International Animation Day and Other Amazing Animated Shorts of 2013

December 7th | Hill Auditorium, High Museum of Art, 1280 Peachtree St. !, "0"0" All Scree#i#gs are $%!! a#d o&e# to the &ublic Family | 2:00pm
'otal %u# 'ime( )*mi# All ages

Lo al | 3:1!pm
'otal %u# 'ime( )*mi# %ecomme#ded for ages 1)9 :;A to follo3 One Minute ,luidtoons ,i e +201", <rett 4. 'hom&so# Oli e +2012, Harriet67a#e go House -lant +2012, 7ucas %=a#, 3ith illustrator <ob Staa5e Monkey Rag +201", /oa##a Da0ido0ich 'lice T(roug( T(e Looking )lass +2012, De#ise Plauch8 W(at a Beautiful Day to .e /ndead, 'he Art >#stitute of Atla#ta, 'eam Productio# ?lass S&ri#g 201", >#structor( Al 4aller Strange Wonderful +201", Ste&ha#ie S3art Oli e +2012, Harriet67a#e go !ro"#s $est +2012, %ichard Sil0ius 'lice T(roug( T(e Looking )lass +2012, De#ise Plauch8 T(e Holidays 0x+osed1 +201", %obert Po&e, 7ucas %=a#, /oh# %=a#, 3ith illustrator, <ill Ma=er Litte Red +201", 'he Art >#stitute of Atla#ta, 'eam Productio# ?lass $all, >#structors( 'err= 7ega# a#d 7ee ?ro3e T(e Mistor System2 ,or Hooking /+ "it( Hot, Sexy Ladies +201", 'im $arrell

International | !:00pm
'otal %u# 'ime( 1hr 20mi# %ecomme#ded for ages 1)9

Monster, me +2012, Milt -li#ge#smith Box Home +2012, Si.ia Hua#g Let Out +2012, -otaro Sato Monkey Rag +201", /oa##a Da0ido0ich Jam +2001, Mirai Mi2ue Strange Wonderful +201", Ste&ha#ie S3art Tim and Ted, +2011, $er#a#da %ibeiro Lion Dance, +2011, Dua# 4e#5ai, Ma 4ei.ia Oli e +2012, Harriet67a#e go !ro"#s $est +2012, %ichard Sil0ius Box%es& +2012, Pa# i#g 'lice T(roug( T(e Looking )lass +2012, De#ise Plauch8 Make*u+ of t(e Bear +2011, T(e Tortoise, +2011, 7uis da Matta Almeida, Pedro 7i#o

Strange Wonderful +201", Ste&ha#ie S3art Transmission +2012, /ared D. 4eiss Monkey Rag +201", /oa##a Da0ido0ich
Let Out +2012, -otaro Sato ,uton +2012, @ori5o Mi2ushiri $e"caster 3 Dragon 3 Maggots +201", Sago0ac

Box Home +2012, Si.ia Hua#g Butterfly Lo ers +2012, Aha#g 4eihua Outside of t(e 0le ator +201", 4a#g
%uosha#

Trista +2012, De#g Biao3ei Lies 're Told in July +2011, %og8rio Cilela Toug( West +2011, He#riDue <aro#e Blue 'rtists !reate 'rt +2012, 4iola So3a Minstrel and T(e Duck +2011, Ste&ha#
7ee&er ; 7u5e imt2e

Oli e +2012, Harriet67a#e go One Minute ,luidtoons ,i e +201", <rett 4. 'hom&so# Box%es& +2012, Pa# i#g

Ali e "hro#gh the Loo$ing %lass | AS>$A6Atla#ta Dir. De#ise Plauch8 "(22 mi#, 2012 4atercolorEcolored &e#cil illustratio#, Photosho&, After !ffects A# i#ter&retatio# of 7e3is ?arrollFs GAliceH stories 3ith a Duir5= =et &oig#a#tl= #ostalgic mood. Sho3times( $amil= +2(00&m,, 7ocal +"(1*&m,, >#ter#atio#al +*(00&m, &l#e Artists 'reate Art | AS>$A6Pola#d Dir. 4iola So3a *(00 mi#, 2012 'he film 3as created as a &art of the IShare artI &ro.ect, orga#i2ed b= the IAachJtaI atio#al Art Kaller= a#d 3as i#s&ired b= 3or5s of co#tem&orar= &olish artists. ># a humorous 3a=, it sho3s 3hat ca# i#s&ire artists, as 3ell as the roles of coi#cide#ce a#d u#restrai#ed imagi#atio# i# the &rocess. Sho3time( >#ter#atio#al +*(00&m, &o( )ome | AS>$A6?hi#a Dir. Si.ia Hua#g "()1 mi#, 2012 2D Ha#d6dra3#, miLed media >#s&ired b= Alai# Kag#ol a#d es&eciall= b= his i##o0ati0e artistic st=le a#d &rofou#d mea#i#g, this short film follo3s the life of a cou&le li0i#g i# co#fi#ed s&ace. Sho3times( $amil= +2(00&m,, >#ter#atio#al +*(00&m,

&o(*es+ | AS>$A6 ?hi#a Dir. Pa# i#g )(1*mi#, 2012 'ired of his home, a character struggles to brea5 through his co#fi#es to fi#d a#other 3orld. Sho3times( $amil= +2(00&m,, >#ter#atio#al +*(00&m,

&#tterfly Lo,ers| AS>$A6?hi#a Dir. Aha#g 4eihua )(2M mi#, 2012 Sto& motio#
A# abstract ta5e o# I'he <utterfl= 7o0ers,I o#e of the most famous ?hi#ese fol5tales, a#d ofte# regarded as the ?hi#ese eDui0ale#t of %omeo a#d /uliet.

Sho3times( $amil= +2(00&m,, >#ter#atio#al +*(00&m,

'hapel -erilo#s | AS>$A6Atla#ta Dir. -risti# Ha0ert= "(20 mi#, 201" Sto& motio# cut &a&er o# lightboard Abstract e#0iro#me#tal &iece created for li0e &erforma#ce i#stallatio# b= 'he Nb.ect Krou&. Sho3time( 7ocal +"(1*&m,

'ro./s 0est | AS>$A6Atla#ta Dir. %ichard Sil0ius 2(2M mi#, 2012 $lash A#imatio# A dim 3itted sailor see5s 0iole#t re0e#ge after bei#g &oo&ed o# b= a cro3. His attem&ts bac5fire, slo3l= costi#g him his limbs u#til he has tra#sformed i#to the Dui#tesse#tial &irate. Sho3time( $amil= +2(00&m,, 7ocal +"(1*&m, F#ton | AS>$A6/a&a# Dir. @ori5o Mi2ushiri M(02 mi#, 2012 4ra&&ed i# the futo#... Memories comi#g u& to the mi#d, imagi#i#g the future, reca&turi#g se#ses, a#d seLual feeli#gs dee&l= i#grai#ed... !0er=thi#g melts &leasa#tl= all together. ># the futo#, the bod= 3o#ders see5i#g the se#se... Sho3time( >#ter#atio#al +*(00&m, )erman &l#e: "he -#mp$in 'omi Dir. >a# Ste3art )(00 mi#, 201" %e&laceme#t a#imatio#, &u&&etr= Osi#g o0er 2*0 i#di0iduall= car0ed &um&5i#s this a#imatio# features a 3oebego#e .ac56o6la#ter# musi#g o# ma#= to&ics ra#gi#g from lo0e a#d relatio#shi&s to the troubles of air tra0el. Sho3time( 7ocal +"(1*&m, "he )olidays 1(posed2 Dir. DAK A<>'P A#imatio# 1(*0 mi#, 201" 'raditio#al A#imatio# 'he secret li0es of holida= ico#s are re0ealed. Sho3times( 7ocal +"(1*&m,, >#ter#atio#al +*(00&m,

)o#se -lant | AS>$A6Atla#ta Dir. 7ucas %=a#, 3ith illustrator, <ob Staa5e 1(0M mi#, 2012 2D a#imatio# usi#g >llustrator a#d After !ffects >#s&ired b= a si#gle <ob Sta5e dra3i#g, this is a charmi#g little stor= of a ma# a#d his 3ateri#g ca#. Sho3time( 7ocal +"(1*&m,

3am | AS>$A6/a&a# Dir. Mirai Mi2ue 2()8 mi#, 2001 !ach time a sou#d is added, a #e3, li0i#g creature is created. 'hose sou#ds a#d li0i#g creatures both graduall= i#crease to a huge #umber, cha#gi#g the 3orld i#to chaos. Sho3time( $amil= +2(00&m,

Let O#t | AS>$A6/a&a# Dir. -otaro Sato ("* sec, 2012 $lash A#imatio# Osi#g electricit= &roduced b= #uclear &o3er &la#ts bri#gs the 3or5ers closer to the #uclear reactors. Sho3times( $amil= +2(00&m,, >#ter#atio#al +*(00&m,

Lion Dan e | AS>$A6?hi#a Dir. Dua# 4e#5ai, Ma 4ei.ia )(00 mi#, 2012 'he &erfectl= &la##ed circus act G7io# Da#ceH i#0olu#taril= tur#s i#to a# artistic i#stallatio#. Sho3time( $amil= +2(00&m,

Little 4ed | AS>$A6Atla#ta 'he Art >#stitute of Atla#ta, 'eam Productio# ?lass $all 201" >#structors( 'err= 7ega# a#d 7ee ?ro3e "(00 mi#, 201" Ha#d6dra3# +$lash, o0er ?K bac5grou#ds 4hile esca&i#g the <ig <ad 4olf, 7ittle %ed %idi#g Hood e#cou#ters a m=sterious u#dergrou#d hall3a= of doors.. Sho3time( 7ocal +"(1*&m,

Lies Are "old In 3#ly | AS>$A6Portugal Dir. %og8rio Cilela *(21 mi#, 2011 A bo= rests o0er ?hrist the %edeemerIs arm. A#d he 3aits. obod= 5#o3s ho3 he got u& there. obod= 5#o3s 3h= he is u& there. A#d 3hile he 3aits, he remembers( QDad. Mom. 4h= ca# e0er=o#e fl= but meRQ

5a$e6#p of the &ear | AS>$A6 ?hi#a 2()2mi#, 2011 A bear lear#s ho3 to fit i# to ma5e a li0i#g i# theatre. Sho3time( $amil= +2(00&m,

5instrel and the D# $| AS>$A6?e#tral Dir. Ste&ha# 7ee&er ; 7u5e imt2e )(1* mi#, 2011 A cheerful but hu#gr= tra0eli#g Mi#strel attem&ts to befrie#d a# u#scru&ulous duc5...at the eL&e#se of his di##er. >tFs o#l= a matter of time before the mi#strelFs &atie#ce is 3or# thi# a#d he decides to ma5e a cha#ge to the me#u. Sho3times( $amil= +2(00&m,, >#ter#atio#al +*(00&m,

"he 5istor System: For )oo$ing 7p .ith )ot8 Se(y Ladies | AS>$A6Atla#ta Dir. 'im $arrell "(00 mi#, 201" 'he Mistor S=stem is a short a#imated film about Mistor, a little floati#g head 3ith arms, a#d his assista#t 'im 3ho 3ill teach =ou ho3 to fi#d the success =ouI0e be missi#g 3ith the fairer seL. >tIs also about sto&&i#g a bab= from destro=i#g the 3orld a#d &i22a. Sho3time( 7ocal +"(1*&m, 5on$ey 4ag | AS>$A6Atla#ta Dir. /oa##a Da0ido0ich "()* mi#, 201" 'raditio#al A#imatio# Mit2i a#d S&a#5o ru# amo5 i# this bou#c= rom& set to the thum&i#g sou#ds of the Asulu= Street S&a#5ers. Sho3times( $amil= +2(00&m,, 7ocal +"(1*&m,, >#ter#atio#al +*(00&m,

5onster8 me | AS>$A6?e#tral +OSA, Dir. Milt -li#ge#smith 1(1* mi#, 201" ?ollage, Photosho&, After !ffects A =ou#g girl m=steriousl= tra#sforms i#to somethi#g she 3ill lear# to lo0e, if it does#Ft 5ill her first. Sho3times( $amil= +2(00&m,, >#ter#atio#al +*(00&m,

0e. aster 9 Dragon 9 5aggots| AS>$A6?e#tral Dir. Sago0ac "(00 mi#, 201" %otosco&e
'his is a rotosco&ed &iece of a#imatio# created from three ra#doml= selected &ieces of fou#d footage. 'he fou#datio# of this &iece is based i# mathematics, cha#ce a#d mo#tage editi#g measured i# i#creme#ts of tria#gular #umbers. After the $ormalist grou#d3or5 3as laid, eleme#ts of Surrealism 3ere em&lo=ed to ta5e the film be=o#d the i#itial frame3or5 of the metric a#d rh=thmic editi#g &rocess. Sho3time( >#ter#atio#al +*(00&m,

Oli,e | AS>$A6Atla#ta Dir. Harriet67a#e go "(0) mi#, 2012 2D, "D A =ou#g girl is lost i# the 3oods a#d a3a5e#s the slee&= 'ree6-i#g. Sho3times( $amil= +2(00&m,, 7ocal +"(1*&m,, >#ter#atio#al +*(00&m,

One 5in#te Fl#idtoons Fi,e | AS>$A6Atla#ta Dir. <rett 4. 'hom&so# 1(01 mi#, 201" 'raditio#al A#imatio# Nbscure a#d stra#ge characters are dri0e# b= fluid, li#ear mo0eme#ts. 'abla &erforma#ce a#d recordi#g b= Sea# 4asserma##.
Sho3time( >#ter#atio#al +*(00&m,

O#tside of the 1le,ator | AS>$A6?hi#a Dir. 4a#g %uosha# M(00 mi#, 201" %efusi#g to ta5e the stairs, a girl e#cou#ters u#eL&ected traffic 3hile 3aiti#g i# li#e for the ele0ator.
Sho3time( >#ter#atio#al +*(00&m,

4o:o'o Dir. 7ui2 ?omassetto 2("0 mi#, 2012 $lash A#imatio# A &ublic relatio#s s&ecialist at %obo?o must bala#ce both sides of his u#usual .ob.
Sho3time( 7ocal +"(1*,

Strange ;onderf#l | AS>$A6Atla#ta Dir. Ste&ha#ie S3art )(18 mi#, 2012 Pe#cil o# &a&er, i#5 o# &a&er, 2D com&uter 7ittle mo#ster goes to school that da=. She thi#5s, Q'he= &robabl= call me s#ail face 3he# >Im #ot arou#d.Q Sometimes she gets lo#el= but she ca# be ha&&= too. Sho3times( $amil= +2(00&m,, 7ocal +"(1*&m,, >#ter#atio#al +*(00&m,

"im and "ed | AS>$A6<ra2il Dir. $er#a#da %ibeiro "("1 mi#, 2011 'raditio#al A#imatio# ?olour is brought i#to the life of t3o ecce#tric #eighbours. Sho3time( $amil= +2(00&m,

"he "ortoise | AS>$A6 Portugal Dir. 7uSs da Matta Alemida a#d Pedro 7i#o M(00mi#, 2011 'here 3as o#ce a ma# Duite sure of himself. N#ce da= he 3ould ha0e a stroll #ear his to3#. N# o#e such occasio#, he sa3 somethi#g he had #e0er see# before( a tortoise. He eLami#ed it thoroughl=, #otici#g its e0er= detailT soo# he ra# home to tell the famil=. <ut 3ould a#=o#e belie0e himR Sho3time( $amil= +2(00&m,

"o#gh ;est | AS>$A6Portugal Dir. He#riDue <aro#e "(2" mi#, 2011 ># the 3estU >tIs all about the decisio#s =ou ma5eUA#d if there is a choice to be a chic5e#U'hereFs also al3a=s a cha#ce to become...a lege#d. Sho3time( >#ter#atio#al +*(00&m,

"ransmission | AS>$A6Atla#ta Dir. /ared D. 4eiss M(00 mi#, 2012

># a &ost6a&ocal=&tic 3astela#d, a creature a#d his dog fi#d a radio 3ith a sig#al that ma= lead them to the first sig# of other life the=I0e e#cou#tered i# ages. <ut is the cha#ce to fi#d #e3 life 3orth lea0i#g the o#l= home the= ha0eR

Sho3time( >#ter#atio#al +*(00&m,

"rista | AS>$A6?hi#a Dir. 7ucas %=a#, 3ith illustrator, <ob Staa5e 10(00 mi#, 201" A =ou#g girl #amed 'rista attem&ts to correct the m=ster= of her a&&eara#ce at a great cost. Sho3time( >#ter#atio#al +*(00&m,

;hat a &ea#tif#l Day to :e 7ndead | AS>$A6Atla#ta 'he Art >#stitute of Atla#ta, 'eam Productio# ?lass S&ri#g 201" >#structor( Al 4aller 2()1 mi#, 201" "D A#imatio#, $lash A#imatio# ># a message from the future 3e lear# about the greatest atrocities committed duri#g the comi#g Aombie A&ocal=&se. Sho3time( 7ocal +"(1*,

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