Piano tuning proc edure

AUGUST 10, 2011 BY JUAN 7 COMMENTS

Learn to tune a piano aurally, what follows is the standard protocole. First of all, you will need some basic tools, these you

can buy at any online tool suppliers on the internet. You could buy everything as a piano tuning kit or

you can buy them individually. What ever way you choose, make sur

e you buy the right tools. If

possible try to buy good quality piano tuning equipment, that way you will have better overage results and your tuning will be easier and more accurate.

Piano tuning tools A set of basic piano tools is not too expensive, certainly no more than a standard professional tuning.The first

thing you obviously need to learn to tune pianos, is a piano in a reasonable good state. Bear in mind that some very old ones specially if

they still have wooden frames are simply not tunable, so better disregard those ones as they will make the tuning very difficult or practically

impossible. The piano can be old but must hold the tune, that means it must be in a good enough condition to stand a standard A440 tune and hold it

for some time. Also better to choose a good size one. Big uprights and grands are easier to tune than spinets and small uprights.

The tuning lever or hammer A whole chapter could be writing about the tuning hammer, this is the most

important piano tuning tool. I think you could consider to buy a good one, no doubt its a good investment. The extended ones

with changeable heads and tips are the best ones. A good tuning lever is far better than an ordinary one, makes the job

easier, more precise and professional.

The tuning fork and two rubber mutes An ordinary tuning fork A-

440. You can buy them at any musical instrument shop. The tuning fork produce an exact pitch that you will use as a

basic reference. The rubber wedges you can buy or make then yourself. The utility of these simple rubber wedges

is to mute the strings we dont want to hear.

Felt temperament strip Better to have a couple of these.

They are strips of felt about two or three millimetres thick by two or three cm (one inch) wide and about a meter long.

We will need then to set the temperament which is the first thing we do when tuning a piano.

A metronome Any metronome will do, but one of those small digital ones would be perfect. A metronome will

be very handy in early learning so that we can practice and check the accuracy of the beat rates we use when tuning

a piano. When we are accustomed to hearing and recognizing the beat rates, then will not need the

metronome anymore.

TUNING PROCEDURE SETTING THE TEMPERAMENT

Disclaimer: What follows is a basic and general information procedure for tuning a piano. To view the full protocol and

specific piano tuning instructions, please refer to eBook How to tune a piano The temperament, setting the temperament

The temperament could be defined as a group of notes in the center of the keyboard, stretching appro ximately

one octave (normally from F33 to F45 or from F33 to A49) that are tuned in a certain way. Once the temperament is set we will use it as a

reference to tune the rest of the keyboard. Setting the temperament is the most important aspect of tuning.

The quality of our piano tuning depends a great deal on how well the temperament has been built. Although setting the temperament is not

really complex, its study required some time and practice. Time well spent I would say, as once learned, you can apply to every

tuning you will make in future. Basically there are two groups of temperaments. In one hand the ones that use mainly fifth

and fourth intervals and only third and sixth intervals for testing. The other group of intervals on the contrary utilizes mainly third and sixth and only

fifth and fourth to check and evaluate. In my humble opinion, the second group is better. Why? Because the third and sixth intervals produce

faster beat rates, about 7, 8 and 9 bps (beats per second), generally easier to listen and judge. In contrast, the first temperament

group, the one that uses mainly fifth and fourth intervals, generates slower beat rates, which for most of us are significantly harder to recognize.

First step Mute the unisons Mute with a felt strip the side strings of every unison from F33 to F45

(see the picture above). Leave unmuted the center strings as this will be for now the only string of every unison in the

temperament that we will tune.

Second step Using the tuning fork Tune A4 to its theoretical standard pitch

440 htz. You will need a chromatic tuner with speakers that can generate that frequency or an

A-440 tuning fork.

Third step Tuning the temperament. Now tune the temperament. The standard

way to tune the temperament is using third, sixth and fifth intervals and tuning them to specific beat rates, save fifth

and fourth interval for testing. If you prefer or feel more confortable, you can do the other way around as

there is not rule of thumb in this matter. At this stage, the center string is the only string at every unisons in the temperament

that you will tune.

Forth step Tuning octaves. Tuning octaves is fairly simple. Tuning hammer on F#46 (mute

the side strings with a couple of rubber wedges). Strike at the same time F#34 (already tune) and F#46. Tune till you eliminate

all audible beats and the two notes sound as a single one. Then tune G47 in the same way and carry on tuning every

note towards the upper end of the keyboard. When tuning the bass section apply the same procedure.

Fifth step General review Review and test what you have just done so far. Take special attention to the unisons as they

are the ones that first go out of tune. Try to eliminate all the audible beats or at least get them as beatless as possible. A good

hammer skill would be handy at doing so. Doing the stretch Its a matter of fact that a piano sounds better when its upper section and

low section are stretch. That means that the high notes (more or less the last two octaves) are tuned sharper than theoretically they should, and

the very low notes tuned lower than they also should be. You could ask, why is that? The reason is that a piano tuned in that way simply sounds

better. That is commonly accepted, so an experience technician should do what is called the stretch.

The stretch is tuned exponentially, that means that the stretching becomes more and more pronounced as you advance up the keyboard There are

theoretical tables that allegedly determined the amount of stretch for every key, but thats all. In this matter like in many others involving

piano tuning there is not rule of thumb, and in reality every tuner do the stretch at his/her discretion. I think, to be precise, when in the lower notes the

stretch shouldnt be call that way, but the shrink, as thats what really happens. To do the stretch you will need some practice and

experience. If you are newbie to piano tuning I dont recommend you try doing the stretch, at least not for now. Just wait some time till you are

reasonably proficient. Important notice: Reproducti on of this article (or any other article contained in this site) in part or in

whole is strictly prohibited, unless permission is given directly by the copyright owner. Contact Juan Olalla

at:info@howtotunea piano.com Has this tutorial been helpful to you? Do you have any questions? You are welcome to leave a reply. Your

opinion and/or suggestions are highly appreciated. Thanks Copyright Juan Olalla 2011 All rights

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