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The Square Magazine .......................................................................................... 4
The Temple of Solomon ........................................................................................ 5
The Five Faces of Freemasonry by Theon Dunn ............................................... 7
Shakti and Shakta by Arthur Avalon ................................................................ 12
The Emblems belonging to the Third Degree by Gio Lombardo .................. 26
Some Thoughts on Fitches Philosophy by Vincent Lombardo ................... 33
The Lodgroom Contact Center .......................................................................... 37
Book on the Alter by Carl Claudy ..................................................................... 38
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ChapteSix
Part 1
Esoteric
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Saubhagykanda of the Atharvaveda to which the
Kalikopanishad and other "Tantrik" Upanishads are
said to belong. Possibly, however, this element of
Maithuna may be foreign and imported by Cinacara
(see Ch. V). So again, as that distinguished scholar
Professor Ramendra Sundara Trivedi has pointed out
in his Vicitraprasanga, the Mudra of Pacatattva
corresponds with the Purodasa cake of the Soma and
other Yagas. The present rule of abstinence from
wine, and in some cases, meat is due, I believe, to the
original Buddhism. It is so-called "Tantriks," who
follow (in and for their ritual only) the earlier
practice. It is true that the Samhita of Ushanah says,
"Wine is not to be drunk, given or taken (Madyam
apeyam adeyam agrahyam)" but the yet greater Manu
states, "There is no wrong in the eating of meat or the
drinking of wine (Na mamsabakshane dosho na
madye)" though he rightly adds, as many now do, that
abstention therefrom is productive of great fruit
(Nivrittistu mahaphala). The Tantrik practice does not
allow extra-ritual or "useless" drinking (Vrithapana).
Further, it is a common error to confound two distinct
things, namely, belief and practice and the written
records of it. These latter may be comparatively
recent, whilst that of which they speak may be most
ancient. When I speak of the ancient past of this faith
I am not referring merely to the writings which exist
today which are called Tantras. These are composed
generally in a simple Sanskrit by men whose object it
was to be understood rather than to show skill in
literary ornament. This simplicity is a sign of age. But
at the same time it is Laukika and not Arsha Sanskrit.
Moreover, there are statements in them which (unless
interpolations) fix the limits of their age. I am not
speaking of the writings themselves but of what they
say. The faith that they embody, or at least its earlier
forms, may have existed for many ages before it was
reduced to writing amongst the Kulas or family folk,
who received it as handed down by tradition
(Paramparyya) just as did the Vaidik Gotras. That
such beliefs and practices, like all other things, have
had their development in course of time is also a
likely hypothesis.
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Brahmayamalasambhutam samaveda-matam shive
Rudrayamalasamjata rigvedo paramo mahan
Vishnuyamalasambhuto yajurvedah kuleshvari
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those "Aryas" who followed the Vaidik rites and who
in their turn influenced the various religious
communities without the Vaidik fold.
The Smartas of to-day represent what is generally
called the Srauta side, though in these rites there are
mingled many Pauranic ingredients. The Arya Samaja
is another present-day representative of the old
Vaidika Acara, mingled as it seems to me with a
modernism, which is puritan and otherwise. The
other, or Tantrik side, is represented by the general
body of present-day Hinduism, and in particular by
the various sectarian divisions of Salvias, Shaktas,
Vaishnavas and so forth which go to its making.
Each sect of worshippers has its own Tantras. In a
previous chapter I have shortly referred to the Tantras
of the Shaivasiddhanta, of the Pacaratra Agama, and
of the Northern Saivaism of which the Malinivijapa
Tantra sets the type. The old fivefold division of
worshippers was, according to the Pacopasana,
Saura, Ganapatya, Vaishnava, Shaiva, and Shakta
whose Mula Devatas were Surya, Ganapati, Vishnu,
Shiva and Shakti respectively. At the present time the
three-fold division, Vaishnava, Shaiva, Shakta, is of
more practical importance, as the other two survive
only to a limited extent to-day. In parts of Western
India the worship of Ganesha is still popular and I
believe some Sauras or traces of Sauras here and there
exist, especially in Sind.
Six Amnayas are mentioned in the Tantras.
(Shadamnayah). These are the six Faces of Shiva,
looking East (Purvamnaya), South (Dakshinamnaya),
West (Pashcim amnaya), North (Uttaramnaya), Upper
(Urddhvamnaya), Lower and concealed (Adhamnaya).
The six Amnayas are thus so called according to the
order of their origin. They are thus described in the
Devyagama cited in the Tantrarahasya (see also, with
some variation probably due to corrupt text, Patala II
of Samayacara Tantra): "(1) The face in the East (that
is in front) is of pearl-like luster with three eyes and
crowned by the crescent moon. By this face I (Shiva)
revealed (the Devis) Shri Bhuvaneshvari, Triputa,
Lalita, Padma, Shulini, Sarasvati, Tvarita, Nitya,
continued on next page
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The Sammohana Tantra mentions 22 different
Agamas including Cinagama (a Shakta form),
Pashupata (a Shaiva form), Pacaratra (a Vaishnava
form), Kapalika, Bhairava, Aghora, Jaina, Bauddha;
each of which is said there to contain a certain
number of Tantras and Upatantras.
According to the Sammohana Tantra, the Tantras
according to Kalaparyaya are the 64 Shakta Tantras,
with 327 Upatantras, 8 Yamalas, 4 Damaras, 2
Kalpalatas and several Samhitas, Cudamanis (100)
Arnavas, Puranas, Upavedas, Kakshaputas,
Vimarshini and Cintamanis. The Shaiva class
contains 32 Tantras with its own Yamalas, Damaras
and so forth. The Vaishnava class contains 75 Tantras
with the same, including Kalpas and other Shastras.
The Saura class has Tantras with its own Yamalas,
Uddishas and other works. And the Ganapatya class
contains 30 Tantras with Upatantras, Kalpas and
other Shastras, including one Damara and one
Yamala. The Bauddha class contains Kalpadrumas,
Kamadhenus, Suktas, Kramas, Ambaras, Puranas
and other Shastras.
According to the Kularnava and Janadipa Tantras
there are seven Acaras of which the first four, Veda,
Vaishnava, Shaiva and Dakshina belong to
Pashvacara; then comes Vama, followed by
Siddhanta, in which gradual approach is made to
Kaulacara the reputed highest. Elsewhere six and
nine Acaras are spoken of and different kinds of
Bhavas, Sabhava, Vibhava and Dehabhava and so
forth which are referred to in Bhavacudamani.
An account of the Acaras is given in the
Haratattvadidhiti [pp. 339-342. See in particular
Vishvasara Tantra (Ch. 24) and Nitya Tantra and
Pranatoshini. The first is the best account].
Vedacara is the lowest and Kaulacara the highest.
(Kularnava Tantra II). Their characteristics are given
in the 24th Patala of Vishvasara Tantra. The first four
belong to Pashvacara (see Chapter on Shakta
Sadhana) and the last three are for Vira and Divya
continued on next page
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Siddhantacari moves on earth in the form of
Bhairava Himself. The knowledge of the last Acara,
that of the Kaula, makes one Shiva. Just as the
footprint of every animal disappears in that of the
elephant, so every Dharma is lost in the greatness of
Kuladharma. Here there are no injunctions or
prohibitions, no restriction as to time or place, in
fact no rule at all. A Kaula is himself Guru and
Sadashiva and none are superior to him. Kaulas are
of three classes, inferior (the ordinary or Prakrita
Kaula), who is ever engaged in ritual such as Japa,
Homa, Puja, follows Viracara (with Pacatattva)
and strives to attain the highland of knowledge;
middling is the Kaula who does Sadhana with
Pacatattva, is deeply immersed in meditation
(Dhyana) and Samadhi; superior, the Kaula who
"Oh Mistress of the Kaulas sees the imperishable,
and all-pervading Self in all things and all things in
the Self." He is a good Kaula who makes no
distinction between mud and sandalpaste, gold and
straw, a home and the cremation ground. He is a
superior Kaula who meditates on the Self with the
self, who has equal regard for all, who is full of
contentment, forgiveness and compassion. Nitya
Tantra (Patala III) says that Kaulas move about in
various shapes, now as an ordinary man of the
world adhering to social rules (Shishta), at other
times as one who has fallen therefrom (Bhrashta).
At other times, he seems to be as weird and
unearthly as a ghost (Bhuta). Kaulacara is, it says,
the essence which is obtained from the ocean of
Veda and Agama after churning it with the staff' of
knowledge.
In a modern account of the Acaras (see Sanatana -sadhana-Tattva or Tantra-rahashya by Saccidananda
Svami) it is said that some speak of Aghoracara and
Yogacara as two further divisions between the last
but one and last. However this may be, the Aghoras
of to-day are a separate sect who, it is alleged, have
degenerated into mere eaters of corpses, though
Aghora is said to only mean one who is liberated
from the terrible (Ghora ) Samsara. In Yogacara was
learnt the upper heights of Sadhana and the
mysteries of Yoga such as the movements of the
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Maheshvara). He worships the Adya-Shakti as
Dakshina-Kalika in whom are united the three
Shaktis. The aim of this stage is the union of faith,
devotion, and determination with a knowledge of
the threefold energies. (Passage is thus made from
the Deva-aspect to the Deva-whole.) Up to this
stage the Sadhaka has followed Pravritti Marga, or
the outgoing path, the path of worldly enjoyment,
albeit curbed by Dharma. The Sadhaka now, upon
the exhaustion of the forces of the outward current,
makes entry on the path of return (Nivritti-Marga).
As this change is one of primary importance, some
have divided the Acaras into the two broad
divisions of Dakshinacara (including the first four)
and Vamacara (including the last three). Strictly,
however, the first three can only be thus included in
the sense that they are preparatory to Dakshinacara
proper and are all in the Pravritti Marga and are not
Vamacara. It is thus said that men are born into
Dakshinacara but are received by initiation into
Vamacara. As Dakshinacara does not mean "righthand worship" so Vamacara does not mean, as is
vulgarly supposed, "left-hand worship". "Lefthand" in English has a bad sense and it is not sense
to suppose that the Shastra, which prescribes this
Acara, itself gives it a bad name. Vama is variously
interpreted. Some say it is the worship in which
woman (Vama) enters, that is Lata-sadhana. Vama,
this author says, means "adverse" that is the stage
adverse to the Pravritti, which governs in varying
degrees the previous Acaras. For, entry is here made
on the Nivritti path of return to the Source of
outgoing. (In this Acara also there is worship of the
Vama Devi.) In Vamacara the Sadhaka commences
to directly destroy Pravritti and, with the help of the
Guru, to cultivate Nivritti. The help of the Guru
throughout is necessary. It is comparatively easy to
lay down rules for the Pravritti Marga but nothing
can be achieved in Vama-cara without the Guru's
help. Some of the disciplines are admittedly
dangerous and, if entered upon without authority
and discretion, will probably lead to abuse. The
method of the Guru at this stage is to use the forces
of Pravritti in such a way as to render them selfdestructive. The passions which bind (notably the
continued on next page
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The saying has been said to be an expression of this
claim which is I think involved in it. It does however
also I think indicate secrecy, and adaptability to
sectarian form, of him who has pierced to the core of
that which all sects in varying, though partial, ways
present. A Kaula is one who has passed through these
and other stages, which have as their own inmost
doctrine (whether these worshippers know it or not)
that of Kaulacara. It is indifferent what the Kaula's
apparent sect may be. The form is nothing and
everything. It is nothing in the sense that it has no
power to narrow the Kaula's inner life. It is everything
in the sense that knowledge may infuse its apparent
limitations with an universal meaning. A man may
thus live in all sects, without their form being ever to
him a bond.
In Vaidik times there were four Ashramas, that is,
states and stages in the life of the Arya, namely (in
their order) that of the chaste student (Brahmacarya),
secular life as a married house-holder (Grihastha), the
life of the forest recluse with his wife in retirement
from the world (Vanaprastha), lastly that of the beggar
(Bhikshu or Avadhuta), wholly detached from the
world, spending his time in meditation on the
Supreme Brahman in preparation for shortly coming
death. All these four were for the Brahmana caste, the
first three for the Kshattriya, the first two for the
Vaishya and for the Shudra the second only
(Yogayajavalkpa, Ch. I). As neither the conditions of
life nor the character, capacity and powers of the
people of this age allow of the first and third
Ashrama, the Mahanirvana Tantra states (VIII. 8) that
in the Kali age there are only two Ashramas, namely,
the second and last, and these are open to all castes
indiscriminately (ib. 12). The same Tantra (XIV. 141
et seq.) speaks of four classes of Kulayogis or
Avadhutas namely the Shaivavadhuta and
Brahmavadhuta, which are of two kinds, imperfect
(Apurna) and perfect (Purna). The first three have
enjoyment and practice Yoga. The fourth or
Paramahamsa should be absolutely chaste and should
not touch metal. He is beyond all household duties
and caste, and ritual, such as the offering of food and
drink to Devata. The Bhairavadamara classes the
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are chaste (Brahmacari). So far as I can ascertain
these sects which are mentioned later seem to belong
to the Shaiva as opposed to the Shakta group.
The Tantrik Samgraha called Shaktanandatarangini by
Brahmananda Svami says (Ch. 2) that Agama is both
Sadagama and Asadagama and that the former alone
is Agama according to the primary meaning of the
word (Sadagama eva agamashabdasya mukhyatvat).
He then says that Shiva in the Agama Samhita
condemns the Asadagama saying "Oh Deveshi, men
in the Kali age are generally of a Rajasik and Tamasik
disposition and being addicted to forbidden ways
deceive many others. Oh Sureshvari, those who in
disregard of their Varnashrama Dharma offer to us
flesh, blood and wine become Bhutas, Pretas, and
Brahmarakshasas," that is, various forms of evil
spirits. This prohibits such worship as is opposed to
Varnashramadharma. It is said, however, by the
Vamacaris, who take consecrated wine and flesh as a
Yaja, not to cover their case.
It is not uncommonly thought that Vamacara is that
Acara into which Vama or woman enters. This is true
only to a, certain extent: that is, it is a true definition
of those Sadhakas who do worship with Shakti
according to Vamacara rites. But it seems to be
incorrect, in so far as there are, I am told, worshippers
of the Vamacara division who are chaste
(Brahmacari). Vamacara means literally "left" way,
not "left-handed" in the English sense which means
what is bad. As the name is given to these Sadhakas
by themselves it is not likely that they would adopt a
title which condemns them. What they mean is that
this Acara is the opposite of Dakshinacara.
Philosophically it is more monistic. It is said that even
in the highest Siddhi of a Dakshinacari "there is
always some One above him"; but the fruit of
Vamacara and its subsequent and highest stages is that
the Sadhaka "becomes the Emperor Himself". The
Bhava differs, and the power of its method compared
with Dakshinacara is said to be that between milk and
wine.
Moreover it is to be noted that the Devi whom they
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By Giovanni Lombardo
The Emblems Belonging to the Third Degree
It has been said that the purpose of Masonry is the improvement of the world, one man
at a time. A great part of this work is enabled by expressive symbolism. Of the
interpretation of symbols, there is no ending. This is a good thing! On the one hand, it
means there is no end to our capacity to grow in knowledge and improve ourselves in
Masonry. On the other hand, it means that no man knows all there is to know about
Masonry, and no man or body of men is the final arbiter of what it is and can be.
Of the interpretation of symbols, there is no ending. This is because symbols and
emblems provoke thought, evoke ideas, and suggest insights. They also shed light on
each other, especially when they are interrelated within certain organizational
frameworks that exist for that purpose. In this essay, we will explore all three of thesethe evocative and
suggestive power of symbols, their mutual illumination of one another, and one particular organizing framework
that has been universally used for millennia. We will apply these principles to the emblems belonging to the
Third Degree.
Until a scant dozen or two generations ago, it was mostly through stories, pictures, and symbols that learning
was preserved and taught. Thus have ancient symbol-systems ever been preserved through the generations. Our
Masonic brethren in earlier times were more conversant with these than are we today. The modern spread of
literacy through all classes of people has diminished the esteem in which symbols are held today, and the tricks
of advertising and propaganda have exploited and debauched their potency. Symbols and emblems can
nevertheless still communicate wise and serious truths when we are willing to work with them. From a simple
hint, matters of weight and consequence may yet unfold to the attentive mind.
The emblems which we encounter near the close of our Third Degree ritual seem at first to have been selected at
random, but on reflection we can discover evidences of purposeful choice and arrangement.
To begin with, they are exactly 12 in number. This can hardly be accidental. The number 12 recurs with symbolic
significance throughout history. The Greeks hailed 12 gods on Mount Olympus, Norsemen the 12 sons of Odin,
Israel its 12 tribes, each descended from one of the 12 sons of Jacob. So important was it to the apostles of Jesus
that, after the disgrace of Judas Iscariot, the remaining eleven added Matthias to restore their number. Revelation
describes 12 gates of Jerusalem, a woman clothed with the sun, with the moon under her feet and a crown of 12
stars on her head, and in many other places gives peculiar emphasis to 12 or a multiple thereof. A Jewish girl
comes of age and celebrates her bat mitzvah at age 12. The number 12 figures in many folk tales, as when 12
brothers are turned into wild geese and restored to human form by the heartbreaking labors of their young sister.
The number of labors that Hercules had to performed was 12. There are 12 days of Christmas. King Arthura
solar king with 12 knights at his round tablesubdued 12 rebel princes and won 12 great battles against the
Saxon invaders. There are 12 hues in the color wheel, 12 inches in a foot, and in civilizations ancient and
modern 12 is the number of months in a year and hours in a day. In short, there are dozens and dozens of special
symbolic uses of this specific number that are deeply embedded in our history and culture. Are the 12 emblems
of our third degree likely to be an exception?
[* | In-line.WMF *]There are other reasons to suppose that our forefathers in Masonry had some design on their
trestleboard when they formulated this part of our ritual. Recall that the basis of the entire superstructure of
Masonry is Geometry. Since before the time of our ancient friend and brother, the great Pythagoras, the wise
have taken note of special mathematical and geometrical properties of the number 12, springing from its
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By Giovanni Lombardo
divisibility by five of the singledigit numbers (1, 2, 3, 4, and 6). For
example, a circle inscribed with the
Seal of Solomon or Star of David is
implicitly divided into twelve equal
parts.
The last section of the Third Degree
ritual gives us an account of our 12
emblems that suggests the
archetypal cycle of birth, growth,
death, and renewal. The simplest
image for it is a circle in which the
ending point is also the beginning.
This image is found in one form or
another cross-culturally in all times
and places, not least in the teachings
of our ancient writers and
philosophers. This cycle of life is
sometimes represented as
Ourobouros, the world-serpent
swallowing its own tail.
Another and more obvious
association with a cycle of twelve
phases is the ancient folk science of
astrology. Representations of the
12-part division of the heavens
pervade our history and culture.
Countless writings and works of art
and architecture of earlier ages
incorporate or refer to astrological
imagery, and to the arcana of
alchemy that are so closely
intertwined with it. Although it is
often the butt of scientistic derision
today, and routinely dismissed as
pseudo-science, astrology has been
until quite recent times understood
to be inseparable from astronomy,
in fact the interpretive branch of
that science. Our erudite 18th
century Brethren who formulated
the particular forms of ritual which
we now enjoy can hardly have
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A single line between the equinoxes divides the circle of the year into a summer half and a winter half. Likewise,
a survey of our twelve emblems quickly discloses that the descriptions in the ritual fall naturally into a waxing
half and a waning half. The descriptions of the first six emblemsthe pot of incense, beehive, Book of
Constitutions guarded by the Tylers sword, sword
pointing to a naked heart, anchor and ark, and 47th
problem of Euclidemphasize our involvement with the
business of life, while the Hourglass, Scythe, Gavel,
Spade, Coffin, and Sprig of Acacia all refer to the
relentless passage of time toward death and that which
comes after.
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. In psychological
symbolized by a downward
pointing triangle, checking and
tempering the Fire element. This
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denotes those processes and activities by which the purposes of the first quadrant
and the available resources of the second are wrought into useful form, the art of the possible. At the beginning
of the fourth quadrant, where tangible results are stored up for Winter, the Earth element
represents
Matter, physical embodiment. To the sages of old, these were the four stages of any creative process: the
inspiration of what is desired, the perception of what exists, the processes to reduce the difference between them,
and the tangible result. All four are necessary. The symbolism of the Seal of Solomon is related to this.
We may also draw an analogy to the three principle stages of human life that are delineated in the Lecture. The
first quadrant may be thought of as youth, and the fourth or last as age. The intervening stage of manhood, being
generally the greatest in extent of years, extends through two quadrants. Thus, in the more youthful portion of
manhood, our lifes direction is still emerging, and the second half, after about age 28 or 29, is a period of greater
maturity and effectiveness.
According to this analogy, in youth, we establish the fundamental tone and quality of our life (the Fire quadrant).
As we enter early manhood (the Water quadrant), we encounter more and more fully the limitations of the world
as it is, and such as it has been made by our ancestors. Then in growing interdependence with our peers we work
out ways more or less to thrive in this world (the Air quadrant). In age (the Earth quadrant), we survey the fruits
of our labors, enjoy the benefits of whatever station we have attained, and reconcile the various accommodations
that we have made to the inevitable conflicts and contradictions of life. Thus, as Oliver Wendell Holmes
observed, The young man knows the rules, but the old man knows the exceptions. Or to quote the physicist
Werner Heisenberg, an expert is someone who knows some of the worst mistakes that can be made in his field,
and how to avoid them. It is by learning from mistakes, both our own and those of others, that we grow in
wisdom during the phase of manhood, represented by the third and fourth quadrants of our cycle diagram.
The number 12 is of course the product of multiplying 3 times 4, and, as the geometry of the Seal of Solomon
suggests, we arrive at 12 phases in our cycle by dividing each of the four quadrants into three parts. In astrology,
these are traditionally termed cardinal, fixed, and mutable. Here we find another and more subtle analogy to the
three principle phases of life. The cardinal phase (youth) says I want this, and the fixed phase (manhood) says
This is the way things are, the immovable object confronting the irresistible force. Then the third or mutable
phase (age) says we can make this work. Thesis and antithesis are reconciled in a new synthesis, out of which
emerges the thesis of the next quadrant.
.....................
For example, the first quadrant begins with cardinal Fire, the most ebullient and zealous mode of this elemental
quality. Following the cyclical pattern that you can see in every quadrant, the second or manhood phase is the
fixed mode of that elemental qualityEarth, in this casewhich was in the cardinal mode at the beginning of
the previous quadrant. According to our analogy, this represents the challenges and opportunities of manhood.
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Freemasonry: Its not about me changing them, its about me changing me.
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And the funny part was that the initiate was satisfied
and took his degree with the Bible on the Altar. Im
glad they have him, and not this lodge.
Why?
Why, a chap who backs down that way cant have
very much courage; Id have had more respect for him
if hed insisted and if he couldnt have his way, refused
to go on with the degree. All wrong, brother, all
wrong! commented the Old Tiler. The Mohammedan
initiate wasnt concerned about himself but about the
lodge. He showed a high degree of Masonic principle
in asking for his own holy book, and a great
consideration for the lodge. This man isnt a Christian.
He doesnt believe in Christ. He believes in Allah, and
Mohammed his prophet. The Bible, to you a holy book,
is to him no more than the Koran is to you. You
wouldnt regard an obligation taken on a dictionary or a
cook book or a Koran as binding, in the same
degree that you would one taken on the Bible.
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Freemasonry: Its not about me changing them, its about me changing me.
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by Carl Claudy
Masonry does not limit an
applicant to his choice of a name for
a Supreme Being. I can believe in
Allah, or Buddha, or Confucius, or
Mithra, or Christ, or Siva, or
Brahma, or Jehovah, and be a
good Mason. If I believe in a Great
Architect that is all Masonry
demands; my brethren do not care
what I name him.
Then you think this chap isnt
really obligated? I must write my
friend and warn him-
Softly, softly! Any man with
enough reverence for Masonry, in
advance of knowledge of it, to want
his own holy book on which to take
an obligation would feel himself
morally obligated to keep his word,
whether there was his, anothers
or no holy book at all, on the Altar.
An oath is not really binding
because of the book beneath you
hand. It is the spirit with which you
assume an obligation which makes
it binding.
The book is but a symbol that you
make your promise in the presence
of the God you revere. The cement
of brotherly love which we spread is
not material the working tools of a
Master Mason are not used upon
stone but upon human hearts. Your
brother did his best to conform to
the spirit of our usages in asking for
the book he had been taught to
revere. Failing in that through no
fault of his own, doubtless he took
his obligation with a sincere belief
in its sacredness. Legally he would
not be considered to commit perjury
if he asked for his own book and
was forced to use another.
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44
Phrases
To Bandy Words
Meaning
To argue persistently.
Origin
To bandy is to exchange, to
toss to and fro. This is the source
of the name of the game bandy - a
ferocious ball game similar to ice
hockey.
The word was in use in English by
the 16th century and had
counterparts in both French
(bander) and Spanish (bandear),
although which of these came first
is uncertain. The sport originally
associated with bandying wasnt
bandy itself, but tennis. Raphael
Holinsheds The firste volume of
the chronicles of England,
Scotlande, and Irelande, 1577,
includes:
Kingdoms... be no balles
for me to bandie.
He was probably referring there to
tennis balles and tennis was
mentioned explicitly in Randle
Cotgraves A Dictionarie of the
French and English Tongues,
1611. Cotgrave translated the
French verb bander as the
English bandie and gave an
example of its use as to bandie at
Tennis. The 16th century was
well before the development of
lawn tennis and the game being
referred to was what we now call
real tennis (or in some countries
court tennis) - which may be a
corruption of royal tennis. This
was an indoor game in which the
walls form part of the court. The
best known court, which is still in
use, was built at Hampton Court
Palace by Henry VIII in 1530.
Freemasonry: Its not about me changing them, its about me changing me.
45
Phrases
Baby boomer
Meaning
A person born during the temporary
peak in the birth-rate that occurred
several countries following WWII,
notably the USA and the UK.
Origin
A baby boom is any temporary
increase in the birth-rate and that
term was in use some time before
WWII. A baby boom was reported
in various newspapers in England
in the 1920s. For example, this
piece, reprinted in The Coshocton
Tribune, April 1920:
Meaning
A lonely forsaken place.
Origin
The inland desert region of
Australia that is otherwise known
as the Never-never is also
sometimes called the Back of
Beyond.
The term is more generally used to
refer to any real or imagined remote
region. It was first put into print by
Sir Walter Scott in his novel The
Antiquary, 1816:
Badgered to death
Bakers Dozen
Meaning
Thirteen or, more rarely, fourteen.
Origin
Its widely believed that this phrase
originated from the practice of
medieval English bakers giving an
extra loaf when selling a dozen in
order to avoid being penalized for
selling short weight. This is an
attractive story and, unlike many
that inhabit the folk memory, it
appears to be substantially true. We
can say a little more to flesh out
that derivation though.
http://lodgeroomuk.net.wwwebserver.net/
catalogue.php?shop=1
Meaning
Harried and persecuted.
Origin
The allusion is to badger-baiting.
As Bald as a
Badgering has been used as a verb
Meaning
to denote persecution for some
time. Heres an example from 1794, Completely bald.
as here in J. Wolcotts Rowl. for
Origin
Oliver:
Therefore I tremble for his
badgerd bacon.
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