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etc. Sequoia. Program Loudness and Loudness Range (LRA) in a single view. etc.Peace of Mind when Delivering for Broadcast Compatibility LM6 Radar Loudness Meter is available in Audio Units. stereo or 5. Stats and Logging . . Logic Pro. Wavelab. No additional hardware such as Pro Tools TDM or PowerCore is needed . on a Mac or PC and whether your productions are in mono.See It All at Once Ultimate Compliance . Momentary Loudness. AudioSuite and RTAS plug-in formats.ITU BS. EBU R128. Pro Tools. AAX. True-peak Level. In short. Nuendo.all you need is an iLok2 USB Key for holding the plug-in license. Complete Loudness Overview . ATSC A/85. Final Cut Pro X.Help us spread the message GO RADAR Native Multichannel Loudness Meter Capture the essence of your loudness landscape at a glance for a complete and instant overview. you can use LM6 with hosts such as Media Composer. Our innovative Loudness Radar Meter shows you Loudness History. VST.1.1770.

The right descriptor shows the all-important Program Loudness parameter.and Program Loudness reflects that number in LUFS or LKFS.Always On Because LM6 is designed for demanding hosts such as Final Cut Pro and Media Composer. The left descriptor shows Loudness Range (LRA) which measures the average distance between soft and loud parts in your program material in LU. In other words. there is a certain target level that you must not exceed . it works great even in environments restricted by screen space or by CPU resources. . by which the entire loudness 'landscape' of a program. you can leave it on at all times for a quick overview without compromising computer performance. Universal Descriptors LM6 features two Universal Descriptors. Therefore. we have paid special attention to 'sleeping beauty' functionality. Depending on which broadcast standard you have to conform to. You can also decide to have these descriptors diplay other parameters such as 'max loudness' or 'sliding loudness'. film or music track can be precisely characterized.

Program Loudness.. LKFS. Videos . Also. a log file of the measurement results is created for your documenting needs. Note how the tracks get measured much faster than real time and how the radar display reflects the overall loudness landscape almost instantly. Below. please visit our dedicated Loudness Website. LU. you can see how off-line measuring works with AudioSuite. LUFS.To learn more about LRA. even in offline mode. etc.. you can even benefit from the off-line function and measure the loudness of your audio faster than real time.. (/loudness/loudnessexplained/) Offline Measuring If you use it in Pro Tools as an Audio Suite plug-in.

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The two parameter values are in fact identical. Further.User Interface Main Presets and main parameters such as descriptor settings (e. The speed of the radar is adjustable between 1 minute and 24 hours. Program Loudness. . You can also define whether you want to display LUFS or LKFS. For instance.g. Sliding Loudness. Loudness Range. you can set details about how the Radar should operate. Setup You will find detailed parameters on the Setup Page. while others prefer LKFS (auch as ATSC A/85). This would also be the place to set the Momentary Loudness Range.) are found on the Main Page. you can define the destination of the logging file and adjust the Peak Indicator. Loudness Max. but some standards prefer the use of LUFS (such as EBU R128). etc.

DB4 & DB8 or LM5D. crossing platforms is seamless. TouchMonitors. True-peak Level and flexible descriptors are combined to give you the ultimate loudness overview in a single view. Momentary Loudness.also when working in a DAW. So if you are already familiar with the radar. Crossing Platforms The user interface of LM6 is similar to other TC Radar Loudness Meters found in LM2. and you are sure to always get the correct numbers . LM6 keeps track of detailed stats that you can save to a standard formatted text file for documentation and evaluation.Stats Gain a complete statistical overview on this page. System 6000. . Radar Loudness History.

VST. TR-B32.Mono. ATSC A/85. . LRA. Stereo and 5. and keeping track of all of them can be a challenge.Features Complete Loudness Overview .1770-3. OP-59 Faster Than Real Time Offline Measuring .) Universal Descriptors .Displays Any Two Parameter Values (Program Loudness. AAX. explained and discussed.Ensures Your Audio Quality Downstream (data reduction. converters. codecs. EBU R128.Radar Speed from 1 Minute to 24 Hours per revolution True-peak Metering . Sliding or Max) Loudness Website There are many aspects to loudness. AU. etc. Therefore.ITU BS. where all of these aspects are outlined.Everything in a Single View Complete Compliance . we have created a dedicated loudness website.1 Surround Plug-in Formats .Document Delivery Specs Formats . AudioSuite and RTAS Flexible Loudness History .Audio Suite Offline Measuring in Pro Tools 24/7 Logging .

The site is an answer to the highly relevant question: "What Is Loudness.1770 recommendation is global and one of the most important broadcast standards as many other standards are based on it. EBU R128 The P/LOUD group. Throughout the world. and Why Is It Important?" Visit the Loudness Website (/loudness/) Ultimate Compliance We are proud to have taken part in defining several international broadcast standards by donating technology and submitting recommendations of which many are now integrated in these standards. (/loudness/broadcast-standards/) . Not all countries rely on the same standard and all of them are ever-evolving. the ITU BS.1770 Defined by The International Telecommunication Union. rest assured that you will always be compliant with the latest revision of the broadcast standard that you need to conform to. legislation on loudness in television is being introduced as we speak. which is part of The European Broadcasting Union (EBU). but regardless of your location and which TC Electronic Loudness-related units you use. ITU BS. has defined the R128 standard that applies to many European countries.

(/loudness/broadcast-standards/) ATSC A/85 ATSC A/85 is specified by The Advanced Television Systems Committee (ATSC) and applies to US broadcasters.1770. TRB32 is a Japanese broadcast standard that builds on ITU BS. (/loudness/broadcast-standards/) TR-B32 Defined by the Association of Radio and Television Businesses (ARIB).Our broadcast products supports all revisions of BS. (/loudness/broadcast-standards/) Loudness Radar Meter Features .1770 Loudness and True-peak level and recommends a speech based as well as a universal approach to audio normalization.1770-3. A/85 is rooted in BS.1770-2. OP-59 is rooted in BS. Australia.1770 Loudness and True-peak level and uses LKFS as loudness unit. (/loudness/broadcast-standards/) OP-59 Operational practice by FreeTV. including the latest BS.

6dB between circles Loudness Target True–peak warning Outer Ring Momentary Loudness (M) Soft part Short Term Loudness (S) Loud part Short Term Loudness (S) Loudness Unit (LU.Radar View Short Term Loudness History. LUFS or LKFS) Time since Reset Program Loudness (I) (entire program) Loudness Range (LRA) (entire program) . 4 min per revolution.

Certainly. . Rather than looking back and forth between Pro Tools waveforms and the plug-in. The LM6 Radar Loudness Meter plug-in. In Pro Tools 10. showing average loudness over a long duration. In the Press Our history in digital audio dates back to 1985 and as pioneers in loudness. the radar’s interpretation of the waveform paints a clear enough and meaningful picture on its own. developing standards and designing a long line of hardware tools to measure accurately. It can be set to span as short as a minute or as long as a day. audio loudness over time. especially when referencing the meter during tracking situations. I use the AAX version of the LM6 plug-in across my stereo bus to track and locate peaks (overs) when mixing music. watching trends and deviations in this way rivals any other system yet devised for long-term loudness metering. displays true-peak warnings and true-peak bar graphs and conforms to all major broadcast standards. The decibel resolution can be adjusted to cater to the needs of the particular project. Music Connection by Barry Rudolph TC Electronic has been on the forefront of doing the science. LM6 measures up to 5. we took part in research studies and the definition of international broadcast standards right from the start.1 channels of audio program loudness and provides a graphical histogram of their dynamic range over a pre-determined time period from 1 minute to 24-hours. now for any DAW platform PC or Mac.Reviews Mix by Brandon Hickey The most dazzling feature of the LM6 is the large “radar” meter that performs a revolving wipe.

Over the years. international standards. That is why world-leading broadcast magazines often invite us to share our knowledge with their readers. we have even donated technology that is now part of these open. Read The Articles Here (/in-the-press/) Free 14 Day Demo License To get a 14 day demo license for LM6 Radar Loudness Meter please enter your iLok User ID below and click Submit. iLok User ID: Get Demo License What is an ilok User ID? (http://support. Please note: Your iLok User ID is not printed on your iLok key.com/entries/20915733-what-is-the-ilok-user-id-ilok-id?) .tcelectronic.

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