potter series in 1990 after the idea hit her on a train trip to London. She released the 1 st book, Harry Potter and the Philosophers Stone, in 1997 through the publishing company Bloomsbury after some initial setbacks from other publishers (I bet they are kicking themselves now after the success of the series). (About J.K. Rowling, 2012) The seven books in the series were released consecutively from 1997 through to 2007 with the additional Hogwarts Library books Quidditch through the Ages, Fantastic Beasts and Whereto Find them and Tales of Beedlethe Bard published partly in 2001 and 2008. Film Versions of the series were released and accepted with huge success from 2001 to 2011 winning awards for services to film. Book Releases:
Harry Potter and the Philosophers Stone1997 Harry Potter and the Chamber of Secrets1998 Harry Potter and the Prisoner of Azkaban1999 Harry Potter and the Goblet of Fire2000 Fantastic Beasts and Where to Find Them2001 Quidditch Through the Ages2001 Harry Potter and the Order of the Phoenix2003 Harry Potter and the Half-Blood Prince2005 Harry Potter and the Deathly Hallows2007 The Tales of Beedle the Bard2008 Film Releases:
Harry Potter and the Philosophers Stone2001 Harry Potter and the Chamber of Secrets2002 Harry Potter and the Prisoner of Azkaban2004 Harry Potter and the Goblet of Fire2005 Harry Potter and the Order of the Phoenix2007 Harry Potter and the Half-Blood Prince2009 Harry Potter and the Deathly Hallows part 12010 Harry Potter and the Deathly Hallows part 22011 The Monster Book of Monsters Harry P otter and high fantasy As some critics like to kindly remind us the world of harry potter has been created from the bones of many other mythological and legendary stories, creatures, concepts, names etc. however it is these elements which make the world of the Harry Potter series relatable and believable and what makes the stories work . It is this that makes the secondary world so easy to believe and has helped readers become entranced with J.K Rowlings stories. As argued by some (Beagley, 2014) the Harry Potter series is not one completely of high fantasy but something that steadily grows from something simple to something far more complex and challenging over time. In the beginning of Rowlings series events and consequences are effecting only the immediate community within Hogwatrs however this soon begins to escalate as the power of lord Voldemort grows and fear spreads throughout the wider wizarding community building tension and becoming a world altering high fantasy series by the time it concludes. Episodes Events began effecting only the immediate Hogwarts community and Harrys pocket of friends. The Troll Sneaking Norbert to Charlie The mystery of the Chamber of Secrets Quidditch matches Rescuing Sirius from the Dementors The Triwizard tournament Before long events began to impact of the wider community and the greater good. The return of Voldemort Fighting death eaters at the ministry Creating Dumbledores Army Finding and destroying Voldemorts Horcruxes
It is this change from a local and confined issues and events to the expansive and worldwide problems that make this text difficult to categorise as solely fantasy or high fantasy however one could suggests it uses characteristics of both at times. The Heros Journey Harrys Call to adventure began with the death of his parents and his survival. All the events leading up to and including the arrival of his Hogwarts The Herald in this instance is Hagrid and his arrival in the Hut on the rock when he finally gives Harry the letter. Although other characters come into play later in the series. There are multiple thresholds throughout the series beginning with the magical entrance to Diagon Alley through the Leaky Cauldron and including platform 9 3/ 4 , Flu powder, port keys and many more. Harry faces many trials throughout the series beginning with learning magic and fitting into the magical community before having to defend it from Voldemort . Along the way he is forced to compete in dangerous competitions, face unsavoury creatures and characters, experience grief to an unimaginable extant and trust his relationships in order to survive. The many protective figures in the series include: Lilly and James Potter, Dumbledore, Hagrid, Snape, Sirius, Ron and Hermione, Order of the Phoenix, Dumbledores Army and The Weasleys. By fulfilling the prophecy and destroying Voldemort Harry saves the wizarding world and is then able to move on with his life. Harry crosses back and forth across the threshold into the mundane world constantly throughout the series but in the conclusion appears to remain settled in the magical world. The S tatue of S ecrecy T he W orld of Harry P otter Set in the primary world that we know the Harry Potter series came to life over the course of a schoolboys life and experiences. This was something that many children of similar ages could relate to, especially those living in the UK at the time of release. As the series progressed and Harry grew so did the themes and complexity of the series which allowed the readership to grow along with it. Rather than remaining a series for children the stories transformed along with readers and became a series for young adults (which even provoked the need for an adult cover design). The emotional connection between the characters and the audience along with realistic locations in the crossover between the primary and secondary worlds make the Harry Potter stories highly relatable. The series was based on the mundane world as we know it but the added secondary world elements remained unnoticed by Muggles (us). T he Crossover The various thresholds between the worlds were commonplace and eas- ily recognised by the audience but were fantasised and transformed by the magic of the secondary world. This, and the events of the series, aligns with the typical fantasy struc- ture of separation, crossing the threshold, facing trials and recross- ing the threshold. From the death of Harrys parents and his acceptance into the magical community at Hog- warts to the confrontations with various trials and rivals follow the heros journey typically focused on in the fantasy genre. P rimary/S econdary W orld T he M undane
T he M agical F antastic Themes & Where to F ind Them Crime and Consequence: Breaking News
One of the major themes of the Harry Potter series is the presence of morality, humility, heroism and choices and with this comes the associated consequences. Just as our world does, the world of Harry Potter functions around law and authority and of course with this comes rebellion and crime. These of course have their consequences but action taken by the authorities in turn provokes further retaliation from the opposing forces at work. Lord Voldemort is the prime example of rebellion and lack of morality in the series with his over powering desire for death and destruction. The counter to this force of evil is of course our protagonist Harry and his deep humility and moral compass throughout the series. As Dumbledore states in The Chamber of Secrets "It is our choices Harry, that show what we truly are, far more than our abilities" and it is the choices that characters make that separate them from one another. Some of the major themes in the Harry Potter series include: relationships (family, friendship, romance, rivalry etc.), heroism, humility, morality, death, violence, acceptance, grief and of course magic. These themes have been pulled apart by critics over the last decade but in my opinion the series still remains one of the best pieces of childrens literature in recent times. We are able to see these themes through the interactions between characters and through the actions of the main protagonists as the stories progress. As the stories grow so does the intensity of the themes, bringing into focus darker ideas. The world isn't split into good people and Death Eaters
Although this is often how it seems in fantasy stories there isn't always a clear cut line between good and evil and as suggested by Wolosky it is to do with Love and Power struggling to coexist. An individual either choses to love or power and this drives their subsequent choices. F antastic Themes & Where to F ind Them M e, M yself and I Gossip column
We are exposed to the dysfunction of families (Percy Weasleys abandonment) and the close bonds between others (the Grangers support) and the pain that these groups must endure for the good of humanity. We are introduced to teams and allies through the order of the p hoeni x an d Dumbledores army.
The many relationships in Harry Potter are one of the major themes throughout the series. From the more obvious to the subtle and perhaps more complex, relationships are what force the story to keep moving. The main events of the series revolve around various interpersonal relationships and their outcomes in turn revolve around and affect others. As the story progresses the relationships between characters begins to grow and change such as Harry close friendships with Ron and Hermione and their loyalty to him throughout the series. We also see friendships grow and change such as Harry and Ginnys relationship moving from a young girls admiration through friendship and into romance. We are also able to see rivalries begin to alter, whether that be growing stronger or weakening to the point of becoming allies. This is evident with the feuds between Harry and Malfoys as well as Harry and Snape. The two boys started out from the very beginning as enemies however by the end of the series the issues causing them to fight one another begin bringing them closer, close enough for Harry to save Malfoys life. A similar alteration occurs between Harry and Snape as he discovers the links between his teacher and his mother and the lengths he has gone to over the years to protect her and himself. F antastic Themes & Where to F ind Them D eath and V iolence As Dumbledore states death is a part of life and it is not to be feared unreasonably. The Harry Potter series gradually introduces the idea of death and violence from an early stage. Although reader understand Harrys parents were killed in the first book it is not until The Goblet of Fire that death truly shows itself in full. Harry must come to terms with the death of many characters close to him throughout the series including close family (Sirius) and friends (Fred Weasley, Cedric Diggory, Mad-Eye Moody, Lupin and Tonks) and his mentor Dumbledore. Many of these deaths he witnesses first hand and quite damaging to Harrys emotional state.
Grief and A cceptance "After all, to thewell-organized mind, death is but the next great adventure." Harry is forced to accept death in many instances but nothing compares to the acceptance of his own death as he faces Voldemort unarmed. It is the sign of a true humanitarian and hero to face your fate head on with no protection willing looking your own death in the face and this is what Harry must do in order to save all wizard kind. F antastic Themes & Where to F ind Them R acismand Hierarchy Something well noticed in the Harry Potter series is the presence of social hierarchy. The most evident is the distinction made be- tween wizarding families of pure bloodlines and those with mixed heritage. Wizards born of muggle families are seen as lowly by those with egotistical issues such as the Malfoys and many other Slytherin wizards. Voldemort and his followers place themselves in top rank and feel all non-magical beings are to be put in their rightful places. Some social distinctions include: Purebloodwizards coming from a pure pedigree Half bloodwizards with a mixture of magical and non- magical blood Muggleborn (mudblood) - wizards born spontaneously into a completely non-magical family, the reverse situation is a Squib. Slaves (houseelves) - creatures used for the benefit of man Non-human magical beingscentaurs, merpeople, goblins and giants. Death Eatersall of pure blood descent with high levels of self-entitlement Mugglescommon non-magical folk It is not always the muggles that fare the worst but the non-humans and half-bloods that are exposed the greatest acts of racism and exclusion. creatures are forced to work or lived isolated and forced to near extinction while wizards are persecuted for their heritage. The S tandard Book of S pells M agic in F antasy Although the idea of magic itself is not an idea original to the Harry Potter series criteria for good childrens fantasy requires the need for the supernatural elements and thus J.K Rowling has based her fantasy around the learning and use of magical abilities. Magic in this series is a means to an end and creates an adventurous coming of age story that many children can relate to regardless of the extraordinary because it provides readers with a reason to imagine that which they can never really hope to achieve without it. In keeping with the culture of fantasy stories Rowling created a story mundane enough to be credible whilst balancing with the extraordinary and building towards high fantasy. T he O rigins of Harry P otter M agic Much of the magic in the Harry Potter series has a basis in mythology or history somewhere. The bulk of the spells found in the stories link directly to Latin meanings relating to the use of the spell. Some example of the use of Latin in Rowlings spells: Accio for example simply means to call or to summon in Latin and is used to summon objects from other locations by wizards. Lumos means light in Latin and is used to magically light rooms. The incantation Expecto Patronum means to throw out a patronus or guardian which will protect or convey messages. It has even been suggested that Avada Kedavra the killing curse has links to middle eastern or roman healing spells for vanquishing illness and could likely have originated from abracadabra. Hogwarts, A History A lso taken fromoutside sources are Locationsthe grey area between worlds: Kings Cross Station, central London, the underground.
Namesused for their meanings: Sirius Blackreferring to the brightest star in the constellation Canis Major. The name literally means black dog. Malfoyfrom the Latin malificus,English maleficent and French mal foi referring to evil doing, and bad faith Luciusperhaps an echo of Lucifer and a reference to his evil nature. Dracoa star in a northern constellation, meaning dragon or snake.
Creaturesborrowed from various mythologies around the world: dragons, goblins, giants, centaurs, phoenixes, unicorns and werewolves and Hippogriffs. Durmstrang Academy draws on ideas of Nazi Germany with its focus on the Dark Arts and rebellion rather than morality and integrity. Dumbledores defeat of Grindelwald aligns with the end of the second world war and the defeat of Hitler suggesting that perhaps magic had something to do with the war and terror spreading across Europe at that time. Rowling draws on many sources from history for her characters. Many character names originate in myth or legend or are based on specific cultures and meanings however one particular character Nicolas Flamel was a true alchemist born in France in the 1300s. Some other include: Fluffyoriginally Cerberus the guard dog to hades in Greek mythology Sphinxbased on both the Egyptian myths and the Oedipus story in Greek mythology Bagshot, Snapeand Flitwickare towns in England Events in modern history ReferencesThe Restricted S ection
P rimary S ources: Rowling, J.K. (1997) Harry Potter and thePhilosophers Stone. London: Bloomsbury. Rowling, J.K. (1998) Harry Potter and theChamber f Secrets. London: Bloomsbury. Rowling, J.K. (1999) Harry Potter and thePrisoner of Azkaban. London: Bloomsbury. Rowling, J.K. (2000) Harry Potter and theGoblet of Fire. London: Bloomsbury. Rowling, J.K. (2001) Fantastic Beasts and Whereto Find Them London: Bloomsbury. Rowling, J.K. (2003) Harry Potter and theOrder of thePhoenix. London: Bloomsbury. Rowling, J.K. (2005) Harry Potter and theHalf Blood Prince. London: Bloomsbury. Rowling, J.K. (2007) Harry Potter and theDeathly Hallows. London: Bloomsbury.
S econdary S ources: About J.K. Rowling. (2012). Retrieved from J.K. Rowling: http:/ / www.jkrowling.com/ en_GB/ #/ about-jk-rowling Beagley, D. (2014). Harry Potter and High Fantasy. Bendigo: La Trobe University. Colbert, D. (2001). TheMagical World of Harry Potter: A Treasury of Myths, Legends, and Fascinating Facts. Kent Town: Wakefield Press. Green, A. (2009). Revealing Discrimination: Social Hierarchy and the Exlusion/ Enslavement of the Other in the Harry Potter Novels. The Looking Glass: New Perspectives on Childrens Literature, 13(3). Matthews, R. (2002). From Antiquity to Infinity: The Development of Modern Fanstasy. In R. Matthews, Fantasy: TheLiberation of Imagination (pp. 1-36). New York: Routledge. Tucker, N. (1999). The Rise and Rise of Harry Potter. Children's Literaturein Education, 30(4). Wolosky, S. (2010). TheRiddles of Harry Potter. New York: Palgrave Macmillan. I mages: Images used as quotation for the purpose of academic discourse were retrieved from Creative Commons under fair trade dealing provisions with creative commons licence agreement. (http:/ / search.creativecommons.org/ )