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I* (Npmtigng

AT THE SIGN OF THE LION

AND OTHER ESSAYS

Now
ear for

style

is

something far more than the

possession of a rich vocabulary or a

keen

rhythm and melody

it is

primarily
requisite

an intellectual quality.
of a

The

first

good

style

is

that the writer should


his subject,

have a clear vision of

and

firmly

grasp the logical interrelation of


It is

its parts.

on

this basis that the

admirable styles
built.

of Macaulay, Huxley,

and Mill are

When

to this

is

added a keen perception of

the emotional colour of words, you get the


really great styles of

Newman and

Ruskin.

Without putting Mr. Belloc on a

level with

either of the latter, I venture to maintain

that he combines in a higher degree than

any writer of the day these two fundamental


elements of distinction in
style.

BURNELL PAYNE.

AT THE SIGN OF THE LION


AND OTHER ESSAYS FROM THE
BOOKS OF HILAIRE BELLOC

PORTLAND MAINE THOMAS BIRD MOSHER MDCCCCXVI

CONTENTS
PAGE

FOREWORD

vli

AT THE SIGN OF THE LION

THE AUTUMN AND THE FALL OF


LEAVES
. .

ON SACRAMENTAL THINGS ON REST


ON COMING TO AN END

-23 -31
46

-55

FOREWORD
reprinting these five essays
the

from works of Hilaire Belloc I

EN I
der

believe

my

readers willfind
is

what

have found, that he


desire

both wonto

and wild

when you come

I have already cited Mr. Burnell Payne and I cannot


know him
at his
best. 1
',

do better than enlarge

my

quotation

"How
may
1

widely read Mr. Belloc' s books

be

do not know, but there

is

no

The Four
author,
is

Men

a Farrago^ so called by

its

a book that, speaking for my-

self as well as for others

who have

read

it,

puts forth a perfect flowering in speech and


song.

You
its

enter an

enchanted

country,

meeting

true citizens

who
in

will

remain

with you in
all

humour and

pathos and in

the wonderful things that go to

make up

a journey of divine adventure,


vii

FOREWORD
doubt that on those
they exert

who

do read them

a very powerful influence;


of
this

and
more

the

secret

influence
else,

lies,

than

anything

in

their

style."

more

recent
is

critic,

Mr. Thomas

Seccombe,

who

already

known by an
the

enduring

Introduction

to

works

of George Gissing, has

still

further

enlarged the boundaries of


edge of Belloc
to

our knowl-

and his

books.

I am glad

point out that this delightful study

can be found in

The Living Age for


also

April

8,

1916; as

Mr. Payne 's


earlier.
it

appreciation,

a few months

If
clear

did not succeed in making


is

that Hilaire Belloc

a poet as well as

writer of unexcelled prose,

I shouldfeel
It

I had neglected a
is

solemn obligation.

when

the singing soul of our author is

in excelsis that

we get

exquisite things

from

the

lea.st

expected sources.
viii

In a

FOREWORD
Dedicatory

Ode of most

excellent fool:

ing we find stanzas like these


"

They say that in the unchanging place, Where all we loved is always dear,
meet our morning face
to face

We

And

find at last our twentieth year


I
it

....

They say ( and


It is It

am

glad they say so


:

so

and

may be
But

may be
I

just the other way,


tell.

cannot

this I

know

Prom
Out
There

quiet homes
to the
's

and first

beginning,

undiscovered ends,

nothing worth the wear of winning,

But

laughter

and the

love

offriends.

Then consider from

the

same poem,

as noted by Mr. Seccombe,


tiful

"a

beau-

Tennysonian passage about the

Evenlode:"
"

The

quiet evening kept her tryst

Beneath an open sky we rode, And passed into a wandering mist

Along the perfect Evenlode.


ix

FOREWORD
The
tender Evenlode that makes
to hear the

Her meadows hush


Of waters mingling

sound

in the brakes,

And

binds

my

heart to English ground.

A
A

lovely river, all alone,

She

lingers in the hills


little

and holds

hundred

towns of stones,

Forgotten in the western wolds."

Why

do

I make
?

mention of these

poetic perfections

Because

I love them

and I want
mine in that

to

render unto Belloc the

things that are his

and have also become

I sought andfound them.


;

Let me reiterate a final appreciation


11

as

an

essayist he already occupies one

of the very first places in English


Literature."
T.
B.

M.

AT THE SIGN OF THE LION

AND OTHER ESSAYS

AT THE SIGN OF THE LION


was
late,

and the day was

already falling

when

came,

sit-

ET
the

ting

my

horse Monster, to a rise

of land.

We

were at a walk, for

we had gone very far since early morning, and were now off the turf upon
hard road
;

moreover, the

hill,

though gentle, had been prolonged. From its summit I saw before me, as
I

had seen

it

a hundred times, the

whole of the weald.

But now that landscape was transfigured,

because many influences had

met

to

make

it,

for the

moment, an

enchanted land.
ing
late,

The autumn, comit

had crowded

with colours

a slight mist drew out the distances,

and along the horizon stood


3

out,

AT THE SIGN OF THE LION


quite even

and grey
the

like

mountains,

the solemn presence of the Downs.

Over
storm.

all

this

sky was

full

of

In some manner which language

cannot express, and hardly music, the


vision

was unearthly.

All the lesser

heights of the plain ministered to


effect,

one

a picture which was to other


is

pictures what the marvellous

to the

experience of

common

things.

The
and

distant mills, the edges of heath

the pine trees, were as though they

had not before been caught by the eyes of travellers, and would not,
after the brief space of their apparition,

be seen again. Here was a countryside whose every outline was


;

was pervaded by a general quality of the uplifted and the strange. And for that one hour
familiar
it

and yet

under the sunset the county did not

AT THE SIGN OF THE LION


seem
to

me

a thing well

known, but
which had
into

rather adored.

The glow
seemed
to

of evening,

put

this

horizon

another place

and time than


;

ours,

warned me of darkness
off

and

made

the road to the right for an inn I


of,

knew

that stands close to the upper


is

Arun and

very good.

Here an old
and have

man and
how

his wife live easily,

so lived for at least thirty years, prov-

ing

accessible

is

content.

Their

children

are in

service

beyond the

boundaries of the county, and are thus


provided with sufficiency
;

and they

themselves, the old people, enjoy a


small possession which at least does

not diminish, for, thank God, their land


is free.

It is a

square of pasture bor-

dered by great elms upon three sides


of
it,

but on the fourth, towards the


;

water, a line of pollard willows


5

and

AT THE SIGN OF THE LION


off a little

way before the house runs

Arun, sliding as smooth as Mincius,

and

still

so young that he can rememin

ber the lake


rose.

the forest where he

On

such ancestral land these two

people await without anxiety what they


believe will be a kindly death.
is

Nor
tor-

their piety of that violent


is

and

tured kind which


fear

associated with
;

and with

distress of earlier life

but they remain peasants, drawing

from

the
as

earth

they

have always
for the

known

much sustenance

soul as even their religion can afford

them,

and mixing that

religion

so

intimately with their experience of the


soil that,

were they not isolated

in

an

evil

time, they would have

set

up

some shrine about the place


tify
it.

to sanc-

The passion and


6

the strain which

AT THE SIGN OF THE LION


must accompany (even
in the happiest

of

and mqst secluded) the working years life, have so far disappeared from

them, that
recall

now

they can no longer

any circumstances other than


;

those which they enjoy

so that their

presence

in a

room about one, as they


one or meet one at
itself

set food before

the door,

is

in

an influence of

peace.

In such a place, and with such hosts


to serve him, the
retire for a
little

wears of the world

time, from an evening

to a

morning; and a man can enjoy


In such a place
largely,

a great refreshment.

he

will eat strongly

and drink

and sleep

well

and deeply, and, when

he saddles again for his journey, he


will

take the whole world new; nor

are those intervals without their future


value, for the

memory

of a complete

repose

is

a sort of sacrament, and a


7

AT THE SIGN OF THE LION


viaticum for the weary lengths of the way.

The

stable of this place

is

made

of

oak entirely, and, after more than a hundred years, the woodwork
save that the roof
is still

sound,

now

falls in

waves

little

where the great beams have sagged a under the pressure of the tiles.

And

these

tiles

are of that old hand-

made kind

which, whenever you find

them, you will do well to buy; for


they have a slight

downward curve
fit

to

them, and so they

closer

and shed
flat.

the rain better than

if

they were

Also they do not

slip,

and thus they


This

put less strain upon the timber.


excellent stable has

packed layer ground


all
;

of

chalk

no flooring but a laid on the

and the wooden manger is polished and shining, where it has

been rubbed by the noses of ten thousand horses since the great war.

AT THE SIGN OF THE LION


That polishing was helped, perhaps, by the nose of Percy's horse, and
perhaps by the nose of some wheeler

who in his time had dragged the guns back aboard, retreating through the It is in every night after Corunna.
way a
should
stable that a small

peasant

put up for himself, without

seeking

money from other men.

It

is,

therefore, a stable
scientists

which your gaping

would condemn; and though

as yet they have not got their ugly

hands upon the dwellings of beasts as they have upon those of men, yet I
often
fear
for
this
I

stable,

and am

always glad when


find
it

come back and

there.

For the men who make

our laws are the same as those that


sell

us our bricks and our land and


;

our metals

and they make the laws


:

so that rebuilding shall go on


vile rebuilding too.

and

AT THE SIGN OF THE LION


Anyhow, this stable yet stands and none does the horse, Monster, take
;

in

a greater delight, for he also


to the influence of holiness.

is

open
I

So

led

him

in,

and

tied
I

headstall,

and

him by the ancient rubbed him down,


feet

and

washed

his

and covered

him with the rough rug that lay there. And when I had done all that, I got

him oats from the neighbouring bin for the place knew me well, and I
could always tend to

when

came

there.

my own beast And as he ate


"
:

his oats, I said to

him

Monster,

my

horse,

is

there

any place on earth


for a little time,
If

where a man, even

can be as happy as the brutes?


there
is,
it

is

here at the

Sign

of
:

The
"

Lion."
is

And Monster answered


a tradition

There

among

us that,

of all creatures that creep


earth,

upon the

man

is

the fullest of sorrow."

AT THE SIGN OF THE LION


I left

him

then,
It

and went towards

the house.

was quite dark, and the

windows, with their square, large panes

and true proportions, shone out and

made

it

home.

The room

within

received

me

like a friend.

The open
with beech

chimney
house

at its end,

round which the


filled

is built,
;

was

logs burning

and the candles, which


mixed
fire.

were

set in brass,

their yellow

light with that of the

The long
ceilings of

ceiling

was low, as are the

Heaven.

And oak was


:

here every-

where also

in

the

beams and the


For

shelves and the mighty table.

oak was, and

will

be again, the chief

wood

of the weald.

When
me,
it

they put food and ale before


of the kind

was

which has been

English ever since England began, and which perhaps good fortune will preserve over the breakdown of our

AT THE SIGN OF THE LION


generation, until

we have England
see the hops

back again.
in

One could

the tankard, and one could taste

the barley, until, more and more sunk


into the plenitude of this

good house, one could dare to contemplate, as though from a distant standpoint, the

corruption and the imminent danger of


the time through which

we must

lead

our lives.

And, as

so considered the

ruin of the great cities


I felt as
I

and

their slime,

virtue

though and of health, which could hold

were in a fortress of

out through the pressure of the war.

And

thought to myself: "Perhaps

even before our children are men,


these parts which survive from a better

order

will

be accepted as models, and

England

will

be built again."

This fantasy had not time, tenuous


as
it

was, to disappear, before there


into that

came

room a man whose

AT THE SIGN OF THE LION


gesture and bearing promised

him

to
in

be an excellent companion, but

whose eyes

I also

perceived some light


age,

not ordinary.
fifty

He was of middle
;

or

more

his hair

was

crisp

and

grey, his face brown, as

though he had

been much upon the


in stature,

He was tall and of some strength. He


sea.

saluted me, and,

when he had

eaten,

asked

me

if I

also were familiar with

this inn.

"
I

Very

familiar," I said
it

" and since


freely,
it is

can enter

at

any hour

now more

familiar to

me

even than

the houses that were once

my

homes.

For nowadays we, who work in the State and are not idle, must be driven
from one place to another
the very rich
tinuity.
;

and only

have certitude and conit is

But to them

of

no

serv-

ice

for they are too idle to take root

in the soil."

AT THE SIGN OF THE LION


"

Yet

was

of their blood," he said

" and there

is in this

county a

home
have

which should be mine.


to-day
is

But nothing
I

capable of endurance.

not seen

my home

(though

it is

but ten

miles from here) since


thirtieth year
;

I left it in

my

and

I too
I

would rather

come

to this inn,
it,

which

know

as you

know
land
;

than to any house in EngI

because

am

certain of entry,
I

and because
find,

know what
county should

shall

and because what


this
it is

I find is

what
if

any man of
the soul of
"

find,

not to disappear."
I

You, then,"

answered (we were


fire

now

seated side by side before the

with but one flickering candle behind


us,

and on the

floor

between us a port
"

just younger than the host),

you, then,

come here
as

for

much

the

same reason

do
"

"
?

And what

is

that

"
?

said he.

AT THE SIGN OF THE LION


"Why,"
sion that
said

I,

"to enjoy the

illu-

Change can somewhere be and arrested, that, in some shape, a


part at least of the things

we

love

remains.

For, since

was a boy and

almost since I can remember, everything in this house has been the same
;

and here

escape from the threats of

the society

we know."
had said
this,

When
and

he was grave
;

silent for a little while


:

and then

he answered
" It
is

impossible, I think,

after
illu-

many
sion.

years to recover any such


Just as a

young man

can no

longer think himself (as children do)


the actor in any

drama

of his

own

choosing, so a

man growing

old (as

am

I)

can no longer expect of any

society

and

least of all of his

own

the gladness that comes from an


illusion of

permanence."
*s

AT THE SIGN OF THE LION


"

For

my

part," I answered in turn,


well,

" I

know very
up
is

though

can con-

jure
it

this feeling of security, that


I

very flimsy stuff; and


as

take

it

rather

men

take

symbols.

For

though these good people perish, and some brewer


of Volunteers as like as not
this little field,

will at last

a Colonel

will buy and though for the port

we

are drinking there will be imperial

port,

and

for the beer

we have

just

drunk something as noisome as that


port,

and though

thistles

will

grow

up

in the

though, in

good pasture ground, and a word, this inn will become


will

a hotel and
I

perish, nevertheless

cannot but believe that England


I

remains, and
ing of a

do not think

it

the tak-

drug or a deliberate cheating

of oneself to
in

come and steep

one's soul

what has already endured so long because it was proper to our country."
16

AT THE SIGN OF THE LION


" All that

you say," he answered,

"

is

but part of the attempt to escape

Necessity.

Your very frame

is

of

that substance for which

means death

permanence and every one of all the


is

emotions that you know

of its nature
if it is

momentary, and must be so be


alive."

to

"

Yet there

is

a divine thirst,"

I said,

" for something that will not so perish.


If

there

were no such
I

thirst,

why

should you and


or

debate such things,


either of us,

come here to The Lion


?

to taste antiquity
is

And if

that thirst
is

there,

it is

a proof that there

for

us some
faction.

End and some such


For

satis-

my

part, as I

know
it

of
in

nothing

else, I

cannot but seek


world.
I

this visible

good

seek

it

in

Sussex,

in

the nature of

my home, and
it

in the tradition of

my

blood."

But he answered:

"No;

is

not

AT THE SIGN OF THE LION


thus to be attained, the end of which

you speak.
surely
is

And
is

that thirst,
to

which
in

divine,

be quenched

no stream that we can find by journeying, not

even

in the little rivers that

run here under the combes of home."

MYSELF

"
:

Well, then, what

is

the

End?"

HE

" I

have sometimes seen

it

clearly, that

when

the disappointed

quest was over, all this journeying would turn out to be but the beginning
of a
I

much

greater adventure, and that

should set out towards another place


fulfilled,

where every sense should be

and where the fear


be
set at rest."

of mutation should

MYSELF

"
:

No one

denies that such


their

a picture in the

mind haunts men

whole

lives through, though, after they

have once experienced loss and incompletion, and especially when they have
18

AT THE SIGN OF THE LION


caught sight a long way
Barrier which ends
all

off

of

the

our experience,
;

they recognise that picture for a cheat

and surely nothing can save


which reasons
in us

it ?

That

and undying
It

for

it

may be absolute is outside Time.

escapes the gropings of the learned,


it

and

has nothing to do with material

things.

But as for

all

those functions
in
life,

which we but half

fulfil

surely

elsewhere they cannot be


all
is
?

fulfilled at

Colour

is

for the eyes

and music

for the ears

and
in

all

that

we

love

so

much comes

by channels that do

not remain."

HE

"
:

Yet the Desire can only be

for things that

we have known
is

and

the Desire, as you have said,

a proof

of the thing desired, and, but for these

things which

we know,

the words

'

'

joy

and 'contentment' and 'fulfilment'


would have no meaning."

AT THE SIGN OF THE LION


MYSELF
"
:

Why

yes

but,

though

desires are the strongest evidence of


truth, yet there is also desire for illu-

sions, as there is a

waking demand for

things attainable, and a

demand
and

in

dreams

for things fantastic

unreal.

Every analogy increasingly persuades us, and so does the whole scheme of
things as

we

learn

it,

that, with

our

passing, there shall also pass speech

and comfortable

fires

and

fields

and
that,

the voices of our children,

and

when they pass, we lose them for ever." HE: "Yet these things would not
be, but for the

mind which receives

them; and how can we make sure


what channels are necessary for the

mind
on
?

and may not the mind

stretch

And
at

you, since you reject

my

what may be reserved for us, guess tell me, what is the End which we
shall attain "
?

AT THE SIGN OF THE LION


MYSELF
Salvafide, I cannot tell." " I he continued and said
:

"

Then

have too long considered these matters


for

any opposition between one experi-

ence and another to affect

my

spirit,

and

know

that a long

and careful

inquiry into any matter

must lead the

same man
but, for

to

opposing conclusions;

my

part, I shall confidently

expect throughout that old age, which


is

not far from me, that,

when

it

ceases,

I shall find

beyond
I

it

things similar to

those which

have known.
;

For

all I

here enjoy
life

is

of one nature

and

if

the

of a
it is

man be

bereft of

them

at last,

then
the

word

falsehood or metaphor to use " eternal.'


think, then," said
I,

"You

"that

some immortal

part in

us

is

concerned

not only with our knowledge, but with

our every feeling, and that our


satisfaction
will

final

include

sensual

AT THE SIGN OF THE LION


pleasure
fragrance, and

landscape,
shall
hills
?

and a
"

visible

home

that

be
"

dearer even than these dear

Something of the
slightly

sort,"

he

said,

and

shrugged

his shoulders.

They were broad,


staring at the fire.

as he sat beside

me
in

They conveyed
is

their attitude that effect of

mingled

Strength and weariness which mon to all who have travelled

com-

far

and

with great purpose, perpetually seeking

some worthy thing which they


had
fallen.

could never find.

The

fire

Flames no
;

longer leapt from the beech logs but on their under side, where a glow still
lingered,

embers

fell.

THE AUTUMN AND THE FALL


OF LEAVES
is

not true that the close of a

life

IT which ends
life

in a natural fashion

which
of

is

permitted to put on the


in glory
It is

pomp

death and to go out

inclines the

mind

to repose.

not true of a day ending nor the passing of the year, nor of the
fall

of leaves.

Whatever permanent, uneasy question is native to men, comes forward most


insistent

and most loud


is

at

such times.

There
which
is

a house in

my own county
whose gardens
It

built of stone,

are fitted to the autumn.


alleys standing high

has level

and banked with

stone.

Their ornaments were carved

under the influence of that restraint which

marked

the

Stuarts.

They

stand above old ponds, and are strewn


at this

moment

with the leaves of elms.

AUTUMN

THE FALL OF LEAVES


like the Mailles of the

These walks are


Flemish

cities, the walls of the French

towns or the terraces of the Loire.

They

are enjoyed to-day


all

by whoever

has seen

our time go racing by;

they are the proper resting-places of


the aged, and their spirit
cially in the fall of leaves.
is felt

espe-

At

this season a

sky which

is

of so

delicate

and

faint a blue as to contain

something of gentle mockery, and


tainly

cer-

more

of tenderness, presides at

the

fall of leaves.
all.

There

is

no

air,

no

breath at

The

leaves are so light

that they sidle on their going

downis

ward, hesitating in that which

not

void to them, and touching at last so


imperceptibly the earth with

which
is

they are to mingle, that the gesture

much

gentler than a salutation, and

even more discreet than a discreet


caress.
24

AUTUMN: THE FALL OF LEAVES


They make
in the

little

sound, less than

the least of sounds.

No bird

at night
;

marshes

rustles so slightly

no

man, though men

are the subtlest of

living beings, puts so

evanescent a
whispers or

stress

upon

their sacred

their prayers.

The

leaves are hardly

heard, but they are

heard just so
are destined
to die,

much
at the

that

men
to

also,

who

grow glorious and look up and hear them falling.

end

With what a pageantry


sort
is

of every

not that troubling symbol sur!

rounded

The

scent of

life is

never

fuller in the

woods than now,


its

for the

ground

is

yielding

The

spring

when

it

memories. up comes will not

restore this fullness, nor these

deep

and ample recollections For the earth seems now

of the earth.
to

remember

AUTUMN: THE FALL OF LEAVES


the drive of the ploughshare and
its

harrying
ing of
it,

the seed, and the

full burst-

the swelling and the comple-

tion of the harvest.


of the

Up
;

to the

edge

woods throughout the weald the


the barns are

earth has borne fruit


full,

and the wheat

is

standing stacked

in the fields,
all

and there are orchards


It is

around.

upon such a mood


of fruition that the

of parentage

and

dead leaves

fall.

The
it is

colour

is

not a mere splendour

intricate.

The same unbounded

power, never at fault and never in


calculation,

which comprehends

all

the landscape, and which has

made

the woods, has worked in each one

separate leaf as well


ceivably varied.

they are inconleaf

Take up one
of

and

see.

How many kinds


in a

bound-

ary are there here between the stain

which ends

sharp edge against


26

AUTUMN: THE FALL OF LEAVES


and the sweep in which the and red mingle more evenly purple than they do in shot-silk or in flames ?
the gold,

Nor are the boundaries to be measured


only by degrees of definition.

They
line.

have also

their

characters

of

Here

in this leaf are

boundaries

inter-

mittent,

boundaries rugged, bound-

aries curved,

and boundaries broken.


definition ever begin

Nor do shape and


to exhaust the

list.

For there are


:

soft-

ness and hardness too

the agreement

and disagreement with the scheme of veins; the grotesque and the simple
in line
;

the sharp and the broad, the


in boundaries.

smooth, and raised


in this

So

one matter of boundaries might

you discover for ever new things; there is no end to them. Their qualities

are infinite.

And

beside boundtints,

aries
also,

you have hues and

shades

varying thicknesses of

stuff,

and

AUTUMN: THE FALL OF LEAVES


endless choice of surface
also
is
;

that

list

infinite,

and the divisions


are infinite
;

of

each item
of

in

it

nor

is it

any use to analyse the thing, for

everywhere the depth and the meaning of so

much

creation are
all this is

beyond
true of

our powers.

And
;

but one dead leaf


leaf will differ

and yet every dead from its fellow.

in

That which has dejighted to excel boundlessness within the bounds of


one
leaf,

this

has also transformed the

whole

forest.

There

is

no number

to

the particular colour of the one leaf.

The
of

forest

is like

a thing so changeful
it

its

nature that change clings to

as a quality, apparent even during the

glance of a

moment.

This forest
is

makes a

picture which
It is a

designed,

but not seizable.


a
of

scheme, but

scheme you cannot set down. It is those things which can best be
28

AUTUMN: THE FALL OF LEAVES


retained by mere copying with a pencil

or a brush.

It is of

those things

which a man cannot


which he cannot
other men.
It is

fully receive,

and
to

fully re-express

no wonder, then, that

at this

peculiar time, this

week (or moment)


which
if

of the year, the desires

they
per-

do not prove at haps remember


strongest.
of

least

demand

our destiny, come

They are proper to the time


all

autumn, and
air is at
(if its

men

feel

them.
;

The

once new and old


rises early

the
to

morning

one

enough

welcome
tains

leisurely
in

advance) conit

something

of profound

reminiscence.

The evenings hardly


and the
fires of

yet suggest (as they soon will) friends

and

security,

home.
their

The thoughts awakened


bands of
light fading

in us

by

along the downs

are thoughts which go with loneliness


39

AUTUMN: THE FALL OF LEAVES


and prepare me
the soul.
It is

for the isolation of

on

this

account that tradition

has

set, at the entering of

autumn, for

a watch at the gate of the season, the

Archangel; and

day and the night of All- Hallows on which the dead return.

at its close the

ON SACRAMENTAL THINGS
is

good

for a

man's soul to

sit

ITdown in the silence by himself and


to think of those things

which happen
in

by some accident

to

be

communion
he has not
these
calling

with the whole world.


the
faculty
of

If

things in their

remembering order and of

them up one after another in his mind, then let him write them down as they

come

him upon a piece of paper. They will comfort him they will prove
to
;

a sort of solace against the expectation of the end.

To
I

consider such

things

is

a sacramental occupation.

And

yet the

more

think of them the


in

less I

can quite understand

what

elements their power consists.

A woman

smiling at a

little child,

not knowing that others see her, and


31

ON SACRAMENTAL THINGS
holding out her hands towards
in
it,

and

one of her hands flowers


active, with

an old

man, lean and


face,

an eager

walking at dusk upon a

warm

and windy evening westward towards a clear sunset below dark and flying
clouds
;

a group of soldiers, seen sud-

denly in manoeuvres,

each man intent

upon

his business,

all

working

at the

wonderful trade, taking their places


with exactitude and order and yet with
elasticity
;

a deep, strong tide running

back
flat

to the sea,

going noiselessly and

and black and smooth, and heavy with purpose under an old wall the
;
;

sea smell of a Channel seaport town

a ship coming up at one out of the

whole sea when one

is

in a little

boat

and

is

waiting for her, coming up at


sails

one with her great


every one doing
of the
its

merry and
life

work, with the

wind

in her,
3*

and a balance,

ON SACRAMENTAL THINGS
rhythm, and give in
all

that she does

which marries her to the sea


it

whether

be a fore and aft rig and one sees

only great lines of the white, or a square


rig

and one sees what

is

commonly

and

well called a leaning tower of can-

vas, or that primal rig, the triangular


sail,

that cuts through the airs of the


first

world and clove a way for the


adventures, whatever
its rig,

a ship so

approaching an awaiting boat from which we watch her is one of the


things I mean.
I

would that the

taste of
list

my
!

time
:

permitted a lengthy
they are pleasant to

of such things

remember
!

They
glance

do so nourish the mind


of

sudden comprehension mixed with mercy and humour from the face of a
lover or a friend
;

the noise of wheels


are

when the guns

going by

the

clatter-clank-clank of the pieces


33

and

ON SACRAMENTAL THINGS
the shouted halt at the head of the

column

the noise of

many

horses, the

metallic but united and harmonious

clamour of

all

those ironed
;

hoofs,
chief

rapidly occupying the highway

and most persistent memory, a great hill when the morning strikes it and
one sees
it

up before one round the

turning of a rock after the long passes

and despairs

of the night.

When
journeyed

man has journeyed and


through
is

those

hours

in
all

which there
along the
for sleep

no colour or shape,

little

hours that were made


therefore,

and when,
is
is

the

waking soul
the morning

bewildered or despairs,

always a resurrection
it

but especially when


height in the sky.

reveals a

This

last picture I

would particuis
it

larly cherish, so great a consolation


it,

and so permanent a grace does


34

ON SACRAMENTAL THINGS
lend later to the burdened mind of a

man.

For when a man looks back upon


his

many

journeys

so

many
of

rivers

crossed,

and more than one

them

forded in peril; so

many swinging many


difficult

mountain

roads,

so

steeps and such long wastes


of
all

of plains

the

pictures

that impress

themselves by the art or kindness of

whatever god presides over the success


of

journeys,

no picture more

remains than that picture of a great


hill

when

the day

first

strikes

it

after

the long burden of the night.

Whatever reasons a man may have


for

occupying the darkness with his

travel

and

his weariness, those

reasons

must be out of the ordinary and must go with some bad strain upon the
mind.

Perhaps one undertook the


evil necessity
35

march from an

under

ON SACRAMENTAL THINGS
the coercion of other men, or perhaps
in terror,

hoping that the darkness

might hide one, or perhaps for cool,


dreading the unnatural heat of noon
in a desert land
is in itself
;

perhaps haste, which

so wearying a thing, com-

pelled one, or perhaps anxiety.

Or

perhaps, most dreadful of

all,

one hur-

ried through the night afoot because

one feared what otherwise the night

would bring, a night empty of sleep and a night whose dreams were waking dreams and
evil.

But whatever prompts the adventure or the necessity,

when

the long

burden has been borne, and when the


turn of the hours has
stars

come
;

when the

have grown paler

when colour
to

creeps back greyly and uncertainly


the earth,
first

into the greens of the

high pastures, then

here and there


reeds,

upon a rock or a pool with


3*

ON SACRAMENTAL THINGS
while
all

the
of

air, still

cold, is full of
;

the

scent

morning

while

one

notices the imperceptible disappear-

ance of the severities of Heaven until


at last

only the morning star hangs

splendid;

when

in the

end of that
revealed,

miracle the landscape

is fully

and one

finds into
;

what country one


hill

has come

then a great

before

one, losing the forests upwards into

rock and steep

meadow upon

its

sides,

and towering and

at last into the

peaks

crests of the inaccessible places,

gives a soul to the

new

land.

a:..

The

sun, in a single

moment and

with

the immediate
call, strikes

summons
once the
is

of a trumpet-

the spear-head of the high


at

places, and
still

valley,

though

in

shadow,

transfigured,

and

with the daylight

all

manner

of things

have come back to the world.

Hope

is

the

word which gathers the


37

ON SACRAMENTAL THINGS
origins of those things together,

and

hope

is

the seed of what they mean,


its

but that new light and


is

new

quality
is

more than

hope.

Livelihood

come back with

the sunrise, and the


;

fixed certitude of the soul

number

and measure and comprehension have returned, and a just appreciation of


all reality is

the gift of the


if

new

day.

Glory (which,
it,

men would

only

know
illu-

lies

behind

all

true certitude)

mines and enlivens the seen world,

and the
things

living light

makes

of the true

now

revealed something more


;

than truth absolute


truth acting

they appear as

and

creative.
is

This
hill

first

shaft of the sun

to that

and valley what a word is to a It is to that hill and valley thought.


what verse
told
;

is

to the

common

story

it is

to that hill

and valley what

music

is

to

verse.
38

And

there lies

ON SACRAMENTAL THINGS
behind
it,

one

is

very sure, an infinite

progress of such exaltations, so that

one begins
light
limit

to understand, as the

pure

shines and grows and as the of shadow descends the vast

shoulder of the steep, what has been

meant by those great phrases which still lead on, still comfort, and still

make darkly

wise, the uncomforted

wondering of mankind.

Such

is

the

famous phrase

"
:

Eye has not seen


it

nor ear heard, nor can


heart of

enter into the

man what things God


is

has pre-

pared for those that serve Him."

So much, then,
hill-top at

conveyed by a sunrise when it comes upon

the traveller or the soldier after the

long march of a night, the bending


of the shoulders,

and the emptiness

of

the dark.

Many other things put one into communion with the whole world.
39

ON SACRAMENTAL THINGS
Who
over a

does not remember coming


lifting
is

road to a place where

the ridge

topped, and where, upon

the further side, a broad landscape,

novel or endeared by
either is a

memory

(for

good thing), bursts upon the seized imagination as a wave from


the open sea, swelling up an inland
creek, breaks

rocks of

and bursts upon the the shore ? There is a place

where a man passes from the main


valley of the valley of the

Rhone over
I sere,

into

the

and where the

Gre'sivandan so suddenly comes upon


him.

Two
as

gates of limestone rock,


first

high

the

shoulders of the

mountains, lead into the valley which


they guard
;

it is

a province of

itself,

a level floor of thirty miles, nourished

by one

river,

and walled

in

up to the

clouds on either side.


Or, again, in the

champagne country,

ON SACRAMENTAL THINGS
moving between great blocks of wood in the Forest of Rheims and always
going upward as the ride leads him, a

man comes
denly sees

to a point
all

whence he sud-

that vast plain of the

invasions stretching out to where, very


far off against the horizon,

two days

away, twin summits mark the whole


site

sharply with a limit as a frame

marks a picture or a punctuation a


phrase.

There

is

another place more dear to


I

me, but which

doubt whether any

other but a native of that place can

passing through the plough lands of an empty plateau, a traveller breaks through a little fringe
of chestnut

know.

After

hedge and perceives

at

once before him the wealthiest and the

most
the

historical of

European
great

things,

chief of

the

capitals
in

of

Christendom and the arena

which

ON SACRAMENTAL THINGS
is

now debated (and has been


!)

for

how

long

the Faith, the chief problem of

this world.

Apart from landscape other things


belong to this contemplation
of music,
:

Notes
than

and,

stronger even

repeated and simple notes of music, a subtle scent and its association, a
familiar printed page.
test of these

Perhaps the
is

sacramental things

their

power
is

to revive the past.

There

a story translated into the

noblest of English writing by Dasent.


It is to

be found

in his

" Tales

from

the Norse."

It is called

the Story of

the Master Maid.

A man
woman on

had found

in his

youth a
:

the Norwegian
faery,

hills

this

woman was
spell

and there was a

upon
in

her.

But he won her out

of

it

various ways, and they crossed

the sea together, and he would bring

ON SACRAMENTAL THINGS
her to his father's house, but his father

was a King.

As they went

over-sea
to

together alone, he said

and swore

her that he would never forget

how

they had met and loved each other without warning, but by an act of God,

upon the Dovrefjeld.

Come

near his

father's house, the ordinary influences

of the ordinary

day touched him

he

bade her enter a hut and wait a moment


until

he had warned his father of so


a marriage;
into
his
she,

strange

however,

gazing eyes, and knowing how the divine may be transformed


into the earthly, quite as surely as the

earthly into the divine,

makes him

promise that he will not eat


food.
still

human

He

sits at his father's table,

steeped

in

her and in the seas.

He

forgets his
at

vow and

eats

human
have

food, and

once he forgets.

Then

follows

much
43

for

which

ON SACRAMENTAL THINGS
not space, but the

woman

in the hut

by her magic causes herself to be at


last sent

for to the father's palace.

The young man


slightly

sees her, and

is

only

troubled

as by

memory
talk

which he cannot grasp.


together
as

They

strangers

but looking

out of the window by accident the

King's son sees a bird and


"
:

its

mate

he points them out to the woman, and


she says suddenly

So was

it

with

you and me high up upon the DovreThen he remembers all. fjeld."

Now that story is a symbol, and tells


the truth.
this world,

We see some

one thing
it

in

and suddenly

becomes
a

particular

and sacramental

woman

and a

child, a
;

man

at evening, a troop

of soldiers

we hear

notes of music,

we

smell the smell that went with a

passed time, or we discover after the


long night a shaft of light upon the
44

ON SACRAMENTAL THINGS
tops of the hills at morning a resurrection,
:

there is

and we are refreshed

and renewed.
But why
all

these

things are so

neither I nor any other

man

can

tell.

ON REST
was a
priest

once who

THERE preached
of "

a sermon to the text

Abba, Father."

On

that text one

might preach anything, but the matter


that he chose

was "Rest."

He

was

not yet in middle age, and those

who

heard him were not yet even young. They could not understand at all the

moment of his ardent

speech, and even

the older men, seeing him to be but


in the central part of life,

wondered
His eyes

that he should speak so.

were

illuminated
;

something distant
ill

by the vision of his heart was not


it

at ease,

but,

as

were, fixedly
his

expectant, and he preached from


little

pulpit in that

little

chapel of the

Downs, with rising and deeper powers


of the voice, so that he
46

shook the

air

ON REST
yet
all this

energy was but the praise


for the surcease of

or the

demand

energy, and

all this

sound was but the

demand
It is

for silence.
I say,

a thing,

incomprehensi-

ble to the young, but gradually com-

prehended as the years go droning by,


that in
all

things (and in proportion


life

to the intensity of the

of each)

there
tion

comes
and

this appetite for dissolu:

for repose

do not mean

that
effort
final

repose
is

beyond which further

demanded, but something


he

and supreme.
priest, a year or so after

This

had appealed with


that
little

his

sermon before
in

country audience

the

emptiness of the Downs, died.

He
Rest.

had that which


But what
is it?
?

he desired,

What

is

the nature

of this thing

Note you how great


47

soldiers,

when

ON REST
their

long campaigns are done, are

indifferent to further wars,

and look

largely

upon the nature

of fighting

men,

their objects, their failures, their

victories, their rallying, their

momenindifis

tary cheers.

Not

that they

grow

ferent to that great trade which

the

chief business of a State, the defence

or the extension of the

common

weal

but that after so


the senses
of charity
I

much expense of all our God gave them, a sort


justice
fills

and

their minds.

have often remarked how men who


lost

had most

and won, even

in

arms,
their

would turn the leisured part of


lives to the

study of the

details

of

struggle,
to

and seemed equally content


were upon the crest

be describing the noble fortunes of


it

an army, whether

of advancing victory, or in the of a surrender.

agony

This was because the


Rest.

the writers

had found
48

And

ON REST
throughout the history of Letters
of Civilisation,
friends,

and of contemporary one may say that in proporis

tion to the largeness of their action


this largeness at the end.

and security of vision

Now, note another thing

that,

when

we speak of an we mean two

end, by that very word


things.

For

first

we

mean

the cessation of Form, and per;

haps of Idea

but also we mean a

goal, or object, to

which the Form and

the Idea perpetually tended, without

which they would have had neither meaning nor existence, and in which
they were at last
fulfilled.

Aristotle
this to

could give no
all his

summing up but

philosophy, that there


all,

was a

nature, not only of

but of each,

and that the end determined what


which is also that nature might be what we Christians mean when we say
;

49

ON REST
that

God made
when

the world
his great

Rabelais,

and great books were


all

ending, could but conclude that


things tended to their end.
also,

Tennyson

before he died, having written

for so

many

years a poetry which one


in believing considfelt
it,

must be excused
erable,
felt,

as

how many have


of the

the

thrumming

ebb

tide

when

the sea calls back the feudal allegiance


of the rivers. bar.
I

know

it

upon Arun

The Flood, when


itself

the sea heaves


the inland

up and pours

into

channels, bears
is like

itself creatively,

and
first

the

manhood
then

of a

man
itself

tentative,

gathering

for

action, then

sweeping suddenly
with
it it

at the

charge.

It carries

the wind

from the open horizon,


suddenly,
victorious
it

determines
is

spurs, and sweeps, and

the current races


full,

the har-

bour

is

immediately
so

ON REST
But the ebb tide
is

of another kind.

With a long, slow power, whose motive


is at its

once downward steadily towards

authority
it

and

its

obedience and

desire,
;

pushes as with shoulders,


for

home and

many hours
and

the stream
It

goes darkly,
is

swiftly,

steadily.
It is

intent, direct,

and

level.
it is

thing for evenings, and

under an
wind, that

evening when

there

is little

you may best observe the symbol


thus

presented by
in

material

things.
it

For everything

nature has in

something sacramental, teaching the


soul of
sesses

man
that

and nothing more poshigh


quality
it

than

the

motion of a river when


sea.

meets the

The water
is

at last
;

the work

done

hangs dully, and those who have

permitted the lesson to instruct their

minds are aware

of

consummation.
cities

Men

living

in

have often

Si

ON REST
wondered how
the open
it

was that the men

in

who knew
and
for

horses and the

earth or ships and the salt water risk

so
is

much
an error

what reward

It

in the

very question they

ask, rather than in the logical puzzle

they approach, which

falsifies

their

wonder.

There

is

no reward.

To

die

in battle, to

break one's neck at a

hedge, to sink or to be
not rewards.

swamped

are

But action demands an


a fruit to things
;

end

there

is

and and
not

everything we do (here

at least,

within the bonds of time)

may

exceed the

little

limits

of

a nature
for

which
itself,

it

neither

made nor acquired

but was granted.


that old
of the

Some say
It is the

men

fear death.

theme
It is

debased and the

vulgar.

not true.

Those who
ready

have imperfectly served are

enough

those

who have served more


52

ON REST
perfectly are glad

as though there

stood before them a natural transition

and a condition of

their being.

So

it

says

in

a book "all good

endings are but shining transitions."

And, again, there


says:

is

a sonnet which

We will not whisper


Of
silence that

we have found the place


halls of sleep,

and the ancient

And

which breathes alone throughout the deep


the beginning
level
;

The end and


Between the

and the face

brows of whose blind eyes


full

Lie plenary contentment,

surcease

Of

violence,

and the ultimate great peace

Wherein we

lose our

human

lullabies.

Look up and
That
's

tell

the immeasurable height


of the world

Between the vault


Death,

and your dear head

my

little sister,

and the Night


to

That was our Mother beckons us

bed

Where large
For us

oblivion in her house

is laid

tired children

now our games

are played.

Indeed, one might quote the poets

(who are the teachers

of

mankind)

indefinitely in this regard.


all

They

are

agreed.

What did
53

Sleep and Death

ON REST
to the
it

home.

body of Sarpedon ? They took And every one who dies in


is

all

the Epics

better for the dying.


of
it

Some complain
admit
;

afterwards I will

but they are hard to please.


it

Roland took

as the

end

of battle

and there was a Scandinavian fellow


caught on the north-east coast,
I think,

who

in

dying thanked

God

for all the

joy he had had

in his life

as
St.

you may

have heard before.


of Assisi (not of

And

Anthony
"

come,

little sister

Padua) said, WelDeath " as was his


!

And one who stands way. above most men who write
said
it

right

up

or speak

was the only port after the tide-streams and bar-handling of this
journey.

So

it is

let

us be off to the

hills.

The

silence

and the immensity that


of such

inhabit
things.

them are the simulacra

54

ON COMING TO AN END

OF
in the

all

the simple actions in the


!

world
!

Of all the simple actions


think

world

One would

it

could be done

with less effort than the heaving of a


sigh.
.
. .

Well

then,

one would

be wrong.

There

is

no case of Coming to an
it

End but has about


an
effort

something of

though Nature and it, though it be true that some achieve a quiet and a perfect
abhorred

and a

jerk, as

end

to

one thing or another

(as, for

instance, to Life), yet this achievement


is

not

arrived
toil,

at

save through the

utmost

and consequent

the most persevering


art.

upon and exquisite

Now

you can say that


55

this

may be

ON COMING TO AN END
true of sentient

things
It
is

but not of
true

things

inanimate.

even

of things inanimate.

Look down some

straight railway

line for a vanishing point to the per-

spective
try to

you will never find it. Or mark the moment when a small
:

target

becomes
;

invisible.
it

There

is

no

gradation

moment

was

there,

and

you missed

it

possibly because the

Authorities were not going in for jour-

nalism that day, and had not chosen


a dead calm with the light
full

on the

canvas.

A
is

moment

it

was there and


it

then, as you steamed on,

was gone.
air.

The same

true of a lark in the

You

and then you do not see it, you only hear its song. And the same is true of that song you hear it and
see
it
:

then
It
is

is

suddenly you do not hear it. true of a human voice, which


in

familiar

your
56

ear,

living

and

ON COMING TO AN END
inhabiting the rooms of your house.

There comes a day when it ceases and how positive, how altogether
definite

and hard

is

that

Coming

to

an End.
It

does not leave an echo behind

it,

but a sharp edge of emptiness, and


very often as one
the
sits

beside the

fire

memory

of that voice suddenly

returning gives to the silence about

one a personal

force, as

it

were, of

obsession and of control.

So much

happens when even one of all our million voices Comes to an End.
It is necessary,
it is

august and

it is

reasonable that the great story of our


lives also should

be accomplished and
:

should reach a term

and yet there

is

something

in that

hidden duality of

ours which makes the prospect of so


natural a conclusion terrible,

and

it is

the better judgment of


57

mankind and

ON COMING TO AN END
the mature conclusion of civilisations
in their

age that there

is

not only a

conclusion here but something of an

adventure

also.

It

may be

so.

Those who solace mankind and


the principal benefactors of
it,

are

mean

the

poets and the musicians, have

attempted always to ease the prospect


of

Coming

to an

End, whether

it

were

the

Coming to an End
is

of the things

we

love or of that daily habit

and conand
is

versation which

our

life

the

atmosphere wherein we loved them.

Indeed

this

is

a clear test whereby

you may distinguish the great artists from the mean hucksters and charlatans, that the
first

approach and

reveal

what
it

is

dreadful with

calm

and, as
it

were, with a purpose to use

good while the vulgar catchmust liven up their bad penny


for

fellows

dishes as with a cheap sauce of the


58

ON COMING TO AN END
horrible, caring nothing, so that their

shrieks
for

sell,

whether we are the better


no.

them or

The

great

poets, I say, bring us


:

easily or grandly to the gate

as in
it is

that

Ode

to

a Nightingale where
(in

thought good

an immortal phrase)

to pass painlessly at midnight, or, in

the glorious line which Ronsard uses,


like a salute with the sword, hailing " la

profitable mort."

The

noblest or the most perfect of

English elegies leaves, as a sort of

savour after the


terror at all nor

reading of

it,

no

even too much

regret,

but the landscape of England at evening,

when

the

smoke

of the cottages

mixes with autumn vapours among the elms and even that gloomy modern
;

Ode

to the

West Wind, unfinished and


it

touched with despair, though

will

speak of
59

ON COMING TO AN END ....


Which,
that outer place forlorn

like an infinite grey sea, surrounds

With

everlasting calm the land of

human sounds

yet also returns to the

sacramental
it

earth of one's childhood where


For now the Night completed tells her rest and dissolution gathering round
:

says

tale

Of

Her
Of

mist in such persuasion that the ground

Home

consents to falter and grow pale.


fail.

And
Nor

the stars are put out and the trees

anything remains but that which drones


the dark.
. .

Enormous through

And

again, in another place,

where

it

prays that one


with beauty

may

at the last

be fed

....
That
Let
fill

as the flowers are fed

their falling-time with

generous breath

me

attain a natural

end of death,

And on

the mighty breast, as on a bed,


at last a

Lay decently

drowsy head,

Content to lapse in somnolence and fade


In dreaming once again the dream of
all

things made.

The most

careful philosophy, the

most heavenly music, the best choice


60

ON COMING TO AN END
of poetic or prosaic

phrase prepare

men

properly for

man's perpetual loss

of this

and of

that,

and introduce us
and greater
all,

proudly to the

similar

business of departure from them

from whatever of them


the close.

all

remains at

To be
to

introduced, to be prepared,
all

be armoured,

these are excel-

lent things, but there is a question

no

foresight can answer nor any comprehension resolve. It is right to gather

upon

that question the varied affec-

tions or perceptions of varying


I

men.

knew

man once

in the

Tourderich,

noise, a

gloomy man, but very


little

who cared
knew.
This

for the

things he

man took no
and
and

pleasure in

his fruitful orchards

his carefully

ploughed

fields

his harvests.
;

He
For

took pleasure

in

pine trees

he was a

man

of groves

and
61

of the dark.

ON COMING TO AN END
him that things should come to an end was but part of an universal rhythm
;

a part pleasing to the general har-

mony, and making

in the

music of the

world about him a solemn and, oh, a


conclusive chord.

This

man would

study the sky at night and take from


it

a larger and a larger draught of infin-

itude, finding in this exercise

not a

mere

satisfaction, but

an object and
so

goal for the mind;

when he had

wandered

for a while

under the night

he seemed, for the moment, to have


reached the object of his being.

And

knew another man

in

the

Weald who worked with

his hands, his

and was always kind, and knew


trade well
of scythes,
;

he smiled when he talked

and he could thatch.


also,

He

could

fish

and he knew about

grafting,

and about the seasons of


birds,

plants,

and

and the way of seed.


6a

ON COMING TO AN END
He had
fatigued
land.

a face
his

full

of weather,

he

body,

he watched his

He

would not talk much of

mysteries, he would rather

hum

songs.

He
had

loved new friends and old.


lived with

He
a

one wife for

fifty

years,

and he had

five children,

who were

policeman, a schoolmistress, a son at

home, and two


This

who were

sailors.

man

said that what a

man
was

did
like

and the

life in

which he did

it

the farmwork upon a summer's day. He said one works a little and rests,

and works a
drinks,

little

again,

and one

and there

is

a perpetual talk

with those about one.

Then (he would


back
are

say) the shadows lengthen at evening,

the wind

falls,

the birds

get

home.

And

as for ourselves,
it is

we

sleepy before

dark.
a third

Then

also I

knew

man who
and

lived in a

town and was


63

clerical

ON COMING TO AN END
did no work, for he had

money
all

of his

own.

This man said that


in

we do
it

and the time

which we do

is

rather a night than a day.


that

He

said

when we came

to

an end we
that

vanished,

we and our works, but


of these three

we vanished
Which
nature of

into a broadening light.

knew

best the

man and

of his works,

and

which knew best


the end
?

of

what nature was

Why
heart
also
?

so glum,

my

Lad, or

my

Lass

(as the case

may

be),

why

so heavy at

Did you not know that you must Come to an End ?


that

Why,

woman

of Etaples

who

sold such Southern wine for the dissipation of the

Picardian Mist, her

time

is

over and gone and the wine

has been drunk long ago and the


64

ON COMING TO AN END
singers in her house have departed,

and the wind of the sea moans


fills

in

and

their hall.

The Lords who died

in

Roncesvalles have been dead these

thousand years and more, and the loud

song about them grew very dwindled and is silent now


nothing at all remains.
It is certain that the hills

faint
:

and
is

there

decay and

that rivers as the dusty years proceed

run feebly and lose themselves at last


in desert

sands

and

in its aeons the

very firmament grows old.


also
is

But

evil

perishable and bad men meet

their judge.

Be comforted.
Comings

Now
to an

of all endings, of all


is

End none

so hesitating as the

ending of a book which the Publisher


will

have so long and the writer so

and the Public (God Bless the Public) will have whatever it is
short:
given.
65

ON COMING TO AN END
Books, however
ing,
It is
life

much

their linger-

books

also

must Come

to

an End.

abhorrent to their nature as to the


of
off.

man.
Let

They must be
it

sharply

cut

be done

at

once and

fixed as

by a
the

spell

and the power of a

Word

word FINIS.

NINE HUNDRED AND FIFTY COPIES OF


THIS BOOK PRINTED ON VAN GELDER

HAND-MADE PAPER AND THE TYPE DISTRIBUTED IN THE MONTH OF


OCTOBER MDCCCCXVI

'

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