This document discusses women's involvement in surrealism in the early 1920s. It notes that at least 10 women were active in surrealism during this time, despite some accounts dismissing women as merely wives or muses of male surrealists. It also discusses the social changes occurring in France during this period, including more women working outside the home in various occupations previously reserved for men, as well as the growth of female-dominated industries like cosmetics. This created greater economic and social independence for many metropolitan women. Surrealism both recognized and engaged with this new independence through the lives of women involved in the movement, while also critiquing ideals of bourgeois femininity.
This document discusses women's involvement in surrealism in the early 1920s. It notes that at least 10 women were active in surrealism during this time, despite some accounts dismissing women as merely wives or muses of male surrealists. It also discusses the social changes occurring in France during this period, including more women working outside the home in various occupations previously reserved for men, as well as the growth of female-dominated industries like cosmetics. This created greater economic and social independence for many metropolitan women. Surrealism both recognized and engaged with this new independence through the lives of women involved in the movement, while also critiquing ideals of bourgeois femininity.
This document discusses women's involvement in surrealism in the early 1920s. It notes that at least 10 women were active in surrealism during this time, despite some accounts dismissing women as merely wives or muses of male surrealists. It also discusses the social changes occurring in France during this period, including more women working outside the home in various occupations previously reserved for men, as well as the growth of female-dominated industries like cosmetics. This created greater economic and social independence for many metropolitan women. Surrealism both recognized and engaged with this new independence through the lives of women involved in the movement, while also critiquing ideals of bourgeois femininity.
19 Introduction vho vere involved and contributed to the development ot surrealism. When vomen are acknovledged as in- volved in surrealism some are still sometimes dismissed as merely surrealists vives or muses. Again the problem is in the accounts ot the movement. Posemont counts at least ten vomen active in surrealism in the early +,:os (although they vere not involved in photography,. 27 1o dismiss and vrite vomen in surrealism out ot its history because someone thinks their desire takes a relatively passive position is another general misconception about vomen in the period. Although vomen in lrance did not have the right to vote until atter the Second World War, this is not an indication ot their general social position. Surrealism emerged at a time ot massive social change. During the +,++: lirst World War in lrance vomen had been employed in many occupations tormerly reserved tor men in the manual labour and groving service industries, buses and trains, etc. Atter the var, unlike in Britain, these vomen vorkers increased, vith an assumed right to vork even atter marriage. 1he never employment tor vomen vas in shops and banks, as assistants, typists and copyists. 1he larger Parisian establishments even provided nurseries to enable mothers to continue vorking. 28 1he massive grovth ot an industry in cosmetics, manicure, hydropathy, chiropody, hairdressing (the nev tashion ot short hair tor vomen, and general health care, meant that the public sphere vas tar trom being dominated by men and that many metropolitan vomen could live in relative economic and social independence. Surrealism recognized and addressed this nev independence ot vomen, as the lives ot some ot the vomen in and around surrealism testity. But surrealism also engaged vith this nev sphere to make a critique ot the ideals ot bourgeois temininity manitested vithin it, a tactor ignored in criticism about vomen represented vithin surrealism (e.g. in Iuis Bunuels tlms,. On the matter ot gender and sexuality there is trequently a contusion betveen the vocabulary ot a sociology ot gender and psychoanalytic theory ot sexual- ity in discussion ot representations. Whereas sociologi- cal literature tends to assume social identities ot men and vomen, psychoanalytic theory has dinerent concepts. :; Ibid., p. . :: Apparently, by +,:o, ,ooo vomen vere vorking in banks in lrance, see lrances I. Clark, The Position of Women in Contemporary France (Iondon: P. S. King, +,;,, p. :+.
A LM Still (Photograph) From Man Ray's Cinépoéme' As A Photograph in La Centre of André Breton's Essay, Le Surréalisme Et La Peinture' in La Révolution Surréaliste, No. - , October