Praying this way the best of the Raghus, Lord Ramacandra worshipped Lord Hari. At that time the demigods showered a rain of flowers on the head of Lord Nrsimhadeva.

This is the best of prayers, called pancamrta or five nectars compiled by Lord Rama Himself. One who reads this will be liberated eternally.

REMARKS/ EXTRA INFORMATION: Verses 1 to 5 shown numerically are the verses supporting the actual prayer by Lord Ramacandra.