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First you are going to need a picture idea for your stencil. A great place to find photos is stock.xchng or just Google Image Search it. Im going to use a picture of e!orah "arry #$londie% for a retro stencil.
&o' duplicate the layer. (ust click the layer called Background and drag it to this icon at the !ottom of the layer palette to duplicate the layer. )lick on this icon at the !ottom of your *+ayer, 'indo' and select Solid )olourSelect a !right colour in the )olour .icker dialogue !ox that is going to stand out against your image. )lick /0. See image !elo'.
rag your ne' fill layer in!et'een the t'o other layers. 1our +ayer .allete should look like the image !elo'.
&o' 'orking on the top layer *$ackground )opy, 'e 'ant to remo2e all the un'anted !its. In my case I 'ant to isolate $londie and get rid of the !ackground !lue. To do this you should use the pen tool !ut if you are feeling la3y just use the magic 'and and eraser tool.
esaturate the top layer. Shft 4 )trl 4 5 Adjust the threshold. Image 66 Adjustments 66 Threshold. Mo2e the slider until you get a good result and click /0. The image !elo' is 'hat I used !ut this 'ill differ for each picture.
The resulting image may!e a little jagged #pixelated% !ut dont 'orry 'e 'ill fix that.
&ext a Gaussian $lur 'ith a radius of around a!out 7. Filter 66 $lur 66 Gaussian $lur-
&o' it 'ill !e !lurry so 'e need to adjust the cur2es. Image 66 Adjustments 66 )ur2esThe line in the *)ur2es, dialogue !ox 'ill appear as a diagonal. )lick on this diagonal line t'ice and drag these t'o markers until your line forms an *S, shape #as sho'n !elo'%. The lo'er marker 'ill increase the !lack 2alues as you pull it do'n. The upper marker 'ill decrease the grey 2alues as you pull it up. The exact shape of 1/58 *S, cur2e 'ill depend on 1/58 picture9 so 'atch your image as you mo2e these markers until you achie2e the desired result.
1our image should !e looking clean no'. In your +ayers .alette dou!le click on the +ayer Thum!nail #as sho'n !elo'% and change the color to !lack or 'hite depending on your picture.
Finally take your paint !rush tool: T"IS &;<T ST;. IS ="AT MA0;S IT A F5&)TI/&I&G ST;&)I+:: The 'hite areas are the areas Im going to cut out9 so I need to make sure that no !lack areas are enclosed !y the 'hite. The image !elo' demonstrates the idea of creating !ridges so that there are no islands. 1ou can see on picture 7 that if I cut out the 'hite region I 'ould lose the 'heel. In picture > you can see the !ridges 'hich stops the loss of the 'heel detail.
$ridges also make your stencil stronger. If you ha2e large areas to cut out you might 'ant to consider adding !ridges to maintain the strength of the stencil. 1ou may also 'ant to paint out areas to simplify your stencil. $elo' sho's my finished stencil art of $londie. 1ou can see that I increased the )an2as Si3e and painted in her missing el!o'. I also used my artistic licence and simplified the hair into some spikey !its.
Then true to form9 I couldnt just stop there and had to add in some text-
So thats the !asics of creating a stencil using Threshold. "a2e fun: 8emem!er if you ha2e any ?uestions or suggestions please contact me 2ia my contact page
%et's begin by cropping the image so we get a nice close!up view of the person's face. "hotoshop's official tool for cropping images is the &rop Tool, but for simple crops like this, you'll often find that the Rectangular Marquee Tool is all you really need. I'm going to grab the 'ectangular (ar)uee Tool from the top of the Tools panel *panels are called "palettes" in earlier versions of "hotoshop+. I could also press the letter ( on my keyboard to select it with the shortcut,
Then, with the 'ectangular (ar)uee Tool selected, I'll click and drag out a selection around the man's face, beginning in the top left and dragging towards the bottom right. If you need to reposition your selection as you're dragging it, hold down your space ar, drag the selection to a new location with your mouse, then release your spacebar and continue dragging out the selection. I want my selection to be a perfect s)uare, so I'll hold down my Shi!t key as I'm dragging, which will force the shape of the selection into a s)uare. -hen you're done, you should have a selection that looks something like this,
-ith the selection in place, go up to the Image menu in the Menu "ar at the top of the screen and select the Crop command,
Go to Image / &rop.
0s soon as you select the &rop command, "hotoshop crops away everything outside of the selection outline, leaving us with our close!up portrait,
3othing will seem to have happened in the document window, but the %ayers panel is now showing a new layer sitting above the Background layer. "hotoshop automatically names the new layer "%ayer 4". If we look in the layer's previe% thum nail to the left of the layer's name, we see a gray and white checkerboard pattern. This is how "hotoshop represents transparency, and since the preview window is filled with nothing but this checkerboard pattern, we know the layer is currently blank *transparent+,
The preview thumbnail for each layer shows us what's currently on the layer.
This brings up "hotoshop's 5ill dialog bo , giving us an easy way to fill a layer or a selection with either a solid color or a pattern. #ince we no longer have a selection active on the layer, the entire layer will be filled with whatever color we choose. #elect "lac&from the list to the right of the word ,se in the Contents section at the top of the dialog bo ,
&lick 16 to e it out of the dialog bo and "hotoshop fills "%ayer 4" with black. #ince "%ayer 4" is sitting above the Background layer, our image is now blocked from view in the document window by the fill color,
0ny time you want to add te t to a "hotoshop document, you'll need the Type Tool.
"hotoshop gives us the option to add either point t(pe or area t(pe to our documents. "oint type is your basic single line of te t, usually either a heading or a short caption. 0dding point type is as easy as clicking with the Type Tool at the point in the document where you want the line of te t to appear and then adding your te t. 0s long as the te t you're adding is short enough that you're not worried about it e tending out beyond the edge of the document, point type is usually the way to go. 0rea type, on the other hand, is used when you have large amounts of te t, say one or more paragraphs, and you need to make sure that all of the te t stays within the boundaries of the document or within a certain area of the document. #ince we need to fill our entire document with te t, we'll need to use area type. To add area type, we first need to define the boundaries for the te t, and we do that by dragging out a te.t !rame, which looks very similar to the same sort of basic selection we dragged out earlier with the 'ectangular (ar)uee Tool. 1nce we have the te t frame in place, any te t we add will be confined within the frame. -ith the Type Tool selected, click in the very top left corner of the document, then drag down to the very bottom right corner of the document so that the te t frame covers the entire document area when you're done. 0s you drag, you'll see the outline of your te t frame appearing. 7ust as when dragging out a selection with the 'ectangular (ar)uee Tool, you can reposition the te t frame as you're dragging it out if needed by holding down your space ar, dragging the frame to a new location, then releasing your spacebar and continuing to drag. -hen you're done, release your mouse button and you should see your te t frame surrounding the entire document, although it may be a little difficult to see in the small screenshot,
0ny te t we add will now be confined within the boundaries of the document thanks to the te t frame.
#elect your font, style and si8e from the 1ptions Bar.
-e'll need our te t color to be white, so if yours is currently set to some other color, click on the color s%atch in the 1ptions Bar, which will bring up "hotoshop's Color Pic&er, and choose white. &lick 16 when you're done to e it out of the &olor "icker. The color swatch in the 1ptions Bar should now be filled with white,
&lick on the color swatch in the 1ptions Bar and select white from the &olor "icker if your te t color is not already set to white.
(ake sure the te t layer is selected *highlighted in blue+ in the %ayers panel, then click on the %ayer (ask icon.
3othing will happen yet in the document window, but a layer mask thumbnail will appear to the right of the layer's preview thumbnail,
%ayer masks are filled with white by default, which means everything on the layer is fully visible in the document.
%ayer masks are filled with white by default, which means everything on the layer is fully visible in the document.
"ress Ctrl6A *-in+ ; Command6A *(ac+ to )uickly select the entire layer. 9ou'll see a selection outline appear around the edges of the document, indicating that the entire layer is now selected. .ven though we can still see our white te t against the solid black fill color in the document window, we're actually selecting the contents of the Background layer because that's the layer we currently have selected in the %ayers panel. Then, press Ctrl6C *-in+ ; Command6C *(ac+ to copy the contents of the layer *the portrait photo+ temporarily into your computer's memory.
&lick on the layer mask thumbnail while holding down 0lt *-in+ ; 1ption *(ac+.
By holding down 0lt ; 1ption as we click on the layer mask thumbnail, not only do we select the layer mask, we make it visible inside the document window, allowing us to paste our image directly into it. #ince the mask is currently filled with white, your document window will appear filled with white. "ress Ctrl68 *-in+ ; Command68 *(ac+ to paste the portrait photo directly into the layer mask. #ince layer masks deal only with black, white and shades of gray, the image will appear as a black and white image in the document window,
The image has now been pasted directly into the layer mask on the te t layer.
To e it out of the layer mask and switch our view back to normal in the document window, simply hold down Alt *-in+ ; 1ption *(ac+ once again and click on the la(er mas& thum nail, 2ust as we did a moment ago. 3otice that the portrait photo is now visible inside the layer mask thumbnail,
<old down 0lt *-in+ ; 1ption *(ac+ and click again on the layer mask thumbnail to e it out of the layer mask.
"ress Ctrl63 *-in+ ; Command63 *(ac+ to remove the selection outline from around the edges of the document window. -e're now back to our normal view mode inside the document, and the te t is now being masked by the photo that we pasted directly into the layer mask, creating our "te t portrait" effect,
9ou can also copy layers by going up to the %ayer menu, choosing 3ew, then choosing %ayer via &opy, but the keyboard shortcut is much faster.
Step 11: Ad;ust The 'a(er 1pacit( To Fine Tune The "rightness
If you find that the effect is still too dark, simply duplicate the te t layer a second time. 1r, if you find that it's now a bit too bright, you can fine tune the results by lowering the layer's opacity. 9ou'll find the 1pacit( option at the top of the %ayers panel. The lower you set the opacity of the top layer, the more you allow the layers below it to show through, which in this case will have the effect of darkening the image. I'm going to lower the opacity of my copied te t layer down to around =>? 2ust to darken the effect slightly,
'educe the top layer's opacity to fine tune the brightness of the effect.
0nd with that, we're done@ <ere, after ad2usting the brightness with the 1pacity option, is my final "te t portrait" "hotoshop effect,