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The Brazilian

Sound
for
Fingerstyle
Guitar

taught by

Rick Udler

CHORDS
A

A maj7

A maj7/C #

A maj7

# ww
w
#w

w
& c # www
w

w
# # www
w

w
# # ww
w

0
2
2
2
0

0
2
1
2
0

5
6
6

9
9
7

T
A
B
6

A9

# ww
& # ww
w

w
& www
w
0
1
2
2
0

ww
#w
w

7fr.

ww
# ww
w

4fr.

4fr.

5
5
4
4
0

5
4
4
0

ww
# ww
w

4fr.

4fr.

7
5
4
4
0

A m7

A madd9

ww
ww
w

A m7

www
ww

0
1
0
2
0

A7

A9

A9

(maj7)

4
5
4
4
0

Am

5fr.

A9

ww
w
w

0
1
4
2
0

A 13

w
& # www
w

# # www
ww

0
2
0
2
0

2
2
0
2
0

A madd9

5fr.

www
w

5
5
5

5
5
9

A 7( b13)

www
ww

5fr.

ww
w
ww

A m9

A madd9

5fr.

7
8
5

5
5
9
7
5

7
5

A 7( b13)

A 13

A7

# www
ww

# # www
w

1
2
0
2
0

7
6
5

6
6
5

5
6
5

5fr.

# n www
w

5fr.

5fr.

# www
w

5fr.

E b dim

F # dim

w
b # ww
w

A dim

b www
#w

# ww
& b ww

4fr.

2
1
2
1

5
4
5
4

8
7
8
7

G maj7

ww
& ww
ww

G6

w
# ww
w

3
3
0
0
2
3

()
b ww
& ww
w

7fr.

G 13 b 9

ww
w
w

b www
w

3
3
2

5
4
3

ww
ww
w

G 13

ww
ww
w

3fr.

3
5
4
3

3fr.

B b13

8fr.

ww
w
w

b ww
w
w

3
3
3

5
5
4
3

ww
& b ww

G 7(13)

3
4
2

4
5
4
3

C 13

G m6

3
4
4

G 13

3fr.

G m7

w
b ww
bw

A 13

# # www
w

6fr.

F 13

5fr.

ww
bw
w

10
9
8

8
7
6

7
6
5

3
2
1

3fr.

OPEN STRING CHORDS


A9

w
& # # www
w
0
0
6
6
0

A m9

6fr.

wwww
w

A9

5fr.

w
# www
w

0
0
5
5
0

0
0
4
4
0

ww
w
& w
w

w
# ww
# w
w

G m11

3
1
4
2
0

5
3
6
4
0

A m9

D maj7/A

3fr.

A9

4fr.

w
n # www
w

A9

5fr.

# w
# www
w

0
0
6
5
0

C maj7

w
b ww
w
w

ww
www

1
1
3
0

0
0
0
2
3

0
0
6
4
0

C maj7(# 5)

w
# wwww
0
0
1
2
3

G add9

4fr.

w
www
w
0
0
2
0
3

C maj7(6)

wwww
w
0
0
2
2
3

3fr.

A PAZ
(ACCOMPANIMENT)
B m7

&

###

E7

0
7

&

###

###

0
7

0
7

0
6

0
6

0
0

B m7

A maj9

F #m11

2
2

E7

F #m11

&

###

10

B m7
2

B m7

&

A maj9

E7
4

T
A
B

Gilberto Gil
Joo Donato

0
6

E7

0
7

0
7

0
6
0

0
6

C maj7
13

&

###

A m9

n n

6
0

&

1.

19

&

###

&

0
2

..

Am

G7

C m/B
2

Cm

###

F #m11

C maj7/B
2

C maj7/G

22

.

n . n n

n
5
5

C maj7/A

C maj7

..

2.

G9


..

E7

###

16

B m7
0

0
0

F #m11

A m/G

0
2
3

0
2
2

B 7/F #
2

0
1
2

25

&

()

B m7 b 5 /F

###

E7
3

&

&

0
7

0
6
0

F #m11

B m7

0
2

0
6

0
7

0
9

0
6

0
2

0
6

0
6

A m9

9
8

E7

C mj7

###

A maj9

###

&

E7

34

B m7

###

31

28

F #m11

A maj7(9)

B m7

n n

0
5

0
5

0
7
7

0
7

37

&

E7

###

B m7

0
0

E7

0
7

7
7

B m7

###
&

40

E7

A maj9

0
6
0

4
p

0
0

0
0

m
a

0
0

BOSSA NOVA
Bossa nova pattern #1
CIII

C m7

b 2
& b b 4 ..

..

T
A
B

..
.

a
m
i
p

a
m
i

4
3
5
3

4
3
5

4
3
5
3

4
3
5

..
.

..

a
m
i

4
3
5

..

4
3
5

Bossa nova pattern #1 over chord progression


CIII

C m7/B b

C m7

b
& b b ..

..

..
.

4
3
5
3

4
3
5

4
3
5

4
3
5

4
3
5

D 7/A

..
.

3
5
4

3
5
4

..
.

4
4
3

4
4
3
4

4
4
3

4
4
3

..
.

3
5
4

3
5
4

D b9

5
3
3
1
3

3
5
4

4
4
3

..
# .
n

3
5
4

C m9

b
& b b b
b 2

4
3
5

A b m6

4
4
3

..
# .
n 3

3
3
1

..
.

3
3
1

b
b 2

5
4
4
3
4

4
4
3

..
.

4
4
3

..

..

Bossa nova pattern #2

bb

CIII

C m7

& b

4
3
5

4
3
5

4
3
5

4
3
5

Bossa nova patterns #1 and #2


CIII

C m7

b
& b b ..

..

4
3
5
3

4
3
5

4
3
5

4
3
5

4
3
5

4
3
5

4
3
5

4
3
5
3

4
3
5

4
3
5

4
3
5

4
3
5

..

4
3
5

4
3
5

..

Bossa nova pattern #1 and #2 over chord progression

C m7/B b

C m7

D 7/A

CIII


b
& b b ..

..

4
3
5
3

4
3
5

4
3
5

4
3
5

4
3
5

4
3
5


# #
n

4
3
5

3
5
4

3
5
4

A b m6

3
5
4

4
4
3

4
4
3

4
4
3

4
4
3

4
4
3

4
4
3

4
4
3

3
3
1
3

3
3
1

10

3
5
4

3
5
4
5

D b9

3
5
4
5

C m9

b
& b b b
b

3
5
4

b b
b

3
3
1

4
4
3

4
4
3

4
4
3

..

4
4
3

..

SAMBA DE UMA NOTA S


G # m7

T
A
B
5

&

0
4
4

0
4
4

####

( )
0

b
n

0
4
3

0
4
3
3

0
4
4

0
4
4

0
4
4

0
0
2

0
0
2

0
2
1
1

# # # #

&
b

b n

0
4

n
3

0
3
2

0
3
2

0
2
1

0
2
1

0
2
1
0

11

b
0
3
1

A m6

0
2
1

2 CI
4 0

0
3
2

0
3

A maj7

0
3
1
1

0
2
1

( )

B m11

b
n

B b7 # 11

0
2
1

0
4
3
3

( )

0
0
2

n
n

0
2
2
2

0
4
3

F 7 #11

0
2
2

0
4
4

0
3

0
2
2

G7

11

0
2
2

0
0
2
3

0
4
3

C maj7

n
n

b
3
3

####

0
4

G # m7

F 7 # 11

0
0

n
n
.

2
1

&

0
4
4

0
4
4

F #m11

G7

# # # # 2 0 j r 04
&
4 n
3
3

Tom Jobim
Arrangement: Rick Udler

5
5
4

2
-3

5
5
4

14

&

G # m7

####

0
4
4

0
4
4

0
4
4

0
4
4

n
n

0
4
3

0
4
3

# # # #

&

&

22

&

####

0
4
4

0
4
4

0
4
4

b
n

0
2
2

0
2
2

0
3
1

0
4
4

0
2
1

0
2
1

0
4
3

0
2
1
0

0
4
3

0
4
3

0
4
3

( )

F 7 # 11

C maj7

n
n

0
0
2
3

0
0
2

0
0
2

0
0
2

0
2
1

0
4
4

0
4
4

0
4
4

0
4
4
4

F #m11

n
n

0
4
3

0
2
1

G7

F 7 # 11

G7

G # m7

####

20

G # m7

E6

17

( )

F #m11

G7

0
4
3
3

0
3

12

0
2
2

0
2
2

0
2
2

0
2
2
2

b
0
2
1

25

&

####

( )

F 7 # 11

b
n

0
3
2

0
3
2

2
1
1

28

A maj7

0
2
1

0
2
1

31

&

####

0
2
1
0

A m7

5
5
4

5
5
4

0
4
4

0
4
4

( )

E6

F 7 # 11

0
2
2

0
2
2

0
2
1

0
2
1

0
4
4
4

0
4
3

0
2
1
0

D7
3

0
4
4

b
n

CV

0
3
1

# # # # n n n
n
&

34

G # m7

0
4
3
3

0
3
1
1

F #m11

b n
b

G7

0
3
2

A m6

0
2
1

0
3
2

# # # #

&

( )

B b7 #11

B m11

G maj7
1

n n


n
1
n

5
5
5

5
4

4
3

13

4
3

37

&

####

&

####

&


n n n
n

G7

0
4
3

0
4
4

0
4
4

0
4
4
4

3
2

n ..
.
#.


b
n

G # m7

0
4
4

0
4
4

1
2
2

0
2
1

0
4
3

0
0
2
3

0
4
4

0
4
3

( )

F 7 #11



0
0
2

0
0
2

0
0
2

b
n

0
2
1

2
1
1

F #m11

n
n

0
4
3

0
4
4

G7

0
4
4

( )

F 7 # 11

n
n

()

G # m7

####

b n n

C maj7

&

0
4
3

46

####

F # m7 b 5

43

3
3
3

F maj7

C7

n n n n

b n n

40

G m7

CIII

0
4
3
3

0
3

14

0
2
2

0
2
2

0
2
2

0
2
2
2

b
0
2
1

49

&

####

( )

F 7 # 11

b
n

0
3
2

2
1
1

52

0
2
1

0
2
1

0
2
1

&

0
2
1
0

5
4

0
3
1
1

0
4
4

0
4
4

0
4
4

( )

E6

b
n

0
2
2

0
2
2

15

0
4
3

F 7 # 11

0
4
4

G # m7

0
4
3
3

0
3
1
1

F #m11

b n
b

5
5
4

0
3
2

A m6

G7

####

0
3
2

55

0
3
2

A maj7

# # # #

&

( )

B b7 #11

B m11

0
2
1

0
2
1

0
2
1
0

SAMBA
Modern samba
1

6
C9

2 CII

2
& 4 ..

T
A
B

..

...
.

3
2
2

3
2
2

3
2
2
3

3
2
2

3
3
2

3
2
2

F #7

CII

# # # 2 3 .
4 ..
&

0
2
2
2
0

2
2
2

2
2
2

2
2
2

2
2
2

# ...

2
3
2

2
3
2

2
2
2
0

0
4

...
1

3
2
4

3
2
4

3
2
4

3
2
4

2
3
2

2
3
2

2
3
2

2
3
2

0
3
1

2
2
2

2
2
2

2
2
2

2
2
2

2
2
2
0

0
3
1

..
#.

2
2
3

0
3
1

0
3
1
2

F#

16

0
3
1
2

CII

0
3
1

3
2
4

2
2
2
0

E7

### .
..
&

B m7

3
2
4
2

..

Tradicional samba

### .
..
&

..

2
2
3

2
2
3

2
2
3

2
2
3

2
2
3
4

B m7

E7

### .
..
&

3
2
4
2

3
2
4

...

3
2
4

3 3
2 2
4 4

0
3
1

3
2
4
2

0
3
1

0
3
1

0
3
1

0
3
1

C maj7( # 5)

& .. 0
2
3

..

0
0
2
3

0
0
2

0
0
2

0
1
2

0
1
2

0
1
2

0
1
2

0
1
2
3

Djavan style samba

2r

G m7

r
bb 2 .

& 4 .

1 J
4

..

3
3
3

3
3
3
3

A m7

&

bb

r
n

5
5
5
5

r
n

3
3
3

5
5
5

3
3
3

4
5
4

()

A m7

0
2
2
3

0
2
2

2r

5
5
5

G m7

3
3
3

3
3
3

17

0
1
2

2
2
2
0

5
5
5

0
1
2

6
7
7

6
7
7
6

..

3
3
3

..

0
1
2

0
1
2

..

..

2r B bmaj7r

5
5
5

3
3
3

0
2
2
3

2r

4
5
4

D7 b9

2 CIV

r
r
4
b

n
#


J
1

0
3
1

C maj7( # 5)

C maj7(6)

Samba with inner voice movement

C maj7

r 4r
n

6
7
7

6
7
7
6

5
5
5

Modern samba with sliding chords


6

C9

CI-CII

CI-CII

.

& . # #

..

2
1
1
2

3
2
2
3

3
2

3
2
2

3
3
2

3
2
2

# ##

3
3
2

3
2
2

2
1
1
2

3
2
2
3

CI-CII


&
.

3
3
2

3
2
2

# ##

2
1
1
2

3
2
2
3

3
3
2

3
2

3
2
2

3
2
2

..

..

Modern samba with sliding chords (variation #1)


CI-CII

C9

& .. # ##

..

2
1
1
2

3
2
2
3

3
3
2

3
3
2

3
2
2

3
2
2

3
3
2
3

3
2
2

..

3
3
2

..

Modern samba with sliding chords (variation #2 - anticipated bass note)


6

C9

CI-CII

& .. # ##

..

2
1
1
2

3
2
2
3

3
3
2

3
3
2

3
2
2
3

3
2
2

3
3
2
3

18

3
2
2
3

..

3
3
2

..

3
2

3
2
2
3

3
2
2

Bm samba
B m11

## .
.
&

..

2
2
0

2
2
0

0
2
2

2
2
0
2

0
2
2

..

0
2
2

..

..

2
2
0

2
2
0

2
2
0

Bm samba (variation)

B m11

# # . 4
.
&

2
2
0

2
2
0

2
2
0

..

2
2
0
2

2
2

Samba progression in A major

B b9

B m9

# # # 4

&

2
2
0

2
2
0

2
2
0
2

2
2

### n
&

b

1
1
0

..

2
2
0

2
2
0

2
2
0

n
b

1
1
0
1

1
1

1
1
0

1
1
0

0
1

A maj7

1
1
0

1
1
0
1

2
1
2
0

2
1

2
1
2

2
1
2

2
1
2

2
0

19

2
1
2

2
1
2
0

2C

# # # 4
b
&
n

B m9

b
n

3
3

3
3
2

3
3
2

3
3
2

3
3
2
3

3
3
2

3
3
2

2
2
0
2

2
2

2
2
0

2
2
0

0
2

B b9

###

&

2
2
0

n
b

2
2
0

2
2
0

1
1
0
1

n
b

1
1

1
1
0

1
1
0

1
1
0

1
1
0

1
1
0
1

A 7( b13)

A maj7

###
&

2
1
2
0

2
1

2
1
2

2
1
2

2
1
2

2
1
2

2
1
2

n3
n

6
6
5
0

6
6

6
6
5

6
6
5

5
0

D maj7(9)

# # # n
&
n

6
6
5

6
6
5

6
6
5
0

5
6
4
5

5
6

5
6
4

5
6
4

5
6
4

4
5

20

5
6
4

5
6
4
5

C # m7

D m6(9)

###
&
n
4

5
4
3
5

5
4

5
4
3

5
4
3

3
5


n
5
4
3

5
4
3

5
4
3

2 CII

2
4
2
4

2
4

2
4
2

2
4
2

C9

###

&

2
4
2

b
n

b
n

2
4
2

2
4
2

3
3
2
3

3
3

3
3
2

3
3
2

3
3
2

2
3

3
3
2

3
3
2
3

B b9

B m9

###

&

2
2
0
2

2
2

2
2
0

2
2
0

2
2
0

0
2

### n
&

b

1
1
0

1
1
0

1
1
0

0
2
1
2
0

n
b

2
2
0

2
2
0

1
1
0
1

A maj7

21

1
1

1
1
0

1
1
0

0
1

INNER VOICE MOVEMENT


Example #1

G maj7

G7 G6

G maj7

# 2 .
& 4 . n

2
3

..

T
A
B

G7 G6

2 4

G maj7

..

..

2 4
3

Example #2 (Bossa nova style)

G maj7

&

2
4

G6
4

&

2
7

7
7

5
7

C maj7

5
7

G maj7

5
5

A m6
1

4
3

22

A m7

A m6

C6

C maj7

G6

C6

A m6

G/B

2
3

A m7

B m7

G/B

B m7

&

A m7

G/B

G6

B m7

G maj7

G maj7

G6

4
3

2
3

Example #3 (Baden Powell style)

A m9( b 6)

A m9

& ..

..

5
2
0

5
2


.
0

5
3

5
3

5
3

A ( # 5)


..

5
3

A (# 5)

A6

2
2

2
0

2
2

A ( # 5)

&

5
4

A m9

5
3

5
3

..

0
5
2
0

A ( # 5)

A6

2 CII

###
&

###

5
4
0

Example #4 "Sou mais o samba"

A m9( b 6)

A m 69

2
2
0

2
2

2
2
0

1
2
0

3
0

23

2
2

2
2

2
0

D sus7

1
2

0
2

3
0

2
2

0
2
0

Example #5

A m9

( )

Am

CV

E b9

A m maj7

&

5
5

5
5

5
5

6
6
5

G sus13

5
5
3
3

6
6
5

5
5
3

5
5
3

5
5
3
5

5
5

5
5
3

5
5

5
5
3

2 CIII

4
3
3

5
5
3

C9

b b

5
4
3

CIII

D b9

G 13
1


&

D m9

4
3
3

24

2 CII

3
2
2

3
2
2

3
2
2

3
2
2

3
2
2
3

3
2
2

..
.
3
2
2

HAPPY BIRTHDAY
Arrangement: Rick Udler
1

E9

2 CVI

# # # # 2 .
&
4 .

INTRO

..

T
A
B
5

7
6
6

7
6

7
6
6

0
6

E9

7
7
6

7
6
6

# # # #
&

7
6

7
6
6

7
6
6

7
6
6

7
6

7
6

4
6
7

4
6
7

4
6
7

# # # #
&

.
0

5
6
7

5
6
7

7
6
6

7
6
6

7
6
6

7
7
6
0

5
6
7

5
6
7

5
6
7

5
6
7

5
6
7

4
6
7

4
6
7

4
6
7

7
6
6

7
6

7
6
6
7

25

2 CVI

..

7
6
6

B9

7
6
6

7
1

6
E9

7
6
6

B sus9

.
.

7
7
6

7
6
6
0

7
6
6

B sus9

# # # #

&

11

7
6
6

7
6
6

B9

VOICE

7
6
6

4
6
7

2 CVII

0
7
7
7
0

E sus13

9
7
7

7
7
7
0

2 CVI

6
7
6

()

E 13 b 9
14

# # # #
&

nn

9
6
7

17

7
6
6
0

7
6

7
6
6
7

0
6

A m6

0
6
6

5
5
4

5
0

E9
1

5
6
7

5
6
7

...

4
6
7

4
6
7
7

26

5
5
4

5
4
0

B9

n ..
.

B sus9

0
6
6

2 CVI

# # # #
&

0 4

6
7
6

0
6
E9

A maj9

2 CVI

6
7

AMIGO PAULO
Rick Udler

q =

m
i

# 2
& 4 0
0

m
i

T
A
B
5

&

0
0

0
0

2
0

()

2
0

0
0
3
3

..

7
7
5


1
0
6

B b dim

()

6
5
4

4
5
4
5

3
5
4
4

2 CV

B b dim

G maj7

( )

D 7 b 9 A b7 #11

A m7

5
0

D 13

#
&
0

2
0

12

0
0

0
0

2
0

2
0

j
#

.
..
2

..

3
0

CIV

G maj7

D 7 #9

#%

2
0

&

2
0

0
0

b.
.

0
0

Gm

m
i

4
3

27


b
0
1

15

&

A m7

18
# n
&

10

10
10

5
0

CX

D m9

D 13

2 CV

CIX

()

E7 b9

7
9

#
&

8
7
7

7
7
7

10
9
7

8
9
7

()

D7 b9
1

2 CIV

#
&

7
5
5

7
4
5

24

.
..

5
4
5

fi

2 CV

7
9
7

8
9
7

8
8

CVII

8
8

7
7
7

A 13

n . ..
.

7
6
5

6
6
5

5
6
5

A b6
3

2
3

12

.
.

.
b.

J

10

G maj7

A m9

8
7
7

8
0

21

F9

10

9
10

C maj7/E

CVII

b .

7
7
5

D m7

4
3

28

b.
J
2

.
.
.

5
3
4

5
3
4

G maj7

A bmaj9

CIV

1.

27

#

&

2
2

b.
b ..
.
b.

&

CIV

6
4
5
5

6
4
5
5

33

&

&

4
4

6
5

5
5

5
4

6
5

5
6

7
7

10

A b7

CV

G/B

CVII

5
5

..

..

b #

A m7

b 4

A b7

B b dim

B bdim
36

..

G maj7

A m7

CIV


..

6
4
5
5

A bmaj9
30

6
4
5
5

G maj7
2.

CIV

5
5

b
b

5
5

5
4

5
5

29

5
4
6

39

&

42

&

D bmaj7/A b

D m7/A

0
3

3
1

3
1
3

2
0
2

2
0
2

A9
45

-1

#
&

CV

3
4
5

4
4
5

5
4
5

#
b
&
n
b

3
4

4
2

4
2

0
2

1
3

0
2

2
1

b
b

3
1

E 7( b 13)

1
1

1
1

0
1

()

D 7 b9

CIV

n#
3

1
1

2
4
5

G6

4
5
4

3
4

3
4

2
3
4

4
5

G maj7

A maj7

2
4

3
4

2
3

4
5

5
5
5

A b6
48

A m7

-1

B m7/F #

b
b

C m7/G

n
b b

C maj7/G

2
3

4
3

30

b
b

3
4

5
4

..
.

3
4

3
4
5
4

B b dim

G maj7
51

# 0 1 3


& 2
p

0
3

2
4

D7
54

&

2
1
2

&

0
2

0
2

0
1

0
8

5
5

0
0

5
5

0
0

0
8

b
b

7
5
6

6
5
6

6
7
5

5
7
5

0
8

6
6

6
5
7
5

5
5

6
5
7

5
5
7

C m6

0
2
2

0
1

CV

C maj7/G

0
8

b ..
.

7
7
5

0
8

D m7

0
1

2
b 1

D 13

0
8

G sus7( b 9)
60

B b dim

0
1
2

..
.

3
1
2

0
0

0
2

# 1

&
0

G maj7

A m9
57

0
3

0
3

A m7

0
1

1
2

0
2
3

31

4
2
3

4
3

8
5
6

63

CII

B m7

&

CI

()

D 7 b9

# .
&
66

CIV

J
7
4
5

5
5

A b9

CIII

69

&

3
4

4
5

2
4

B bdim

#
&
72

6
7
6

5
7
6

2
1
b

b b

4
5

2
4

2
4

3
5

4
5

5
6

3
4

4
5

>
2
3

b bb

4
4
3

4
4
3

G9

CII
4

3
2

()

D7 b9

A m9
4

G maj7

#
7
7
6

3
4

CV
4

A maj7

2
3

1 G maj7

A 13

A m9

()

E7 b9

CV

32

CIV

4
4

5
5

10

B dim

G9

CVII


4
#

&

# n

75

10
9

10

10

D m9

n b 1
#
# n
& R

CX

79

12 13 12 11 10
10
13 10 11
10
10

F9
82

&

.
b ..

#
1

4
7

8
8

CVII

8
8

10

85

&

()

12

8
7
7

11 12

12

10

5
10

7
9

10

10

10

4
1

b 1 3

3
4
5

11 10

10

9 11 9

8
9

10

10

E7

7
7
7

11 14 11

j

J

C maj7

1
b

1

#

1

R

12

8
9

G7 b 9

10

B m7

7
7
7

10
9
7

8
9
7

A 13

10 10
9

D9

D sus9

8
7
7

D 7( b 13)

12
12

33

. b

R
10

7
9
7

A m11

11
11

8
9
7
7

G9
3

10

CIX
.

10
9
9

.
n b

10
9
9

10
9
9

11
10
10

CX

A b9
6

88

&

b .

CIX

G9

A b9
6

.
b bn

CX

b bn

>

11
10
10

11
10
10

#
# #

3
3
2
2

3
3
2
2

3
3
2
2

CVI

# #
& #

7
7
6
6

7
7
6
6

F9

F #9

CVII

CVIII

7
7
6
6

CIV

4
4
3
3

5
5
4
4

8
8
7
7

3
3

9
9
8
8

F #9
6

4
3

# ##
#

10
10
9
9

1
0
0

2
1
1

3
2
2

G6

>

6
6
5
5

6
6
5
5

CII

b
n b

R.H. harm.
24

< 00 >
< >
< 00 >
< >

All transcriptions by Diogo Carvalho


except "A Paz" and "Amigo Paulo" by Diogo Carvalho and Cristiano Petagna
34

G9

CI

>

n b

..
.

CIX

# #

F9

11
11
10

CV

> .

5
5
4
4

# #

11
11
10
10

B b9

G9

#
&

11
11
10
10
6

4
4
3
3

B9

11
11
10
10

CIII

10
10
9
9

A9

# 4
&

95

10
10
9
9

CII

93

10
10
9
9

G #9

G9
91

10
10
9
9

11
10
10

D.S. ao Coda

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