Cornelissen Catalogue 2011-4

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Artists Colourmen
www.cornelissen.com
A N I NTRODUCTION
TO
C OR NELISSEN S 2011/12 C ATALOGUE
ornelissen welcomes you to this 2011/12 catalogue and hopes that it encourages you to visit the Cornelissen shop in the part of London from where we have traded since 1855, just a few steps from The British Museum. The shop-fitting style created by the founding family and their specialist product areas remain in place today: drawer after drawer filled with pigments, brushes, prepared colour, gold leaf & printmaking equipment. If you cannot visit the shop, please phone or e-mail our mail-order team. They usually respond to orders within 48 hours and will contact you with delivery information. Our new website will be launched in the summer. This will offer a 24/7 on-line ordering/payment service and will include a page-turning version of this catalogue. Users of the 2010 catalogue will discover new products in nearly every section of this 2011 edition. You will find a second range of glass mullers with new, less expensive mixing slabs, Michael Hardings oil colours, 4 new colours of gold leaf, 3 new series of short-handled sable brushes of exceptional grade 1 quality (Cornelissen series 1,2 & 3), striking new leather equipment, some beautifully made cherrywood pochade boxes and new colours in Robersons extraordinary Liquid Metal range of paints and calligraphy inks. A printed catalogue, which includes as many materials as this one, is usually out-of-date in some small way before it leaves the printer. It also closes the door to the introduction of new materials until the next edition. Our new website will have neither of these disadvantages. We will be able to make changes and additions to the site ourselves and we are sure that the discipline of managing the site well will improve our service to you. Within a few months of the websites launch we plan to add both Russian and Chinese gold leaf, an uncommon yellow pigment called stil de grain, a handsome stable portable sketching easel which does not need to touch the ground, a new wide range of traditionally made gesso panels using Cornelissen raw materials and some hard-cover drawing and watercolour sketch books made to our own specifications. In the early 1980s we were well known for reproduc ing Victorian wooden art boxes and easels made in our own workshop. We plan to re-introduce the best of these designs with a contemporary slant towards the end of 2011. All these new items have missed the catalogue but will be displayed on the website as they become available to you. With the emigration of Winsor & Newtons manufacturing to France this year, the greater part of the stock of a UK artists material retailer will be coming from the Eurozone or from points east and west. As the pound exchange rate is lower than a year ago, there are increasing cost pressures exacerbated by the way inflation has gripped some commodities that are central to some of our ranges (cotton duck, gold, silver, titanium white, copper). This is not a context in which business as usual can continue. Our response is to make and source more of our new ranges within the UK Cornelissen is fortunate in having a diverse customer group which complements our sales to fine artists. We receive regular orders for bulk artists grade titanium white from a cosmetics manufacturer, our bronze powder was used recently to repair the finish on Prince Charles damaged car, dozens of sword striper brushes were sent to California to a bikers club for helmet decoration and our graphite powder was used to improve a customers radio reception! Any work of art is determined by the artists ability to use materials and, first and foremost, by the materials made available to the artist. Our job, therefore, is to be an efficient and imaginative supplier of good materials. This catalogue is part of this process.
Director L. Cornelissen & Son Ltd.
Worldwide Mail Order Service. Phone 020 7636 1045 Fax 020 7636 3655 info@cornelissen.com www.cornelissen.com
P RICE L IST S ECTIONS
Section 1: Pigments, Gums & Resins Section 2: Oils, Acrylics & Supports Section 3: Watercolour, Gouache and Egg Tempera Section 4: Pastels Section 5: Drawing & Calligraphy Section 6: Gilding & Restoration Section 7: Printmaking Section 8: Brushes Section 9: Paper Section 10: Leather Accessories Section 11: Studio Section 12: Specialist Decorating
3 25 60 73 81 102 123 139 159 173 177 183
Acceptance and Price Variations
The costs of raw materials and finished goods change with exchange rates, volatility in natural substance prices and chemicals costs. Prices are therefore subject to increase without notice and are priced at the level ruling at the time of dispatch.
Reproduction of Colour References
The colour references in this catalogue have been estimated using the Pantone system and are a guide to the colour only. The restrictions inherent in process printing mean that these colours should not be relied upon for accurate matching. Please request a hand made colour chart for an accurate reference.
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P IGMENTS , G UMS & R ESINS

Artists Quality Pigments
YELLOWS
Cadmium Yellow Lemon Cadmium Yellow Light Cadmium Yellow Middle Cadmium Yellow Deep Cadmium Yellow Orange Chrome Yellow Light Chrome Yellow Middle Chrome Yellow Orange Cobalt Yellow (Aureolin) Indian Yellow - Tartrazine Lemon Yellow Barium Chr. Naples Yellow Dark - Gen. Naples Yellow Light - Gen.
Section 1
50g
ex VAT 5.58 5.17 5.17 6.17 4.67 7.25 4.58 5.25 5.25 inc VAT 6.70 6.20 6.20 7.40 5.60 8.70 5.50 6.30 6.30
LC11002E
100g
ex VAT 8.00 7.67 10.00 5.75 5.75 12.42 6.00 5.25 inc VAT 9.60 9.20 12.00 6.90 6.90 14.90 7.20 6.30
250g
ex VAT 15.42 13.17 16.58 18.33 9.83 9.83 10.75 10.33 8.50 14.08 14.08 inc VAT 18.50 15.80 19.90 22.00 11.80 11.80 12.90 12.40 10.20 16.90 16.90
LC11004H
500g
ex VAT 27.67 31.42 37.67 16.50 16.50 55.25 17.67 13.83 inc VAT 33.20 37.70 45.20 19.80 19.80 66.30 21.20 16.60
1 kg
ex VAT 52.17 43.25 61.17 64.00 29.75 29.75 33.75 32.08 24.42 50.08 50.08 inc VAT 62.60 51.90 73.40 76.80 35.70 35.70 40.50 38.50 29.30 60.10 60.10
LC11003F
LC11005J
LC11006K LC11016K
LC11012E LC11022E LC11032E LC11043F LC11053F LC11063F LC11072E LC11082E LC11132E LC11083F LC11023F
LC11014H LC11024H LC11034H LC11045J LC11054H LC11064H LC11074H LC11085J LC11134H LC11104H LC11114H LC11124H LC11055J LC11065J LC11025J
LC11026K LC11036K
LC11056K LC11066K LC11076K
LC11133F LC11103F
LC11135J LC11105J
LC11136K LC11106K LC11116K LC11126K
LC11112E LC11122E
For Gamboge, Lead Tin Yellow, Litharge, Orpiment, Realgar - see Early Colours on page 9 and 10
Cadmium Yellow Lemon PY35 ***
Cadmium Yellow Light PY37 ***
Cadmium Yellow Middle PY37 ***
Cadmium Yellow Deep PY37 ***
Cadmium Yellow Orange PY108 ***
Chrome Yellow Light PY34 **
Chrome Yellow Middle PY34 **
Chrome Yellow Orange PY104 **
Cobalt Yellow (Aureolin) PY40 **
Indian Yellow Tartrazine PY100 **
Lemon Yellow Barium Chr. PY32 ***
Naples Yellow Dark - Gen. PY41 ***
Naples Yellow Light - Gen. PY41 ***
transparent semi transparent semi opaque opaque *** very good lightfastness ** good lightfastness * lightfast
indicates pigment available in 15 ml plastic jars (see page 8)
LIMEPROOF PIGMENTS
The following pigments will not be bleached by lime. They may be used in fresco painting or to colour lime washes and cement.
Cadmium Vermillion Cadmium Red Cadmium Red Deep Cadmium Brown Cobalt Violet Cerulean Blue Cobalt Blue Ultramarine Limewash Chromium Oxide Cobalt Turquoise Caput Mortuum Red Ochre Indian Red Mars Red Mars Violet Venetian Red Green Earth Light Burnt Green Earth Terre Verte Mars Yellow Golden Ochre Yellow Ochre Raw Umber
Many of our pigment sales are made in quantities above 1 kilo. Please ask for a quotation when larger volumes are required.
Section 1

VIOLETS
Alizarin Violet Cobalt Violet Dark Cobalt Violet Light Manganese Violet Ultramarine Violet Ultramarine Pink
50g
ex VAT 8.08 10.67 7.25 4.75 5.17 5.42 inc VAT 9.70 12.80 8.70 5.70 6.20 6.50
LC14002E
100g
ex VAT 12.33 7.58 inc VAT 14.80 9.10
250g
ex VAT 28.00 40.75 28.25 11.25 13.17 14.33 inc VAT 33.60 48.90 33.90 13.50 15.80 17.20
LC14004H
500g
ex VAT 54.75 25.50 inc VAT 65.70 30.60
1 kg
ex VAT 35.50 47.83 inc VAT 42.60 57.40
LC14012E LC14022E LC14032E LC14042E LC12112E LC12113F LC14023F
LC14014H LC14024H LC14034H LC14044H LC12114H LC12115J LC12116K LC14025J LC14036K
Alizarin Violet PV51 **
Cobalt Violet Dark PV14 *** ex VAT 5.42 9.33 7.00 6.42 5.83 5.00 5.33 10.58 12.67 15.58 4.08
Cobalt Violet Light PV47 ***
Manganese Violet PV16 ***
Ultramarine Violet PV15 ***
Ultramarine Pink PR259 ***
REDS
Alizarin Crimson Coral Red Cadmium Red Cadmium Red Deep Cadmium Vermilion Cadmium Brown Lead Red (Minium) Potters Pink Quinacridone Magenta Quinacridone Red Quinacridone Scarlet Vermilion - Imitation
50g
inc VAT 6.50 11.20 8.40 7.70 7.00 6.00 6.40 12.70 15.20 18.70 4.90
LC12092E LC12202E LC12212E LC12222E LC12002E LC12012E LC12022E
100g
ex VAT 7.92 16.17 10.92 7.67 4.08 7.50 18.00 22.17 28.08 inc VAT 9.50 19.40 13.10 9.20 4.90 9.00 21.60 26.60 33.70
LC12003F LC12013F LC12023F
250g
ex VAT 17.00 36.92 22.58 19.42 16.42 16.58 5.58 14.08 40.33 50.83 65.50 7.92 inc VAT 20.40 44.30 27.10 23.30 19.70 19.90 6.70 16.90 48.40 61.00 78.60 9.50
LC12004H LC12014H LC12024H
500g
ex VAT 31.00 71.42 42.00 31.42 9.00 25.08 77.50 98.50 127.83 inc VAT 37.20 85.70 50.40 37.70 10.80 30.10 93.00 118.20 153.40
LC12005J LC12015J LC12025J
1 kg
ex VAT 58.92 140.42 80.92 68.17 61.17 151.75 193.92 252.50 22.17 inc VAT 70.70 168.50 97.10 81.80 73.40 182.10 232.70 303.00 26.60
LC12006K LC12016K LC12026K LC12036K
LC12032E LC12042E LC12082E LC12083F LC12053F LC12093F LC12203F LC12213F LC12223F
LC12034H LC12044H LC12084H LC12054H LC12094H LC12204H LC12214H LC12224H LC12074H LC12085J LC12055J LC12095J LC12205J LC12215J LC12225J
LC12086K
LC12206K LC12216K LC12226K LC12076K
LC12072E
For Madder Root Pieces, Rose Madder, Vermilion Genuine - see Early Colours on page 9 and 10
Alizarin Crimson PR83 *
Coral Red PR225 ***
Cadmium Red PR108 ***
Cadmium Red Deep PR108 ***
Cadmium Vermilion PR108 ***
Cadmium Brown PR108 ***
Lead Red (Minium) PR105 ** transparent
Potters Pink PR233 *** semi transparent
Quinacridone Magenta Quinacridone Red Quinacridone Scarlet Vermilion - Imitation PR4 + PY1 + PW21 ** PR122 *** PR19 *** PR209 *** semi opaque opaque *** very good lightfastness ** good lightfastness * lightfast
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BLUES
Antwerp Blue Cerulean Blue Cobalt Blue Indigo Blue Genuine Indigo Blue Synthetic Manganese Blue Oriental Blue Phthalo (Mona) Blue Prussian Blue Ultramarine Blue Dark Ultramarine Blue Light Ultramarine Blue Limewash
Section 1
50g
ex VAT 6.50 7.42 12.50 4.58 5.00 4.75 inc VAT 7.80 8.90 15.00 5.50 6.00 (25g) 5.70
100g
ex VAT 6.33 11.75 10.67 4.50 4.50 4.08 4.42 5.25 inc VAT 7.60 14.10 12.80 (59g) 5.40 5.40 4.90 5.30 6.30
250g
ex VAT 12.58 19.83 24.58 50.08 9.42 15.00 6.42 11.33 6.58 5.42 6.25 inc VAT 15.10 23.80 29.50 60.10 11.30 18.00 (100g) 7.70 13.60 7.90 6.50 7.50
LC13004H LC13014H
500g
ex VAT 21.58 36.58 97.08 15.75 9.75 10.08 7.67 9.42 inc VAT 25.90 43.90 116.50 18.90 11.70 12.10 9.20 11.30
1 kg
ex VAT 41.17 88.92 29.08 17.17 17.00 12.25 15.67 18.67 inc VAT 49.40 106.70 34.90 20.60 20.40 14.70 18.80 22.40
LC13003F LC13012E LC13022E LC13032E LC14052E LC13023F
LC13005J LC13015J
LC13006K
LC13024H LC13034H LC14054H LC13035J LC14055J
LC13026K
LC14056K
LC13051C
LC13052E LC13043F
LC13053F LC13044H LC13064H LC13045J LC13046K
LC13062E LC13073F
LC13074H LC13084H LC13094H
LC13075J
LC13076K
LC13083F LC13093F LC13103F
LC13085J LC13095J
LC13086K LC13096K LC13106K
Ultramarine Blue Limewash is coated with silicone to protect it from lime and other alkali. It is formulated for this purpose only. For Azurite, Blue Verditer, Egyptian Blue, Lapis Lazuli, Smalt - see Early Colours on page 9 and 10
Antwerp Blue PB27 + PW22
**
Cerulean Blue PB35 ***
Cobalt Blue PB28 ***
Indigo Blue Genuine NB1 *
Indigo Blue Synthetic VB1 **
Manganese Blue PB33 ***
Oriental Blue PB29 ***
Phthalo (Mona) Blue PB15:3 ***
Prussian Blue PB27 ***
Ultramarine Blue Dark PB29 ***
Ultramarine Blue Light PB29 ***
Ultramarine Blue Limewash PB29 ***
transparent
semi transparent
semi opaque
opaque *** very good lightfastness ** good lightfastness * lightfast
Section 1

GREENS
Cadmium Green
50g
ex VAT 7.42 7.25 6.33
LC15042E LC15022E
100g
ex VAT 9.42 4.83 11.42 9.50
LC15043F
250g
ex VAT 18.83 7.33 24.67 23.75 19.08
LC15044H
500g
ex VAT 11.42 46.25 44.33
LC15045J
1 kg
ex VAT 65.83 19.75 66.92
LC15046K
inc VAT 8.90 8.70 7.60 9.60 10.60 11.20
inc VAT 11.30 5.80 13.70 11.40 15.40 5.70 5.50
inc VAT 22.60 8.80 29.60 28.50 22.90 32.80 37.70 40.80 8.70 8.10
inc VAT 13.70 55.50 53.20 61.80 13.50 12.40
inc VAT 79.00 23.70 80.30 119.80 139.50 151.90 23.50 21.00
LC15002E LC15013F
LC15004H LC15014H LC15024H LC15015J LC15025J LC15035J
LC15006K LC15016K
Chromium Oxide Cobalt Green Deep Cobalt Green Light Cobalt Turquoise (Rinmans Green) Permanent Green (temporarily discontinued) Phthalo (Mona) Green Phthalo Turquoise Viridian Green Terre Verte Green Earth Light
LC15032E LC15082E
LC15033F LC15083F
LC15034H LC15084H
LC15086K
8.00 8.83 9.33
12.83 4.75 4.58
27.33 31.42 34.00 7.25 6.75
51.50 11.25 10.33
99.83 116.25 126.58 19.42 17.50
LC15052E LC15092E LC15072E
LC15053F
LC15054H LC15094H LC15074H
LC15055J
LC15056K LC15096K LC15076K
LC15063F LC16193F
LC15064H LC16194H
LC15065J LC16195J
LC15066K LC16196K
For Malachite, Synthetic Malachite, Verdigris - see Early Colours on page 9 & 10
Cadmium Green PY35 + PG26 ***
Chromium Oxide PG17 ***
Cobalt Green Deep PG19 ***
Cobalt Green Light PG19 ***
Cobalt Turquoise (Rinmans Green) PG50 ***
Permanent Green PG7 + PY13 + PR5 ***
Phthalo (Mona) Green PG7 ***
indicates pigment available in 15 ml plastic jars (see page 8) Many of our pigment sales are made in quantities above 1 kilo. Please ask for a quotation when larger volumes are required.
Phthalo Turquoise PB15:3 + PG7 + PW21 ***
Viridian Green PG18 ***
Terre Verte PG23 ***
Green Earth Light PG23 ***
EARTHS
Caput Mortuum Indian Red Mars Red Mars Violet Mars Yellow Golden Ochre Red Ochre
15ml jars
ex VAT 2.92 2.92 inc VAT 3.50 3.50
LC16001C
100g
ex VAT 4.92 3.17 3.33 3.33 3.33 3.17 3.17 inc VAT 5.90 3.80 4.00 4.00 4.00 3.80 3.80
LC16003F LC16013F LC16023F LC16033F LC16043F LC16053F
250g
ex VAT 7.50 4.08 5.42 5.25 4.58 4.92 4.67 inc VAT 9.00 4.90 6.50 6.30 5.50 5.90 5.60
LC16004H LC16014H LC16024H LC16034H
500g
ex VAT 11.92 4.92 7.75 7.75
LC16045J
1 kg
ex VAT 20.67 7.75 12.33 9.83 9.92 9.17 inc VAT 24.80 9.30 14.80 11.80 11.90 11.00
LC16006K LC16016K LC16026K
inc VAT 14.30 5.90 9.30 9.30 8.70 6.90
LC16005J LC16015J LC16025J LC16035J
LC16044H LC16054H LC16064H
LC16046K LC16056K LC16066K
7.25 5.75
LC16055J LC16065J
LC16061C
LC16063F
Caput Mortuum PBR101 *
Indian Red PR101 ***
Mars Red PR101 ***

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Mars Violet PR101 ***

VIE
Mars Yellow PY42 ***

IS 1878 PAR
Golden Ochre PY43 ***
Red Ochre PR101 ***
NNA 1873
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EARTHS
Yellow Ochre Pozzuoli Red Burnt Sienna Raw Sienna Translucent Orange Oxide Translucent Red Oxide Translucent Yellow Oxide Burnt Umber Raw Umber Raw Umber Greenish Vandyke Brown Venetian Red Burnt Green Earth
Section 1
15ml jars
ex VAT 2.92 2.92 2.92 2.92 2.92 inc VAT 3.50 3.50 3.50 3.50 3.50
LC16071C
100g
ex VAT 3.17 3.17 3.17 3.17 6.17 6.58 6.17 3.17 3.17 3.17 3.42 3.17 4.42 inc VAT 3.80 3.80 3.80 3.80 7.40 7.90 7.40 3.80 3.80 3.80 4.10 3.80 5.30
LC16073F LC16093F
250g
ex VAT 4.67 4.92 4.92 4.92 13.83 14.58 10.83 4.92 4.92 4.92 4.83 4.92 8.75 inc VAT 5.60 5.90 5.90 5.90 16.60 17.50 13.00 5.90 5.90 5.90 5.80 5.90 10.50
LC16074H LC16094H LC16114H LC16124H LC16084H LC16104H LC16184H LC16134H LC16144H LC16154H
500g
ex VAT 5.75 7.25 7.25 7.25 24.50 26.08 18.42 7.25 7.25 7.25 7.25 14.42 inc VAT 6.90 8.70 8.70 8.70 29.40 31.30 22.10 8.70 8.70 8.70 8.70 17.30
LC16075J LC16095J LC16115J LC16125J LC16085J
1 kg
ex VAT 9.17 9.92 9.92 9.92 45.83 33.83 9.92 9.92 9.92 11.67 9.92 25.75 inc VAT 11.00 11.90 11.90 11.90 55.00 40.60 11.90 11.90 11.90 14.00 11.90 30.90
LC16076K LC16096K LC16116K LC16126K LC16086K
LC16111C LC16121C
LC16113F LC16123F LC16083F LC16103F LC16183F
LC16105J LC16185J LC16135J LC16145J LC16155J LC16186K LC16136K LC16146K LC16156K LC16166K LC16175J LC16205J LC16176K LC16206K
LC16131C LC16141C
LC16133F LC16143F LC16153F LC16163F LC16173F LC16203F
LC16164H LC16174H LC16204H
Yellow Ochre PY43 ***
Pozzuoli Red NA ***
Burnt Sienna PBR43 ***
Raw Sienna PBR43 ***
Translucent Orange Oxide PR101 ***
Translucent Red Oxide PR101 ***
Translucent Yellow Oxide PY42 ***
Burnt Umber PBR7 ***
Raw Umber PBR7 ***
Raw Umber Greenish PBR7 ***
Vandyke Brown PBR8 *
Venetian Red PR101 ***
Burnt Green Earth PG23 ***
WHITES
Flake White (Lead Carbonate) Titanium White Zinc White
100g
ex VAT 3.17 3.33 inc VAT 3.80 4.00
250g
ex VAT 8.75 inc VAT 10.50
LC18004H
500g
ex VAT 5.67 6.58 inc VAT 6.80 7.90
1 kg
ex VAT 18.25 9.17 10.83 inc VAT 21.90 11.00 13.00
2 kg
ex VAT 41.67 18.33 24.67 inc VAT 50.00 22.00 29.60
5 kg
ex VAT 70.83 34.08 40.33 inc VAT 85.00 40.90 48.40
LC18005J
LC18006K
LC18007L
LC18013F
LC18015J
LC18016K
LC18017L
LC18018M
LC18023F
LC18025J
LC18026K
LC18027L
LC18028M
Many of our pigment sales are made in quantities above 1 kilo. Please ask for a quotation when larger volumes are required. *** very good lightfastness ** good lightfastness * lightfast
Flake White (Lead Carbonate) PW1 ***
Titanium White PW6 ***
Zinc White PW4 ***
transparent semi transparent semi opaque opaque
Section 1

BLACKS
Graphite (200 Mesh) Ivory Black
50g
100g
ex VAT 3.25 4.08 3.33 5.75 inc VAT 3.90 4.90 4.00 6.90
250g
ex VAT 4.08 5.00 7.67 4.17 22.50 5.33 inc VAT 4.90 6.00 9.20 5.00 27.00 6.40
LC17004H
500g
ex VAT 5.33 6.25 12.25 42.00 8.58 inc VAT 6.40 7.50 14.70 50.40 10.30
1 kg
ex VAT 7.08 10.00 21.33 10.83 80.83 14.83 17.42 inc VAT 8.50 12.00 25.60 13.00 97.00 17.80 20.90
LC17005J LC17025J LC17035J
LC17006K LC17026K LC17036K LC17046K
LC17023F LC17033F
LC17024H LC17034H LC17044H
Lamp Black Mars Black (Iron Oxide) Spinel Black Vine Black - French Carbon Black Mogul L
LC17052E LC17063F LC17073F
LC17054H LC17064H
LC17055J LC17065J
LC17056K LC17066K LC17076K
Graphite (200 Mesh) PBL10 ***
Carbon Black Mogul L PB7 ***
Ivory Black PBL9 ***
Lamp Black PBL6 ***
Mars Black (Iron Oxide) PBL11 ***
Spinel Black PBL26 ***
Vine Black French PBL8 ***
transparent semi opaque semi transparent opaque
*** very good lightfastness ** good lightfastness * lightfast
indicates pigment available in 15 ml plastic jars (see below)
Many of our pigment sales are made in quantities above 1 kilo. Please ask for a quotation when larger volumes are required.
Small Quantities of Pigment in 15ml Transparent Containers

Cornelissen Artist Quality Pigments
These small sizes are relevant to restorers, icon and egg tempera artists,watercolourists and decorators wanting to test and match. Supplied in 15 ml plastic containers. ex VAT 2.92 Series 1 inc VAT 3.50
Cornelissen Pigment Starter Kit

1 of each of 30 colours - 10% saving Bought in the shop Bought mail order including P&P (within UK)
Yellows Cadmium Yellow Lemon 13g (2) Indian Yellow - Imitation 11g (2) Cadmium Yellow Orange 13g(2) Reds Alizarin Crimson 5g (2) Cadmium Red 15g (2) Quinacridone Red 6g (2) Quinacridone Scarlet 6g (2) Quinacridone Magenta 6g (2) Lead Red-43g (2) Blues Antwerp Blue 12g (2) Cobalt Blue 11g (2) Indigo Blue Genuine 7g (2) Indigo Blue Synthetic 8g (2) Prussian Blue 7g (1) Ultramarine Blue Dark 10g (1) Greens Chromium Oxide 17g (1) Viridian 9g (2) Cadmium Green 16g (2) Terre Verte 16g (2) Earths Caput Mortuum 18g (1) Red Ochre 13g (1) Yellow Ochre 15g (1) Burnt Umber 9g (1) Burnt Sienna 12g (1) Raw Umber 9g (1) Raw Sienna 14g (1) Blacks and Whites Titanium White 13g (1) Zinc White 12g (1) Ivory Black 11g (1) Spinel Black 10g (2)
ex VAT 91.50 99.16
inc VAT 109.80 119.00
various codes
LC18000 LC18000
3.75 Series 2
4.50
various codes
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR

The Early Colours
Section 1
Artists quality pigments have a continuously evolving history as new, more permanent, more available or more stable colours supersede earlier colours. Nonetheless, there is an interest, particularly among restorers, in some of the older colours. Cornelissen has a limited selection of relatively obscure pigments, ready prepared as watercolours or oils, or in powder form. For further information, we recommend p 34-64 in the 1991 edition of The Artists Handbook of Materials & Techniques by Ralph Mayer (Faber & Faber) or p 35-39 in The Materials and Techniques of Painting by Jonathan Stevenson (Thames & Hudson).
Orpiment
Arsenic trisulphide. Bright yellow and opaque. First used by the ancient Egyptians. Superseded in the Middle Ages by lead and tin yellows.
Synthetic Malachite
Artificial Copper Carbonate.
Blue Verditer
Copper hydroxide plus copper carbonate. Widely used in mid 18th century. Best in non oil based media.
Realgar
Arsenic disulphide. Yellow orange colour. First used by the ancient Egyptians.
Egyptian Blue
Mixture of copper silicates. One of the earliest artificial pigments. Used in Egypt from about 3000 BC then used by the Romans. Superseded by smalt. Suitable for fresco and distemper.
Litharge
Lead monoxide. Pale yellow similar to Naples Yellow. Little use as a pigment but often used as a drying agent in varnishes. Used by Romans.
Azurite Gamboge
Natural tree resin. Bright, transparent yellow. Soluble in alcohol and is often used as a colourant for alcohol based varnishes. Native basic copper carbonate. Rare antecedent of cobalt and cerulean blues. Usage dates back to the Romans. Works poorly in oil and is therefore used primarily in aqueous media.
Lead Tin Yellow

Bright yellow first used in the Middle Ages as a replacement for Orpiment. Suitable for oil based media.
Genuine Lapis Lazuli

Usage dates from the Middle Ages when it was the only reliable blue pigment. Different intensities of genuine ultramarine are caused by the varying intensities of colour in the original lazurite vein. South American origin.
Vermillion Deep
Synthetic Mercuric Sulphide. Bright, opaque red. In use since Roman times.
Smalt
A variety of cobalt blue glass. Historically considered to be the direct continuation of Egyptian Blue. First made in the 17th century.
Rose Madder
Alizarin lake made by extracting dye from madder root and precipitating onto an inert base. In use since Roman times.
Genuine Ivory Black

Made by burning ivory scraps. Fine and intense with a high carbon content.
Verdigris
Hydrated copper acetate. Early artificial pigment which dates from Roman times.
Malachite
Greenish variety of native copper carbonate used as a pigment by ancient Egyptians.
Section 1

The Early Colours
PIGMENT
Lapis Lazuli Light Lapis Lazuli Dark Ivory Black Genuine Azurite Smalt Light 400 Mesh Smalt Dark 200 Mesh Malachite Synthetic Malachite Lead Tin Yellow Light Lead Tin Yellow Dark
10g
ex VAT inc VAT
50g
ex VAT inc VAT
100g
ex VAT inc VAT
PIGMENT
Realgar Orpiment Litharge
10g
LC20111C
50g
LC20112E
8.50 10.17 31.67 17.50 4.33 4.42 8.50 3.50 4.00 4.00
10.20 12.20 38.00 21.00 5.20 5.30 10.20 4.20 4.80 4.80
21.25 27.67 119.20 9.00 9.25 35.00 4.83 10.75 10.75
25.50 33.20 143.00 10.80 11.10 42.00 5.80 12.90 12.90
33.25 52.08 14.83 15.25 6.42 19.25 19.25
39.90 62.50 17.80 18.30
LC20121C LC20001C LC20011C LC20031C LC20021C LC20051C LC20041C LC20131C LC20061C LC20141C
LC20122E LC20002E LC20012E
LC20123F LC20003F
Please ask for availability
100g
4.58 5.50
LC11143F
500g
9.08 10.90
LC11145J
500g
Madder Root Pieces 13.83 16.60
LC12105J
1 kg
24.50 29.40
LC12106K
LC20022E LC20052E LC20042E
LC20023F LC20053F
10g
Blue Verditer Egyptian Blue Verdigris 4.08 4.92 4.08 4.90 5.90 4.90
LC20071C LC20081C LC20091C
100g
19.67 23.60
LC20073F
7.70 23.10 23.10
LC20132E LC20062E LC20142E
LC20133F LC20063F LC20143F
PIGMENT
Genuine Vermilion Rose Madder Carmine Red Genuine Gamboge Pieces Gamboge Powder
10g
ex VAT 13.17 10.67 4.33 inc VAT 15.80 (7g) 12.80 (7g) 5.20
LC11091A
25g
ex VAT 13.25 31.17 inc VAT 15.90 37.40 (21g) ex VAT 23.92 54.17 13.67 9.00
LC12081D
50g
inc VAT 28.70 65.00 16.40 10.80
LC11098E LC12082E
100g
ex VAT 41.25 14.83 inc VAT 49.50 17.80
LC12083F
250g
ex VAT 87.50 29.42
LC11099H
inc VAT 105.00 35.30
LC12084H
LC12061A LC12091C
LC12062C
LC12062E
LC11092E
LC11093F
Lapis Lazuli Light PB29 ***
Lapis Lazuli Dark PB29 ***
Ivory Black Genuine PBK9 ***
Azurite PB30 ***
Smalt Light 400 Mesh PB32 ***
Smalt Dark 200 Mesh PB32 ***
Malachite PGR39 ***
Synthetic Malachite PG39 ***
Lead Tin Yellow Light PY46 **
Lead Tin Yellow Dark PY46 **
Blue Verditer PB30 ***
Egyptian Blue PB31 ***
Verdigris PG20 *
Realgar PY39 *
Litharge PY46 **
Genuine Vermilion PR106 ***
Rose Madder NR9 *
Carmine Red Genuine NRD4 *
transparent semi opaque semi transparent opaque Gamboge Pieces NY24 * Gamboge Powder NY24 * Madder Root Pieces NA *
IS 1867 PAR
*** very good lightfastness ** good lightfastness * lightfast
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
10

The Early Colours
WATERCOLOUR
Lapis Lazuli Roasted Ivory Smalt Lapis Azurite Malachite
Section 1
6 ml
OH10001
18 ml
OH10011
ex VAT inc VAT ex VAT inc VAT 83.25 99.90 233.33 280.00 16.58 17.08 57.08 25.42 19.90 20.50 68.50 30.50 41.92 50.30
OIL COLOUR
Lapis Lazuli Malachite
6 ml
OH10101
18 ml
OH10111
ex VAT inc VAT ex VAT inc VAT 71.67 86.00 229.17 275.00 25.42 30.50 62.92 75.50
OH10002 OH10003 OH10004 OH10005 OH10013
OH10102
OH10112
142.50 171.00
OH10014
62.92
75.50
6 ml 18 ml
OH10015
Pearl Lustre Pigments

Pearl Lustre pigments are made from mica flakes, finely coated with titanium and/or iron oxides. The thickness and combination of coatings produces refraction of light to give an appearance similar to oil film on water. They can be mixed with any medium, are non-toxic and totally lightfast. They are impervious to acids, alkalis, water and temperatures up to 800C and are best used over dark base-coat colours. They give a wide range of effects (from soft satin to sparkling brilliance) over other colours. Colours on White Background Colours on Black Background
Silver Pearl (30)
Gold Pearl (31)
Glitter Gold (32)
Standard Pearl Lustre Powders

Whitish in colour, these powders are best used over a dark background to bring out the best colour.
Size 7g 100 g 1 kg
ex VAT inc VAT 3.83 10.75 70.83 4.60 12.90 85.00 Flash Pearl (34) Bronze (33)
LC19xx1A LC19xx3F LC19xx6K
Platinum Gold (35)
Red Pearl (36)
Lilac Pearl (38)
Copper Pearl (29)
Blue Pearl (39)
Green Pearl (40)
11
Section 1
Pearl Lustre Base Bronze Powder | Adhesives and Sizes

Pearl Lustre Base Bronze Powder
Specially mixed to closely match Roberson Bronze Powder shades and can be used as a non-tarnishing alternative Size 10 g 100 g ex VAT IncVAT 5.17 25.75 6.20 30.90 Rich Pale Gold Deep Gold
various codes various codes
Light Gold
Pale Gold
Orange Gold
Gold 2
Middle Gold
ADHESIVES AND SIZES

Casein (Lactic) Ammonium Carbonate (for casein paints) Carrageen Moss Fine Shred Isinglass - Powder
50g
100g
250g
500g
1 kg
2 kg
5 kg
25 kg
ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 14.08 16.90 25.00 30.00 57.83 69.40 112.50 135.00
LC27415J LC27416K to order to order
9.17
11.00
200g - 22.00
LC27404G
64.25
77.10
LC27403F
to order
16.67
20.00
30.25 40.83 8.08
36.30 49.00 9.70
13.75 71.00
16.50 85.20
24.33 5.67 7.83
29.20 6.80 9.40
45.50 8.17 12.50 38.75
54.60 9.80 15.00 46.50
26.67
32.00
50.17
LC27494H LC27442E LC27443F LC27444H
LC27495J
LC27496K
Isinglass - Sturgeon 22.00 26.40 (Salianski) LC27452E Parchment Clippings Pearl Glue Rabbit Skin Glue Carboxyl Methyl Cellulose 4.92 5.90
97.25 116.70
LC27454H
LC27453F
15.50 4.42 5.50 12.08
18.60 5.30 6.60 14.50
LC27463F
LC27464H LC27474H LC27484H LC27475J LC27485J LC27476K
60.20 235.00 282.00

LC27489N
LC27486K LC27516K
LC27487L
LC27488M
LC27512E
LC27514H
Acticide SPX preservative for carboxy methyl cellulose Gelatine Leaf silver in sheets (bloom strength 160-190) Gelatine Leaf gold in sheets (bloom strength 200) Gelatine Capsules 25s - 5.80
LC27434H
30 ml - 4.20
LC27502E
10s - 4.40
LC27423F
400s - 52.80
LC27426K
Quotations can be provided for larger bulk quantities up to 250 kg - please enquire
10s - 4.70
LC27523F
400s - 65.00
LC27526K
100s - 11.80 1000s - 84.40

LC27435J LC27436K
Casein (Lactic)
Ammonium Carbonate
Carrageen Moss - Fine Shred
Isinglass
Parchment Clippings
Pearl Glue
Rabbit Skin Glue
Acticide SPX
Gelatine Leaf silver in sheets

IS 1867 PAR
Gelatine Leaf gold in sheets

VIE
Gelatine Capsules
NNA 1873
N LO
DON 186 2
IS 1878 PAR
12

Chalks | Fillers and Abrasives
Section 1
ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 3.58 4.50 5.83 4.30 5.40 7.00 11.50 13.80 LC23196K LC23197L LC23198M LC23199N Whiting Soft Grade, Fine (3.3 micron) 25 kg Whiting + delivery (within the UK) = 33.10 (inc.VAT) 6.67 20.83 25.00 8.00 Gesso di Bologna
LC23306K LC23308M
CHALKS
500g
1 kg
2 kg
3 kg
5 kg
10 kg
25 kg
French Chalk Gypsum - 240 mesh Precipitate Chalk
5.08 5.25
6.10 6.30
7.00 4.42 7.42 3.92 3.92 3.92
8.40 5.30 8.90 4.70 4.70 4.70 5.50 4.80
5.00 5.00 5.00
6.00 6.00 6.00
7.50 5.75
9.00 6.90 6.92 6.92 6.92 10.42 7.50
8.30 8.30 8.30 12.50 9.00
18.83 18.83 18.83 36.33 27.33
22.60 22.60 22.60 43.60 32.80
LC23135J
LC23136K LC23146K
LC23165J
LC23166K
LC23266K LC23267L LC23268M LC23269N
Marble Dust Genuine White Fine (100 mesh) Marble Dust Genuine White Medium Marble Dust Genuine White Coarse Fullers Earth Plaster of Paris

LC23156K LC23246K
LC23157L LC23247L LC23227L LC23207L
LC23158M LC23248M LC23228M LC23208M
LC23159N LC23249N LC23229N LC23210M
4.58 4.00
LC23226K LC23206K
Whiting Soft Grade, Fine
Gesso di Bologna
French Chalk
Gypsum - 240 mesh
Precipitate Chalk
Marble Dust Genuine White Fine (100 mesh)
Marble Dust Genuine White Medium
Marble Dust Genuine White Coarse
Fullers Earth
Plaster of Paris
FILLERS AND ABRASIVES

Alumina Hydrate - Light Fumed Silica (100 ml) Pumice Powder - 240 mesh Rottenstone - Pink (200 mesh) Rottenstone - Grey (400 mesh) 4.75
100g
5.70 13.60 7.08 6.58 5.83
LC23123F
250g
8.50 7.90 7.00
LC23124H
500g
11.08 4.83 13.30 5.80
LC23125J
1 kg
19.00 6.50 17.00 14.00 22.80 7.80 20.40 16.80
LC23126K
11.33
LC28544H LC23175J LC23184H LC23204H LC23176K LC23186K LC23206K
Quotations can be provided for bulk quantities of 5 kg to 250 kg - please enquire.
Alumina Hydrate - Light
Fumed Silica (100 ml)
Pumice Powder - 240 mesh
Rottenstone - Pink (200 mesh)
Rottenstone - Grey (400 mesh)
13
Section 1

Gums
GUMS
Gum Ammoniac Gum Arabic (Kordofan) No. 1 Gum Arabic (Nigerian) No. 3 Gum Benzoin Gum Copal (Manila) Gum Mastic Gum Sandarac-Fine Powder Gum Sandarac-Lumps Gum Tragacanth - Pharmaceutical
25g
5.83 4.58 7.00 5.50
50g
9.58 16.92 5.58 6.08 11.50 20.30 6.70 7.30
100g
5.25 5.08 5.75 4.42 30.67 9.00 6.30 6.10 6.90 5.30 36.80 10.80
250g
8.42 8.00 71.92 46.83 15.50 10.10 9.60 86.30 56.20 18.60
500g
68.08 13.67 12.92 16.33 9.58 81.70 16.40 15.50 19.60 11.50
1 kg
29.00 27.10
ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT
LC24102E LC24113F LC24123F LC24143F LC24153F LC24182E LC24191D LC24192E LC24211D LC24212E LC24213F LC24183F LC24184H LC24195J LC24114H LC24124H LC24105J
24.17 22.58
LC24115J LC24125J LC24145J LC24155J
LC24116K LC24126K
278.33 334.00
LC24186K
52.67
63.20
LC24194H
LC24196K
GUMS
Gum Damar - Origin Indonesia
250g
5.50 6.60
500g
7.83 9.40
1 kg
12.58 15.10
2 kg
26.67 32.00
5 kg
50.33 60.40
ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT
LC24164H LC24165J LC24166K LC24167L LC24168M
Quotations can be provided for larger bulk quantities up to 250 Kilos - please enquire
Gum Ammoniac
Gum Arabic (Kordofan) No. 1
Gum Arabic (Nigerian) No. 3
Gum Benzoin
Gum Copal (Manila)
Gum Mastic
Gum Sandarac - Fine Powder
Gum Sandarac - Lumps
Gum Tragacanth - Pharmaceutical
Gum Damar - Origin Indonesia
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
14

Resins
RESINS
Colophony Dragons Blood Powder Dragons Blood Pieces Ketone Resin TC Powdered Rosin - Fine Shellac: button (India) Shellac: clear de-waxed Shellac: lemon (India) Shellac: orange (India)
Section 1
50g
19.70 18.17 23.00 21.80
100g
5.92 5.42 7.33 5.25 5.50 7.10 6.50 8.80 6.30 6.60
250g
5.33 83.08 78.42 10.17 8.83 13.58 8.25 9.00 6.40 99.70 94.10 12.20 10.60 16.30 9.90 10.80
500 g
7.58 17.17 14.50 13.67 14.83 13.33 14.75 9.10 20.60 17.40 16.40 17.80 16.00 17.70
1 kg
12.08 23.92 31.25 25.92 44.75 23.50 26.50 14.50 28.70 37.50 31.10 53.70 28.20 31.80
2 kg
54.00 61.50 64.80 73.80
5 kg

ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT
LC25124H LC25132E LC25232E LC25134H LC25234H LC25146K LC25125J LC25126K
143.67 172.40
LC25168M
LC25163F
LC25164H LC25194H LC25204H
LC25165J
LC25166K
LC25193F
LC25195J
LC25196K
LC25203F
LC25206K
LC25213F
LC25215J
LC25223F LC25174H LC25184H
LC25225J
Paraloid B67 (White Spirit Soluble Consolidating Resin) Paraloid B72 (Alcohol Soluble eg. acetone, industrial meths) * *Available in solution to order 20% v/w 1L=49.70
LC28586K
LC25175J
LC25176K
LC25177L
LC25185J
LC25186K
LC25187L
Colophony
Dragons Blood Pieces
Dragons Blood Powder
Ketone Resin TC
Powdered Rosin - Fine
Shellac: button (India)
Shellac: clear de-waxed
Shellac: lemon (India)
Shellac: orange (India)
Paraloid B67
Paraloid B72
15
Section 1

Waxes
WAXES
Beeswax, Bleached Pellets Beeswax, Natural Pellets Carnauba Wax (grey) Carnauba Wax (yellow) Japan Wax Microcrystalline Wax Pellets Paraffin Wax
50g
100g
ex VAT inc VAT 6.00 6.40 14.00
250g
ex VAT 7.08 7.00 7.83 8.58 24.50 7.08 4.67 inc VAT 8.50 8.40 9.40 10.30 29.40 8.50 5.60
500 g
ex VAT 11.17 11.08 12.58 14.08 45.83 inc VAT 13.40 13.30 15.10 16.90 55.00
1 kg
ex VAT 19.08 19.00 19.08 9.25 inc VAT 22.90 22.80 22.90 11.10
LC26234H LC26244H
LC26235J LC26245J LC26255J LC26265J LC26275J
LC26236K LC26246K
5.00 5.33 11.67
LC26253F LC26263F LC26272E LC26273F
LC26254H LC26264H LC26274H LC26284H LC26294H
LC26286K LC26296K
Quotations can be provided for bulk quantities of 5 kg to 250 kg - please enquire
Beeswax, Bleached Pellets
Beeswax, Natural Pellets
Carnauba Wax (grey)
Carnauba Wax (yellow)
Japan Wax
Microcrystalline Wax
Paraffin Wax
OTHER
Bole, Red Tallow Van Dyke Crystals Asphaltum Powder - 300 mesh
50g
100g
ex VAT 3.92 4.50 inc VAT 4.70 5.40
250g
ex VAT inc VAT 7.90
500 g
ex VAT 8.67 10.00 11.92 inc VAT 10.40 12.00 14.30
1 kg
ex VAT inc VAT 12.20 20.20 24.90
LC28513F
LC28515J
10.17 16.83 20.75
LC28526K
6.58
LC28532E
LC28533F
LC28534H
LC28535J LC28505J
LC28536K LC28506K
Bole, Red
Tallow
Van Dyke Crystals
Asphaltum Powder - 300 mesh
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
16

Others
OTHER
Lime Putty (aged) for limewash Crocus Powder Ferric Chloride Crystals Carborundum Powder Chloramine T Lump Sanguine Graphite Lumps (Sri Lanka)
fine (7), medium (5), coarse (8)
Section 1
50g
ex VAT inc VAT
100g
ex VAT inc VAT
250g
ex VAT inc VAT
500 g
ex VAT inc VAT
1 kg
ex VAT inc VAT
15 Litre (approx 20 kg) = 80.85 95.00

LC28559N
4.58 10.75
5.50 12.90
6.75 9.33
8.10 11.20
10.33 15.50 3.83 25.50
12.40 18.60 4.60 30.60
27.92 8.08
33.50 9.70
LC23113F
LC23114H LC28544H
LC23115J LC28545J LC2325xJ LC28546K LC2325xK
LC28563F
LC28565J
0.03 per gram

LC28573F
0.03 per gram

LC28583F
Graphite Lumps
Lump Sanguine
Crocus Powder
Ferric Chloride Crystals
Carborundum Powder
Equipment
Equipment For Grinding Pigment
CORNELISSEN ARTISTS GLASS MULLERS
Approx. ex VAT inc VAT Weight 275 g 340 g 750 g 16.96 22.54 27.66 20.35 27.05 33.20
AND
GLASS PESTLE MORTARS

Pestle and mortar 100 mm diameter Pestle and mortar 150 mm diameter
ex VAT inc VAT 26.95 44.83 32.35 53.80
Size S (5cm) M (7,5cm) L (10cm)
LC32350
Handmade in soda lime glass in a classic shape with a choice between a thinner and a thicker handle on each size.
LC32351
LC32321
LC32322
LC32323
MIXING SLABS
10 mm thick glass with one side sand-blasted and edges smoothed all round. Square (23 x 23 cm)
ex VAT inc VAT 15.79 15.79 18.95 18.95

LC32401
ROBERSON PROFESSIONAL GLASS MULLERS

Ergonomically designed top. Well suited to extensive grinding of pigments.
Size S (5cm) M (7cm) L (10cm)
Approx. ex VAT inc VAT Weight 230 g 495 g 1025 g 16.96 22.54 38.29 20.35 27.05 45.95
LC32300
LC32310
4 mm thick glass with one side sand-blasted and edges smoothed all round. Rectangular 395 x 295 mm. Not available for mail order without wooden frame (see below). Mahogany stained hardwood frame designed to fit the 4 mm thick glass (above). Frame measures 430 x 330 mm
LC32400
20.00
24.00
LC32410
LC32320
17
Section 1

Equipment
Equipment For Grinding Pigment

CERAMIC PESTLES AND MORTARS
Pestle and Mortar 90 mm diameter Pestle and Mortar 110 mm diameter Pestle and Mortar 140 mm diameter ex VAT inc VAT 17.75 25.00 46.25 21.30 30.00 55.00
LC32640 LC32641 LC32642
Safety Equipment
DUST MASK WITH VALVE
ex VAT inc VAT
Use with dangerous pigments and in dusty environments. High performance mask with valve. Double strap. Efficient against particles down to 0.5 microns. Each 5.67 6.80
LC32622
AGATE PESTLE AND MORTARS
DUST MASK - LIGHTWEIGHT

ex VAT inc VAT Lightweight disposable mask. Each Pack 20
ex VAT inc VAT 3.42 34.58 4.10 41.50
Agate pestle and mortars are used by laboratories and artists requiring a harder material than porcelain in order to minimise the risk of contamination. Pestle and Mortar 100 mm outer diam. Pestle and Mortar 120 mm outer diam. Agate Pestle only 100 mm length Agate Pestle only 120 mm length 141.67 245.83 33.33 54.17 170.00 295.00 40.00 65.00
LC32360
LC32620
LC32621
LC32361
LC32362
DISPOSABLE VINYL YL L GLOVES
ex VAT inc VAT
LC32363
Recommended for use as a barrier against skin irritants and toxic substances. Pair Box 100 (50 pairs) 0.21 12.75 0.25 15.30
LC32633
LC32633
Safety Equipment
GLASS DROPPER
ex VAT inc VAT 1.12 1.35 50.5 mm length, bent end dropper Enables drop by drop additions of siccatives etc. With 15 ml, clear glass container
LC32632
2.00
2.40
LC32630
Empty Containers
TUBES
ex VAT inc VAT White enamelled aluminium tubes with a water based internal lacquer 37 ml 0.50 0.60 (25 mm x 105 mm long) LC31301D 37 ml case (containing 89.17 107.00 259 tubes) LC31301D 60 ml 0.67 0.80 (30 mm x 114 mm long) LC31302E 60 ml case (containing 74.17 89.00 180 tubes) LC31302E 120 ml 0.75 0.90 (38 mm x 144 mm long) LC31303F 120 ml case 74.17 89.00 (containing 108 tubes) LC31303F
Bulk price for 140 containers with 129.16 155.00 dropper LC32630
DROPPING BOTTLE (50ML)
ex VAT inc VAT
Traditional dropper bottle with tight fitting ground glass top and a precise channel in the neck permitting great accuracy. Each 4.83 5.80
LC32631
SYRINGE
Two part - Each Box of 80
ex VAT inc VAT 0.50 22.75 0.60 27.30

LC32600
LC32610
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
18

Containers
Empty Containers
EMPTY WATERCOLOUR PANS
Half Pans 16 x 19 x 9 mm Bulk Pack 100 Half Pans Whole Pans 18 x 30 x 9 mm Bulk Pack 100 Whole Pans ex VAT inc VAT 0.25 12.50 0.33 16.67 0.30 15.00 0.40 20.00
LC31011
Section 1
Glass Jars
POWDER GLASS
ex VAT inc VAT 1.00 112.50 0.83 91.67 1.33 77.50 1.42 58.33 1.20 135.00 1.00 110.00 1.60 93.00 1.70 70.00
High with neck, black screw top 15 ml 50 mm tall x 30 mm diameter 15 ml case (containing 140 jars) 30 ml 60 mm tall x 35 mm diameter 30 ml case (containing 132 jars) 60 ml 75 mm tall x 40 mm diameter 60 ml case (containing 72 jars) 100 ml 90 mm tall by 50 mm diameter 100 ml case (containing 53 jars)
LC31210A
LC31011
LC31200A
LC31012
LC31211D
LC31012
LC31201D LC31212E LC31202E LC31213F
LC31203F
REAGENT JARS SQUAT GLASS JARS

ex VAT inc VAT
ex VAT inc VAT
Wide mouths (no neck: mouth diameter similar to base), black screw top. Suitable for pigment storage. 60 ml 55 mm tall x 50 m diameter 60 ml case (containing 72 jars) 120 ml 65 mm tall by 60 mm diameter 120 ml case (containing 54 jars) 250 ml 75 mm tall by 85 mm diameter 250 ml case (containing 48 jars) 500 ml 85 mm tall by 110 mm diameter 500 ml case (containing 24 jars) 1.17 69.17 1.75 75.00 2.17 84.17 4.08 79.17 1.40 83.00 2.10 90.00 2.60 101.00 4.90 95.00
LC31112E LC31102E LC31113F
Traditional flat-topped glass reagent jars with ground glass stopper lids. Wide mouth opening. These classic containers are ideal for pigment storage . When selecting a size, allow for 1 ml for 1 g for most pigments. 50 ml 85 mm tall x 40 mm diameter 50 ml case (containing 40 jars) 100 ml 100 mm tall x 50 mm diameter 100 ml case (containing 48 jars) 250 ml 135 mm tall x 70 mm diameter 250 ml case (containing 30 jars) 500 ml 175 mm tall x 85 mm diameter 500 ml case (containing 15 jars) 1 litre 200 mm tall x 105 mm diameter 1 litre case (containing 12 jars) 2 litre (to order only) 2 litre case (containing 6 jars) 3.21 96.00 4.08 147.00 4.50 101.25 5.33 60.00 7.00 63.67 9.00 40.50 3.85 115.20 4.90 176.40 5.40 121.50 6.40 72.00 8.40 76.40 10.80 48.60
LC31402E LC31402E LC31403F
LC31403F LC31404H LC31404H LC31405J
LC31103F LC31114H LC31104H LC31211D
LC31405J
LC31105J
LC31406K
LC31406K
LC31407L
LC31407L
PLASTIC SQUAT JARS

15 ml 35 mm tall x 40 mm diameter 15 ml case (containing 110 jars)
ex VAT inc VAT 0.58 47.83 0.70 57.40

LC31011A
LC31001A
19
Section 1
You will need: Gum arabic, distilled water, sugarine or honey, glycerine, ox gall, and pigments. Equipment: Glass muller, sheet of glass, empty pans or mussel shells, palette knife.
How to make your own watercolours

1.
1. Gum arabic should be dissolved by leaving it overnight in 7 times its quantity of distilled water. The solution should be strained through a cloth to remove impurities. The addition of gum arabic will ensure that the pigment will stick to the paper.
2. Mix 1 part of sugarine with 2-3 parts of gum arabic solution, a few drops of ox gall, and a few drops of glycerine. Glycerine, sugarine or honey are added to stop the paint from drying solid. Ox gall can be used when painting to break surface tension.
2.
3.
3. Put about a level dessert spoon full of pigment onto a glass plate. Make a hole in the pigment and drop some of your solution in the hole, gently so as not to disperse the pigment.
4. It is best to stand to grind colour. You will get the best results if you work in a figure of eight movement, really bringing pressure on the muller. The friction of the muller will make the water evaporate, so sprinkle on more distilled water as you go. After a while you will find that there is a change. The pigment and water are amalgamated with a sleekness of quality.
4.
5.
5. Scrape up the water colour with a palette knife and press it into a pan.
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
20
Section 1
How to make tempera paints

You will need: A glass muller, a sheet of glass or marble, air tight jars, a palette knife, jars for egg and water, vinegar, distilled water, pigments and fresh hens eggs.
1.
1. Put some pigment onto a glass sheet, make a well in it and drop in some distilled water. 2. Grind the pigment with a muller in a figure of eight motion, adding more distilled water when necessary. It is best to stand with your weight over the muller. This is done to make a fine pigment paste.
3. Store the ground pigment in an air tight jar. Add a few drops of distilled water from time to time when the paste starts to dry out. 4. Break the egg carefully, and separate the yolk from the white. Rinse the yolk under a cold tap. Always use free range eggs.
3. 2.
5. Hold the yolk and slash the sack letting the liquid run into a glass jar. Never put a 4. fresh egg into a receptable that has old egg adhering to it. A requirement of tempera is that all utensils, brushes and palettes be kept 6. scrupulously clean. 6. Add a few drops of clear vinegar to preserve the egg. Egg should not be kept for more than a few days, even in a refridgerator, as it will loose its binding strength.
5.
7. Put a little pigment paste onto your palette and mix with equal parts of egg and distilled water. Some pigments require more egg than others. Oil sable brushes are suitable for tempera. They must be rinsed in water continually during use, as egg yolk dries very quickly and brushes could be ruined.
7.
21
Section 1
You will need: Rabbit skin glue, whiting, zinc white pigment, distilled water, a double boiler, stick, hot plate, kettle, bowl, paint brush, fine sand paper, linseed oil and siccative. 1. Put a small handful of rabbit skin glue in a bowl and cover with 4 times its volume in water. Leave overnight. In the morning the glue will have absorbed its own need of water. Throw the rest away. 2. Add nine parts more of water to the 1. soaked glue. Heat in a double boiler. 3. Mix 1 part of zinc white with 3 parts of whiting (or chalk). Add enough boiling water to form a thick paste. This prevents air bubbles from being formed when the hot glue is added.
The preparation of gesso
2.
3.
4. Pour in the hot glue until the mixture reaches the consistency of double cream. Strain through a cloth to remove any sediment.
4.
5.
5. Thin the remaining glue with a further 10 parts of water, then size the seasoned wood or plywood with it. Canvas can be adhered to the surface if desired. Apply four to six coats of gesso with smooth strokes of a brush or spatula. 6. When the gesso is thoroughly dry sand it down with fine sand paper, and then polish it with a few drops of linseed oil and siccative.
6.
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
22
Section 1
How to make oil paints

You will need: Pigments, cold pressed linseed oil, a glass muller, a sheet of glass or marble, a palette knife, empty jars, tins or tubes.
1.
1. Cold pressed is the best linseed oil for making oil paint. Refined linseed oil is chemically bleached to produce a pale clear binder and is also recommended. Raw linseed oil is hot pressed and is darker than cold pressed linseed oil. Walnut oil is very pale and has good drying qualities. Poppy oil is a slow drying oil suitable for pale colours. It does not yellow as much as linseed oil, but cracks more easily. When 2% of beeswax is added the paint beccmes slightly opaque and has a butter like character.
2. Take a handful of pigment, make a well in it, and pour in about a tablespoon of oil. 3. You would probably make a better job of grinding colour if you stand up while doing so, but sitting or standing, your weight should be well balanced over the muller. Grinding is best done in rhythmic movements, in figures of eight on a sheet of glass or marble. When the pigment is properly ground, you should not be able to see the grains on the plate, and certainly not hear any grittiness under the muller. 3. When the pigment is nearly ready it turns sleek and all of a mass. Add more oil if the pigment gets too sticky.
2.
4.
4. Store the paint in jars or tins. Other containers for oil paint: a. A bladder or skin in which ground paint was kept. A small bone tack was used to pierce it. b. A firm metal tube with a piston that could be refilled. c. Empty aluminium tubes, available at Cornelissen. a. b. c.
23
Section 1
You will need: Pigments, gum tragacanth, zinc white, a sheet of paper, blotting paper or newsprint, a palette knife, a sheet of glass.
How to make Pastels
1.
1. Place two equal piles, one of pigment and one of zinc white, on a piece of paper. You can use Titanium white, clay, whiting, gypsum or French chalk in place of zinc white if you like. 2. The colour pigment and white are mixed by rolling them on the sheet of paper.
2.
3.
3. Divide the mixture in half, one half can be used later to make graded tones. This is done by adding a further equal amount of white, dividing, and so on.
4. Place the other pile onto a sheet of glass. Gum tragacanth is the binding medium for pastels although weak gum arabic solution or skim milk could be used instead.
4.
Wet about half a teaspoon of gum tragacanth with alcohol, add a pint of water. Shake the mixture at intervals. Not all the gum will dissolve so strain it through a cloth. 5. Add enough of the solution to the pigment to form a thick paste.
5. 7.
6. Collect the paste on a palette knife and shape the pastel on a sheet of absorbent paper.
6.
7. Wrap a piece of card with absorbant paper and use it to roll the pastel into a smooth cylindrical shape. Put it aside to dry for 24 hours.
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
24
O ILS , A CR YLICS & S UPPOR TS

Oil Paints
Roberson Artists Oil Colours
Section 2
Roberson oil colours are made for the professional artist who prefers strong colours which mix well. The tightly 40 ml 125 ml 225 ml defined range of 59 colours excludes colours which artists may mix for themselves from those already within the range. The colourman grinds high quality Series 1 2 3 4 5 pigments and cold pressed linseed oil on ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT stone mills with no fillers, extenders or 4.75 5.70 7.25 8.70 10.42 12.50 16.83 20.20 19.67 23.60 40 ml stabilisers. The result is a highly pigmented Tube PI36xxxD PI36xxxD PI36xxxD PI36xxxD PI36xxxD oil colour, bringing the artist stronger colour than other ranges and the probability of 14.50 125 ml 12.08 Titanium and Zinc White only more economy in use. Tube PI38xxxD Roberson oils are not produced in volume 18.00 120 ml 15.00 Flake White only for widespread distribution and each label Tin PI38003F is hand painted to show the colour inside 24.10 33.33 40.00 46.25 55.50 73.33 88.00 84.17 101.00 225 ml 20.08 the tube. Tube PI37xxxG PI37xxxG PI37xxxG PI37xxxG PI37xxxG
Please Note : 225 ml Regular stock only in Zinc and Titanium White series 1. Please allow 7 days delivery on other colours.
250 ml Tin
23.25
27.90
PI37003G
Flake White only
Naples Yellow X Pale Subst.

Ref 006 Ser 1
Ref 106
Brilliant Yellow
Ser 2 Ref 121
Nickel Titanium Yellow
Ser 3
Ref 232
Aegean Blue
Ser 3
Ref 277
Permanent Green Light
Ser 2 Ref 274
Emerald Green
Ser 2
Ref 109
Cad. Yellow Lemon
Ser 4
Ref 110
Azo Yellow Lemon
Ser 2 Ref 011
Cad. Yellow Light
Ser 4
Ref 048
Phthalo Green
Ser 3
Ref 110
Viridian Deep
Ser 4 Ref 292
Sap Green
Ser 2
Ref 012
Azo Yellow Light
Ser 2
Ref 016
Cad. Yellow Deep
Ser 4 Ref 130
Indian Yellow Substitute
Ser 2
Ref 295
Golden Green
Ser 3
Ref 307
Olive Green
Ser 2 Ref 050
Chromium Oxide Green
Ser 3
Ref 017
Cadmium Orange
Ser 4
Ref 148
Vermilion Substitute
Ser 4 Ref 022
Azo Red Light
Ser 2
Ref 052
Terre Verte
Ser 1
Ref 313
Naples Yellow Substitute
Ser 1 Ref 053
Yellow Ochre
Ser 1
Ref 021
Cadmium Red
Ser 5
Ref 023
Cadmium Red Deep
Ser 5 Ref 163
Alizarin Crimson
Ser 3
Ref 055
Golden Ochre
Ser 1
Ref 056
Raw Sienna Pale
Ser 1 Ref 328
Translucent Yellow Oxide
Ser 2
Ref 028
Madder Deep Permanent
Ser 3
Ref 172
Rose Dore Permanent
Ser 2 Ref 029
Quinacridone Rose
Ser 5
Ref 334
Translucent Red Oxide
Ser 2
Ref 340
English Light Red
Ser 1 Ref 061
Burnt Sienna
Ser 1
Ref 031
Cobalt Violet Light
Ser 5
Ref 181
Quinacridone Magenta
Ser 4 Ref 193
Bright Violet
Ser 3
Ref 064
Venetian Red
Ser 1
Ref 065
Indian Red
Ser 1 Ref 070
Burnt Umber
Ser 1
Ref 220
Indanthrene Blue
Ser 3
Ref 034
Prussian Blue
Ser 1 Ref 033
Indigo Substitute
Ser 2
Ref 069
Raw Umber
Ser 1
Ref 214
Paynes Grey
Ser 1 Ref 367
Vine Black
Ser 1
Ref 035
Phthalo Blue
Ser 2
Ref 036
Ultramarine Blue
Ser 1 Ref 037
French Ultramarine
Ser 2
Ref 074
Ivory Black
Ser 1
Ref 003
Flake White
Ser 1 Ref 002
Zinc White
Ser 1
Ref 250
Cobalt Blue
Ser 5
Ref 235
Cerulean Blue
Ser 5 Ref 031
Manganese Blue
Ser 3
Ref 001
Titanium White
Ser 1
Ref 133
Orange Madder Substitute
Ser 3
25
Section 2
Roberson Charles Oil Colours

Roberson offer a new range of good quality mid-range oils in 48 colours. This range includes genuine artists quality pigments, ground in refined linseed oil to a high standard, at very economical prices. More than 70% of the range are in Series 1 and offer the artist excellent value. Series 60 ml Tube 225 ml Tube 1 2 3 4 ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 3.17 3.80 4.08 4.90 6.08 7.30 7.25 8.70
CR36xxxE CR36xxxE CR36xxxE CR36xxxE
8.67
10.40
10.34
12.40
14.09
16.90
17.09
20.50
60 ml 225 ml
CR37xxxG
CR37xxxG
CR37xxxG
CR37xxxG
Primrose Yellow Cadmium Yellow Pale Gen. Lemon Yellow PY53 S3 Ref 001 PY35 S3 Ref 002 PY3 S1 Ref 003
Prussian Blue Light Green Emerald Green PB27 S1 Ref 055 PY3, PY43, PG7 S1 Ref 071 PY3, PY73, PW6 S1 Ref 072
Cadmium Yellow Hue Cadmium Yellow Gen. Deep Yellow PY73 S1 Ref 004 PY35 S3 Ref 005 PY73, PO5 S1 Ref 006
Opaque Oxide of Chrome Phthalo Green Terre Verte PG17 S3 Ref 073 PG7 S1 Ref 074 PG23 S1 Ref 075
Cadmium Yellow Deep Gen Indian Yellow Hue Orange PY35 S3 Ref 007 PY1.1, PY73, PBR7 S2 Ref 008 PY73, PR4 S1 Ref 009
Sap Green Viridian Green Naples Yellow PY3, PG7, PBR7 S1 Ref 076 PG7, PY73, PB15 S1 Ref 077 PY35, PR108, PW1 S2 Ref 091
Flesh Tint PY42, PW6, PW4 S1
Light Red Ref 021 PR101 S1
Cadmium Red Gen. Ref 022 PR108 S4 Ref 023
Yellow Ochre Raw Sienna Burnt Sienna PY42 S1 Ref 092 PBR7 S1 Ref 093 PBR7 S1 Ref 094
Permanent Red PR188, PR4 S2 Ref 024 PO5 S1
Scarlet
Ref 025 PR3 S1
Deep Red
Ref 026
Indian Red Raw Umber Burnt Umber PR101 S1 Ref 095 PBR7 S1 Ref 096 PBR7 S1 Ref 097
Crimson Alizarin Crimson Rose Madder Quinacridone PR188, PR4, PR23 S3 Ref 027 PR83 S2 Ref 028 PV19 S3 Ref 041
Vandyke Brown Mars Violet Titanium White PBR7, PBK9 S1 Ref 098 PR101 S1 Ref 099 PW6 S1 Ref 111
Magenta PR122 S2
Ref 042 PV23 S1
Violet
Phthalo Blue Red Shade Ref 043 PB15.1 S1 Ref 051
PW4 S1
Zinc White
Flake White Mixing White Ref 112 PW1, PW4 S3 Ref 113 PW6, PW4 S1 Ref 114
French Ultramarine Blue Cobalt Blue Hue Cerulean Blue Hue PB291 S1 Ref 052 PB15.3, PB29, PW6 S1 Ref 053 PY3, PB29, PW6 S1 Ref 054
Paynes Grey Ivory Black Mars Black PBR7, PB29, PBK7 S1 Ref 115 PBK9 S1 Ref 116 PBK11 S1 Ref 117
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
26

Michael Harding Artists Oil Colours
Michael Harding Artists Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 72 rich, intense colours which have a stiff and viscous texture.
Section 2
Series 40 ml Tube 225 ml Tube
1 2 3 4 5 6 7 ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 4.79 5.75 7.71 9.25 10.62 12.75 17.17 20.60 20.00 24.00 30.92 37.10 48.50 58.20
MH040xxx MH040xxx MH040xxx MH040xxx MH040xxx MH040xxx MH040xxx
20.33
24.40
34.46
41.35
43.12
51.75
MH225xxx
MH225xxx
MH225xxx
Series 250 ml (Lead whites) ex VAT 22.21
1 inc VAT 26.65 ex VAT 37.50
2 inc VAT 45.00
HAND PAINTED COLOUR CHART
Code
SC90410
ex VAT inc VAT 10.00
MH250xxx
MH250xxx
Foundation White Titanium White No. 1 Titanium White No. 2* Flake White Zinc White Cremnitz White No 1 Ref 104 Ser 1 **** Ser 1 **** Ref 101 Ser 1 **** Ref 102 Ser 1 **** Ref 106 Ser 1 **** Ref 103 Ser 1 **** Ref 107
Bright Yellow Lake Cadmium Yellow Lemon Cremnitz White No 2 Lemon Yellow Yellow Lake Cadmium Yellow Ref 109 Ser 4 **** Ref 401 Ser 1 *** Ser 2 **** Ref 201 Ser 1 **** Ref 108 Ser 1 *** Ref 110 Ser 4 **** Ref 402
Aureolin Genuine Naples Yellow Light Genuine Naples Yellow Dark Yellow Lake Deep Cadmium Golden Yellow Cadmium Yellow Deep Ser 5 **** Ref 501 Ser 5 **** Ref 509 Ser 5 **** Ref 510 Ser 2 *** Ref 202 Ser 4 **** Ref 403 Ser 4 **** Ref 404
Indian Yellow Red Shade Cadmium Red Indian Yellow Permanent Orange Cadmium Orange Cadmium Red Light Ref 204 Ser 2 **** Ref 504 Ser 2 *** Ref 203 Ser 2 *** Ref 222 Ser 5 **** Ref 502 Ser 5 **** Ref 503 Ser 5 ****
Cadmium Red Deep Genuine Chinese Vermillion Scarlet Lake Napthol Red Crimson Lake Alizarin Crimson Ref 505 Ser 2 **** Ref 701 Ser 5 **** Ser 2 **** Ref 205 Ser 3 **** Ref 301 Ser 7 **** Ref 221 Ser 3 ** Ref 302
Manganese Violet Cobalt Violet Light Cobalt Violet Dark Brilliant Pink Magenta Ultramarine Violet Ref 304 Ser 2 **** Ref 601 Ser 6 **** Ref 602 Ser 3 **** Ref 207 Ser 6 **** Ser 3 **** Ref 303 Ser 2 **** Ref 208
Phthalo Blue & Zinc White Phthalocyanine Blue Lake Cerulean Blue Prussian Blue Cobalt Blue Ultramarine Blue Ref 114 Ref 209 Ser 1 **** Ref 603 Ser 1 **** Ser 1 *** Ref 112 Ser 2 **** Ref 506 Ser 6 **** Ref 113 Ser 5 ****
Terre Verte Kings Blue Light Kings Blue Deep Cobalt Turquoise Deep Oxide of Chromium Phthalocyanine Turquoise Ref 115 Ref 211 Ser 2 **** Ref 212 Ser 5 **** Ref 507 Ser 3 **** Ref 305 Ser 1 **** Ser 2 **** Ref 210 Ser 2 ****
Bright Green Lake Cobalt Green Deep Phthalocyanine Green Lake Phthalo Green Yellow Shade Viridian Permanent Green Light Ref 116 Ser 2 **** Ref 508 Ser 1 *** Ser 2 **** Ref 213 Ser 2 **** Ref 214 Ser 4 **** Ref 405 Ser 5 **** Ref 215
Naples Yellow Emerald Green Unbleached Titanium Dioxide Yellow Ochre Deep Yellow Ochre Permanent Sap Green Ref 218 Ser 2 **** Ref 216 Ser 2 **** Ref 117 Ser 1 **** Ref 118 Ser 1 **** Ref 119 Ser 2 **** Ref 217 Ser 1 ****
Venetian Red Indian Red Transparent Oxide Yellow Raw Sienna Raw Umber Transparent Oxide Red Ref 122 Ser 1 **** Ref 123 Ser 2 **** Ser 2 **** Ref 219 Ser 1 **** Ref 120 Ser 1 **** Ref 121 Ser 1 **** Ref 220
Ivory Black Burnt Sienna Burnt Umber Paynes Grey Red Umber Lamp Black Ref 129 Ref 125 Ser 1 **** Ref 126 Ser 1 **** Ref 127 Ser 1 **** Ser 1 **** Ref 124 Ser 1 **** Ref 128 Ser 1 **** **** Excellent Lightfastness *** Very Good Lightfastness ** Good Lightfastness * Lightfast
transparent
semi transparent
semi opaque
opaque
27
Section 2
Schmincke Mussini Artists Oil Colours

Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Colour charts available.
Code Earths SC10646D SC10236D SC10656D SC10660D SC10644D SC10653D SC10237D Code Col ref. 206 232 231 224 201 208 216 220 227 209 221 228 238 223 229 230 243 239 Colour Name Ser. Code Blues 2 4 4 1 3 4 3 6 5 4 5 5 3 3 5 6 4 3 SC10495D SC10494D SC10478D SC10493D SC10492D SC10491D SC10481D SC10480D SC10479D SC10496D SC10490D SC10485D SC10486D SC10475D SC10477D SC10487D Greens SC10497D SC10498D SC10511D SC10536D SC10512D SC10518D SC10521D SC10535D SC10513D SC10529D SC10528D SC10640D SC10526D SC10510D SC10530D SC10534D 497 498 511 536 512 518 521 535 513 529 528 640 526 510 530 534 Transp Turquoise Cobalt Turquoise Chrome Grn Tone Dp Turmaline Green Chrome Oxide Brllnt Helio Green Deep Helio Green Light Oriental Green Chrome Oxide Deep Viridian Cobalt Green Opaque Verona Green Earth Sap Green Chrome Grn Tone Light Yellowish Green Trans Golden Green 3 7 3 5 4 3 3 6 3 3 7 1 2 3 2 3 495 494 478 493 492 491 481 480 479 496 490 485 486 475 477 487 Byzantine Blue Indigo Tone Indigo Delft Blue Ultramarine Blue Deep Ultramarine Blue Light Cobalt Blue Deep Cobalt Blue Light Cobalt Blue tone Transp Oriental Blue Prussian/Paris Blue Royal Blue Light Royal Blue Deep Cobalt Cerulean Blue Transp Cyan Mang Cerulean Blue 3 1 2 3 2 2 6 5 1 3 1 2 4 8 3 5 Col ref. Colour Name Ser. SC10661D SC10651D SC10663D SC10647D SC10648D SC10672D SC10662D SC10669D SC10670D SC10664D SC10666D SC10667D 646 236 656 660 644 653 237 661 651 663 647 648 672 662 669 670 664 666 667 Bohemian Green Earth Trans yellow Oxide Attish Light Ochre Raw Sienna Yellow Sienna Deep Ochre Transp Orange Oxide Natural Burnt Sienna English Red Pozzuoli Earth Pompeiian Red Caput Mortuum Mineral Brown Brown Pink Trans Brown Oxide Raw Umber Light Natural Raw Umber Natural Burnt Umber Vandyke Brown 1 3 1 1 1 1 3 1 1 1 1 1 3 3 1 1 1 1 1 SC10781D SC10780D SC10783D SC10779D Whites SC10102D SC10103D SC10105D 102 103 105 Zinc White Titanium White Translucent White (2) (1) (5) 781 780 783 779 Col ref. Colour Name Ser. Code Col ref. 645 787 788 784 785 790 792 782 Colour Name Ser.
1 2 3 4 ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 35 ml Tube 5.67 6.80 7.50 9.00 9.71 11.65 12.92 15.50 150ml Tube 15.42 Series 18.50 21.25 25.50 27.33 32.80 34.58 41.50
Series
Blacks and Greys SC10645D SC10781D SC10788D SC10784D SC10785D SC10790D SC10792D SC10782D Asphaltum Black Trans Brownish Grey 1 Brownish Grey 2 Bluish Grey 1 Bluish Grey 2 Shade Grey Dove Grey Schmnck Paynes Grey Lamp Black Ivory Black Mineral Black Atrament Black (1) (2) (2) (2) (2) (2) (2) (3) (1) (1) (1) (2)
5 6 7 8 ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 35 ml Tube 21.83 26.20 26.33 31.60 28.67 34.40 48.00 57.60
Yellows and Oranges SC10206D SC10232D SC10231D SC10224D SC10201D SC10208D SC10216D SC10220D SC10227D SC10209D SC10221D SC10228D SC10238D SC10223D SC10229D SC10230D SC10243D SC10239D Flesh Tint Naples Yellow Deep Naples Yellow Light Brilliant Yellow Medieval Yellow Yellowish Green Ural Lemon Yellow Vanadium Yellow Lght Cadmium Yellow Light Cadmium Yellow Tone Vanadium Yellow Dp Cadmium Yellow Mid Transp Yellow Indian Yellow Cadmium Yellow Dp Cadmium Orange Chrome Orange tone Transp Orange
Colour charts available.
SCHMINCKE MUSSINI SMALL WOODEN BOX SET

12 x 15 ml tubes, 1 x 120 ml white and various accessories
Code
SC70212
ex VAT 120.83
inc VAT 145.00
SCHMINCKE MUSSINI LARGE WOODEN BOX SET

15 x 35 ml tubes, 1 x 120 ml white and various accessories, including brushes, charcoal and dippers.
SC70615
Reds and Violets SC10340D SC10356D SC10364D SC10341D SC10342D SC10357D SC10343D SC10353D SC10365D SC10344D SC10347D SC10346D SC10358D SC10363D SC10366D SC10482D SC10473D 340 356 364 341 342 357 343 353 365 344 347 346 358 363 366 482 473 Brilliant Scarlet Cadmium Red Light Vermillion Red Tone Cadmium Red Mid Cadmium Red Tone Cadmium Red Dp Madder Root Tone Florentine Red Transp Red Oxide Madder Lake Brilliant Aliz Madder Lake Madder Lake Dark Carmine Transp Magenta Ceaser Purple Cobalt Violet Transp Violet 4 6 3 7 6 6 3 3 3 4 4 4 4 4 3 8 3
216.67 260.00
SCHMINCKE MUSSINI DOUBLE WOODEN BOX SET

18 x 15 ml tubes, 17 x 35 ml tubes, 1 x 120 ml white and various accessories, including brushes, charcoal and dippers.
SC70430
345.83 415.00
Code
SC90410
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
28
O ILS , A CR YLICS & S UPP UPPOR UPPO O R TS

Schmincke Norma Artists Oil Colour
Genuine artists pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Series ex VAT 35 ml Tube 120ml Tube
Code Col ref.
Section 2
1 inc VAT 5.60 13.10 ex VAT 6.38 4.67 10.92
2 inc VAT 7.65 ex VAT 8.75
3 inc VAT 10.50
Whites only
Ser. 1 2 1 1 3 3 3 1 1 1 1 2 2 1 2 2 1 3 3 1 1 1 2 2 2 1 2 2 1 1 1 1 1 2 1 1 1 3 3 1 3 4 1 1 3 SC11681D 681 SC11682D 682 SC11683D 683 SC11684D 684 SC11685D 685 SC11686D 686 SC11687D 687 SC11688D 688 SC11791D 791 SC11792D 792 SC11795D 795 SC11796D 796 SC11102D SC11103D SC11104D SC11105D SC11106D 102 103 104 105 106 SC11562D 562 SC11563D 563 SC11564D 564 SC11566D 566 SC11567D 567 SC11568D 568 SC11569D 569 SC11571D 571 SC11673D 673 SC11674D 674 SC11675D 675 SC11676D 676 SC11677D 677 SC11679D 679 SC11680D 680 Code Col ref. Colour Name Chromium Oxide Green May Green Cadmium Green Tone Leaf Green Opaque Green Cobalt Green Sap Green Olive Green Green Earth Gold Ochre Light Ochre Raw Sienna Yellow Ochre Translucent Ochre Translucent Brown Translucent Red Brown English Red Light English Red Deep Caput Mortuum Violet Burnt Sienna Raw Umber Brownish Raw Umber Greenish Burnt Umber Vandyke Brown Black Iron Oxide Ivory Black Cold Grey Warm Grey Translucent White Zinc White Titanium White Opaque White Zinc Titanium White Ser. 2 1 1 1 1 2 1 2 1 1 1 1 1 2 2 2 1 1 1 1 1 1 1 1 1 1 2 2 2 1 1 1 1
Colour Name Jaune Brilliant Naples Yellow Light Naples Yellow Deep Cadmium Yellow Mix Cadmium Lemon Yellow Cadmium Yellow Light Cadmium Yellow Deep Lemon Yellow Rape Yellow Indian Yellow Flesh Tint Cadmium Orange Light Cadmium Orange Deep Pure Orange Vermillion Red Light Vermillion Red Deep Cadmium Red Mix Cadmium Red Light Cadmium Red Deep Magenta Rose Madder Red Madder Ruby Madder Madder Deep Carmine Red Ruby Red Cobalt Violet Tone Violet Deep Violet Blue Ultramarine Light Ultramarine Deep Prussian Blue Azure Blue Delft Blue Indigo Helio Blue Cobalt Blue Tone Cobalt Blue Light Cobalt Blue Deep Cerulean Blue Cobalt Cerulean Blue Cobalt Turquoise Viridian Tone Emerald Green Viridian
SC11208D 208 SC11209D 209 SC11210D 210 SC11211D 211
SC11561D 561
SCHMINCKE NORMA WOODEN BOX SET

8 x 20 ml tubes, cardboard set 8 x 35 ml tubes, cardboard set 10 x 20 ml tubes and accessories 11 x 35 ml tubes, 2 brushes and accessories 15 x 35 ml tubes, 1 x 120 ml white and various accessories
Code
SC71008
ex VAT 25.08 30.83 54.17 75.00
inc VAT 30.10 37.00 65.00 90.00
SC11212D 212 SC11213D 213 SC11214D 214 SC11215D 215 SC11216D 216 SC11217D 217 SC11219D 219 SC11321D 321 SC11322D 322 SC11323D 323 SC11324D 324 SC11325D 325 SC11326D 326 SC11328D 328 SC11329D 329 SC11330D 330 SC11331D 331 SC11332D 332 SC11333D 333 SC11334D 334 SC11335D 335 SC11336D 336 SC11438D 438 SC11439D 439 SC11440D 440 SC11442D 442 SC11443D 443 SC11445D 445 SC11447D 447 SC11448D 448 SC11449D 449 SC11450D 450 SC11452D 452 SC11453D 453 SC11454D 454 SC11455D 455 SC11456D 456 SC11457D 457 SC11558D 558 SC11559D 559 SC11560D 560
SC71110
SC71210
SC71310
SC71115
150.00 180.00
Colour charts available.
Code
SC90411
29
Section 2

RRP (inc VAT) Series 1 Series 2 40ml Series 3 Series 4 Series 5 Series 6 Series 1 Series 2 150ml Series 3 Series 4 Series 5 Series 6 Series 1 250ml while stocks last Series 2 Series 3 Series 4 Series 5 Series 6 6.80 9.40 11.00 16.70 28.80 38.40 18.70 21.10 26.90 40.50 55.90 72.20 30.40 35.40 43.40 67.50 93.40 120.60 OFFER PRICE ex VAT inc VAT 4.25 5.88 6.88 10.42 18.00 24.00 9.33 10.54 13.46 20.25 27.92 36.08 15.21 17.71 21.67 33.75 46.71 60.29 5.10 7.05 8.25 12.50 21.60 28.80 11.20 12.65 16.15 24.30 33.50 43.30 18.25 21.25 26.00 40.50 56.05 72.35
Lefranc Artists Oil Colours

Lefranc & Bourgeois are the oldest artists quality colourmen in France. They share the same parent company as Winsor & Newton. As a result, the Lefranc artists oil colours are not widely available here in the UK. As a regular stock item here at L. Cornelissen & Son, we are able to offer artists very attractive prices on this range of 119 colours.
40 ml
150 ml
250 ml
LEFRANC & BOURGEOIS ARTISTS OIL COLOUR 150 ML & 250 ML TUBES
Ser. 4 3 4 4 3 3 2 3 4 6 6 6 3 2 3 2 3 2 2 2 1 5 1 3 2 2 2 3 2 2 Code LB4040272 LB4040652 LB4040472 LB4040492 LB4040482 LB4049052 LB4040502 Greens LB4045512 Veronese Green Hue** Viridian** Armor Green** Phthalo Armor Green Chrome Green Deep Antioche Green Light Cadmium Green Japanese Green Deep Japanese Green Light Chrome Green Medium Deep** Chrome Green Medium** Chrome Green Medium Light Chrome Green Light** Chromium Oxide Green** Olive Green Permanent Sap Green Sap Green** Terre Verte** Flesh Tint Naples Yellow Hue** Yellow Ochre Light** Yellow Ochre** Transparent Yellow Ochre Mars Yellow 2 6 3 3 2 4 4 3 2 2 2 3 2 3 2 4 1 1 2 2 1 1 2 2 LB4045292 LB4045122 LB4049062 LB4045052 LB4045102 LB4045162 LB4045372 LB4045362 LB4045062 LB4045072 LB4045082 LB4045092 LB4045422 LB4045412 LB4045682 LB4045522 LB4044832 Earths LB4043012 LB4041912 LB4043032 LB4043022 LB4047702 LB4041872 Colour Name Cerulean Blue Cerulean Blue Hue** Azure Blue Hue** Touareg Blue** Sapphire Blue Cobalt Blue Turquoise Turquoise Blue** Ser. 6 2 2 2 2 6 2
40 % OFF
LEFRANC & BOURGEOIS ARTISTS OIL COLOUR 40 ML TUBES

Code LB4043052 LB4044822 LB4043042 LB4043812 LB4047692 LB4043062 LB4043072 LB4044812 LB4041112 LB4041102 LB4044782 LB4044772 LB4041172 LB4044752 LB4042612 LB4042722 LB4042692 LB4042712 LB4040082 LB4040092 LB4040132 LB4049112 LB4040222 LB4047102 LB4047002 LB4047072 LB4047122 Colour Name Gold Ochre Raw Sienna** Red Oxide** Mars Red Transparent Red Ochre Red Ochre** Mars Orange Burnt Sienna** Permanent Vandyke Brown** Transparent Brown Raw Umber** Burnt Umber** Bitumen Lake Vibert Cassel Earth Paynes Grey Peach Black Ivory Black** Mars Black** Titanium White** Zinc White** Titanium Zinc White** Flake White Hue Iridescent White Silver Gold Copper Bronze Ser. 1 1 1 2 2 1 2 1 1 2 1 1 2 1 2 1 1 1 1 1 1 1 3 3 3 3 3
25 % OFF
Code Yellows LB4041962 LB4041712 LB4047672 LB4041562 LB4041832 LB4041582 LB4041952 LB4041592 LB4041842 LB4041662 LB4041822 LB4041672 LB4041942 LB4041602 LB4041852 LB4041612 LB4042032 LB4047682 Reds LB4043322 LB4043592 LB4043792 LB4043732 LB4043952 LB4043612 LB4044172 LB4043802 LB4043692 LB4043962 LB4043622 LB4049002 LB4043472 Coral
Colour Name Sulphur Yellow Japanese Yellow Lemon** Lefranc Yellow Cadmium Yellow Lemon** Japanese Yellow Light** Cadmium Yellow Light** Senegal Yellow Cadmium Yellow Medium** Japanese Yellow Deep** Chrome Yellow Medium Hue Indian Yellow Hue** Chrome Yellow Deep Hue Sahara Yellow** Cadmium Yellow Deep Japanese Yellow Orange** Cadmium Yellow Orange Bright Orange** Transparent Indian Orange
Ser. 4 2 3 4 3 4 3 4 2 3 2 3 3 4 2 4 2 3 4 3 2 3 4 5 5 3 3 4 5 3 2
Code LB4043882 LB4049012 LB4049022 LB4043772 LB4043282 LB4043452 LB4043432 LB4043462 Violets LB4046312 LB4046272 LB4046092 LB4046082 LB4046162 LB4046282 LB4046042 LB4046102 LB4046152 Blues LB4040552 LB4040562 LB4049032 LB4049072 LB4040302 LB4040642 LB4040672 LB4040332 LB4049042 LB4040462 LB4040392 LB4040382 LB4040362
Colour Name Ruby Red** Lefranc Pink Lefranc Crimson Garnet Red** Alizarin Carmine** Alizarin Crimson Carmine Lake Hue Deep Madder Hue Permanent Violet** Cobalt Red Violet Cobalt Violet Light Cobalt Violet Deep Mineral Violet Light** Strong Violet Violet (Blue Shade) Egyptian Violet Hue Mineral Violet Ultramarine Deep** Ultramarine Light Ultramarine blue (Green Shade) Lefranc Blue Cobalt Blue** Cobalt Blue Hue** Royal Blue** Space Blue** Ocean Blue** Prussian Blue** Indian Blue Hortensia Blue** Hoggar Blue
Whites and Blacks
Breughel Red Japanese Red Light French Red Vermilion Hue** Vermilion Red** Cadmium Red Light Cadmium Red Medium Japanese Red Deep** Chinese Red Vermilion Hue** Bright Red Cadmium Red Deep Lefranc Red Rose Madder Hue**
Metallic Colours
** indicates colours available in 150 and 250ml
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
30

Winsor & Newton Artists Oil Colours
This long established artistsquality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Please note: limited selection of colours available in 200 ml size (marked * in the colour range below).
Section 2
Series 37 ml Tube 60 ml Tube 120 ml Tube 200 ml Tube Series 37 ml Tube 200 ml Tube
Code Yellows WN1214347 WN1214722 WN1214086 WN1214025 WN1214653 WN1214730 WN1214149 WN1214118 WN1214320 WN1214319 WN1214108 WN1214731 WN1214111 WN1214089 WN1214724 WN1214257 WN1214106 WN1214603 WN1214726 WN1214094 WN1214042 WN1214725 WN1214097 WN1214548 WN1214545 WN1214502 WN1214576 WN1214587 WN1214004 WN1214468 WN1214479 WN1214192 WN1214491 WN1214733 WN1214672 WN1214400 WN1214489 WN1214380 WN1214543 WN1214544 Lemon Yellow Hue Winsor Lemon Cadmium Lemon* Bismuth Yellow Transparent Yellow Winsor Yellow Chrome Yellow Hue Cadmium Yellow Pale Indian Yellow Deep Indian Yellow Cadmium Yellow* Winsor Yellow Deep Cadmium Yellow Deep Cadmium Orange Winsor Orange Flesh Tint Cadmium Scarlet Scarlet Lake Winsor red Cadmium Red* Bright Red Winsor Red Deep Cadmium Red Deep Quinacridone Red Quinacridone Magenta Permanent Rose Rose Dore Rose Madder Alizarin Crimson Permanent Alizarin Crimson* Permanent Carmine Cobalt Violet Permanent Mauve Winsor Violet Ultramarine Violet Mauve Blue Shade Permanent Magenta Magenta Purple Madder Purple Lake Colour Name
1 ex VAT 5.49 7.23 10.81 17.83 4 ex VAT 13.57 42.55

Ser. 4 2 4 4 4 2 1 4 2 2 4 2 4 4 2 2 4 2 2 4 1 2 4 4 2 2 5 5 2 4 2 5 4 2 2 1 2 2 2 1 WN1214720 WN1214540 WN1214599 WN1214447 WN1214294
2 inc VAT 6.60 8.65 12.95 21.40 ex VAT 7.02 inc VAT 8.40
white only white only (while stocks last)
25.11 5
30.10
inc VAT 16.30 51.05

Code Blues WN1214178 WN1214180 WN1214137 WN1214379 WN1214707 WN1214706 WN1214667 WN1214263 WN1214321 WN1214538 WN1214322 WN1214526 Greens WN1214190 WN1214191 WN1214184 WN1214084 WN1214708 WN1214483 WN1214481 WN1214482 WN1214637 WN1214459 WN1214147 WN1214183 WN1214692 WN1214721
ex VAT 21.66
inc VAT 26.00
Colour Name Cobalt Blue* Cobalt Blue Deep Cerulean Blue Manganese Blue Hue* Winsor Blue Green Shade Winsor Blue Red Shade* Ultramarine Green Shade French Ultramarine* Indanthrene Blue Prussian Blue* Indigo Phthalo Turquoise Cobalt Turquoise Cobalt Turquoise Light Cobalt Green Cadmium Green Pale Winsor Emerald Permanent Green Light Permanent Green Permanent Green Deep Terre Verte Oxide of Chromium Chrome Green Deep Hue Cobalt Chromite Green Viridian* Winsor Green Yellow Shade Winsor Green Prussian Green Sap Green* Olive Green Green Gold
Ser. 4 5 4 1 2 2 1 2 4 1 2 1 4 4 5 4 2 2 2 2 1 4 1 4 4 2 2 2 2 2 2
Code Earths WN1214333 WN1214422 WN1214426 WN1214425 WN1214746 WN1214745 WN1214285 WN1214744 WN1214552 WN1214646 WN1214074 WN1214648 WN1214657 WN1214059 WN1214647 WN1214635 WN1214362 WN1214678 WN1214317 WN1214395 WN1214056 WN1214076 WN1214676 WN1214557 WN1214558 WN1214554
Colour Name Jaune Brilliant Naples Yellow Naples Yellow Light Naples Yellow Deep Yellow Ochre Pale Yellow Ochre Light Gold Ochre Yellow Ochre* Raw Sienna* Transparent Gold Ochre Burnt Sienna* Transparent Brown Oxide Transparent Maroon Brown Ochre Transparent Red Ochre Terra Rosa Light Red Venetian Red Indian Red Mars Violet Deep Brown Madder Burnt Umber* Vandyke Brown Raw Umber Light Raw Umber green shade Raw Umber*
Ser. 1 1 1 1 1 1 1 1 1 2 1 1 2 1 1 1 1 1 2 2 1 1 1 1 1 1
Code WN1214217 WN1214142 WN1214465 WN1214034 WN1214386 WN1214331 WN1214337 WN1214505 WN1214330 WN1214242 WN1214644 WN1214655 WN1214674 WN1214748 Iridescent WN1214283 WN1214573 WN1214214 WN1214058 WN1214511 WN1214603
Colour Name Davys Grey Charcoal Grey Paynes Grey Blue Black Mars Black Ivory Black* Lamp Black Perylene Black* Iridescent White Flake White Hue* Titanium White* Transparent White* Underpainting White* Zinc White* Gold Renaissance Gold Copper Bronze Pewter Silver
Ser. 2 1 1 1 2 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2
Whites and Blacks
Reds and Violets
All lead-based whites have been discontinued.
Code
WN7540702
31
Section 2
Winsor & Newton Griffin Fast Drying Oil Colours

Artists quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Series 37 ml Tube 200 ml Tube ex VAT 3.54 11.67 1 inc VAT 4.25 14.00 ex VAT 4.42 2 inc VAT 5.30
WN1914xxx WN1937644
WN1914xxx
white only
S1
Winsor Lemon Cadmium Lemon Ref 722 S2 Ref 086 S1
Winsor Yellow Cadmium Yellow Light Cadmium Yellow Medium Ref 730 S2 Ref 113 S2 Ref 116 S1
Indian Yellow Ref 319
Cadmium Yellow Deep Cadmium Orange S2 Ref 111 S2 Ref 089 S1
Flesh Tint
Ref 257 S2
Cadmium Red Light Ref 100 S1
Scarlet Lake Cadmium Red Medium Ref 603 S2 Ref 099
S1
Vermilion Hue Ref 680 S1
Winsor Red Cadmium Red Deep Permanent Geranium Lake Permanent Alizarin Crimson Permanent Rose Ref 726 S2 Ref 097 S1 Ref 480 S2 Ref 468 S1 Ref 501
S1
Purple Lake Ref 544 S1
Magenta
Ref 380 S1
Dioxazine Purple French Ultramarine Ultramarine (Green Shade) Ref 229 S1 Ref 263 S1 Ref 667 S2
Cobalt Blue Ref 178
S1
Prussian Blue Ref 538 S1
Phthalo Blue Ref 514 S2
Cerulean Blue Cerulean Blue Hue Ref 137 S1 Ref 139 S1
Phthalo Green Ref 522 S2
Viridian
Ref 692
Phthalo Green (Yellow Shade) S1 Ref 521 S1
Terre Verte
Ref 637 S1
Oxide of Chromium Permanent Sap Green Ref 459 S2 Ref 503 S1
Olive Green Naples Yellow Hue Ref 447 S1 Ref 422
S1
Yellow Ochre Ref 744 S1
Raw Sienna Ref 552 S1
Burnt Sienna Ref 074 S1
Light Red
Ref 362 S1
Indian Red
Ref 317 S1
Burnt Umber Ref 076
S1
Vandyke Brown Ref 676 S1
Raw Umber Ref 554 S1
Davys Gray Ref 217 S1
Paynes Gray Ref 465 S1
Ivory Black
Ref 331 S1
Lamp Black Ref 337
transparent or semi transparent

Mixing White Ref 415 S1 Titanium White Ref 415
opaque or semi opaque
Code
WN7540693
ex VAT inc VAT 8.00
S1
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
32
O ILS , A CR YLICS & S UPPOR OR R TS

Daler Rowney Artists Oil Colours
The distinctive buttery consistency of Daler-Rowney Artists Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time. Series 38 ml Tube 120 ml Tube 500 ml Tin A/B ex VAT 5.63 11.25 36.63 inc VAT 6.75 13.50 43.95 ex VAT 7.29 C inc VAT 8.75 ex VAT 12.71 E inc VAT 15.25 ex VAT 18.54 F inc VAT 20.25
Section 2
DR110038xxx DR110120xxx
DR110038xxx
DR110038xxx
DR110038xxx
Titanium White Titanium White
DR110500xxx
Naples Yellow 3 Rowney Primrose Naples Yellow 1 Lemon Yellow Naples Yellow 2 Cadmium Yellow Pale Ref 670 Ser A/B *** Ser E *** Ref 652 Ser A/B *** Ref 668 Ser A/B *** Ref 651 Ser E *** Ref 669 Ser A/B *** Ref 611
Rowney Yellow Cadmium Yellow Aureolin Chrome Lemon (Hue) Chrome Yellow (Hue) Cadmium Yellow Deep Ser A/B *** Ref 674 Ser E *** Ref 612 Ser F ** Ref 601 Ser C *** Ref 627 Ser C *** Ref 623 Ser E *** Ref 613
Rowney Red Cadmium Red Rowney Golden Yellow Chrome Orange (Hue) Cadmium Orange Rowney Orange Ref 564 Ser E *** Ref 501 Ser C *** Ref 673 Ser C *** Ref 626 Ser E *** Ref 615 Ser E *** Ref 636 Ser E ***
Cadmium Scarlet Scarlet Lake Vermilion (Hue) Rose Dor (Alizarin) Cadmium Red Deep Scarlet Alizarin Ref 507 Ser C *** Ref 571 Ser E *** Ref 588 Ser E*** Ref 560 Ser E *** Ref 502 Ser E *** Ref 569 Ser C ***
Carmine Crimson Alizarin Rowney Rose Permanent Geranium Crimson Lake Purple Lake Ref 509 Ser C *** Ser C ***(t) Ref 515 Ser C ***(t) Ref 565 Ser C *** Ref 520 Ser C *** Ref 514 Ser C ** Ref 437
Rowney Red Violet Cobalt Violet Mineral Violet Prussian Blue Permanent Magenta Permanent Mauve Ref 441 Ser F **** Ref 405 Ser C **** Ref 415 Ser A/B *** Ref 135 Ser C *** Ref 409 Ser C *** Ref 413 Ser A/B **
Indigo Ser A/B ***
Coeruleum Cobalt Blue Montestial Blue (Phthalo) Indanthrene Blue Permanent Blue Ref 111 Ser E **** Ref 127 Ser C *** Ref 109 Ser A/B *** Ref 136 Ser F **** Ref 107 Ser A/B *** Ref 137
Montestial Turquoise (Phthalo) Cadmium Green Alizarin Green Sap Green Montestial Green (Phthalo) French Ultramarine Ref 147 Ser E *** Ref 310 Ser C *** Ref 301 Ser C ** Ref 375 Ser C *** Ref 362 Ser A/B *** Ref 123 Ser C ***
Opaque Oxide of Chromium Hookers Green No. 2 Terre Verte (Hue) Rowney Emerald Viridian Chrome Green (Hue) Ref 367 Ser C *** Ser C ** Ref 354 Ser C **** Ref 379 Ser C *** Ref 371 Ser C **** Ref 381 Ref 313 Ser C ****
Rowney Olive Olive Green Indian Yellow Italian Pink Brown Pink Cobalt Green Ref 372 Ser C ** Ref 363 Ser C ** Ref 643 Ser C ** Ref 645 Ser C ** Ref 215 Ser E **** Ref 324 Ser C ***
Mars Yellow Brown Ochre Yellow Ochre Transparent Gold Ochre Raw Sienna Flesh Tint Ref 655 Ser A/B **** Ref 211 Ser A/B **** Ref 663 Ser A/B **** Ref 677 Ser A/B **** Ref 667 Ser A/B *** Ref 577 Ser A/B ****
Indian Red Light Red Venetian Red Burnt Sienna Mars Orange Mars Red Ref 523 Ref 527 Ser A/B **** Ref 583 Ser A/B **** Ref 221 Ser A/B **** Ser A/B **** Ref 654 Ser A/B**** Ref 533 Ser A/B ****
Rowney Transparent Brown Mars Brown Mars Violet Burnt Umber Raw Umber Brown Madder (Alizarin) Ref 260 Ser A/B **** Ser A/B **** Ref 233 Ser A/B **** Ref 411 Ser A/B *** Ref 223 Ser A/B **** Ref 247 Ref 207 Ser C ***
Sepia Vandyke Brown (Hue) Ser A/B *** Ref 264 Ser A/B ****
Paynes Grey Ivory Black Lamp Black Blue Black Ref 065 Ser A/B **** Ref 034 Ser A/B **** Ref 035 Ser A/B **** Ref 033 Ref 251 Ser A/B *** **** *** ** * Excellent Lightfastness Good Lightfastness Moderately Lightfast Lightfast
transparent or semi transparent opaque or semi opaque
Flake White Hue Titanium White Zinc White Ser A/B *** Ref 005 Ser A/B *** Ref 009 Ser A/B *** Ref 001
33
Section 2
Daler Rowney Georgian Oil Colours

Georgian Oil colour offers artists high performance at an economical and uniform price across all colours in the range. All 55 colours have fine working qualities and a high degree of performance. ex VAT 3.96 9.96 inc VAT 4.75 11.95
75 ml Tube 225 ml Tube
Naples Yellow 635***
Lemon Yellow 651***
Cadmium Yellow Pale (Hue) 617***
Chrome Lemon (Hue) 627***
Cadmium Yellow (Hue) 620***
Chrome Yellow (Hue) 623***
Cadmium Yellow Deep (Hue) 618***
Chrome Orange (Hue) 626***
Cadmium Orange (Hue) 619***
Chrome Orange Deep (Hue) 628***
Vermilion (Hue) 588***
Cadmium Red Light (Hue) 505***
Cadmium Red (Hue) 503***
Cadmium Red Deep (Hue) 504***
Permanent Geranium 520***
Scarlet Lake 571***
Crimson Alizarin 515***
Carmine (Hue) 508***
Naphthol Crimson 512***
Rose Madder (Quinacridone) 561***
Permanent Magenta 409***
Cobalt Violet (Hue) 406***
Permanent Mauve 413***
French Ultramarine 123***
Permanent Blue 137***
Cobalt Blue (Hue) 110***
Phthalo Blue 142***
Prussian Blue 135***
Coeruleum (Hue) 112***
Prussian Green 369***
Phthalo Green 361***
Hookers Green 352***
Viridian (Hue) 382***
Emerald Green (Hue) 338***
Sap Green 375***
Terre Verte (Hue) 379***
Yellow Green 388***
Permanent Light Green 347***
Yellow Ochre 663***
Raw Sienna 667***
Buff Titanium 024***
Flesh Tint 577***
Light Red 527****
Venetian Red 583****
Indian Red 523****
Burnt Sienna 221****
Raw Umber 247****
Burnt Umber 223****
Vandyke Brown (Hue) 264***
Paynes Grey 065***
Ivory Black 034**** **** *** ** *
Lamp Black 035**** Excellent Lightfastness Good Lightfastness Moderately Lightfast Lightfast
Titanium White 009***
transparent or semi transparent opaque or semi opaque
Zinc White 001***
Mixing White 007***
Underpainting White 003***
Spectrum Studio Oil Colours (to order)

Fine quality pigments ground in refined linseed oil. Spectrum oil colours are popular with artists who need a quantity of colour at a reasonable price. A range of 48 colours in 3 series. Note: The prices below provide a significant discount on the manufacturers normal recommended price. All colours are also available in 1 litre and 2 litre tins. Please ask for separate quote. Series
Flake white and Naples Yellow in tins
1 ex VAT 7.75 33.00 inc VAT 9.30 39.60 ex VAT 9.25
2 inc VAT 11.10 ex VAT 12.79
3 inc VAT 15.35
225 ml Tubes 1 Litre Tins
Black and White Only
Series 1 Spectrum Lemon Yellow Spectrum Yellow Spectrum Yellow Deep Spectrum Orange Flesh Tint Spectrum Scarlet Spectrum Red Deep Spectrum Violet Spectrum (Phthalo) Blue French Ultramarine Blue Spectrum Cobalt Blue Hue Spectrum Cerulean Blue Hue Prussian Blue Spectrum Green Light Spectrum Emerald Green Spectrum (Phthalo) Green
Terre Verte Sap Green Spectrum Viridian Green Yellow Ochre Raw Sienna Burnt Sienna Light Red Indian Red Raw Umber Burnt Umber Vandyke Brown Mars Violet Titanium White Zinc White Mixing White Paynes Grey Ivory Black Mars Black
Series 2 Indian Yellow Hue Spectrum Red Alizarin Crimson Spectrum Magenta Naples Yellow - Tins only Series 3 Primrose Yellow Cadmium Yellow Pale Genuine Cadmium Yellow Genuine Cadmium Yellow Deep Genuine Spectrum Crimson Rose Madder Quinacridone Opaque Oxide of Chrome Flake White
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
34

Markal Paintstiks
Oil paint in stick form, made with linseed oil, wax and pigments. Markal Paintstiks can be used alone or with conventional oil colours. They dry overnight, (much faster than other oil sticks) and are mixable with turpentine for wash effects and softening. They become liquid when applied and, as linseed is a drying oil, a skin forms on the stick which must be peeled off before use. The sticks are non-toxic with no offensive odour and are particularly useful for field trips and for strong gestural marks, as it is not necessary to stop to recharge in mid-stroke. Both the artists quality and the student ranges can be used for stencilling and for work on fabrics. Series ex VAT 2.67 1 inc VAT 3.20 ex VAT 3.00 2 inc VAT 3.60 ex VAT 3.75 3 inc VAT 4.50 ex VAT 4.75 4 inc VAT 5.70 5 (Iridescent) ex VAT inc VAT 5.42 6.50
MF84xxx
Section 2
MF84xxx
MF84xxx
MF84xxx
MF84xxx
Alizarin Crimson *(3) Ref 143 Antique White (2)
Ref 173 Asphaltum (2)
Ref 174 Grape (3)
Ref 030 Light Green (2)
Ref 035 Tompte Red (3)
Ref 031
Azo Orange *(3)
Ref 145 Azo Yellow *(3)
Ref 147 Barn Red (1)
Ref 162 Mudstone (2)
Ref 032 Sandstone (2)
Ref 033 Teal Blue (2)
Ref 037
Burnt Sienna *(1)
Ref 144 Burnt Umber (1)
Ref 159 Celadon Green (2)
Ref 165 Turquoise (2)
Ref 036 Medium Pink (2)
Ref 134 Silver (4)
Ref 155
Cobalt Blue (4)
Ref 158 Dusty Rose (1)
Ref 161 Peach (2)
Ref 188 Gold (4)
Ref 156 Blender (4)
Ref 181 Iridescent Light Gold (5)Ref 191
Ice Blue (2)
Ref 172 Ivory Black *(1)
Ref 148 Napthol Red *(3)
Ref 146 Iridescent Red (5)
Ref 196 Iridescent Dark Blue (5) Ref 182 Iridescent Orange (5) Ref 192
Olive Green (2)
Ref 166 Paynes Grey (1)
Ref 170 Pewter Grey (1)
Ref 163 Iridescent Green (5)
Ref 186 Iridescent Brown (5) Ref 183 Iridescent White (5)
Ref 193
Phthalo Blue *(3)
Ref 149 Phthalo Green *(3)
Ref 150 Prussian Blue (2)
Ref 160 Iridescent Pink (5)
Ref 194 Iridescent Turquoise (5) Ref 197 Iridescent Purple (5) Ref 195
Purple Sage (2)
Ref 171 Raw Umber *(1)
Ref 151 Sap Green (2)
Ref 168 Iridescent Leaf Green (5) Ref 190 Iridescent Charcoal (5) Ref 184 Iridescent Cooper (5) Ref 185
Slate Blue (2)
Ref 175 Titanium White *(2) Ref 152 Ultramarine Blue *(2) Ref 153
Iridescent Blender (4) Ref 181
PROFESSIONAL SET OF 12 *
Viridian Green (4) Ref 167 Wedgwood Blue (1) Ref 164 Yellow Citron (3) Ref 169
Code
MF84000
ex VAT 45.50 26.17
inc VAT 54.60 31.40
STUDENT SET OF 12 COLOURS

MF84290
Yellow Ochre *(1)
Ref 154 Beige (2)
Ref 178 Chocolate Brown (2) Ref 176
Mauve (2)
Ref 179 Meadow Green (2)
Ref 180 Navy Blue (2)
Ref 177
35
Section 2
Winsor & Newton Oil Bars

Artists quality range of 35 oil colours in stick form. Free flowing blend of refined linseed oil, selected waxes and pigment. Oil bars are easily mixable, dry in 1-3 days and can be combined easily with oil colours and oil mediums.
Series Slim (17ml) Original (50ml) Stump (165ml) ex VAT 2.72 4.47 12.04
1 inc VAT 3.25 5.35 14.45 ex VAT 3.12 5.79
2 inc VAT 3.75 6.95 ex VAT 3.50 7.08
3 inc VAT 4.20 8.50
WN8722xxx WN8744xxx WN8766xxx
WN8722xxx WN8744xxx
WN8722xxx WN8744xxx
White/black
Lemon Yellow Hue (S.2)
Ref 347 Cadmium Lemon (S.3)
Ref 086 Cadmium Yellow Pale (S.3) Ref 118 Cadmium Orange (S.3)
Ref 089 Cadmium Red (S.3)
Ref 094
Cadmium Red Deep (S.3) Ref 097 Alizarin Crimson (S.2)
Ref 004 Ultramarine Pink (S.2)
Ref 669 Permanent Magenta (S.2) Ref 489 Permanent Mauve (S.2)
Ref 491
Ultramarine Violet (S.2)
Ref 669 Manganese Blue Hue (S.3) Ref 382 Cobalt Blue (S.3)
Ref 178 French Ultramarine (S.1)
Ref 263 Prussian Blue (S.1)
Ref 538
Cadmium Green (S.3)
Ref 080 Oxide of Chromium (S.2)
Ref 459 Cadmium Green Deep (S.3)Ref 082 Winsor Green (S.2)
Ref 720 Buff Titanium (S.1)
Ref 060
Naples Yellow (S.1)
Ref 422 Yellow Ochre (S.1)
Ref 744 Raw Sienna (S.1)
Ref 552 Mars Red (S.1)
Ref 392 Mars Violet (S.1)
Ref 394
Burnt Sienna (S.1)
Ref 074 Burnt Umber (S.1)
Ref 076 Raw Umber (S.1)
Ref 554 Paynes Gray (S.1)
Ref 465 Ivory Black (S.1)
Ref 331
Gold (S.2)
Ref 283 Silver (S.2)
Ref 617 Antique White (S.1)
Ref 009 Titanium White (S.1)
Ref 644 Colourless (S.1)
Ref 196
SLIM SET OF 6 COLOURS
Code
WN8790501
ex VAT 15.83
inc VAT 19.00
SLIM SET OF 12 COLOURS
Code
WN8790497
ex VAT 30.83
inc VAT 37.00
ORIGINAL SET OF 6 COLOURS
Code
WN8790500
ex VAT 29.17
inc VAT 35.00
ORIGINAL SET OF 12 COLOURS
Code
WN8790496
ex VAT 54.17
inc VAT 65.00
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
36

Solvents and Balsams
Roberson
RECTIFIED SPIRIT OF TURPENTINE
Volatile colourless liquid distilled from pine sap. Greater wetting powers than white spirit. Used to thin oil paint. Code
CR34623H CR34624J CR34625K CR34627M
Section 2
Roberson
Size 250 ml 500 ml 1 litre 5 litre ex VAT 8.83 13.33 22.33 94.00 inc VAT 10.60 16.00 26.80 112.80
CANADA BALSAM
Oleoresin from balsam fir tree. Superior to Venice Turps in recipes, where clarity and rapid drying are important
Code
CR32820E
Size 60 ml
ex VAT 15.42
inc VAT 18.50
COPAIBA BALSAM
CR34723H CR34724J CR34725K CR34727M
PURE GUM TURPENTINE

Slightly less refined than rectified spirit of turpentine. Often preferred as constituent of painting mediums 250 ml 500 ml 1 litre 5 litre
8.75 13.08 21.83 91.67
10.50 15.70 26.20 110.00
South American origin. Viscous liquid may be diluted with turpentine. Used to restore and revive varnish and brittle paint layers.
CR32720E CR32724H
60 ml 250 ml
8.25 20.58
9.90 24.70
Zest It
CR34800J
WHITE SPIRIT
Plastic container. Solvent distilled from crude petroleum oils. Used to thin colour and to clean brushes. Slower drying time than turpentine. 750 ml
3.25
3.90
TURPENTINE SUBSTITUTE
Specially formulated non toxic alternative to conventional thinners. Can be used as a substitute for turpentine. Ideal for asthmatics and those allergic to normal thinners. Reduces lingering smell normally generated by oil painting. *Size to order.
Code
BL35023F BL35024H BL35025J BL35026K BL35027L BL35028M
Size 125 ml 250 ml 500 ml 1 litre 2 litre 5 litre*
ex VAT 4.92 7.42 10.75 16.75 38.75 68.17
inc VAT 5.90 8.90 12.90 20.10 46.50 81.80
LARCH VENICE TURPENTINE ENTINE

A slow drying thixotropic balsam for use in mediums and varnishes. Pure resin from the Austrian Larch tree purified and slightly heated when decanted. Dilute with turpentine or place in warm water bath to obtain fluid consistency.
CR33020E CR33024H CR33025J CR33026K
60 ml 250 ml 500 ml 1 litre
10.00 26.33 45.00 80.00
12.00 31.60 54.00 96.00
Winsor & Newton

ENGLISH DISTILLED TURPENTINE
CR34520E CR34521H
OIL OF SPIKE
Similar properties to turps but a slower rate of evaporation. Improves levelling quality of brush marks. Pleasant odour * Size to order only 60 ml 250 ml*
12.00 37.08
14.40 44.50
Volatile colourless liquid distilled from pine sap. Greater wetting powers than white spirit. Used to thin oil paint.
WN3022965 WN3040965 WN3050965 WN3054965
75 ml 250 ml 500 ml 1 Litre
3.42 5.96 10.21 18.75
4.10 7.15 12.25 22.50
SANSODOR
Low odour dilutant alternative to turpentine. Slow drying. Low flammability.
WN3022964 WN3040964 WN3050964 WN3054964
METHYLATED SPIRIT IRIT

CR34815J
Solvent for shellac flakes.
CR34817L CR34818M
500 ml 2.5 litre 5 litre
2.75 9.00 15.83
3.30 10.80 19.00
3.42 5.96 10.21 18.75
4.10 7.15 12.25 22.50
Lefranc & Bourgeois

QUICK DRYING PETROLEUM LEMON OIL
Odourant in bottle
CR34820E
60 ml
3.92
4.70
Virtually odourless thinner that evaporates completely.
LB300007 LB300008 LB300009 LB300010
4.25 10.25 15.08 22.50
5.10 12.30 18.10 27.00
37
Section 2

Linseed and Cold Pressed Oils
Roberson
COLD PRESSED LINSEED OIL
High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments. Code
CR32220E CR32224H CR32225J CR32226K
Winsor & Newton

Size 60 ml 250 ml 500 ml 1 litre ex VAT 3.83 8.75 14.00 22.50 inc VAT 4.60 10.50 16.80 27.00
REFINED LINSEED OIL

Increases gloss, reduces consistency and slows drying of oil paints.
Code
WN3022956
Size 75 ml
ex VAT inc VAT 3.42 4.10
STAND LINSEED OIL

More viscous than refined linseed oil, slows drying of oil paints.
WN3022958
75 ml
4.50
5.40
SAFFLOWER OIL
Pale coloured alkali refined oil with little tendency to yellow. Favoured for use with whites and blues. Longer drying time than linseed oil.
CR32620E CR32624H CR32625J CR32626K
3.83 9.00 15.42 25.08
4.60 10.80 18.50 30.10
DRYING LINSEED OIL

Fast drying linseed oil. Darker colour than refined linseed oil. Contains manganese dryers.
WN3022955
75 ml
4.50
5.40
REFINED POPPY OIL

Bleached oil with little tendency to yellow. Gives soft buttery texture to paints. Favoured for use with white and pale pigments. Longer drying time than linseed oil.
CR32520E CR32524H CR32525J CR32526K
5.75 13.08 22.58 40.08
6.90 15.70 27.10 48.10
BLEACHED LINSEED OIL

Pale oil of slightly increased viscosity. Improves colour flow and dries slightly faster than Refined Linseed Oil.
WN3022949
75 ml
4.50
5.40
THICKENED LINSEED OIL

(Fat Oil). Pale oil of syrupy consistency improves flow and transparency. Speeds drying.
WN3022950
75 ml
4.50
5.40
WALNUT OIL
Darker than linseed oil. Helps oil to flow and increases brightness. Good drying. May yellow over time.
CR32920E CR32924H CR32925J CR32926K
5.17 11.67 20.75 36.58
6.20 14.00 24.90 43.90
COLD PRESSED LINSEED EED OIL

As for Roberson Cold Pressed Linseed Oil.
WN3022951
75 ml
4.50
5.40
REFINED LINSEED OIL

Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time.
CR32124H CR32125J CR32126K CR32128M
250 ml 500 ml 1 litre 5 litres
6.75 11.83 21.08 73.58
8.10 14.20 25.30 88.30
DRYING POPPY OIL

Fast drying oil that increases the rate of drying of whites and pale colour. Darker than (Sun) bleached. Contains cobalt dryers.
WN3022957
75 ml
4.50
5.40
Paler, more viscous oil than refined linseed oil. Slows drying. Gives tough elastic finish. Mix with turps or white spirit to help colour flow and reduce brushmarks.
STAND OIL (LINSEED) 40 POISE

CR32420E CR32424H CR32425J CR32426K
Lefranc & Bourgeois

100 ml 250 ml 500 ml 1 litre 6.00 8.25 12.08 18.33 7.20 9.90 14.50 22.00
SUN BLEACHED LINSEED OIL

Highest degree of siccativity and durability of all painting oils. Yellows with age and is therefore used for grinding darker colours or those with the least siccative qualities (eg. Ivory Black)
N LO
LB300017 LB300018
75 ml 250 ml
4.25 10.25
5.10 12.30
IS 1867 PAR
VIE
NNA 1873
DON 186 2
IS 1878 PAR
38

Mediums and Siccatives
Roberson
ROBERSON OIL PAINTING MEDIUM
Double thick.mastic varnish. Pale drying linseed oil/synthetic copal varnish. Gives flowing quality when mixed with oils in ratio 2:1 After 8-10 hours drying, gives rich brilliant effect without extra gloss. Code
CR33212E CR33213F CR33215J
Section 2
Roberson
Size 60 ml 120 ml 500 ml ex VAT 8.58 14.83 51.58 inc VAT 10.30 17.80 61.90
CR33538D Traditional high 38 ml 7.42 8.90 oil fat painting CR33539F 120 ml 16.25 19.50 medium, made using the highest quality materials. This premium all round medium can be mixed with oil colour in any ratio. Will retain colour strength, is resistant to bleeding yet has good flow release and is ideal for blending. When dry, has an enamel-like quality. Stand oil/cold-pressed linseed oil/Canada balsam/rectified spirit of turpentine/beeswax/driers. Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.
ROBERSON MEDIUM 1810
Code
Size
ex VAT
inc VAT
MAROGER MEDIUM
Mixed in equal parts with oil colours gives a lasting brilliance, workable consistency. Prevents sinking when using a wet-in-wet technique. Mastic resin/gum Arabic/linseed oil.
CR33338D CR33339F
38 ml 120 ml
7.83 16.42
9.40 19.70
Winsor & Newton

ARTISTS PAINTING MEDIUM
Stand oil/white spirit. Pale yellow liquid. Thins, improves flow and wetting. Facilitates fine detail work.
WN3022967 WN3040967 WN3050967
GLAZE MEDIUM
Mix with tube oils or pigment to improve flow and translucency. For thin glazes, fine detail and smooth brushwork. Turps/damar/stand oil/ cobalt dryers.
CR32020E CR32024H CR32025J CR32026K
75 ml 250 ml 500 ml
4.50 8.50 15.33
5.40 10.20 18.40
4.83 9.00 15.42 27.00
5.80 10.80 18.50 32.40
LIQUIN ORIGINAL
MATT GLAZE MEDIUM

Contains silica driers. May darken if cap is left off bottle. If this happens replace lid, leave overnight and the colour will be restored with no long-term ill effects.
CR38020E CR38024H CR38025J CR38026K
Oil Modified Alkyd Resin. Thixotropic translucent gel increases drying rate, controls flow. Dries quickly to non-yellowing film. Low gloss. 60 ml 250 ml 500 ml 1 litre 5.08 10.42 17.58 32.00 6.10 12.50 21.10 38.40
WN3022991 WN3040991 WN3050991 WN3054991
4.50 5.40 8.50 10.20 15.33 18.40 24.71 29.65
LIQUIN IMPASTO
Semi gloss, quick drying medium which thickens and extends oil colour. Retains textures and brush strokes.
WN3020973 WN3037973
60 ml 200 ml
5.96 7.15 13.21 15.85
ROBERSON SICCATIVE
Cobalt naphtenate/ white spirit. Add sparingly to oil colours to accelerate drying.
CR33620E CR33624H CR33626K
60 ml 250 ml 1 litre
4.50 9.00 24.00
5.40 10.80 28.80
LIQUIN FINE DETAIL
IMPASTO MEDIUM (SOFT AND HARD)

A crack resistant medium for impasto effects. Retains palette knife & brush strokes. To retain colour strength mix 1 part medium to 1 part oil colour. Stand oil/damar resin/turpentine/ bleached beeswax.
CR380x0E CR380x3F CR380x4H
Fluid, quick drying, gloss medium for fine detailed work. Gives a smooth surface with no brush marks.
WN3022971 WN3040971
75 ml 250 ml
4.50 5.40 8.50 10.20
60 ml 120 ml 250 ml
5.92 8.75 12.75
7.10 10.50 15.30
LIQUIN LIGHT GEL

Quick drying, thixotropic, gloss gel which is ideal for glazing.
WN3022972 WN3040972
75 ml 250 ml
4.50 5.40 8.50 10.20
39
Section 2

Mediums
Lefranc & Bourgeois

JG VIBERT PAINTING MEDIUM
Ketone and acrylic resins with poppy oil. Gives full-bodied consistency to oils. Keeps paint workable for long periods. Code
LB300030 LB300031 LB300032
Lefranc & Bourgeois

CRYSTAL MEDIUM
Enhances transparency. Does not sink and enables brush strokes to remain visible. Poppy oil/colloidal silica
Code
LB300134
Size 60 ml
ex VAT 9.17
inc VAT 11.00
WHITE COURTRAI DRYER (LEAD FREE)

LB300026 LB300027 LB300028 LB300029
COLOURLESS PAINTING MEDIUM

To speed up drying time and add luminosity and depth to paint film. 75 ml 250 ml 500 ml 1L
4.92 12.25 20.50 34.75
5.90 14.70 24.60 41.70
Zirconium oxide. Gentle, hardens paint film rather than making it dry more quickly. Pale colour, does not alter hues of lighter colours
LB300051 LB300052 LB300053 LB300054
75 ml 250 ml 500 ml 1L
5.33 13.92 22.50 34.75
6.40 16.70 27.00 41.70
XAVIER DE LANGLAIS EGG MEDIUM

Emulsion based on fresh eggs. Increases buttery consistency of paint and quickens drying process. Should be thinned with water only.
LB300034
75 ml
6.08
7.30
Daler-Rowney
ALKYD FLOW MEDIUM
Slightly thinner than Alkyd Gel, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time.
DR114007022 DR114017022 DR114030022
75 ml 175 ml 300 ml
4.79 9.13 12.71
5.75 10.95 15.25
FLEMISH SICCATIVE MEDIUM

Based on copal gum. Speeds up drying and brightens hues. Dries to a hard durable film. To be mixed with darker colours only.
LB300035 LB300036 LB300037 LB300038
75 ml 250 ml 500 ml 1L
6.08 15.08 24.58 40.92
7.30 18.10 29.50 49.10
ALKYD GEL MEDIUM

Produces a very durable glaze. Reduces the drying time by up to 50%
DR114075013
75 ml
5.79
6.95
FLEMISH MEDIUM (LEAD FREE)

May be used to recreate the effects used by the Flemish Masters. Perfect for brilliant and precise detail work.
LB300152 LB300153
60 ml 150 ml
12.25 26.58
14.70 31.90
DUROZIEZ HARLEM DRYING MEDIUM

Similar to Flemish Siccative Medium though less coloured & slower drying.
LB300039 LB300040
75 ml 250 ml
6.08 15.08
7.30 18.10
Spectrum
SPECTRAGEL MEDIUM
Quick drying thixotropic medium based on durable oil, modified synthetic resin. Retains body of paint when added to oil colours.
SP0572 SP0573 SP0574
VENETIAN MEDIUM (LEAD FREE)

Helps paint dry to a satin sheen, facilitates impasto work while regulating the drying process.
LB300154 LB300155
60 ml 150 ml
12.25 26.58
14.70 31.90
250 ml 1 litre 2 litre
9.42 21.83 40.92
11.30 26.20 49.10
BROWN COURTRAI DRYER (LEAD FREE)

Zirconium oxide/ Manganese oxide. Most powerful siccative. Use with care to decrease the gap between the normal siccativity of most paints.
LB300055
SPECTRAGEL MATT MEDIUM

75 ml 6.08 7.30 As above but does not increase gloss.
SP0576 SP0577 SP0578
9.50 23.92 41.08
11.40 28.70 49.30
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
40

Mediums
Spectrum
SOLUTION OF BEESWAX SW SWAX IN WHITE SPIRIT
Mix with oil colours to obtain soft sheen. Will retard drying. Code
S0567 S0568
Section 2
Schmincke
Size 250 ml 1 litre ex VAT 10.12 25.54 inc VAT 12.15 30.65
MEGILP
Gel medium increases buttery character of oil colours and decreases drying time. Useful for impasto techniques and knife application. Add to oils in maximum ratio of 1:4. Contains alkyd resin.
Code
SC50034D
Size 35 ml
ex VAT 4.50
inc VAT 5.40
SPECTRAFLOW MEDIUM
Free flowing quick drying. Does not increase gloss. Helps retain paint structure when used to thin colours.
S0580 S0581 S0582
9.42 21.83 40.92
11.30 26.20 49.10
MUSSINI PAINTING MEDIUM 1

Lean painting and thinning medium for oil colours. Suitable for applying glazes over thin and water-based grounds. Poppy oil/mineral spirit/natural & synthetic resin.
SC50038E
60 ml
5.58
6.70
ALKAFLOW MEDIUM
As above. Helps to remove brushmarks. Gives smooth gloss finish.
S0584
250 ml
9.42
11.30

Slow drying medium, allowing extended working period. Suitable for wet-in-wet and blending techniques. Dries to a smooth elastic film. Mineral spirit/ketone resin.
SC50039E
60 ml
5.58
6.70
LINSEED OIL PASTE

Transparent medium, used to extend oil colour. Does not speed up drying rate or increase gloss. Refined linseed, alumina hydrate.
S0588 S0589 S0590
10.21 25.75 46.54
12.25 30.90 55.85

Highly siccative painting medium. Dries on the palette within 40 minutes. Use sparingly to prevent gloss. Mineral spirit/siccative.
SC50040E
60 ml
5.58
6.70
Other Mediums
ZEST IT PAINTING MEDIUM
Improves flow of oil paint and reduce brush strokes. Suitable for wet-on-wet techniques. Especially suitable for blending and glazing without using varnish.
BL35121E BL35123F BL35124H BL35125J BL35126K
DRYING ACCELERATOR
50 ml 125 ml 250 ml 500 ml 1 litre 4.58 6.25 9.67 16.34 28.25 5.50 7.50 11.60 19.60 33.90 Especially fast drying paste-like painting medium. Preserves consistency and degree of gloss of oil colours. Metal drying agent/stand oil/ketone resin/mineral spirit.
SC50036D
35 ml
4.50
5.40
TRANSPARENT GEL
Improves gloss and transparency of oil colours. To be mixed in ratio 1:1. Starts to dry on palette within 30 mins. Alkyd resins/mineral spirit.
SC50037D
35 ml
4.50
5.40
ELIZA TURCKS FLORENTINE MEDIUM

When mixed with oil colour it is possible to paint freely on textile fabrics which will then stand up to subsequent washing with soap and water. May also be used to facilitate painting with oils on unprepared paper.
CR33520E CR33524H
60 ml 250 ml
5.17 11.00
6.20 13.20
RAPID MEDIUM
Fast drying, increases flow and transparency of oil colours. Paint Fast drying, increases flow and transparency of oil colours.
SC50041E
60 ml
5.58
6.70
MEDIUM N
Does not contain turpentine and is therefore recommended for artists with allergies. Acrylic resin/hydrocarbon.
SC50045E
60 ml
5.58
6.70
41
Section 2

Artists Acr ylics
Daler - Rowney Cryla Acrylic Colours

Cryla Artists Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Series 75 ml Tube 250 ml Pot 500 ml Pot A ex VAT 4.96 9.58 16.25 inc VAT 5.95 11.50 19.50 ex VAT 5.42 10.42 B inc VAT 6.50 12.50 ex VAT 7.29 16.25 C inc VAT 8.75 19.50 ex VAT 9.13 18.13 D inc VAT 10.95 21.75
DR125075xxx DR125250xxx DR125500009
Titanium White only
Nickel Titanate Yellow *** Ser.B Ref 637
Bismuth Yellow *** Ser.C Ref 629
Cadmium Yellow Pale *** Ser.C Ref 611
Lemon Yellow *** Ser.B Ref 651
Primary Yellow *** Ser.B Ref 675
Cadmium Yellow *** Ser.C Ref 612
Naples Yellow Hue *** Ser.B Ref 635
Permanent Yellow *** Ser.B Ref 671
Cadmium Yellow Deep *** Ser.C Ref 613
Indian Yellow Hue *** Ser.B Ref 643
Golden Yellow *** Ser.B Ref 632
Cadmium Orange *** Ser.C Ref 615
Benzimidazolone Orange H5G *** Ser.C Ref 686
Perinone Orange *** Ser.C Ref 522
Cadmium Scarlet *** Ser.C Ref 507
Cadmium Red *** Ser.D Ref 501
Pyrrole Scarlet *** Ser.D Ref 585
Vermilion Hue *** Ser.B Ref 588
Pyrrole Red *** Ser.C Ref 524
Quinacridone Yellow Red *** Ser.D Ref 528
Carmine Hue *** Ser.C Ref 508
Naphthol Crimson *** Ser.B Ref 512
Cadmium Red Deep *** Ser.C Ref 502
Crimson Alizarin Hue *** Ser.B Ref 525
Permanent Rose *** Ser.C Ref 537
Primary Magenta *** Ser.B Ref 421
Quinacridone Magenta *** Ser.C Ref 414 Quinacridone Deep Purple *** Ser.C Ref 410
Quinacridone Violet *** Ser.C Ref 429
Quinacridone Maroon *** Ser.D Ref 423
Cobalt Violet Hue *** Ser.D Ref 406
Ultramarine Violet *** Ser.A Ref 419
Permanent Violet *** Ser.C Ref 430
Deep Violet *** Ser.C Ref 408
Ultramarine *** Ser.A Ref 123
Ultramarine Blue Green Sh. *** Ser.B Ref 126
Cobalt Blue **** Ser.C Ref 109
Phthalo Blue Red Sh. *** Ser.B Ref 139
Phthalo Blue Green Sh. *** Ser.A Ref 140
Primary Cyan *** Ser.B Ref 120
Prussian Blue Hue *** Ser.A Ref 134
Indigo Hue *** Ser.B Ref 127
Coeruleum **** Ser.B Ref 111
Cobalt Chromite Blue Red Sh. **** Ser.D Ref 160 Cobalt Chromite Blue Gr. Sh. **** Ser.D Ref 161
Manganese Blue Hue *** Ser.B Ref 121
Azure Blue *** Ser.A Ref 106
Cobalt Turquoise Hue *** Ser.A Ref 153
Cobalt Chromite Green **** Ser.B Ref 323
Phthalo Turquoise *** Ser.A Ref 154
Phthalo Green *** Ser.A Ref 361
Hookers Green *** Ser.A Ref 352
Terre Verte Hue *** Ser.A Ref 379
Sap Green *** Ser.A Ref 375
Rowney Emerald *** Ser.B Ref 371
Opaque Oxide of Chromium **** Ser.A Ref 367
Pale Olive Green *** Ser.B Ref 368
Yellow Green *** Ser.B Ref 388
Bright Green *** Ser.B Ref 308
Buff Titanium *** Ser.A Ref 024
Yellow Ochre **** Ser.A Ref 663
Raw Sienna **** Ser.A Ref 667
Golden Ochre *** Ser.B Ref 641
Flesh Tint *** Ser.A Ref 578
Light Red Oxide **** Ser.A Ref 527
Rich Transparent Red Oxide **** Ser.A Ref 519
Burnt Sienna **** Ser.A Ref 221
Venetian Red **** Ser.A Ref 583
Quinacridone Burnt Orange *** Ser.C Ref 216
Burnt Umber **** Ser.A Ref 223
Vandyke Brown Hue **** Ser.A Ref 264
Raw Umber **** Ser.B Ref 247
Middle Grey *** Ser.A Ref 064
Paynes Grey *** Ser.A Ref 065
Ivory Black **** Ser.A Ref 034
Carbon Black **** Ser.A Ref 035
Mars Black **** Ser.A Ref 036
Titanium White *** Ser.A Ref 009
ZInc White *** Ser.A Ref 001
Metallic White *** Ser.B Ref 717
Silver *** Ser.D Ref 702
Pewter *** Ser.D Ref 703
Pale Gold *** Ser.C Ref 708
Rich Gold *** Ser.C Ref 707
Bronze *** Ser.C Ref 704
Cooper *** Ser.A Ref 230
Metallic Black *** Ser.B Ref 716
**** Excellent Lightfastness *** Good Lightfastness
** *
Moderately Lightfast Lightfast
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
42

Studio Acr ylics
Daler - Rowney System 3 Acrylic Colours
A range of 57 colours, all at the same economical price, are available in wide neck stackable bottles with screw top and flip up lid for easy and accurate dispensing. All System 3 colours are highly permanent, water resistant and flexible once dry. ex VAT inc VAT 3.54 4.25
1294129075
Section 2
75ml 250ml 500ml
7.29 12.46
8.75 14.95
1295129250 1297129500
Lemon Yellow*** (t)
Ref 651
Process Yellow*** (t)
Ref 675
Cadmium Yellow (Hue)*** (t)
Ref 620
Cad Yellow Deep (Hue)*** (t)
Ref 618
Cadmium Orange (Hue)*** (s)
Ref 619
Cadmium Scarlet (Hue)*** (s)
Ref 511
Vermilion (Hue)*** (s)
Ref 588
Cadmium Red (Hue)*** (s)
Ref 503
Cadmium Red Deep (Hue)*** (s) Ref 504
Crimson*** (s)
Ref 513
Process Magenta*** (t)
Ref 412
Purple*** (s)
Ref 433
Deep Violet*** (s)
Ref 408
Prussian Blue (Hue)*** (s)
Ref 134
Phthalo Blue*** (t)
Ref 136
Ultramarine Blue*** (s)
Ref 123
Cobalt Blue (Hue)*** (o)
Ref 110
Coeruleum Blue (Hue)*** (0)
Ref 112
Process Cyan** (t)
Ref 120
Phthalo Turquoise*** (t)
Ref 154
Phthalo Green*** (t)
Ref 361
Emerald*** (s)
Ref 335
Leaf Green*** (s)
Ref 355
Sap Green*** (t)
Ref 375
Hookers Green*** (s)
Ref 352
Oxide of Chromium Green**** (o) Ref 367
Buff Titanium*** (o)
Ref 024
Flesh Tint*** (s)
Ref 578
Yellow Ochre**** (s)
Ref 663
Raw Sienna**** (t)
Ref 667
Burnt Sienna**** (t)
Ref 221
Burnt Umber**** (s)
Ref 223
Raw Umber*** (s)
Ref 247
Paynes Greay*** (o)
Ref 065
Mars Black**** (o)
Ref 036
Process Black**** (o)
Ref 040
Zinc Mixing White*** (o)
Ref 006
Titanium White*** (o)
Ref 009
Silver (Hue)*** (t)
Ref 702
Pale Gold (Hue)*** (t)
Ref 708
Rich Gold (Hue)*** (t)
Ref 707
Copper (Hue)*** (s)
Ref 230
Fluorescent Yellow* (t)
Ref 681
Fluorescent Orange* (s)
Ref 653
Fluorescent Red* (s)
Ref 544
Fluorescent Pink* (s)
Ref 538
Fluorescent Green* (s)
Ref 349
Fluorescent Blue* (s)
Ref 100
Pistachio*** (o)
Ref 302
Havana Brown**** (o)
Ref 224
Bamboo*** (o)
Ref 022
Wedgwood*** (o)
Ref 114
Velvet Purple*** (s)
Ref 418
Natural*** (o)
Ref 025
Silk Purple*** (o)

** *
Ref 404
Moderately Lightfast Lightfast
Antique Brown*** (o)
Ref 218
**** Excellent Lightfastness *** Good Lightfastness
Pink Blush*** (o)
Ref 580
43
Section 2

Artists Acr ylics
Liquitex Heavy Body Artists Acrylics

A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance.
Series 59 ml Tube 138 ml Tube 207 ml Tube
1 & 1A ex VAT inc VAT 4.89 5.85

WN4045xxx
2 & 2A ex VAT inc VAT 5.08 6.10

WN4045xxx
3 ex VAT 6.79 12.55 inc VAT 8.15 15.05 ex VAT 9.29 16.13
4 inc VAT 11.15 19.35 ex VAT 9.29 16.13
5 inc VAT 11.15 19.35
WN4045xxx WN4047xxx WN4077xxx
WN4045xxx WN4047xxx
WN4045xxx WN4047xxx
8.47 12.75
10.15 15.30
9.36
11.20
WN4047xxx
WN4047xxx
Titanium White, Mars Black, Ivory Black only
Light Portrait Pink* (1)
Ref 810
Medium Magenta* (1A)
Ref 500
Deep Magenta* (3)
Ref 300
Quinacridone Magenta** (3)
Ref 114
Alizarin Crimson Hue Perm.** (2) Ref 116
Cadmium Red Deep Hue* (2)
Ref 311
Quinacridone Red Orange* (3)
Ref 109
Pyrrole Crimson** (4)
Ref 326
Quinacridone Crimson* (3)
Ref 110
Quinacridone Red* (3)
Ref 112
Napthol Crimson** (2)
Ref 292
Pyrrole Red** (4)
Ref 321
Cadmium Red Med. Hue* (2)
Ref 151
Cadmium Red Medium** (5)
Ref 154
Napthol Red Light* (2)
Ref 294
Cadmium Red Light** (2)
Ref 152
Cadmium Red Light Hue* (2)
Ref 510
Pyrrole Orange** (4)
Ref 323
Vivid Red Orange* (3)
Ref 620
Cadmium Orange* (4)
Ref 150
Cadmium Orange Hue* (2)
Ref 720
Red Oxide* (1A)
Ref 335
Burnt Sienna** (1)
Ref 127
Transparent Burnt Sienna** (3)
Ref 129
Quinacridone Burnt Orange* (3)
Ref 108
Van Dyke Red* (2)
Ref 392
Burnt Umber** (1)
Ref 128
Transparent Burnt Umber ** (2)
Ref 130
Raw Umber** (1)
Ref 331
Transparent Raw Umber** (2)
Ref 333
Raw Sienna** (1)
Ref 330
Transparent Raw Sienna** (3)
Ref 332
Indian Yellow** (2)
Ref 324
Yellow Orange Azo* (2)
Ref 414
Cadmium Yellow Deep Hue* (2)
Ref 163
Naples Yellow Hue* (2)
Ref 601
Yellow Oxide** (1)
Ref 416
Bronze Yellow* (1)
Ref 530
Turners Yellow* (2)
Ref 730
Cadmium Yellow Med. Hue* (1A)
Ref 830
Cadmium Yellow Medium** (3)
Ref 161
Yellow Medium Azo* (2)
Ref 412
Cadmium Yellow Light**(3)
Ref 160
Cadmium Yellow Light Hue*(3)
Ref 159
Yellow Light Hansa* (1A)
Ref 411
Brilliant Yellow Green* (1)
Ref 840
Vivid Lime Green* (1A)
Ref 740
Light Emerald Green* (3)
Ref 650
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
44

Artists Acr ylics
Liquitex Heavy Body Artists Acrylics
Section 2
Light Green Permanent** (2)
Ref 312
Emerald Green* (2)
Ref 450
Green Gold** (4)
Ref 325
Chromium Oxide Green* (2)
Ref 166
Sap Green Permanent* (2)
Ref 315
Hookers Green Hue Perm.** (1A) Ref 224
Green Deep Permanent* (2)
Ref 350
Viridian Hue Permanent* (1A)
Ref 398
Transparent Viridian Hue* (2)
Ref 327
Hookers Green Deep Hue Perm.* (1A) Ref 225
Phthalocyanine Green (Yellow)*(1A)
Ref 319
Phthalocyanine Green (Blue)** (1A) Ref 317
Cobalt Green* (4)
Ref 171
Cobalt Turquoise* (4)
Ref 169
Turquoise Deep* (2)
Ref 561
Cobalt Teal* (4)
Ref 172
Bright Aqua Green * (1)
Ref 660
Light Blue Permanent* (1)
Ref 770
Brilliant Blue* (1A)
Ref 570
Cerulean Blue** (3)
Ref 164
Cerulean Blue Hue* (2)
Ref 470
Manganese Blue Hue* (3)
Ref 275
Cobalt Blue** (4)
Ref 170
Cobalt Blue Hue* (1A)
Ref 381
Prussian Blue Hue* (2)
Ref 320
Ultramarine Blue (Red Shade)* (1A)
Ref 382
Ultramarine Blue (Green Shade)** (1A)
Ref 380
Phthalocyanine Blue (Red)** (2)
Ref 314
Phthalocyanine Blue (Green)**(1A) Ref 316
Indanthrene Blue** (3)
Ref 322
Light Blue Violet* (1A)
Ref 680
Brilliant Purple* (1)
Ref 590
Prism Violet* (2)
Ref 391
Deep Violet* (3)
Ref 115
Quinacridone Blue Violet* (3)
Ref 118
Dioxazine Purple** (2)
Ref 186
Ivory Black*** (1)
Ref 244
Mars Black*** (1)
Ref 276
Paynes Gray* (1)
Ref 310
Neutral Gray Value 5/Mixing Gray* (1) Ref 599
Transparent Mixing White* (1)
Ref 430
Unbleached Titanium** (1)
Ref 434
Parchment* (1)
Ref 436
Titanium White*** (1)
Ref 432
Iridescent White* (2A)
Ref 238
Iridescent Bright Gold* (2A)
Ref 234
Iridescent Rich Gold* (2A)
Ref 235
Iridescent Antique Gold* (2A)
Ref 237
Iridescent Bright Silver* (2A)
Ref 236
Iridescent Rich Silver* (2A)
Ref 239
Iridescent Rich Copper* (2A)
Ref 230
Iridescent Rich Bronze* (2A)
Ref 229
HEAVY BODY (tubes) * Available in 59 ml ** Available in 59 ml/138 ml
*** Available in 59 ml/138 ml/207 ml
CLASSIC 6 SET
6 x 59 ml Tubes.
Code
WN3699100
ex VAT 27.50
inc VAT 33.00
CLASSIC 12 SET
12 x 59 ml Tubes.
WN3699110
50.83
61.00
45
Section 2

Artists Acr ylics
Liquitex Soft Body Artists Acrylics

A range of artists quality acrylics which are durable, permanent and do not yellow with age. Soft Body colour has a creamy consistency which dries to a smooth, even surface which is slightly more matt than the Heavy Body colour.
Series 237 ml Jar 946 ml Jar Colours:

Yellows and Oranges
1 & 1A ex VAT inc VAT 10.21 12.25

WN4118xxx
2 & 2A ex VAT inc VAT 12.34 14.80

WN4118xxx
3 ex VAT 17.83 inc VAT 21.40 ex VAT 21.28
4 inc VAT 25.55 ex VAT 29.79
5 inc VAT 35.75
WN4118xxx
WN4118xxx
WN4118xxx
34.00
40.80
Whites and blacks only (While stocks last)
WN4132xxx
Reds
Cadmium Red Light ref.152 (5) Cad. Red Medium Hue ref.151 (2) Cadmium Red Medium ref.154 (5) Napthol Crimson ref.292 (2) Perm Alizarin Crimson Hue ref.116 (2)
Violets and Blues

Cerulean Blue ref.164 (3) Cobalt Blue ref.170 (4) Dioxazine Purple ref.186 (2) Phthalo Blue (Green Shade) ref.316 (1A) Phthalo Blue (Red Shade) ref.314 (1A) Ultramarine Blue (Green ) ref.380 (1A)
Greens
Chrom. Oxide Green ref.166 (2) Light Green Perm ref.312(2) Phthalo Green (Blue Shade) ref.317(1A)
Earths
Burnt Sienna ref.127 (1) Burnt Umber ref.128 (1) Raw Sienna ref.330 (1) Raw Umber ref.331 (1) Yellow Oxide ref.416 (1)
Blacks and Whites

Ivory Black ref.244 (1) Mars Black ref.276 (1) Titanium White ref.432 (1) Transparent Mixing White ref.430 (1) Unbleached Titanium ref.434 (1)
Cadmium Orange ref.150 (4) Cadmium Yellow Light ref.160 (3) Cad. Yellow Med.Hue ref.161 (2) Cad. Yellow Medium ref.162 (3)
Liquitex Super Heavy Body Artists Acrylics

Series 237 ml Jar 1 & 1A ex VAT inc VAT 9.79 11.75
WN4250xxx
2 & 2A ex VAT inc VAT 11.46 13.75

WN4250xxx
3 ex VAT 12.55 inc VAT 15.05
WN4250xxx
Acra Magenta (3)
Ref 114
Perm Alizarin Crimson Hue (2)
Ref 116
Cadmium Red Deep Hue (2)
Ref 311
Acra Crimson (3)
Ref 110
Cadmium Red Medium Hue (2)
Ref 151
Cadmium Red Light Hue (2)
Ref 510
Transparent Burnt Sienna (1)
Ref 129
Transparent Burnt Umber (1)
Ref 130
Transparent Raw Umber (1)
Ref 333
Transparent Raw Sienna (1)
Ref 332
Cadmium Orange Hue (2)
Ref 720
Yellow Oxide (1)
Ref 416
Cadmium Yellow Deep Hue (2)
Ref 163
Cadmium Yellow Medium Hue (2)
Ref 830
Yellow Medium Azo (2)
Ref 412
Cadmium Yellow Light Hue (3)
Ref 159
Light Green Perm (2)
Ref 312
Hookers Green Hue Perm (2)
Ref 224
Phthalo Green (Blue Shade) (1A)
Ref 317
Cerulean Blue Hue (2)
Ref 470
Phthalo Blue (Red Shade) (1A)
Ref 314
Phthalo Blue (Green Shade) (1A)
Ref 316
Ultramarine Blue (Green ) (1A)
Ref 380
Dioxazine Purple (2)
Ref 186
Mars Black (1)
Ref 276
Ivory Black (1)
Ref 244
Titanium White (1)
Ref 432
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
46

Students Acr ylics
LEFRANC LOUVRE ACRYLICS
Code
LB174xxx4 LB174xxx6
Section 2
Size 200 ml 750 ml
ex VAT 5.92 15.50
inc VAT 7.10 18.60
This acrylic range ensures careful selection of colours, a high degree of permanence and a non yellowing paint film. Due to its economical pricing it is excellent for large scale and mural painting and also for impasto techniques.
Lemon Yellow
Ref 169 Cadmium Yellow Hue Ref 201 Vermilion Red
Ref 153 Sahara Yellow Ref 393 Magenta
Ref 194 Cadmium Yellow Med. Hue Ref 195 Flesh Tint
Ref 301
Orange
Ref 437 Cadmium Red Hue
Ref 313 Crimson
Ref 340
Red Violet
Ref 618 Blue Violet
Ref 604 Cyan
Ref 063 Tropical Blue Ref 554 Japanese Green Ref 190 Yellow Ochre
Ref 091 Ultramarine Blue Ref 569 Warm Green
Ref 043
Cerulean Blue Hue
Ref 040 Cobalt Blue Hue
Ref 059 Bright Green Ref 523 Naples Yellow Hue
Ref 534
Green Oxide of Chromium Ref 542 Cobalt Green Hue
Ref 302 Red Ochre
Ref 306
Raw Sienna
Ref 482 Burnt Sienna
Ref 481 Raw Umber
Ref 478 Burnt Umber
Ref 477 Paynes Grey
Ref 261
Ivory Black
Ref 269 Mars Black
Ref 271 Titanium White
Ref 008 Gold
Ref 700 Silver
Ref 710
Acr ylic Mediums

Liquitex Acrylic Mediums
MATTE MEDIUM
Decreases gloss. Can be used as sealer for canvas etc. Code
WN3901090 WN3901100 WN3901110
ULTRA MATT MEDIUM

Size 237 ml 473 ml 946 ml ex VAT inc VAT 8.75 14.46 21.28 10.50 17.35 25.55
Code
WN3902140
Size 237 ml
GLAZING MEDIUM
Creates brilliant glazes when mixed with transparent colour. Excellent brushing and self-levelling qualities. Dries quickly for rapid layering.
WN3940002 WN3940003 WN3940004
237 ml 473 ml 946 ml
8.75 10.50 14.46 17.35 21.28 25.55
GLOSS GEL MEDIUM

Adds texture. Increases colour brilliance & transparency. Use for thick glazes. Also available in Heavy Gloss/ Super Heavy Gloss.
WN3902040 WN3902050 WN3902060
237 ml 473 ml 946 ml
8.75 14.46 21.28
10.50 17.35 25.55
FABRIC MEDIUM
MATTE GEL MEDIUM

Adds texture and creates matte colour. Also available in Ultra Matte/Super Heavy Matte
WN3902090
237 ml
8.75
10.50
Enhances blending, workability, and adhesion of acrylic colours for painting acrylics directly on fabric. Reduces paint stiffness. No heat setting required.
WN3901210
118 ml
5.49
6.60
POURING MEDIUM
WN3903200
237 ml
8.75 10.50
IRIDESCENT TINTING MEDIUM

Creates iridescent colours and glazes.
WN3901160
237 ml
8.50 10.20
SLOW-DRI BLENDING GEL

WN3940022 WN3940023
237 ml 473 ml
8.75 14.46
10.50 17.35
PALETTE WETTING SPRAY

WN3901111
237 ml
8.75 10.50
47
Section 2

Acr ylic Mediums
Liquitex Acrylic Mediums

SLOW-DRI FLUID RETARDER
Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Code
WN3901190
Daler-Rowney Acrylic Mediums

Size 118 ml ex VAT inc VAT 5.49 6.60
DR1280757xx 75 ml 5.42 6.50 Apply to a dark or black surface to produce a shimmering transparent lustre. Mix with acrylic colours to produce a surface which changes colour depending on the angle at which the light strikes. Gold (09), violet (10), blue (11) , copper (12), red (13) or green (14).
DALER-ROWNEY CRYLA INTERFERENCE MEDIUM
FLOW AID
Reduces surface tension of water in acrylic emulsion. Increases flow and absorption of colour.
WN3901170
Acrylic PVA
118 ml 5.49 6.60
ROBERSON PVA
PVA mixes with pigments to make glossy acrylic colours or an easy colour wash for walls. Also suitable as an adhesive.
CR61354H CR61356K CR61357L CR61358M
250 ml 1 litre 2 litre 5 litre
6.67 13.00 23.50 34.58
TEXTURE AND EFFECTS TS MEDIUMS

A range of texture mediums to give the following effects : Glass Beads ref.110 Medium viscosity. Bubbly, reflective bead surface. Ceramic Stucco ref.060 High viscosity. Coarse light grey matte stucco surface. Natural Sand ref.070 Medium body. Finely textured gel, beach sand surface. Resin Sand ref.080 High viscosity. Coarse textured gel, cement look.
WN3903xxx
8.00 15.60 28.20 41.50
237 ml
8.50
10.20
CORNELISSEN CONSERVATION GRADE PVA (While stocks last)

Reversible - for conser conservation use
CR61366K
1 litre
15.25
18.30
Black Lava ref.100 Medium body. Black speckled gel. Grey when wet but dries black. White Opaque Flakes ref.120 Heavy body coarse gel, ground egg shell look. Blended Fibres ref.090 High viscosity, stringy, fibrous gel. String Gel ref.180 Liquithick Thickening Gel ref.160
Roberson Acrylic Medium

ROBERSON ACRYLIC GLOSS MEDIUM
(Copolymer Emulsion) Add to pigment to make acrylics.May also be added to prepared acrylic colours to extend them and increase gloss.
CR61304H CR61305J CR61306K CR61307L CR61308M
MODELLING PASTE
Creates dense texture which can be sanded or carved. Also available in Flexible or Light consistencies.
WN3903010 WN3903020
237 ml 473 ml
8.75 14.46
10.50 17.35
250 ml 500 ml 1 litre 2 litre 5 litre
3.33 9.58 16.58 30.42 54.50
4.00 11.50 19.90 36.50 65.40
Varnishes
Winsor & Newton
ARTISTS MATT VARNISH
Ketone resin/silica/white spirit. Pale translucent liquid dries quickly to matt film. Can be mixed with Gloss Varnish to alter finish. Not suitable for highly absorbent cracked paintings. Code
WN3022981 WN3040981 WN3050981
Winsor & Newton

Size 75 ml 250 ml 500 ml ex VAT inc VAT 4.50 8.50 15.33 5.40 10.20 18.40
ARTISTS WAX VARNISH

Beeswax/white spirit. White paste dries to matt finish. Gently rub onto paint surface. When surface is dry, polish with soft brush or silk cloth.
Code
WN3020990
Size 60 ml
ARTISTS GLOSS VARNISH

Ketone resin/white spirit. Water white liquid dries to nonyellowing glossy film.
WN3022980 WN3040980 WN3050980
75 ml 250 ml 500 ml
4.50 8.50 15.33
5.40 10.20 18.40
RETOUCHING VARNISH SH
Ketone resin/white spirit. White liquid dries to non-yellowing glossy film.
WN3022983 WN3040983 WN3050983
75 ml 250 ml 500 ml
4.50 8.50 15.33
5.40 10.20 18.40
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
48

Varnishes
Liquitex Acrylic Varnishes
GLOSS MEDIUM & VARNISH
Increases colour brilliance and transparency. Promotes flow and levelling. Use as varnish over finished painting to add gloss and depth of colour. Non removable. Code
WN3901040 WN3901050 WN3901060
Section 2
Roberson
PICTURE VARNISH - GLOSS OR SATIN

Ketone resin/stand oil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming high gloss film.
Code
various codes
Size 60 ml 250 ml 500 ml 1 litre
ex VAT 4.67 8.42 15.08 26.25
inc VAT 5.60 10.10 18.10 31.50
ACRYLIC VARNISH
Use as varnish over finished paintings. Available in High Gloss, Gloss, Satin and Matt.
various codes
237 ml 473 ml 946 ml
8.75 14.46 21.28
10.50 17.35 25.55
RETOUCHING VARNISH
Damar resin/white spirit. Rectifies dull areas caused by sinking of paint. Also helps adhesion of succeeding layer.
CR34020E CR34021H CR34022J CR34026K
SOLUVAR VARNISH
Removable, non-porous varnish for use with oils or acrylics. Gloss or matt (satin) finishes.
WN3925050 WN3925060
237 ml 946 ml
8.75 21.28
10.50 25.55
4.33 8.33 14.67 25.58
5.20 10.00 17.60 30.70
Roberson
DAMAR VARNISH
Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Nonyellowing. Removable with turpentine or white spirit.
CR33720E CR33721H CR33722J CR33726K CR33727M
BEESWAX PICTURE VARNISH

A final picture varnish suitable for both oil and acrylic paintings.
CR38050E CR38053F CR38054H CR38055J
60 ml 250 ml 500 ml 1 litre 5 litre
4.92 5.90 10.83 13.00 17.67 21.20 31.08 37.30 118.92 142.70
60 ml 120 ml 250 ml 500 ml
5.75 7.83 11.67 17.83
6.90 9.40 14.00 21.40
ROBERSON BRUSH MARK VARNI ARNISH SH

various codes
PICTURE MASTIC VARNISH

3 Grades: Ordinary, Thin, XThin. Mastic resin/turps. Clear bright yellow colour which deepens and dulls with age. Easily brushed to smooth even film; easy to remove. Mainly used in restoration work. * To order only 60 ml 250 ml 500 ml*
9.00 30.33 57.67
10.80 36.40 69.20
Acrylic based varnish used to create the effect of oil paintings on prints and photographs.
CR61504H CR61505J CR61507L
473 ml 946 ml 3.78 Lt
10.41 19.16 69.91
12.50 23.00 83.90
PICTURE VARNISH - MATT

Ketone resin/white spirit microcrystalline wax. Clear, tough protection without gloss. Useful over paintings where resinous media have been used. 60 ml 250 ml 500 ml 1 litre 5.42 13.58 23.42 42.08 6.50 16.30 28.10 50.50
PROVAR SEMI MATT PICTURE VARNISH

High quality picture varnish that dries to semi-matt finish. Will not cloud or cause streaking. Made without the use of wax. Suitable for oil or acrylic paintings. Ketone resin/stand linseed oil/oil of spike lavender/ mineral spirit/silica
CR33940E CR33941H CR33942J CR33946K
60 ml 4.67 5.60 250 ml 8.42 10.10 500 ml 15.08 18.10 1 litre 26.25 31.50 5 litre 102.75 123.30
EXHIBITION VARNISH
Apply to touch dry paintings as a temporary exhibition varnish. After 6 months a final picture varnish can be applied with no need to remove Ketone resin/white spirit.
CR34420E CR34421H CR34422J CR34426K
4.33 8.33 14.67 25.58
5.20 10.00 17.60 30.70
49
Section 2

Varnishes
Lefranc & Bourgeois

EXTRA-FINE RETOUCHING VARNISH
Acrylic resin/quick drying petroleum. Colourless and nonyellowing Code
LB300062 LB300063 LB300064 LB300065
Lefranc & Bourgeois

Size 75 ml 250 ml 500 ml 1L ex VAT 5.33 13.92 22.50 34.75 inc VAT 6.40 16.70 27.00 41.70
SATIN PICTURE VARNISH

Flexible, semi-matt and transparent. Warm gently before applying.
Code
LB300092 LB300093
Size 75 ml 250 ml
ex VAT 8.58 22.50
inc VAT 10.30 27.00
COPAL PICTURE VARNISH J.G. VIBERT RETOUCHING VARNISH

Acrylic and ketone resin/ quick drying petroleum. This varnish should always be applied using a light scumbling technique with a soft brush. It is also suitable for glazes.
LB300056 LB300057 LB300058 LB300059
75 ml 250 ml 500 ml 1L
6.08 15.08 24.58 40.92
7.30 18.10 29.50 49.10
Noted for its durability and resistance to humidity.
LB300087
75 ml
6.08
7.30
CLEAR MATT PICTURE TURE VARNI ARNISH SH

Beeswax/Damar resin/rectified turpentine. Dries well and gives perfect transparency and mattness. Flexible with little tendency to yellow.
LB300094 LB300095 LB300096 LB300097
ISOLATING VARNISH
Acrylic resin/alcohol. Used for dual varnishing technique.
LB300088
6.08 15.08 24.58 40.92
75 ml
5.33
6.40
7.30 18.10 29.50 49.10
MATT ACRYLIC PICTURE VARNISH EXTRA-FINE PICTURE VARNISH

Acrylic resin/quick drying petroleum/rectified turpentine. Highly flexible with good resistance to blooming.
LB300070 LB300071 LB300072 LB300073
75 ml 250 ml 500 ml 1L
5.33 13.92 22.50 34.75
6.40 16.70 27.00 41.70
Acrylic resin/colloidal silica/rectified turpentine. Remarkable flexibility, permanent clarity and high durability.
LB300089 LB300090
75 ml 250 ml
6.08 15.08
7.30 18.10
Zest-It
EXTRA-FINE DAMAR VARNI ARNISH SH
Damar resin/rectified turpentine. Ideal for large surfaces. Shiny varnish. Avoid using in damp weather.
LB300080 LB300081 LB300082 LB300083
DAMAR PICTURE VARNISH

75 ml 250 ml 500 ml 1L 6.08 15.08 24.58 40.92 7.30 18.10 29.50 49.10 5lb cut, dries hard and clear. A non-toxic alternative to turpentine based damar varnish. 5 Litre available to order.
BL35321E BL35323F BL35324H BL35325J BL35326K
50 ml 125 ml 250 ml 500 ml 1L
5.00 7.08 10.00 17.08 29.58
6.00 8.50 12.00 20.50 35.50
J.G. VIBERT PICTURE VARNISH

Ketone and acrylic resin/ quick drying petroleum. Reduces risk of soaking through layers. Ideal for large surfaces. Remains flexible without fogging.
LB300066 LB300067 LB300068 LB300069
DAMAR RETOUCHING VARNISH

75 ml 250 ml 500 ml 1L 6.08 15.08 24.58 40.92 7.30 18.10 29.50 49.10 A non-toxic alternative to white spirit based Retouching Varnish.
BL35421E BL35423F BL35424H BL35425J
50 ml 125 ml 250 ml 500 ml
4.58 6.67 9.83 15.75
5.50 8.00 11.80 18.90
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
50

Aerosol Varnishes
Maimeri
FINAL VARNISH
Aerosol varnishes for oil or acrylic paintings. Contains ketone resin, petroleum distillates, UV Filter. Matt (673) or Gloss (669) finishes. Code
MA00673
Section 2
Winsor & Newton.

Size 400 ml ex VAT 7.67 inc VAT 9.20
PICTURE VARNISH
Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers.
Code
various
Size 400 ml
ex VAT 9.42
inc VAT 11.30
RETOUCHING VARNISH SH (685)

Aerosol varnish for oil or acrylic paintings. For use as temporary varnish for paintings less than 6 months old.
MA00685
400 ml
7.67
9.20
RETOUCHING VARNISH
Temporary protection for oil paintings less than 6 months old. Contains : Ketone resin.
WN3042983
400 ml
9.42
11.30
Talens
PICTURE VARNISH
Aerosol varnish for oil paintings. Gloss or Matt finishes.
TA00100
400 ml
10.83
13.00
ALL PURPOSE
ACRYLIC PICTURE VARNI ARNISH SH

Aerosol varnish for oil or acrylic paintings. Gloss or Matt finishes.
TA00200
400 ml
10.83
13.00
Provides clear, nonremovable protection of craftwork. Suitable for a variety of surfaces (wood, metal, paper, modelling materials). Contains: Acrylic resin. High Gloss or Matt
various
400 ml
9.42
11.30
Lefranc & Bourgeois

RETOUCHING VARNISH SH
Aerosol varnish for oil colour. Temporary protective coat. Use as soon as painting is touch dry.
TA00300
400 ml
10.83
13.00
OIL & ACRYLIC PICTURE Code OARNISH IL & ACRYLIC PICTURE VARNISH V
Colourless and does not become shiny when rubbed. Matt or Satin
various codes
Size 200 ml 400 ml
ex VAT 11.17 16.75
inc VAT 13.40 20.10
Lascaux
FIXATIVE
Code
AS207000
Size
ex VAT
inc VAT
EXTRA-FINE RETOUCHING VARNISH

LB300137 LB300138
Lascaux-fix acrylic resin fixative (paraloid B-72) with archival quality. Suitable as a final varnish for thoroughly dried out oil paintings.
300 ml 12.08 14.50 3+cans 11.50 13.80 (each) Case 124.92 149.90 of 12 cans
200 ml 400 ml
8.75 13.17
10.50 15.80
51
Section 2

Primers and Sealers
Oil Based Primers and Rabbit Skin Glue

SPECTRUM WHITE LEAD PRIMER
Traditional lead based primer for canvas. Apply 1 or 2 coats after sizing canvas with rabbit skin glue. Allow 3-4 weeks to dry thoroughly. Code
SP0598 SP0599
Acrylic Primers and Sealers

ROBERSON ACRYLIC PRIMER
Contains acrylic resin and titanium dioxide. Smooth white surface. 1 litre will cover approximately 14 square metres depending on the porosity of the surface. Code
CR24129J CR24130K CR24131L CR24132M
Size
ex VAT
inc VAT
Size 500 ml 1 litre 2 litre 5 litre
ex VAT inc VAT 10.00 17.75 38.75 69.75 12.00 21.30 46.50 83.70
1 litre 56.58 67.90 2 litre 126.75 152.10
ROBERSON ACRYLIC GESSO PRIMER SPECTRUM THIXOTROPIC ALKYD PRIMER

Thick synthetic resin one coat primer. Rabbit skin glue size preparation recommended as base coat. Smooth finish. Allow 4 days to dry thoroughly.
SP0601 SP0602
1 litre 2 litre
16.33 33.25
19.60 39.90
Fast drying, flexible and non yellowing white ground for oil, acrylic and tempera. Gives a matt, absorbent surface which may be sanded smooth once dry
CR61404H CR61405J CR61407L CR61408M
500 ml 1 litre 2 litre 5 litre
10.75 18.33 39.17 69.75
12.90 22.00 47.00 83.70
ROBERSON OIL PRIMER

Titanium oil primer. Good coverage, flexible and will not crack. Use on canvas or wood. Size with rabbit skin glue. Allow 16 hours to dry thoroughly.
CR32005J CR32006K CR32007L
ROBERSON BLACK GESSO PRIMER

500 ml 10.00 1 litre 18.75 2 litre 40.75 12.00 22.50 48.90
CR61414H CR61415J
500 ml 1 litre
20.92 32.33
25.10 38.80
SPECTRUM ACRYLIC PRIMER

Apply directly to canvas or board to give a smooth white surface.
SP0592 SP0593
WINSOR & NEWTON OIL PRIMER

Ready to use primer. No thinning or stirring required. Accepts oil colours easily with no absorbency or chalkiness. Size with rabbit skin glue.
WN3040994 WN3050994 WN3054994
1 litre 2 litre
14.79 25.37
17.75 30.45
250 ml 8.50 500 ml 15.33 1 litre 24.71
10.20 18.40 29.65
SPECTRUM ACRYLIC RYLIC GESSO PRIMER

Apply directly to canvas or board to gives slightly textured white surface.
SC50103J SC50103K SP0595 SP0596
1 litre 2 litre
15.79 27.04
18.95 32.45
SCHMINCKE OIL PRIMER

Oil based emulsion. Thin 2 parts primer : 1 part water. No sizing necessary though acrylic sealer can be used if desired. For oil painting only. 500 ml 1 litre
13.58 22.08
16.30 26.50
LASCAUX GESSO SSO

Semi-absorbent white acrylic primer, which is age resistant and has a good tooth.
AS202016 AS202018
500 ml 1 litre
17.33 27.50
20.80 33.00
ROBERSON PREPARED RABBIT SKIN GLUE SIZE

A ready made Rabbit Skin Glue size. Stand in warm water to liquefy.
CR24029J CR24030K
LIQUITEX GESSO PRIMER

10.00 16.17 12.00 19.40 Available in the following colours while stocks last (237 ml only): Black, Neutral Grey, Burnt Umber, Unbleached Titanium
N LO
WN3904020 WN3904030 WN3904040 WN3904050 WN3904060
500 ml 1 litre
237 ml 473 ml 946 ml 1.89 ltr 3.79 ltr
8.50 11.70 18.54 33.21 58.75
10.20 14.05 22.25 39.85 70.50
IS 1867 PAR
VIE
NNA 1873
DON 186 2
IS 1878 PAR
52

Primers and Sealers
SPECTRUM ACRYLIC CANVAS SEALER
Use when a transparent primer is needed. Can also be used under acrylic or oil primer. Code
SP0939 SP2123
Section 2

Size ex VAT inc VAT 4.41 12.16 5.30 14.60
ROBERSON UNIVERSAL CANVAS SEALER
Code
CR61315J CR61316K CR61317L
Size 500 ml 1 litre 2,5 litre
ex VAT 9.58 16.58 30.42
inc VAT 11.50 19.90 36.50
250 ml 1 litre
Accessories
Miscellaneous
DIPPERS
Single small open top Single small screw top Double small screw top Double small open top Single large with screw top Double large with brass top Double large open top Code
GP02100 GP02130 GP02120 GP02110 GP02131 GP02121 GP02111
ZEST-IT ARTISTS HAND CLEANER

BL35223F
Size 40 mm 40 mm 40 mm 40 mm 55 mm 55 mm 55 mm
ex VAT 1.00 2.13 4.13 1.83 3.83 7.67 3.00
inc VAT 1.20 2.55 4.95 2.20 4.60 9.20 3.60
150 g pot
7.50
9.00
WINSOR & NEWTON ARTGEL

Gel cleaner for brushes and hands. Helps restore natural oils in skin and conditions brushes.
WN3040969
250 ml
5.96
7.15
Single screw top
Double screw top
WINSOR & NEWTON ARTGUARD

Barrier cream for hands.
WN3040997
250 ml
5.96
7.15
Single open top
Double open top
MAHL STICK
2-piece with padded end
Code
GP02180
Size
ex VAT 17.33
inc VAT 20.80
Palettes
WINSOR & NEWTON MELAMINE
19 cm x 29 cm (7x11 inch) Code
WN7002021
MELAMINE PALETTES
24 cm x 35 cm 19 cm x 29 cm
Code
GLASHMP2435 GLASHMP1929
ex VAT inc VAT 9.96 6.63 11.95 7.95
53
Section 2

Palettes
WINSOR & NEWTON WTON BIRCH PLYWOOD

Small 349 x 191 mm (13 x 7 inch)
WN7002020
10.67
12.80
MABEF KIDNEY SHA HAPED PALETTE

Small 65 x 45 cm (25 x 17 inch)
PC6545001
37.08
44.50
WINSOR & NEWTON TEAR-OFF PALETTES
Tear-off pad of 50 disposable parchment palettes, impervious to oil or acrylics. WN7002018 5.67 Small 287 x 205 mm (11 x 8 inch) WN7002018 7.92 Large 370 x 240 mm (14 x 9 inch)
6.80 9.50
Vegetable parchment, 50 sheets. A4 355 x 254 mm (14 x 10 in)
DALER-ROWNEY WNEY TEAR-OFF PALETTE FOR OIL PAINTING

DR404210400 DR404210480
5.79 7.71
6.95 9.25
WOODEN KIDNEY SHAPED PALETTES

410 x 240 mm 500 x 310 mm 590 x 370 mm
CAWPK100 CAWPK160 CAWPK200
6.88 10.21 14.13
8.25 12.25 16.95
DALER-R ROWNEY NEY STAY-WET PALETTE

For acrylic painting. Keeps acrylic paints moist and workable for weeks. Clear lidded plastic tray contains three sheets of reservoir paper and 12 sheets of membrane paper. DR121900100 20.83 25.00 Large 508 x 279 x 25 mm DR121900101 5.21 6.25 Large Refill DR121900110 13.29 15.95 Small 254 x 279 x 25 mm DR121900102 3.29 3.95 Small Refill
OILED WOODEN PALETTES

Oval 20 x 30 cm Oval 25 x 30 cm Oval 30 x 40 cm Oval 40 x 50 cm Rectangular 20 x 30 cm Rectangular 25 x 30 cm Rectangular 30 x 40 cm Rectangular 40 x 50 cm
PCPEAE53112030 PCPEAE53112530 PCPEAE53113040 PCPEAE53114050 PCPEAE53122030 PCPEAE53122530 PCPEAE53123040 PCPEAE53124050
3.92 4.67 5.75 7.67 3.92 4.92 5.75 6.67
4.70 5.60 6.90 9.20 4.70 5.90 6.90 8.00
Gesso Boards
Superior Gesso Panels
Beautifully finished gesso panels available in white, raw umber, yellow ochre or pozzouli red. 15 mm thick. Bevelled edges, gesso prepared one side. Other sizes and custom colours available to order. WHITE Code
DC06X08xx DC08X10xx DC10X10xx DC10X12xx DC16X12xx
Beautifully finished gesso MDF panels available in white, raw umber, yellow ochre or pozzouli red. 9 mm thick. Gesso prepared on both sides. Other sizes and custom colours available to order. WHITE Code
AN06X08xx AN08X10xx AN10X10xx AN10X12xx AN16X12xx
TINTED ex VAT 20.00 25.00 32.50 35.00 45.00 inc VAT 24.00 30.00 39.00 42.00 54.00
TINTED ex VAT 25.50 34.08 38.33 44.00 55.00 inc VAT 30.60 40.90 46.00 52.80 66.00
Size 6 x 8 inches 8 x 10 inches 10 x 10 inches 10 x 12 inches 12 x 16 inches
ex VAT 20.41 27.42 30.67 35.75 46.00
inc VAT 24.50 32.90 36.80 42.90 55.20
Size 6 x 8 inches 8 x 10 inches 10 x 10 inches 10 x 12 inches 12 x 16 inches
ex VAT 16.00 20.00 26.00 28.00 36.00
inc VAT 19.20 24.00 31.20 33.60 43.20
Traditional Gesso Panels

Handmade traditional panels on plywood with muslin. Coated with fine chalk and rabbit skin glue. 12 mm thick. Gesso prepared one side. Other sizes and custom colours available to order Code
DC06X08TP DC08X10TP DC10X12TP
Size 6 x 8 inches 8 x 10 inches 10 x 12 inches
ex VAT 35.00 45.00 58.00
inc VAT 42.00 54.00 69.60
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
54

Stretcher Pieces
We stock a wide range of good quality, reliable stretchers. Non stock sizes are readily available to order and we usually require 4 days notice for their preparation. Please ask for a quote before ordering and bear the following points in mind. When one side of the stretcher frame reaches 30 inches, we recommend a centrebar. All Cornelissen stretcher lengths of 30 inches or over are centre mortised (c/m) to accept centre bars or half bars (x-bars). When the frame reaches 40 x 30 inch we recommend bars in both directions. For example, a 40 x 30 inch frame requires a 30 inch centrebar (shorter side) and two 20 inch half bars to span the 40 inch side. (see diagram).
20 in Half-
Section 2
30 in Centre-
20 in Half-
40 in
1 inch wide
Code
CJ25106 CJ25108 CJ25110 CJ25112 CJ25114 CJ25116 CJ25118 CJ25120 CJ25222
Price per single piece Size 6 inch 8 inch 10 inch 12 inch 14 inch 16 inch 18 inch 20 inch 22 inch ex VAT inc VAT 0.88 1.05 0.88 0.88 1.04 1.13 1.21 1.29 1.46 1.54 1.05 1.05 1.25 1.35 1.45 1.55 1.75 1.85
2 inch wide
Code
CJ25210 CJ25212 CJ25214 CJ25216 CJ25218 CJ25220 CJ25222 CJ25224 CJ25226 CJ25228
Price per single piece Size 10 inch 12 inch 14 inch 16 inch 18 inch 20 inch 22 inch 24 inch 26 inch 28 inch 30 inch (c/m) 32 inch (c/m) 34 inch (c/m) 36 inch (c/m) 38 inch (c/m) 40 inch (c/m) 42 inch (c/m) 44 inch (c/m) 46 inch (c/m) 48 inch (c/m) 50 inch (c/m) 54 inch (c/m) 60 inch (c/m) ex VAT 9.16 inc VAT 11.00 ex VAT inc VAT 1.21 1.45 1.29 1.46 1.63 1.71 1.88 2.04 2.21 2.29 2.54 3.17 3.33 3.50 3.67 3.75 3.83 4.08 4.25 4.46 4.63 4.79 5.04 5.46 1.55 1.75 1.95 2.05 2.25 2.45 2.65 2.75 4.05 3.80 4.00 4.20 4.40 4.50 4.60 4.90 5.10 5.35 5.55 5.75 6.05 6.55
Centre bars
Code
CJ25422 CJ25424 CJ25426 CJ25428 CJ25430 CJ25432 CJ25434 CJ25436 CJ25438 CJ25440 CJ25442 CJ25444 CJ25446 CJ25448 CJ25450 CJ25454 CJ25460
Price per single piece Size 22 inch 24 inch 26 inch 28 inch 30 inch (c/m) 32 inch (c/m) 34 inch (c/m) 36 inch (c/m) 38 inch (c/m) 40 inch (c/m) 42 inch (c/m) 44 inch (c/m) 46 inch (c/m) 48 inch (c/m) 50 inch (c/m) 54 inch (c/m) 60 inch (c/m) ex VAT inc VAT 3.00 3.60 3.33 3.41 3.66 3.75 3.91 4.08 4.16 4.25 4.33 4.66 4.87 4.95 5.12 5.20 5.62 6.04 4.00 4.10 4.40 4.50 4.70 4.90 5.00 5.10 5.20 5.60 5.85 5.95 6.15 6.25 6.75 7.25
WE OFFER
CJ25330 CJ25232 CJ25334 CJ25336 CJ25338 CJ25340 CJ25342 CJ25344 CJ25346 CJ25348 CJ25350 CJ25354 CJ25360
10% DISCOUNT
(10+) OF THE SAME SIZE
ON LARGER QUANTITIES
Half bars
Code
CJ25540 CJ25542 CJ25544 CJ25546 CJ25548 CJ25550 CJ25554 CJ25560
Price per pair Size ex VAT inc VAT 20 inch (for 40 in) 4.25 5.10 21 inch (for 42 in) 22 inch (for 44 in) 23 inch (for 46 in) 24 inch (for 48 in) 25 inch (for 50 in) 27 inch (for 54 in) 30 inch (for 60 in) 4.58 4.79 4.95 5.12 5.29 5.62 6.04 5.50 5.75 5.95 6.15 6.35 6.75 7.25
HOW TO STRETCH CANVAS INSTRUCTIONAL DVD

4013900002
C/m indicates bars which are centre mortised
55
30 in
Section 2

Primed and Unprimed Canvas
UNPRIMED COTTON
9 oz Cotton Duck 183 cm (72 inch) wide 12 oz Cotton Duck 183 cm (72 inch) wide 15 oz Cotton Duck 183 cm (72 inch) wide 9 oz Cotton Duck folded length 12 oz Cotton Duck folded length (5.5 m x 150 cm)
Code
0040309072 0040312072 0040315072 5990309560 5580312660
1-9 Metre 10+ Metres 25+ Metres ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 3.92 4.70 3.71 4.45 3.50 4.20 6.67 7.67 8.00 9.20 6.33 7.25 7.60 8.70 5.92 6.83 7.10 8.20
18.80 (5.5 m x 150 cm) 28.50 (5.5 m x 150 cm) 1-9 Metre 10+ Metres 25+ Metres ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 22.54 27.05 20.25 24.30 19.79 23.75 19.33 15.13 23.20 18.15 17.37 13.62 20.85 16.35 16.96 13.29 20.35 15.95
UNPRIMED LINEN
Cornelissen Fine Linen 210 cm (84 inch) wide Cornelissen Medium Linen 210 cm (84 inch) wide Cornelissen Rough Linen 183 cm (72 inch) wide
Code
5430284084 5430207084 5990216072
PRIMED COTTON
12 oz Acrylic Primed Cotton Duck 183 cm (72 inch) wide 10 oz Acrylic Primed Cotton Duck 155 cm (61 inch) wide
Code
5670612072 5670600059
1-9 Metre 10 Metre Roll ex VAT inc VAT ex VAT inc VAT 20.42 24.50 89.17 107.00
PRIMED LINEN
Cornelissen Fine Portrait Linen 210 cm (84 inch) wide. Oil Primed Cornelissen Fine Double Primed Linen 210 cm (84 inch) wide. Oil primed Cornelissen Extra Fine Linen 210 cm (84 inch) wide. Acrylic triple primed-smooth Cornelissen Medium Linen 210 cm (84 inch) wide. Oil or Acrylic primed
Code
5170504084 5170505084 5040504084 51705xx084
1-9 Metre 5 Metre Roll 10 Metre Roll ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 57.58 69.10 252.08 302.50 450.08 540.10 59.29 79.67 38.33 71.15 259.41 311.30 463.83 556.60 95.60 348.33 418.00 623.33 748.00 46.00 167.75 201.30 300.00 360.00
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Li
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Li
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np
rim
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oz
Un
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Co
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np
rim
15
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oz
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IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
56
C C C Co O orn Ac orn O orn il P el il P el Do rn ry elis rim isse lic s ub elis rim isse e P ed n M le se ed n F rim n M O n Li ed ed Li ine il P Fi e ne iu d ne iu rim ne n m L P m n i or ne ed tra n Li it ne n

Stretched Canvases and Boards
Prepared Linen Canvases
Hand stretched at Cornelissen using our own stretcher pieces and steel tacks, which are positioned to ensure even canvas tension across the frame. Staples are used only for securing of corners where tacks might interfere with the wedges. Medium primed linen is used for the stock sizes listed below: Code
LC23100 LC23110 LC23120 LC23130 LC23140 LC23150 LC23160 LC23170 LC23180 LC23190 LC23200 LC23210 LC23220 LC23230 LC23240
Section 2
Prepared Cotton Canvases

2CM DEPTH CLEAN EDGE CANVASES
Code
LC23300 LC23310 LC23320 LC23330 LC23340 LC23350 LC23360 LC23370 LC23380 LC23390 LC23400 LC23410 LC23420 LC23430 LC23440
Size 6 x 6 inches / 15 x 15 cm 8 x 8 inches / 20 x 20 cm 8 x 10 inches / 18 x 24 cm 10 x 10 inches / 24 x 24 cm 10 x 12 inches / 24 x 30 cm 12 x 12 inches / 30 x 30 cm 12 x 16 inches / 30 x 40 cm 18 x 14 inches / 35 x 45 cm 16 x 16 inches / 40 x 40 cm 16 x 20 inches / 40 x 50 cm 16 x 24 inches / 40 x 60 cm 20 x 20 inches / 50 x 50 cm 24 x 18 inches / 60 x 45 cm 20 x 24 inches / 50 x 60 cm 20 x 30 inches / 50 x 75 cm
ex VAT 3.04 3.20 3.25 4.12 4.17 4.38 4.88 5.54 5.58 6.79 8.79 8.20 8.29 9.08 10.37
inc VAT 3.65 3.85 3.90 4.95 5.00 5.25 5.85 6.65 6.70 8.15 10.55 9.85 9.95 10.90 12.45
Acrylic primed cotton. For oil or acrylic painting.
Size (Inches) 10 x 12 10 x 14 12 x 16 14 x 18 16 x 20 16 x 22 18 x 24 20 x 24 20 x 30 24 x 30 24 x 36 28 x 36 30 x 40 36 x 48 40 x 60
Size (cm) 25.4 x 30.5 25.4 x 30.5 30.5 x 40.6 35.4 x 45.7 40.6 x 50.8 40.6 x 55.9 45.7 x 61.0 50.8 x 61.0 50.8 x 76.2 61.0 x 76.2 61.0 x 91.5 71.1 x 91.5 76.2 x 101.6 91.5 x 121.9 101.6 152.4
ex VAT 17.33 18.08 21.25 24.25 27.33 28.83 33.16 35.58 39.08 44.50 45.83 53.00 65.41 78.00 88.00
inc VAT 20.80 21.70 25.50 29.10 32.80 34.60 39.80 42.70 46.90 53.40 55.00 63.60 78.50 93.60 105.60
We provide quotations for other sizes or surfaces (p.56) and also prepare clean edge canvas with tacking on the back only.
3D 4 CM DEPTH CLEAN EDGE CANVASES

Acrylic primed cotton. For oil or acrylic painting. LC23500 4 x 5 inches / 10 x 12 cm
LC23510 LC23520 LC23530 LC23540 LC23550 LC23560 LC23570 LC23580 LC23590 LC23600 LC23610 LC23620
1.96 2.75 2.54 3.42 3.92 4.37 4.70 5.00 5.20 5.45 5.70 6.83 7.80 9.25 11.75 12.33 15.08
2.35 3.30 3.05 4.10 4.70 5.25 5.65 6.00 6.25 6.55 6.85 8.20 9.35 11.10 14.10 14.80 18.10
5 x 7 inches / 13 x 18 cm 6 x 6 inches / 15 x 15 cm 6 x 8 inches / 15 x 20 cm 8 x 8 inches / 20 x 20 cm 8 x 10 inches / 18 x 24 cm 10 x 10 inches / 24 x 24 cm 9 x 12 inches / 23 x 30 cm 10 x 12 inches / 24 x 30 cm 12 x 12 inches / 30 x 30 cm 10 x 14 inches / 25 x 36 cm 12 x 16 inches / 40 x 30 cm 14 x 18 inches / 35 x 45 cm 16 x 20 inches / 40 x 50 cm 20 x 20 inches / 50 x 50 cm 18 x 24 inches / 45 x 60 cm 20 x 30 inches / 50 x 76 cm
SET OF 4 PREPARED LINEN CANVASES

Clear primer
Code
PC1212SET
Size 12 x 12 cm
ex VAT 9.08
inc VAT 10.90
LC23630 LC23640 LC23650 LC23660
ROUND STRETCHED CANVASES

Code
LC23010
Diameter 12 inch (30 cm) 24 inch (60 cm)
Depth 18 mm 18 mm
ex VAT 9.96 19.96
inc VAT 11.95 23.95
LC23020
OVAL STRETCHED CANVASES

LC23030
LC23040
LC23050
8 x 10 inch 18 mm (18 x 24 cm) 12 x 16 inch 18 mm (30 x 40 cm) 16 x 20 inch 18 mm (40 x 50 cm)
8.29 12.46 15.79
9.95 14.95 18.95
57
Section 2

Equipment for Canvas Stretching
Tacks and Staple Guns

STEEL CANVAS TACKS
8 mm head, 13 mm long. Blued steel Code
CR24030F CR24040J
Tacks and Staple Guns

Size 100 g 500 g ex VAT 5.58 9.17 inc VAT 6.70 11.00
RAPID STAPLE GUNS

Heavy Duty R34E
Code
RA20511450
ex VAT 34.33
inc VAT 41.20
RAPID STAPLE GUNS

Light Duty R53E
RA20443850
17.08
20.50
For heavy duty staple gun R34E RA11905731 6mm box of 2000 RA11905711 6mm box of 5000 RA11908131 8mm box of 2000 RA11908111 8mm box of 5000 For light duty staple gun R53E RA11856201 6mm box of 1200 RA11857005 8mm box of 1200
RAPID STAPLES
4.33 9.83 5.50 10.58 3.33 3.33
5.20 11.80 6.60 12.70 4.00 4.00
Heavy Duty R14E
RA20511550
22.42
26.90
RAPID STAPLE LIFTER

R3
RA20000702
10.08
12.10
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
58

Stretching Pliers
JAPANESE NON SLIP STRETCHING PLIERS
Code
CR24051
Section 2
Canvas Carrying Accessories

SET OF 4 M-CLIP CANVAS CARRIERS
Code
CART415
ex VAT 8.08
inc VAT 9.70
Light Molybdenum with rubberised grips, wide 12 cm jaws
SET OF 4 STEEL CANVAS CARRYING PINS

CART410
3.75
4.50
FREDRIX STRETCHING PLIERS

Chromed steel. Cast with spring. 6 cm jaws
CR24050
15.33
18.40
CANVAS CARRIER
Metal 2-part clamp with carrying handle for easy transportation of two canvases of any size.
CART416
9.17
11.00
59
Section 3
WATERCOLOUR , G OUACHE
AND
E GG T EMPERA
Artists Watercolours
Schmincke Horadam Artists Watercolours
Finest quality, extra smooth watercolours. Moisture content in pans ensures easy wetting of brush with colour. A favourite with botanical painters. Series Pan Full Pan 5 ml Tube 15 ml Tube 1 ex VAT 3.83 4.58 3.83 6.75 inc VAT 4.60 5.50 4.60 8.10 ex VAT 4.67 5.42 4.67 8.25 2 inc VAT 5.60 6.50 5.60 9.90 ex VAT 5.25 6.50 5.25 10.08 3 inc VAT 6.30 7.80 6.30 12.10 ex VAT 6.67 8.17 6.67 12.42 4 inc VAT 8.00 9.80 8.00 14.90
SC14xxxP SC14xxxQ SC14xxxA SC14xxxC
01 Titanium White (1)
102 Perm. Chinese White (1)
782 Neutral Tint (1)
783 Paynes Grey (1)
787 Paynes Grey Bluish (1)
785 Neutral Grey (3)
786 Charcoal Grey (1)
781 Blue Black (1)
780 Ivory Black (1)
894 Silver (2)
893 Gold (2)
930 Brilliant Purple (2)
940 Brilliant Red Violet (2)
910 Brilliant Blue Violet (2)
206 Titanium Yellow (3) 215 Lemon Yellow (1)
211 Chrome Yellow Lemon (2)
223 Cad. Yellow Lemon(3)
207 Vanadium Yellow (4)
224 Cad. Yellow Light (3)
208 Aureolin Modern (3)
216 Pure Yellow (2)
209 Translucent Yellow (2)
210 Gamboge Gum Modern (4)
212 Chrome Yellow Deep (2)
225 Cadmium Yellow Mid. (3)
220 Indian Yellow (2)
226 Cadmium Yellow Deep (3)
213 Chrome Yellow Deep (2)
227 Cadmium Orange Light (3)
214 Chrome Orange (2)
228 Cadmium Orange Deep (3)
218 Translucent Orange (2)
361 Permanent Red (3)
348 Cadmium Red Orange (3)
365 Vermillion (3)
360 Permanent Red Orange (3)
349 Cadmium Red Light (3)
347 Cadmium Red Middle (3)
363 Scarlet Red (3)
366 Deep Red (3)
350 Cadmium Red Deep (3)
345 Dark Red (2)
357 Alizarin Crimson (1)
358 Madder Lake Deep (2)
354 Madder Red Dark (3)
356 Rose Madder (1)
351 Ruby Red (3)
353 Permanent Carmine (3)
352 Magenta (3)
367 Purple Magenta (3)
368 Quinacridone Violet (2)
474 Manganese Violet (3)
476 Mauve (2)
495 Ultramarine Violet (2)
482 Delft Blue (3)
498 Dark Blue Indigo (3)
485 Indigo (2)
488 Cobalt Blue Deep (4)
494 Ultramarine Finest (2)
486 Cobalt Blue Tone (1)
487 Cobalt Blue Light (4)
496 Ultramarine Blue (2)
480 Mountain Blue (1)
478 Helio Blue Reddish (2)
492 Prussian Blue (1)
491 Paris Blue (2)
484 Phthalo Blue (1)
479 Helio Cerulean (1)
481 Cerulean Blue Tone (1)
499 Cobalt Cerulean (4)
475 Helio Turquoise (4)
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
60
AND
E GG T EMPERA
Section 3
Schmincke Horadam Artists Watercolours
509 Cobalt Turquoise (4)
510 Cobalt Green Turquoise (4)
528 Prussian Green (2) 519 Phthalo Green (1)
511 Viridian (2)
514 Helio Green (2)
530 Sap Green (2)
526 Permanent Green (2)
524 May Green (2)
521 Hookers Green (1)
533 Cobalt Green Dark (4)
534 Permanent Green Olive (1)
515 Olive Green (1)
535 Cobalt Green Pure (4)
512 Chromium Oxide Green (2)
516 Green Earth (1)
525 Olive Green Yellowish (2)
536 Green Yellow (2)
221 Jaune Brilliant Dark (2)
229 Naples Yellow (2)
656 Yellow Raw Ochre (1)
667 Raw Umber (1)
655 Yellow Ochre (1)
659 Titanium Gold Ochre (2)
660 Raw Sienna (1)
230 Naples Yellow Reddish (2)
654 Gold Brown (2)
661 Burnt Sienna (1)
648 Translucent Brown (2)
670 Madder Brown (2)
649 English Venetian Red (1)
666 Pozzuoli Earth (1)
645 Indian Red (1)
669 Vandyke Brown (1)
668 Burnt Umber (1)
663 Sepia Brown (1)
662 Sepia Brown Tone (1)
652 Walnut Brown (1)
8 x Half Pans Pocket Box with water container 12 x Half Pans, synthetic brush 24 x Half Pans 36 x Half Pans 48 x Half Pans 12 x Full Pans 24 x Full Pans 12 x 5 ml Tubes 18 x 5 ml Tubes
BLACK TIN BOXES WITH INTEGRAL PALETTE
Code
SC74408 SC74012 SC74424 SC74436 SC74448 SC74312 SC74324 SC74112 SC74118
ex VAT 49.92 45.83 80.00
inc VAT 59.90 55.00 96.00
HAND PAINTED COLOUR CHART DARK WOODEN BOX
Code
SCHRC1
ex VAT 15.00
inc VAT
Walnut box with colours fitted. 30 well ceramic palette (Size 21 x 15 x 4 cm) Fitted with 48 Half Pans Fitted with 24 5 ml Tubes
SC74548 SC74224
115.00 138.00 144.17 173.00 53.33 49.92 74.92 64.00 59.90 89.90 109.17 131.00
185.00 222.00 140.00 168.00
61
Section 3
AND
E GG T EMPERA
Winsor & Newton Artists Watercolours
Series Pan Full Pan Large Pan 5 ml Tube 14 ml Tube 37 ml Tube 1 ex VAT 4.25 5.08 13.83 4.25 8.08 13.83 inc VAT 5.10 6.10 16.60 5.10 9.70 16.60 ex VAT 4.67 5.79 15.50 4.67 9.12 15.50 2 inc VAT 5.60 6.95 18.60 5.60 10.95 18.60 ex VAT 4.79 6.17 17.83 4.79 10.46 17.83 3 inc VAT 5.75 7.40 21.40 5.75 12.55 21.40 ex VAT 6.37 8.71 21.67 6.37 12.75 21.67 4 inc VAT 7.65 10.45 26.00 7.65 15.30 26.00
Code
WN7540688
WN0101xxx WN0100xxx WN0127xxx WN0102xxx WN0105xxx WN0114xxx
347 Lemon Yellow (4)
25 Bismuth Yellow (3)
86 Cadmium Lemon (4)
722 Winsor Lemon (1)
730 Winsor Yellow (1)***
348 Lemon Yellow Deep (2)
016 Aureolin (4)
653 Transparent Yellow (1)
118 Cadmium Yellow Pale (4)
649 Turners Yellow (3)
267 New Gamboge (1)***
108 Cadmium Yellow (4)*
731 Winsor Yellow Deep (1)
111 Cadmium Yellow Deep (4) 089 Cadmium Orange (4)*
724 Winsor Orange (1)
723 Winsor Orange (Red Shade) (1)
106 Cadmium Scarlet (4)
603 Scarlet Lake (2)
094 Cadmium Red (4)*
726 Winsor Red (1)***
576 Rose Dore (4)
548 Quinacridone Red (3)
725 Winsor Red Deep (1)
466 Perm. Alizarin Crimson (3)***
004 Alizarin Crimson (1)***
479 Permanent Carmine (3) 502 Permanent Rose (3)***
587 Rose Madder Genuine (4)***
448 Opera Rose (2)***
545 Quinacridone Magenta (3)
489 Permanent Magenta (3)
192 Cobalt Violet (4)
491 Permanent Mauve (3)
672 Ultramarine Violet (2)
733 Winsor Violet (1)***
321 Indanthrene Blue (3)
263 French Ultramarine (2)***
667 Ultramarine (Green Shade) (2)
178 Cobalt Blue (4)***
709 Winsor Blue (Red Shade) (1)***
010 Antwerp Blue (1)***
538 Prussian Blue (1)**
707 Winsor Blue (Green Shade) (1)***
140 Cerulean Blue (Red Shade) (3)
137 Cerulean Blue (3)***
379 Manganese Blue Hue (2)
526 Phthalo Turquoise (2)
191 Cobalt Turquoise Light (4)
190 Cobalt Turquoise (4)
184 Cobalt Green (4)
719 Winsor Green (Blue Shade) (1)***
692 Viridian (3)***
721 Winsor Green Yellow Shade (1)
637 Terre Verte (1)
460 Perylene Green (2)
459 Oxide of Chromium (3)
311 Hookers Green (1)***
503 Permanent Sap Green (1)***
447 Olive Green (1)
638 Terre Verte (Yellow Shade) (1)
294 Green Gold (2)
425 Naples Yellow Deep (1)
745 Yellow Ochre light (1)
744 Yellow Ochre (1)***
552 Raw Sienna (1)***
285 Gold Ochre (2)
547 Quinacridone Gold (3)***
059 Brown Ochre (1)
381 Magnesium Brown (1)
74 Burnt Sienna (1)***
362 Light Red (1)
678 Venetian Red (1)
317 Indian Red (1)
056 Brown Madder (1)***
537 Potters Pink (2)
507 Perylene Maroon (3)
470 Perylene Violet (3)
125 Caput Mortuum Violet (2)
554 Raw Umber (1)***
076 Burnt Umber (1)***
609 Sepia (1)**
322 Indigo (1)
465 Paynes Grey (1)***
430 Neutral Tint (1)
331 Ivory Black (1)
337 Lamp Black (1)
386 Mars Black (1)
217 Davys Grey (1)
150 Chinese White (1)
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
62
AND
E GG T EMPERA
Section 3
HEAVYWEIGHT BOXES
Traditional black enamelled boxes. 12 x Half Pans with water container 16 x Half Pans 24 x Half Pans 12 x Whole Pans Code
WN0190543 WN0190541 WN0190540 WN0190542
ex VAT 51.66 70.00 95.83 80.83
inc VAT 62.00 84.00 115.00 97.00
PLASTIC FIELD BOX
12 x Half Pans, water carrier, sponge, integral palette, water pot, sable brush.
WN0190685
51.67
62.00
BIJOU BOX WITH BRUSH

Enamelled Pocket box with 8 colours.
WN0190555
43.33
52.00
PLASTIC COMPACT SET
14 x Half Pans and small sable brush.
WN0190049
51.25
61.50
LIGHTWEIGHT SKETCHERS BOXES

Black tin with integral palette space inside lid. WN0190552 12 x 5 ml Tubes WN0190551 12 x Half Pans WN0190553 24 x Half Pans 51.67 51.67 80.83 62.00 62.00 97.00
PLASTIC POCKET BOX
12 x Half Pans and sable brush.
WN0190601
43.33
52.00
63
Section 3
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Daler Rowney Artists Watercolours
Artists Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Series Half Pan 5 ml Tube 15 ml Tube A ex VAT 4.13 4.13 8.54 inc VAT 4.95 4.95 10.25 ex VAT 4.13 4.13 8.54 B inc VAT 4.95 4.95 10.25 ex VAT 6.04 6.04 12.08 C inc VAT 7.25 7.25 14.50
DR130015xxx DR130002xxx DR130005xxx
634 Naples Yellow (A) ***
637 Nickel Titanate Yellow (B) ***
651 Lemon Yellow (A) ***
611 Cadmium Yellow Pale (C) ***
629 Bismuth Yellow (C) ***
664 Permanent Yellow (B) ***
601 Aureolin (C) **
612 Cadmium Yellow (C) ***
620 Cadmium Yellow (Hue) (B) ***
613 Cadmium Yellow Deep (C) ***
618 Cadmium Yellow Deep (Hue) (B) ***
640 Gamboge (Hue) (A) ***
643 Indian Yellow (A) ***
615 Cadmium Orange (C) ***
619 Cadmium Orange (Hue) (B) ***
633 Warm Orange (B) ***
535 Permanent Red (B) ***
506 Cadmium Red Pale (C) ***
526 Cadmium Red Pale (Hue) (B) ***
588 Vermilion (Hue) (C) ***
501 Cadmium Red (C) ***
503 Cadmium Red (Hue) (B) ***
528 Quinacridone Red (C) ***
502 Cadmium Red Deep (C) ***
504 Cadmium Red Deep (Hue) (B) ***
529 Perylene Red (C) ***
515 Alizarin Crimson (A) ***
525 Alizarin Crimson (Hue) (B) ***
509 Carmine (B) ***
537 Permanent Rose (A) ***
414 Quinacridone Magenta (B) ***
409 Permanent Magenta (B) ***
417 Cobalt Magenta (C) ***
419 Ultramarine Violet (A) ***
413 Permanent Mauve (B) ***
107 Indanthrene Blue (B) ***
135 Prussian Blue (A) **
127 Indigo (A) ***
139 Phthalo Blue (Red Shade) 140 Phthalo Blue (Green Shade) (A) *** (A) ***
121 Manganese Blue (Hue) (A) ***
111 Coeruleum (B) ****
109 Cobalt Blue (C) ****
116 Cobalt Blue Deep (C) ****
137 Permanent Blue (A) ***
123 French Ultramarine (A) ***
155 Cobalt Turquoise (Red Shade) (C) ****
156 Cobalt Turquoise (Green Shade) (C) ****
157 Transparent Turquoise (A) ***
325 Cobalt Green Deep (C) ****
154 Phthalo Turquoise (B) ***
381 Viridian (B) ****
361 Phthalo Green (A) ***
354 Hookers Green Dark (A) ***
379 Terre Verte (Hue) (B) ****
367 Oxide of Chromium Green (A) ****
353 Hookers Green Light (A) ***
378 Vivid Green (B) ***
375 Sap Green (B) ***
363 Olive Green (A) ***
373 Green Gold (B) ***
663 Yellow Ochre (A) ****
667 Raw Sienna (A) ****
221 Burnt Sienna (A) ****
527 Light Red (A) ****
583 Venetian Red (A) ****
261 Transparent Red Brown (A) ***
421 Perylene Maroon (B) ***
523 Indian Red (A) ****
411 Mars Violet (A) ****
223 Burnt Umber (A) ****
247 Raw Umber (A) ****
264 Vandyke Brown (Hue) (A) ****
250 Warm Sepia (A) ****
063 Neutral Tint (A) ***
065 Paynes grey (A) ***
034 Ivory Black (A) ****
035 Lamp Black (A)
001 Chinese White (A) ***
009 Titanium White (A) ***
ARTISTS WATERCOLOUR SET

A high quality wooden box containing 30 x half pans, 2 x 15 ml tubes, Well China Palette, 3 x Series 40 Sable Brushesh, 10 x 7 Langton Pad, 75 ml Art Masking Fluid, 12 x Sketching Pencils, Cleaning Cloth, Information Leaflet and Putty Rubber.
Code
DR130900666
ex VAT
inc VAT
162.50 195.00
ARTISTS WATERCOLOUR SET

A high quality wooden box containing 20 x 5 ml tubes, 5 Well China Palette, 3 x Series 40 Sable Brushesh, 10 x 7 Langton Pad, 75 ml Art Masking Fluid, 12 x Sketching Pencils, Cleaning Cloth, Information Leaflet and Putty Rubber.
Code
DR130900444
ex VAT
inc VAT
162.50 195.00
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
64
Gouache
Schmincke Horadam Artists Gouache - Series 12
Finest gouache artists colours with best genuine artists pigments. Highly concentrated for brilliance and depth of colour. Velvet-matt and opaque. Series 15 ml 0 ex VAT 4.42 inc VAT 5.30 ex VAT 5.00 1 inc VAT 6.00 ex VAT 6.33 2 inc VAT 7.60 ex VAT 8.25 3
AND
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Section 3
4 inc VAT 9.90 ex VAT 10.42 inc VAT 12.50
SC12xxxC
SC12xxxC
SC12xxxC
SC12xxxC
SC12xxxC
103 Zinc White (0)
222 Vanadium Yellow (4)
224 Cadmium Yellow Light (3) 226 Cadmium Yellow Tone (2) 228 Cadmium Yellow Middle (2)
232 Cadmium Yellow Deep (3) 234 Cadmium Orange Tone (2)
236 Cadmium Orange (4)
340 Vermilion Tone (2)
342 Cadmium Red Tone (2) 344 Cadmium Red Light (3) 346 Cadmium Red Middle (3) 348 Cadmium Red Deep (3)
350 Scarlet Red (3)
352 Carmine (3)
356 Madder Red Dark (4)
358 Purple Magenta (3)
360 Quinacridone Violet (2)
460 Violet (1)
462 Delft Blue (1)
464 Ultramarine Deep (1)
468 Ultramarine Light (1)
470 Cobalt Blue Light (4)
472 Dark Blue Indigo (3)
474 Helio Blue (1)
478 Helio Turquoise (1)
530 Helio Green Bluish (1)
522 Viridian (2)
524 Helio Green Yellowish (1)
526 Cobalt Green Light (4)
528 Cobalt Green Deep (4)
530 Chromium Oxide (1)
532 Olive Green (2)
640 Titanium Gold Ochre (1)
642 Raw Umber (0)
644 Raw Sienna (0)
646 English Red (0)
650 Burnt Umber (0)
652 Vandycke Brown (0)
785 Neutral Grey (3)
787 Ivory Black (0)
Code
SC90412
ex VAT 10.00
inc VAT
Schmincke Calligraphy Gouache

Brilliant and mainly opaque colours specially developed for use in calligraphy. Superfine pigments. Ideal for making inks. Non waterproof. ex VAT 6.42 inc VAT 7.70
SET OF 13 COLOURS
Light wooden box.
Code
SC75027
ex VAT 79.17
inc VAT 95.00
20 ml
SC27xxxD
101 Opaque White
210 Lemon Yellow
211 Cadmium Yellow Light Tone
320 Vermillion Red
321 Madder Red
SCHMINCKE TRO COL POWDER

Gouache in dry powder form. Mix with distilled water. May also be mixed with acrylic mediums to give a rich colour. Light resistant, but not resistant to humidity.
Code
SC18xxxD
Size 20 ml
ex VAT 6.42
inc VAT 7.70
430 Ultramarine Blue Deep
431 Paris Blue
540 Chromium Oxide Green
650 Burnt Sienna
760 Ivory Black
761 Jet Black
870 Gold Pearl
871 Red Pearl
Copper ref 814
Rich Pale Gold ref 812
Rich gold ref 811
Aluminium ref 816
Pale Gold ref 813
Silver ref 815
65
Section 3
Gouache
AND
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Winsor & Newton Gouache

DESIGNERS GOUACHE
Permanent White, Zinc White, Ivory Black, Jet Black, Lamp Black Gold and Silver Bleedproof White Primary Colours Set
(6 x 14ml Tubes)
Lefranc & Bourgeois Gouache

Size 14 ml 37 ml 14 ml 30 ml 30 ml ex VAT 3.37 6.79 4.46 5.17 5.17 17.08 25.83 inc VAT 4.05 8.15 5.35 6.20 6.20 20.50 31.00
Persian Yellow Lemon 222 Persian Yellow Persian Orange Medium 224 Light 226 Persian Red Light 415 Chinese Red 368 Carmine Imitation 327
Code
WN0605xxx WN0614xxx
LINEL STUDIO GOUACHE

A studio gouache in supple plastic tubes to offer the best quality/price ratio to students. 24 colours including the 3 primary colours.
Code
LB652xxx3
Size 120 ml
ex VAT 7.67
inc VAT 9.20
WN0605xxx WN0610xxx WN0610037 WN0690174 WN0690173
Introductory Set
(10 x 14ml Tubes)
Tyrian Rose 354
Deep Violet 632
Ultramarine Deep 055
Prussian Blue 046
Cobalt Blue 064
Cerulean Blue Imitation 065
Japanese Green Lemon 493
Viridian Imitation 564
Japanese Green Deep 575
Yellow Ochre 302
Red Ochre 306
Burnt Sienna 481
Burnt Umber 478
Ivory Black 269
Permanent White 007
Primary Yellow 153
Primary Red 437
Primary Blue 063
Students Watercolour Sets

Cotman Watercolour Sets
POCKET BOX
12 Half Pans with brush. Code
WN0390640
Pelikan Watercolour Sets

PROCOLOR OPAQUE WATERCOLOURS

Good quality opaque large pans with mixing tray and water boxes.
Code
PE720060
Size Set of 12 Set of 24
ex VAT 15.17 19.50
inc VAT 18.20 23.40
COMPACT SET
14 Half Pans with brush.
WN0390083
PE719047
20.58
24.70
COTMAN TRAVEL BAG

Compact Set (14 half pans) plus pad, brushes water bottle, handy hints booklet, pencil and putty rubber in a handy bag.
WN0394183
37.50
45.00
FIELD BOX
Pocket sized plastic box with brush, sponge, water bottle and 12 half pans.
WN0390639
TRANSPARENT ARENT WATERCOLOURS

30.79 36.95 Good quality transparent large pans with mixing tray and water boxes.
PE807735 PE807743
Set of 12 Set of 24
17.58 25.67
21.10 30.80
Compact Set Pocket Box Cotman Travel Bag Field Box
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
66
AND
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Section 3
Mediums for Watercolour

Roberson Mediums
ROBERSON GUM WATER (GUM ARABIC)
Made with high quality gum Arabic Kordofan grade, it is the main binder in watercolours. Increases gloss and brilliance. Very good comparable value. Code
CR61103F CR61104H CR61105J CR61106K CR61108M
Winsor & Newton Mediums

Size 100 ml 250 ml 500 ml 1 Litre 5 Litre ex VAT 5.50 8.83 14.83 24.50 95.08 inc VAT 6.60 10.60 17.80 29.40 114.10
LIFTING PREPARATION
Allows dry washes and staining colours to be lifted more easily from paper.
Code
WN3022861
Size 75 ml
BLENDING MEDIUM
Slows drying time to allow more time for blending. Especially useful in hot climates.
WN3022863
75 ml
4.71
5.65
ROBERSON RE EFINED FINED OX GALL

Wetting agent. Improves flow of watercolours. Add a few drops to the water used to dilute paint.
CR61253F CR61254H CR61256K
TEXTURE MEDIUM
100 ml 250 ml 1 Litre 5.50 9.08 22.50 6.60 10.90 27.00
Contains fine particles and is used to create the impression of depth and structure to watercolour paintings.
WN3022864
75 ml
4.71
5.65
ELIZA TURKS AQUARELLA MEDIUM

For watercolour painting on paper, ivorine, terracotta, wood and fabric. Sizing not needed. Prevents the running of colours, even on open weave fabrics.
CR61202E CR61204H
IRIDESCENT MEDIUM
60 ml 250 ml 3.50 8.80 4.20 10.20 Gives pearlescent or glitter effects to watercolours.
WN3022865
75 ml
4.71
5.65
AQUAPASTO
Gum Arabic/silica. Translucent jelly mixable with water. Gives impasto effect with water based colours.
WN3020901
60 ml
5.96
7.15
With fine point applicator (0.8 mm nib). Light blue masking fluid. Refill Superfine Nib & empty bottle
MASQUEPEN
GLASHMP001
30 ml
6.63
7.95 4.85 4.25
GLASHMP002
30 ml
4.04 3.54
ART MASKING FLUID

Pigmented rubber latex. Application gives a water impervious film to protect areas from colour applied in broad washes. Remove by peeling.
WN3022902 WN3040902
75 ml 250 ml
4.71 8.50
5.65 10.20
Winsor & Newton Mediums

GUM ARABIC
Increases gloss and brilliance of watercolours. Code
WN3022906
COLOURLESS MASKING FLUID

Size 75 ml ex VAT 4.71 inc VAT 5.65 As above but colourless.
WN3022904
75 ml
4.71
5.65
OX GALL LIQUID
Improves flow of watercolours.
WN3022909
PERMANENT MASKING FLUID

75 ml 4.71 5.65 As above, not removable.
WN3022862
75 ml
4.71
5.65
GRANULATION MEDIUM
Gives granular appearance to add dimension to otherwise flat areas.
WN3022860
WATERCOLOUR MEDIUM
75 ml 4.71 5.65 Increases gloss and transparency of water colours and improves the flow of washes across surface of paper.
WN3022911
75 ml
4.71
5.65
67
Section 3
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Mediums for Watercolour

Schmincke Mediums
AQUA FIX
Dries watercolours to be waterproof. Code
SC50701E
Size 60 ml
ex VAT 5.92
inc VAT 7.10
MASKING FLUID
Available in blue or colourless. Removable masking fluid, specifically for fine details. Handy dispensing bottle.
Code
SC50731D
Size 25 ml
ex VAT 5.42
inc VAT 6.50
AQUA MODELLING PASTE

Available in Fine and Coarse. Allows 3-D and structural effects. Apply with palette knife.
SC50706F SC50706H
125 ml 250 ml
6.75 9.08
8.10 10.90
AQUA EFFECT SPRAY RAY

For bizarre surface effects. Apply while watercolour is still wet. No effect on strong absorbent surfaces.
SC50735F
100 ml
8.50
10.20
AQUA PRIMER
Available in Fine and Coarse. Allows watercolour paint to be used on various surfaces such as canvas, painting boards and wood
SC50702H SC50702J
250 ml 500 ml
8.50 10.20 12.75 15.30
CASEIN BINDING MEDIUM

Mix with pigment to create water thinnable casein paint
SC50088J
500 ml
13.25
15.90
AQUA SHINE
Iridescent medium for shimmering and pearl effects. Retards drying slightly. Stays water-soluble.
SC50720E
60 ml
6.00
7.20
AQUA PASTO
Thickener for tube watercolours. Reduces colour flow, improves gloss. Watersoluble.
SC50725E
AEROSPRAY UNIVERSAL FIXATIVE

125 ml 11.83 14.20 Universally applicable fixative with UVprotection. Fastdrying, satin-glossy, non-yellowing. Forms a clear, resistant film.
SC50405G
300 ml
11.00 13.20
AQUA COLLAGE
Increases adhesion of light collage materials - textiles, paper, pigments, sand etc. Can be used with AQUA Fix to become waterproof.
SC50715E
60 ml
6.00
7.20
WATERCOLOUR FIXATIVE
Final fixative for watercolours. No colour changes when applied in thin layers. May increase transparency of paper.
SC50403G
300 ml
11.00
13.20
AQUA GLOSS
Increases gloss of watercolours. Can be applied on top of dry watercolour or mixed with colour.
SC50740E
60 ml
5.83
7.00
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
68
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Section 3
Watercolour Accessories
Palettes for Watercolour
DIVIDED SLANT TILE
Ceramic 7.5 x 19 cm (3 x 7) Code
WN7001001
21 WELL CERAMIC PALETTE WITH LID

ex VAT 10.92 inc VAT 13.10 18 x 12 cm (7 x 4)
Code
GLFC740728
ex VAT 12.46
inc VAT 14.95
SLANT WELL TILE

Ceramic 10 x 19 cm (4 x 7)
WN7001002
10 WELL ROUND CERAMIC PALETTE

18 cm (7) diameter 12.17 14.60
GLFC740707
6.63
7.95
6 WELL PLASTIC PALETTE

13 x 9 cm (5 x 3)
GLFC6PTF06
7 WELL FLOWER-SHAPED CERAMIC PALETTE

0.54 0.65 12 cm (4) diameter
GLFC740706
4.75
5.70
10 WELL ROUND PLASTIC PALETTE

17 cm (6) diameter
GLFC6PTR10
HOLBEIN ENAMELLED PALETTE

0.83 1.00 Exceptional quality Holbein enamelled metal folding watercolour palette with thumbhole. H1130250 25.00 30.00 86 x 200 mm (3 x 8) H11301000 47.50 57.00 140 x 305 mm (5 x 12)
7 WELL FLOWER-SHAPED PLASTIC PALETTE

18 cm (7) diameter
GLASHPP5
3.25
3.90
HOLBEIN PLASTIC REVERSIBLE PALETTE

Mixing space either side 300 x 166 mm (11 x 6)
H1024DFS
3.17
3.80
12 WELL CERAMIC PALETTE

12 x 10 cm (4 x 4)
GLFC740727
HOLBEIN PLASTIC FOLDING PALETTE

250 x 250 mm (10 x 10) 4.96 5.95
H10240250
4.08
4.90
ROBERSON PLASTIC PALETTE

Unfolds to give 3 large mixing surfaces with brush holding slots. Special coating prevents water beading. Folded Size 21 x 9 cm (8 x 3)
VT25000
4.50
5.40
12 WELL CERAMIC PALETTE WITH LID

10 x 8 cm (4 x 3)
GLFC740726
5.42
6.50
69
Section 3
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Watercolour Accessories
Empty Watercolour Boxes
SCHMINCKE
Code ex VAT inc VAT
Accessories
BROWN GUMMED TAPE
Width 48 mm, lenght 200 metre. Extra strong for stretching watercolour paper. Not acid free. Code
30500601021
ex VAT 4.41
inc VAT 5.30
Black tin with Schmincke logo, mixing space on inside. Suitable for most brands of watercolour. SC74912 17.08 20.50 Metal box for 12 5ml Tubes SC74913 14.58 17.50 Metal box for 12 Half Pans SC74915 17.83 21.40 Metal box for 15 5ml Tubes SC74924 16.50 19.80 Metal box for 24 Half Pans SC74936 20.00 24.00 Metal box for 36 Half Pans SC74948 23.25 27.90 Metal box for 48 Half Pans
GUMSTRIP TAPE
Gummed tape for stretching watercolour paper. MCWT6304 36 mm x 35 metre roll MCWT6305 48 mm x 35 metre roll 3.08 3.66 3.70 4.40
WINSOR & NEWTON BLACK ENAMELLED*

Heavyweight hand enamelled black watercolour box with fold out palettes. To hold 12 half pans. *While stocks last
38.29
45.95
LANTERN WATER POT

Water pot with handle. 100 mm diameter
SB03405
1.87
2.85
Schmincke Tin Box
Winsor & Newton Black Enamelled Box Code

FO2083 FO2086
Metal box for 8 Half Pans (F8HP) Metal box for 8 Half Pans (FW8HP) with water container Metal box for 12 Half Pans (FW12HP) with water container Metal box for 12 Whole Pans (F12WP) Metal box for 16 Half Pans (F16HP) Metal box for 48 Whole Pans (F48WP) made from varnished steel, white enamel inside, includes 48 removable stainless steel pan holders, anti-rust treated
CORNELISSEN BLACK ENAMELLED
ex VAT 13.08 32.17 51.67
inc VAT 15.70 38.60 62.00
FO2093
FO2096 FO2091 FO2061
35.83 43.00 25.83 31.00 177.33 208.00
EMPTY HALF PANS

16 x 19 x 9 mm Bulk pack 100 half pans
LC31011 LC31011
0.25 12.50
0.30 15.00
EMPTY WHOLE PANS

18 x 30 x 9 mm Bulk pack 100 whole pans
LC31012 LC31012
0.33 16.67
0.40 20.00
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
70
AND
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Section 3
Flashe Vinyl Paint

Lefranc & Bourgeois Flashe Vinyl
Flashe vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Series 125 ml Jar 400 ml Jar 750 ml Jar 1 ex VAT 7.08 17.17 25.33 inc VAT 8.50 20.60 30.40 ex VAT 8.08 17.17 2 inc VAT 9.70 20.60 ex VAT 9.08 17.17 3 inc VAT 10.90 20.60 ex VAT 17.17 4 inc VAT 20.60 ex VAT 19.67 5 inc VAT 23.60
LB230xxx4 LB230xxx5 LB230xxx6
LB230xxx4 LB230xxx5
LB230xxx4 LB230xxx5
LB230xxx4 LB230xxx5
LB230xxx4 LB230xxx5
(Black and White only)
019 Ivory* (1)
141 Sand Yellow*(1)
780 Pastel Yellow* (1)
169 Lemon Yellow*** (1)
195 Senegal Yellow*** (1)
176 Gold Yellow*** (1)
204 Brilliant Orange Perm.*** (1)
201 Orange*** (1)
359 Breughel Red** (1)
361 Cadmium Red Light** (1)
393 Vermillion Red*** (1)
382 Oriental Red*** (1)
362 Cadmium Red Deep** (1)
366 Carmine Red*** (1)
388 Ruby Red*** (1)
631 Violet Permanent*** (1)
618 Red Violet* (1)
354 Tyrian Pink**(1)
438 Light Pink* (1)
335 Venetian Pink* (1)
554 Bright Green* (1)
544 Spring Green*** (1)
558 Brilliant Green* (1)
539 Light Green*** (1)
551 Veronese Green Shade*** (1)
564 Viridian Hue*** (1)
512 Armor Green*** (1)
504 Chrome Green*** (1)
542 Chromium Oxide Green*** (1)
880 Light Terre Verte* (1)
500 Verdaccio*** (1)
523 Cobalt Green Hue* (1)
254 Pink Grey* (1)
301 Flesh Tint* (1)
191 Naples Yellow Shade (1)
302 Yellow Ochre*** (1)
307 Mars Orange* (1)
460 Mineral Earth* (1)
482 Raw Sienna*** (1)
306 Red Ochre*** (1)
600 Ultramarine Pink Hue* (1)
785 Pastel Violet* (1)
603 Bayeux Violet** (1)
601 Violet*** (1)
610 Egypt Violet*** (1)
604 Blue Violet* (1)
043 Ultramarine Blue*** (1)
064 Cobalt Blue Hue***(1)
041 Manganese Blue Hue**(1)
032 Electric Blue*** (1)
881 Prussian Blue Hue***(1)
049 Touareg Blue*** (1)
036 Hoggar Blue*** (1)
063 Primary Blue* (1)
048 Sapphire Blue* (1)
050 Turquoise Blue* (1)
067 Rex Blue* (1)
783 Pastel Blue* (1)
052 Blue Ash* (1)
547 Verdigris* (1)
579 Lime Green* (1)
784 Pastel Green* (1)
481 Burnt Sienna*** (1)
477 Burnt Umber* (1)
478 Raw Umber*** (1)
107 Sepia Brown*** (1)
258 Neutral Grey* (1)
261 Paynes Grey* (1)
265 Black*** (1)
001 White *** (1)
703 Light Gold * (2)
706 Deep Gold* (2)
707 Copper* (2)
712 Bronze* (2)
264 Nickel* (2)
710 Silver* (2)
173 Light Yellow Fluorescent*** (3) 232 Light Orange Fluorescent***( 3)
376 Grenadine Fluorescent*** (3)
029 Light Blue Fluorescent*** (3)
371 Fire Red Fluorescent*** (3)
435 Bengal Red Fluorescent*** (3) 590 Yellow Green Fluorescent*** (3)
001 White Fluorescent*** (3)
*available in 125ml jar only
**available in 400ml jar only
***available in 125 & 400ml jars
71
Section 3
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Egg Tempera
Egg tempera is a semi-opaque, water-mixable and permanent painting ing medium for fine art painting, restoration and icon painting. The finish is slightly matte and can be buffed to a low sheen with a soft cloth, once the painting is fully dry. The archival characteristics of egg tempera are excellent. They do not age or yellow like oil paints.
Sennelier Egg Tempera

Genuine egg tempera in a range of 32 colours. Series 21 ml Tube 34 ml Tube 1 ex VAT 5.63 7.46 inc VAT 6.75 8.95 ex VAT 5.79 2 inc VAT 6.95 ex VAT 6.63 3 inc VAT 7.95 ex VAT 7.46 4 inc VAT 8.95 ex VAT 8.54 5 inc VAT 10.25 Starter Set
GLS42xxx GLS43xxx
GLS42xxx
GLS42xxx
GLS42xxx
GLS42xxx
(Black and Whites only)
STARTER SET
Contains 5 x 21 ml tubes - Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, Ivory Black
Code
GLS43131025
ex VAT 28.29
inc VAT 33.95
WOODEN BOX SET

Contains 12 x 21 ml tubes, 2 x brushes, 1 x medium, 1 x 34 ml Titanium White and an acrylic palette.
Code
GLS43131301
ex VAT
inc VAT Wooden Box Set
124.96 149.95
108 Flake White (2)
119 Zinc White (2)
529 Cadmium Yellow Light (5)
533 Cadmium Yellow Deep (5)
537 Cad Yellow Orange (5)
674 Vermilion (3)
619 Helios Red (4)
635 Carmine (4)
688 Crimson Lake (4)
948 Cobalt Violet (4)
357 Ultramarine Blue (2)
307 Cobalt Blue (5)
305 Cerulean Blue (5)
252 Yellow Ochre (1)
208 Raw Sienna (1)
405 Red Brown (1)
202 Burnt Umber (1)
205 Raw Umber (1)
847 Emerald Green (3)
837 Viridian (3)
345 Permanent Green (4)
755 Ivory Black (1)
Daler Rowney Egg Tempera

Pigments in egg yolk and linseed oil emulsion. Series 22 ml Tube A ex VAT 5.42 inc VAT 6.50 ex VAT 6.25 B inc VAT 7.50 Code
DR133900009
C ex VAT 7.08 ex VAT 29.13 inc VAT 8.50 inc VAT 34.95
DR133008xxx
DR133008xxx
DR133008xxx
EGG TEMPERA STARTER SET

6 x 22 ml tubes in a pack containing useful information for the first time egg tempera user printed on the cover.
Cadmium Yellow Pale (C) 611
Cadmium Yellow (C) 612
Cadmium Yell. Deep (C) 613
Cadmium Orange (C) 615
Cadmium Red (C) 501
Cadmium Red Deep (C) 502
Alizarin Crimson (B) 515
Permanent Rose (C) 537
Alizarin Violet (B) 453
Monestial Blue (B) 136
Cerulean Blue (C) 111
Cobalt Blue (C) 109
French Ultramarine (B) 123
Cadmium Green (C) 310
Monestial Green (B) 136
Viridian (C) 381
Yellow Ochre (A) 663
Raw Sienna (A) 667
Burnt Sienna (A) 221
Light Red (A) 527
Venetian Red (A) 583
Indian Red (A) 523
Burnt Umber (A) 223
Raw Umber (A) 247
Ivory Black (A) 034
Zinc White (B) 001
Titanium White (B) 009
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
72
P ASTELS
Pastels
Sennelier Soft Pastels
A range of 525 shades including 25 iridescents. Prepared by hand without compression and air dried to prevent brittleness.
Section 4
LIGHT WOODEN BOXED SET

36 pastels assorted colours.
GLS03132105
65.42
78.50
STANDARD RANGE
Diameter 10 mm, length 60 mm. Each 10+ pastels (10% Saving). Each 20+ pastels (20% Saving). Each
Code
various
ex VAT inc VAT 1.92 1.70 1.54 2.30 2.05 1.85
GIANT RANGE
Black and white only. Equivalent in size to 12 regular Sennelier soft pastels. 13.75 16.50 Diameter 30 mm, length 100 mm. Each GLS05xxx 2+ pastels (15% Saving). Each 11.66 14.00
WOODEN BOXED SET OF 175 PASTELS TRADITIONAL SELECTION
Code
GLS03132142
ex VAT inc VAT 437.50 525.00
CARDBOARD BOXED SETS

20 Half Sticks Assorted. 40 Half Sticks Assorted. 12 Assorted Pastels 24 Assorted Pastels. 24 Iridescent Pastels. 48 Floral Collection. 48 Landscape Collection. 48 Portrait Collection.
GLS03132231 GLS03132233 GLS03132220 GLS03132245 GLS03132243 GLS03132250 GLS03132251 GLS03132252
20.79 34.96 19.96 40.79 40.79 79.13 83.29 83.29
24.95 41.95 23.95 48.95 48.95 94.95 99.95 99.95
WOODEN BOXED SET OF 250 PASTELS ROYAL SELECTION

GLS03132150
545.83
655.00
DARK WOODEN BOX SET
DARK WOODEN BOXED SET OF 525 PASTELS KING SELECTION

GLS03132124
50 pastels assorted colours.
120.79 144.95
Full range of Sennelier soft pastels 3 tray box with carrying handle.
GLS03132160
1079.17 1295.00
73
Section 4
P ASTELS
Pastels
Sennelier Oil Pastels

Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax.
12 Assorted Colours standard size 12 Iridescent Colours standard size
SE12132520120 SE12132520121
13.75 16.50 13.75 16.50
STANDARD RANGE
Diameter 10 mm, length 65 mm. Each 10+ pastels (10 % saving). Each 20+ pastels (20 % saving). Each
Code
various
ex VAT inc VAT 1.38 1.25 1.08 1.65 1.50 1.30
Iridescent
LARGE RANGE
A range of 120 colours. Each is equal to 8 regular size pastels. various 5.63 6.75 Diameter 19 mm, length 125 mm. Each 4+ pastels (20% Saving). Each 4.50 5.40
24 Assorted Colours standard size 24 Landscape Colours standard size 24 Portrait Colours standard size
SE12132520240 SE12132520241 SE12132520243
26.00 31.20 26.00 31.20 26.00 31.20
GIANT RANGE
In black and white only. Each is equal to 12 regular size pastels. Diameter 30 mm, length 100 mm. Each
SE13xxx
9.13
10.95
Assorted
Landscape

6 Discovery Colours 6 Iridescent Colours
SE1213251960 SE1213251961
48 Assorted Colours standard size 7.50 7.50 9.00 9.00 72 Assorted Colours
SE12132520480
52.00 62.40 77.50 93.00
SE132520720
Discovery
Iridescent
Assorted
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
74
P ASTELS
Pastels
Schmincke Soft Pastels
Extra soft pastels in a range of 400 shades which includes gold and silver. Contains finest artists pigments in highest concentration using minimum binders.
Section 4
WOODEN BOXED SET

60 Assorted pastels.
SC77060
148.33
178.00
SCHMINCKE SOFT PASTELS

Diameter 10 mm, length 70 mm. Each 10+ pastels (10% Saving). Each 30+ pastels (17% Saving). Each
Code
various
ex VAT inc VAT 2.17 1.87 1.79 2.60 2.25 2.15
CARDBOARD BOXED SET

15 Assorted sticks
SC77115
32.08
38.50
SC77100
243.33
292.00
30 Assorted/Portrait/Landscape pastels
SC77830
63.25
75.90
SC77200
441.67
530.00
WOODEN BOXED SET

30 Assorted pastels. 45 Assorted pastels.
SC77030 SC77045
73.50 118.33
88.20 142.00 400 Assorted pastels. (to order)

SC77400
850.00
1020.00
75
Section 4
P ASTELS
Pastels
Unison Soft Pastels

A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness.
CARDBOARD BOXED SET

Assorted colours, landscape (L) or portrait (P) variations. Black presentation box. US18x 25.00 18 Standard Pastels 29.58 18 Standard Pastels Special Collection US18SC 30.00 35.50
STANDARD SIZE
Diameter 13 mm length 50mm. Each 18+ pastels (10% Saving). Each
Code
various
ex VAT inc VAT 1.58 1.42 1.90 1.70
LARGE SIZE
Diameter 20 mm, length 72 mm. Each 18+ pastels (10% Saving). Each
various
3.08 2.75
3.70 3.30
Assorted Selection
Code US18S
36 Standard Pastels
US36x
50.83
61.00
CARDBOARD BOXED SET

Black presentation box. 8 Standard Pastels
US08xx
12.50
15.00
Portrait
Code US36P
Landscape
Code US36L US72x
72 Standard Pastels (assorted colours only)
100.00 120.00
Light
Code US08LT
Bright
Code US08BR
Assorted Selection
Code US72S
Landscape
Code US72L
18 Large Pastels 36 Large Pastels
UL18S UL36S
49.17 97.50
59.00 117.00
Landscape
Code US08LS
Starter
Code US08ST
18 Pastels Assorted Selection

Code UL18S
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
76
P ASTELS
Pastels
Rembrandt Soft Pastels (Talens)
A range of 203 shades. Made in Holland. Intermediate hardness (softer than Conte crayons but harder than Schmincke soft pastels).
Section 4

45 Assorted pastels
Code
TA31823047
REMBRANDT SOFT PASTELS (TALENS)

Diameter 10 mm, length 70 mm. Each 10+ pastels (12% Saving). Each
various
1.67 1.46
2.00 1.75

15 Assorted pastels
Code
TA31823017
90 Landscape or Portrait pastels
TA3182309x
80.42
96.50
30 Assorted half sticks
TA31823116
20.00
24.00 Landscape
NATURAL BEECHWOOD BOXED SET

Set of 15 Assorted pastels.
TA31812015
30.00
36.00
30 Assorted pastels
TA31823031
32.08
38.50
Cont Carr Crayons

Harder than soft pastels, this range of 83 colours includes traditional shades of black, white, bistre, sepia and grey.
CONT CARR CRAYONS

30 Landscape or Portrait pastels Landscape
TA3182303x
Code
WN9500xxx WN9500xxx
ex VAT inc VAT 1.00 0.87 1.20 1.05
32.08 Portrait
38.50
Width 5 mm, length 60 mm. Each 10+ pastels (13% Saving). Each
PLASTIC BOXES
12 assorted 24 assorted.
WN9500332 WN9500333
10.42 19.58
12.50 23.50
77
Section 4
P ASTELS
Pastels
Daler Rowney Soft Pastels

A range of 186 tints. All colours come in tints of 1-4 (4 being the deepest) with each vibrant colour derived from precise blending of finest quality pigments.

8 Set Dark Selection
Code
DR153902008
DALER ROWNEY SOFT PASTELS

Diameter 10 mm, length 60 mm. Each 10+ pastels (10 % saving). Each 20+ pastels (20 % saving). Each
Code
various
ex VAT inc VAT 1.67 1.50 1.33 2.00 1.80 1.60
8 Set Cool Selection
DR153903008
9.96
11.95

8 Set Gray Selection
Code
DR153901008
8 Set Warm Selection
DR153904008
9.96
11.95
Accessories
Primers & Fixatives
LASCAUX ACRYLIC RESIN FIXATIVE
Code ex VAT inc VAT
WINSOR & NEWTON FIXATIVE
Code
ex VAT inc VAT
Clear, lightfast with excellent ageing properties. Can also be used as picture varnish and protective lacquer for gilded surfaces. AS207000 12.08 14.50 Aerosol - 300 ml AS207000 11.50 13.80 Price for 3+ cans (each) AS207000 124.92 149.90 Full Case (12 x 300 ml can)
Vinyl resin/methylated spirit. Water white quick drying liquid which protects pictures from smudging and dirt accumulation. Dries to a low sheen. Fixes pastel, pencil and chalk drawings. WN3033913 4.92 5.90 Aerosol - 150 ml WN3042913 9.42 11.30 Aerosol - 400 ml
SENNELIER DARTIGNY OIL PASTEL FIXATIVE MAIMERI FIXATIVE VARNISH (675)

Non-yellowing synthetic resin dissolved in ethyl alcohol. Use sparingly to fix drawings, pastels and tempera. MA00675 7.67 Aerosol - 400 ml 9.20
Clear vinylic - resin and alcohol based fixative. Creates a totally clear silk film. GLS17135283 Bottle 250 ml GLS17135287 Aerosol 400 ml
8.75 9.58
10.50 11.50
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
78
P ASTELS
Accessories
Primers & Fixatives
SENNELIER LATOUR SOFT PASTEL FIXATIVE
Code ex VAT inc VAT
Section 4
Empty Pastel Boxes

SCHMINCKE DARK WOODEN PASTEL BOX
Polished dark wood with foam separators. To hold 45 pastels To hold 60 pastels To hold 100 pastels - removable tray Code ex VAT inc VAT 29.58 36.25 58.33 35.50 43.50 70.00
Clear resin and alcohol based fixative. Transparent matt film. Bottle 250 ml Aerosol 400 ml
SC77945 SC77960 SC77910
GLS07135273 GLS07135277
8.75 9.58
10.50 11.50
SPRAY DIFFUSER
Metal. For applying liquid fixative.
GP02160
2.17
2.60
Blenders
CONT
Stump - small Stump - large
WN9500129 WN9500131
0.83 1.00
1.00 1.20
SENNELIER IER WOODEN PASTEL BOXES

Polished dark stained plywood box To hold 50 pastels To hold 100 pastels
GLS04262585 GLS04262586
29.17 41.63
35.00 49.95
Tortillon - 60 x 7mm
WN9500207
0.54
0.65
REMBRANDT WOODEN PASTEL BOXES

Polished light stained wood with foam separators. TA50812060 To hold 60 pastels TA50812150 To hold 150 pastels TA50840060 Empty box with sieve for 60 pastels 35.00 60.00 54.17 42.00 72.00 65.00
Empty Pastel Boxes

SCHMINCKE LIGHT WOODEN PASTEL BOX
Light plywood with foam inserts. To hold 15 pastels To hold 30 pastels
SC77915 SC77930
15.42 17.08
18.50 20.50
79
Section 4
P ASTELS
Pastels Making
Making Soft Pastels

You will need: pigments, gum tragacanth, zinc white pigment (whiting, titanium white, gypsum or french chalk can also be used), blotting paper or newsprint, palette knife, sheet of glass. 1. Place two equal piles of pigment and zinc white on a piece of paper and mix by rolling them within the sheet. 2. Divide mixture in half, one half can be used later to make graded tones, this is done by adding a further equal amount of white, dividing, and so on. 3. To prepare gum tragacanth (the binder for pastels) wet about teaspoon of gum with alcohol. Add one pint of water. Shake mixture at intervals. Not all the gum will dissolve so strain through a cloth. 4. Place pigment mixture onto a sheet of glass and add enough of the solution to make a paste. 5. Collect the paste on a palette knife and shape the pastel on a sheet of absorbent paper. 6. Roll the pastel into a smooth cylindrical shape and leave to dry.
Making Oil Pastels

You will need : pigment, turps, stand oil, beeswax, tin can, tin foil to make moulds (To make mould fold a 20x6 inch length of foil into three to give a stable wall. Roll round a piece of dowl to provide a well rounded shape. Seal end and implant in clay or plasticine to hold mould upright to accept the molten mixture. 1. Mix the pigment with a little turps in a can which has been crimped to give a pouring spout. Dump onto a slab and grind to a smooth paste. Return to can and cover to keep moist. 2. Break up the beeswax and put into a clean can. Put the can into a double boiler and heat slowly until the wax melts. 3. Remove can from heat and carefully add stand oil at a ratio of 1:3 or 1:4, oil:wax.Enough to make a cream consistency which will harden. 4. Pour oil/wax mixture into the can of pigment paste, it is best to start with a 50:50 ratio. If this is not satisfactory the result can be melted and adjusted. 5. Pour carefully into moulds. Allow several hours to harden.
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
80
D RAWING & C ALLIGRAPHY

Drawing Materials
Coloured Pencils
FABER-CASTELL POLYCHROMOS
120 lightfast colours with high covering power. The particularly soft waterproof wax leads are smudge resistant but can be dissolved with turpentine. Set of 12 - tin box Set of 24 - tin box Set of 36 - tin box Set of 60 - tin box Set of 120 - tin box Set of 120 - mahogany box Code
WDFC110xxxx
Section 5
STABILO CARBOTHELLO
PASTEL PENCIL
Code
SS1400xxx
ex VAT inc VAT 1.29 1.55 17.80 35.50 53.50 71.30 89.00 1.50
WDFC110012 WDFC110024 WDFC110036 WDFC110060 WDFC110011 WDFC110010
16.00 19.20 31.67 38.00 47.50 57.00 78.75 94.50 157.50 189.00 312.50 375.00
A range of 60 soft pastel colours. Can be mixed, blended, painted over and erased. Set of 12 - tin box Set of 24 - tin box Set of 36 - tin box Set of 48 - tin box Set of 60 - tin box CarbOthello sharpener
SS14126 SS14246 SS14366 SS14486 SS14606 SS4514
14.83 29.53 44.58 59.42 74.17 1.25
FABER-CASTELL ALBRECHT DURER W/COL PENCIL

120 lightfast colours with high covering power. Soft and watersoluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Set of 12 - tin box Set of 24 - tin box Set of 36 - tin box Set of 60 - tin box Set of 120 - tin box Set of 120 - mahogany box
WDFC117xxx
STABILO WOODY WATERCOLOUR/PENCIL/CRAYON

1.33 1.60 Extra-thick (10mm width) lead 3-in-1 watercolour/pencil/crayon in 18 colours
SS880xxx
1.17
1.40
WDFC117512 WDFC117524 WDFC117536 WDFC117560 WDFC117511 WDFC117510
16.00 19.20 31.67 38.00 47.50 57.00 78.75 94.50 157.50 189.00 312.50 375.00
Set of 6 - assorted colours Set of 6 - assorted colours Set of 10 - assorted colours Sharpener for Woody Stabilo
White Yellow Orange Stabilo Red Pink Flesh Pink
Lilac Violet Ultramarine Blue Blue Cyan Blue Turquoise
Dark Green Light Green Brown Black Silver Gold SS8806 5.91 SS8806 SS88010 SS454812
7.00 11.58 2.13
6.80 8.40 13.90 2.55
81
Section 5

Drawing Materials
Drawing Pencils
FABER CASTELL BLACK LEAD PENCILS 9000
8B, 7B, 6B, 5B, 4B, 3B, 2B, B, HB, F, H, 2H, 3H, 4H, 5H, 6H, 7H Code
WDFC119xxx
Drawing Pencils
CHINAGRAPH PENCIL
Oil based pencils. Will write onto glass, metal, plastic etc. Black, white, blue, red, yellow.
Code
WDRS52xxxx
Artists set of 12 (8B-2H) in tin box
WDFC119065
9.96
11.95
KOH-I-NOOR
Water-soluble Graphite Stick 4B White Chalk Pencil Sanguine Chalk Pencil Gioconda Charcoal Pencil
PCKOH891204B001PZ PCKOH8801001001KS PCKOH8802002001KS PCKOH8810002001KS
FABER CASTELL GRAPHITE CRAYON

Crayons 12 mm in 2B, 4B, 6B, 9B. Hexagonal cross section
WDFC1299xx
2.21
2.65
1.17 1.17 1.17 1.17
1.40 1.40 1.40 1.40
CRETACOLOUR WATERSOLUBLE PENCILS FABER CASTELL PURE GRAPHITE PENCIL

Protective plastic coating. No wood casing. HB, 3B, 6B, and 9B
WDFC1173xx
8B, 4B, HB 2.42 2.90
GLCR180xx
0.96 3.33
1.15 4.00
PENCIL HOLDER
Adjustable pencil holder for pencil stubs.
MCL7152
PITT WAX FREE PENCILS

White, sepia, sepia light, sanguine.
WDFC112xxx
1.33
1.60
Charcoal
ENGLISH WILLOW CHARCOAL
Assorted 30 short sticks (3-12 mm diameter) Thin 25 sticks (2-3 mm diam) Medium 25 sticks (5-6 mm diam) Thick 12 sticks (7-9 mm diam) Scene Painters 12 sticks (7-12 mm diameter) Extra Thick 4 sticks (12-14 mm diam) Tree sticks 3 sticks (12.5 x 1.2 cm) 1.87 1.87 1.87 1.87 2.29 2.29 2.29 2.25 2.25 2.25 2.25 2.75 2.75 2.75
PITT OIL BASED PENCILS

Black (extra soft, soft, medium, hard and extra hard) and sanguine
WDFC1126xx
DQ01410 DQ01420 DQ01430 DQ01440 DQ01450 DQ01460 DQ01470
1.33
1.60
PITT CHARCOAL PENCILS

Soft, medium, hard
WDFC1174xx
1.33
1.60
CONT PIERRE NOIRE

3B, 2B, B, HB, and H
WN95002xx
1.00
1.20
CONT COMPRESSED RESSED CHARCOAL OAL CONT TRADITIONAL DRAWING PENCILS

Sanguine, sepia, and white
WN9500xxx
95 mm x 8 mm diameter in HB, B, 2B, 3B, 4B 1.00 1.20
WN95006xx
0.92
1.10
FABER CASTELL PITT COMPRESSED CHARCOAL CONT FUSAIN CHARCOAL PENCILS

B, HB, and H
WN95001xx
1.00
1.20
Siberian in extra soft, soft, medium, hard, and extra hard
WDFC1299xx
1.33
1.60
CONT CARBON PENCILS

B, HB, H, 2B, 2H, 3B
WN95001xx
SANGUINE LUMP / POWDER

1.00 1.20 Supplied unpacked (per gram)
LC28573F
0.02
0.03
WOLFS CARBON PENCILS

B, 2B, 4B,6B
WDRS441xxx
1.00
1.20
LUMP GRAPHITE HITE (S SRI LANKA)

Supplied unpacked (per gram)
LC28583F
0.02
0.03
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
82

Drawing Materials
Clutch Pencils and Leads
FABER CASTELL TK 4600 CLUTCH PENCIL
2 mm lead, hexagonal barrel with round ribbed grip, powerful jaws grip the lead firmly Code
WDFC134600
Section 5
Clutch Pencils and Leads

CRETACOLOUR WOODEN LEAD HOLDER

With 2B lead
Code
GLCR43012
FABER CASTELL TK LEADS

2 mm leads for above. Box of 10 leads 3B 2B B HB H 2H 4H
WDFC1271xx
CRETACOLOUR LEADS
5.17 6.20 Pack of 6 leads
Available in Charcoal (Soft or Medium) , Black Chalk White Chalk Graphite (2B, 4B or 6B) Sanguine (oil) Sanguine (dry) Sepia Light Sepia Dark GLCR26400 GLCR260x GLCR26012 GLCR26152 GLCR261xx GLCR26202 GLCR26212 GLCR26322 GLCR26332
4.79
5.75
PILOT MECHANICAL PENCILS

Fixed point mechanical pencil with eraser and removable clip. Available in sizes : 0.3 mm, 0.5 mm, 0.7 mm, 0.9 mm
PH32xx
4.21
5.05
PILOT MECHANICAL PENCILS LEADS

Synthetically bonded lead for the above pencils. Packs of 12 leads 2.04 2.45 0.3 mm 3H 2H H HB B 2B PL3ENOxx 1.12 1.35 0.5 mm 4H 3H 2H H HB B 2B PL5ENOxx 1.12 1.35 0.7 mm 3H 2H H HB B 2B PL7ENOxx 1.12 1.35 0.9 mm 2H H HB B 2B PL9ENOxx
Silverpoint
The art of drawing with silver wire onto prepared paper or board. A new silverpoint drawing is grey but in time will darken and turn brown. This tarnishing effect gives silverpoint drawings their characteristic appearance. The line is permanent and cannot be erased. Silverpoint is probably best used on a smaller scale. Delicate cross hatching is slowly worked up until the required depth of tone is obtained. Increasing hand pressure can help to deepen the tone. To prepare paper: thin gouache to consistency of single cream and apply with parallel strokes of a wide, flat brush. When the first coat is dry apply a second with strokes at right angles to the first. Silverpoint can also be used for under drawing on glue sized, gesso primed panels.
PILOT ERASERS FOR OR MECHANICAL PENCILS

Pack of 5 with 2 cleaning pins
PGMSK
1.79
2.15
SILVERPOINT HOLDER
Double ended metal pin tong
Code
CM01100
SILVER WIRE PILOT CROQUIS PENCIL

High grade sketching and drawing pencil with 3mm lead. H, B or 6B grade
P518600xx
0.5 mm, 0.7 mm. Per 2 inch length 0.9 mm, 1 mm. Per 2 inch length 3.58 4.30
0.96 1.83
1.15 2.20
0.5 mm
0.7 mm
PILOT CROQUIS REFILL LEADS

Pack of 2. H, B or 6B grade
PAPSCR4xx
2.25
2.70
CRETACOLOUR ERGONOMIC LEAD HOLDER

With 5 mm 2B lead
GLCR43015
0.9 mm 8.75 10.50
1.0 mm
GOLD WIRE
1 mm (9 ct). Per 2 inch length
Code
CMG0910
83
Section 5

Drawing Materials
Silverpoint
WINSOR & NEWTON DESIGNERS GOUACHE FOR SILVERPOINT
Zinc White 14 ml 37 ml Code
WN0605748 WN0614748
Miscellaneous
ex VAT inc VAT 3.37 6.79 4.05 8.15
ECOBRA RULING PEN 5157

Line widths : 0.25-0.8 mm (0.01-0.03 in)
Code
TSA5157
PEN CLEANING FLUID LINEL STUDIO GOUACHE

Permanent White 120 ml
LB6520073
Immerse nibs in solution to remove dried indian ink 73 cc 7.67 9.20
WDFA45101
5.63
6.75
SILVER PENCIL
Wooden pencil with 50mm silver. Silver diameter 1.6mm.
AB200100
8.83
10.60
DRAWING BOARDS PLYWOOD
Miscellaneous
POUNCE WHEEL
Plywood 48 x 40 cm (A3) Plywood 61 x 48 cm (A2) Plywood 87 x 61 cm (A1)
TSAKSBWA3 TSAKSBWA2 TSAKSBWA1
13.58 20.00 30.67
16.30 24.00 36.80
Transfers designs to flat or uneven surfaces. IB70009 diameter 21 tpi No 9 IB70010 diameter 15 tpi No 10 IB70012 diameter 15 tpi No 12
7.96 7.96 7.96
9.55 9.55 9.55
5 mm MDF (A3) 5 mm MDF (A2) 5 mm MDF (A1)
DRAWING BOARDS MDF

CADBA3 CADBA2 CADBA1
8.13 11.67 22.50 0.42 1.42
9.75 14.00 27.00 0.50 1.70
DRAWING BOARD CLIPS

Metal - each Pack of 4
TSJDBC2 TSJDBC4
BANK OF ENGLAND SEALING WAX

20 cm (8) Hand crafted super-fine quality, has fine texture and strong adhesion well suited to documents. Red or Black.
XB01510
2.42
2.90
LARGE BOARD CLIPS

100 mm 145 mm
CACLP100 CACLP145
0.88 1.38
1.05 1.65
SUPERGRIP COLOURED BOARD CLIPS

32 mm 54 mm 74 mm
CACLC32 CACLC54 CACLC74
0.29 0.45 0.91
0.35 0.55 1.10
MURA SEALING WAX

10 cm (4 in) Taper/wick throughout length. Well suited to craft purposes. Assorted colours including Red, Black, Gold, Silver and Blue.
XB015xx
MASKING TAPE
50 Metre Roll 1.87 2.25 1 inch 2 inch
39000500380 39000500382
1.67 2.92
2.00 3.50
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
84

Drawing Materials
Measuring Instruments
ACRYLIC RULER
30 cm (12 inch) Code
TSH041103
Section 5
Drawing Aids
PERSPECTOSCOPE
A simple drawing aid to help the artist create perspective within their work. Can be used vertically or horizontally.
Code
GLGIZPERSP
RABONE PRECISION STEEL RULE

Metric graduations conform to BS 4372 accuracy requirements. Anti glare satin chrome with etched figures and graduations. TSI64FR150 9.41 11.30 15 cm (6 inch) TSI64FR300 15.83 19.00 30 cm (12 inch)
ECOBRA 61560 DIVIDER

5 inch divider
TSA61560
SELECTATONE
6.50 7.80 A simple drawing aid for viewing tonal values. Enables artist to easily determine light, dark and mid tones.
GLGIZSELEC
5.42
6.50
Adhesives
2 WAY GLUE
Code Size ex VAT inc VAT
Dual action acrylic glue pen for permanent or temporary bonding. Acid and xylene free. KUMSB20M 7g 2.50 3.00 Fine Tip KUMSB15M 10g 2.34 2.80 Chisel Tip KUMSB30M 25 g 4.50 5.40 Jumbo Tip
Erasers
FABER CASTELL ART GUM
Soft, non-abrasive eraser and dry cleaner in one. Cleans with gentle pressure.
WDFA211
1.21
1.45
3M SPRAY ADHESIVES
Spray Mount
TSSMA260G TSSMA130G
Photo Mount
TSPMA260G TSPMA130G
400 ml 200 ml 400 ml 200 ml
17.95 10.42 17.34 10.29
21.55 12.50 20.80 12.35
FABER CASTELL KNEADABLE ERASER

Extra soft and kneadable.
WDFC127020
1.38
1.65
MAIMERI PUTTY ERASER

Small kneadable eraser
MA00101
1.04
1.25
85
Section 5

Drawing Materials
Erasers
WINSOR & NEWTON PUTTY ERASER
For removing pencil, charcoal and pastel or paper cleaning. Code Medium Large
WN7030576 WN7030618
Erasers
ex VAT inc VAT 1.29 2.79 1.55 3.35 Soft Artists Eraser
FACTIS ERASERS
Code
WDS20
PELIKAN ERASERS
BR40-Half for lead/coloured pencils, half for ink and ball pen. WS30Especially gentle on paper. For lead pencil+surface cleaning SP30-Surface cleaning eraser, very soft. For lead+coloured pencil.
Each Per Box ex VAT inc VAT ex VAT inc VAT 0.25 0.30 7.17 8.60 (40)
PE601005S PE601005
Extra Soft Artists Eraser Plastic Eraser - Medium Plastic Eraser - Large Pencil Eraser Ink/Pencil Eraser - Large
WDES20 WDP24 WDP12 WDP36 WD24DF
1.33 0.96 1.33 0.67 1.04
1.60 1.15 1.60 0.80 1.25
0.54
PE601179S
0.65
13.58
16.30 (30) 16.30 (30)
Pencil Sharpeners
ARTISTS BRASS DOUBLE
Traditional wedge shaped sharpener for pencils 7.8 mm and 11 mm diameter. In plastic box with spare blades.
BD00101
PE601179
0.54
PE601823S
0.65
13.58
PE601823
2.87
3.45
AL30 Plastic eraser, for lead/coloured pencils. Gentle on paper. GE20 Plasticine eraser for charcoal and chalk.
0.25
PE606053S
0.30
7.67
9.20 (30) 16.30 (20)
PE606053
0.75
PE601095S
0.90
13.58
PE601095
ARTISTS BRASS SINGLE

Traditional wedge shaped sharpener for pencils 7.8 mm diameter. In plastic box with spare blades.
BS00102
1.96
2.35
MAPED GOM STICK

Retractable eraser in plastic cover Refills (pack of 2)
Code
WDUGM512900 WDUGM512902
ex VAT inc VAT 2.38 1.46 2.85 1.75
BRASS GRENADE PERFECTION ERASER PENCIL

Unusual cylinder-shaped single brass sharpener. 7.8 mm diameter. Precision milled sides for good grip.
WDFC185812 BG00103
2.20
2.65
May be sharpened to fine point. For pencil. Firm or soft.
1.25
1.50
PILOT CLEAN ERASER

Soft, resistant rubber for clean erasing
PERC10BG
BRASS NUGGET
0.87 1.05 Round precision milled double brass sharpener. 7.8 mm and 11 mm diameter.
BN00104
3.87
4.65
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
86

Drawing Materials
Pencil Sharpeners
ORIGINAL LEFT HANDED
Single block shaped light metal sharpener for left handed users. With 1 spare blade.
LH00106
Section 5
Pencil Sharpeners
SANDPAPER BLOCK
2 grades and duster for pencils and leads.
WDFC185100
2.25
2.70
2.54
3.05
KUM SHARPENERS NIFTI

Compact and practical sharpener with eraser . 7.8 mm diameter. Trapdoor to hold sharpenings.
NI00107
2.16
2.60
Beechwood Double Hole Beechwood Single Hole Automatic Long Point
WDK1070201
1.67 0.83 4.33
2.00 1.00 5.20
WDK1070201 WDL7152
Automatic Long Point
Beechwood Double Hole
Knives and Cutting Equipment

Knives
OLFA L1 CUTTER
Heavy duty general purpose knife with comfortable grip. Snap off blades. Refill Blades LB - pack of 10 Code
P805101201
Knives
ex VAT inc VAT 8.04 5.37 9.65 6.45
OLFA COMPASS CUTTER CMP1

Cuts precise circles up to 15 cm diameter. Refill blades C0B1 - pack of 3
Code
P830100101
ex VAT inc VAT 7.16 3.12 8.60 3.75
P857101200
P851100100
OLFA MOUNT CUTTER MC45

45 angle mount cutter, ideal for picture framing and model making. With 2 double ended blades. Refill blades MCB1 - pack of 5
P800101201 P889100100
22.38
26.85
OLFA 180 CUTTER

Small general purpose knife with snap off blades. Refill Blades AB10B - pack of 10
P850101200
P858100100
14.33
17.20
3.58 3.41
4.30 4.10
OLFA AK1 ART KNIFE

Precision cutter complete with chisel, curved and straight blades. Refill Blades KB (Chisel) - pack of 25
P802101201 P853100100
5.37 4.20
6.45 5.05
87
Section 5

Knives and Cutting Equipment
Knives
SWANN MORTON SCALPELS
Code
SM0933
Cutting Mats
GREEN CUTTING MATS

Self-healing, double sided, with grid on one side for lining up artwork. A4 A3 A2 A1
Code
PEA2203003G PEA3004503G PEA4506003G PEA6009003G
ex VAT inc VAT 5.96 10.79 20.33 38.04 7.15 12.95 24.40 45.65
Scalpel Handle No. 3 to fit blades below
Blades (pack of 5) 10, 10A, 11, 12, 15 Box of 20 packets (100 blades total) Scalpel Handle No. 4 to fit blades 22, 23, 26 Throwaway Scalpel-with 10A blade
SM01xx SM01xx SM0934
0.67 10.67 3.46 0.67
0.80 12.80 4.15 0.80
SM1801
Retractable Scalpel Handle - 10A blade Blade Remover (single blade)
SM9201
5.17 0.16
6.20 0.20
SM5505
Blade Remover Box (holds 100 blades)
SM5525
0.87
1.05
Inks
Dip Pen Inks
ROBERSON TRADITIONAL PROUTS BROWN
Roberson was commissioned by the draughtsman, Samuel Prout (17831852), who painted the buildings of Western Europe in faithful detail, to produce this lightfast ink, based on Van Dyke crystals. Non waterproof. The ink can be used in all types of pens Code
CR01132D CR01134H
Dip Pen Inks

Size 30 ml 250 ml ex VAT inc VAT 3.00 12.92 3.60 15.50
TALENS INDIAN INK

Fine black drawing ink. Very lightfast. For use with brush and technical drawing pen. Waterproof once dry.
Code
T44727000 T44717000
Size 490 ml 990 ml
ex VAT inc VAT 12.50 20.83 15.00 25.00
TALENS DRAWING INK

Professional drawing ink. For use with brush or technical drawing pen. Waterproof. Use on paper, Bristol board and film.
T43727000
490 ml
22.08
26.50
CORNELISSEN FRENCH SEPIA INK

Shellac based. Water resistant when dry.
CR01142E CR01144J
60 ml 1 litre
5.92 41.58
7.10 49.90
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
88

Inks
Dip Pen Inks
ROBERSON METALLIC INKS
Pale gold, rich pale gold and copper. Non waterproof. Code
CR011xxD CR011xxH
Section 5
Chinese Ink
Size 30 ml 250 ml ex VAT inc VAT 4.17 15.17 5.00 18.20
CHINESE LIQUID INK

Thick, black ink for use with dip pen, reed pen or brush.
Code
GHA10001 GHA25002
Size 100 ml 250 ml
ex VAT inc VAT 2.50 4.17 3.00 5.00
STEPHENS PHENS INK

Black Indian ink. Waterproof
WDRS528456
28 ml
1.96
2.35
CHINESE STICK INK

Grind with water to make ink using ink stone. GHASMB03 small Black GHALRB04 large Black 2.92 4.42 4.20 3.50 5.30 5.05
HAX IRON GALL INK

Made with oak galls from natural ingredients to an ancient recipe. Permanent, darkens with age. Waterproof when dry. RH20001 20 ml 4.00 4.80 Glass Vial RH75002 75 ml 13.91 16.70 Presentation ceramic bottle with wax seal
Set of 5 colours
GLCONA21311
INK STONE SENNELIER INK THINNER

Shellac based ink medium. Can also be mixed with pigment to create inks.
GLS46020
30 ml
4.33
5.20
Use with ink sticks to make ink.
GHASTO05
4.92
5.90
For Schmincke Calligraphy Gouache please reffer to page 65
89
Section 5

Inks
Pelikan Inks
FOUNT INDIA
Deep black, opaque, light-resistant ink. Can be used in plunger fountain pens. Code
PE22114D
Scriptorium
OAK GALL INK

Permanent ink, turns from blue-black to rich velvety black in a few days. Highly recommended for Copperplate calligraphy.
Code
SCR01OG SCR02OG
Size 50 ml 500 ml
ex VAT inc VAT 7.91 39.58 9.50 47.50
SCRIBTOL CALLIGRAPHY RA RAPHY INK

Especially freeflowing, opaque, non-fading, black ink.
PE22113D
30 ml
4.42
5.30
WALNUT INK
A non-waterproof mid-brown ink, with satin finish when applied densely. Colour greatly effected by tone of the support. Larger sizes available on request.
SCR01WA
50 ml
7.91
9.50
DRAWING INK A
Transparent, intermixable waterproof inks. Diluted with distilled water. Suitable for ruling pens, drawing pens, brushes. Ultramarine, Burnt Sienna, Black, White
PE211xxD PE211xxH PE21166K
30 ml 250 ml* 1 Litre*
4.67 15.92 58.67
5.60 19.10 70.40
Higgins Inks
HIGGINS ETERNAL INK
Permanent carbon writing for all office reproduction work. Use in fountain and calligraphy pens.
WDFA813
*These sizes in black only
74 ml
4.79
5.75
HIGGINS BLACK CALLIGRAPHY INK

Waterproof, free flowing ink for use in calligraphic and fountain pens.
WDFA44314
74 ml
4.79
5.75
HIGGINS FOUNT INDIA 4001 FOUNTAIN PEN INK

Non clogging inks in vivid colours. Suitable for plunger fountain pens. Non waterproof.
PE30101D
30 ml
4.67
5.60
Non waterproof, deep black, free flowing black ink for sketching, lettering and calligraphy. For fountain pens or airbrush.
WDFA723
74 ml
5.63
6.75
HIGGINS SEPIA CALLIGRAPHY INK

Non waterproof rich, antique looking free flowing ink for use in fountain and calligraphic pens.
WDFA733
74 ml
5.63
6.75
HIGGINS BLACK MAGIC
Waterproof, semi-flat black produces most opacity available. For use on drafting film, paper, illustration board.
Brilliant black Blue/black
WDFA4465
29 ml
5.63
6.75
HIGGINS DRAWING INK
Royal blue
Turquoise
Non waterproof extra fine ink for drawing, writing and lettering. Black or white. For dip pen, fountain pen and airbrush.
WDFA4425
29 ml
4.79
5.75
Brilliant red
Brilliant green
Brilliant brown
Violet
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
90

Inks
Winsor & Newton Inks
CALLIGRAPHY INK
Code ex VAT inc VAT
Section 5
Winsor & Newton Inks

LIQUID INDIAN INK
Non Waterproof black indian ink 14 ml Jar 30 ml Jar (black only) Code ex VAT inc VAT
18 vibrant colours, lightfast, non-clogging and fully intermixable. Nonwaterproof WN1111xxx 3.42 4.10 30 ml Jar (colours) WN1110xxx 3.83 4.60 30 ml Jar (gold/silver) WN1190192 17.92 21.50 Assorted Set 6 colours
WN1005754 WN1010754
2.58 3.83
3.10 4.60
Schmincke Inks
Lemon Yellow 345 Winsor Yellow 730 Scarlet 601
AERO COLOUR PROFESSIONAL

A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 special effects colours. Lightfast and waterproof when dry. Glass Jar with dropper 28 ml colour
SC28xxxD
Crimson 203
Violet 688
Dark Blue 222
Light Blue 350
Green 289
Leaf Green 341
5.00 ex VAT 15.00
6.00 inc VAT
Yellow Ochre 744
Indian Red 317
Sepia 609

Blue Black 034 Black 030 Matt Black* 031
Code
SC90428
White* 702 *not suitable for use in fountain pens
Silver* 617
Gold* 283
100 Transparent White
101 Supra-white, Opaque
200 Titanium Yellow G.S.
DRAWING INK
Transparent and water resistant once dry. Can be intermixed and diluted with distilled water. Not lightfast (except Black and White). WN1005xxx 2.58 3.10 14 ml Jar WN1010030 3.83 4.60 30 ml Jar (black only) WN1011030 4.50 5.40 30 ml Jar with Dropper (black only) WN1040030 12.82 15.40 250 ml (black only) WN1050030 24.17 29.00 500 ml (black only) WN1090096 18.75 22.50 Introductory Set-6 colours
201 Lemon Yellow
202 Primary Yellow
203 Indian Yellow
204 Cadmium Orange Hue
205 Red Orange
300 Scarlet
301 Red Madder Dark
302 Carmine
303 Red Madder Light
304 Primary Magenta
305 Violet
400 Indigo
401 Prussian Blue
402 Ultramarine
403 Sapphire Blue
404 Cobalt Blue Canary Yellow Sunshine Yellow Orange 500 Phthalo Green Vermilion Scarlet Carmine 503 Olive Green Crimson Deep Red Purple 600 Gold Ochre Violet Ultramarine Blue 603 Sepia Cobalt Brilliant Green Viridian 700 Pale Grey Emerald Apple Green Burnt Sienna 900 Aero Shine Silver Brick Red Nut Brown Peat Brown 903 Aero Metallic Red Black Liquid Indian Silver 906 Aero Metallic Brill. Silver Gold White 909 Aero Vision Silver-Violet
405 Primary Blue Cyan
406 Turquoise Blue
501 Brilliant Green
502 Permanent Green
504 Chrom. Oxide Green Brill.
505 Olive Brown
601 Sienna
602 Brazil Brown
604 Burnt Sienna
605 Flesh Tint
701 Neutral Grey
702 Black
901 Aero Shine Gold
902 Aero Shine Blue
904 Aero Metallic Blue
905 Aero Metallic Green
907 Aero Metallic Dark Ice
908 Aero Metallic Dk. Copper
910 Aero Vision Gold-Red
911 Aero Vision Space (rainbow)
91
Section 5

Inks
Acrylic Inks
DALER ROWNEY PEARLESCENT ACRYLIC INK
Code ex VAT inc VAT
117 Mazuma Gold 120 Sandown Magenta 124 Waterfall Green
Liquid acrylic colours give shimmering pearl effect. Can be intermixed. Lightfast. Use with brush, dip pen or ruling pen. DR603201xxx 4.38 5.25 30 ml Glass Jar
130 Sky
113 Hot Cool Yellow
116 Moon Violet
126 Autumn Gold
121 Sun Orange
129 Silver Moss
128 Genesis Green
125 White Pearl
127 Dutch Blue
110 Bell Bronze
114 Hot Mama Red
118 Platinum Pink
122 Sun-up Blue
111 Birdwing Copper
115 Macaw Green
DALER ROWNEY FW ARTISTS INKS

FW Artists Ink is an Acrylic based pigmented water resistant ink in a range of 38 colours. Work well through airbrushes and technical pens. DR160029xxx 29.5 ml Glass jar
119 Silver Pearl
123 Volcano Red
112 Galactic Blue
4.38
5.25
Drawing Pens and Markers

Disposable Pens
PILOT V BALL
Code ex VAT inc VAT 2.34 2.80
Disposable Pens
PILOT V PEN
Disposable fountain pen. Medium nib. Pure, smooth liquid ink. Black, red, blue Code
PSVPN4Wxx
Pigment ink, water resistant when dry 0.7 mm. PBLVB7 Black
PILOT G1 METALLIC ROLLERBALL PEN

Metallic gel ink. Ideal for light or dark paper. Comfortable cushion grip. Broad 1.0 mm. PBLG107x 1.50 1.80 Gold or silver
PILOT V RAZOR POINT
Extra fine, durable plastic tip 0.4 mm Black, red, blue
PSWV10Pxx
2.41
2.90
PILOT G-TEC C4 MICROTIP ROLLERBALL
The worlds finest rollerball! Extra Fine 0.4 mm. PBLGC4xx Black, red, blue, green, yellow, dark brown, orange, violet, pink, light blue
PILOT SUPER COLOUR GOLD OR SILVER MARKER

2.95 3.55 Permanent marking on almost any surface. - wood, metal, plastic, glass, rubber. PSCGSxxx 3.58 4.30 Extra Fine, Fine, Medium, Broad
PILOT DR DRAW RAWING RA ING PEN

Fast drying pigment type ink, highly resistant to water when dry. Black or sepia. 2.50 3.00 0.1 mm, 0.2 mm, 0.3 mm, 0.5 mm, 0.8 mm PSWDRxxx
PILOT EXTRA FINE WHITE PAINT MARKER

PSCWEF
3.58
4.30
KURETAKE SKETCHING PEN

Artist Sketching Pen. Alcohol-based indelible ink. 0.5 mm plastic point.
KUIR220SPx
1.54
1.85
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
92

Drawing and Calligraphy Pens
Faber Castell Pitt Pens
ARTISTS PENS
Extremely fade resistant with pigmented drawing ink. Waterproof and PH neutral. Superfine, fine, medium and brush tips. Sanguine, sepia or black. Set of 4 pens : single colour, 1 of each size Code
various
Section 5
Fountain Pens
PILOT PARALLEL PENS
Code
ex VAT inc VAT
Supplied with 1 black and 1 red cartridge, converter and nib cleaner. PFP3xx 1.5 mm, 2.4 mm, 3.8 mm, 6 mm 9.87 11.85
various
7.63
9.15 Refill Cartridges - 6 of single colour Pink, red, orange, yellow, light green, green, turquoise, blue, violet, sepia, blue-black, black. Refill Cartridges - 12 assorted colours Set of 3 Pens - 2.4, 3.8, 6.0 Supplied with 1 pack of assorted cartridges 1.25 1.50
PICP3xx
PICP300 PFP33
2.20 26.87
2.65 32.25
BRUSH PENS
Flexible brush tip. 27 extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Basic Assortment: Cadmium yellow, chrome
yellow deep, phthalo blue, carmine, violet, olive green. WDFC1676xx
1.92
2.30 13.80 13.80 13.80
WDFC167103
11.15 11.15 11.15 11.15
Earth Assortment: caput mortum, walnut Landscape Assortment: Smalt blue,
WDFC167106
brown, natural umber, naples yellow dark, terracotta, cinnamon brown. WDFC167105
phthalo blue, may green, olive green, green gold, indian red. WDFC167104
ROTRING ARTPEN
13.80 Fountain pen for calligraphy or sketching. In metal box with 5 black ink cartridges. Sketching: Extra Fine, Fine Calligraphy: 1.1 mm, 1.5 mm, 1.9 mm Refill Cartridges - Pack of 6 Ultramarine blue, brown, red, black
NRS020
Shades of Grey: all 6 shades of grey

Cadmium Yellow (07) Chrome Yellow Deep (09) Carmine (27) Violet (36) Sky Blue (46) Indanthrene Blue (47) Phthalo Blue (10) Perm. Green (67) Green Gold (68) May Green (70) Chrome Green (76) Caput Mortuum (69) Indian Red (92) Cinnamon Brown (89) Sanguine (88) Dark Sepia (75) Terracotta (86) Naples Yellow (84)
12.91
15.50
Raw Umber (80) Walnut Brown (77) Warm Grey III (72) Warm Grey IV (73) Warm Grey V (74) Cold Grey III (32) Cold Grey IV (33) Cold Grey VI (35) Black (99)
NRS01xx
1.12
1.35
PILOT CALLIGRAPHY MARKERS

Gold and silver markers, calligraphy tip.
PSCGSCx
3.58
4.30
ARTPEN FILLER / ADAPTER

Allows art pen to take up ink from a bottle.
NRS0227
4.29
5.15
ZIG CALLIGRAPHY FELT TIP

Double ended (5 mm and 2 mm). Lightfast, waterproof pigment ink. Black
KUTC3100
2.75
3.30
93
Section 5

Refillable Pens
Brush Pens
PENTEL REFILLABLE BRUSH PEN
Resilient, accurate bristles give a brush tip that maintains its shape. Cartridge contains dense, water and fade resistant black pigment ink. Supplied with 4 refill cartridges Refill Cartridges - pack of 4 Code
PEGFKP3A
Brush Pens
PENTEL AQUASH EMPTY BRUSH PEN

Fill with the non-waterproof ink of your choice or fill with water for watercolour trips. Available in Fine, Medium and Broad tips.
Code
PEFRHx
PEFP10
4.25
5.10
PENTEL COLOUR BRUSH

Available in 12 vivid translucent colours Black, red, steel blue, olive, orange, lemon, light green, grey, rose, sky blue, purple, sepia Refill Cartridges - pack of 1
PEGFLTxx
5.54
6.65
PEFRTxx
2.25
2.70
Parchment and Vellum

SHEEPSKIN PARCHMENT
Pale, thin and translucent. Only the flesh side can be used. A light dusting of sandarac powder is usually sufficient to prepare the surface for writing. Code
WC64SH WC86SH WC29SH
Size 6 x 4 in 8 x 6 in 12 x 9 in
ex VAT inc VAT 5.66 11.75 27.16 6.80 14.10 32.60
SH
EE
PS
KIN
PA
RC
GO
HM
EN
AT S
KIN
GOATSKIN VELLUM
Medium to thick with a shiny surface. Distinctive pebbled appearance makes it slightly more difficult to write on.
WC64GV WC86GV WC29GV
VE
LL
6 x 4 in 8 x 6 in 12 x 9 in
5.66 11.75 27.16
6.80 14.10 32.60
UM
CA
LF
VE
LL
UM
CALF VELLUM
Medium to thick. Both sides useable for writing. Whiter and less translucent than parchment.
WC64CV WC86CV WC29CV
6 x 4 in 8 x 6 in 12 x 9 in
8.66 13.04 46.25
10.40 15.65 55.50
SL
UN
SLUNK
Skin of young calves. Very fine and translucent. Requires little or no preparation before writing.
WC64SL WC86SL WC29SL
6 x 4 in 8 x 6 in 12 x 9 in
9.79 14.66 52.08
11.75 17.60 62.50
KE
LM
SC
OT
KELMSCOTT
Specially prepared to give a very smooth gessoed surface for painting or calligraphy.
WC64KE WC86KE WC29KE
6 x 4 in 8 x 6 in 12 x 9 in
9.79 14.66 52.08
11.75 17.60 62.50
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
94

Dip Pens
Automatic Pens
PLAIN STROKE
Code ex VAT inc VAT
Section 5
Dip Pens
REED PEN
Code ex VAT inc VAT
Square cut pens with smooth action and large ink reservoir. Ideal for creating posters and large lettering. AU101xx 7.00 8.40 Size 1 - 6A
Hand cut traditional reed pen for calligraphy and drawing. Square tip. Left oblique to order. JB011xx 3.41 4.10 Sizes 1, 2, 3, 4 JB01120 1.37 1.65 Brass Reservoir 5 mm
QUILL PEN
Traditional quill pen made from goose and turkey feathers. Cut by hand and cured in hot sand. Also available uncut if you wish to make your own pens. QF01210 4.25 5.10 Cut quill
Uncut, uncured quill
QF01220
2.13
2.55
Uncut, cured quill
QF01230
3.00
3.60
PEN BORDER
For creating double edged borders around book covers, artwork or picture mounts. AU101xx 7.00 8.40 Sizes 7, 8, 9, 10 5.16 6.20
Quill with brass nib
QF01240
BAMBOO BRUSH/PEN
Dip pen at one end, reversible brush at the other end.
GLFC1BP04
2.71
3.25
MUSIC PEN
inch, for making 5-line music staffs.
AU10210
7.00
8.40
95
Section 5

Pen Nibs
William Mitchell Nibs

ROUND HAND NIB
Set of 10 nibs with holder - square cut or left oblique. Nibs - Square cut or left oblique for Italic, Gothic and Roman. Code
WDM35766
Leonardt Nibs
BALL POINT NIB 300
Ball point general purpose writing nib. Nickel finish. Code
MADP300
Each 10+nibs ex VAT inc VAT ex VAT inc VAT 7.75 9.30 0.67 0.80 0.58 0.70
Each 10+nibs ex VAT inc VAT ex VAT inc VAT 0.45 0.55 0.41 0.50
WDM35xx
POINT PEN G41

General handwriting nib. Nickel finish.
MADPG41
0.45
0.55
0.41
0.50
SCROLL ROLL NIB

Double edged nibs for double line effects and decorative borders.
WDS356xx
INDEX NIB
1.25 1.50 0.92 1.10 Decorative nib for general purpose use. Nickel finish.
MADPIN
0.75
0.90
0.70
0.85
COPPERPLATE NIB
SHAKESPEARE NIB
WDC35807
Very fine responsive elbow oblique nib for traditional copperplate writing. One size only.
0.92
1.10
0.79
0.95
Decorative fine nib. Bronze finish.
MADPLH1
1.37
1.65
1.04
1.25
GENERAL NIB
SCRIPT NIB
Smooth nib for monoline lettering. Topmounted reservoir. Available in , , 1, 1, 2, 2, 3, 3, 4, 5 sizes.
WDS353xx
Extra fine general purpose and writing nib. 1.17 1.40 1.08 1.30
MADPGEN
0.45
0.55
0.41
0.50
POINT PEN 30
Decorative fine point. Nickel finish.
MADP30
0.50
0.60
0.45
0.55
RESERVOIR FOR MITCHELL ROUND HAND
Code
WDR35250
LITHOGRAPHIC NIB 518

Extra fine nib, very flexible point. For drawing and detailed ink work. Nickel finish.
MADP518
0.91
1.10
0.83
1.00
Leonardt Nibs
ROUND HAND NIB
Flexible calligraphy nib. Bronze. 0, 1, 1, 2, 2, 3, 3, 4, 5, 6. Code
MADP23xx
DRAWING NIB 256

Excellent for versals and tendrils. Gilt.
MADP256
0.62
0.75
0.58
0.70
FINE DRAWING NIB 700

MADPRINC
EF PRINCIPAL NIB
An extra fine flexible nib for both Copperplate and Spencerian. Highly Recommended.
2.08
2.50
1.87
2.25
Ideal for drawing and sketching. Nickel finish.
MADP700
0.50
0.60
0.45
0.55
MAPPING NIB 801

MADPYM
ITALIC NIB
Calligraphy nib for italic handwriting. Nickel finish.
0.62
0.75
0.58
0.70
For outlining, tendrils and filigree illumination. Bronze finish.
MADP801
0.50
0.60
0.45
0.55
RESERVOIR
MADP635
SCHOOL NIB 63.5

General purpose writing nib. Nickel finish.
0.50
0.60
0.45
0.55
For round hand nib and drawing nib.
MADP228
0.45
0.55
0.41
0.50
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
96

Pen Nibs
Brause Nibs
Section 5
Brause nibs are highly respected by professionals. Bandzug nibs are an oblique cut with top loading reservoir. The oblique cut helps to produce calligraphic forms better than most square cut nibs. The Ornament pen nibs have both a top loading and a bottom loading reservoir to create consistent line widths.
BANDZUG NIB 0180

Square nib for round hand writing. Ink reservoir on top. 0.5, 0.7, 1, 1.5, 2, 2.5, 3, 4, 5 mm
Code
various
Each 10+nibs Box 50 ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 1.33 1.60 1.16 1.40 53.33 64.00
ORNAMENT NIB 0500

Nib with blade and ink reservoir, used for titles and ornamentation 0.5, 0.7, 1, 1.5, 2, 2.5, 3, 4, 5 mm
various
1.33
1.60
1.16
1.40
53.33
64.00
0.30 mm, very fine point, half elastic, precise writing style, gold colour.
CITO FINE NIB 0046
Box 100
BR00046
0.92
1.10
0.83
1.00
73.33
88.00
PEN NIB 0050

0.45 mm, wider point, reinforced elasticity, strong writing style. Nickel plated.
BR00050
Box 100 0.92 1.10 0.83 1.00 73.33 88.00
HATAT NIB 0100

For writing in Hebrew and Arabic and for left handed writers.
BR10010
1.25
1.50
1.08
1.30
EXTRA FINE NIB 0066
Box 50
BR00066
Extra fine point, smooth reaction, elastic, high ink capacity . May be used for copperplate.
1.17
1.40
1.00
1.20
46.66
56.00
MEDIUM SOFT NIB 0511

Fine point, smooth reaction, elastic drawing style.
BR00511
1.17
1.40
1.00
1.20
46.66
56.00
HARD NIB 0513

Fine point, hard reaction, strong drawing style.
BR00513
1.17
1.40
1.00
1.20
46.66
56.00
SHORT HAND NIB 0361
Very fine point, highly elastic, high ink capacity, fine reaction, blue coloured.
BR00361
1.00
1.20
0.83
1.00
40.00
48.00
TUBE NIB 0515

Fine point, smooth reaction, high ink capacity, clear lines.
BR00515
1.33
1.60
1.16
1.40
53.33
64.00
MUSIC STAFF 0068

For creating 5-line music staffs.
BR00068
2.08
2.50
1.83
2.20
PLAKAT NIB 0755

Poster nib. Gold plated for large lettering. 5, 10, 15 mm
BR755xx
1.33
1.60
1.16
1.40
97
Section 5

Pen Nibs
Gillot Nibs
The automatic choice for pen and ink sketching, mapping, engraving, extra fine writing and general drawing. Made from the finest quality Sheffield steel, hand finished for top performance.
Pen Nib Holders

BRAUSE ROUND - DOUBLE ENDED
Code
BR01614
1068A
Very strong and firm
Code
WDG1068A
BRAUSE HEXAGONAL - DOUBLE ENDED

BR01616
3.25
3.90
1290
Supple and sensitive
WDG1290
0.71
0.85
0.63
0.75
BRAUSE MARBLED 170

Drawing nib
WDG170
Available in a wide range of colours 0.71 0.85 0.63 0.75
BR01618
1.75
2.10
PLAIN WOOD 1950

Sharp crisp line
WDG1950
Light or dark 0.71 0.85 0.63 0.75
BR01620
1.75
2.10
290
CORK ENDED
MADPPH170B WDG290
Fine yet flexible
0.71
0.85
0.63
0.75
3.41
4.10
291
TRIANGULAR HANDLE
WDG291
Extra fine and delicate
0.71
0.85
0.63
0.75
WD0001
1.75
2.10
303
Drawing nib
WDG303
0.71
0.85
0.63
0.75
MAPPING PEN WITH NIB
Code
WD35842
404
Quick sketching nib, moves well in any direction
WDG404
0.71
0.85
0.63
0.75
WOODEN MAPPING PEN HOLDER

MADPPH170Z
1.75
2.10
659
Mapping pen nib
WDG659
0.71
0.85
0.63
0.75
PLASTIC MAPPING PEN HOLDER

WD35860
1.67
2.00
850
Mapping pen nib
WDG850
0.71
0.85
0.63
0.75
2788
Mapping pen nib
WDG2788
0.71
0.85
0.63
0.75
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
98

Camera Lucida
The Cornelissen Camera Lucida is a modern version of a traditional artists aid used to assist fast, accurate and realistic drawing and painting. This optical instrument uses mirrors which allow the artist to view a virtual image of the scene in front as if it were already a picture on the drawing paper. A Camera Lucida with a glass prism has recently been used in a number of drawings and commentaries on traditional techniques by the artist David Hockney. In his book Secret Knowledge he sets out that many artists of the past used lenses as an aid to accuracy. The Camera Lucida is a practical working instrument providing three main benefits: It provides the potential for greater accuracy. It increases the speed at which the artist can work. It enables the artist to work on the composition of the picture before starting detailed work.
Section 5
Our Camera Lucida includes two polycarbonate mirrors fixed in a moulded plastic housing (12 cm x 5 cm). This is attached by an arm to an A3 size black MDF drawing board and includes a camera tripod attachment on the base. The board has two detachable supports at one end to hold images. They allow the Camera Lucida to be used to make drawings based on photographs. When used in this way the finished drawing is the same size as the photograph. The Camera Lucida provides approximately a 50 degree viewing angle. This is sufficient to view the whole of an A3 sized paper with the instrument held in place by the arm about 52 cm above the centre of the paper. Achieving a 50 degree angle of view assumes the eye is close to the instrument. Users with spectacles will achieve a smaller angle of view. Both right-handed and left-handed versions are available (please specify). Price : 107.20 inc VAT (+ 9.00 carriage within the UK)
Sumi & Fude - Japanese Products

Japanese painting, calligraphy and the related crafts of ink and brush-making have long been highly regarded worldwide. Working in close partnership with the finest ink suppliers and brushmakers, we are now able to offer a range of products that relate both to the traditional and contemporary art of Sumi and painting.
What is sumi ink?

Sumi is made from a mixture of soot, bone or animal glue, similar to gelatine, water and perfume, usually camphor. The soot comes from a variety of sources traditionally from the burning of red pine and rapeseed oil. Today the carbon black is most often produced from mineral-based products to attain high standards in colour and grade of the ink. The colour of the sumi depends on the size of the molecules. The larger the molecules the bluer the sumi; the smaller the molecules, the browner the sumi. The sumi colours are subtle and infinitely varied, sometimes with added indigo to enhance the blue tones or iron oxide for red tones.
Text based on articles and research by Christine Flint-Sato, including: Sumi, Letter Arts Review, number 1, vol. 18, 2003. Fude: Brushes, Letter Arts Review, number 4, vol. 18, 2003. This information has been used with permission of the author.
99
Section 5

Preparing sumi ink

The grinding of the sumi ink has always been an important part of the creative process. The artist relaxes, concentrates on the work at hand and forgets the cares of his or her everyday world. The sumi stick must be ground lightly (too much pressure will produce a rough ink) in a circular motion on a smooth grinding stone with a few drops of water, pushing the sumi into the well as it thickens and pulling up more water to continue grinding until all the sumi is thick. It is better to grind until the sumi is concentrated and then dilute it as required rather
than grinding to a light colour. When holding the stick during grinding it is good practice to wrap the end in paper to stop oils from the fingers entering the stick. After grinding, the sumi stick should be wiped dry. These measures will prolong the life of the sumi stick and stop it from cracking and breaking up. It is recommended to only grind as much ink as you need for the day as the animal glue in the ink may turn rancid overnight. If the ink is too concentrated it can also lose its delicate colouring. Always wash the ink stone thoroughly after use in lukewarm water.
GANSUI STICK INK

Highly recommended for calligraphers. This blue-black ink is very similar to the original pine inks of traditional Sumi production. It works well in the lighter tonal ranges and has a superb translucent quality that develops with age.
Code
BU105611
ex VAT inc VAT 21.17 25.40 per stick
SEISHO STICK INK

A grey-blue matt black, this ink has a wide-ranging tonal possibility from pale washes to intense darker shades. Seisho is a good ink for students as well as more practiced calligraphers and artists.
Code
BU106083
ex VAT inc VAT 12.67 15.20 per stick
SHAKYO-BOKU STICK INK

This glossy red/brownish black ink is traditionally used for the writing of sutras, working particularly well as a denser liquid producing a very intense black. The ingredients of this ink are carefully selected to give it a slightly oily quality. It is popular amongst western calligraphers.
BU103952
BU416960 This grinding stone has a much 6.25 7.50 smoother surface than the traditional each Chinese grinding stones. The finer the grain of the ink stone the finer the sumi produced (which also affects the colour). A rougher stone would damage the ink molecules. It is recommended to wash it out before and after use.
BLACK GRINDING STONE
25.42
30.50 per stick
DRAWING INK PASTE (IN BLUE-BLACK AND BROWN-BLACK)
Animal glue based liquid inks that come BU0101xx 8.91 10.70 highly recommended for use in painting each and drawing. The bottle should be kept in the fridge after opening to stop the bone glue content from going rancid. This ink can last a long time if kept in the right conditions. This ink is compatible with the sumi stick inks.
COLOURED SUMI INK STICKS AKANEGIMO STICK INK

This warm red/brown toned black ink has additional iron oxide to increase its redness. It works best in regular and pale shades and is recommended for use in painting as well as calligraphy.
BU105727
19.50
23.40 per stick
These coloured sumi inks create vivid shades that can be mixed and used with the black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. BU209708 Yellowish Red 6.83 8.20 BU209692 6.83 8.20 Indigo Blue BU209685 6.83 8.20 Chrome Yellow BU209555 25.42 30.50 Silver
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
100

WHITE CIRCULAR GRINDING STONE (90MM DIAMETER)
Recommended for use with coloured sumi ink sticks. Code
BU209845
Section 5
ex VAT inc VAT 6.75 8.10 each
Japanese Brushes
HORSE, DEER AND RACCOON DOG HAIR
Code ex VAT inc VAT
JAPANESE PAINTS
A series of coloured paints in solid form contained in plastic palettes. These paints are also animal glue based and are compatible with sumi inks. BU211015 27.92 33.50 Set of 24 colours
Hairs from the back of the deer are slightly coarse and are often combined with other hairs to form the brush core of calligraphy and wash brushes, whilst horse hair from the belly and ears is also used in the core hair of calligraphy brushes, taken from the horses belly and ears. Strong, resilient and somewhat coarse, these hairs are very absorbent but do not hold their shape well. These brushes are easy to control and good for beginner calligraphers and painters. Mikasa Brush (Weasel and Deer/Horse mix)
BU321905
4.58
5.50
Genmyo (Horse and Raccoon Hair mix)
BU321400
8.50
10.20
Hakubundo Raccoon Dog Hair Brush
HBRD002
42.25
50.70
Japanese Brushes
There are different types of brushes such as calligraphy brushes, paint brushes, designers brushes, etc. Japanese brushes should only be used with water-based paints or pigments, not acrylics or oils. Only fine, flexible hair that retains the colour, texture and other unique characteristics of each animal is used for brush making. Brushes need to be cared for to ensure a long life and sustained performance. It is advised that brushes should be washed out after every use with cool water. Soap and hot water can damage the brush hairs. After washing, shake out the excess water, reshape and either lay flat on a stand with the brush head free, or preferably hang it by the loop at the end of the handle so water does not trickle back up into the brush and collect at the base of the brush head.
WEASEL HAIR
Weasel hair is less sturdy than Horse or Deer hair but has a greater absorbency and can be compared to the Sable brush that is so highly prized in western art. A weasel hair brush is often used for the informal Kana script in Japan because it is both supple and has spring. BU321554 17.50 21.00 Nyoi Pure Weasel Hair Brush
Hakubundo Pure Weasel Hair Brush
HBWH003
42.25
50.70
GOAT HAIR
Goat hair holds sumi well and is extremely pliable. Hair from the neck of the male goat is the most prized, producing the finest of goat-hair brushes. They lack spring but retain a good point and have excellent absorbency. BU321707 8.50 10.20 Yo-Shin Pure Goat Hair Brush
CHICKEN FEATHER BRUSH

The Chicken Feather Brush is a relatively new brush. It is very absorbent and has no spring at all making it difficult to control. However, they produce unique lines and effects when wet and can be used dry as a blender. HBCF004 25.42 30.50 Hakubundo Chicken Feather Brush
Drawing Brush (Goat and Horse hair mix)
BU322087
8.33
10.00
Hakubundo Pure Goat Hair Brush
HBGH001
59.17
71.00
101
Section 6
Gilding & Restoration

Genuine Gold Leaf
Cornelissen 80 Gold Leaf

Coverage per book of 25 leaves : 0.16 m (1.69 sq. feet) Coverage per 20 books : 3.2 m (33.9 sq. feet)
i
CR71412
Please contact us for the latest prices of gold leaf. We offer savings for bulk quantities of 20 books or more.
YELLOW GOLD 22 CT
80 x 80 mm. Book of 25 leaves Loose Transfer
CR71410
MOON GOLD 22 CT
CR71440 CR71442
ExVAT IncVAT ExVAT IncVAT
17.67 18.42 21.20 22.10 20 Books or more (per book) 15.92 16.58 19.10 19.90
WARm GOLD 23 CT
CR71420 CR71422
WHITE GOLD 12 CT
CR71470 CR71472
RED GOLD 23 CT
CR71430 CR71432
PALLADIUm
CR72420 CR72422
VICTORIAN GOLD 23 CT
CR71490 CR71492
PLATINUm
CR72510 CR72512
PURE GOLD 24 CT
CR71496 CR71498
BAROQUE GOLD 19 CT
CR70100 CR70102
IS 1867 PAR

N LO
VIE
NNA 1873
DON 186 2
IS 1878 PAR
102

Genuine Gold Leaf
RENAISSANCE 22 CT
CR70110 CR70112
Section 6
LEmON GOLD 20 CT
CR70120 CR70122
LIgHT GREEN 16 CT
CR70130 CR70132
GREEN GOLD 18 CT
CR71480 CR71482
STARTER pACK : 5 LEAvES

Yellow Gold 22 ct ExVAT IncVAT
Loose
CR71448
Transfer
CR71449
STARTER pACK : 5 LEAvES

Warm Gold 23 ct ExVAT IncVAT
Loose
CR71428
Transfer
CR71429
5.42 6.50
6.17 7.40
6.25 7.50
7.00 8.40
Cornelissen 85 Gold Leaf

Coverage per book of 25 : 0.18 m ( 1.97 sq. feet) Coverage per 20 books : 3.61 m ( 39.55 sq. feet)
STANDARD GOLD 22 CT
CR71510 CR71512
ANTIQUE GOLD 23 CT
EXTRA THICK

CR71530 CR71532
CLASSIC GOLD 22 CT
EXTRA THICK
PURE GOLD 24 CT
EXTRA THICK

CR71520 CR71522

CR71540 CR71542
Worldwide Mail Order Service. Phone 020 7636 1045 Fax 020 7636 3655 info@cornelissen.com www.cornelissen.comv
Section 6

Edible Gold Leaf, Silver Leaf & Foil
EDIbLE GOLD LEAf 23 CT EXTRA THICK

85 x 85 mm. Book of 25 leaves (loose) ExVAT IncVAT
CR71544
Cornelissen Gold Sample Chart

CORNELISSEN GOLD LEAf SAmpLE CHART
A sample of each gold leaf in our Cornelissen 80 & 85 ranges. Including platinum and silver samples. Code
CR79905
24.08 28.90
ExVAT IncVAT 20.00
Loose Leaf - Leaves rest between rouged pages of the book. Transfer Leaf - Each leaf is pressed onto a backing sheet of EDIbLE GOLD SpRINKLES
Code Size ExVAT IncVAT The sprinkles are made by crumbling gold leaves. Can be sprinkled on any type of food. 23 carat gold CR71551 200 mg 34.17 41.00 Edible Gold Crumbs 23 ct CR71552 200 mg 34.17 41.00 Edible Gold Powder 23 ct waxed tissue paper. Not suitable for water gilding. Our transferring is done in-house and loosely pressed leaf is available to order. Transfer leaf is pressure sensitive and must be handled with great care. Transfer leaf must be kept away from heat. Reverse Transfer Leaf - Transferred onto the non-waxed side of the paper. Available to order (can be done overnight up to 60 books.)
See page 116 for information on cooking with gold leaf
Gold and Silver Foils - Extremely thick leaf which will not break when exposed to heat. Gold and Silver Powder - Made from gold and silver leaves. The powder can be mixed with a medium (gum Arabic, shellac etc) or dusted onto gold size. Shell Gold - Genuine gold watercolour pan. A drop of Ox Gall will break the surface tension and increase the paint flow.
*All leaf is also available in Reverse Transfer. Please contact us for details.
Gold and Silver Foil

GOLD FOIL 24CT SILvER LEAf - THIN
Code
CR71600
Cornelissen Silver Leaf

(20g/1000 lvs) 95 x 95 mm. Book of 25 leaves Loose Transfer
CR71450 CR71452
100 x 100 mm. 0.5 g per leaf. May be used for enamelling
SILvER LEAf - THICK

(34g/1000 lvs) 95 x 95 mm. Book of 25 leaves Loose Transfer
CR71460 CR71462
IS 1867 PAR
SILvER fOIL
100 x 100 mm
Code
CR71610
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
104
G ILDING & R ESTORATION

Genuine Gold Leaf, Foil, Rolls, Powder & Paint
Gold and Silver Rolls & Powder
Gold 23 ct 10mm x 20.5m
Section 6
Genuine Gold Paint - Shell Gold

ex VAT inc VAT 34.83 69.67 20.00 37.50 50.83 41.80 83.60 24.00 45.00 61.00 Touches of genuine gold can be added to your work by using fine gold made up as a watercolour and prepared in small pans. This format is ideal for light, delicate gilding. Large area rich gilding requires gold leaf. Shell Gold can be burnished to a brilliant finish using an agate burnisher (see page 115 for agate burnishers).
GENUINE GOLD AND SILVER ROLLS
Code
CR71495 CR71496 CR71497 CR71492 CR71493 CR71494
Gold 23 ct 20mm x 20.5m Gold 23 ct 30mm x 20.5m Silver 10mm x 50m Silver 20mm x 50m Silver 30mm x 50m
104.50 125.40
GENUINE GOLD POWDER BOUND IN VARIOUS GUMS ( PAN)

Lemon Gold 22.9 ct Yellow Gold 23.5 ct Red Gold 22.9 ct Green Gold 18.4 ct Palladium Gris
CR72640 CR72620 CR72610 CR72630 CR72653 CR72652 CR72650 CR72651 CR72654 CR72655
28.83 28.83 28.83 28.83 29.42 28.83 13.92 28.83 13.00 13.00
34.60 34.60 34.60 34.60 35.30 34.60 16.70 34.60 15.60 15.60
GENUINE GOLD AND SILV ILVER IL ER POWDER

Rouge 22.9 ct
CR72670 CR72660 CR72690
Silver 61.83 61.83 61.83 61.83 61.83 35.75

CR72720 CR72600
74.20 74.20 74.20 74.20 74.20 42.90 21.30 56.30 74.20 74.20
Versailles 22.9 ct Genuine Lapis Lazuli Genuine Malachite
Superieur 23.5 ct Citron K 22.9 ct Vert Fonce 18.4 ct Palladium Blanc Argent Gris 9.6 ct Versailles 22.9 ct Demi Jaune 22 ct
17.75 46.92 61.83 61.83
Lemon 22.9 ct
Yellow 23.5 ct
Red Gold
Green 18.4 ct
CR72680
Palladium
Gris
Silver
Versailles 22.9 ct
Genuine Lapis Lazuli
Genuine Malachite
HAND-MADE COLOUR CHART

Hand-made colour chats are available showing our full range of shell gold. 6 shades of gold, 2 precious metals and 2 mediaeval pigments.
Code
CR72659
105
Section 6

Metal Leaf and Rolls
Metal Leaf Sheets

Coverage per book of 25 : 0.49 m (5.29 sq feet) Coverage per 20 books : 9.8 m (105.8 sq feet) In the process of transfering imitation leaf we experience, first hand, changes in quality. Manufacture of most of this leaf has emigrated to China and we notice a deterioration in both the colour and the way the leaves are folded into the book in fragmented, unusable leaf. We have, therefore, decided to work with a European manufacturer where quality is good but who cannot match low chinese prices.
Metal Leaf Rolls

NO. 2 IMITATION GOLD AND ALUMINIUM
10 mm x 50 m 15 mm x 50 m 19 mm x 50 m 25 mm x 50 m 30 mm x 50 m 51 mm x 50 m 156 mm x 50 m Code
Various Various Various Various Various Various Various
ex VAT inc VAT 5.00 7.50 9.17 12.50 15.00 22.50 62.50 6.00 9.00 11.00 15.00 18.00 27.00 75.00
NO. 2 IMITATION GOLD
Loose Transfer ex VAT inc VAT ex VAT inc VAT 140 x 140 mm. 4.08 4.90 4.50 5.40 CR72110 CR72112 Per book of 25 2 to 19 books 2.63 3.15 3.63 4.35 (per book) 20 books or more 2.21 2.65 3.12 3.75 (per book)
NO. 2 WARM IMITATION GOLD

140 x 140 mm. Per book of 25 2 to 19 books (per book) 20 books or more (per book)
4.08 2.63 2.21
4.90 3.15 2.65
4.50 3.63 3.12
5.40 4.35 3.75
CR72320
CR72322
Metal Leaf Bulk Packs

Coverage per 25 leaves :0.64 m (6.86 sq feet) Coverage per 500 leaves :12.8 m (137.2 sq feet)
NO. 2 BULK PACK COPPER LEAF

140 x 140 mm. Per book of 25 2 to 19 books (per book) 20 books or more (per book) 4.08 2.63 2.21 4.90 3.15 2.65 4.50 3.63 3.12 5.40 4.35 3.75 160 x 160 mm. Loose leaf only 100 leaves 500 leaves 1000 leaves 5000 leaves 10000 leaves
Code
CR72115 CR72117 CR72118 CR72119 CR72120
ex VAT inc VAT 9.17 11.00 34.17 41.00 66.67 80.00 273.33 328.00 491.67 590.00
CR72310
CR72312
ALUMINIUM
140 x 140 mm. Per book of 25 2 to 19 books (per book) 20 books or more (per book)
4.08 2.63 2.21
4.90 3.15 2.65
4.50 3.63 3.12
5.40 4.35 3.75
CR72210
CR72212
VARIEGATED LEAF NO. 1

140 x 140 mm. Per book of 25 20 books or more (per book)
COPPER LEAF BULK PACK

12.50 10.58 15.00 12.70 12.91 11.00 15.50 13.20
CR72010 CR72012
160 x 160 mm. Loose leaf only 10000 leaves
CR72310
475.00 570.00
ALUMINIUM BULK PACK VARIEGATED LEAF NO. 2

140 x 140 mm. Per book of 25 20 books or more (per book) 20.00 17.08 24.00 20.50 20.41 17.50 24.50 21.00 160 x 160 mm. Loose leaf only 100 leaves 500 leaves 1000 leaves 5000 leaves
DON 186 2
IS 1878 PAR
CR72215 CR72217 CR72218 CR72219
CR72020
CR72022
9.17 11.00 34.17 41.00 66.67 80.00 273.33 328.00
IS 1867 PAR
VIE
NNA 1873
N LO
106

Patinating Mediums & Bronze Powder
Patinating Mediums
MODERN MASTERS
Water-based acidic solutions that are 118 ml applied to reactive metallic paints by brush, 473 ml* sponge or pump spray. They will react with 3.78 L* the metal in the paints to create a variety of beautiful aged metal finishes in minutes. Available in the following colours: Green patina, Blue patina, Rust activator (for use with iron reactive paint only). * Available to order 3.92 15.17 63.75 4.70 18.20 76.50
Section 6
BRIGHT SILVER BURNISH

Unlike the silver in the Standard Bronze Powder range, this may be mixed with water based media. Mixing with Robersons wax sealer will create a burnishable paint. *Size to order
Code
CR75231D CR75232E CR75235J CR75236K
Size 25g 75g 500g 1 kg*
ex VAT inc VAT 7.50 9.00 14.08 16.90 66.33 79.60 121.75 146.10
Roberson Bronze Powders

BURNISHING BRONZE POWDERS (While stocks last)
Mix in equal parts with Roberson Gilt Wax Medium to create a gold wax paint which may be applied with a cloth and buffed gently once dry.
Pale Gold Rich Pale Gold Light Gold Gold 2.5
Code
CR7410xB CR7410xG
Size 25g 200g
ex VAT inc VAT 4.66 17.41 5.60 20.90
Orange Gold Pale Orange Gold
Rich Yellow Gold Yellow Orange Gold
Roberson Bronze Powders

STANDARD BRONZE POWDERS
Size Golds Silver ex VAT inc VAT ex VAT inc VAT 5.75 6.90 4.67 5.60 25g
CR75xxxD CR75201D CR75202E
Superfine metallic powders in a range of 13 shades. Can be mixed with Ormoline mediums to create highly effective metallic paint. *To order
75g 200g 500g 1 kg* 62.58 75.10

CR75xxxK
10.08 16.58 19.90 43.33
12.10
Pearl Lustre Pigments

MICA POWDER
CR75xxxG
52.00
Available in 250 and 500 mesh

LC19424M LC19424K
CR75205J
LC19434M LC19436K Gold No 2 Pale Gold Rich Pale Gold
250 mesh 250 g 5.17 1 kilo 11.17 500 mesh 250 g 5.17 1 kilo 11.17
6.20 13.40 6.20 13.40
Light Gold
Deep Gold
Middle Gold
Orange Gold
Copper
Deep Copper
Antique Copper
Fire Copper
Crimson Copper
Old Bronze
Silver
See page 11 for Pearl Lustre Powders
107
Section 6

Imitation Gold Paint
ROBERSON LIQUID METAL
Code
Size
ex VAT inc VAT
Rich, deep, metallic acrylic colour ideal for a wide range of applications, such as plaster, wood, paper and canvas. Will not tarnish. All colours are intermixable. Water wash up. Coverage approx. 7 m per litre. *Size to order. Series 30 ml
CR78xxxD
LIQUID METAL CALLIGRAPHY INKS
Code
various
Size 30 ml
1 ex VAT 4.50 11.67 20.25 36.58 143.50 inc VAT 5.40 14.00 24.30 43.90 172.20 ex VAT 5.25 17.00 31.33 56.42 248.83
2 inc VAT 6.30 20.40 37.60 67.70 298.60 ex VAT 5.42 20.83 39.67 76.92
3 inc VAT 6.50 25.00 47.60 92.30
Roberson extra fine Liquid Metal Inks for calligraphy and drawing. Apply with dip pen or brush, can be thinned with water if required and will not tarnish. Not suitable for fountain pens or technical drawing pens. Waterproof.
250 ml
CR78xxxH
500 ml
CR78xxxJ
1ltr
CR78xxxK
5ltr
CR78xxxL
Fine Gold
Pale Gold
Imperial Gold
Royal Gold
Ser. 1
Imperial Gold
Ser. 1
Classic Gold
Ser. 1
Classic Gold
Royal Gold
Regency Gold
Regency Gold
Ser. 1
Fine Gold
Ser. 1
Pale Gold
Ser. 1
Victorian Gold
Renaissance Gold
Bronze
Victorian Gold
Ser. 1
Renaissance Gold
Ser. 1
Bronze
Ser. 1
Blackened Bronze
Silver
Old Silver
Blackened Bronze
Ser. 1
Silver
Ser. 1
Old Silver
Ser. 1
Silver Verde
Silver Verde Ser. 1 Pewter Ser. 1 Graphite Ser. 1
Pewter
Platinum
Platinum
Ser. 1
Baroque
Ser. 1
Steel Grey
Ser. 1
Baroque
Graphite
Yellow Gold
Ser. 1
Autumn Gold
Ser. 1
Brass
Ser. 1
Silver Blush
Ser. 1
Solid Silver
Ser. 2
Twinkle
Ser. 3
See page 154 for our selection of Roberson Liquid Metal Brushes.
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
108

Imitation Gold Paint
ROBERSON GILT WAX MEDIUM AND VARNISH
To use as a medium, mix with burnishable bronze powders in equal parts. Or use to protect imitation leaf, metal, wood, furniture and paintings. *Size to order. Code
CR78000F CR78001H CR78002J CR78003K
Section 6
Size 120 ml 250 ml 500 ml 1 Litre*
ex VAT inc VAT 5.25 8.08 11.25 17.50 6.30 9.70 13.50 21.00
ORMOLINE GOLD PAINT

Metallic paint in 14 shades (see standard bronze powders). Cellulose based medium.
Code
CR76xx2D CR76xx4H CR76xx5J
Size 30 ml 250 ml 500 ml
ex VAT inc VAT 4.17 14.00 25.00 5.00 16.80 30.00
TREASURE GOLD
Metallic powder in wax paste. Apply with cloth.
Classic Gold (01) White Fire Gold (02) Florentine Gold (03) Renaissance Gold (04) Silver (05) Brass (06) Copper (07) CSTRGxx
25 g
5.66
Aquamarine (15) Olive Bronze (16) Rose Quartz (17) Ruby (18) Onyxite (19)
6.80
Pewter (08) Spanish Topaz (09) Yellow Diamond (10) Sapphire (11) Royal Amethyst (12) Green Amber (13) Emerald (14)
ORMOLINE MEDIUM
Mix with Roberson Standard Bronze Powders to create metallic paint. 25g powder will make 125 ml of paint.
CR76502E CR76504H CR76506K
60 ml 250 ml 1 Litre
5.42 11.50 32.00
6.50 13.80 35.40
Treasure Gold Sealer
CSTRGS
60 ml
5.25
6.30
GOLDFINGER
All purpose rub-on metallic paste. Antique Gold (600),
Sovereign Gold (675), Green Gold (344), Copper (230), Silver (702). DR145008xxx
ORMOLINE THINNER
22 ml 8.75 10.50 Cellulose thinner for paints made with Ormoline Medium.
CR76512E CR76514H CR76516K
4.00 11.00 31.25
4.80 13.20 37.50
ORMOLINE SEALER
For sealing porous surfaces before painting with Ormoline Paints, or as a varnish. *Size to order.
CR76522E CR76524H CR76526K CR76528M
60 ml 4.92 5.90 250 ml 12.33 14.80 1 Litre 35.33 42.40 5 Litre* 133.33 160.90
GOLDFINGER VARNISH
DR145007000
75 ml
7.29
8.75
ORMOLINE FABRIC MEDIUM

Mix with bronze powders to create acrylic based fabric paint which may be iron fixed. *Size to order
CR76532E CR76534H CR76536K CR76538M
60 ml 250 ml 1 Litre 5 Litre*
4.83 5.80 11.50 13.80 32.92 39.50 117.08 140.50
109
Section 6

Bole and Casein Paint
Bole
Armenian hue, fine powder. Mix with rabbit skin glue
Casein Paint
Code
LC28513F LC28515J
DRY RED BOLE
Size 100 ml 500 ml
ex VAT inc VAT 3.92 8.67 4.70 10.40
PLAKA CASEIN PAINT

Adheres to most porous surfaces. For use on rigid surfaces only. 34 colours available. Some colours can be used when gilding to imitate traditional clay colours.
Size 50 ml 50 ml metallic 500 ml 50 ml metallic
ex VAT inc VAT 3.58 5.33 14.92 28.75 4.30 6.40 17.90 34.50
ASSIETTE A DORER WET BOLE

Yellow, red, blue, black. Mix with rabbit skin glue
various
1 Litre
30.17
36.20
White
Ref 1 Lemon
Ref 10 Yellow
Ref 11
Maize Yellow
Ref 13 Orange
Ref 15 Yellow Ochre
Ref 18
RED OXIDE METAL PRIMER

RU500RMP
Skin Colour
Ref 20a Carmine Red
Ref 22 Signal Red
Ref 23
500 ml
5.79
6.95
Vermilion
Ref 24 Brick Red
Ref 25 Deep Madder
Ref 28
Blue
Ref 30 Red Violet
Ref 32 Blue Violet
Ref 33
ROBERSON CLASSIC WET BOLE

Mix with rabbit skin glue
* Available to order CR72xx3F CR72xx5J CR72xx6K
Dark Blue
Ref 35 Turquoise Blue
Ref 36 Light Blue
Ref 37
125 g 500 g 1 Kg*
10.58 31.42 56.42
12.70 37.70 67.70
Sky Blue
Ref 38 Yellow Green
Ref 42 Medium Green
Ref 43
Paynes Grey
Ref 06 Black
Ref 09 Wedgwood Blue
Ref 08
Green
Ref 44 Blue Green
Ref 46 Dark Green
Ref 47
Verona Green
Ref 11 Mineral Brown
Ref 14 Naples Yellow Light Hue Ref 01
Olive Green
Ref 49 Yellow Brown
Ref 50 Red Brown
Ref 52
Naples Yellow Mid Hue Ref 04
Naples Yellow Dark Hue Ref 07 Red Ochre Light Hue
Ref 10
Brown
Ref 55 Dark Brown
Ref 56 Black
Ref 70
Red Ochre Mid Hue
Ref 13
Red Ochre Dark Hue
Ref 02 Caput Mortuum Hue
Ref 05
Grey
Ref 72
Linen White
Ref 15 Antique White
Ref 12 Dove Grey
Ref 03
Britannia Silver
Ref 59 Yellow Gold
Ref 61 Red Gold
Ref 62
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
110

Gold Size
Oil Gold Size
ROBERSON OIL GOLD SIZE 1-2 HOUR
Traditional oil gold size. Fastdrying. For longer drying times see below. 1-2 hour: tacky in 1-2 hours, 1 hour open time Code
CR77102E CR77104H CR77106K
Section 6
Oil Gold Size

Size 60 ml 250 ml 1 Litre ex VAT inc VAT 4.50 10.08 26.33 5.40 12.10 31.60
ONE SHOT GOLD SIZE

Fast drying oil gold size. Tacky in 1 hour, open for 8 hours.
Code
HA4008
Size 237 ml
Please note: drying times of oil based sizes are approximate and may vary depending on temperature and humidity.
Water Based Gold Size

ROBERSON ACRYLIC LIC GOLD SIZE
Easy to use acrylic gold size. Ready for gilding in 15-20 minutes. 1-2 days open time *Size to order 4.50 10.08 26.33 5.40 12.10 31.60
ROBERSON ERSON OIL GOLD SIZE - 12 & 18 HOUR*

Traditional oil gold size available in 3 different drying times (please specify when ordering)
various various various
60 ml 250 ml 500 ml 1 Litre 5 Litre*
4.67 6.50 9.42 15.92 50.75
5.60 7.80 11.30 19.10 60.90
12 hour: tacky in 12 hours, 6 hours open time 18 hour: tacky in 18 hours, 8 hours open time *While Stocks Last
WATER GOLD SIZE

Traditional size for illumination. Made with natural gums. Yellow colour.
CR77421C CR77422E
15 ml 60 ml
5.58 11.42
6.70 13.70
LEFRANC MIXTION A DORER 3-HOUR SIZE

High quality oil based gold size. Well known for its predictability and length of its open period. Tacky in 3 hours, remains open for 6 hours. *Size to order
CH32367F CH31360H CH31362K CH31363M
75 ml 6.08 7.30 250 ml 19.08 22.90 1 Litre 54.25 65.10 5 Litre* 221.50 265.80
IMPROVED GOLD BODY

Raising preparation for illumination. Yellow colour.
CR77431C CR77432E
15 ml 60 ml
5.17 9.83
6.20 11.80
GUM AMMONIAC LEFRANC MIXTION A DORER 12-HOUR SIZE

High quality oil based gold size. Well known for its predictability and length of its open period. Tacky in 12 hours, remains open for 20 hours. *Size to order
CH32368E CH32344H CH32346K CH32347M
Natural gum size made to a traditional recipe.
CR77401D
30 ml
7.05
8.50
75 ml 7.25 8.70 250 ml 21.58 25.90 1 Litre 59.33 71.20 5 Litre* 234.83 281.80
ORMOLINE GILDING G MEDIUM

Acrylic size, fluid enough to use with dip pen. Pink colour. For gilding onto paper and parchment.
CR77411D
30 ml
4.58
5.50
WINSOR & NEWTON JAPAN GOLD SIZE

Fast drying oil gold size. Tacky in 20 minutes, open for up to 30 minutes.
WN3022978
SECCOTINE
75 ml 4.50 5.40
Refined liquid fish glue for use in gilding and as a binder in gesso. Remains flexible after drying.
LC06110
30 ml
6.58
7.90
111
Section 6

Water Gold Size, Lacquers and Varnishes
Water Based Gold Size

MINIATUM INK
Size for high gloss gilding on paper and flexible surfaces. Can be applied with a dip pen or brush. For gilding very fine lines and detailed work. Code
CR79122E
Lacquers and Varnishes

RENAISSANCE WAX
Used by restoration specialists to revive and protect furniture, leather, paintings, metals etc. Freshens colours, imparts soft sheen. Very long shelf life (approx 20 years) as long as it is not exposed to heat.
PIC065RW PIC200RW PIC03LRW
6.83 14.67 52.08
8.20 17.60 62.50
Lacquers and Varnishes

CLEAR SHELLAC VARNISH
Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methglated spirits. Code
Size 60 ml 250 ml 500 ml 1 Litre 5 Litre
ex VAT inc VAT 5.83 9.42 14.92 24.92 94.50 7.00 11.30 17.90 29.90 113.40
ROBERSONS ACRYLIC WAX SEALER

Clear, brushable sealer for protecting imitation gold, copper and silver leaf. May also be used on Ormoline metallic paints. Has the appearance of traditional beeswax and may be burnished to produce a low sheen.
Code
CR77603F CR77604H CR77605J CR77606K
Size 100 ml 250 ml 500 ml 1 Litre
ex VAT inc VAT 5.75 8.67 13.25 22.67 6.90 10.40 15.00 27.20
HOT COLOURLESS LACQUER

Shellac based varnish which contains ethanol and therefore dries very quickly. Clean brushes with methglated spirits.
CR77502E CR77505H CR77505J
60 ml 250 ml 500 ml
5.83 9.42 14.92
7.00 11.30 17.90
ROBERSONS METAL LEAF LACQUER

This lacquer will protect imitation gold leaf, and genuine silver leaf from tarnishing. It dries crystal clear with a satin finish, and is nonyellowing.Coverage: 15 m per litre. Drying time: approx 45 mins.Safe and easy to use, water wash up.
CR77442E CR77444H CR77446K CR77447L
60ml 250 ml 1 Litre 2.5 Litre
5.25 12.25 41.08 99.00
6.30 14.70 49.30 118.80
VERNIS A BRONZER
Alcohol based varnish for leaf. Dries quickly & completely clear. Mix with bronze powder to create gold paint.
GLS43135351
60 ml 4.92 1 litre 26.25
5.90 31.50
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
112

Roberson Easy-Gild Products
The Easy-Gild system is a new, reliable way of achieving a high quality gilded finish. It can be used with gold, silver and metal leaf. This system provides a superb shine or mirror finish without the need to burnish.
Section 6
EASY-GILD GESSO BOLE

This product is made from the finest English clays. The gesso bole is premixed and no additional glue is necessary. To be used at room temperature and thinned if required up to 15%. 7 colours available. Colours can be mixed to create additional shades.
Code
CR791xxE CR791xxJ
Size 100 ml 500 ml
ex VAT inc VAT 8.75 37.17 10.50 44.60
1 - Apply at least two coats of Easy-Gild Gesso bole. 1a - Porous surfaces should be sealed with Easy-Gild Base size diluted 15% with water if gesso bole is not used. 2 - Apply two coats of Easy-Gild base size in total with 30 mins between coats. 3 - Once the second coat is dry, apply the Easy-Gild Activator and allow to dry. 4 - Place the transfer leaf face down and rub the back using cotton wool. 5 - Rub with cotton wool over the gilded surface to obtain a mirror finish. 6 - Distress and age using wire wool in the same way as traditional water gilding. Gold leaf surfaces will not need to be varnished but shellac will have to be applied on metal leaf finishes to prevent tarnishing.
Terracotta
Ref.05
Dark Terracotta
Ref.06
Yellow Ochre
Ref.07
Naples Yellow
Ref.08
Wedgwood Blue
Ref.09
Black
Ref.10
White
Ref.11
EASY-GILD BASE
Yellow (1) & Clear (2)
CR7910xF
100 ml
9.42
11.30
EASY-GILD ACTIVATOR
Use to activate the Gild Base
CR79103F
100 ml
10.42
12.50
MINIATUM
Miniatum Yellow Miniatum Clear
Code
CR79122A CR79122E
Size 50 ml 50 ml
ex VAT inc VAT 9.42 9.42 11.30 11.30
EASY-GILD BRONZE MEDIUM

Produces a hard wearing metallic paint, can be applied on wood, metal plaster and gesso surfaces. Add 10 parts of medium to 1 part of bronze powder. Use the Roberson burnishable grade bronze powder for best results. Use water for thinning/ cleaning.
CR79104F CR79104J CR79104K
60 ml 250 ml 500 ml
5.67 16.42 26.58
6.80 19.70 31.90
113
Section 6

Tools For Gilding
Brushes
CORNELISSEN GILDERS TIPS
Thick squirrel hair. Width 90 mm Short 35 mm length out Medium 44 mm length out Long 64 mm length out Code
EMS62S EMS62M EMS62L
Brushes
ex VAT inc VAT 12.17 13.45 15.16 14.60 16.15 18.20
SQUIRREL FLAT LACQUER BRUSH
Code
ex VAT inc VAT
Very soft hair. For varnishing or lacquering. Also useful for applying clay bole. EMSFL025 11.16 13.40 25 mm / 1 inch EMSFL050 17.83 21.40 50 mm / 2 inch EMSFL074 26.87 32.25 75 mm / 3 inch
ROBERSON GILDERS TIP

Thin squirrel hair. Length out 56 mm V Narrow 25 mm width Narrow 40 mm width Regular 80 mm width Extra thick 100 mm width
EB50025 EB50040 EB50080 EB50000
5.33 6.58 13.58 18.67
6.40 7.90 16.30 22.40
SHEPHERDS PASTE BRUSH

Bristle brush for laying down gesso. No 2 No 6 No 10 No 12 No 14 No 18 No 24 No 28
LC08202 LC08206 LC08210 LC08212 LC08214 LC08218 LC08224 LC08228
4.41 4.91 6.09 6.66 8.08 10.91 15.08 17.83
5.30 5.90 7.20 8.00 9.70 13.10 18.10 21.40
TAMPING BRUSH
Soft squirrel hair
EB60120
8.00
9.60
GESSO PUNCH
Code
Size
ex VAT inc VAT
SQUIRREL MOP
Soft, pure squirrel mop. For tamping down and dusting gold leaf. LCSM002 8.54 10.25 No 2 LCSM004 11.12 13.35 No 4 LCSM006 14.66 17.60 No 6 LCSM008 27.83 33.40 No 8 LCSM010 33.50 40.20 No 10 LCSM012 37.37 44.85 No 12 LCSM014 47.83 57.40 No 14
Handmade hardened steel punch to emboss designs into gesso. Length 165 mm. Diameter below. LC71164 5 mm 18.25 21.90 Small LC71165 7 mm 18.25 21.90 Medium LC71166 9 mm 18.25 21.90 Large
OX FLAT LACQUER BRUSH
Code
ex VAT inc VAT
Soft, springy hair. For varnishing or lacquering. Also useful for applying clay bole. EMOFL025 10.00 12.00 25 mm / 1 inch EMOFL050 16.91 20.30 50 mm / 2 inch EMOFL075 21.29 25.55 75 mm / 3 inch
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
114

Tools For Gilding
Burnishers
NO 11 AGATE
Pencil Burnisher, long handle Code
CR78511
Section 6
Burnishers
NO 32 AGATE
Dog Tooth Burnisher, long handle
Code
CR78532
NO 12 AGATE
Pencil Burnisher, long handle
CR78512
11.83
14.20
NO 34 AGATE
CR78534
11.83
14.20
NO 13 AGATE
Pencil Burnisher, long or short handle
CR78513
11.83
14.20
NO 37 AGATE NO 20 AGATE
Pencil Burnisher, long or short handle
CR78520
Dog Tooth Burnisher, long handle 17.79 21.35
CR78537
11.83
14.20
NO 39 AGATE
Flat Burnisher, long handle
CR78539
17.79
NO 21 AGATE
Dog Tooth Burnisher, long or short handle
CR78521
21.35
14.38
17.25
NO 45 AGATE NO 22 AGATE
CR78522
CR78545
14.38
17.25
NO 47 AGATE NO 24 AGATE ATE

CR78524
CR78547
11.83
14.20
NO 25 AGATE
CR78525
NO 48 AGATE
17.79 21.35 Dog Tooth Burnisher, long handle
CR78548
14.38
17.25
NO 27 AGATE
CR78527
NO 21 HAEMATITE
14.38 17.25 Dog Tooth, short handle
CR78721
56.09
67.30
NO 30 AGATE
Flat Burnisher, long handle
CR78530
LIPSTICK HAEMATITE
17.79 21.35 Lipstick shape, short handle
CR78700
42.55
51.05
115
Section 6

Tools For Gilding
Burnishers
GREEN FELT BURNISHER POCKETS
Bought with burnisher Bought separately Code
CR78810 CR78810
Other Equipment
ex VAT inc VAT 1.75 2.62 2.10 3.15
WIRE WOOL
0000 Grade
Code
CR78314H
Tool roll to hold 10 burnishers
CR78730
15.00
18.00
GLASSINE PAPER
To use on top of gold leaf when burnishing illumination, calligraphy or miniatures. CR14000 50 x 75 cm 0.33 0.40
Other Equipment
GILDERS KNIFE
Stainless Steel
CR78200
PROFESSIONAL GILDERS CUSHION

13.00 15.60 Manufactured by Cornelissen in-house. Graded goat skin leather mounted with brass pins on a varnished mahogany veneered base. Available with or without a sheepskin parchment windshield. Padded with display quality felt. All Professional Gilders cushions also available without handles, useful for iconography and illumination. 15 x 25 cm (9 x 6 inches) 45.25 54.30 Long 17.5 cm (7 inch) parchment height CR78270 CR78271 43.54 52.25 Short 9 cm (3 inch) parchment height CR78272 38.29 45.95 Without parchment windshield
ECONOMY GILDERS CUSHION

15 x 25 cm (9 x 6 inches) Short 10 cm (4 inch) parchment height
CR78240
22.04
26.45
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
116

Restoration Materials
Raw Materials for Restoration
MS2A RESIN
A light fast varnish for painting conservation specially developed for works of art. MS2A is a ketone resin in which the polymers have been hydrogenated catalytically to reduce the carbonyl groups present; this reduces the sensitivity to water vapour and tendency to bloom Code
LC28622E LC28624H
Section 6
Cleaning Materials
ex VAT inc VAT
Size
50 g 34.50 41.40 250 g 160.00 192.00
WINSOR & NEWTON PICTURE CLEANER
Code
WN3022961 WN3040961 WN3050961
Size 75ml 250ml 500ml
ex VAT inc VAT 4.50 8.50 15.30 5.40 10.20 18.40
SCHMINCKE VARNISH REMOVER

Varnish remover. For softening old varnish and colour layers. Strong solvent should be used by experienced persons only.
SC50060E
60 ml
5.58
6.70
RK20 RESIN
Similar properties to MS2A but is a less refined, though a very acceptable alternative.
LC28562E LC28564H
50 g 250 g
18.58 80.58
22.30 96.70
VULPEX
Concentrated liquid soap. Mix with water or white spirit to clean surfaces such as gilt, stone or even paper.
CR78324E CR78326K
100 ml 1 Litre
6.08 33.91
7.30 40.70
MICROBALLOONS
Used as a filler or extender
LC28572E
100 g
4.42
5.30
LAPONITE
For cleaning marble. Mix with water to thick paste.
LC28595J LC28596K
500 g 1 kg
14.42 25.67
17.30 30.80
Solvents
WINSOR & NEWTON CONSERV - ART GLOSS VARNISH ACETONE
Strong solvent used for a variety of natural and synthetic resins.
LC28606K LC28607M
A superior quality artists gloss WN3022927 75 ml 4.50 5.40 varnish. Dries to a lower gloss WN3040927 250 ml 8.50 10.20 than Artists Gloss Varnish. Readily removable over a long period of time (up to 100 years) with White Spirit or Turpentine. Dries quickly to a non-yellowing film, does not bloom or crack.
1 Litre 5 Litre
13.83 58.25
16.60 69.90
PARALOID RESIN SOLUTION

Available to order in solution 20 % v/w
LC28586K
1 Litre
41.42
49.70
ROBERSON CRP
Cleansing/Reviving/Preserving wax paste for oil paintings, sculptures, any painted & polished surfaces except drawings, water colours or pastels.
CR34913F CR34915J
120 ml 500 ml
7.17 16.58
8.60 19.90
XYLENE
Strong solvent used in picture conservation and restoration.
LC28616K
1 Litre
57.08
68.50
117
Section 6

Restoration Adhesives
HMG B72
Heat and waterproof adhesive for repairs to pottery, wood, porcelain, leather etc. Not suitable for use on rubber. Code
HMGHWTU
Moulding Materials
DENTAL WAX
Toughened dental modelling wax in sheets, an easy mess-free option for making copies of mouldings. 500 g.
Code
KE617WAX KE617WAX
Size 1 box 2+ box
ex VAT inc VAT 9.12 7.29 10.95 8.75
HMG ACRYLIC
Repairs to pottery, wood, porcelain, metal, leather etc. Not suitable for use on rubber.
HMG72TU
1.87
2.25
REVERSIBLE PVA
Reversible - for conservation use only
Code
CR61366K
Size 1 litre
MILLIPUT
2 part, epoxy resin moulding material for repairing surfaces and mouldings. Store in a cool, dry place. Shelf life is 2-3 years. Hardener may yellow if it dries out. This is due to the resin leeching out to the surface of the stick. If this happens, kneading with fingers will make it smooth and white again. CR72203F 113 g 2.87 3.45 Standard CR72213F 113 g 3.46 4.15 Terracotta CR72223F 113 g 4.66 5.60 Silver Grey CR72233F 113 g 5.46 6.55 Superfine White
Rustins Glazes
RUSTINS ACRYLIC CERAMIC GLAZE
Quick drying, water borne glaze. Can be coloured with artists dry powder pigments. Hard and water resistant. Code
RU250ACG RU01LACG
Size 250 ml 1 litre
ex VAT inc VAT 14.87 45.50 17.85 54.60
RUSTINS WHITE PLASTIC COATING

For wood and cork. Heat and solvent resistant. Supplied with hardener.
RU250WPC RU01LWPC
250 ml 1 litre
9.29 18.00
11.15 21.60
RUSTINS THINNERS
For thinning Plastic Coating and cleaning brushes.
RU250TH RU500TH
STERAMOULD
250 ml 500 ml 4.66 7.00 5.60 8.40 Silicone based paste. Excellent for making precise copies of mouldings. Including 25g hardener.
SIEM1025
660 g
30.83
37.00
RUSTINS BURNISHING PASTE

Polishing compound for use on plastic coating. Gives mirror-like gloss finish.
RU065BP
65 ml
2.25
2.70
Hardener only
SIEM1026
25 g
6.16
7.40
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
118

Maimeri Restoration Colours
33 colours for restoration. Pigments, mastic resin and turpentine.
Section 6
Maimeri Ketonic Restoration Colours

20 colours for restoration. Pigments, synthetic (ketonic) resin and hydrocarbonate solvent. The Ketonic resin colours are completely reversible. Can also be used for restoration of acrylic works of art.
Series 20 ml Tube
1 2 3 4 ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 8.75 10.50 11.42 13.70 13.83 16.60 17.92 21.50
MA33002xxx MA33002xxx MA33002xxx MA33002xxx
Series 40 ml Tube
1 2 3 ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 6.83 8.20 8.50 10.20 12.58 15.10
MA3412xxx MA3412xxx MA3412xxx
Titanium White (1) ref.018
Zinc White (1) ref.020
Cad. Yellow Light (3) ref.081
Primary Yellow (1) 116
Cad. Yellow Lemon (2) 082
Cadmium Orange (2) 054
Cad. Yellow Lemon (3) ref.082 Cad. Yellow Med. (3) ref.083 Cad. Yellow Deep (3) ref.084
Primary Red-Magenta (1) 256
Cad. Red Medium (2) 228
Alizarine Carmine (2) 167
Naples Yellow (2) ref.104
Yellow Ochre (1) ref.131
Yellow Ochre Pale (1) ref.133
Primary-Cyan (1) 400
Ultramarine (1) 390
Cobalt Blue (3) 372
Golden Ochre (1) ref.134
Raw Sienna (1) ref.161
Perm. Carmine (2) ref.167
Emerald Green (Hue) (1) 347 Chrome Oxide Green (1) 336
Yellow Ochre (1) 131
Madder Deep (2) ref.178
Cad. Red Orange (4) ref.224 Cad. Red Medium (4) ref.228
Raw Sienna (1) 161
Indian Red (1) 242
Burnt Sienna (1) 278
Indian Red (1) ref.242
Pozzuoli Earth (1) ref.276
Burnt Sienna (1) ref.278
Burnt Umber (1) 492
Raw Umber (1) 493
Paynes Grey (1) 514
Green Lake (2) ref.290
Green Earth (1) ref.296
Antique Gr. Earth (1) ref.297
Ivory Black (1) 535
Titanium White (1) 018
Chrome Oxide Gr. (2) ref.336
Viridian (2) ref.348
Cobalt Blue (4) ref.372
Ketonic versus mastic resin

The differences between synthetic Ketonic resin and natural resin can be summarized as follows : Ketonicresinhasahigherresistancetoyellowing Ketonicresinhasahigherpointoffusion,i.e.isharder than mastic resin Ketonicresinisnotacidic Ketonicresiniscompletelytransparentanddoesnot have any colour Ketoneisasyntheticresinratherthananaturalone and therefore the production does not vary from batch to batch. The thinner for Ketonic resin is White Spirit. If the colours have dried on the palette they can be diluted again with white spirit or Maimeris strong solvent for restoration.
Ultramarine (2) ref.390
Cerulean Blue (4) ref.416
Brown Madder Aliz. (2) ref.474
Transp. Brown (1) ref.482
Vandyke Brown (1) ref.484
Cassel Earth (1) ref.490
Burnt Umber (1) ref.492
Raw Umber (1) ref.493
Ivory Black (1) ref.535
119
Section 6

Varnishes and Solvents

FINAL VARNISH FOR RESTORATION
Reversible - for conservation use only Code
MA5816677
RETOUCHING VARNISH FOR RESTORATION

Size 75 ml ex VAT inc VAT 4.58 5.50 Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow. (Ketonic resin 22% and White Spirit)
Code
MA5816687
Size 75 ml
THINNER FOR RESTORATION CONCENTRATED MASTIC VARNISH

Natural varnish of traditional use. Very flexible. Can be used in conjunction with restoration colours. (Natural mastic resin 40% and essence of Turpentine)
MA5816683
75 ml
21.67
26.00
Odourless thinner (Isoparaffin hydrocarbons aromatic)
MA5816601
75 ml
4.58
5.50
STRONG SOLVENT FOR RESTORATION

Particularly good for removing natural resin varnish. (Amyl acetate, aromatic hydrocarbons, ethyl acetate, isopropyl alcohol).
MA5816661
75 ml
4.58
5.50
Books
PRACTICAL GILDING
Code
NB79000
ex VAT inc VAT 9.95
THE PAINTERS HANDBOOK
Code
NB79003
By Peter & Ann Mactaggart. This book is an attempt to set down detailed descriptions and explanations of the traditional, professional methods of both oil and water gilding in a way that can be followed by another craftsman. It does not discuss some of the methods that have been suggested recently for amateur use. (74 pages)
By Mark David Gottsegen. A guide to artists materials as well as a thorough resource presenting techniques for using them and recipes for making them. (355 pages)
THE ARTISTS HANDBOOK OF MATERIALS & TECHNIQUES
Code
NB79002
TOOLS AND MATERIALS

For Calligraphy, Illumination & Miniature Painting by Patricia Lovett. This book is for beginners as well as enthusiasts in lettering and associated arts illuminating, writing and painting on vellum and egg tempera painting. (96 pages)
Code
CR79000
ex VAT inc VAT 7.50
By Pip Seymour. The Artists Handbook provides artists with in-depth, practical information on the materials, equipment and skills necessary for all areas of artistic practice. Topics covered include advice on how to select appropriate art materials, including paints, brushes, canvasses and drawing materials; techniques for making your own paints, glue, varnishes and paper; advice on how to achieve the best results from both manufactured and hand-made materials; the best methods of storing and preserving finished artworks, and health and safety precautions. (520 pages)
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Information
Section 6
Loose Leaf
Leaves rest between rouged pages of the book. Genuine gold leaf is very thin and fragile and the loose leaf must be handled using a soft squirrel gilders tip. Imitation leaf is thick in comparison.
Transfer Leaf
Each leaf is pressed onto waxed tissue paper ready for transferring onto oil or acrylic gold size. The paper backing makes it easy to handle with the fingers but means the leaf will be slightly less shiny than loose leaf. It is not suitable for water gilding. Our transferring is done in-house and loosely pressed leaf is available to order. Please note that the transfer leaf should not be stored near a source of heat. Also transfer leaf should not be stored flat.
Mordent Gilding/Oil Gilding
A simple but effective method of gilding which is easy to pick up. Transfer or loose leaf may be used. The resulting gilding is not suitable for burnishing with an agate burnisher. If a highly polished finish is required then water gilding is the only way which can achieve this (see opposite). 1. Seal porous surfaces with a paint such as acrylic or casein. Red ochre or yellow ochre are the traditional colours and complement the gold well if cracks appear in the gilding (or if you wish to distress through the gold with wire wool). Shellac varnish may also be used if a clear sealer is required 2. Apply gold size (glue for gilding) on the areas to be gilded using a soft bristle brush. The size must be allowed to become tacky before laying the leaf i.e. sticky like self-adhesive tape but not wet. See below for descriptions of sizes available. The dryer the tack the better the finish will be. 3. Apply leaf. If using transfer leaf, place with the gold side facing down and apply gentle pressure to the backing paper. Loose leaf is more fragile so use a soft squirrel brush to tamp down. Allow each leaf to overlap slightly and once dry brush away the excess gold using a soft squirrel mop. 4. Use 4/0 grade wire wool to distress, or a soft lint-free cloth to add extra shine to the surface. 5. Imitation gold leaf and silver will tarnish over time so a coat of varnish is required. Genuine gold need not be varnished even if it will be outdoors
Acrylic Size
Quick and easy to use. Becomes tacky after 20 minutes and remains open for 1-2 days giving plenty of time to lay the leaf. Does not level so may show brush strokes if applied too thickly.
Oil Based Size
Stronger than acrylic size. Dries to a hard, flat finish. Recommended for gilding outdoors or for areas which may be prone to wear and tear. Choice of different drying rates (1-2 Hour, 3-Hour, 12-Hour, 24-Hour). A longer drying time means a longer open time and a flatter finish. Use 24 hour Roberson or 12 Hour Charbonnel size when gilding large areas. 1-Hour (Japan) size is useful for quickly gilding small areas. See table below for approximate open times:
Size Roberson 1-2 hour Roberson 3 hour Roberson 12 hour Roberson 24 hour W & N Japan Size One Shot Size Lefranc 3 Hour Lefranc 12 Hour Tacky in : 1-2 hours 3 hours 12 hours 24 hours 20 mins 1 hour 3 hours 12 hours Open Time : 1 hour 1-2 hours 6 hours 10 hours 10-20 mins 8 hours 6 hours 20 hours
Please note: these drying times are approximate and may vary
dramatically depending on temperature and humidity. Japan size can reach tack in 10 minutes on a hot day ! It is recommended that you use a separate sample area which may be tested for tackiness. Testing for tackiness may damage the area to be gilded (imperfections will show through the leaf and even finger prints may be visible after gilding).
121
Section 6

Information
Water Gilding
in each stage of the process. Only loose leaf is suitable for this type of gilding. It is recommended that beginners read an informative text such as Practical Gilding before attempting to water gild.
A more complicated form of gilding which, unlike mordent/ oil gilding, can be burnished to a highly reflective finish. This method requires patience and timing is critical
To Make Clay Bole
Add warm glue (15 parts water to 1 part rabbit skin glue) to clay a little at a time. Stir until well dispersed and liquid (should be the consistency of double cream)
1. Seal area to be gilded with rabbit skin glue front and back. 2. Apply 15-20 layers of gesso to surface using a soft hog brush e.g. Shepherds paste brushes page 108. Allow each layer to go dull before applying the next coat. Sand the final layer to a smooth finish. 3. 3-5 layers of clay bole are then brushed over the gesso using a soft varnish brush e.g. ox lacquer brush. Traditionally yellow bole is applied first then red bole afterwards. 4. Warm rabbit skin glue is the next layer. This acts as a size which the gold will stick to. 5. Immediately, the gold is placed on top using a squirrel gilders tip. Allow each leaf to overlap slightly. The excess may be brushed away using a soft squirrel mop. This brush may also be used to tamp the gold into the crevices of ornate mouldings. 6. Burnish using an agate burnisher.
To Make Gelatine Size (for gilding onto glass)
In standard jam jar fill with distilled water, meths, 2-3 gelatine capsules. Warm mixture in double boiler. Heavier metals such as silver leaf will require a stronger size (4-5 capsules)
To Make Isinglass
Place strands in double boiler. Cover with water and soak for 1-2 hours. Heat to approx 60C (do not boil). Filter before using.
Cooking With Gold Leaf
To Make Rabbit Skin Glue for Gesso
Proportions : Water (13-14 parts). rabbit skin glue (1 part). Soak glue overnight. Combine ingredients and warm in double boiler until glue dissolves. Do not boil.
Gold leaf may used to decorate food. Loose leaf is used. 1. Place a clean folded tea towel on the work surface. Allow one gold leaf and its paper backing sheet to fall onto work surface. Cut the backing sheet from the book together with one gold leaf. 2. Holding the corner of the gold leaf with your thumb nail, pick up leaf and backing sheet and carefully invert so the leaf is flat on the tea towel. If crumpled, gently blow on the leaf to flatten it. The leaf can be cut into smaller pieces using a sharp knife and a gentle sawing action 3. The leaf may be lifted using a smooth bladed kitchen knife. Slide the flat blade under the leaf and gently lift. Place the gold where you want it to be.
To Make Rabbit Skin Glue for Size To Make Gesso
In standard jam jar fill with distilled water, meths, pinch of rabbit skin glue
There is no fixed rule about the proportion of size to whiting. Add the whiting dry, pouring it into the warmed rabbit skin size until a small island appear on the surface. It is then stirred gently with a brush and the mixture sieved to remove any lumps.
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P RINTMAKING
Charbonnel Etching Inks
Series 60 ml 200 ml 400 ml 800 ml 55985 Black F66 Black Soft Black 1 ex VAT 8.17 12.08 21.00 37.25 inc VAT 9.80 14.50 25.20 44.70 ex VAT 9.08 15.42 26.92 42.17 2 inc VAT 10.90 18.50 32.30 50.60 ex VAT 11.17 20.83 3 inc VAT 13.40 25.00 ex VAT 14.25 25.67 4 inc VAT 17.10 30.80 ex VAT 17.25 29.42 5 inc VAT 20.70 35.30
Section 7
6 ex VAT 23.00 38.92 inc VAT 27.60 46.70
CH31xxxE CH31xxxG CH31xxxH CH31xxxJ
CH31xxxE CH31xxxG CH31xxxH CH31xxxJ
CH31xxxE CH31xxxG
CH31xxxE CH31xxxG
CH31xxxE CH31xxxG
CH31xxxE CH31xxxG
Very deep slightly blue black well suited to dry point, aquatint & mezzotint. Highly viscous, difficult to wipe. Low viscosity, easy to wipe. Medium intensity, no problems in handling, all types of etching. Low viscosity, easy to wipe. Very supple and relatively opaque. May be used for lowering the tones of a plate which is heavily engraved. Warm black with hints of red. Viscous - wiping takes time. Viscous, powerful and supple black. Useful for deeply engraved or bitten line. Low viscosity supple black. Used as 55985 but easier to handle, black with hints of blue. Series 2 1 1 2 1 2 2 2 2 2 2 3 60 ml
CH31914E
55981 Black Carbon Black
Universal supple black. Viscous but easier to wipe than 55985. Low viscosity, very easy to wipe. Used in particular for test run prints.
Snow White TI Titanium white. The highest covering and colouring power. Snow White RS Covering White RS Transparent White Zinc White. Less covering power, more transparent. Avoid using with steel covered plates. Opaque zinc white. Intermediate between two previous whites. Extender.
71303 Black RSR Black Luxe C Black
Blacks and Whites 55985 F66 Soft Black (Doux) 71303 RSR Luxe C 55981 Carbon Black Snow White TI Snow White RS Covering White RS Transparent White
200 ml
CH31080G
400 ml
CH31079H
800 ml
CH31078J
Yellows Lemon Yellow Primrose Yellow Permanent Yellow Lake Deep Yellow Indian Yellow Apricot Yellow Nasturtium Yellow Reds Vermilion Red Warm Red Cardinal Red Carmine Ruby Red Geranium Red Madder Lake
Series 4 4 4 3 4 4 6 4 5 4 5 6 4 5
60 ml
CH31861E
200 ml
CH31462G
CH31862E
CH31463G
CH31065G
CH31064H
CH31063J
CH31863E
CH31464G
CH31068G
CH31067H
CH31066J
CH31864E
CH31465G
CH31913E
CH31083G
CH31082H
CH31081J
CH31865E
CH31466G
CH31071G
CH31070H
CH31069J
CH31866E
CH31467G
CH31074G
CH31073H
CH31072J
CH31867E
CH31468G
CH31077G
CH31076H
CH31075J
CH31868E
CH31469G
CH31907E
CH31002G
CH31001H
CH31869E
CH31470G
CH31903E
CH31870E
CH31471G
CH31904E
CH31004G
CH31003H
CH31871E
CH31472G
CH31905E
CH31006G
CH31005H
CH31872E
CH31473G
CH31873E
CH31474G
CH31906E
CH31034H
CH31874E
CH31475G
123
Section 7
P RINTMAKING
Charbonnel Etching Inks
Violets Solferino Violet Permanent Violet Blues Concentrated Blue Orient Blue Prussian Blue Ultramarine Cobalt Blue Hue Cerulean Blue Ocean Blue Turquoise Blue Greens Spring Green Permanent Green Medium Green Sap Green Emerald Green Permanent Viridian Earths Yellow Ochre Raw Sienna Burnt Umber Sanguine Red Ochre Burnt Sienna Warm Sepia Raw Sepia Basic Bistre Raw Umber Van Dyke Brown Paynes Grey Metallic Gold Silver
Series 6 6 6 3 3 2 2 2 4 2 4 6 3 4 4 4 1 2 2 2 1 2 2 2 2 2 3 1 4 4
60 ml
CH31875E
200 ml
CH31476G
CH31876E
CH31477G
Lemon Yellow ** PY3
Primrose Yellow (Primary) *** PY74
Permanent Yellow Lake ** PY3-PY83
Deep Yellow *** PY83
Indian Yellow ** PY74-PO13
CH31877E
CH31478G
CH31878E
CH31479G
CH31879E
CH31480G
CH31880E
CH31481G
Apricot Yellow ** PY74-PO13
Nasturium Yellow ** PO13-PR4
Vermilion Red *** PR188-PY74
Warm Red *** PO36-PR3
Cardinal Red *** PR112
CH31881E
CH31482G
CH31882E
CH31483G
CH31883E
CH31484G
Carmine ** PR3
Ruby Red *** PR188-PR48:2
Geranium Red (Primary) *** PR48:2-PV19
Madder Lake * PR83
Solferino Violet *** PR122
CH31884E
CH31485G
CH31885E
CH31486G
CH31886E
CH31487G
Permanent Violet *** PR122-PV23
Concentrated Blue *** PB15:3-PV23
Orient Blue *** PB15:3-PV23
Prussian Blue *** PB27
Ultramarine *** PB29
CH31887E
CH31488G
CH31888E
CH31489G
CH31889E
CH31490G
Cobalt Blue Hue *** PB29-PB15:1
Cerulean Blue Hue *** PB15:1-PW4
Ocean Blue *** PB15:3
Turquoise Blue *** PB15:1-PG7
Spring Green ** PY3-PG7
CH31890E
CH31491G
CH31891E
CH31492G
CH31892E
CH31493G
Permanent Green ** PG7-PY3
Medium Green *** PY74-PB15:1
Emerald Green *** PG7
CH31893E
CH31494G
Permanent Viridian Lake *** PG7-PB15:3
Sap Green ** PG8
CH31894E
CH31495G
CH31895E
CH31496G
CH31896E
CH31497G
Yellow Ochre *** PY42
Raw Sienna *** PY42-PBr6
Burnt Umber *** PY42-PR101
Sanguine *** PR101
Red Ochre *** PR101-PY42
CH31897E
CH31498G
CH31898E
CH31499G
CH31899E
CH31500G
Burnt Sienna *** PR101
CH31900E
CH31503G
Raw Umber *** Warm Sepia Basic Bistre PR101-PBk11-PBr6 *** *** PB29-PBK9-PR101 PR101-PBK6-PY3
Raw Umber *** PBr7
CH31901E
CH31504G
CH31902E
CH31505G Raw Sepia Van Dyke Brown *** *** PR101-PBk9-PBr7 PR102-PV19-PB15:3 Paynes Grey *** PB29-PBk9 Gold *** Silver ***
CH31916E
CH31506G
CH31916E
CH31506G
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P RINTMAKING
Etching Materials
Charbonnel Stopping Out Varnishes
LAMOUR BLACK SATIN VARNISH
Bitumen, turpentine, quick drying petroleum, wax. Hard etching ground. Allows long etching time with no risk of scaling. Code
CH31277E CH31278H CH31279K
Section 7
Reducing Oils
ROBERSON COPPERPLATE INK REDUCING OIL
Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Code
CR990xxJ CR990xxK CR990xxM
Size 75 ml 250 ml 1 Litre
ex VAT inc VAT 6.75 16.67 42.08 8.10 20.00 50.50
Size 500 ml 1litre 5 litre
ex VAT inc VAT 14.08 16.90 23.92 28.70 85.83 103.00
LIQUID SICCATIVE VARNISH

Beeswax, bitumen, ketone thinner. Liquid retouching ground which should be applied cold. Hard, with satin opaque finish.
CH32176 CH31170J
75 ml 500 ml
7.75 22.83
9.30 27.40
TRANSPARENT LIQUID GROUND

Beeswax, pitch resin, turpentine. Retouching ground. Apply cold. Slow drying, lets previous etching show through.
CH32175E
Roberson Stopping Out Varnishes

75 ml 10.92 13.10
RHINDS ETCHING GROUND

Burgundy Pitch,Japan Wax, Beeswax, Bitumen, Tallow. Discs can be applied to heated plate and spread with roller or dabber. Dark. Hard or Soft.
CR91111C CR91121C hard 17g soft 17g
3.33 3.33
4.00 4.00
LAMOUR BLACK
Bitumen, turpentine. Covering varnish with hard finish. Recommended for aquatint techniques.
CH31280E CH31281H CH31282K
75 ml 250ml 1 litre
6.25 15.67 38.92
7.50 18.80 46.70
RHINDS REBITING VARNISH

Japan Wax, Beeswax, Bitumen Burgundy Pitch,Turps. Special varnish applied onto partly etched plate after original ground has been removed to continue with the bite.
CR91141C
15 ml
3.58
4.30
ULTRAFLEX LIQUID GROUND

Judea bitumen, essence of turpentine, wax. Quick drying with transparent velvety finish. Apply cold with a supple brush.
CH32174E CH31167H CH31168K
75 ml 250ml 1 litre
7.75 39.33 72.33
9.30 47.20 86.80
ROBERSON STRAW HAT VARNISH SOLID GROUNDS

Pitch resin, beeswax, colophony, tallow. It is applied hot, using a cloth ball. Soft and Hard ball solid grounds.
CH31180K CH31181K hard 27g soft 27g
6.33 6.33
7.60 7.60
Varnish (Black Dark) Meths based quick drying stopping out varnish, two coats may be needed for a good acid resist.
CR92015J CR92016K CR92018M
500 ml 1 litre 5 litre*
13.83 23.25 98.33
16.60 27.90 118.00
ROBERSON BRUNSWICK BLACK

White spirit-based slower drying alternative to SOV.
CR92024H CR92025J CR92026K CR92028M
250 ml 500 ml 1 litre 5 litre*
8.00 12.17 21.92 72.33
9.60 14.60 26.30 86.80
RHINDS STOPPING OUT VARNISH DARK

Traditional strong resistant SOV. Very dark and opaque finish. Appropriate for backing the plate as well as stopping out areas.
60 ml 4.42 5.30 250 ml 10.00 12.00 500 ml 17.42 20.90 1 litre 31.08 37.30 5 litre* 122.75 147.30
Go to Page 13, 15, 16 & 17 for Ferric Chloride Acid, Carborundum Powder, Crocus Powder, Fine Rosin, Asphaltum Powder and Whiting
125
Section 7
P RINTMAKING
Etching Materials
Sundries
WAX TAPERS
30 cm length, 50-55 tapers per box Code
CR99110
BUTTER MUSLIN
Size 200g ex VAT inc VAT 4.83 5.80 111 cm (39) wide per metre length
Code
CR99301 CR99300 CR99310
Size -10m +10m Per bolt of 100m
ex VAT inc VAT 1.50 1.33 1.16 1.80 1.60 1.40
SCRIM
Tartalan bleached 106 cm (42) wide per metre length.
CR99201 CR99200 CR99210
-10m +10m Per bolt of 100m
1.66 1.50 1.33
2.00 1.80 1.60
HANDMADE LEATHER DABBER

Diameter: 55 mm
PU9001
20.41
24.50
Etching Tools
TWISTED DOUBLE NEEDLE
Double needle for etching. Code
LY32404
Length 175 mm
STEEL ETCHING NEEDLE NO 1

Classic etching needle with wooden handle.
Code
LY32401
Size 155 mm
HEAVY SCRIBER
Durable etching needle.
EJ65600
PIN VICE
140 mm 8.58 10.30 For holding a plate when applying hot or soft etching discs.
EJ11651
16 mm wide /115 mm
16.58
19.90
DIAMOND POINT NEEDLE

Diamond needle for fine drypoint work. 60 angle.
LY32405
155 mm
19.42
23.30
DRY POINT CORK HANDLE

Double-ended traditional needle for both dry point and etching applications.
LY32402
150 mm
8.83
10.60
HOLLOW TRIANGULAR SCRAPER

Sharp triangular steel scraper with one end pointed. Used in intaglio and engraving.
EJ52707 EJ52710
75 mm 100 mm
9.58 11.25
11.50 13.50
TRIANGULAR SOLID SCRAPER

Solid scraper used to make corrections to intaglio plates.
LY32101S
LY32101
Small 145 mm Large 175 mm
8.58 8.67
10.30 10.40
NEEDLE SET 5 IN 1
Variety of five needles for etching and drypoint.
AB199700
12.00
14.40
LIGHT NEEDLE SCRIBE

Etching needle for fine details.
EJ65100
180 mm
8.25
9.90
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P RINTMAKING
Etching Tools
Burnishers
STRAIGHT BURNISHER
Flat burnisher for mezzotint or aquatint. Code
LY32301S
Section 7
Combination Tools
Length Small 140 mm Large 170 mm ex VAT inc VAT 8.25 8.50 9.90 10.20
BURNISHER / POINT NEEDLE

.
Code
LY32307
Length 175 mm
LY32301
SCRIBER / LIGHT BURNISHER

EJ65400
140 mm
14.92
17.90
NARROW CURVED BURNISHER

Curved burnisher to lighten a tonal area in aquatint or mezzotint.
EJ70105
130 mm
28.00
33.60
SCRAPERBOARD
Code
Size
Quantity ex VAT inc VAT
BALL BURNISHER
Fine retouching burnisher.
LY32308
135 mm
6.92
8.30
CURVED BURNISHER
Slightly curved burnisher ideal to smooth a metal plate surface for corrections.
LY32302S
Small 140 mm Large 170 mm
8.67 9.08
10.40 10.90
A card heavily coated with china clay. Available in black ink coated or white. Packs of 10. Black Scraperboards 6 sheets 7.75 9.30 WDCS6 101 x 152 +cutter 6 sheets 14.00 16.80 WDCS1 229 x 152 +cutter 3.04 3.65 WDCSBB3 305 x 229 Each 6.08 7.30 WDCSBB4 502 x 305 Each 11.92 14.30 WDCSBB5 610 x 502 Each White Scraperboards 3.00 3.60 WDCSBW3 305 x 229 Each 5.42 6.50 WDCSBW4 502 x 305 Each 10.50 12.60 WDCSBW5 610 x 502 Each
LY32302
DOUBLE BURNISHER
Flat and curved double burnisher.
EJ66000
Etching Set and Sharpening Stones

190 mm 23.00 27.60
INTAGLIO ETCHING SET
Code
ex VAT inc VAT
SCRATCH BOARD TOOL

Used to make parallel lines.
LY33003
65 lines
16.58
19.90
The selection covers the basic tools for traditional etching as well as copper and wood engraving. The set consist of small curved burnisher, twisted double needle, scraper and fine, medium and large burin square engraving tools. LY3342 49.92 59.90 Set of 6
Combination Tools
HOLLOW BURNISHER / SCRAPER
EJ65700
190 mm
28.25
33.90
BURNISHER / SCRAPER
L32103
175 mm
17.92
21.50
SHARPENING STONES
Hard Arkansas HB-13 Slip Stone 70 x 25 mm
LY34503 LY34502
25.83 7.75
31.00 9.30
SCRIBER / BURNISHER
D653180
180 mm
18.25
21.90
127
Section 7
P RINTMAKING
Etching Tools
Pattern Making
MEZZOTINT ROCKERS
Working (rocking) the tool over the plate in a crisscross fashion will create burrs which produce rich, velvety blacks. Code
LY335xxx15
Palette Knives
Width Density 38 mm ex VAT inc VAT Code ex VAT inc VAT British-made long straight palette knives with forged blade and riveted wood handle. LC09CS150 5.54 6.65 Carbon Steel 150 mm (6 in) LC09CS200 Carbon Steel 200 mm (8 in) 6.16 7.40 LC09CS250 Carbon Steel 250 mm (10 in) 9.33 11.20 LC09CS300 Carbon Steel 300 mm (12 in) 13.08 15.70 LC09SS150 Stainless Steel 150 mm (6 in) 6.12 7.35 LC09SS200 Stainless Steel 200 mm (8 in) 8.66 10.40 LC09SS250 Stainless Stl 250 mm (10 in) 12.33 14.80 LC09SS300 Stainless Stl 300 mm (12 in) 19.66 23.60 Please note : inch sizes are approximate
PALETTE KNIVES (WHILE STOCKS LAST)
LY335xxx25
LY335xxx40
45, 65, 85, 100, 80.00 96.00 120 45, 65, 64 mm 85, 100, 118.33 142.00 120 45, 65, 100 mm 85, 100, 165.83 199.00 120
Cornelissen offers a tool re-sharpening service for mezzotint rockers. The charge for this service is usually 30.00 excluding VAT and delivery costs.
Rollers
ROULETTE WHEELS ANGLED SHAFT & IRREGULAR
Produces various line and dot patterns. Irregular roulette produces pebble effect. Code
LY3399xL LY3399xD LY33891L
Density 45, 85, 120 lines 45, 85, 120 dots Irregular Dot
ex VAT inc VAT 22.92 22.92 41.25 27.50 27.50 49.50
DRUM-WHEEL ROULETTE
Wheel with a straight shaft for fine, medium and coarse parallel and cross lines.
LY3371xL LY3371xD
65,100 lines 65,100 dots
35.00 35.00
42.00 42.00
Code ex VAT inc VAT Professional frames sand cast in naval quality brass and hand polished. Polyurethane rollers in standard grade. Complete with handle. RO050001 53.75 64.50 Width 50 mm (2 in) RO075001 Width 75 mm (3 in) 60.41 72.50 RO100001 Width 100 mm (4 in) 67.16 80.60 RO150001 Width 150 mm (6 in) 78.83 94.60 RO200001 Width 200 mm (8 in) 95.83 115.00 RO250001 Width 250 mm (10 in) 106.37 127.65 RO0500RE Refill - Width 50 mm (2 in) 20.58 24.70 RO0750RE Refill - Width 75 mm (3 in) 26.37 31.65 RO1000RE Refill - Width 100 mm (4 in) 31.33 37.60 RO1500RE Refill - Width 150 mm (6 in) 42.33 50.80 RO2000RE Refill - Width 200 mm (8 in) 53.66 64.40 RO2500RE Refill - Width 250 mm(10 in) 64.08 76.90 Please note: inch sizes are approximate
POLYURETHANE ROLLERS
SINGLE ROW ROULETTE

Ideal for fine details and retouches.
LY33698R
85 rows
22.92
27.50 Code Length DRAW TOOL For scoring lines that are sharp and regularly defined. Also for cutting copper plates. LY33000 155 mm ex VAT inc VAT 16.50 19.80
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P RINTMAKING
Plates
Copper Plates
Protected mirror finish - 1.2 mm (18 gauge) CR97050 50 x 50 mm (2 in x 2 in) CR97100 100 x 100 mm (4 in x 4 in) CR97150 150 x 100 mm (6 in x 4 in) CR97200 200 x 150 mm (8 in x 6 in) CR97250 250 x 200 mm (10 in x 8 in) CR97300 300 x 200 mm (12 in x 8 in) CR97305 300 x 250 mm (12 in x 10 in) CR97450 450 x 300 mm (18 in x 12 in) CR97500 500 x 400 mm (20 in x 16 in) - to order CR97600 600 x 450 mm (24 in x 18 in) - to order CR97000 1200 x 600 mm (48 x 24 in) - to order Please note : inch sizes are approximate
Section 7
Zinc Plates
Code ex VAT inc VAT 2.29 3.42 4.33 6.92 10.69 12.00 15.00 27.00 34.30 48.00 108.00 2.75 4.10 5.20 8.30 12.83 14.40 18.00 32.40 41.15 57.60 129.60
POLISHED COPPER
ZINC JET PLATE
Code
ex VAT inc VAT 8.50 13.08 15.00 18.33 60.00 108.33 10.20 15.70 18.00 22.00 72.00 130.00
Pre-backed plate, thickness: 1.0 mm CR98200 200 x 150 mm (8 in x 6 in) CR98250 250 x 200 mm (10 in x 8 in) CR98300 300 x 200 mm (12 in x 8 in) CR98305 300 x 250 mm (12 in x 10 in) CR98600 600 x 450 mm (24 in x 18 in) - to order 1000 x 500 mm (40 in x 20 in) - to order CR98900 Please note : inch sizes are approximate
ZINC JET PLATE

Polished one side, other side pre-backed. Stop out varnish not required. 1.6 mm CR96050 50 x 50 mm (2 in x 2 in) CR96100 100 x 100 mm (4 in x 4 in) CR96150 150 x 100 mm (6 in x 4 in) CR96200 200 x 150 mm (8 in x 6 in) CR96250 250 x 200 mm (10 in x 8 in) CR96300 300 x 250 mm (12 in x 10 in) CR96400 400 x 300 mm (16 in x 12 in) CR96450 450 x 300 mm (18 in x 12 in) CR96500 500 x 400 mm (20 in x 16 in) - to order 1000 x 500 mm (40 in x 20 in) - to order CR96000 Please note : inch sizes are approximate 2.50 4.25 5.42 9.00 13.75 19.58 30.00 33.75 48.33 112.50 3.00 5.10 6.50 10.80 16.50 23.50 36.00 40.50 58.00 135.00
Lithography Materials
Litho Crayons, Pencils and Sticks
CHARBONNEL LITHO CRAYONS
Copal - very hard No. 1 - hard No. 2 - medium No. 3 - soft No. 4 - very soft No. 5 - extra soft Code
CH31136 CH31131 CH31132 CH31133 CH31134 CH31135

KORNS LITHO PENCILS
Size
Box of 12 Box of 12 Box of 12 Box of 12 Box of 12 Box of 12
ex VAT inc VAT 12.08 12.08 12.08 12.08 12.08 12.08 14.50 14.50 14.50 14.50 14.50 14.50
For litho on stone, plate and aquatint. Can be mixed with water. For aquatint applications. No.1, 2 and 3 are the most suitable for creating fine tonal effects. Acid resistant. KO10101 Single 4.00 4.80 No. 1 - soft KO10102 Single 4.00 4.80 No. 2 - medium KO10103 Single 4.00 4.80 No. 3 - hard KO10104 Single 4.00 4.80 No. 4 - extra hard KO10105 Single 4.83 5.80 No. 5 - copal very hard Box of 12 No. 1-4 45.00 54.00 Box of 12 No. 5 50.00 60.00
129
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P RINTMAKING
Lithography Materials

KORNS RUBBING INK
For creating textural and tonal effects. Soft, medium or hard. 75 x 22 x 16 mm Code
KO103x0
Litho Inks
HIGH GRADE LITHOGRAPHY INK
Paste drawing ink. Very greasy. For heavily drawn or painted images. Soften with warm water Code
CH31140F
Size 125 g
COVERFLEX LITHOGRAPHY INK

Paste drawing ink for full opacity. Soften with warm water.
CH31139F
125 g
22.83
27.40
CHARBONNEL RUBBING INK (While stock lasts)

For creating textural and tonal effects. To produce very rich soft tones apply with a piece of soft cloth such as silk or cotton. Can be used as a drawing block to create lines.
CH31137
LIQUID LITHO INK

9.91 11.90 Zincographique. Thin consistency for application with brush or dip pen.
CH31146J CH31145J CH31144K
6.75 26.75 46.83 16.83 21.83 40.17 16.83 19.25 34.83 16.83 19.25 34.83 21.83 37.50 78.67 47.42
8.10 32.10 56.20 20.20 26.20 48.20 20.20 23.10 41.80 20.20 23.10 41.80 26.20 45.00 94.40 56.90
CHARBONNEL LITHO VELVET BLACK

Most intense black printing ink for lithography.
CH31059F CH31058H CH31057J
200 ml 400 ml 800 ml 200 ml 400 ml 800 ml 200 ml 400 ml 800 ml 200 ml 400 ml 800 ml 400 ml
CHARBONNEL LITHO DRAWING BLACK KORNS TUSCHE STICKS

108 x 29 x 10 mm. Prepare by mixing with distilled water to desired concentration. Can be used on aquatint as well as litho plates and stones. Recommended for higher quality results.
KO10200
Medium intensity black printing ink for lithography. 14.08 16.90 Least intense black printing ink for lithography.
CH31056F CH31055H CH31054J
CHARBONNEL LITHO SOFT CRAYON BLACK

CH31053F CH31052H CH31051J
CHARBONNEL LITHO ROLL-UP BLACK (NOIR A MONTER)

Non-drying black for temporary protection of stone between etchings.
CH31154F CH31155H CH31156J
CHARBONNEL TUSCHE STICKS

100 x 22 x 6 mm
CH31138
11.25
13.50
CONSERVATION LITHO INK

Non-drying for preparation.
CH31153H
HANDMADE LEATHER ROLLERS

Traditional rolling up roller and colour printing roller. Diameter: 11cm Length: 35 cm. Supplied with a wooden stand and leather grip handles.
CR93040
250.00 300.00 each
Accessories
SPONTEX
Compressed sponge
SP90001
2.75
3.30
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P RINTMAKING
Daler Rowney Screen Printing Materials
Daler Rowney System 3 Mediums
SYSTEM 3 SCREEN PRINTING MEDIUM
Section 7
This medium retards the drying of acrylic colour on the screen and reduces the risk of screen blocking, making it easier to wash out. The medium can be thinned with water. System 3 Acrylic Colours retain great density of colours even after mixing with medium and very substantial covering power can be achieved on paper, card and board without undue cockling. DR127100011 1 litre 11.46 13.75 DR127500011 5 litre 41.25 49.50
Once the drawing fluid is dry the entire screen surface is then blocked out with system 3 Removable Screen Block, applied by squeegee. Again once dry, the previously drawn image is washed out in cold water to leave an open-mesh positive image ready for printing. The screens can be reclaimed after printing by washing ot the screen block with hot tap water and soap. Screen Block Should be kept upright and stored at normal room temperature DR128237021 237 ml 10.79 12.75 DR128100021 1 litre 26.46 31.75
REMOVABLE SCREEN BLOCK FOR SCREEN PRINTING
Code
Size
ex VAT inc VAT
SYSTEM 3 TEXTILE PRINTING MEDIUM

Textile Printing Medium has been developed for screen printing on fabrics. Mixed 1:1 with System 3 Colour the medium remains open on the screen, gives strong colour, fine definition, and excellent colour fastness over 20+ washes. DR128237002 250 ml 7.46 8.95 DR128500022 5 litre 57.71 69.25
SYSTEM 3 ACRYLIC SCREEN PRINTING SET
41 x 55 cm wooden frame with high quality mesh 5 x 75 ml System 3 Acrylic tubes 250 ml System 3 textile printing medium 250 ml pot System 3 screen printing medium 75 ml bottle System 3 screen drawing fluid 237 ml System 3 removable screen block Artist apron
DR129900900
70.79
84.95
SCREEN DRAWING FLUID

Screen Drawing Fluid is applied by brush direct to the screen to create the drawn image. It can be applied neat but will probably require some dilution with water in finer detail areas. DR128007020 75 ml 3.54 4.25
131
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P RINTMAKING
Water-based Printing Inks
Water-based Relief Printing Inks

SCHMINCKE SERIES 19 AQUA RELIEF PRINTING INK
Water based inks for block printing and linocut. Code
SC19xxx009 gold & silver SC19xxx012 SC19xxxH
Size 35 ml 35 ml 120 ml 250 ml
ex VAT inc VAT 4.33 5.25 7.75 11.08 5.20 6.30 9.30 13.30
Titanium White PW 6 Opaque Ref 100
Permanent Yellow PY 154 Semi-transparent Ref 210
Indian Yellow PY 153, PO 62 Semi-transparent Ref 220
Vermilion Red PR 255 Semi-opaque Ref 320
Carmine Red PR 254, PR 264 Semi-transparent Ref 325
Magenta PR 122 Semi-opaque Ref 330
Ultramarine PW 6 Transparent Ref 430
Prussian Blue PB 15, PB 15:1 Opaque Ref 435
Cyan PB 15:3 Opaque Ref 440
Permanent Green PY 3, PG 7 Chromium Oxide Green Hue Opaque Ref 520 PY 42, PG 7 Opaque Ref 530
Yellow Ochre PY 42 Opaque Ref 610
Burnt Sienna PR 101 Opaque Ref 620
Sepia Brown Ref 630 PBr 7, PY 42, PR 101, PBk 11 Opaque
Ivory Black PBk 9, PBk 11 Opaque Ref 735
Silver PBk 10, Iriodin Semi-opaque Ref 810
Gold Iriodin Semi-opaque Ref 820
Copper Iriodin Semi-opaque Ref 830
LINO Pearl Medium with Prussian blue
LINO Gloss Medium with Prussian blue
LINO Glaze Medium with Prussian blue
Water-washable Etching Inks

CHARBONNEL AQUA WASH ETCHING INKS
Water-washable inks with oil emulsion suitable for Intaglio printing including etching, drypoint, aquatint, monoprint and mezzotint.
Series 1 Series 2 Series 3 Blacks only Transparent medium Aqua wash oil
Code
CH3323xxx CH3323xxx CH3323xxx CH3324xxx CH3324126 CH3324133
Size 60 ml 60 ml 60 ml 150ml 60 ml 75ml
ex VAT inc VAT 6.25 6.75 8.08 12.75 6.25 5.67 7.50 8.10 9.70 15.30 7.50 6.80
Primrose Yellow Ref 233 PY74 Opaque S3
Deep Yellow Ref 179 PY83 Opaque S3
Geranium Red Ref 375 PR48:2-PV23 Opaque S3
Cardinal Red Ref 676 PR112 Opaque S3
Vermilion Red Ref 393 PR188-PY74 Opaque S3
Ultramarine Ref 043 PB29 Opaque S1
Prussian Blue Ref 046 PB27 Opaque S2
Ocean Blue Ref 904 PB15:3 Opaque S2
Emerald Green Ref 529 PG7 Opaque S2
Paynes Grey Ref 261 PB29-PBk9 Opaque S1
Basic Bistre Ref 708 PR101-PBk6-PY7 Opaque S2
Sanguine Ref 397 PR101 Opaque S3
Raw Sepia Ref 121 PR101-PBk9-PBr7 Opaque S1

Ref 289 S1 Tints: Strong and warm black. Texture: Viscous, powerful and supple black.
Warm Sepia Ref 120 PB29-PBK9-PBR7 Opaque S3

Ref 286 S1 Tints: Mid. Black. Texture: Low viscosity, easy to wipe.
Yellow Ochre Ref 302 PY42 Opaque S1

Ref 279 S1 Tint: Cold, intense black. Reinforces the other blacks Texture: Most viscous black, for deep etching, drypoint, burin and mezzotint.
Burnt Sienna Ref 481 PR101-PY42 Opaque S1

Ref 285 S2 Tint: Weak black. Texture: Very supple, low viscosity, easy to wipe.
BLACK RSR
Ref 276 S1 Tints: Mid. Black. Texture: Very viscous, but easier to wipe than 55985:for deeply etched lines or Burin engraving.
BLACK 55981
BLACK F66
CARBON BLACK
Ref 291 S1 Tints: Warmer Black. Texture: Low viscosity, easy to wipe.
BLACK 55985
(CARBON) Ref 287 S1 Tint: Slightly bluish black. Reinforces the other blacks Texture: Viscous, tacky and difficult to wipe.
BLACK LUXE C
SOFT BLACK (EASY WIPE)
Ref 916 S2 Tint: Strong and powerful titanium white. Opaque.
SNOW WHITE TI
IS 1867 PAR
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P RINTMAKING
Relief Printing
Inks
CHARBONNEL NOIR VIGNETTE BLOCK PRINTING INK
Oil based colour for lino or wood block printing. Black only. Code
CH31062G CH31061H CH31060J
Section 7
Lino Blocks
Size 200 ml 400 ml 800 ml ex VAT inc VAT 15.42 26.92 42.17 18.50 32.30 50.60 Code
CR95075 75 x 75 mm (3 in x 3 in) CR95150 100 x 150 mm (4 in x 6 in) CR95200 200 x 150 mm (8 in x 6 in) CR95300 300 x 200 mm (12 in x 8 in) CR95305 300 x 300 mm (12 in x 12 in) CR95400 400 x 300 mm (16 in x 12 in) CR95450 450 x 450 mm (18 in x 18 in) Larger sizes available to order. Please note : inch sizes are approximate
ex VAT inc VAT 0.58 1.17 2.25 4.58 7.17 9.17 14.92 0.70 1.40 2.70 5.50 8.60 11.00 17.90
STANDARD BLACK RUBBER ROLLER

Plastic handle. Roller diameter 38 mm (1 in). CR94102 Width - 50 mm (2 in) CR94103 Width - 75 mm (3 in) CR94104 Width - 100 mm (4 in) CR94106 Width - 150 mm (6 in) CR94108 Width - 200 mm (8 in) Please note : inch sizes are approximate 4.92 6.00 6.50 7.75 9.92 5.90 7.20 7.80 9.30 11.90
LEFRANC & BOURGEOIS TYPOGRAPHIC INKS

Oil based inks for block printing.
LB21040xx
20 ml
7.58
9.10
Ref 33 40 95 88 26 19 25 18 71 01 57 02
Colour in tubes Lemon yellow Deep yellow Vermilion Deep Red Orient Blue Deep Blue Light Green Deep Green Red Ochre Blood Red Black 20ml Hiding White
Tools
RELIEF PRINTING BAREN
AB90002
3.50
4.20
DALER ROWNEY BLOCK PRINTING MEDIUM

Create oil based block printing inks by mixing with oil paint.
DR114225019
225 ml
8.13
9.75
JAPANESE PRINTING BARENS

6.5 cm diameter
PCPEAZYS1
2.50
3.00
Go to Page 170 for full range of Printmaking Papers
133
Section 7
P RINTMAKING
Relief Printing
Tools
GERMAN LINO TOOLS
Lino Set with 5 cutters Code
AB120100
Tools
ENGLISH LINO TOOLS

Lino cutter handle (individual) Lino cutters (individual) Set 10 Cutters + Handle Set 5 Cutters (Nos 1-5) + Handle
CR94300 CR943xx CR94320 CR94315
1.67 0.62 7.33 4.67
2.00 0.75 8.80 5.60
Complete Lino Box Set
AB121900
23.00
27.60
HANDMADE JAPANESE WOOD CUT SET

Basic Lino Set
AB120700
13.00
15.60
Set of 5 traditional tools. Low availability. Special sizes available to order
LCHTJS5
49.16
59.00
BEGINNERS WOODCUT TOOLS

Set of 5 tools. Wooden handles.
PCPEAWCS18
7.42
8.90
JAPANESE WOODCUT SET

Set of 12 tools. Wooden handles. For lino & wood carving.
PCTEMWCS12
12.92
15.50
RED RUBBER ROLLERS

Best quality rubber roller processed to give a smooth surface. Wooden handle. Roller diameter 50 mm AB130400 16.42 Width - 60 mm (2 in) AB130500 22.67 Width - 120 mm (4 in) AB130600 24.67 Width - 150 mm (6 in) AB130700 29.42 Width - 200 mm (8 in) AB131200 35.08 Width - 300 mm (11 in) Roller diameter 30 mm AB131000 12.75 Width - 120 mm (4 in) AB131900 16.42 Width - 150 mm (6 in) Please note : inch sizes are approximate
19.70 27.20 29.60 35.30 42.10 15.30 19.70
BURIN SQUARE
Individual tools for copper or wood engraving 115 mm LY32503 No 3 Fine No 7 Medium 115 mm LY32507 No 11 Large 115 mm LY32511 7.83 7.83 7.83 9.40 9.40 9.40
IS 1867 PAR
VIE
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P RINTMAKING
Relief Printing
Tools
ENGRAVING SET
Code ex VAT inc VAT Wood and Copper engraving Set. Splitsticker, tint tool, lozenge shaped graver, chisel and bullsticker 49.17 59.00 Set of 6 LY3V3400
Section 7
Tools
CHERRY WOOD ENGRAVING BLOCKS
Cherry wood traditionally laminated end grain blocks for wood engraving. A7 LCHTA7 12.08 14.50 (74 x 105) A6 LCHTA6 24.58 29.50 (105 x 148) A5 LCHTA5 41.25 49.50 (148 x 210) A4 LCHTA4 74.58 89.50 (210 x 297)
LINOLEUM SET (TOOLS ALSO AVAILABLE INDIVIDUALLY)

Traditional set of six tools. U shape, Lino Knife, Medium Gouge, Small Gouge, Large Gouge, Vshape. Set of 6 35.83 LY33100 Single tool 6.83 LY331xx 43.00 8.20
Mirror finish. Type high or just under. Sizes are approximate CDBW05050 50 x 50 mm 12.00
CDBW05075 CDBW07575 CDBW75100
BOXWOOD ENGRAVING BLOCKS
14.40 21.60 32.40 42.00
50 x 75 mm 75 x 75 mm 75 x 100 mm
18.00 27.00 35.00
Set of five tools and a sharpening stone. Bent chisel, Knife, Straight chisel, V shape gouge, Medium gouge and stone. Set of 5+stone 36.67 44.00 LY33350
WOOD CUT SET
Mirror finish. Type high or just under.
LEMONWOOD ENGRAVING BLOCKS

CDLW05050 CDLW05075 CDLW07575 CDLW75100
50 x 50 mm 50 x 75 mm 75 x 75 mm 75 x 100 mm
7.75 11.58 16.50 22.00
9.30 13.90 19.80 26.40
135
Section 7
P RINTMAKING
Presses
MINIATURE TABLE PRESS

Type of Print: General Intaglio techniques and Monotype. Plate thickness needs to be no higher than 1mm.
SpecificationsOverall length 25 cm, width 23.5 cm, height 17 cm. Width of roller 18 cm. Beds are made from steel with thickness 0.3 cm. AdjustmentBy screw down handles which allow the top roller to be raised or lowered. Mountingon any table or work bench of reasonable structure and rigidity. MaintenanceProtect bare metal surfaces if press is kept in a damp environment unused. Delivery cost within the UK is 20.00 ex VAT Bed size and Weight 18.6 cm x 32 cm 6 kg 26.8 cm x 42 cm 8.5 kg Upper Lower Roller Roller ex VAT inc VAT Diameter Diameter 35 mm 35 mm 150.00 180.00 35 mm 35 mm 170.83 205.00
Code
YTI18
YTI26
SMALL FORMAT PRESS

Type of Print: General Intaglio techniques and Monotype. Plate thickness needs to be no higher than 1mm.
SpecificationsOverall length 35 cm, width 43 cm, height 35 cm. Width of roller 31.5 cm. Diameter of wheel 85 cm. Steel bed with thickness 0.3 cm. AdjustmentBy screw-down handles which allow the top roller to be raised or lowered. Window frame required for relief printing. Mountingon any table or work bench of reasonable structure and rigidity. Delivery cost within the UK is 30.00 ex VAT Overall weight31 kg Upper Lower Roller Roller ex VAT inc VAT Diameter Diameter 60 mm 60 mm 800.00 960.00 170.00 204.00
Code
YTI31
Bed size and Weight 31.8 x 60 cm Table Stand
CORNELISSEN T4285
Type of Print: All intaglio/etching engraving and woodcuts. All relief, linocuts and collographs. Made to order.
ConstructionAll steel welded construction. Direct drive to lower roller via a five spoke star wheel. Spokes are removable for transport. Heavy-duty ball bearings are used throughout, requiring less effort for turning. Rollers are made from heavy steel tube with centre shafting, machined to a fine tolerance then polished. Press height including table stand90 cm/35.43 Supplied with Press Table. MaintenanceProtect bare metal surfaces if the press is being kept in a damp environment. Supplied with one 100% woven blanket of 4 mm thickness. Free delivery within the UK Code
T4285
Bed size and Weight 42 cm x 85 cm x 67 kg
Upper Lower Roller Roller ex VAT inc VAT Diameter Diameter 110 mm 110 mm 1175.00 1410.00
IS 1867 PAR
VIE
NNA 1873
N LO
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IS 1878 PAR
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P RINTMAKING
Presses
CORNELISSEN T52100
Type of Print: All intaglio/etching, engraving and woodcuts. All relief, linocuts and collographs Fitted on all sizes with a gear ratio of 4:1 for easier use. Made to order.
Section 7
ConstructionAll steel welded construction with a high strength composite bed. Rollers are made from heavy duty steel tube which is machined to a fine tolerance then polished. For a easy operation heavy duty star wheels are used throughout driven by a gear. AdjustmentToggle bars are fitted to both sides of the top roller bearings and are able to control the top roller accurately for precision work. Supplied with Press Table. MaintenanceNone (bearings are pre-packed with grease and are capable of many years normal service.) Metal surfaces need to be protected in damp environment. Press height including table stand90 cm/35.43 Printing bed thickness6 mm/ 0.24 Diameter of star wheel127 cm/ 50 Supplied with one 100% woven blanket 4 mm thickness and stand. Free delivery within the UK Bed size and Weight 52 cm x 100 cm 94 kg Upper Lower Roller Roller ex VAT inc VAT Diameter Diameter 157 mm 157 mm 2058.33 2470.00
Code
T52100
CORNELISSEN T73140
Type of Print: All intaglio and relief printing techniques. Gear ratio 8.5:1 for a smooth control.
ConstructionAll steel fabricated construction with a high strength solid industrial composite bed, which is fitted with safety stops. Rollers are made from heavy duty steel tube with upgraded centre shafting which is machined to a fine tolerance. For easy operation extra heavy duty ball bearings are used throughout. AdjustmentToggle bars at each side of the press, which allow the top roller to be raised or lowered easily. Supplied with Press Table. MaintenanceNone (bearings are pre-packed with grease and are capable of many years normal service.) Metal surfaces need to be protected in damp environment. Press height including table stand90 cm,/35.43 Printing bed thickness6 mm/ 0.24 Diameter of the star wheel127 cm/ 50 Supplied with one 100% woven blanket 4 mm thickness and stand. Free delivery within the UK Bed size and Weight 73 cm x 140 cm 141 kgs Upper Lower Roller Roller ex VAT inc VAT Diameter Diameter 157 mm 157 mm 2500.00 3000.00
Code
T73140
137
Section 7
P RINTMAKING
Books
PRINTMAKING FOR BEGINNERS
Code
NB90001
By Jane Stobart Basic guide to a wide range of printmaking techniques. It covers the processes of monotype, relief, intaglio, collagraph, screen printing and litho print. Explaining basic methods and recommending tools.
INKS
Code
NB90007
By Steve Hoskins Exploring the technical make-up and manufacturing processes of many different types of ink. Offers practical information to all levels of printmakers.
COLLAGRAPHS
PLATE LITHOGRAPHY
NB90002
By B.Hartill & R.Clarke A wide range of techniques, providing practical hints about choosing materials and printing methods to achieve the best result. Discuss the historical use of collage in printmaking.
14.99
By Paul Croft Expands on the principles of planographic printing. Different aspects of zinc and aluminium plates, waterless lithography, new and alternative methods of printing.
NB90008
14.99
STONE LITHOGRAPHY
NB90003
RELIEF PRINTING
By Ann Westley Comprehensive technical guide to relief printing today, describing both the traditional and progressive modes of practice currently employed. Block making, cutting, inking and printing.
14.99
By Paul Croft Comprehensive approach to the many aspects of stone lithography. Through simplified steps the information is presented in a logical and meaningful manner.
NB90009
14.99
DICTIONARY OF PRINTMAKING
20.00
ETCHING
By Alan Smith
NB90004
PRACTICAL GUIDE TO ETCHING
By Rosemary Simmons Invaluable description of all printmaking terms and equipment. Information on all techniques and materials. Foreign terms and chemical formulae.
NB90010
14.99
By Manly Banister Covers the fine point of working the plate with rosin, burins, scrapers, burnishers, rockers and roulettes. Illustrated with photographs.
NB90005
15.99
JAPANESE WOOD BLOCK
By Rebecca Salter History of Japanese woodblock, discusses the materials, tools and paper available. Shows how to get the most out of them through interesting step-by-step projects.
NB90011
14.99
WOOD ENGRAVING
By Simon Brett A book to be welcomed by students of engraving at all levels. Straightforward guide to what the aspiring engraver needs to get started.
NB90006
22.50
DIGITAL PRINTMAKING
By G. Whale & N. Barfield Covers all aspects of fine art digital printmaking. Step-by-step demonstrations of key techniques and processes are accompanied by examples of prints by international artist.
NB90012
14.99
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
138
B R USHES
Sable Watercolour Brushes
DA VINCI SERIES 10 NEEDLEPOINT
Made with the highest quality Tobolsky Kolinsky sable, this comes to a very fine point while retaining excellent spring characteristics. This is an outstanding series of brushes.
Section 8
CORNELISSEN SERIES 80A KOLINSKY SABLE

High quality Kolinsky sable with good spring and pointing characteristics. Very useful for detailed work.
Size 10/0 5/0 ex VAT 4.67 4.67 inc VAT 5.60 5.60 Code DV0011000 DV0010500 Size 3 4 ex VAT 6.92 7.83 inc VAT 8.30 9.40 Code DV0010003 DV0010004 Size 14 16 ex VAT 75.58 90.75 inc VAT 90.70 108.90 Code DV0010014 DV0010016
4/0
4.67 5.60
DV0010400
3/0
4.67 5.60
DV0010300
2/0
4.67 5.60
DV0010200
0
4.75 5.70
DV0010000
1
4.92 5.90
DV0010001
2
5.67 6.80
DV0010002
10
12
9.42 12.58 15.25 22.00 40.50 59.50 11.30 15.10 18.30 26.40 48.60 71.40
DV0010005 DV0010006 DV0010007 DV0010008 DV0010010 DV0010012
Size ex VAT inc VAT Code Size ex VAT inc VAT Code
3/0
3.08 3.70
2/0
3.17 3.80
0
3.33 4.00
1
3.67 4.40
2
4.00 4.80
3
5.00 6.00
4
6.00 7.20
5
7.08 8.50
LC0880A300 LC0880A200 LC0880A000 LC0880A001 LC0880A002 LC0880A003 LC0880A004 LC0880A005
6
7.50 9.00
10
12
14
16
18
12.12 17.08 26.92 39.75 61.50 68.75 84.42 14.70 20.50 32.30 47.70 73.80 82.50 101.30
LC0880A006 LC0880A007 LC0880A008 LC0880A010 LC0880A012 LC0880A014 LC0880A016 LC0880A018
20
141.83 170.20
DV0010020
ROBERSON POCKET SABLE BLE TRAV RAVEL AVEL BRUSH

Pure Kolinsky sable with a uniquely designed case to satisfy the travelling watercolourist. Double section handle protects the brush head in transit and unscrews to form a comfortable handle . Also available in synthetic hair, see page 142. Size ex VAT inc VAT Code Size ex VAT inc VAT Code
DA VINCI SERIES 11 TOBOLSKY KOLINSKY

Made to the same exacting standards as the Series 10 above but with more belly and therefore higher colour holding capacity. Suitable for all watercolour techniques.
1
7.58 9.10
EB50301
2
8.00 9.60
EB50302
3
8.67 10.40
EB50303
4
9.92 11.90
EB50304
5
10.75 12.90
EB50305
Size ex VAT inc VAT Code Size ex VAT inc VAT Code Size ex VAT inc VAT Code
5/0
5.67 6.80
DV0011500
4/0
5.67 6.80
DV0011400
3/0
5.67 6.80
DV0011300
2/0
5.67 6.80
DV0011200
0
5.67 6.80
DV0011000
1
6.00 7.20
DV0011001
2
7.25 8.70
DV0011002
3
8.33 10.00
DV0011003
6
13.83 16.60
EB50306
8
27.33 32.80
EB50308
10
39.25 47.10
EB50310
12
61.50 73.80
EB50312
10
12
14
10.08 11.67 17.33 22.08 28.33 49.17 75.58 94.50 12.10 14.00 20.80 26.50 34.00 59.00 90.70 113.40
DV0011004 DV0011005 DV0011006 DV0011007 DV0011008 DV0011010 DV0011012 DV0011014
16
20
113.50 170.25 136.20 204.30

DV0011016 DV0011020
FULL SET WITH WOODEN STAND

Full set of 9 travel sable brushes with wooden block stand. (5% saving from individual prices)
Code
EB50399
ex VAT inc VAT 168.17 201.80
WINSOR & NEWTON SERIES 7 KOLINSKY SABLE
Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation.
Size 3/0 2/0 0 1 ex VAT 6.96 7.42 7.83 8.33 inc VAT 8.85 8.90 9.40 10.00 Code WN5007030 WN5007020 WN5007000 WN5007001 Size 6 7 8 9 ex VAT 37.46 58.33 108.17 117.50 inc VAT 44.95 70.00 129.80 141.00 Code WN5007006 WN5007007 WN5007008 WN5007009
9.92 13.83 21.83 28.79 11.90 16.60 26.20 34.55

WN5007002 WN5007003 WN5007004 WN5007005
10
152.42 182.90
WN5007010
139
Section 8
B R USHES
CORNELISSEN SERIES 22 SPOTTER

Short haired pure sable brush for extra control and strength while spotting and retouching.
CORNELISSEN FILBERT KOLINSKY SABLE
Made from the finest Kolinsky sable, this brush combines the features of both flat and round brushes to give less mannered work.
Size ex VAT inc VAT Code
2/0
3.75 4.50
LC08022200
0
3.75 4.50
LC08022000
1
4.08 4.90
LC08022001
2
4.42 5.30
LC08022002
3
5.33 6.40
LC08022003
4
6.58 7.90
LC08022004
2
5.67 6.80
LC08SFL002
4
6.17 7.40
LC08SFL004
6
7.42 8.90
LC08SFL006
8
11.83 14.20
LC08SFL008
10
17.00 20.40
LC08SFL010
CORNELISSEN MINIATURE SABLE

Extra short haired brush for the discerning miniaturist.
3/0
4.42 5.30
LC08MIN300
2/0
4.42 5.30
LC08MIN200
0
4.42 5.30
LC08MIN000
1
4.83 5.80
LC08MIN001
2
5.50 6.60
LC08MIN002
CORNELISSEN ONE STROKE PURE SABLE

Pure red sable brushes with a high colour holding capacity enabling free flow of colour. The fine edge of this brush provides defined clean cut lines.
3
6.33 7.60
LC08MIN003
4
7.50 9.00
LC08MIN004
5
8.50 10.20
LC08MIN005
6
10.67 12.80
LC08MIN006
8
21.00 25.20
LC08MIN008
Size
2 3mm
5.33 6.40
LC08OSS002
4 4mm
5.75 6.90
LC08OSS004
6 6mm
6.83 8.20
LC08OSS006
8 8mm
10.33 12.40
LC08OSS008
10 9mm
17.00 20.40
LC08OSS010
WINSOR & NEWTON SERIES 7 MINIATURE SABLE

Extra short haired brushes for miniature painting. Kolinsky sable.
ex VAT inc VAT Code Size ex VAT inc VAT Code
12 12mm
21.75 26.10
LC08OSS012
14 15mm
26.00 31.20
LC08OSS014
16 19mm
32.42 38.90
LC08OSS016
18 22mm
46.33 55.60
LC08OSS018
20 25mm
55.33 66.40
LC08OSS020
3/0
6.96 8.35
WN5012030
2/0
7.42 8.90
WN5012020
0
7.83 9.40
WN5012000
1
8.33 10.00
WN5012001
2
8.92 10.70
WN5012002
3
10.42 12.50
WN5012003
4
12.17 14.60
WN5012004
5
16.58 19.90
WN5012005
6
21.83 26.20
WN5012006
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
140
B R USHES
CORNELISSEN SERIES 1 SIBERIAN KOLINSKY SABLE
Made with the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished esagonal handle.
Section 8

0
6.33 7.60
LC001000
1
7.25 8.70
LC001001
2
8.17 9.80
LC001002
4
10.83 13.00
LC001004
6
17.42 20.90
LC001006
8
27.92 33.50
LC001008
10
48.92 58.70
LC001010
12
71.67 86.00
LC001012
18
130.83 157.00
LC001018
24
204.17 245.00
LC001024
2
7.67 9.20
LC003002
4
10.17 12.20
LC003004
6
15.83 19.00
LC003006
8
27.42 32.90
LC003008
10
48.33 58.00
LC003010
12
58.33 70.00
LC003012

CORNELISSENS SABLE BRUSH (#10)

Kolinsky Sable #10 with brush soap.
Code
LCSBBX10
6 mm
16.58 19.90
LC002006
12 mm
24.92 29.90
LC002012
19 mm
43.25 51.90
LC002019
25 mm 1
68.33 82.00
LC002025
DA VINCI SYNTHETIC BRUSH SET SERIES 4208

Set of 3 nylon brushes
Code
DV4206SET
CORNELISSENS RED SABLE SKETCHERS SET

Set of 5 red sable brushes.
Code
DV5246SET
141
Section 8
B R USHES
Synthetic Watercolour Brushes
PRO ARTE SERIES 101 NYLON BRUSH
Economical, hard-wearing brushes suitable for watercolours and acrylics. They retain their points well.
DA VINCI SERIES 5570 COSMOTOP NOVA
Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting.
Size ex VAT inc VAT Code Size ex VAT inc VAT Code Size ex VAT inc VAT Code
4/0
1.92 2.30
PA101400
3/0
1.96 2.35
PA101300
2/0
2.08 2.50
PA101200
0
2.21 2.65
PA101000
1
2.38 2.85
PA101001
2
2.50 3.00
PA101002
3
2.79 3.35
PA101003
4
3.13 3.75
PA101004
5
4.04 4.85
PA101005
6
4.21 5.05
PA101006
7
4.83 5.80
PA101007
8
6.21 7.45
PA101008
10
7.83 9.40
PA101010
12
8.88 10.65
PA101012
14
9.79 11.75
PA101014
16
11.50 13.80
PA101016
20
21.25 25.50
PA101020
24
25.50 30.60
PA101024
DA VINCI SERIES 5580 COSMOTOP SPIN
Finest extra smooth synthetic fibre. A soft brush with excellent colour holding capacity.
Size ex VAT inc VAT Code Size ex VAT inc VAT Code Size ex VAT inc VAT Code Size ex VAT inc VAT Code
3/0
2.25 2.70
DV5570300
2/0
2.25 2.70
DV5570200
0
2.25 2.70
DV5570000
1
2.25 2.70
DV5570001
2
2.42 2.90
DV5570002
3
2.75 3.30
DV5570003
4
3.00 3.60
DV5570004
5
3.42 4.10
DV5570005
6
3.67 4.40
DV5570006
8
5.67 6.80
DV5570008
10
6.83 8.20
DV5570010
12
8.17 9.80
DV5570012
14
9.42 11.30
DV5570014
16
11.33 13.60
DV5570016
18
12.83 15.40
DV5570018
20
14.17 17.00
DV5570020
22
21.50 25.80
DV5570022
24
22.67 27.20
DV5570024
26

DV5570026
30

DV5570030
PRO ARTE SERIES 106 SYNTHETIC YNTHETI ONE STROKE E

Pure soft synthetic one stroke brush. Size ex VAT inc VAT Code Size ex VAT inc VAT Code Size ex VAT inc VAT Code
3/0
2.33 2.85
DV5580300
2/0
2.33 2.85
DV5580200
0
2.33 2.85
DV5580000
1
2.33 2.85
DV5580001
2
2.50 3.00
DV5580002
3
2.75 3.30
DV5580003
4
3.00 3.60
DV5580004
5
3.50 4.20
DV5580005
6
3.75 4.50
DV5580006
8
5.67 6.80
DV5580008
10
7.00 8.40
DV5580010
12
8.50 10.20
DV5580012
14
9.42 11.30
DV5580014
16
11.50 13.80
DV5580016
2 mm
2.88 3.45
PA106002
4 mm
3.29 3.95
PA106004
6 mm
3.88 4.65
PA106006
10 mm 12 mm 16 mm
4.83 5.80
PA106010
6.50 7.80
PA106012
8.25 9.90
PA106016
18
12.83 15.40
DV5580018
20
14.33 17.20
DV5580020
22

DV5580022
24
17.67 21.20
DV5580024
26

DV5580026
30
23.00 27.60
DV5580030
19 mm 25 mm 30 mm 40 mm 50 mm 1 1 1 2
9.79 11.75
PA106019
13.96 16.75
PA106025
15.17 18.20
PA106030
16.96 20.35
PA106075
17.83 21.40
PA106050
ROBERSON POCKET SYNTHETIC TRAVEL BRUSH

High quality synthetic hair with excellent pointing ability. Double section handle protects the brush head in transit and unscrews to form a comfortable handle. Also available in sable hair, see page 132.
DA VINCI SERIES 122 COSMOTOP NOVA ONE STROKE
Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting.
6
8.83 10.60
EB57306
8
13.17 15.80
EB57308
10
15.08 18.10
EB57310
12
20.17 24.20
EB57312
Code Full set of 4 synthetic travel brushes. (10% saving from individual prices)
EB57399
N LO
1
2.17 2.60
DV0122001
2
2.25 2.70
DV0122002
4
2.75 3.30
DV0122004
6
3.33 4.00
DV0122006
8
3.92 4.70
DV0122008
10
4.83 5.80
DV0122010
12
5.75 6.90
DV0122012
14
7.08 8.50
DV0122014
16
8.08 9.70
DV0122016
18
9.00 10.80
DV0122018
20
13.67 16.40
DV0122020
24
17.00 20.40
DV0122024
IS 1867 PAR
VIE
NNA 1873
DON 186 2
IS 1878 PAR
142
B R USHES
Watercolour Wash Brushes
REKAB SERIES 279 PURE OX FITCH
Extra soft ox hair.
Section 8
REKAB SERIES 349 OVAL WASH

Good quality squirrel hair.
12 mm
3.41 4.10
RE279012
19 mm
4.91 5.90
RE279019
25 mm 1
7.41 8.90
RE279025
4
5.16 6.20
RE349004
8
7.50 9.00
RE349008
10
10.08 12.10
RE349010
REKAB SERIES 274 GOLDEN OX FITCH

Soft ox hair with slightly more spring than above.
DA VINCI SERIES 803 OVAL WASH

Finest Russian squirrel hair combines control with high colour holding capacity.
10 mm
4.41 5.30
RE274010
12 mm
4.58 5.50
RE274012
16 mm
5.16 6.20
RE274016
22 mm
8.25 9.90
RE274022
25 mm 1
10.08 12.10
RE274025
0
9.42 11.30
DV0803000
1
10.83 13.00
DV0803001
2
12.42 14.90
DV0803002
3
14.33 17.20
DV0803003
4
17.33 20.80
DV0803004
5
18.83 22.60
DV0803005
6
24.50 29.40
DV0803006
7
26.50 31.80
DV0803007
8
28.83 34.60
DV0803008
REKAB SERIES 350 SQUIRREL FLAT A AT

Good quality hair with high colour holding capacity.
REKAB SERIES 275 IMITATION SABLE FILBERT

Good colour holding capacity, combines characteristics of round and flat brushes.
4
5.16 6.20
RE350004
8
7.58 9.10
RE350008
10
10.16 12.20
RE350010
8
5.08 6.10
RE275008
12
8.75 10.50
RE275012
143
Section 8
B R USHES
Watercolour Wash Brushes
RAPHAEL PETIT GRIS PUR

A traditional pointed quill mop. Superb tip, elasticity and colour capacity. Ideal for very long brushstrokes.
DA VINCI SERIES 488 SPIN-SYNTHETICS
Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle.
Size ex VAT inc VAT Code Size ex VAT inc VAT Code Size ex VAT inc VAT Code Size ex VAT inc VAT Code
0
6.33 7.60
DV0488000
2
6.83 8.20
DV0488002
4
10.08 12.10
DV0488004
5
12.25 14.70
DV0488005
6
18.83 22.60
DV0488006
8
27.42 32.90
DV0488008
10
34.00 40.80
DV0488010
3/0
7.46 8.95
RAPGP300
2/0
8.75 10.50
RAPGP200
0
9.96 11.95
RAPGP000
1
10.79 12.95
RAPGP001
2
11.63 13.95
RAPGP002
3
16.25 19.50
RAPGP003
FOAM BRUSH SERIES 7200

For controllable watercolour washes without water logging paper.
4
18.75 22.50
RAPGP004
5
22.92 27.50
RAPGP005
6
26.63 31.95
RAPGP006
7
33.29 39.95
RAPGP007
8
37.46 44.95
RAPGP008
9
45.79 54.95
RAPGP009
10
54.13 64.95
RAPGP010
11
72.46 86.95
RAPGP011
12
83.29 99.95
RAPGP012
14
92.46 110.95
RAPGP014
16
101.25 121.50
RAPGP016
25 mm 1
1.17 1.40
SB72001
50 mm 2
1.50 1.80
SB72002
75 mm 3
1.92 2.30
SB72003
100 mm 4
2.08 2.50
SB72004
CORNELISSEN SQUIRREL MOP

Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting.
NATURAL SPONGE
For water washes and creating special effects.
Small
1.33 1.60
SH10000
Large
9.50 11.40
SH11000
Pastel Brushes
DA VINCI SERIES 132 PASTEL BLENDING BRUSH
Size ex VAT inc VAT Code Pastel brush, pony hair with natural tips. Blue polished handle.
2
8.54 10.25
LCSM002
4
11.12 13.35
LCSM004
6
14.66 17.60
LCSM006
8
27.83 33.40
LCSM008
10
33.50 40.20
LCSM010
12
37.37 44.85
LCSM012
14
47.83 57.40
LCSM014
4
6.75 8.10
DV0132004
8
10.08 12.10
DV0132008
12
13.17 15.80
DV0132012
16
20.92 25.10
DV0132016
24
26.42 31.70
DV0132024
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
144
B R USHES
Lining and Signwriting Brushes
DA VINCI SERIES 1105 SHORT HANDLED RIGGER ER
High quality Kolinsky Sable rigger with short handle.
Section 8
PRO ARTE SERIES 9A SWORDLINER
Synthetic lining brush with high colour holding capacity and fine point.
0
5.58 6.70
DV1105000
1
5.58 6.70
DV1105001
2
5.58 6.70
DV1105002
4
6.17 7.40
DV1105004
6
7.50 9.00
DV1105006
8
9.08 10.90
DV1105008
Small
4.13 4.95
PA09A001
Medium
5.88 7.05
PA09A002
Large
8.25 9.90
PA09A003
PRO ARTE SERIES 10 SIGNWRITER GNWRITER

Long haired synthetic brush for signwriting. Good colour holding and spring. Square tip.
REKAB SWORDLINER (WHILE STOCK LASTS)

Made with soft squirrel hair for maximum colour holding capacity. Fine point.
0
2.04 2.45
PA010000
1
2.25 2.70
PA010001
2
2.38 2.85
PA010002
4
2.96 3.55
PA010004
6
4.04 4.85
PA010006
8
6.04 7.25
PA010008
10
7.50 9.00
PA010010
PRO ARTE SERIES 103 RIGG IGGER GGER ER

Long haired synthetic brush with good colour holding capacity and spring. Very fine point.
0
9.00 10.80
WHSS000
1
9.58 11.50
WHSS001
2
10.50 12.60
WHSS002
3
11.66 14.00
WHSS003
4
12.25 14.70
WHSS004
DA VINCI SERIES 5519 LINER SABLE BLE

Squirrel reservoir and red sable point.
0
2.21 2.65
PA103000
1
2.33 2.80
PA103001
2
2.50 3.00
PA103002
3
2.79 3.35
PA103003
4
3.17 3.80
PA103004
5
4.04 4.85
PA103005
6
4.21 5.05
PA103006
PRO ARTE SERIES 9 LINER

Extra long haired synthetic brush for signwriting or lining. Square tip.
5
13.50 16.20
DV5519005
8
18.67 22.40
DV5519008
10
22.00 26.40
DV5519010
12
25.92 31.10
DV5519012
DA VINCI SERIES 17 LINER

Sable reservoir and sable point.
X Fine
2.83 3.40
PA009000
Fine
4.04 4.85
PA009001
Med
5.33 6.40
PA009002
Large
6.96 8.35
PA009003
9
30.25 36.30
DV0017009
12
37.33 44.80
DV0017012
145
Section 8
B R USHES
Lining and Signwriting Brushes
CORNELISSEN POINTED WRITER IN QUILL

Traditional long sable hair with plain wood handles bound in genuine quill. These brushes hold large amounts of colour for long lines but also point well for detail work.
MENSO LINER
Oriental style liner in synthetic hair displays exceptional pointing characteristics and spring.
Small Large Small Large Crow Duck Duck Duck Goose Goose Goose
4.59 5.50
EMCR001
Small
8.33 10.00
VT31031
Medium
9.08 10.90
VT31032
Large
10.33 12.40
VT31033
5.54 6.65
EMSD002
6.63 7.95
EMDU003
8.75 10.50
EMLD004
11.66 14.00
EMSG005
16.66 20.00
EMGO006
22.04 26.45
EMLG007
Oriental Brushes
Goat Hair: Extremely pliable and soft, useful for more expressive freestyle painting. Lacks spring but retains a good point and has excellent absorbency. Horse, Deer and Raccoon Dog Hair: Strong, resilient and somewhat coarse. Absorbent, firm and easy to use. Good for beginner calligraphers and painters. Weasel Hair: Can be compared to Sable. Supple with good spring. Chicken Feather: Very absorbent with no spring at all. Difficult to control but can create unique lines and effects when wet, and can also be used dry as a blending brush.
009 PAINTING & WRITING WOLF/ HORSE HAIR
Code
GU50009
SERIES 2 MEDIUM GOAT/PONY HAIR

PCPEAPO2
6.33
7.60
006 SMALL GOAT HAIR

WITH BLACK TIP
Code
GU50006
SERIES 7 GOAT/SQUIRREL HAIR

PCPEAPO7
10.17
12.20
48B MEDIUM GOAT HAIR
Code
GU5048B
4.42
5.30
SERIES A5 GOAT/SQUIRREL/PONY HAIR MIX

PCPEAPA5
8.00
9.60
105 SMALL GANG YUN WOLF/HORSE HAIR

GU50105
5.42
6.50
GOAT HAIR, WALNUT HANDLE (WHILE STOCK LASTS)

VT20016
12.50
15.00
068 LARGE ORCHID WOLF/HORSE HAIR

GU50068
7.50
9.00
i
IS 1867 PAR
Please go to page 101 to see our full selection of Japanese brushes
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
146
B R USHES
Oriental Brushes
ROBERSON HAKE BRUSH
Made in the traditional way by sewing the goat hair into a split in the wooden handle, removing any possibility of a rusting ferrule.
Section 8
CHINESE 8 BRUSH SET

3 Goat hair, 3 Rabbit hair and 2 Sable hair screw-on brush heads and 2 handles.
PCPEACBS
13.00
15.60
25 mm 1
3.92 4.70
VT30010
30 mm 1
4.75 5.70
VT30015
50 mm 2
6.08 7.30
VT30020
75 mm 3
8.83 10.60
VT30030
CHINESE BRUSH STAND

Wooden stand to hang Japanese and Chinese brushes (38.5 cm H x 34 cm W)
Code
CA50STND
CHINESE 2 BRUSH SET & ACCESSORIES

2 Brushes, black ink stick and grinding stone.
PCPEACS02
10.83
13.00
147
Section 8
B R USHES
Oil Painting Brushes
CORNELISSEN SABLE ROUND

Finest quality red sable suited to all types of oil techniques. This brush has good spring even in the smaller sizes and retains its point well.
DA VINCI SERIES 1200 SABLE RIGGER

Made from pure Kolinsky sable hair to give added control and spring when painting long lines.
2/0
3.08 3.70
LC08OSR200
0
3.08 3.70
LC08OSR000
1
3.17 3.80
LC08OSR001
2
3.25 3.90
LC08OSR002
3
3.75 4.50
LC08OSR003
4
4.25 5.10
LC08OSR004
5
4.83 5.80
LC08OSR005
Size 1 ex VAT 5.33 inc VAT 6.40 Code DV1200001
2
5.67 6.80
DV1200002
4
6.58 7.90
DV1200004
6
8.92 10.70
DV1200006
8
10.83 13.00
DV1200008
10
13.75 16.50
DV1200010
12
15.92 19.10
DV1200012
6
5.50 6.60
LC08OSR006
7
8.83 10.60
LC08OSR007
8
10.33 12.40
9
12.50 15.00
10
16.92 20.30
12
29.25 35.10
LC08OSR012
ROBERSON MONGOOSE BRUSHES (IMITATION)

A texture and spring midway between sable and hog. They are robust enough for work in both oils and acrylics. Available in 3 shapes.
LC08OSR008 LC0805R009 LC08OSR010
CORNELISSEN SABLE FILBERT
Similar to the sable round but with a filbert shape combining the characteristics of rounds and flats. Excellent spring and colour holding capacity.
ie er
30
o :R
un
2
4.17 5.00
SE22R2
4
4.42 5.30
SE22R4
6
4.83 5.80
SE22R6
8
5.87 7.05
SE22R8
10
6.37 7.65
SE22R10
12
7.42 8.90
SE22R12
0
4.67 5.60
LC08OSF000
1
4.67 5.60
LC08OSF001
2
5.08 6.10
LC08OSF002
4
5.50 6.60
LC08OSF004
6
7.42 8.90
LC08OSF006
8
10.67 12.80
LC08OSF008
10
14.08 16.90
LC08OSF010
12
16.08 19.30
LC08OSF012
14
28.83 34.60
LC08OSF014
16
35.92 43.10
LC08OSF016
18
43.42 52.10
LC08OSF018
20
52.00 62.40
LC08OSF020
ie er
31
i :F
lbe
rt
CORNELISSEN SABLE BLE BRIGHT

Made from the same quality red sable as the rounds and used for short, thicker strokes of paint.
2
4.21 5.05
SE21UB2
4
4.46 5.35
SE21UB4
6
4.92 5.90
SE21UB6
8
5.92 7.10
SE21UB8
10
6.37 7.65
SE21UB10
12
7.42 8.90
SE21UB12
2/0
3.42 4.10
LC08OSB200
0
3.42 4.10
LC08OSB000
1
3.42 4.10
LC08OSB001
2
3.42 4.10
LC08OSB002
4
4.42 5.30
LC08OSB004
6
5.58 6.70
LC08OSB006
s rie Se
32
:F
lat
8
7.42 8.90
LC08OSB008
10
10.33 12.40
LC08OSB010
12
13.42 16.10
LC08OSB012
14
17.00 20.40
LC08OSB014

IS 1867 PAR
2
3.71 4.45
SE20PC2
4
4.04 4.85
SE20PC4
6
4.46 5.35
SE20PC6
8
5.42 6.50
SE20PC8
10
6.08 7.30
SE20PC10
12
7.33 8.80
SE20PC12
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
148
B R USHES
DA VINCI SERIES 1640 BLACK SABLE ROUND
Finest Russian black sable hair with long maroon polished handles
Section 8
CORNELISSEN SERIES 41-44 HOG BRISTLE
Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle.
43
41
42
rie
rie
rie
Se
Se
Se
nd
ig h
0
3.33 4.00
DV1640000
1
3.33 4.00
DV1640001
2
3.33 4.00
DV1640002
4
3.75 4.50
DV1640004
6
4.67 5.60
DV1640006
8
5.17 6.20
DV1640008
10
5.42 6.50
DV1640010
12
6.17 7.40
DV1640012
14
7.50 9.00
DV1640014
16
10.67 12.80
DV1640016
18
12.67 15.20
DV1640018
20
16.00 19.20
DV1640020
DA VINCI SERIES 1845 BLACK SABLE FILBERT

As above in filbert
Size ex VAT inc VAT S41 S42 S43 S44 Size ex VAT inc VAT S41 S42 S43 S44
1
4.33 5.20
VT41901 VT42901 VT43901 VT44901
2
4.58 5.50
VT41902 VT42902 VT43902 VT44902
3
4.83 5.80
VT41903 VT42903 VT43903 VT44903
Fi lb e
R ou
Fl at
Br
4
5.33 6.40
VT41904 VT42904 VT43904 VT44904
rt
Se
rie
44
5
6.00 7.20
VT41905 VT42905 VT43905 VT44905
Code
6
7.00 8.40
VT41906 VT42906 VT43906 VT44906
7
8.33 10.00
VT41907 VT42907 VT43907 VT44907
8
9.92 11.90
VT41908 VT42908 VT43908 VT44908
10
12.67 15.20
VT41910 VT42910 VT43910 VT44910
12
17.83 21.40
VT41912 VT42912 VT43912 VT44912
0
5.17 6.20
DV1845000
1
5.17 6.20
DV1845001
2
5.17 6.20
DV1845002
4
5.83 7.00
DV1845004
6
7.25 8.70
DV1845006
8
43 41 B Fi lb er t
8.50 10.20
rie
Code
ROBERSON SERIES 41B-44B HOG BRISTLE
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle
rie
10.33 12.40
DV1845010
12.25 14.70
DV1845012
15.92 19.10
DV1845014
17.83 21.40
DV1845016
23.00 27.60
DV1845018
27.42 32.90
DV1845020
Br
Fl
C ode
DA VINCI SERIES 1840 BLACK SABLE BRIGHT RIG GHT

As above in bright
0
3.58 4.30
DV1840000
1
3.58 4.30
DV1840001
2
3.67 4.40
DV1840002
4
4.25 5.10
DV1840004
6
4.67 5.60
DV1840006
8
5.42 6.50
DV1840008
Size ex VAT inc VAT S41B S42B S43B S44B Size ex VAT inc VAT S41B S42B S43B S44B
1
3.32 3.90
VT41501 VT42501 VT43501 VT44501
2
3.42 4.10
VT41502 VT42502 VT43502 VT44502
3
3.67 4.40
VT41503 VT42503 VT43503 VT44503
ou nd
ig
at
10
12
14
16
18
20
Se
rie
Se
ht
Se
4
4.00 4.80
VT41504 VT42504 VT43504 VT44504
5
4.42 5.30
VT41505 VT42505 VT43505 VT44505
Se
rie
DV1845008
42
44
6
4.83 5.80
VT41506 VT42506 VT43506 VT44506
7
5.58 6.70
VT41507 VT42507 VT43507 VT44507
8
6.42 7.70
VT41508 VT42508 VT43508 VT44508
10
8.08 9.70
VT41510 VT42510 VT43510 VT44510
12
10.50 12.60
VT41512 VT42512 VT43512 VT44512
14
16.75 20.10
VT41514 VT42514 VT43514 VT44514
16
21.08 25.30
VT41516 VT42516 VT43516 VT44516
18
24.58 29.50
VT41518 VT42518 VT43518 VT44518
10
6.08 7.30
DV1840010
12
7.08 8.50
DV1840012
14
8.17 9.80
DV1840014
16
9.75 11.70
DV1840016
18
12.92 15.50
DV1840018
20
16.08 19.30
DV1840020
C od e
149
Section 8
B R USHES
DA VINCI LONG HANDLED HOG

Finest quality white bristle brushes with extra long 60 cm handle length.
OMEGA SERIES 71 HOG FITCH
Soft flat domed Italian hog hair with long flexible bristles and good colour holding capacity. Well suited to flat strokes and blocking in of colour. Ideal for large scale painting.
Se
rie
70
06
:F
lat Se ri es
77
06
:R
ou
nd 6 40 :F ilb er
Se
rie
Size ex VAT inc VAT Code 24 25.50 30.60

DVxx06024
20
5.83 7.00
OM71020
22
6.33 7.60
OM71022
24
7.00 8.40
OM71024
26
8.67 10.40
OM71026
28
9.75 11.70
OM71028
30
10.92 13.10
OM71030
12 11.42 13.70
DVxx06012
14 13.08 15.70
DVxx06014
16 14.92 17.90
DVxx06016
18 16.50 19.80
DVxx06018
20 18.92 22.70
DVxx06020
22 23.58 28.30
DVxx06022
OMEGA SERIES 203 POINTED HOG SASH

Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings.
DA VINCI SERIES 7906 FRESCO BRUSH

Finest quality white bristle. Long bristle, domed shape. Extra long 60 cm handle. For painting on wet plaster or dry stucco.
12 12.92 15.50
DV7906012
14 15.00 18.00
DV7906014
16 16.58 19.90
DV7906016
18 19.08 22.90
DV7906018
20 23.00 27.60
DV7906020
22 28.58 34.30
DV7906022
24 35.00 42.00
DV7906024
3/0
6.17 7.40
OM20330
2/0
6.42 7.70
OM20320
0
6.50 7.80
OM20300
1
6.67 8.00
OM20301
2
6.83 8.20
OM20302
3
7.25 8.70
OM20303
4
7.83 9.40
OM20304
5
9.08 10.90
OM20305
6
10.75 12.90
OM20306
8
14.08 16.90
OM20308
Fan Brushes
PRO ARTE SERIES F PROLENE FAN
Soft synthetic haired fan used for blending and softening adjacent areas of oil and acrylic colour.
OMEGA SERIES 70 HOG FITCH
Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics.
20
6.33 7.60
OM70020
22
7.08 8.50
OM70022
24
8.17 9.80
OM70024
26
9.42 11.30
OM70026
28
10.33 12.40
OM70028
Small
4.29 5.15
PASF001
Medium
5.04 6.05
PASF002
Large
6.46 7.75
PASF003
PRO ARTE SERIES E HOG FAN

Used in the same way as series F, but suitable for thicker layers of colour.
OMEGA SERIES 222 DOMED HOG SASH

Long soft Italian hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. Size ex VAT inc VAT Code
2
3.71 4.45
PASE002
4
4.38 5.25
PASE004
6
5.25 6.30
PASE006
8
5.92 7.10
PASE008
CORNELISSEN BADGER FAN BRUSH SERIES 273

3/0
5.83 7.00
OM22230
2/0
6.33 7.60
OM22220
0
6.42 7.70
OM22200
1
6.58 7.90
OM22201
2
6.83 8.20
OM22202
Soft Badger haired fan brush for light blending and softening applications
3
7.25 8.70
OM22203
4
8.58 10.30
OM22204
5
9.50 11.40
OM22205
6
11.08 13.30
OM22206
8
14.58 17.50
OM22208

N LO
8 6.17 7.40
C0273EV08
10 7.46 8.95
C0273EV10
12 9.04 10.85
C0273EV12
16 14.71 17.65
C0273EV16
18 16.17 19.40
C0273EV18
20 19.96 23.95
C0273EV20
22 27.00 32.40
C0273EV22
IS 1867 PAR
VIE
NNA 1873
DON 186 2
IS 1878 PAR
150
B R USHES
Knives
ROBERSON PAINTING KNIVES
High quality Japanese painting knives featuring highly flexible construction. These tools feature cranked trowel shaped carbon steel blades and robust wooden handles. For painting only-not mixing. 1. 200 mm long, 30 mm blade 2. 190 mm long, 40 mm blade 3. 220 mm long, 60 mm blade 4. 210 mm long, 75 mm blade 5. 225 mm long, 65 mm blade 6. 230 mm long, 85 mm blade 7. 220 mm long, 85 mm blade 8. 225 mm long, 90 mm blade Code ex VAT inc VAT 5.17 6.20 Small 175 mm long, 85 mm blade Medium 200 mm long, 100 mm blade
Section 8
ROBERSON PALETTE KNIVES
Code
VT10101 VT10102
ex VAT inc VAT 2.92 2.92 3.50 3.50
VT10001 VT10002 VT10003 VT10004 VT10005 VT10006 VT10007 VT10008
Plastic, Inexpensive option for light use.
LC08301
0.83
1.00
COLOUR SHAPERS
Unique silicone tipped tools for painting heavy mediums such as acrylic and oil paint. Excellent for spreading adhesives and applying masking fluid. Can be used with Batik and encaustic wax. Available in soft ivory tip and firm grey tip.
0
3.42 4.10
WD50000
2
4.42 5.30
WD50002
6
5.92 7.10
WD50006
10
7.50 9.00
WD50010
16
10.58 12.70
WD50016
Short Handled Brushes for Acrylic

PRO ARTE SERIES 202 ROUND ACRYLIX RYLIX
This brush has an excellent point and spring well suited to detail work in acrylic, watercolour and oils
PRO ARTE SERIES 204 ONE STROKE ACRYLIX

This brush achieves a particularly good sharp edge in all media
2/0
2.38 2.85
PA202200
0
2.50 3.00
PA202000
1
2.79 3.35
PA202001
2
2.92 3.50
PA202002
3
3.08 3.70
PA202003
4
3.50 4.20
PA202004
5
4.13 4.95
PA202005
3 mm
3.04 3.65
PA204003
5 mm
3.63 4.35
PA204005
6 mm
4.21 5.05
PA204006
10 mm
5.71 6.85
PA204010
6
4.88 5.85
PA202006
7
6.04 7.25
PA202007
8
6.92 8.30
PA202008
10
8.00 9.60
PA202010
12
9.33 11.20
PA202012
14
10.00 12.00
PA202014
16
11.88 14.25
PA202016
13 mm
7.33 8.80
PA204013
16 mm
8.75 10.50
PA204016
19 mm
10.08 12.10
PA204019
25 mm 1
13.58 16.30
PA204025
PRO ARTE ACRYLIX SERIES 203 RIGGER ER

Combines the strengths of the series 202 with long hair to provide long accurate lines in all media
0
2.75 3.30
PA203000
1
2.88 3.45
PA203001
2
3.08 3.70
PA203002
3
3.33 4.00
PA203003
4
3.79 4.55
PA203004
6
5.04 6.05
PA203006
151
Section 8
B R USHES
Long Handled Brushes for Acrylic
ROBERSON INTERLON
Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle.
DA VINCI SERIES 1870 NOVA FLAT

Long handled synthetic brush for acrylic or oil painting. Soft bristles.
61
62
rie
Se
Se
rie
ig h
R ou
Fl at
Br
nd
Se
rie
63
Size ex VAT inc VAT S61 S62 S63 Size ex VAT inc VAT S61 S62 S63
1
4.33 5.20
VT61001 VT62001 VT63001
2
4.58 5.50
VT61002 VT62002 VT63002
3
5.08 6.10
VT61003 VT62003 VT63003
4
5.75 6.90
VT61004 VT62004 VT63004
6
7.67 9.20
VT61006 VT62006 VT63006
8
10.33 12.40
VT61008 VT62008 VT63008
10
13.42 16.10
VT61010 VT62010 VT63010
12
16.50 19.80
VT61012 VT62012 VT63012
14
20.58 24.70
VT61014 VT62014 VT63014
16
23.92 28.70
VT61016 VT62016 VT63016
18
28.92 34.70
VT61018 VT62018 VT63018
20
33.67 40.40
VT61020 VT62020 VT63020
0
2.25 2.70
DV1870000
1
2.25 2.70
DV1870001
2
2.33 2.80
DV1870002
4
2.75 3.30
DV1870004
6
3.08 3.70
DV1870006
8
3.67 4.40
DV1870008
10
4.42 5.30
DV1870010
Code
12
5.50 6.60
DV1870012
14
7.42 8.90
DV1870014
16
8.58 10.30
DV1870016
18
11.75 14.10
DV1870018
20
14.08 16.90
DV1870020
24
17.83 21.40
DV1870024
Code
DA VINCI SERIES 1670 NOVA ROUND

DA VINCI SERIES 1875 NOVA FILBERT

0
2.17 2.60
DV1670000
1
2.17 2.60
DV1670001
2
2.25 2.70
DV1670002
4
2.50 3.00
DV1670004
6
2.67 3.20
DV1670006
8
3.00 3.60
DV1670008
10
3.33 4.00
DV1670010
12
3.58 4.30
DV1670012
14
4.83 5.80
DV1670014
16
5.42 6.50
DV1670016
18
7.50 9.00
DV1670018
20
8.00 9.60
DV1670020
24
26
28
9.42 10.33 11.25 11.30 12.40 13.50

DV1670024 DV1670026 DV1670028
0
2.50 3.00
DV1875000
1
2.50 3.00
DV1875001
2
2.67 3.20
DV1875002
4
3.25 3.90
DV1875004
6
4.00 4.80
DV1875006
8
4.83 5.80
DV1875008
10
5.83 7.00
DV1875010
12
7.42 8.90
DV1875012
14
8.58 10.30
DV1875014
16
10.00 12.00
DV1875016
20
15.92 19.10
DV1875020
Priming and Paste Brushes

OMEGA SERIES 1033 LILY BRISTLE MOTTLER
Code
OM033070
Size 70 mm
DA VINCI SERIES 5073 SYNTHETIC MOTTLER
Very soft synthetic bristles, excellent for all-round use. Bright green handle, grey bristles.

IS 1867 PAR
20mm
3.75 4.50
DV5073020
30mm
4.42 5.30
DV5073030
40mm
5.67 6.80
DV5073040
50mm
7.67 9.20
DV5073050
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
152
B R USHES
Priming and Paste Brushes
OMEGA SERIES 57 HOG SASH
Thick flat hog hair brush with slightly domed shape. Used for thick applications of oil or acrylic paint. Especially good or applying white lead primer to sized linen.
Section 8
DA VINCI SERIES 2468 WAVY MOTTLER

Firm short bristled brush ideally for spreading uniformly white lead primer into the weave of sized canvas.
40 mm 1
7.42 8.90
OM57015
50 mm 2
9.00 10.80
OM57020
70 mm 2
9.92 11.90
OM57025
SHEPHERDS PASTE BRUSH

Soft round domed hog hair. Bound with string instead of metal ferrule (will not rust). Suitable for application of pastes for bookbinding and laying down of gesso.
80 mm
10.67 12.80
DV2468080
100 mm
14.00 16.80
DV2468100
120 mm
18.25 21.90
DV2468120
ROBERSON PRIMING BRUSH

Selected short hog hair. Economical brush for a wide variety of priming uses. Size ex VAT inc VAT Code
2
4.41 5.30
LC08202
6
4.91 5.90
LC08206
10
6.00 7.20
LC08210
12
6.66 8.00
LC08212
14
8.08 9.70
LC08214
18
24
28
10.91 15.08 17.83 13.10 18.10 21.40

LC08218 LC08224 LC08228
DA VINCI SERIES 5025 IMPASTO MOTTLER

Extra strong white synthetic bristles, short length short blue polished handle, rust-proof steel ferrule. Size ex VAT inc VAT Code Size 20mm ex VAT 5.67 inc VAT 6.80 Code DV5025020
60 mm 2
4.17 5.00
CR05160
80 mm 3
5.75 6.90
CR05180
100 mm 4
7.42 8.90
CR05100
30mm
6.33 7.60
DV5025030
40mm
7.75 9.30
DV5025040
50mm
9.75 11.70
DV5025050
60mm
12.17 14.60
DV5025060
80mm
16.00 19.20
DV5025080
Varnish and Lacquering Brushes

DA VINCI SERIES 560 OX LACQUER BRUSH
Finest quality ox hair suitable for lacquers and fine varnishes. May also be used for watercolour washes.
DA VINCI SERIES 5080 COSMOTOP VARNISH

Light brown, extra smooth and soft synthetic hair with black polished handle, tin ferrule.
30 mm 1
12.25 14.70
DV0560030
40 mm 1
14.50 17.40
DV0560040
50 mm 2
24.50 29.40
DV0560050
60 mm 2
29.25 35.10
DV0560060
30 mm 40 mm 50 mm 60 mm 80 mm 1 1 2 2 3
9.42 11.30
DV5080030
11.33 13.60
DV5080040
14.75 17.70
DV5080050
18.00 21.60
DV5080060
26.00 31.20
DV5080080
153
Section 8
B R USHES
Varnish and Lacquering Brushes
CORNELISSEN OX FLAT LACQUER BRUSH

Soft but springy hair. For varnishing or lacquering. Also useful for watercolour washes.
OMEGA SERIES 40 VARNISHING BRUSH
Flat soft hog hair in cupro-nickel ferule on short flat handle used for applying varnish to both oil and acrylic paintings. Also recommended for applying warm glue size and primers to all surfaces.
25 mm 1
10.00 12.00
EMOFL025
50 mm 2
16.91 20.30
EMOFL050
75 mm 3
21.29 25.55
EMOFL075
20 mm 30 mm 40 mm 50 mm 70 mm 80 mm 100 mm 1 1 2 2 3 4
3.67 4.40
OM40020
CORNELISSEN SQUIRREL FLAT LACQUER BRUSH

Extra soft brush for varnishing or lacquering. Also useful for watercolour washes.
4.08 4.90
OM40030
4.92 5.90
OM40040
5.33 6.40
OM40050
7.42 8.90
OM40070
9.92 11.90
OM40080
12.42 14.90
OM40100
ROBERSON LIQUID METAL BRUSH
25 mm 1
11.16 13.40
EMSFL025
50 mm 2
17.83 21.40
EMSFL050
75 mm 3
26.87 32.25
EMSFL075
A high quality multi-purpose golden synthetic fibre brush with plain wood handle and rustproof steel ferrule. This brush was originally developed for use in our testing laboratory and has been specifically designed for use with the Roberson Liquid Metal range. The micro fine synthetic bristles ensure a high class smooth finish not available with normal acrylic brushes. It is also excellent for applying both acrylic and solvent based varnishes.
DA VINCI SERIES 5040 COSMOTOP VARNISH

Dark brown, extra strong synthetic hair with black polished handle, tin ferrule.
Size Size ex VAT inc VAT Code
30 mm 1
9.42 11.30
DV5040030
40 mm 1
11.33 13.60
DV5040040
50 mm 2
14.75 17.70
DV5040050
60 mm 2
18.00 21.60
DV5040060
80 mm 3
26.00 31.20
DV5040080
20 mm
9.17 11.00
CR50320
40 mm 1
13.33 16.00
CR50340
80 mm 3
21.67 26.00
CR50380
ex VAT inc VAT Code
Please go to page 108 to see full range of Liquid Metal Colours.
Brush Care
Brushes will last much longer if they are cared for properly. Water-soluble colours should be washed out with water and household or brush soap immediately after use. Acrylic colour should not be allowed to dry on the brush since it is almost impossible to remove once dried. Oil colour should be thoroughly removed with white spirit. Then clean the bristles with household or brush soap and warm water by gently working the pigment out from the ferrule toward the end with your fingers. Rinse and shake out the brush. Wipe the brush with a piece of cloth to bring it back to its original shape. Let the brush dry completely but not over direct heat.
STAINLESS STEEL BRUSH WASHER

140 mm Diameter
Code
CASWB50
ex VAT 24.58
inc VAT 29.50
MAIMERI BRUSH WASHER

43 mm Diameter 55 mm Diameter 63 mm Diameter 107 mm Diameter
MA05043 MA05055 MA05063 MA05107
20.83 23.33 29.58 44.83
25.00 28.00 35.50 53.80
Brush Washers
ECONOMY BRUSH WASHER
Aluminium Code
GLFC6406
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
154
B R USHES
Brush Care
Brush Storage
EXTENDABLE PLASTIC BRUSH CASE
5 cm diameter, 35 cm long 5 cm diameter, 45 cm long Code
PC50200 PC45320
Section 8
Brush Soap
ex VAT inc VAT 4.00 4.00 4.80 4.80 Made with natural oils. Cleans and conditions brush hair. Brush Soap in metal case
DA VINCI BRUSH SOAP
Code
DV4033SOA DV4433S0A
Size 100g 85g
ex VAT inc VAT 1.83 7.08 2.20 8.50
BAMBOO BRUSH ROLLS

With fabric lining and pockets. Supplied without brushes. GLBBR030 2.50 30 cm GLBBR036 3.33 36 cm 3.00 4.00
MASTERS BRUSH CLEANER
Cleans and restores brushes even when clogged for a year! For oil, acrylic, watercolour. Use with water. GLBC010 1 oz 4.79 5.75 GLBC025 2.5 oz 8.96 10.75 GLBC024 24 oz 29.13 34.95
MASTERS HAND SOAP
Conditions as it cleans, fresh spearmint scent.
GLHS127
127 g
4.38
5.25
Specialist Decorating Brushes

STENCIL BRUSHES
Stiff hog bristle stipples colour through stencil holes giving the pattern texture and, because it is stippled on, is less likely to creep under the stencil thus giving the design a crisper edge.
OMEGA SERIES 30 OVALINO

Oval domed style brush ideal for priming and large scale work.
4 8 mm
2.00 2.40
WHS6504
6 10 mm
2.17 2.60
WHS6506
8 12 mm
2.42 2.90
WHS6508
10 16 mm
2.58 3.10
WHS6510
12 20 mm
3.08 3.70
WHS6512
8
8.33 10.00
OM30008
10
9.25 11.10
OM30010
12
12.08 14.50
OM30012
14
14.92 17.90
OM30014
16
18.58 22.30
OM30016
OMEGA SERIES 861 HERMETIQUE

Round domed professional lily bristle brush.
14 23 mm
3.42 4.10
WHS6514
16 25 mm
4.08 4.90
WHS6516
18 30 mm
5.50 6.60
WHS6518
20 35 mm
6.25 7.50
WHS6520
24 48 mm
9.08 10.90
WHS6524
40 mm
11.08 13.30
OM86140
50 mm
18.33 22.00
OM86150
60 mm
27.83 33.40
OM86160
155
Section 8
B R USHES
Specialist Decorating Brushes
OMEGA SERIES 79 AL FRESCO

Long grey bristle and string ferrule. Holds colour well for fresco painting. Size ex VAT inc VAT Code
OMEGA SERIES 1031 SPALTER VARNISH

Lily bristle brush for dragging or varnish walls and large surfaces.
0
6.42 7.70
OM79000
1
6.58 7.90
OM79001
2
6.83 8.20
OM79002
3
7.33 8.80
OM79003
4
7.75 9.30
OM79004
5
8.00 9.60
OM79005
8.58 9.17 10.30 11.00

OM79006 OM79008
OMEGA SERIES 1049 LILY GLIDER

Similar to S.40 but with thicker bristles and longer hair. For painting or varnishing.
100 mm 120 mm 150 mm 180 mm 4 4 6 7

10.33 12.40
OM03110
13.67 16.40
OM03112
16.17 19.40
OM03115
21.17 25.40
OM03118
OMEGA SERIES 1067 LILY VARNISH

Thick hog hair brush for varnishing or painting on a large scale. Size ex VAT inc VAT Code
30 mm 1
4.67 5.60
OM04930
50 mm 2
6.67 8.00
OM04950
80 mm 3
12.50 15.00
OM04980
Size
40 mm 1
9.83 11.80
OM06715
50 mm 2
11.58 13.90
OM06720
70 mm 2
14.50 17.40
OM06725
75 mm 3
18.58 22.30
OM06730
OMEGA SERIES 1208 OREL BRISTLE VARNISH

Synthetic and bristle mixture. For varnishing or painting with oil or acrylics.
ex VAT inc VAT Code
OMEGA SERIES 461 FLAT A NYLON BRUSH AT

100% Fine Nylon, Stainless Steel Ferrules, 15 mm Thick.
30 mm 1
5.42 6.50
OM20830
50 mm 2
7.75 9.30
OM20850
80 mm 100 mm 3 4
13.17 15.80
OM20880
17.33 20.80
OM20810
30 mm 1
3.50 4.20
OM46130
40 mm 1
4.50 5.40
OM46140
50 mm 2
5.58 6.70
OM46150
60 mm 2
6.58 7.90
OM46160
70 mm 2
7.83 9.40
OM46170
OMEGA SERIES 55 OVAL VARNISH
OMEGA SERIES 463 FLAT NYLON BRUSH

100% Fine Nylon, Stainless Steel Ferrules, 9 mm Thick.
Classic oval hog hair brush for varnish or enamel work.
40 mm 1
9.92 11.90
OM55015
50 mm 2
12.42 14.90
OM55020
70 mm 2
16.50 19.80
OM55025
75 mm 3
20.75 24.90
OM55030

N LO
80 mm 3
9.92 11.90
OM46380
100 mm 4
13.25 15.90
OM46310
120 mm 4
16.58 19.90
OM46312
150 mm 6
20.75 24.90
OM46315
180 mm 7
24.92 29.90
OM46318
IS 1867 PAR
VIE
NNA 1873
DON 186 2
IS 1878 PAR
156
B R USHES
Specialist Decorating Brushes & Graining Tools
TRIANGULAR RUBBER COMB
Code
HOTRC75
Section 8
Size 75 x 75 mm 3 x 3
ROBERSON STIPPLERS
Code
CR51025 CR51050 CR51075 CR51525 CR51500
Size 100 x 25 mm 100 x 50 mm 100 x 75 mm 150 x 25 mm 150 x 100 mm
ex VAT inc VAT 15.67 17.50 20.75 21.25 26.67 18.80 21.00 24.90 25.50 32.00
Coarse, medium, fine teeth.
GRADUATED RUBBER COMB

Coarse to fine teeth.
HOGRC125
125 mm 5
8.08
9.70
ROBERSON FLOGGER
CR51375
75 mm
13.75
16.90
HEARTGRAINERS
Rubber graining tools. Coarse 2A Fine 4A
HOHG2A125 HOHG4A125
125 mm 5 125 mm 5
10.70 9.16
12.85 11.00
LILY SOFTENER
CR51275
75 mm
12.67
15.20
DA VINCI SERIES 2466 PENCIL OVERGRAINER

Hog brush used to reproduce the heart shaped grain of nearly all hard woods. DV246630 30 mm 1 13.00 15.60 4 Pencil DV246650 50 mm 2 16.46 19.75 6 Pencil DV246660 60 mm 2 20.71 24.85 7 Pencil DV246680 80 mm 3 25.42 30.50 10 Pencil
ROBERSON BADGER SOFTENER

Professional quality badger brush for softening and blending. Has wider depth than Whistler Badger Softener.
50 mm 2
23.58 28.30
CR51150
75 mm 3
28.92 34.70
CR51175
157
Section 8
B R USHES
Information
Brush making methods have scarcely changed for 100 years. Even today most stages of manufacture are carried out by hand rather than by machine. Brushes consist of three elements :
1. Hair or Bristle : A bristle (usually hog) has several ends called flags whereas a hair
(sable, ox, goat etc) has only one end at the tip. Hair consists of a central medula around which scales are grouped somewhat like a fir cone. When wet, these scales open, holding the colour, and the spring is slightly reduced. On drying the scales close and the spring and bristles are responsible for the drawing up of liquid into the brush by capillary action. is fully restored. Bristles have extra spring. The small hollows in the shafts of both hairs
2. Ferrule : This is the thin metal, plastic or quill tube which connects the hair with the handle and which shapes the brush. 3. Handle : Usually made of hardwood, handles are traditionally varnished and are dles while brushes predominantly used for oils or acrylics have longer handles.
smoothed to allow for ease of handing. In general, watercolour brushes have short han-
Watercolour brushes are mostly constructed from soft hairs of which the highest quality is Red Sable. Of this, the highest grade is Kolinsky, made from the tail hair of the male mustela sibirica (maarten) living in the Amur, Tobol and Ussuri valleys of Siberia. This hair is more expensive than gold and is characterised by its unrivalled spring and pointing ability. Black Kazan Squirrel is used in mops and brushes where its greater colour holding capacity enables the painter to apply large areas of wash. Ox Hair is often used as a cheaper alternative to sable where spring is not so vital. The best comes from the ears of alpine cattle whose coat is tempered by the alpine climate. Synthetic hair technology has improved over recent years and has lead to greatly improved filaments. They now offer the artist excellent spring. While being designed for acrylics and watercolours, we have found them to keep their shape and be robust enough to cope with oils and their mediums.
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
158
P APER
Drawing Pads
Hardback Sketchbooks
ROBERSON BUSHEY BOOKS
Code Size Hardback sketch book; 80 sheets of 80 gsm smooth white sketching paper. ex VAT inc VAT
Section 9
FABRIANO VENEZIA
Code Size ex VAT inc VAT 48 sheets of 100% woodfree, surface sized, acid free Fabriano Accademia 200gsm paper. Casebound with stitched page marker. 10 x 15 cm 4 x 6 inch 6.00 7.20 FAVE02190 15 x 23 cm 6 x 9 inch 8.88 10.65 FAVE02191 23 x 30 cm 9 x 12 inch 13.00 15.60 FAVE02192
CR11105 CR11205 CR11305
18 x 11 cm 23 x 18 cm 36 x 23 cm
7 x 4 inch 9 x 7 inch 14 x 9 inch
5.83 9.42 12.92
7.00 11.30 15.50
DALER BLACK HARDBACK BACK SKETCHBOOK BOOK OOK

The classic sketch book. 78 sheets, acid free 85gsm ivory cartridge paper. Portrait bound. Perforated pages.
CORNELISSEN GREEN SKETCH BOOK

46 sheets acid free 150 gsm paper, dark green cover imprinted L. CORNELISSEN & SON in front lower right corner. Portrait. Size ex VAT inc VAT Code A4 31 x 22 cm 12 x 8 inch 7.33 8.80
EGSTDA4P
DR813550626 DR813550526 DR813550426
A6 A5 A4
15 x 11 cm 22 x 15 cm 31 x 22 cm
6 x 4 inch 8 x 6 inch 12 x 8 inch
6.46 7.29 10.42
7.75 8.75 12.50
DALER EBONY SKETCHBOOK

62 sheets, 150gsm acid free white cartridge paper.
CORNELISSEN BLACK SKETCH CH BOOK

46 sheets acid free 140 gsm paper, bound with classic black cover. Square sketch books contain 95 sheets acid free paper
Portrait bound. DR813880600 DR813880500 DR813880400
A6 A5 A4 A5
15 x 11 cm 22 x 15 cm 31 x 22 cm 14.8 x 13 cm 22 x 15 cm 26.5 x 21 cm
6 x 4 inch 8 x 6 inch 12 x 8 inch 6 x 5 inch 8 x 6 inch 10 x 8 inch
4.96 6.25 8.54 5.21 6.25 7.71
5.95 7.50 10.25 6.25 7.50 9.25
EGBL0106P EGBL0106L EGBL0105P EGBL0105L EGBL0104P EGBL0104L EGBL0103P EGBL0103L EGBL0201 EGBL0202 EGBL0203
A6 A5 A4 A3 square square square
15 x 11 cm 22 x 15 cm 31 x 22 cm 29 x 42 cm 14 x 14 cm 19.5 x 19.5 cm 25 x 25 cm
6 x 4 inch 8 x 6 inch 12 x 8 inch 11 x 16 inch 5 x 5 inch 7 x 7 inch 10 x 10 inch
3.75 4.67 6.58 13.33 5.00 7.25 8.92
4.50 5.60 7.90 16.00 6.00 8.70 10.70
Landscape bound. DR813881600 DR813881500 DR813881400
Layout and Tracing Pads

DALER TRACING PAD
50 sheets, 90 gsm tracing paper. A4 31 x 22 cm 12 x 8 inch A3 42 x 30 cm 11x16 inch DR403240300
DR403240400
CORNELISSEN ECO HARDBACK SKETCH BOOK

Made with recycled board and paper, hand finished with natural cloth spine. 130 gsm 46 sheets, Portrait. A4 31 x 22 cm 12 x 8 inch 7.25 8.70
7.29 10.79
8.75 12.95
EGEC0301
SENNELIER A2 SKETCHBOOKS
Natural hessian cover, hard back 100 sheets of 125 gsm paper suitable for drawing, pen and light wash. Portrait or Landscape. Size ex Vat inc Vat Code 21 x 13 cm 8 x 5 inch 14.58 17.50
SESB01100
DALER LAYOUT PAD

80 sheets, 45 gsm layout paper. A4 31 x 22 cm 12 x 8 inch A3 42 x 30 cm 11x16 inch DR403030300
DR403030400
3.29 6.63
3.95 7.95
24 x 16 cm 32 x 24 cm 9 x 6 inch 12 x 9 inch (portrait only) 15.42 20.79 18.50 24.95

SESB01101 SESB01102
159
Section 9
P APER
Drawing Pads
Sketch Pads
Code Size 25 sheets of 150 gsm acid free cartridge paper. A6 15 x 11 cm 6 x 4 inch DR405010600 A5 22 x 15 cm 8 x 6 inch DR405010500 A4 31 x 22 cm 12 x 8 inch DR405010400 A3 29 x 42 cm 11 x 16 inch DR405010300 A2 60 x 84 cm 16 x 23 inch DR405010200
DALER RED & YELLOW SPIRAL BOUND
ex VAT 2.08 2.71 4.13 6.88 12.29
inc VAT 2.50 3.25 4.95 8.25 14.75
DALER LYNDHURST SKETCH BOOK

25 sheets 135 gsm acid free extra smooth cartridge paper. Suitable for line and wash. Spiral bound. 18 x 13 cm 7 in x 5 inch 2.71 3.25 DR405430705 26 x 18 cm 10 x 7 inch 3.75 4.50 DR405431007 30 x 23 cm 12 x 9 inch 4.79 5.75 DR405431209 36 x 25 cm 14 x 10 inch 6.25 7.50 DR405431410 41 x 31 cm 16 x 12 inch 7.46 8.95 DR405431612 50 x 38 cm 20 x 15 inch 10.63 12.75 DR405432015
DALER SMOOTH HEAVYWEIGHT CARTRIDGE PAD

25 sheets, 220 gsm acid free cartridge paper. Tape bound landscape format. A5 21 x 15 cm 8 x 6 inch DR403040502 A4 30 x 21 cm 12 x 8 inch DR403040402 A3 42 x 30 cm 11 x 16 inch DR403040302 A2 60 x 42 cm 16 x 23 inch DR403040202 3.29 5.42 8.29 13.75 3.95 6.50 9.95 16.50
DALER SMOOTH CARTRIDGE PAD

30 sheets, 130 gsm acid free cartridge paper. Tape bound landscape format. A5 21 x 15 cm 8 x 6 inch DR403010500 A4 30 x 21 cm 12 x 8 inch DR403010400 A3 42 x 30 cm 11 x 16 inch DR403010300 A2 60 x 42 cm 16 x 23 inch DR403010200 2.71 3.75 6.04 11.04 3.25 4.50 7.25 13.25
FABRIANO ACCADEMIA PAD

30 sheets, 200 gsm, wood free and acid free cartridge paper with slight texture. Spiral bound on short edge A5 21 x 15 cm 8 x 6 inch 2.29 2.75 FAAC02105 A4 30 x 21 cm 12 x 8 inch 4.00 4.80 FAAC02104 A3 42 x 30 cm 11 x 16 inch 6.79 8.15 FAAC02103 A2 60 x 42 cm 16 x 23 inch 11.79 14.15 FAAC02102
DALER CANFORD BLACK PAD

30 sheets 150 gsm black cartridge paper. Tape bound landscape format. A4 30 x 21 cm 12 x 8 inch DR403555400 A3 42 x 30 cm 11 x 16 inch DR403555300 6.04 10.79 7.25 12.75
FABRIANO ECO PAD

Not (CP) surface, 100% recycled pulp. Manufactured using hydro-power. A4 30 x 21 cm 120 gsm, 80 sheets FAEC02204 A3 42 x 30 cm 120 gsm, 40 sheets FAEC02203 A4 30 x 21 cm 200 gsm, 50 sheets FAEC02214 A3 42 x 30 cm 200 gsm, 25 sheets FAEC02213 5.00 5.00 5.00 5.00 6.00 6.00 6.00 6.00
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
160
P APER
Drawing Pads
Sketch Pads
SNOWDON FAT PAD
Code Size ex VAT inc VAT Wood free cartridge paper. Acid free matt surface. Wire bound short edge. 100 sheets. A4 30 x 21 cm 12 x 8 inch 6.17 7.40 RKSN03104 A3 42 x 30 cm 11 x 16 inch 10.83 13.00 RKSN03103
Section 9
SENNELIER CARTE DART D340

15 sheets, 340 gsm, acid free, extra heavy rough grained paper suitable for most techniques. 15 x 21 cm 6 x 8 inch 5.50 4.58 SECA01110
SECA01111 SECA01112
24 x 32 cm 29.7 x 42 cm
9 x 12 inch 11 x 16 inch
7.71 11.63
9.25 13.95
SENNELIER LE MAXI
250 sheets, 70 gsm white slightly textured square drawing paper. 15 x 15 cm 6 x 6 inch 7.95 6.63 SELM01120
SELM01121 SELM01122
25 x 25 cm 32 x 32 cm
12.08 16.25
14.50 19.50
SENNELIER ESQUISSE BLANC

50 sheets, 70 gsm acid free smooth white sketching paper. 10 x 15 cm 4 x 6 inch 3.13 SEEB01131
SEEB01132 SEEB01133
3.75 5.95 9.25
24 x 16 cm 24 x 32 cm
4.96 7.71
CANSON BRISTOL PAD

20 sheets, 250 gsm extra smooth illustration paper. Tape bound landscape format A4 31 x 22 cm 12 x 8 inch 6.38 7.65 CABR04104 A3 29 x 42 cm 11 x 16 inch 10.29 12.35 CABR04103
FABRIANO BOUQUET
An assortment of 7 notebooks each containing a different type of paper. Bound with brightly coloured covers. Paper weights ranging between 85-100 gsm 10 x 14 cm 4 x 5.5 inch 12.35 10.29 FAB002300
161
Section 9
P APER
Oil and Acrylic Pads
FABRIANO PITTURA BLOCK
Code Size ex VAT inc VAT 10 sheets of 400 gsm acid free paper for acrylic, oil and tempera. Natural grain. 35 x 25 cm 14 x 10 inch 11.60 9.67 FAPI02400
FAPI02401 FAPI02402 FAPI02403
40 x 30 cm 40 x 40 cm 50 x 40 cm
15.75 x 12 inch 15.75 x 15.75 inch 19.5 x 15.75 inch
11.00 12.58 14.08
13.20 15.10 16.90
SENNELIER DESSIN LEGER

75 sheets, 200 gsm acid free smooth grain paper suitable for acrylic and gouache painting. 24 x 32 cm 9 x 12 inch 17.95 14.96 SE0L01150
SE0L01151
30 x 40 cm
12 x 16 inch
22.46
26.95
FABRIANO TELA OIL BLOCK

10 sheets per pad, canvas texture, glued 4 edges, acid free 300gsm internal and externally sized paper. 18 x 24 cm 7 x 9.5 inch 6.00 5.00 FATE02400
FATE02401 FATE02402 FATE02403 FATE02404
24 x 32 cm 30 x 40 cm 36 x 48 cm 42 x 56 cm
9.5 x 12.5 inch 12 x 16 inch 14 x 19 inch 16.5 x 22 inch
7.67 11.00 14.38 19.50
9.20 13.20 17.25 23.40
CANSON FIGUERAS BLOCK

Acid free, glued edges. 290gsm, 10 sheets per block. Linen texture.
CAFI04200 CAFI04201 CAFI04202 CAFI04203
19 x 24 cm 24 x 33 cm 30 x 40 cm 38 x 46 cm
7.5 x 9.5 inch 9 x 13 inch 11 x 15 inch 15 x 18 inch
4.83 6.67 11.08 14.38
5.80 8.00 13.30 17.25
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
162
P APER
Pastel Pads
SENNELIER LESPRIT DU PASTEL C4
Code Size ex VAT inc VAT 25 sheets of 130 gsm grey pastel paper interleaved with crystal inserts. Spiral bound. 24 x 16 cm 9 x 6 inch 10.25 8.54 SELE01160
SELE01161 SELE01162
Section 9
32 x 24 cm 41 x 33 cm
14.58 23.29
17.50 27.95
SENNELIER C3
45 sheets, 95g Ingres paper in a selection of 5 assorted colours. A6 11 x 16 cm 4 x 6 inch 9.96 11.95 SEC301170 A4 21 x 30 cm 12 x 8 inch 10.79 12.95 SEC301171 A3 29 x 42 cm 11x16 inch 20.79 24.95 SEC301172
FABRIANO TIZIANO PAD

30 sheets, 40% rag (cotton), acid free, textured surface.6 colours per pad. Soft (pastel colours) or Brizzati (blues and greys). Glued short edge. A4 30 x 21 cm 12 x 8 inch 8.58 10.30 FAT202500 A3 42 x 30 cm 11x16inch 14.67 17.60 FAT202501
CLAIREFONTAINE INGRES PAD

25 sheets, 130 gsm, acid free with laid texture. Available either in white or assorted pastel colours. 24 x 30 cm 9 x 12 inch 11.08 FAIN02600 30 x 40 cm 12 x 16 inch 16.17 FAIN02601 36 x 48 cm 14 x 19 inch 21.17 FAIN02602 13.30 19.40 25.40
FABRIANO ARTISTS JOURNAL

192 sheets, 90 gsm acid free Ingres paper for pastel, charcoal, ink and pencil drawing. Blue Cover white and cream Ingres paper. 16 x 12 cm 7 x 5 inch 10.83 13.00 FAA502700 21.5 x 16 cm 9 x 7 inch 13.50 16.20 FAA502701
DALER ROWNEY PASTEL PAD 6 ASSORTED COLOURS

24 sheets, 160g Ingres paper in a selection of 4 assorted colours. 22.9 x 15.2 cm 9 x 6 inch 6.46 7.75 30.5 x 22.9 cm 12 x 9 inch 9.58 11.50 DR405221209 40.6 x 30.5 cm 16 x 12 inch 15.63 18.75 DR405221612
DR405220906
163
Section 9
P APER
Pastel Pads
SENNELIER LA CARTE PASTEL PAD
Code Size ex VAT inc VAT 12 sheets 400 gsm abrasive paper with a smooth, uniform tooth. Assorted colours: antique white, sand, sienna, light blue, light grey and charcoal 16 x 24 cm 6 x 9 inch 11.63 13.95 SELC01180 24 x 32 cm 9 x 12 inch 17.08 20.50 SELC01181 30 x 40 cm 12 x 16 inch 25.79 30.95 SELC01182 40 x 60 cm 18 x 23 inch 53.29 63.95 SELC01183
SENNELIER OIL PASTEL PAD

12 sheets 340 gsm heavyweight paper with slight texture, interleaved with crystal paper. 16 x 24 cm 6 x 9 inch 7.08 SEOP01190 24 x 32 cm 9 x 12 inch 9.96 SEOP01191 30 x 40 cm 12 x 16 inch 14.79 SEOP01192 40 x 60 cm 18 x 23 inch 29.13 SEOP01193 8.50 11.95 17.75 34.95
Watercolour Pads
Hardback Watercolour Books
ROBERSON WATERCOLOUR SKETCH BOOK
Code Size Hot Pressed 300 gsm, 34 pages (green spine) Hot Pressed 190 gsm, 54 pages (green cover) Not 300 gsm, 34 pages (blue spine) Not 190 gsm, 54 pages (blue cover) Rough 300 gsm, 34 pages (red spine) Rough 190 gsm, 54 pages (red cover) A5 22 x 15 cm 8 x 6 inch various A4 31 x 22 cm 12 x 8 inch various A3 29 x 42 cm 11 x 16 inch various ex VAT inc VAT
18.34 26.25 38.75
22.00 31.50 46.50
CLAIREFONTAINE VOYAGE WATERCOLOUR BOOK

Acid free, landscape bound, 60 sheets of 185 gsm smooth paper. Red, blue or ochre canvas cover. A5 22 x 15 cm 8 x 6 inch 16.29 19.55 CLV005100
HAHNEMUHLE WATERCOLOUR POSTCARD TIN

Acid free, natural white shade. 30 postcards, printed with address box on the reverse. Rough surface. 10.5 x 15 cm MAHW11000 230 gsm 5.92 7.10 4 x 6 inch
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
164
P APER
Watercolour Pads
Hardback Watercolour Books
SAUNDERS WATERFORD WATERCOLOUR BOOK
Code Size Black cover. 300 gsm paper with a deckle edge. HP, Not or Rough surface. 25 x 28 cm 9 x 11 inch SAWF0610x ex VAT inc VAT
Section 9
25.58
30.70
Watercolour Pads
DALER LANGTON
12 sheets, 300 gsm watercolour paper with a Not (cold pressed) surface, acid free. Spiral bound landscape format. 18 x 13 cm 7 x 5 inch 4.96 5.95 DR405311000 26 x 18 cm 10 x 7 inch 6.25 7.50 DR405311400 30.5 x 23 cm 12 x 9 inch 8.13 9.75 DR405311700 36 x 25 cm 14 x 10 inch 9.96 11.95 DR405311900 41 x 31 cm 16 x 12 inch 11.25 13.50 DR405312300 50 x 41 cm 20 x 16 inch 18.96 22.75 DR405312800
DALER LANGTON
12 sheets, 300 gsm (140 lb). Hot Pressed. 26 x 18 cm 10 x 7 inch 30.5 x 23 cm 12 x 9 inch DR403401209 36 x 25 cm 14 x 10 inch DR403401410 41 x 31 cm 16 x 12 inch DR403401216
DR403401007
5.79 7.71 8.75 11.46
6.95 9.25 10.50 13.75
DALER BOCKINGFORD TINTED

10 sheets, 300 gsm, acid free Not surface. 2 sheets each : blue, cream, eggshell, ivory, oatmeal. Spiral bound. 26 x 18 cm 10 x 7 inch 8.13 9.75 DR405109400 36 x 25 cm 14 x 10 inch 15.42 18.50 DR405109900
BOCKINGFORD FAT PAD

25 sheets, 300 gsm acid free. Spiral bound on short side. Not and Rough surfaces. 14.8 x 42 cm 6 x 16 inch 8.75 10.50 BOCK0710x
ARCHES AQUARELLE TRAVEL BOOK

15 sheets, 300 gsm acid free. Spiral bound on short side. HP and Not surfaces. 15 x 25 cm 6 x 10 inch 7.29 8.75 ARCM0810x
165
Section 9
P APER
Watercolour Pads
Watercolour Pads
CORNELISSEN WATERCOLOUR 50 PADS
Code Size 50 sheets of Bockingford 190 gsm acid free watercolour paper. Spiral bound. Not surface. A6 15 x 11 cm 6 x 4 inch LC11206 A5 22 x 15 cm 8 x 6 inch LC11205 A4 31 x 22 cm 12 x 8 inch LC11204 A3 29 x 42 cm 11 x 16 inch LC11203
ex VAT
inc VAT
4.66 5.83 8.83 15.41
5.60 7.00 10.60 18.50
Watercolour Pads and Blocks

FABRIANO CLASSICO 5 PAD
25 sheets, 300 gsm smooth, acid free paper. Spiral bound, landscape format. A5 22 x 15 cm 8 x 6 inch 7.29 FACL02800 A4 31 x 22 cm 12 x 8 inch 13.50 FACL02801 A3 29 x 42 cm 11 x 16 inch 21.50 FACL02802 8.75 16.20 25.80
FABRIANO ARTISTICO PAD

12 sheets, 300 gsm, mould made, 100% cotton, acid free. Spiral bound on short edge. Traditional white, Not surface. 18 x 26 cm 7 x 10 inch 9.50 11.40 FAAR02900 23 x 30 cm 9 x 12 inch 11.33 13.60 FAAR02901 26 x 36 cm 10 x 14 inch 14.17 17.00 FAAR02902
FABRIANO WATERCOLOUR POSTCARDS

20 sheets, 300 gsm, acid free slightly textured paper. Address format on back of each sheet. 10 x 15 cm 4 x 6 inch 4.67 5.60 FAPC02110
FABRIANO WATERCOLOUR GLUED PADS

12 sheets, 300 gsm, wood free with cotton content. Acid free. Not surface. Glued on long edge. 18 x 24 cm 7 x 9 inch 3.38 4.05 FAGP02120 24 x 32 cm 9 x 12 inch 4.67 5.60 FAGP02121 26 x 36 cm 10 x 14 inch 5.79 6.95 FAGP02122 36 x 48 cm 14 x 19 inch 9.88 11.85 FAGP02123
FABRIANO WATERCOLOUR SPIRAL PADS

12 sheets, 140 gsm, wood free with cotton content. Acid free. Not surface. Spiral bound on short edge. 13 x 21 cm 5 x 8 inch 3.67 4.40 FASP02130 A4 21 x 30 cm 12 x 8 inch 5.38 6.45 FASP02131 24 x 32 cm 9 x 12 inch 6.17 7.40 FASP02132 32 x 41 cm 12 x 16 inch 9.79 11.75 FASP02133
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
166
P APER
Watercolour Pads
Watercolour Pads and Blocks
ARCHES AQUARELLE BLOCK
185 gsm 300 gsm Code Size ex VAT inc VAT ex VAT inc VAT 20 sheets of 100 % rag, acid free paper. Available in 185 gsm (Not and Rough surfaces only) and 300 gsm. (HP, Not and Rough) 7 x 10 inch N/a 19.17 23.00 ARCH082x0 18 x 25 cm 9 x 12 inch 20.75 24.90 23.33 28.00 ARCH082x1 23 x 31 cm 10 x 14 inch 23.83 28.60 27.33 32.80 ARCH082x2 25 x 36 cm 12 x 16 inch 29.17 35.00 36.00 43.20 ARCH082x3 31 x 41 cm 14 x 20 inch 32.50 29.00 45.79 54.95 ARCH082x4 36 x 50 cm 18 x 24 inch N/a 59.58 71.50 ARCH082x5 46 x 61 cm
Section 9
FABRIANO ARTISTICO BLOCK TRADITIONAL WHITE
Code Size ex VAT inc VAT 300 gsm (140 lb) 100% cotton, mould made, acid free paper. Hot pressed, Not or Rough surfaces. 25 sheets 12.5 x 18 cm 5 x 7 inch 10.17 12.20 FAAR021x0 20 sheets 23 x 31 cm 9 x 12 inch 19.25 23.10 FAAR021x1 20 sheets 31 x 46 cm 12 x 18 inch 27.33 32.80 FAAR021x2 15 sheets 36 x 50 cm 14 x 20 inch 27.33 32.80 FAAR021x3 10 sheets 46 x 61 cm 18 x 24 inch 27.33 32.80 FAAR021x4
FABRIANO ARTISTICO BLOCK EXTRA WHITE

300 gsm (140 lb) 100% cotton, mould made, acid free paper. Hot pressed or Not surfaces. 25 sheets 12.5 x 18 cm 5 x 7 inch 10.17 12.20 FAAR021x0 20 sheets 23 x 31 cm 9 x 12 inch 19.25 23.10 FAAR021x1 20 sheets 31 x 46 cm 12 x 18 inch 27.33 32.80 FAAR021x2 15 sheets 36 x 50 cm 14 x 20 inch 27.33 32.80 FAAR021x3
SAUNDERS WATERFORD BLOCK

300 gsm, 100% cotton, gelatine tub sized, acid free. Glued 4 edges, 20 sheets. HP, Not or Rough surfaces. 23 x 31 cm 9 x 12 inch 17.29 20.75 SAWF062x1 31 x 41 cm 12 x 16 inch 23.00 27.60 SAWF062x2
Calligraphy Pads
The best paper for calligraphy should possess two main properties. Firstly, to work well with the pen there should be a tooth between the writing implement and the writing surface. Secondly, to work well with the ink the paper should be neither too absorbent nor too shiny. The calligraphy and Lettering Arts Society is delighted to endorse these two new calligraphy pads which contain paper that has been tested and found to be the best available for the purpose. Inside the front cover of the Layout Pad is a Starting Calligraphy guide which looks at the Foundational Hand while inside the front cover of the Cartridge Pad there is a Starting Calligraphy guide which focuses on the Italic Hand. These are useful for both tutors and Learners.
CALLIGRAPHY LAYOUT PAD A3 CALLIGRAPHY CARTRIDGE PAD A3
Code
CR11001
ex VAT 7.87 12.08
inc VAT 9.45 14.50
CR11002
167
Section 9
P APER
Assorted Papers
TRACING PAPER
Code Size
Single Sheet ex inc VAT VAT
Pack price ex VAT inc VAT
Pack Quantity
BLOTTING PAPER
Code White, acid free. Size 61 x 86 cm 24 x 34 inch
Single Sheet ex inc VAT VAT 0.79 0.95
Pack price ex VAT inc VAT
Pack Quantity
Smooth surface, low opacity. 60 x 80 cm RK09100 RK09101 112 gsm 23 x 32 inch 0.54
0.65 54.17 65.00
125
RK09107 RK09108
300 gsm
15.83 19.00
25
GLASSINE (CRYSTAL PARCHMENT)

Clear, and acid free. For protecting artwork. 50 x 75 cm CR14000 40 gsm 0.33 0.40 75.67 90.80 CR14001 20 x 30 inch 500
DALER (CREAM CORE) A1 MOUNTING BOARD

4 colours: black, white, ivory, mid-grey. Other colours available quickly to order. 84 x 59 cm various 3.75 4.50 33.75 40.50 10 33 x 23 inch
OILED MANILA PAPER

For making stencils. 51 x 76 cm DR410500015 20 x 30 inch 3.13 3.75 -
ACETATE
TISSUE PAPER
White, acid free.
RK09103 RK09104
Crystal film GL101x3 250 mic GL101x4 250 mic GL101x3 180 mic GL101x4 180 mic
A3 A4 A3 A4
1.46 0.71 1.17 0.58
1.75 0.85 1.40 0.70
65.83 65.83 46.67 46.67
79.00 79.00 56.00 56.00
50 100 50 100
17 gsm
50 x 75 cm 20 x 30 inch
0.08
0.10
32.00 38.40
480
NEWSPRINT
Not acid free.
RK09105 RK09106
TRANSTRACE (while stocks last) Wax free pure graphite tracing down paper. Available yellow, blue, black and white. various A3 2.12 2.50 BONE FOLDER - PLASTIC
AB10120
48 gsm
64 x 90 cm 25 x 34 inch
0.08
0.10
33.33 40.00
500
1.50
1.80
Cartridge Paper
SURREY IVORY CARTRIDGE
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT Wood and acid free, ivory coloured drawing paper. 56 x 76 cm RK09200 0.45 30.00 36.00 100 RK09201 200 gsm 22 x 30 inch 0.38 Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT Woodfree, bright white. Available in Smooth (liscia) or Not (ruvida) surfaces. FAAC02190 220 gsm 50 x 70 cm 0.90 15.00 18.00 25 FAAC02191 (liscia) 27 x19 inch 0.75 FAAC02192 200 gsm 50 x 70 cm 0.90 15.00 18.00 25 FAAC02193 (ruvida) 27 x19 inch 0.75 200 gsm 1.5 x 10 m FAAC02194 33.29 39.95 Roll 59 inch x 11 yd
FABRIANO 4 CARTRIDGE
SNOWDON CARTRIDGE
Wood and acid free white paper. For watercolour, drawing and printmaking processes including etching, silkscreen and off-set lithography. A1 RK09202 59 x 84 cm 0.29 0.35 23.33 28.00 100 RK09203 130 gsm 23 x 33 inch A1 RK09204 59 x 84 cm 0.75 0.90 30.00 36.00 50 RK09205 300 gsm 23 x 33 inch 100 x 140 cm RK09206 2.40 80.00 96.00 50 RK09207 300 gsm 39 x 55 inch 2.00
FABRIANO ACCADEMIA
100 %, woodfree, surface sized 50 x 70 cm 200 gsm 0.46 0.55 36.67 44.00 27 x19 inch 120 gsm 1.5 x 10 m FAAC02114 14.00 16.80 Roll 59 inch x 11 yd 200 gsm 1.5 x 10 m FAAC02115 21.29 25.55 Roll 59 inch x 11 yd
FAAC02112 FAAC02113
100 -
CANALETTO
20 % cotton. Acid free. Includes a small amount of Calcium Carbonate for pH neutrality. Excellent for drawing, litho printing and watercolour work. Available in Liscia (smooth), Fine (not) and Grossa (rough). 70 x 100 cm FAAC02116 160 gsm 0.71 0.85 19 x 39 inch 70 x 50 cm FAAC02117 300 gsm 1.33 1.60 27.5 x 19.5 inch
CANSON BRISTOL PAPER

Hard, extra smooth white drawing paper. 50 x 65 cm CABR04200 1.05 CABR04201 250 gsm 19 x 25 inch 0.88 35.00 42.00 50
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
168
P APER
Watercolour Papers
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT Mould made 100% cotton linter. Gelatine sized internally and externally. Deckle edges, wove, white, acid free. HP, Not or Rough. *Rough or Not surfaces only. 56 x 76 cm ARCH082xx 185 gsm 2.67 3.20 21.33 25.60 10 22 x 30 inch 56 x 76 cm ARCH082xx 300 gsm 4.33 5.20 34.67 41.60 10 22 x 30 inch 56 x 76 cm ARCH082xx 640 gsm 7.67 9.20 30.66 36.80 5 22 x 30 inch 56 x 76 cm ARCH082xx 850 gsm* 11.67 14.00 46.67 56.00 5 22 x 30 inch 185 gsm 1.13 x 9m ARCH082xx 63.29 75.95 Roll 44 in x 10 yd 300 gsm 1.13 x 9m ARCH082xx 101.08 121.30 Roll 44 in x 10 yd
Section 9
ARCHES AQUARELLE
FABRIANO 5
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT 50% cotton, surface sized, acid free watercolour paper in HP or Not surfaces. 70 x 50 cm FAB0215x 210 gsm 1.17 1.40 23.33 28.00 25 27 x17 inch 70 x 50 cm FAB0215x 300 gsm 2.13 2.55 42.50 51.00 25 27 x17 inch
BOCKINGFORD
Surface sized, wove, white, mould made, acid and wood free. Calcium carbonate buffered. Not surface only. 56 x 76 cm BOCK0711x 190 gsm 0.96 1.15 19.17 23.00 22 x 30 inch 56 x 76 cm BOCK0711x 300 gsm 1.50 1.80 30.00 36.00 22 x 30 inch 56 x 76 cm BOCK0711x 425 gsm 2.13 2.55 42.50 51.00 22 x 30 inch 56 x 76 cm BOCK0711x 535 gsm 2.67 3.20 53.33 64.00 22 x 30 inch 190 gsm 1.52 x 10m BOCK0711x 51.50 61.80 Roll 60 in x 11 yd 300 gsm 1.52 x 10m BOCK0711x 72.88 87.45 Roll 60 in x 11 yd
25 25 25 25 -
TH SAUNDERS WATERFORD
Mould made, 100% cotton linter, gelatine sized, wove, white, deckle edges. HP, Not or Rough. 56 x 76 cm SAWF063xx 190 gsm 1.58 1.90 12.67 15.20 10 22 x 30 inch 56 x 76 cm SAWF063xx 300 gsm 2.50 3.00 20.00 24.00 10 22 x 30 inch 66 x 101.6 cm SAWF063xx 356 gsm 4.88 5.85 39.00 46.80 10 26 x 40 inch 56 x 76 cm SAWF063xx 425 gsm 3.67 4.40 29.33 35.20 10 22 x 30 inch 56 x 76 cm SAWF063xx 640 gsm 5.42 6.50 43.33 52.00 10 22 x 30 inch 300 gsm 1.52 x 10m SAWF063xx 116.50 139.80 Roll 60 in x 11 yd
BOCKINGFORD ROUGH
BOCK0712x
Hand made in Somerset. Cotton and flax blend, acid free, Not surface. 6 colours: white, grey, oatmeal, sand, green, cream. 410 gsm 56 x 76 cm TRCF1110x colours 9.12 10.95 43.33 52.00 5 22 x 30 inch & white 630 gsm 56 x 76 cm TRCF11120 10.00 12.00 47.50 57.00 5 white 22 x 30 inch
TWO RIVERS
As above, rough surface. 56 x 76 cm 300 gsm 22 x 30 inch
1.50
1.80
30.00 36.00
25
TWO RIVERS DENIMES

Hand made, laid. Blue or dark green. 44 x 56 cm TRDW1114x 300 gsm 5.00 6.00 17 x 22 inch
FABRIANO ARTISTICO TRADITIONAL WHITE

Mould made, 100% cotton linter, internally sized, wove, white, 4 deckle edges. HP, Not and Rough surfaces. 56 x 76 cm FAAC021xx 300 gsm 2.67 3.20 21.33 25.60 10 22 x 30 inch 56 x 76 cm FAAC021xx 640 gsm 5.92 7.10 47.33 56.80 10 22 x 30 inch 300 gsm 1.4 x 10m FAAC021xx 102.29 122.75 Roll 55 in x 11 yd
SCHOELLERSHAMMER
SCH011150 SCH011151
4G Extra Smooth - for drawing, watercolour, pen and ink. 73 x 51 cm 250 gsm 2.21 2.65 44.17 53.00 28.7x 20 inch
25
FABRIANO ARTISTICO EXTRA WHITE

Mould made, 100 % rag, acid free. HP, Not, Rough surfaces 56 x 76 cm FAAC021xx 300 gsm 2.67 3.20 21.33 25.60 22 x 30 inch 10
SCHOELLERSHAMMER
SCH011152 SCH011153
4G Board - for drawing, watercolour, pen and ink. 73 x 51 cm 1.5 mm 7.00 8.40 56.00 67.20 28.7x 20 inch
10
169
Section 9
P APER
Craft Papers
PAPYRUS
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT Made by hand, in the traditional manner, from papyrus reeds. 30 x 40 cm RK09210 3.17 3.80 12 x 16 inch
SAMBA POSTER PAPER

Silver and gold matt paper with white on reverse. 76 x 51 cm RK09211 90 gsm 0.54 0.65 10.83 13.00 RK09212 30 x 20 inch 25
ex inc ex inc VAT VAT VAT VAT Hand torn deckle-edged cards with envelopes for invitations and greetings. Portrait folded. 17 x 23 cm FAME02160 0.71 0.85 3.04 3.65 5 FAME02161 260 gsm 6 x 9 inch FAME02162 5.79 6.95 10 FAME02163 45.00 54.00 100 Code Size
FABRIANO MEDIOEVALIS CARDS AND ENVELOPES
Single Sheet
Pack price
Pack Quantity
MEDIOEVALIS BOX OF CARDS ONLY

FAME02164
MIRRICARD
17 x 23 cm 6 x 9 inch
29.17 35.00
100
Silver and gold mirror finish card with white on reverse. 64 x 45 cm RK09213 2.04 2.45 40.83 49.00 RK09214 270 gsm 25.2 x 17.7 inch
25
MEDIOEVALIS BOX OF ENVELOPES ONLY

FAME02165
12 x 18 cm 4 x 7 inch
20.00 24.00
100
JAPANESE ORIGAMI SETS

Each set contains 24 square pieces of assorted plain coloured and patterned origami paper. RK09215 10 x 10 cm 4.83 5.80 RK09216 15 x 15 cm 10.00 12.00 RK09217 20 x 20 cm 20.42 24.50 Other sizes of cards and envelopes available to order. Please ask for details.
Printmaking Paper
VELIN ARCHES
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT Mould made, 100% rag, acid free, soft textured surface. White or cream. 56 x 76 cm RK09218 3.50 58.33 70.00 25 RK09219 250 gsm 22 x 30 inch 2.92
ZERKALL PRINTING
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT For letterpress printing and woodblock engraving. White with a smooth texture. 76 x 53 cm RK09230 1.30 21.67 26.00 25 RK09231 145 gsm 30 x 21 inch 1.08
SOMERSET PRINTMAKING
Mould made, 100% rag, acid free. White or Soft White. Satin, Textured or Velvet surface. 76 x 56 cm RK0922x 300 gsm 2.38 2.85 47.50 57.00 25 30 x 22 inch
JAPANESE AWAGAMI HOSHO

96 gsm, white. For chine colle and woodcut printing. 57 x 44 cm PCAWA35050025 22 x 17 4.92 5.90 108.16 129.80 PCAWA35050026 inch 25
FABRIANO ROSASPINA
Mould made, 60% rag. Internally sized, acid free, matt surface. For etching and letterpress. 70 x 50 cm FAR002170 1.60 26.67 32.00 25 FAR002171 285 gsm 27 x19 inch 1.33
JAPANESE AWAGAMI KITAKATA

PCAWA91112118 PCAWA91112119
36 gsm, cream. For chine colle, wood engraving and woodcut. 52 x 43 cm 2.42 2.90 212.66 255.20 100 20 x 17 inch
HAHNEMUHLE ETCHING
Mould made, alpha cellulose pulp, soft sized. For etching and letterpress 53 x 78 cm MAHW11001 300 gsm 1.88 2.25 37.50 45.00 25 21 x 31 inch
JAPANESE AWAGAMI KOZO

PCAWA35160007 PCAWA35160008
46 gsm, natural white. For lithography, chine colle and woodcut. 97 x 64 cm 4.42 5.30 116.58 139.90 25 38 x 24 inch
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
170
P APER
Paper for Oils, Acrylics, Calligraphy and Crafts
Oil and Acrylic Paper
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT Woodfree, natural grain surface. For acrylic, tempera, oil and multimedia work. 70 x 50 cm FAPI02170 1.21 1.45 9.67 11.60 10 FAPI02171 400 gsm 27 x 19 inch
Section 9
Japanese Calligraphy Paper

TOSA SHOJI
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT Hand-made pH neutral. Slightly rough textured surface. Natural White. Part Kozu. 65 x 95 cm RK09244 40 gsm 5.17 6.20 103.33 124.00 25 RK09245 25.5 x 37 inch
FABRIANO PITTURA
CANSON FIGUERAS
Acid free, canvas texture. Specially primed for oil and acrylic paper. 50 x 65 cm CAFI04210 290 gsm 19 x 25 2.17 2.60 43.33 52.00 25 CAFI04211 inch 65 x 100 cm CAFI04212 6.50 52.00 62.40 12 CAFI04213 290 gsm 25 x 39 inch 5.42 290 gsm 1.4 x 10 m CAFI04214 66.58 79.90 Roll 55 inch x 11 yd
SHOJI
Machine-made. Smooth on one side. Bright White. Part Kozu. 62 x 92 cm RK09246 45 gsm 1.38 1.65 27.50 33.00 25 RK09247 24 x 36 inch
BUNKOSHI
Hand-made part Kozu. Natural White. Soft but coarse surface texture. 64 x 88 cm RK09248 71 gsm 5.42 6.50 108.33 130.00 25 RK09249 25 x 35 inch
CLAIREFONTAINE OIL
Oil painting paper with a canvas texture. 65 x 50 cm CLOL05101 1.54 1.85 CLOL05102 240 gsm 25.5 x 19.5 inch 12.33 14.80
Chinese Calligraphy Paper

10
RICE PAPER
PCTEM572 PCTEM571
Calligraphy Paper
PERGAMENATA
Semi translucent imitation parchment. Cream or white. 70 x 50 cm RK09240 230 gsm 27 x 19 1.79 2.15 35.83 43.00 inch 25
PCTEM52030
PCTEM52038
PCTEM52046
30.5 x 46 cm 24 x 33 cm 30 cm x 15 m Roll 38 cm x 15 m Roll 46 cm x 15 m Roll
9.42 9.42 5.92 7.25 8.50
11.30 11.30 7.10 8.70 10.20
50 100
ITALIC PARCHMENT
Mottled calligraphy paper. Cream or white. 70 x 50 cm RK09242 0.83 1.00 RK09243 175 gsm 27 x 19 inch 16.67 20.00 25
MULBERRY BERRY ERRY PAPER

PCPEAMP1
PCPEAMP3
46 cm x 25 m Roll 97 cm x 10 m 30 gsm Roll 30 gsm
13.75 16.50 13.75 16.50
roll roll
171
Section 9
P APER
Paper for Pastel
Pastel Paper and Card

Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT Mould made in Italy, neutral pH, for pastels, drawing and charcoal. 50 x 70 cm FAIN02xxx 0.71 0.85 14.17 17.00 25 FAIN03xxx 160 gsm 19 x 27 inch
Inkjet Media
Single Pack price Pack Sheet Quantity ex inc ex inc Code Size VAT VAT VAT VAT For use with inkjet printers. Coated on one side. Satin, Textured or Velvet surface. Radiant White. 30 x 21 cm SOMS02101 225 gsm 18.58 22.30 25 A4 48.3 x 33 cm SOMS02102 225 gsm 45.08 54.10 25 A3+
FABRIANO INGRES
SOMERSET ENHANCED
Ref Colour 701 702 703 704 Buff Ivory Antique White Light Grey
Ref Colour 710 714 719 721 Pale Yellow Deep Yellow Black Snow White
BOCKINGFORD INKJET CANSON MI-TEINTES

Machine made, neutral pH lightly-sized 66% rag. Suitable for pastel, charcoal, drawing and some printmaking applications. 21 x 29 cm CAMI04xxx 0.29 0.35 11.67 14.00 50 CAMI05xxx 160 gsm A4 55 x 75 cm CAMI06xxx 1.50 1.80 30.00 36.00 25 CAMI07xxx 160 gsm 21 x 29 inch 160 gsm 1.5 x 10 m CAMI08xxx 55.58 66.70 Roll 59 inch x 11 yd
Ref Colour 101 Pale Yellow 111 Ivory 130 Earth 335 White 336 Dark Brown Grey 340 Oyster 343 Pearl 345 Dark Grey 350 Honeysuckle Ref Colour 352 Orchid 354 Sky Blue 374 Hemp 384 Buff 400 Canary 407 Cream 425 Black 426 Moonstone 429 Smoke Grey 431 Steel Grey Ref Colour 448 Ivy 453 Orange 470 Champagne 475 Green 480 Light Green 490 Light Blue 495 Blue 500 Dark Blue 501 Tobacco 502 Bisque Ref Colour 503 Burgundy 504 Amber 505 Red 506 Poppy Red 507 Violet 553 Cadmium Yellow 575 Viridian 590 Royal Blue 595 Turquoise
190 gsm, coated on both sides 30 x 21 cm BOCK07201 190 gsm A4 48.3 x 33 cm BOCK07202 190 gsm A3+
9.63
11.55
20 20
21.25 25.50
INKJET CANVAS
Archival quality, acid free polyester/cotton. Acrylic primed then specially coated to receive water based inks. Sold in packs of 10 sheets. A4 42401072 190 gsm 31 x 22 cm 12.58 15.10 10 12 x 8 inch
Information
Finely ground ph neutral vegetable flakes and cork are hand applied to a 200lb ph neutral board to give a paper that is slightly abrasive with a uniform tooth. This unique paper gives enhanced adhesion so that pastels need the minimum of fixing. 65 x 50 cm SEPC262187xx 400 gsm 25 x 19 5.21 6.25 41.66 50.00 10 inch
Ref Colour 01 02 03 04 Antique White Sand Sienna Earth Ref Colour 05 06 07 08 Peach Salmon Van Dyck Brown Light Green Ref Colour 09 10 11 12 Dark Green Light Blue Dark Blue Light Grey Ref Colour 13 14 Dark Grey Charcoal
FRISK PASTEL CARD
A1
INTERNATIONAL PAPER SIZES

A0 A1 A2 841 x 1189 mm 33 x 46 inch (approx) 594 x 841 mm 23 x 33 inch (approx) 420 x 594 mm 16 x 23 inch (approx) 297 x 420 mm 11 x 16 inch (approx) 210 x 297 mm 8 x 11 inch (approx) 148 x 210 mm 5 x 8 inch (approx) 105 x 148 mm 4 x 5 inch (approx)
A2
A3
A3 A4
A4
A5 A6
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
172
L EATHER A CCESSORIES
Artists Leather Accessories
Section 10
Cornelissens range of artists leather accessories is hand made in Europe and includes brush carriers, sketch book covers, folders, portfolios and carrying cases.We usually stock 3 colours (codes: 02,09,10) but a choice of another 8 can be made with a lead time of about a month. When ordering, please note the colours code number.
Colour code 08 00 01 10 07 02 03 04 05 Description Black Tan Brown Chocolate Earth Yellow Earth Orange Colour code 06 07 08 09 10 Description Earth Red Maroon Magenta Grey nap Green
09
06
CHELSEA WATERCOLOUR CASE

AND PAD
Code
ex VAT inc VAT
00
05
Refillable with standard A6 landscape sketch pad. Watercolour case is compatible with standard 12 half pan tin/enamel boxes. Soft cover cartridge book and Faber Castell clutch pencil are included Watercolour set is not included. Available to purchase separately. LC2036xx 62.50 75.00 Size A6 15 x 11cm
01 04
02
03
MARCO POLO SKETCHING PAD
Code
ex VAT inc VAT
Refillable with standard A6 portrait sketch book. Hard cover cartridge pad included. LC1016xx 47.50 57.00 Size A6 15 x 11cm
KEW LANDSCAPE PAD
Refillable with standard A5 landscape sketch book. Hard cover cartridge pad and Faber Castell clutch pencil are included. LC1035xx 69.42 83.30 Size A5 22 x 15cm
HOXTON PENCIL CIL IL PAD
Refillable with standard A5 portrait sketch book. Hard cover cartridge pad and 14 coloured pencils included LC1045xx 78.33 94.00 Size A5 22 x 15cm
KEW PORTRAIT PAD

Hard cover cartridge pad and Faber Castell clutch pencil are included. Refillable. LC1025xx 69.42 83.30 Size A5 22 x 15cm
173
Section 10
VERMEER DRAWING PAD

Non Refillable Size A4 31 x 22 cm Size A5 22 x 15 cm Size A6 15 x 11 cm
Code
LC1074xx LC1075xx LC1076xx
ex VAT inc VAT 57.92 44.17 26.67 69.50 53.00 32.00
PICCADILLY DRAWING PAD
Code
ex VAT inc VAT
Refillable with standard A5/A6 pads. Soft cover cartridge pad included. Size A6 15 x 11 cm Size A5 22 x 15 cm
LC2046xx LC2045xx
47.50 70.00
57.00 84.00
THE PEREGRINE
CLASSIC SKETCHING PAD
Refillable with standard A5 pads. Hard cover cartridge pad and Faber Castell clutch pencil are included. LC1055xx 85.83 103.00 Size A5 22 x 15 cm
Refillable with standard A5 landscape sketch book. Hard cover cartridge pad included. LC1015xx 54.92 65.90 Size A5 22 x 15cm
CORNELISSEN BOOK MARK

Size 18 x 3 cm
LC0001xx
1.63
1.95
BLOOMSBURY URY SKETCHING PAD
Refillable with standard A5/A6 pads. Soft cover cartridge pad included. Size A6 15 x 11 cm Size A5 22 x 15 cm
LC2056xx LC2055xx
40.00 70.00
48.00 84.00
WATERCOLOUR OLOUR CASE

Watercolour case is compatible with standard 12 half pan tin/enamel boxes. Watercolour set is not included. Available to purchase separately. LC5080xx 31.25 37.50
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
174
FITZROVIA PENCIL & BRUSH CASE
Large with strings Size 38 x 9cm Small with strings Size 26 x 7.5cm Large with elastic Size 38 x 9cm Small with elastic Size 26 x 7.5cm Code
LC5060xx LC5061xx LC5070xx LC5071xx
Section 10
ex VAT inc VAT 40.00 23.75 40.00 23.75 48.00 28.50 48.00 28.50
ASSORTMENT BRUSH CASE
Code
LC5092xx
THE REGENT FOLIO

Size 35 x 27 cm A4 paper carrier
LC5014xx
79.17
95.00
REGENT LONG HANDLE BRUSH CASE

Brush case for long handle oil brushes
LC5090xx
69.17
83.00
TRADITIONAL PORTFOLIO
Size A3 42 x 30 cm
LC5043xx
158.33 190.00
TRAV RAVELLERS RA ELLERS BRUSH/TOOL ROLL

LC5091xx
47.50
57.00
CLASSIC TOOL BOX

LC4020xx
158.33 190.00
175
Section 10
CORNELISSEN ARTISTS SKETCH BAG
Designed to fit A5 standard sketch book and 12 pencils/brushes. Hard cover cartridge pad and 12 colour pencils included. LC1065xx 100.00 120.00
MINI NOTEPAD
Refillable with standard A7 pad. Notepad and pencil are included. LC2007xx 23.75 28.50
EVERYDAY NOTEPAD
Size 150 x 100 mm, 6 x 4. Non refillable. Pencil included. LC1078xx 23.75
LANDSCAPE SKETCHING PAD

28.50
Size 205 x 85 mm, 8 x 3. Non refillable. Pencil included. LC5005xx 39.17
47.00
CLASSIC NOTEPAD P PAD
Refillable with standard A6 pad. Notepad and pencil are included. LC2006xx 32.92 39.50
LEATHER APRON
Medium / Large size (brushes not included)
LC5101xx
116.67 140.00
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
176
S TUDIO
Studio Easels
SMALL STUDIO EASEL M10
Oiled beech with ratchet. Max Canvas : 1.2 m (49) Height : 1.7-2.36m (67-93) Weight : 9 kg (20 lb) Code ex VAT inc VAT
Section 11
MABEM10
154.17 185.00
MEDIUM STUDIO EASEL M07

Oiled beech with ratchet. Max Canvas : 1.3 m (53) Height : 2.05-2.84m (81-112) Weight : 13 kg (29 lb)
MABEM07
204.17 245.00
LARGE STUDIO EASEL M04

Oiled beech with winding gear. Max Canvas : 2.3 m (92) Height : 2.03-3.05m (80-120) Weight : 32 kg (70 lb)
MABEM04
679.17 815.00 Small Studio Easel M10
THAMES RADIAL EASEL

Adjustable easel, strong beech wood construction. May be tilted. Folds for ease of storage. Max Canvas : 1.88 m (74) WN7006131 151.67 182.00 Height: Weight : 8 kg (26 lb)
ITALIAN LYRE EASEL M13
Oiled beech non-tilting easel. May be stored flat when not in use. Max Canvas : 1.19 m (47) MABEM13 91.67 110.00 Height 1.55-226m (61-89): Weight :5 kg (11 lb) Medium Studio Easel M07
CORNELISSEN STUDIO EASEL

Polished oak. Raking action and ratchet system. Hinged rear legs permit flat storage when not in use. Max Canvas : 1.2 m (48) Height : 1.8 m (72) For Hire Only Weight : 12 kg (26 lb)
Large Studio Easel M04
Italian Lyre Easel M13
Cornelissen Studio Easel
Thames Radial Easel
177
Section 11
S TUDIO
Portable Easels
HALF BOX EASEL M23
Code
ex VAT inc VAT
Beechwood box with carrying straps. Box contains a folding wooden palette and storage tray with metal adjustable dividers for paints and brushes. Max Canvas : 84 cm (33) MABEM23 191.67 230.00 Height : 1.88 m (73) Weight :4.5 kg (10 lbs)
FULL BOX EASEL M22

Beechwood box with carrying handle. Box contains a wooden palette and storage tray with metal adjustable dividers for paints and brushes. Max Canvas : 86 cm (34) MABEM22 204.17 245.00 Height : 1.85 m (73) Weight :6 kg (13 lbs)
Half Box Easel M23
ST PAULS WOODEN FIELD EASEL

Lightweight oiled beech tripod easel. Max Canvas : 67 cm (35) Length folded : 83 cm (33) Weight : 1.6 kg (3 lbs)
DR802000001
Full Box Easel M22
37.46
44.95
TOWN & COUNTRY EASEL

Sturdy oiled beech tripod base. With handle and enclosure strap. Max Canvas : 89 cm (35) DR803661720 124.96 149.95 Length folded : 94 cm (37) Weight : 4.5 kg (10 lbs) St Pauls Wooden Field Easel Town & Country Easel
METAL FIELD EASEL

Chromed and black painted steel. Max Canvas : 70 cm (27) Length folded : 88.5 cm (35) Weight : 2.3 kg (5 lbs)
LCME10072
54.17
65.00
ALUMINIUM EASEL
Lightweight field easel. Max Canvas : 140 cm (55) Length folded : 88.5 cm (35) Weight : 1.2 kg (2.5 lbs)
LCME10028
62.50
75.00
Aluminium Easel
Metal Field Easel
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
178
S TUDIO
Table Easels
WIMBOURNE TABLE EASEL
Code ex VAT inc VAT Oiled beechwood with adjustable support. May be tilted backwards or forwards. Folded Size : 30 x 13 x 3 DR802000014 41.63 49.95 Maximum Canvas : 30
Section 11
UPRIGHT TABLE EASEL

Non-adjustable display easel made from dark polished mahogany. Size : 15 x 12 For Hire Only Maximum Canvas : 25
LINCOLN TABLE EASEL

Oiled beech wood construction. 4 angles of recline from approximately 15-45 Folded Size: 20 x 16 x 3 DR802000011 45.79 Maximum Canvas : 16
Upright Table Easel 54.95 Lincoln Table Easel
Wimbourne Table Easel
ARTISTS DISPLAY RACK

Folding drawing display rack ideal for exhibiting paintings, print and drawings. Wight: 3.5 kg (7.8 lb) DR803665708 41.63 49.65 Heigh: 760 mm (30 in) Artists Display Rack
For Drawing Boards see page 84
Empty Boxes
ITALIAN WOODEN BOX
Code ex VAT inc VAT Beechwood boxes contain wooden palette and metal dividers. Boxes approx 3 inch in depth. MABEM100 62.46 M100-12 x 8 MABEM101 74.96 M101-14 x 10 MABEM102 79.13 M102-16 x 12 MABEM103 83.29 M103-18 x 14
74.95 89.95 94.95 99.95
POCHADE BOXES
Handmade from American cherry wood. 8 x 6 10 x 8 12 x 10
Code
FF0806 FF1008 FF1210
ex VAT inc VAT 89.00 106.80 96.67 116.00 109.00 130.80
179
Section 11
S TUDIO
Lay Figures
EQUINE LAY FIGURE
Code
ex VAT inc VAT
Copy of Cornelissens original. Light coloured wood, fully articulated neck and leg joints. Complete with adjustable stand. LCLAY0108 50.83 61.00 8 inch LCLAY0112 85.00 102.00 12 inch LCLAY0116 123.33 148.00 16 inch LCLAY0120 165.83 199.00 20 inch
Articulated with removable stand. Unstained wood. LCLAY0345 4 inch LCLAY0308 8 inch LCLAY0312 12 inch LCLAY0320 20 inch
HUMAN LAY FIGURE
Code
ex VAT inc VAT 6.37 8.08 10.62 40.41 7.65 9.70 12.75 48.50
HAND LAY FIGURE
Articulated wrist and finger joints. Unstained light coloured wood. Right or left hands are available in 4 sizes. LCLAY0206 16.03 19.30 6 inch LCLAY0208 16.91 20.30 8 inch LCLAY0210 19.08 22.90 10 inch LCLAY0212 19.08 22.90 12 inch
FLEXIBLE HUMAN LAY FIGURE
Articulated with extra flexibility around torso and waist. Removable stand. LCLAY0412 8.83 12 inch
10.60
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
180
S TUDIO
Portfolios
Presentation Portfolios (while stock lasts)
PREMIER ARTCARE PORTFOLIO
Code ex VAT inc VAT
Section 11
Carrying Cases
POLYMATE CARRYING CASE
Code ex VAT inc VAT
Strong, durable and waterproof. Steel plate along spine provides strength to carry full complement of clear sleeves. Heavy duty quality zip. Internal pockets. Extra side handle on A1 size. ARTP0101 63.41 76.10 A1 890 x 665 x 40 mm Holds up to 15 sleeves ARTP0103 32.33 38.80 A3 465 x 360 x 40 mm Holds up to 25 sleeves ARTP0104 23.79 28.55 A4 350 x 280 x 40 mm Holds up to 25 sleeves
Black corrugated polypropylene case. Tough, rigid, lightweight and low cost. (While stock lasts) ARTP0604 7.62 9.15 350 x 280 x 40 mm A4
Lightweight rigid board with sturdy flaps and elastic retainers. Black. ARTP0702 20.84 25.00 A2 645 x 490 x 40 mm ARTP0703 12.41 14.90 A3 465 x 360 x 40 mm ARTP0704 9.41 11.30 A4 350 x 280 x 40 mm
CARD PORTFOLIO OLIO
DISPLAY SLEEVES
Code
ex VAT inc VAT 3.00 2.58 1.50 1.25 0.50 0.41 3.60 3.10 1.80 1.50 0.60 0.50
Clear PVC with black paper inserts. Welded holes. 860 x 620 mm (9 holes) ARTP0301 A1 With portfolio purchase (or 10+) 605 x 445 mm (6 holes) (or 10+) ARTP0302 A2 With portfolio purchase (or 10+) 305 x 235 mm (4 holes) (or 10+) ARTP0304 A4 With portfolio purchase (or 10+)
DALER CACHET C STUDIO PORT ORTFOLIO OLIO

A1 A2 A3 A4
Code
DR468370100 DR468370200 DR468370300 DR468370400
ex VAT inc VAT 19.13 13.29 8.29 6.25 22.95 15.95 9.95 7.50
Available in Berry Red (pictured), Fern Green, Bark Brown, Cadet Blue and Grey.
TELESCOPIC TUBE
Black, with shoulder strap
ARTP0801
13.50
16.20
181
Section 11
S TUDIO
Sundries
DAYLIGHT BULBS
Code
ex VAT inc VAT
DAS MODELLING CLAY
Code
ex VAT inc VAT
Energy saving daylight bulbs consume 80% less energy than incadescent bulbs and last up to 10 times longer. The bulbs assist colour matching for those working at night or in weak winter light. They also reduce eye strain and low heat technology means they are extremely safe. Screw or bayonet fittings. 11 watt / light 60 watt, 20 watt / light 100 watt DAYL01xx 9.58 11.50 1-2 bulbs Each DAYL02xx 8.29 9.95 3-9 bulbs Each DAYL03xx 7.45 8.95 10 + bulbs Each 45 watt / light 200 watt DAY15450 19.12 22.95 Each Screw fitting only.
Packed and sealed in foil, DAS moist modelling clay is ready to use and air dries to a hard durable matt finish without need for firing. Acrylic colours are an ideal colouring medium as well as Goldfinger metallic paste. DR809485001 3.29 3.95 White 485 g DR809980001 5.29 6.95 White 980 g DR809485002 3.29 3.95 Terracotta 485 g DR809980002 5.29 6.95 Terracotta 980 g
Tape and Packaging Supplies

A1 PLASTIC BAGS
Clear plastic. Excellent for storing drawings or paper 1-19 bags 20+ bags
BUPB01001 BUPB01002
Canvas Products
0.17 0.12 0.20 0.15
ECONOMY ARTISTS APRONS

Heavy duty natural cotton apron with pockets.
Code
various
PACKAGING TAPE
Brown plastic tape 2 inch
30000602050
1.33
1.60
MASKING TAPE
50 Metre Roll 1 inch 2 inch
39000500380 39000500382
1.67 2.92
2.00 3.50
BUBBLEWRAP
Useful for protection of objects to be stored or transported. 23 width roll.
Per Metre 10+ Mtr 20+ Mtr
4422503010
0.50 0.33 0.25

IS 1867 PAR
0.60 0.40 0.30

VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
182
S PECIALIST D ECORATING
Decorative Paints
Enamel Paint
ONE SHOT LETTERING ENAMELS
Superior quality, high gloss enamels with exceptional opacity and durability, smooth flow, and excellent resistance to sagging. Interior or exterior use on metal, glass, wood, masonite, and enamel receptive vinyl materials. Series 237 ml ex VAT inc VAT Code
Section 12
VITRAIL - TRANSPARENT PAINT FOR GLASS

50 ml Vitrail Glass Jar 18 shades Vitrail Cern Colours 25 ml Tube with nozzle 250 ml Vitrail Glass Jar 10 shades
REF 153 231 201 433 350 601 025 087 028 050 556 534 541 102 251 Colour Yellow Orange Yellow Orange Bright Red Purple Violet Blue Cyan Sky Blue Turquoise Blue Light Green Warm Green Olive Green Deep Brown Grey Hiding Black Colourless Covering White 50 ml
Code
LB210XXX3
Size 50ml 25ml 250ml
ex VAT inc VAT 3.33 3.33 9.92 4.00 4.00 11.90
LB2102xxx
1
10.08 12.10
HAEP10xx
2
12.75 15.30
HAEP10xx
3
13.08 15.70
HAEP10xx
4
17.41 20.90
HAEP10xx Metallic 13 Gold (5) 14 Copper (4) 15 Brass (4) 16 Silver (2)
5
18.33 22.00
HAEP10xx
LB210XXX4
250 ml
REF 619 626 633 640
Cern Colours 25 ml Tube Grey Gold Silver Black
01 Chrome Yellow (2) 02 Bright Red (3) 03 Fire Red (3) 04 Brilliant Blue (2) 05 Reflex Blue (3) 06 Shading White (1)
07 Lettering White (1) 08 Ivory (1) 09 Medium Grey (1) 10 Black (1) 11 Tinting Black (2) 12 Imitation Gold (1)
FAST DRY ENAMEL SPRAY
Code
Size
ex VAT inc VAT
267 010 004
PL0xxxS 100 ml 4.33 5.20 Non toxic, fast drying aerosol spray enamel paint for use on wood, metal, paper, glass, ceramics etc. 6 metallic shades: Aluminium (109), gold leaf (110), copper (138), brass (139), antique gold (143), chrome (150)
i
Paint Effects
Scumble Glazes
POLYVINE ACRYLIC SCUMBLE
Clear water-based medium for the safe application of broken colourwork: rag-rolling, stippling; marbling; dragging, etc. Non-yellowing. Coverage 15-20 squ m/litre. *Size to order. Code
PO10105J PO10106K PO10107L PO10108M
For Casein paints see page 110 For Bronze Powders see page 107
Size 500 ml 1 litre 2 litre 4 litre*
ex VAT inc VAT 9.17 14.75 26.17 46.33 11.00 17.70 31.40 55.60
183
Section 12
Paint Effects
Scumble Glazes
ACRYLIC COLOURISERS
Concentrated liquid acrylic colourisers for use with acrylic scumble. 50 g plastic container.
05 Black (1) 04 White (1) 1 Lemon (2) 02 Yellow (1) 00 Red (1) 0 Crimson (2)
Craquelure
Code
PO11xx2E PO120x2E
Series 1 2
ex VAT inc VAT 2.00 2.00 2.40 2.40
LEFRANC CRACKING VARNISH

Applying a coat of Cracking Varnish over Ageing Varnish causes cracking due to the chemical reaction between the two layers. Crack size can be controlled by timing of application of Crackling Varnish.
CH210281 CH210282 CH210283 CH210284
4 Magenta (2) 2 Violet (2) 01 Blue (1) 06 Ultramarine (1) 07 Prussian blue (1) 03 Green (1)
3 Emerald (2) 09 Burnt sienna (1) 10 Raw umber (1) 12 Red oxide (1) 13 Yellow oxide (1)
6.42 15.58 23.33 41.42
7.70 18.70 28.00 49.70
CRAIG AND ROSE OIL SCUMBLE GLAZE

Traditional oil based glaze for all types of decorative effects.
CR82013J CR82014K
500 ml 1 litre
9.17 17.17
11.00 20.60
POLYVINE ACRYLIC RYLIC CRACKLE GLAZE

When applied between a base coat and a top coat, will produce a cracking of the top coat, allowing the base coat to show. Coverage 15-20 sq m/litre. (While stock lasts)
Code
PO10224H PO10226K
Size 300 ml 1 litre
ex VAT inc VAT 8.08 20.17 9.70 24.20
Craquelure
LEFRANC AGEING VARNISH
Gives a glossy, slightly yellowed appearance like the patina of age to etchings, non absorbent papers etc. Use as basecoat with Cracking Varnish to created cracked effect. Code
CH210277 CH210278 CH210279 CH210280
ROBERSONS ACRYLIC RYLIC CRAQUELURE

Size 75 ml 250 ml 500 ml 1 litre ex VAT inc VAT 6.42 15.58 23.33 41.42 7.70 18.70 28.00 49.70 Water based 2-part craquelure. Top Coat Top Coat Base Coat - small cracks Base Coat - small cracks Base Coat - large cracks Base Coat - large cracks
CR81122E CR08123J CR81102E CR08103J CR81112E CR08113J
60 ml 500 ml 60 ml 500 ml 60 ml 500 ml
5.17 21.58 5.17 21.58 5.17 21.58
6.20 25.90 6.20 25.90 6.20 25.90
Paint Effects and Stencilling

Patinating Paints and Mediums
PERMACOAT PATINA SEALER

ACID BLOCKING PRIMER
4.75 5.70 A clear waterbased sealer that MMAM201F 118 ml protects metal paint surfaces that have been oxidised with the metal effects aging solutions and activators. Prevents further oxidation and limits colour change without yellowing or cracking.
MMAM203F 118 ml 4.75 5.70 Water based acrylic primer. Other primers cannot be used as they allow patina aging solutions and activators to penetrate through the substrate. This will disrupt the desired patina colour and damage the finish by bringing rust or tannic acids to the surface.
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
184
Paint Effects and Stencilling
MODERN MASTERS REACTIVE METALLIC PAINTS
Water based paints containing copper, brass, bronze or iron particles. These paints will tarnish over time when exposed to the elements. The patina Aging Solutions will speed up the aging process. 7 metallic shades : iron (208), baroque (222), copper (149), pale gold (148), harvest gold (184), bronze (396), rich gold (157) Larger sizes available to order. Code
MMMExxxG
Section 12
TRANSFER MEDIUM TRANSCRYL

Code
Size
ex VAT inc VAT
Size 177 ml
Used for transferring printed images. Once the image has been transferred it can be finished with top coats of Ageing and/or Cracking Varnishes CH210285 75ml 10.00 12.00 CH210286 250ml 15.83 19.00 CH210287 500ml 22.17 26.60 CH210288 1ltr 41.50 29.80
250ml
75ml
Stencilling
OILED MANILLA STENCIL CARD
Stiff card for creating stencils 51 x 76 cm (20 x 30 inch)
DR410500015
For Modern Masters Patina Aging Solutions see page 107
3.13
3.75
ACETATE

SPRITZER SPRAY
Pump action spray nozzle which may be attached to 118 ml patina aging solution bottle. Code
MMSP120
Thick translucent acetate for creating long lasting stencils - 250 mic. GL10104 1.04 1.25 A4 - Single sheet GL10124 86.33 103.60 A4 - 100 sheets GL10103 2.08 2.50 A3 - Single sheet GL10123 86.33 103.60 A3 - 50 sheets 40 x 51 cm LCAC4051 2.13 2.55 (170 microns) Single sheet
Varnishes
Polyvine
ACRYLIC VARNISH
Code Size ex VAT inc VAT Specially formulated clear coating to protect decorative finishes. Unique UV filters give long-lasting colour protection inside and out. Coverage 15-20 sq m/litre. PO101xxJ 500 ml 8.67 10.40 Satin or Gloss PO101xxK 1 Litre 14.50 17.40 Satin or Gloss PO101xxM 4 Litre 47.83 57.40 Satin or Gloss (to order) PO10185J 500 ml 9.42 11.30 Dead Flat PO10186K 1 Litre 15.67 18.80 Dead Flat PO10188M 4 Litre 52.92 63.50 Dead Flat (to order)
185
Section 12
Varnishes
Polyvine
ACRYLIC VARNISHING WAX
Brushable synthetic wax combines the heat and water resistance of a lacquer with the look and feel of traditional wax. Coverage 15-20 sq m/litre. Available in Clear (0), Antique Pine (1) and Gold Pine (2) *Size to order. Code
PO135x5J PO135x6K PO135x8M
Craig and Rose

Size 500 ml 1 Litre 4 Litre* ex VAT inc VAT 9.75 15.67 53.58 11.70 18.80 64.30
YACHT VARNISH
For protection of exterior wood surfaces. Cedar, teak, oak and other hardwoods. Gloss. (While stock lasts)
CR82004K
1 Litre
11.92
14.30
EXTRA PALE EGGSHELL VARNISH

For protection of interior wood or painted finishes. Reduced yellowing characteristics compared with polyurethane varnishes.
CR82005J CR82006K
500 ml 1 Litre
9.08 15.75
10.90 18.90
FROSTING VARNISH
Creates frosted glass effect. Coverage 15-20 sq m/litre.
PO10244H
300 ml
9.33
11.20
EXTRA PALE DEAD FLAT VARNISH

For protection of interior wood or painted finishes. Reduced yellowing characteristics compared with polyurethane varnishes.
CR82007J CR82008K
500 ml 1 Litre
9.42 16.92
11.30 20.30
ACRYLIC LACQUER (SATIN)

Suitable for use over decoupage. Coverage 15-20 sq m/litre.
PO10195J PO10196K
500 ml 1 Litre
8.83 14.25
10.60 17.10
ROSALAC POLYURETHANE GLOSS VARNISH

Tough hardwearing coating for the protection and decoration of interior woodwork, which is also suitable for floors. Gloss or satin. (While stock lasts)
CR82009J CR82010K
500 ml 1 Litre
7.08 12.33
8.50 14.80
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
186
I NDEX
1810 Medium for Oil, 39 2 Way Glue, 85 Boxes (Empty), 70, 79, 179 Brause Nibs, 97 Bronze Powder, 107 Brunswick Black, 125 Brush Mark Varnish, 49 Brush Pens, 93-94 Brush Rolls & Cases, 155, 175 Brush Sets, 139, 141 Brush Soap, 155 Brush Washers, 154 Brushes, 101, 139-157 Bubblewrap, 182 Burin, 134 Burnisher Scraper, 127 Burnisher Scriber, 127 Burnishers, 115, 127 Bushey Book, Roberson, 159 Clutch Pencils, 83 Cold Pressed Linseed Oil, 38 Colophony, 15 Colour Shapers, 151 Colourisers, 184 Colourless Painting Medium, 40 Conservation Litho Ink, 130 Conserv Art Gloss Varnish, 117 Cont Crayons, 77 Pencils, 82 Stumps, 79 Tortillions, 79 Cooking With Gold Leaf, 122 Copaiba Balsam, 37 Copal Resin (Gum Copal), 14 Copal Varnish, 50 Copper Leaf, 106 Copper Plates, 129 Copperplate Nib, 96 Copperplate Oil, 125 Cornelissen Studio Easel, 177 Cornelissen Brushes Black Sable, 149 Filbert Sable (Watercolour), 140 Flat Sable (Watercolour), 140 Miniature Sable, 140 Oil Sables, 148 One Stroke Sable, 140 Ox Lacquer, 114, 154 Series 1 Siberian Kolinsky, 141 Series 2 Siberian Kolinsky Sable, 141 Series 3 Siberian Kolinsky Sable, 141 S.22 Spotter, 140 S.41-44 Hog, 149 S.72 Squirrel Mop, 144 S.80a Sable, 139 Squirrel Lacquer, 154 Writer In Quill, 146 Cornelissen Pads Hardback Sketchbooks, 159 Watercolour Fat Pads, 166 Calligraphy Layout And Cartridge 167 Cornelissen Pigments, 3-10 Cotman Watercolour Sets, 66 Cotton Duck, 56 Courtrai Dryer, 40 Cracking Varnish, 184 Crackle Glaze, 184 Craig And Rose Oil Based Scumble, 184 Varnishes, 186 Craquelure Mediums, 184 Crocus Powder, 17 CRP, 117 Crystal Medium, 40 Crystal Parchment, 168 Cushion, 116 Cutting Mats, 88
A
A2 Sketch Book, Sennelier, 159 Abrasives, 13 Accademia Cartridge, 168 Acetate, 168, 185 Acetone, 117 Acid Blocking Primer, 184 Acrylic Gold Size, 111 Acrylic Ink, 92 Acrylic Primers, 52-53 Acrylic Varnish, 49, 185-186 Acticide Spx (Preservative), 12 Adhesives, 12 Aero Colour, 91 Agate Burnishers, 115 Ageing Varnish, 184 Albrecht Durer Pencils, 81 Alkaflow Medium, 41 Alkyd Primers, 52 Alumina Hydrate, 13 Aluminium Easel, 178 Aluminium Leaf, 106 Ammonium Carbonate, In Casein, 12 Aprons, 176, 182 Aquapasto, 67 Aquarella Medium, 67 Arches Aquarelle Block, 167 Arches Aquarelle Paper, 169 Arches Aquarelle Travel Book, 165 Arkansas Sharpening Stone, 127 Artcare Portfolios, 181 Artistico Block, Fabriano, 167 Artistico Paper, 169 Artmate Carrying Case, 181 Asphaltum, 16 Assiette A Dorer Bole, 110 Automatic Pens, 95 Azurite, 10, 11
C
C3, C4 Pastel Pads, Sennelier, 163 Calligraphy Gouache, 65 Camera Lucida, 99 Canada Balsam, 37 Canaletto Paper, 168 Canford Black Pad, Daler, 160 Canson Bristol Pad, 161 Bristol Paper, 168 Figueras Pad, 162 Figueras Paper, 171 Mi-Teintes Paper, 172 Canvas (Stretched), 57 Canvas (Unstretched), 56 Canvas Carrier, 59 Canvas Carrying Accessories, 59 Canvas Sealer, 53 Canvas Tacks, 58 Carbon Pencils, 82 Carborundum Powder, 17 Carbothello Pastel Pencils, 81 Carboxyl Methyl Cellulose, 12 Card Portfolios, 181 Carnauba Wax, 16 Carrageen Moss, 12 Carte Dart, Sennelier, 161 Casein Binding Medium, 68 Casein Paint, 110 Chalk, 13 Charbonnel Block Printing Inks, 133 Etching Ink, 123-124 Etching Ink Water Washable, 132 Grounds, 125 Litho Crayons, 129 Litho Ink, 130 Oil Gold Size, 111 Rubbing Inks, 130 Varnishes, 125 Charcoal, 82 Chinagraph Pencils, 82 Chinese Brushes, 146-147 Chinese Calligraphy Paper, 171 Chinese Ink And Accessories, 89 Chloramine T, 17 Clairefontaine Oil Painting Paper, 171 Ingres Pad, 163 Voyage Watercolour Book, 164
B
Badger Fan Brash Series 150 Badger Softener, 157 Barens, 133 Beeswax In White Spirit, 41, 48 Beeswax, 16 Black Pigments, 8 Black Sable, 149 Bleached Linseed Oil, 38 Blenders, 79 Blending Medium, 67 Block Printing Inks, 132-133 Block Printing Medium, 133 Blotting Paper, 168 Blue Pigments, 5 Blue Verditer, 10 Bockingford Fat Pad, 165 Bockingford Inkjet Paper, 172 Bockingford Paper, 169 Bole, Recipe, 121 Bone Folder, 168 Books, 120, 138 Box Easels, 178 Boxwood, 135
D
Da Vinci Brush Soap, 155 Long Handled Hog, 150 Nova (Acrylic), 152 S.10 Sable Needlepoint, 139 S.11 Sable Round, 139
187
I NDEX
S.17 Sable Liner, 145 S.488 Wash Brush, 144 S.122 Nova, 142 S.132 Pastel Brush, 144 S.1105 Sable Rigger, 145 S.1200 Sable Rigger, 148 S.1640 Black Sable Round, 149 S.1840 Black Sable Filbert, 149 S.1845 Black Sable Bright, 149 S. 2466 Pencil Overgrainer, 157 S. 2468 Wavy Mottler, 153 S.5025 Impasto Mottler, 153 S.5040 Varnish, 154 S.5073 Synthetic Mottler, 152 S.5080 Varnish, 153 S.5519 Liner, 145 S.5570 Cosmotop Nova Round, 142 S.5580 Cosmotop Spin Round, 142 S.560 Ox Lacquer, 153 S.7906 Fresco, 150 S.803 Squirrel Oval Wash, 143 Dabber, 126 Daler Block Printing Medium, 133 Daler Rowney Artists Oil Colour, 33 Cryla Acrylics, 42 Cryla Interference Medium, 48 Georgian Oil Colour, 34 Soft Pastels, 78 System 3 Acrylics, 43 System 3 Mediums, 131 Egg Tempera, 72 Watercolours, 64 Daler Rowney Pads Bockingford Tinted Pad, 165 Canford Black Pad, 160 Cartridge Pads, 160 Ebony Sketchbooks, 159 Hardback Sketchbooks, 159 Langton Pad, 165 Layout Pad, 159 Lyndhurst Sketch Book, 160 Series A Spiral Bound Book, 160 Tracing Pad, 159 Damar Resin (Gum Damar), 14 Damar Varnish, 49, 50 Daylight Bulbs, 182 Dental Wax, 118 Diamond Point, 126 Diffuser, 79 Dippers, 53 Display Rack, 179 Display Sleeves, 181 Disposable Calligraphy Pens, 93 Disposable Pens, 92 Divider, 85 Dragons Blood, 15 Draw Tool, 128 Drawing Board Clips, 84 Drawing Boards, 84 Drawing Nibs, 96, 98 Dropper, 18 Dry Point Needles, 126 Drying Accelerator, 39-40 Drying Linseed Oil, 38 Drying Poppy Oil, 38 Durziez Harlem Medium, 40 Dust Mask, 18
E
Earth Pigments, 6, 7 Easy-Gild, 113 Edible Leaf, 104 Egg Tempera, 72 Eggshell Varnish, 186 Egyptian Blue, 10 Eliza Turcks Aquarella Medium, 67 Eliza Turcks Florentine Medium, 41 Empty Watercolour Pans, 19 Enamel Paint, 183 Engraving Set, 135 Envelopes, 170 Erasers, 83, 85, 86 Etching Grounds, 125 Etching Needles, 126-127 Etching Plates, 129 Etching Sets, 127 Extra Thick Gold, 103
Fullers Earth, 13 Fumed Silica, 13
G
Gamboge, 10 Gel Drying Retarder, 48 Gel Mediums, 47 Gelatine Recipe, 122 Gelatine, 12 Gesso Di Bologna, 13 Gesso Panels, 54 Gesso Primer (Acrylic), 52 Gesso Punch, 114 Gesso Recipe, 22, 122 Gilders Cushion, 116 Gilders Knife, 116 Gilders Tip, 114 Gillot Nibs, 98 Gilt Wax Medium, 109 Glass Paints (Vitrail), 183 Glassine Paper, 116 Glaze Medium, 39 Gloss Medium, 47 Gloves (Vinyl), 18 Goat Hair Brushes, 101, 146, 147 Gold Foil, 104 Gold Powder Genuine, 105 Imitation, 106 Goldfinger, 109 Gold Wire, 83 Gouache, 65-66 Grainers, 157 Granulation Medium, 67 Graphite Pencils, 82 Graphite, 8, 82 Green Pigments, 6 Gum Ammoniac Lumps, 14 Size, 111 Gum Arabic, 14, 67 Gum Benzoin, 14 Gum Damar, 14 Gum Sandarac, 14 Gum Tragacanth, 14 Gummed Tape, 70 Gypsum, 13
F
Fabriano 4 Cartridge, 168 Fabriano 5 Paper, 169 Pad, 166 Fabriano Accademia Cartridge, 168 Accademia Pad, 160 Artistico Pads, 166, 167 Artistico Paper, 169 Artists Journal, 163 Cartridge Paper, 168 Eco Pads, 160 Ingres Paper, 172 Mediovalis Cards And Envelopes, 170 Pittura Block, 162 Pittura Paper, 171 Rosa Spina, 170 Tela Block, 162 Tiziano Pad, 163 Watercolour Pads, 166 Venezia Book, 159 Fabric Medium, 47, 109 Factis Erasers, 86 Fan Brushes, 150 Felt Tip Pens, 93 Ferric Chloride, 17 Field Easels, 178 Figueras Oil/Acrylic Paper, 162, 171 Filler, 13 Fitch Brushes, 143, 150 Fixative Spray, 51, 68, 78, 79 Flashe Vinyl Paint, 71 Flemish Mediums, 40 Flogger, 157 Florentine Medium, 41 Flow Aid, 48 Foam Brush, 144 Foil, 104 Fountain Pen Ink, 90 Fountain Pens, 90 French Chalk, 13 French Sepia Ink, 88 Frisk Pastel Board, 172 Frosting Varnish, 186
H
Haematite Burnishers, 115 Hahnemuhle Etching Paper, 170 Hahnemuhle Watercolour Postcard Tin, 164 Hake Brush, 147 Hardback Sketchbooks, 159 Hax Iron Gall Ink, 89 Heartgrainer, 157 Higgins Ink, 90 Hmg Adhesives, 118 Holbein Palettes, 69 Hot Colourless Lacquer, 112
I
Imitation Gold Powders, 107 Imitation Leaf, 106 Indian Ink, 88, 89, 91
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
188
I NDEX
Ingres Pad, Clairefontaine, 163 Ingres Paper, Fabriano, 172 Inkjet Canvas, 172 Inkjet Paper, 172 Intaglio Etching Set, 127 Iridescent Medium Watercolour, 67, 68 Acrylic, 47 Iron Gall Ink, 89 Iron Oxide Pigments, 7 Isinglass, 12 Italic Parchment, 171 Ivory Black Genuine, 10, 11 Leonardt Nibs, 96 Lime Proof Pigments, 3 Lime Putty, 17 Lincoln Table Easel, 179 Linen, 56, 57 Lining Brushes, 145, 146 Lino Blocks, 133 Lino Tools, 134, 135 Linseed Oil Paste, 41 Linseed Oil, 38 Liquid Litho Ink, 130 Liquid Metal, 108 Liquid Metal Brush, 154 Liquin, 39 Liquitex Primer, 52 Liquitex Acrylics, 44-46 Mediums, 47 Litharge, 10 Litho Crayons; Ink; Needle; Pencils, 129, 130 Lump Sanguine, 17, 82 Lump Graphite (Sri Lanka), 17, 82 Lyre Easel, 177 Michael Hardings Artists Oils, 27 Microballoons, 117 Microcrystalline Wax, 16 Milliput, 118 Miniatum, 112, 113 Miniature Brush, 140 Mirricard, 170 Mitchell Nibs, 96 Mixing Slab, 17 Modelling Clay, 182 Modeling Paste, 48 Modern Masters Paint System, 185 Mongoose Brushes (Imit.), 148 Mordent Gilding, 121 Mottler (Wavy), 153 Mottlers, 152, 153 Moulding Materials, 118 Mount Cutter, 87 Mounting Board, 168 Mullers, 17 Music Nib, 97 Music Pen, 95 Muslin, 126 Mussini Painting Mediums, 41
J
Japan Gold Size, 111 Japan Wax, 16 Japanese Brushes, 101 Japanese Calligraphy Papers, 171 Japanese Materials, 99-101 Japanese Printmaking Paper, 170 Jars (Empty), 19 Jg Vibert Painting Medium, 40
K
Kelmscott Vellum, 94 Ketone Resin, 15 Knife, 87 Korns Litho Pencils, 129 Rubbing Ink, 130 Tusche Sticks, 130 Kum Sharpeners, 87
M
Mabef Box Easels, 178 Lyre Easel, 177 Kidney Shaped Palette, 54 Studio Easels, 177 Wooden Boxes, 179 Mahl Sticks, 53 Maimeri Brush Washer, 154 Maimeri Fixative, 78 Maimeri Restoration Colours, 119 Maimeri Restoration Colours, 119 Varnishes, 51 Malachite Genuine, 10, 105 Malachite Synthetic, 10 Manila Stencil Card, 168 Mapping Nibs, 96, 98 Mapping Pen, 98 Marble Dust, 13 Markal Paintstiks, 35 Maroger Medium, 39 Masking Fluid, 67, 68 Masking Tape, 84, 182 Masters Brush Soap, 155 Mastic Resin (Gum Mastic), 14 Mastic Varnish, 49, 120 Matte Medium, 39, 47 Matte Varnish, 48-50 Mechanical Pencils, 83 Mediovalis Cards And Envelopes, 170 Medium N, 41 Megilp, 41 Menso Liner, 146 Metal Leaf Lacquer, 112 Metal Leaf, 106 Metallic Ink, 89, 108 Metallic Marker, 92, 93 Metallic Paper, 170 Methylated Spirit, 37 Mezzotint Rockers, 128 Mica Powder, 107
N
Newsprint, 168 Nib Holders, 98
O
Oak Gall Ink, 90 Odds n Ends Enamel Spray, 183 Oil Based Primer, 52 Oil Gold Size, 111 Oil Of Spike, 37 Oil Paint (To Make), 23 Oiled Manilla Stencil Paper, 185 Omega Brushes Series 30 Ovalino, 155 Series 40 Lily Varnish, 154 Series 55 Oval Varnish, 156 Series 57 Sax, 153 Series 70 Round Fitch, 150 Series 71 Filbert Fitch, 150 Series 79 Al Fresco, 156 Series 203 Pointed Sash, 150 Series 222 Domed, 150 Series 461 Flat Nylon Brush, 156 Series 463 Flat Nylon Brush, 156 Series 861 Hermetique, 155 Series 1031 Spalter Varnish, 156 Series 1033 Lily Bristle Mottler, 152 Series 1049 Lily Glider, 156 Series 1067 Lily Varnish, 156 Series 1208 Bristle Varnish, 156 One Shot Gold Size, 111 One Shot Lettering Enamel, 183 Orchid Brush, 146 Oriental Brushes, 101, 146, 147 Ormoline Fabric Medium, 109 Ormoline Gilding Medium, 111 Ormoline Paints And Mediums, 109 Orpiment, 9, 10 Ox Gall, 67
L
Lacquer (Acrylic), 186 Lacquers, 112 Langton Pad, Daler, 165 Lapis Lazuli, 10, 11 Lapis Lazuli Pan, 105 Laponite, 117 Lascaux Fixative, 51 Acylic Primer, 52 Lavender Oil, 37 Lay Figures, 180 Layout Pads, 159, 167 Le Maxi, Sennelier, 161 Lead Primer, 52 Lead Tin Yellow, 10 Leather Cases, 173-176 Lefranc & Bourgeois Dryers, 40 Linseed Oils, 38 Mediums, 40 Oil Colour, 30 Varnishes, 50 Lefranc & Bourgeois Flashe Vinyl, 71 Linel Gouache, 66 Louvre Acrylics, 47 Lefranc Typographic Ink, 133 Lefranc Ageing Varnish, 184 Cracking Varnish, 184 Lemon Oil, 37
189
I NDEX
P
Packaging Tape, 182 Paint Tubs, 18 Palette Knives, 128, 151 Palettes, 53, 54, 69 Palladium Leaf, 102 Panels (Gesso), 54 Pans (Empty), 19 Paper, 159-172 Papyrus, 170 Paraffin Wax, 16 Paraloid Resin, 15, 117 Parchment (Imitation), 171 Parchment Clippings, 12 Parchment, 94 Paste Brush, 114, 153 Pastel Pencils, 81 Patinating Mediums, 107 Patinating Paints And Mediums, 184, 185 Pearl Glue, 12 Pearl Lustre Pigments, 11,12 Pelikan Erasers, 86 Pelikan Inks, 90 Pelikan Watercolour Sets, 66 Pelikan Plaka Casein Paint, 110 Pen Cleaning Fluid, 84 Pencil Overgrainer, 157 Pencils, 81-83 Pergamenata, 171 Perspectoscope, 85 Pestle And Mortar, 17 Photomount, 85 Picture Cleaners, 117 Picture Varnishes, 49-51 Pigments, 3-11 Pilot Disposable Pens, 92 Pin Vice, 126 Pitt Pencils, 82 Pitt Pens, 93 Pittura Block, Fabriano, 162 Pittura Paper, 171 Plaster Of Paris, 13 Plastic Bags, 182 Platinum Leaf, 102 Pliers, 59 Pocket Brushes Sable, 139 Synthetic, 142 Pochade Boxes, 179 Polychromos Pencils, 81 Polymate Carrying Case, 181 Polyurethane Rollers, 128 Polyurethane Varnish, 186 Polyvine Acrylic Colourisers, 184 Acrylic Craquelure, 184 Acrylic Scumble, 183 Acrylic Varnishes, 185-186 Poppy Oil, 38 Portable Easels, 178 Portfolios, 175, 181 Postcard Block, 164, 166 Pounce Wheel, 84 Precipitate Chalk, 13 Presentation Portfolios, 181 Preservative (Acticide Spx), 12 Presses, 136, 137 Primers, 52, 53 Priming Brush, 153 Proarte S.9 Synthetic Liner, 145 S.9a Synthetic Swordliner, 145 S.10 Synthetic Signwriter, 145 S.101 Round Synthetic, 142 S.103 Synthetic Rigger, 145 S.106 One Stroke Syn, 142 S.202 Round Acrylix, 151 S.203 Rigger Acrylix, 151 S.204 One Stroke Acrylix, 151 S.E Fan, 150 S.F Fan, 150 Prouts Brown Ink, 88 Pumice Powder, 13 Punch, Gesso, 114 PVA Homopolymer, 48, 118 Brunswick Black, 125 Bushey Book, 159 Copperplate Oil, 125 Interlon, 152 Linseed Oils, 38 Liquid Metal, 108 Mediums, 39 Mongoose Brushes, 148 Oils, 25, 26 Palette Knife, 151 Pocket Sable, 139 Pocket Synthetic Brush, 142 Primers, 52 Priming Brush, 153 S.41b-44b Hog, 149 Siccative, 39 Straw Hat Varnish, 125 Varnishes, 49 Watercolour Mediums, 67 Rollers Polyurethane, 128 Rubber, 133 Rolls, Genuine Gold And Silver, 105 Rolls, Metal Leaf, 106 Rose Madder, 10 Rosin, 15 Rotring Artpen, 93 Rottenstone, 13 Roulette Wheels, 128 Round Hand Nib, 96 Round Stretched Canvas, 57 Rubber Combs, 157 Rubbing Inks, 130 Rulers, 85 Ruling Pen, 84 Rustins Glazes, 118 Rustins Red Oxide Primer, 110
Q
Quill Brush, 146 Quills, 95
R
Rabbit Skin Glue Recipe, 22, 122 Rabbit Skin Glue For Canvas Sizing, 52 Granules, 12 Radial Easel, 177 Raphael Petit Gris, 144 Rapid Medium, 41 Reagent Jars, 19 Realgar, 10 Rebiting Varnish, 125 Recipes, 20-22, 122 Red Pigments, 4 Reed Pens, 95 Rekab S.274 Ox Fitch, 143 S.275 Imit Sable Filbert, 143 S.279 Ox Fitch, 143 S.349 Squirrel Oval Wash, 143 S.350 Squirrel Flat, 143 Swordliner, 145 Rembrandt Empty Wooden Box, 79 Soft Pastels, 77 Renaissance Wax, 112 Reservoir, 95, 96 Resins, 15 Restoration Colours, 119 Retarder, 48 Retouching Varnish, 48-51, 120 Reverse Transfer, 104 Rhinds Etching Ground, 125 Rebiting Varnish, 125 Stopping Out Varnish, 125 Rigger Synthetic (Acrylic), 145, 151 Sable (Oil), 148 Sable (Watercolour), 145 Roberson Acrylic Craquelure, 184 Acrylic Mediums, 48 Badger Softener, 157 Bronze Powder, 107
IS 1867 PAR
Safflower Oil, 38 Samba Poster Paper, 170 Sample Charts, 104 Sandarac, 14 Sanguine Lumps, 17 Sansodor, 37 Satin Picture Varnish, 50 Saunders Waterford Watercolour Book, 165, 167 Saunders Waterford Watercolour Paper, 169 Scalpel, 88 Schmincke Casein Binding Medium, 68 Empty Wooden Box for Pastels, 79 Gouache, 65 Horodam Watercolours, 60, 61 Mediums For Oils, 41 Mediums For Watercolour, 68 Mussini Oil Paint, 28 Norma Oil Paint, 29 Primer, 52 Relief Printing Ink, 132 Soft Pastels, 75 Schoellershammer Watercolour Paper, 169 Scraper Board, 127 Scraper Burnisher, 127
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
190
I NDEX
Scrapers, 126, 127 Scratch Board Tool, 127 Scriber Burnisher, 127 Scribers, 127 Screen Printing Mediums, 131 Screen Printing Set, 131 Scrim, 126 Scroll Nib, 96 Scumble Glazes, 183 Sealers, 52, 53 Sealing Wax, 84 Seccotine, 111 Selectatone, 84 Sennelier Egg Tempera, 72 Sennelier A2 Sketch Book, 159 C3 Pastel Pad, 163 C4 Pastel Pad, 163 Carte Dart, 161 Dessin Leger, 162 Empty Wooden Box for Pastels, 79 Esquisse Blanc, 161 La Carte Pastel Pad, 164 Le Maxi, 161 Oil Pastel Fixative, 78 Oil Pastel Pad, 164 Oil Pastels, 74 Soft Pastel Fixative, 79 Soft Pastels, 73 Series A Spiral, Daler, 160 Sharpeners, 86, 87 Sharpening Stones, 127 Shell Gold, 105 Shellac Lumps, 15 Varnish, 112 Shepherds Paste Brush, 114, 153 Silver Foil And Leaf, 104 Silverpoint, 83, 84 Slab (Mixing), 17 Slab Knives, 128 Slunk, 94 Smalt, 10 Snowdon Fat Pad, 161 Snowdon Cartridge, 168 Soft Pastel, To Make, 24 Soluvar Varnish, 49 Solvents, 37, 117, 120 Somerset Inkjet Paper, 172 Somerset Printing Paper, 170 Spectraflow Medium, 41 Spectragel Medium, 40 Spectrum Mediums, 40, 41 Oil Colours, 34 Primers, 52 Sponge, 130, 144 Spontex, 130 Spotting Brush, 140 Spray Mount, 85 Spritzer Spray, 185 Stand Oil, 38 Staple Guns, 58 Staple Lifter, 58 Stay-Wet Palette, 54 Stencil Brushes, 155 Stencil Card, 185 Stephens Ink, 89 Steramould, 118 Stopping Out Varnish, 125 Storage Jars; Tubes, 18, 19 Straw Hat Varnish, 125 Stretcher Pieces, 55 Stretching Pliers, 59 Studio Easels, 177 Stumps, 79 Sumi Inks, 100 Sun Bleached Linseed Oil, 38 Surrey Ivory Cartridge, 168 Swann Morton Scalpel, 88 Sword Striper, 88 Swordliner, 145 Syringe, 18 Vinyl Gloves, 18 Vinyl Paint, 71 Violet Pigments, 4 Vitrail Glass Paints, 183 Vulpex, 117
W
Walnut Ink, 90 Walnut Oil, 38 Water Gilding, 122 Watercolour (To Make), 20 Watercolo ur Medium, 67, 68 Watercolour Pans (Empty), 19 Watercolour Postcard, 164, 166 Watersoluble Pencils, 81 Wavy Mottler, 153 Wax Tapers, 126 Wax Varnish, 48 Waxes, 16 White Gold, 102 White Pigments, 7 White Spirit, 37 Whiting, 13 Wimbourne Table Easel, 179 Winsor & Newton Fixative, 78 Winsor & Newton Gold Size, 111 Winsor & Newton Inks, 91 Winsor & Newton Artists Oil Colour, 31 Griffin Alkyd Oil Colour, 32 Linseed Oils, 38 Mediums, 39 Oil Bars, 36 Palettes, 54 Solvents, 37 Varnishes, 48, 49, 51 Xavier De Langlais Medium, 40 Artists Watercolours, 62, 63 Cotman Watercolours, 66 Designers Gouache, 66 Mediums For Watercolour, 67 S.7 Miniature Sable, 140 S.7 Sable, 139 Wire Wool, 116 Wolf Hair Brushes, 146 Wolfs Carbon Pencils, 82 Wood Blocks, 135 Woodcut Sets, 134, 135 Writer In Quill, 146
T
Table Easels, 179 Talens Ink, 88 Talens Varnishes, 51 Tallow, 16 Tamping Brush, 114 Tape (Gummed), 70 Tape, 70, 84, 182 Tapers, 126 Tela, Fabriano, 162 Texture Medium (Watercolour), 67 Texture Mediums (Acrylic), 48, 131 Thames Radial Easel, 177 Thickened Linseed Oil, 38 Tip Brush, 114 Tissue Paper, 168 Titanium White Pigment, 7 Tiziano Pad, Fabriano, 163 Tortillons, 79 Town And Country Easel, 178 Tracing Pad, 159 Tracing Paper, 168 Translucent Gel, 39 Transtrace, 168 Treasure Gold, 109 Tripod Easels, 178 Tro Col Powder, 65 Tubes (Empty), 18 Turpentine Substitute, 37 Turpentine, 37 Tusche Sticks, 130 Two Rivers Watercolour Paper, 169 Typographic Ink, 133
U V
Unison Soft Pastels, 76
X
Xylene, 117
Vandyke Crystals, 16 Variegated Leaf, 106 Varnish Brushes, 153, 154 Varnish Remover, 117 Varnishes, 48, 49, 51, 120, 185, 186 Velin Arches Etching Paper, 170 Vellum, 94 Venetian Medium, 40 Venezia, Fabriano, 159 Venice Turpentine, 37 Verdigris, 10 Verditer Blue, 10 Vermilion Genuine, 10
Y
Yacht Varnish, 186 Yellow Pigments, 3
Z
Zerkall Printing Paper, 170 Zest It Damar Varnish, 50 Painting Medium, 41 Turpentine Substitute, 37 Zinc Plates, 129
191
N OTES
IS 1867 PAR
VIE
NNA 1873
N LO
DON 186 2
IS 1878 PAR
192

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IS 1867 PAR

C OR NELISSEN S 2011/12 C ATALOGUE

Director L. Cornelissen & Son Ltd.

P RICE L IST S ECTIONS

3 25 60 73 81 102 123 139 159 173 177 183

Acceptance and Price Variations

Reproduction of Colour References

P IGMENTS , G UMS & R ESINS

LC11056K LC11066K LC11076K

LC11136K LC11106K LC11116K LC11126K

Cadmium Yellow Lemon PY35 ***

Cadmium Yellow Light PY37 ***

Cadmium Yellow Middle PY37 ***

Cadmium Yellow Deep PY37 ***

Cadmium Yellow Orange PY108 ***

Chrome Yellow Light PY34 **

Chrome Yellow Middle PY34 **

Chrome Yellow Orange PY104 **

Cobalt Yellow (Aureolin) PY40 **

Indian Yellow Tartrazine PY100 **

Lemon Yellow Barium Chr. PY32 ***

Naples Yellow Dark - Gen. PY41 ***

Naples Yellow Light - Gen. PY41 ***

indicates pigment available in 15 ml plastic jars (see page 8)

P IGMENTS , G UMS & R ESINS

LC14012E LC14022E LC14032E LC14042E LC12112E LC12113F LC14023F

LC14014H LC14024H LC14034H LC14044H LC12114H LC12115J LC12116K LC14025J LC14036K

Alizarin Violet PV51 **

Cobalt Violet Light PV47 ***

Manganese Violet PV16 ***

Ultramarine Violet PV15 ***

Ultramarine Pink PR259 ***

LC12032E LC12042E LC12082E LC12083F LC12053F LC12093F LC12203F LC12213F LC12223F

LC12206K LC12216K LC12226K LC12076K

Alizarin Crimson PR83 *

Coral Red PR225 ***

Cadmium Red PR108 ***

Cadmium Red Deep PR108 ***

Cadmium Vermilion PR108 ***

Cadmium Brown PR108 ***

Lead Red (Minium) PR105 ** transparent

Potters Pink PR233 *** semi transparent

P IGMENTS , G UMS & R ESINS

LC13003F LC13012E LC13022E LC13032E LC14052E LC13023F

LC13024H LC13034H LC14054H LC13035J LC14055J

LC13053F LC13044H LC13064H LC13045J LC13046K

LC13074H LC13084H LC13094H

LC13083F LC13093F LC13103F

LC13086K LC13096K LC13106K

indicates pigment available in 15 ml plastic jars (see page 8)

Antwerp Blue PB27 + PW22

Cerulean Blue PB35 ***

Cobalt Blue PB28 ***

Indigo Blue Genuine NB1 *

Indigo Blue Synthetic VB1 **

Manganese Blue PB33 ***

Oriental Blue PB29 ***

Phthalo (Mona) Blue PB15:3 ***

Prussian Blue PB27 ***

Ultramarine Blue Dark PB29 ***

Ultramarine Blue Light PB29 ***

Ultramarine Blue Limewash PB29 ***

opaque *** very good lightfastness ** good lightfastness * lightfast

opaque * very good lightfastness good lightfastness * lightfast