Amateur Photographer 3 May 2014

WIN
A MANFROTTO PROFESSIONAL
BACKPACK 50 WORTH OVER 200
Saturday 3 May 2014
WORLD
IN MOTION
LEICA T
We get our hands on Leicas

stunning new system camera
SPRING
WILDLIFE
SPECIAL
Its a great time of the
year for wildlife photography make
the most of it with our expert guide
Tips and ideas

for capturing
movement
the theme of
APOY Round 3
SONY ALPHA 6000
Replacing both the NEX-6 & 7,

but is it a worthy successor?
Contents
Amateur Photographer For everyone who loves photography
IT ISNT every day that we see the launch of an
entirely new camera system, and even less frequent
that a new Leica makes an appearance, so the new
Leica T is something of a landmark. The company is
looking to target a wider, younger audience with its
new compact system camera, and anticipates that
it will be more popular than its legendary M series
of rangenders. Having had the opportunity to try
it myself I dont doubt this for a moment, and not
just because the T will be less than half the price of
its big brother. It is, quite simply, a thing of beauty,
a masterpiece of minimalist design. Its the kind of
camera Apple would make.
As someone who once owned a Leica M4
I carry a certain affection for this most prestigious

brand and have followed with concern its struggle to
transform itself from a company
based on peerless engineering
and optical expertise to one
that has also mastered the
computing know-how required
in the digital age. Although
we have yet to properly review
it, the initial signs are that
the T will continue Leicas
revival as a manufacturer of
Nigel Atherton
some of the most exquisite
cameras in the world.
Group editor
NEWS, VIEWS & REVIEWS
P53
5 NEWS
Leica launches rst consumer compact system camera;

Nikon 18-300mm lens for DX DSLRs; Voigtlnder revamps
Nokton 25mm f/0.95 lens; Reuters in row over staged Syrian
war photos; Pentax unveils medium-format 645Z
12 REVIEW
Speed
machine:
Jon Devo
takes aim
with Sonys
ultra-fast
Alpha 6000
Your chance to win one of two backpacks

from Manfrotto worth more than 200 each
90 THE FINAL FRAME

The latest model in Tony Kemplens quest to use a different
lm camera each week is the *Nsync Photo Fan Pack
TECHNIQUE
18 PHOTO INSIGHT
Andrew Sanderson discusses a technique for working on
5x7in negatives that may shock large-format purists, and
explains why working on a tight budget is so valuable
22 RETOUCHERS GUIDE
TESTS & TECHNICAL

10 LEICA T
One major question mark hangs over the all-new Leica T

system: is the sensational design backed up by an equally
impressive specication and performance. Michael Topham
gets hands on with this desirable model
C
D
YOU ANSWERED
A Daily
B Weekly
C Monthly
D Yearly
E Never
22%
24%
34%
8%
12%
THIS WEEK WE ASK
Do you like the direction that Leica has taken with its
new T compact system camera?
VOTE ONLINE www.amateurphotographer.co.uk
32 APOY ROUND 3
Weve Olympus prizes worth more than 2,000 in the
World in Motion round of our Amateur Photographer
of the Year competition
38 READER SPOTLIGHT
Another selection of superb reader images
Damien Demolder examines your images, offering
words of wisdom and constructive advice
51 TESTBENCH
XSories Big U-Shot camera pole and Booq Python
Slimpack backpack
53 SONY ALPHA 6000
FEATURES
25 AP EXPERT GUIDE
TO SPRING WILDLIFE
Speed and quality are what the new 24.3-million-pixel Sony

Alpha 6000 is all about. Capable of 0.06sec autofocus, Sony
says it will never miss the perfect shot. Jon Devo takes aim
Spring is a fantastic time to shoot wildlife, with a hive of

activity all around us. Whether you are in your back garden
or out in the open countryside, nd out what to shoot and
how to shoot it with our host of experts
61 NISSIN I40
46 ICONS OF PHOTOGRAPHY
It may be small, but the Nissin i50 is a fully edged ashgun

that is ideal for travelling light. Richard Sibley tries it out
62 ASK AP
Our experts answer your questions
YOUR WORDS & PICTURES

16 LETTERS
AP readers speak out on the weeks issues
Contrasty, minimal and surreal, Ralph Gibsons images dont

conform to photographic norms, writes David Clark
P25
Read our
expert guide
to capturing
wildlife this
springtime
17 BACKCHAT
JODIE RANDELL
COVER PICTURE JULES COX
Martin Evening explains how to combine exposures using

Merge to HDR Pro
IN AP 12 APRIL WE ASKED How regularly do you

back up your images?
44 APPRAISAL
The latest books, exhibitions and websites
15 COMPETITION
THE AP READERS POLL
AP reader Melvyn Dover is worried that the new civil code

issued by the Hungarian government will start to spread
HOW TO HAVE YOUR PICTURES PUBLISHED IN READER SPOTLIGHT Send in a selection of up to ten images. They can be either a selection of different images or all have the same theme.
Digital les sent on CD should be saved in a Photoshop-compatible format, such as JPEG or TIFF, with a contact sheet and submission form. Visit www.amateurphotographer.co.uk/spotlight for details.
We cannot publish images without the necessary technical details. Each RGB image should be a minimum of 2480 pixels along its longest length. Transparencies and prints are also accepted. We
recommend that transparencies are sent without glass mounts and posted via Special Delivery. For transparencies, prints or discs to be returned you must include an SAE with sufcient postage.
HOW TO CONTACT US Amateur Photographer, IPC Media, Blue Fin Building, 110 Southwark Street, London SE1 0SU AP Editorial Telephone: 0203 148 4138 Fax 0203 148 8123
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3 May 2014 I www.amateurphotographer.co.uk
It is a new
single-shot
system
News I Analysis I Comment 3/5/14
Race to launch new positive-negative lm, page 6
Leica T is firms first consumer CSC New system APS-C sensor
LEICA: THE T WILL

BE AS BIG AS M
LEICA ranks its new T
compact system camera (CSC)
alongside the legendary M.
But the rm tells AP that, in
business terms, its a risky move
as it bids to win over an entirely
new audience.
Designed in a tie-up with
car maker Audi, the rst in the
Leica T series features a new
bayonet mount (Type 701).
The 16.3-million-pixel model
carries an APS-C-sized imaging
sensor, a built-in ash and a
3.7in (1.3-million-dot) xed
touchscreen.
The camera is milled from
a solid piece of high-grade
aluminium, with each unit handpolished for 45 minutes at a
factory in Portugal.
Due out on 26 May, it will
cost 1,350 body only. Two
lenses will be available at
launch: a Vario-Elmar-T 1856mm f/3.5-5.6 Asph (priced
1,250) and a Summicron-T
23mm (equivalent to 35mm)
f/2 Asph, costing 1,350.
The Leica T has no built-in
EVF. Instead, a 2.4-milliondot tilt-and-swivel EVF will
be available as an optional
accessory, attaching to the

camera via its hotshoe. The
EVF (Visoex Type 020)
costs 400.
Also available will be an
optional adapter for attaching
M lenses, priced 300, and an
external ash (SF 26), which is
expected a month after launch.
Features of the Leica T
also include an ISO range of
100-12,500, full HD video
and built-in Wi-Fi a rst for a
Leica system camera.
Leica says the camera body
is engineered in Germany while
the lenses are made in Japan

though not by its long-standing
compact camera partner,
Panasonic. When pressed,
ofcials refused to name its
lens-making associate.
The company is keen to win
over those who have so far
not had Leica on their radar
professionals, designers and
those who use Apples iPads
and iPhones.
Asked to describe the Ts
target audience, Leica Camera
Limited managing director
David Bell told AP: I think they
will be people who maybe arent

into serious photography at the
moment. They havent come
from DSLR ownership but are
interested in image making. I
think this camera will appeal to
them because of the designstyle, the method of use and
the [touch]screen on the back.
Leica admits that its M
system can be a struggle for
rangender newcomers.
Maike Harberts, product
manager for Leica T system
and X cameras, sees a big
opportunity amid the picturetaking explosion heralded by
smartphones.
She concedes that the M and
S systems attract a small group
of people.
Two more lenses are due to
be showcased at the photokina
trade show in Germany in
September, for launch later this
year. They are a Super-VarioElmar-T 11-23mm f/3.5-4.5
Asph and Vario-Elmar-T 55135mm f/3.5-4.5 Asph.
The camera will be out in
black or silver and Adobe
Photoshop Lightroom software
will be bundled with the kit
The Leica T took 2-212 years
to develop.
Leica rst hinted at plans
to launch a consumer CSC in
2011. A year later, Leica bosses
steered journalists away from
the idea, stressing that the M
family would be high on its
agenda at photokina 2012.
For our rst impressions of
the camera, see pages 10-11
Leica plans to
exhibit at the 2015

Photography Show in
Birmingham, ending a
near 10-year absence
from any trade fair in
the city. Pentax
camera maker Ricoh
Imaging will also be at
the event, which is
due to take place at
the NEC from 21-24
March 2015. Last year,
the Photography Show
replaced Focus on
Imaging, which ended
after 24 years.
Voigtlnder has
revamped its Nokton

25mm f/0.95 micro
four thirds lens to
include a new aperture
control mechanism.
This feature allows
users to choose
between clicked and
step-less operation
a move designed to
help lm-makers. The
Cosina-made lens
costs 660 and is
available from Robert
White. Visit www.
robertwhite.co.uk or
call 01202 723 046.
NIKON DEBUTS COMPACT 18-300MM DX LENS

NIKON has unveiled a new
18-300mm lens for DX-format
DSLRs, due out by the time you
read this.
Priced 629.99, the Nikon
AF-S DX Nikkor 18-300mm
f/3.5-6.3G ED VR is billed
as ideal for travel, sports and
wildlife photography.
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Nikon UK product manager

Thuan Bui said the lens is a
compact, affordable option
for enthusiast photographers
looking for the same incredible
focal range as the current DXformat 18-300mm, thats both
lightweight and portable.
The 550g lens which
features a weather-sealed
mount is designed to deliver
the 35mm viewing-angle
equivalent of a 27-450mm
zoom.
The newcomer is built from
16 elements in 12 groups and
includes aspherical elements to
help reduce aberrations.
Do you have
a story?
Contact Chris Cheesman

Tel: 0203 148 4129
Fax: 0203 148 8130
amateurphotographer
@ipcmedia.com
Time running out to get project off ground
RACE TO LAUNCH NEW B&W

POSITIVE-NEGATIVE FILM
An apparent trend for depicting low tones

or twilight and gloomy phases of nature
was creating quite a stir this week in 1896.
However, the AP Club pointed out that this
was not merely a craze that photographers
were following just because it was the
latest fashion. Such images frequently
appearing at exhibitions stemmed from
our most accomplished photographers,
workers who have shown an earnestness
and devotion to their work which must
exculpate them from being supposed to be
merely pandering to a fashionable taste,
still less can it be supposed that they are
imitating the successes of others, unless
the submission to a powerful inuence
can be called imitation.
A CROWDFUNDING campaign to
launch a new 4x5in peel-apart black &
white positive-negative lm, following the
disappearance of Polaroids Type 55 lm
more than ve years ago, has just days to
reach its target.
At the time of writing, campaigners
at New55 Film had raised more than
$180,000 of the $400,000 required by
6 May to get their project off the ground.
More than 1,100 people have so far
backed the US-based venture.
The lm, which produces a black & white
negative and a positive print, is designed to
be used on a 4x5in camera with a Polaroid
545 Land Film Holder.
Bob Crowley, who founded the project,
says New55 is not a recreation of Polaroid
Type 55.
He adds: It is a new single-shot system
that incorporates a negative material, a

processing pod, a special positive receiver
sheet and other components needed for a
eld-processable instant photograph to
be produced without a darkroom.
Campaigners say they plan to release
the lm eight months after raising the
necessary funds.
They add that it may be possible to launch
an 8x10in version at a future date, although
there are currently no plans for this.
Photographs taken using rst samples of
the lm have been posted on Flickr.
A box of ve lm sheets is expected to
cost $6, and there are plans to distribute it
in the UK and other parts of Europe.
Polaroid Type 55 was admired for its
aesthetic and technical qualities.
To make a donation, visit www.kickstarter.
com.
First images
captured using
New55 have
been posted
on Flickr
NEWS AGENCY DENIES

PHOTOGRAPHERS STAGED PICS
NEWS agency Reuters has denied claims
CLUBNEWS
Club news from around the country
LUNESDALE CAMERA CLUB
Chairman Shaun Rogerson says the club caters for all levels of photographer.
Members meet fortnightly at the United Reformed Church Hall, High Road,
Halton, Lancashire LA2 6PS. Visit www.lunesdalecameraclub.co.uk.
6
www.amateurphotographer.co.uk I 3 May 2014
it has supplied staged photos of the war in

Syria to the worlds media.
In recent weeks, several media outlets
have reported that freelance photographers
provided Reuters with images that were
staged or credited using pseudonyms.
Interviews with numerous Syrian
photographers, most requesting
anonymity... said many of the freelancers
are activists in one case a spokesman
who supported the rebels, reported a
photojournalism blog in the New York Times.
Reuters global editor Jim Gaines told the
blog that the agency uses activists in Syria,
partly because they have access and partly

because you have to be among friends to
be safe, adding, we scrutinise all images
and captions.
A Reuters spokesperson told AP: We
have thoroughly investigated these claims
and established to our satisfaction that the
pictures were not staged.
Setting up pictures is a ring offence,
strictly against policy. It is the
responsibility of Reuters chief
photographers, photo desks in the region
and the ling desk in Singapore to question
every picture we serve to clients where a
set-up is suspected.
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51.4MP sensor on 645Z, due this month
A revamped version
of Nikons Android
operating systemequipped compact
camera landed in UK
stores on 24 April. The
16MP Coolpix S810c,
Nikons second
Android camera,
sports a 12x Nikkor
zoom up from 10x on
the Coolpix S800c. The
touchscreen is also
larger, up to 3.7in from
the 3.5in monitor on
its predecessor with
a higher resolution of
1.229 million dots.
Priced 249.99,
features also include
8.1fps shooting, 4GB
of internal memory
and full HD video.
A pocket-size
A PHOTOGRAPHER
hailed as the UKs rst female

press photographer was selftaught, it has emerged.
Wartime images by Christina
Broom, plucked from an archive
of more than 2,500 pictures,
have gone on show in London.
Broom taught herself
photography aged 40 and
worked between 1903
and 1939 becoming a
photographer to the
Household Brigade.
Broom created and sold
photographic postcards,
covering Londons military
activities before, during, and in
the aftermath of war.
Her photos are on show in a
free exhibition at the Museum
of London until 28 September.
Portrait of photographer Christina Broom (right) and the Bermondsey Bhoys

from the 2nd Grenadier Guards at Wellington Barracks, in 1914 or 1915
Pictures include one of Captain
Greer before leaving for war
his 1st Irish Guards were all killed
in battle soon afterwards.
A spokesperson for the

museum, which acquired the
collection recently, said: In
this centenary year of the
outbreak of the First World

War, the display focuses on
Brooms portrayal of Londons
military life.
US PHOTOGRAPHER COLLECTS SONY AWARD

DOCUMENTARY and
portrait photographer Mary

Ellen Mark was due to collect
a Sony award for Outstanding
Contribution to Photography
as we went to press.
Sony says Ellens work
has become a benchmark
for excellence in the
eld of documentary
photography.
Mark started
her 40-year
career
as a
MARY ELLEN MARK
GET AP
WITHOUT
LEAVING
THE HOUSE!
FIRST FEMALE PRESS PHOTOGRAPHER SELF-TAUGHT
MUSEUM OF LONDON
Get a free
30-day trial
on iTunes
PENTAX has unveiled its muchrumoured medium-format 645Z,

featuring a new imaging sensor and
processor.
The 51.4-million-pixel 645Z DSLR
an improvement on the 40-million-pixel
645D includes a Safox 11 AF module
with 27 AF points (including 25 cross-type).
MUSEUM OF LONDON
ashgun with a
built-in LED video light
has been unveiled by
Nissin. The i40
features a ash
output of GN 40m @
ISO 100 (at 105mm),
with a head that tilts
180 left and right,
and 90 upwards. It is
designed to cover a
range of 24-105mm,
with a built-in diffuser
providing 16mm
coverage. Powered by
four AA batteries, the
i40 costs 204. It is
out in Nikon and
Canon versions, with
Sony, four thirds and
Fujilm ts due out
soon. For details visit
www.kenro.co.uk or
call 01793 615 836.
PENTAX REVAMPS
DIGITAL MEDIUM
FORMAT
Other features include a Prime III imageprocessing engine, a top ISO of 204,800
and three frames per second shooting
(compared to 1.1fps on the 645D).
The larger 3.2in, tilting LCD screen
carries a resolution of 1.037 million dots.
Boasting 76 seals, the 645Z is claimed to
be weather-resistant and dustproof.
The exterior housing and LCD monitor
frame are made of magnesium alloy, while
the chassis is built from die-cast aluminium.
Also on board is full HD video. Similar to
the interval video mode on the Pentax K-3,
the 645Z shoots time-lapse video at 4K
resolution (3840x2160 pixels).
Built-in Wi-Fi means images
can be shared via a smartphone,
for example.
Due out at the end of May,
the 645Z will cost 6,799.99
body only, or 7,699.99 with a
55mm lens.
freelance photographer on lm
sets and mainly works in black
& white.
Mark often becomes deeply
involved in her stories and stays
in contact with her subjects
adds Sony.
Mark was due to receive the
accolade as part of the Sony
World Photography Awards, the
winners of which are announced
in London on 30 April.
A retrospective of her work
will go on show at Somerset
House from 1-18 May.
JASPER WILKINS
Water is Life
Caption
by Jasper
Wilkins
won the
competition
Jasper Wilkins comes out top
OLYMPUS NAMES
STUDENT WINNERS
OLYMPUS has named
Jasper Wilkins as the winner

of its student photography
competition.
Jasper, from the University for
the Creative Arts, Surrey, beat
more than 2,000 entries with
his image entitled Water is Life.
The arts and media student
won the top prize of an

Olympus OM-D E-M5 camera.
Runners-up in the contest,
which carried the theme
People and Portraits, were
Elliott Gunn (see below) and
Alecsandra Raluca Dragoi.
Jasper Wilkins will appear
in next weeks Photo insight
Photographer Steve
McCurrys ongoing
relationship with
Afghanistan is
explored in a new
exhibition set to open
in London on 12 May.
The show will offer a
rare chance to see
powerful photographs
from the archive of
this legendary
photojournalist, says
the Beetles+Huxley
gallery where the
exhibition will run until
7 June. Visit www.
beetlesandhuxley.com.
ELLIOT GUNN
Runner-up
Elliot Gunns
image Jessa
Kodaks US HQ told
AP it will continue to
make lms in
Rochester, New York,
despite plans to sell
off the Eastman
Business Park. Kodak
said the sale will help
the company focus on
its commercial
imaging businesses
and that it will retain a
signicant presence in
the park, to include
R&D, administrative
and marketing
functions.
KENWOOD TO LAUNCH MFT CAMERA
PLANS are afoot to release
micro four thirds camera

systems with 4K video under
the JVC and Kenwood brands.
JVCKENWOOD announced
a 4k mini camera system
equipped with a 4K super
35mm image sensor at
the National Association of
Broadcasters show in Las
Vegas, USA.
Kenwood merged with
JVC in October 2011 to form
8
JVCKENWOOD, which is based

in Yokohama, Japan.
A joint statement issued
by Olympus and Panasonic
said: The JVCKENWOOD
Corporation, which
manufactures and sells video,
audio, and radio equipment
globally... has joined the micro
four thirds group and will soon
be introducing an exciting new
line of advanced new micro four
thirds products.
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Hands-on Leica T
Leicas decision to
implement an APS-C
sensor has allegedly
been made to keep it
as small as possible
AP hands-on
Leica T
One major question mark hangs over the all-new Leica T system: is the
sensational design backed up by an equally impressive specication and
performance? Michael Topham gets hands on with this desirable model
IN THE same year that Leica celebrates
its 100th birthday, the manufacturer has
announced an entirely new camera system.
Called Leica T, its like no other compact
system camera weve seen before, and is
designed to complement the Leica brand
and sit beside the iconic M system. At the
time of launch, the new T system consists
of a beautifully designed Leica T body and
a pair of lenses using a new Leica T mount.
Leica has already unveiled plans to expand
the system later in the year, but will it allow
the manufacturer to achieve its long-term
goal of attracting a new type of customer
to the premium brand?
KEY FEATURES
Designed in collaboration with automotive
manufacturer Audi, the Leica T stands
out from other current compact system
cameras in the market for the way it is
crafted from a single block of aluminium,
which gives it an unmistakable look
and nish. Well turn our attention to
the cameras sublime looks and build
quality shortly, but rst lets focus on its
key features. Behind the cameras new
T mount lies an APS-C-format CMOS
sensor that comes with a 16.5-million-
10
AT A
GLANCE
16.3-million-
pixel APS-C
CMOS sensor
Highperformance
processor
ISO 100-12,500
5fps continuous
shooting
Contrast-detect
AF with Touch AF
3.7in,
1.3-million-pixel
touchscreen
2.4 million-dot
clip-on EVF
available (400)
Full HD
1920x1080-pixel
video at 30fps
RRP 1,350 body
only, 2,600
with 18-56mm
lens, 2,700 with
23mm lens
pixel resolution, effective to 16.3 million

pixels. Based on the 3:2 aspect ratio, the
APS-C chip measures 23.6x15.7mm and
produces a maximum image resolution of
4944x3278 pixels, with the option, just
as youd expect, of shooting in raw and
JPEG le formats. Although the use of
an APS-C-sized sensor is likely to cause
some controversy with photographers who
would have preferred a full-frame chip,
Leicas decision to implement an APS-C
sensor has allegedly been made to keep
it as small as possible, while ensuring
brilliant images with outstanding contrast,
ne detail resolution and natural colour
rendition. The partnership of a newly
developed high-performance processor
alongside the sensor delivers an ISO range
of 100-12,500, with the option to shoot
continuously at 5fps for up to 12 shots.
Other important features to note include
a shutter-speed range that runs from
30-1/4000sec, 1080p full HD video
recorded at a frame rate of 30fps, and
an autofocus system based on contrastdetection AF an interesting decision,
given that many CSCs are now using hybrid
systems that use both contrast detection
and phase detection.
Design aside, one of the headline features
is the cameras 3.7in TFT LCD touchscreen
display. It boasts a 1.3-million-pixel
resolution and its generous size contributes
to fewer buttons dotted around the body.
With just three buttons on the body in total,
this means numerous functions in capture
and playback modes are controlled by
touch. A beautifully designed menu system
that features large, bold icons, clear text
and excellent customisation to ensure fast
access to commonly used settings helps
its ease of use.
Twin control dials at the corner of the
body offer independent control of aperture
and shutter speed in manual mode, and,
as per the body, they are immaculately
machined from aluminium. The pop-up
ash rises with an extra click of the on/off
switch, the battery is ingeniously designed
so it doesnt accidently fall out, and the
meticulous effort thats been made to
ensure the camera is as sleek and as stylish
as possible comes right down to the smaller
details such as the strap, which clips straight
into the shell of the body. By omitting ugly
lugs, Leica has successfully preserved a
clean and minimal design.
A 2.4-million-dot clip-on electronic
viewnder is one of a multitude of
accessories that will be produced for
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Leica T Hands-on
the Leica T system. The EVF features

integrated GPS and tilts up by 90 to ease
composition from low angles, while a new
Leica M adapter will allow users of Leica
M-series lenses to attach them to the Leica
T. The camera system marks the rstever Leica to feature a Wi-Fi module to
enable hassle-free wireless transfer of still
images and video directly to a smartphone
or tablet. Furthermore, the wireless
connectivity is supported by a free Leica T
app for iOS devices that will allow users to
adjust exposure settings remotely and re
the shutter on the y. Supporting SD media
and USB charging at the side, the camera
also features 16GB of internal memory
and will initially be supported by two lenses
in the Leica T system the 18-56mm
f/3.5-5.6 kit lens (equivalent to 27-84mm)
and the xed 23mm f/2 prime (equivalent
to 35mm). A 17-35mm wideangle lens
and 80-200mm telephoto zoom are also
expected to be announced at the Photokina
trade show in September this year.
FIRST IMPRESSIONS
The sublime design and minimalist styling
of the Leica T make it a thing of beauty to
look at, but its not until you pick it up and
get hands on that you appreciate the effort
Leica has put into its latest innovation. Out
of the box, it is the Leica Ts robust build
quality that strikes you rst, followed by
an immediate sense of attention to detail.
Although it is relatively light (384g with
battery included), it manages to strike
a perfect balance between weight and
solidity. The robust, high-grade body, which
takes 55mins to be machined from a solid
block of aluminium, followed by a further
45mins of precise polishing by hand, feels
exquisite and quintessentially Leica. The
nish is in an entirely different league to
what weve come to expect from most
compact system camera manufacturers
and it does make you rather paranoid of
damaging its awless appearance with a
scratch or inadvertent knock.
The Leica T-snap accessory for the
front of the camera and T-ap for the
rear provide a decent level of protection
from damage, while giving the camera
a personalised look thats sure to make
it stand out from the crowd. The leather
holster and leather protector are more
in keeping with the cameras stylish
aesthetic and are lined in felt on the inside
to provide a cushion against the body,
with subtle detailing and a level of stitching
that complements the brand.
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The only
minor
criticism
regarding the
build quality is
the thin plastic
door at the side,
which provides
access to the SD
card slot and USB
charging port.
IN USE
With the Leica 23mm
f/2 Summicron-T
Asph lens attached,
the camera is best supported by two
hands the right hand wrapped around
the grip and the left hand supporting the
lens beneath. With many of the cameras
modes and controls appearing on the far
left of the touchscreen, it doesnt lend
itself to being used single-handedly. The
way the lens mount sits off-centre to the
body could also result in the camera feeling
unbalanced with larger and heavier zooms,
but this didnt cause any concerns with the
prime or kit lens we used.
The twin control-dial design is similar
to that featured on Sonys NEX-7, but the
good news is that the Leica Ts dials are
easier to access, provide a beautiful tactile
feel and notch into place more positively
when used. Set to aperture-priority or
shutter-priority mode, the left dial can
be personalised to adjust ISO, exposure
compensation, white balance, focus mode,
self-timer or ash mode, and from the
main menu all the settings and modes can
be rearranged to your personal preference
by holding and dragging much like apps
The Leica T is
engineered from
a solid block
of aluminium.
To protect the
immaculate nish,
T-snap covers
(60) are available
in orange-red,
melon, yellow,
black and white
The Leica Ts
top-plate has a
minimalist design,
with just three
buttons in total
on the body
can be repositioned on a smartphone.

Operating the camera for the rst time,
you immediately get the sense that a lot
of thought has been put into the interface.
For instance, instead of trawling through
endless sub menus, large icons can simply
be touched to cycle through different
settings. It makes for the fastest and most
intuitive operational experience of any
touchscreen camera weve used. That said,
the touchscreen on our pre-production
model wasnt entirely fault-free. It was
hesitant and unresponsive at times and we
often found ourselves having to doubleswipe to view images in playback mode.
Pinch and zoom gestures also lacked the
precise control weve come to expect
from smartphone touchscreens, but were
hopeful that a nal rmware update should
address the issue.
Another observation concerns the
autofocus speed, which, although not
sluggish, didnt have the same response and
lightning lock-on speed as Panasonics Light
Speed AF system and Fujilms Intelligent
Hybrid AF system. Focusing between near
and far subjects encountered a split-second
delay before focus was acquired and this
was most noticeable while attempting
to focus using the cameras Touch AF
functionality. Despite the AF point failing
to reach the far corners of the frame, the
contrast and clarity of the touchscreen are
superb faithfully rendering lifelike colour
while complementing the minimalist design
perfectly. While our hands-on experience
revealed a few early niggles, the Leica T is
a thoroughly pleasing camera to use.
PRICE AND AVAILABILITY

The Leica T will cost 1,350 (body only)
or 2,600 with the 18-56mm kit lens or
2,700 with the 23mm f/2 prime lens. It
will be available from 26 May. AP
11
Books, exhibitions and websites
APReview
The latest photography books, exhibitions and websites. By Jon Stapley

MARIO TESTINO
Kate Moss
by Mario Testino
BOOK
Taschen, 27.99, paperback, 232

pages, ISBN 978-3-836-55069-7
THERE are all manner of things that can
MARIO TESTINO
12
go right or wrong when photographing a

model, and there are endless books that
cover lighting, lens choice and locations.
Thats all very well, but even with these
skills perfected it is possible to discover
the magic element missing that which
differentiates a dull picture from one that is a pleasure to look at.
Few books delve into the subject of creating human connection in a
photograph which is surely what we should be striving for.
Testinos book, Kate Moss, is no how-to for those looking for
words to inspire them, but when we read between the pictures and
put together the story they tell us, we can see very clearly how the
magic comes about. This is, on the surface, an indulgent collection
of Testinos favourite images of a model many will never be sick of
looking at. Beneath, though, is revealed how the friendship they
share inuences the images on the page, and allows Testino to
reach far beyond what we are usually allowed to see. Mixing
high-fashion imagery with low- snaps, from studio to unguarded
holiday moments, the picture selection takes us on a journey
through the lives of the subject and the photographer and
shows how a personal connection makes an image come alive.
This presents a compelling portrait of Kate, but more so of the
relationship between the two.
Not a new book in the strictest sense, as the
original was released in 2010, but now widely
available in paperback at 28 instead of the signed,
limited-edition price of 1,250, to most of us it
might as well be just released. Damien Demolder
subscribe 0844 848 0848
Books, exhibitions and websites
WAYNE FOSKETT
WAYNE FOSKETT
CONDENSED
READING
A round-up of the latest
photography books on the market
EXHIBITION
Wayne Foskett: Spirit of Place
Until 10 May. Maison Bertaux Gallery, 28 Greek Street, London
W1D 5DQ. Website: www.hooliganartdealer.com. Open
Mon-Sat 8.30am-10pm, Sun 9.30am-8pm. Admission free
TV ACTOR Wayne Foskett, known for series such as Merlin and
Silent Witness, exhibits a series of pinhole photographs in a gallery

space above a patisserie in Londons Soho. The images are based
around Greenwich and draw much from the relationship between
the water of the river and the structures that surround and intersect
with it. The sharp angles of buildings, such as a dark imposing
coal jetty, are juxtaposed nicely with the ghostly incandescence of
the softly sunlit water a contrast created by
the long exposures of pinhole photography. A
ghostliness pervades many of the images, but the
transformation is into something peaceful rather
than frightening. Theres a quiet serenity to it.
WEBSITE
www.onwardforward.com
ITS NOT always easy for the photography student, trying to carve
out their niche in the art form, to discover what it is exactly that they
want to photograph and how they want to do it. Thats why sites
like Onward Forward are such a good, welcome idea. Dedicated
to momentum in student photography, the blog seeks out
interesting and stimulating projects from the next generation of great
photographers, providing regular updates from all
genres. While the USA dominates, students are
welcome from anywhere in the world and there is
a pleasing spread of diversity in the projects and
photographers chosen.
subscribe 0844 848 0848
THE FUJIFILM X-E2: BEYOND

THE MANUAL by Rico Prstinger,
10.70 (Kindle Edition) The sleek
X-E2 is one of the many success
stories in Fujilms popular X series of
cameras. Rico Prstingers guide to the
camera takes a cutting to the chase
approach to helping you mess about
with the camera. The book assumes
you know the basics of modes and
whatnot, and gets to the good stuff
with tips and tricks you may not know
about. ASTROPHOTOGRAPHY
by Thierry Legault, 30.99 Although
astrophotography is becoming ever
more accessible as equipment gets
more sophisticated, its still not quite
something you can pick up easily.
This means a guide like this is a
solid investment for aspiring star
photographers. It makes you realise
how much work goes into the images
you see from astrophotographers
and once you start learning to
do vaguely seedy-sounding things
like polar align your equatorial
mount you begin to realise that
youre entering a whole other world.
THE SONY A7 AND A7R: THE
UNOFFICIAL QUINTESSENTIAL
GUIDE by Brian Matsumoto and
Carol F Rouillard, 30.99 Sonys new
Alpha cameras were the talk of the
camera world last year, picking up
plenty of gongs as reviewers praised
their seriously beefy sensors and
low-light capability. This guide helps
photographers get the most out of the
Alpha 7 and 7R, with some helpful tips
on using multi-shot noise reduction to
get the most of high ISOs. Its a little
pricey, but if youve already bought an
Alpha 7R, an extra 31 probably wont
make much difference.
Subscribe to
SAVE UP TO 35%*
Subscribe at www.amateurphotographersubs.co.uk/14W
or call 0844 848 0848 quoting code 14W * when you pay by UK Direct Debit
13
01582 661878
Call us Mon - Fri 8am - 5pm

Visit www.srb-photographic.com for 1000s more SRB products
Visit us at: Unit 44-46, Icknield Way Farm,
Tring Road, Dunstable, LU6 2JX.
Square Filters
Circular Filters
UV Filters
Circular Polarising
** STOP PRESS... SRBs ND1000 WINS BEST VALUE AWARD IN PHOTO PLUS BIG STOPPER GROUP TEST
SRBs UV flter absorbs the

Filters
ultraviolet rays which often make SRBs circular polarising flters
outdoor photographs hazy
remove unwanted refection from
surfaces such as glass and water
46mm
6.50
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
95mm
6.50
7.00
7.00
8.50
9.50
10.50
12.50
15.50
18.50
24.00
27.50
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
15.75
15.75
16.00
16.00
16.00
16.50
17.00
18.00
20.00
25.00
32.50
Sizes available: 25 to 105mm Sizes available: 25 to 86mm
Skylight Filters
SRBs Skylight flters are used
for lens protection
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
11.50
13.50
14.95
14.95
16.95
18.95
20.95
22.50
25.95
28.95
35.50
Sizes available: 27 to 86mm
Infra Red Filters
SRBs Infra Red Filters block

visible light and transmit infrared.
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
95mm
18.95
19.95
19.95
20.95
20.95
21.95
22.95
24.95
29.95
39.95
49.95
**ND Filters
Full ND, Hard ND and Soft ND are available in:

0.3(1 stop) 0.6(2 stop) 0.9(3 stop) 1.2(4 stop)
Full ND Filters
SRBs Neutral Density Filters
reduces light and offers a full
ND cover over your lens
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
17.00
17.00
18.00
19.00
20.00
21.00
23.00
26.00
28.00
31.00
Hard or Soft Grad

ND Filters
SRBs Graduated ND Filters are
great for landscape photography
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
22.00
22.00
23.00
24.00
25.00
26.00
28.00
31.00
33.00
36.00
Sizes available: 27 to 82mm Sizes available: 40.5 to 82mm
Variable ND Fader
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
26.00
27.00
27.50
29.50
31.00
32.00
35.00
36.00
39.95
By rotating the outer flter

you can alter the amount
of light that passes through
the flter, from 2 stop to
8 stop
Scored
4 stars in Amateur
Photographer Magazine
Stepping Rings
Step rings allow you to Step-up from one thread to another.
Lens
Thread
37mm
37.5mm
38.1mm
39mm
40mm
40.5mm
43mm
43.5mm
46mm
48mm
49mm
52mm
55mm
Accessory
Range
Lens
Thread
Accessory
Range
27-72
58mm
46-77
37-52
52-77
62mm
40.5-58
58-82
67mm
49-52
72mm
86-105
49
77mm
58-105
37-58
82mm
72-105
37-72
72-105
86mm
46-58
82
93mm
95mm
37-62
82-105
46-58
105mm 86-95
37-77 These are just some of our stock, we
46-77 have every size step ring available.
You name it and well make it
46-77
From 4.50
STOP PRESS... New SRB Glass ND 0.9 square flter at 29.95#

wins DIGITAL PHOTO GOLD AWARD in Group ND Test April 2014
Soft ND Grad Kit
Holders
44.95
* Highly rated
in AP test
Includes:
- 3 Soft ND Filters
- 1 Holder
- 1 Adaptor Ring
- 1 Filter Wallet
- 1 Cleaning Cloth
P Size only
Landscape Set
Use this landscape set specifcally to
accent landscape photography shots
Includes:
- Blue Grad Filter
- Sunset Grad Filter
- 0.6 Soft ND Grad Filter
37.50
Black & White Set

Use this SRB flter set for
black & white photography
Includes:
- Red Filter
- Green Filter
- Orange Filter
- Yellow Filter
Full ND Set
SRBs ND flters are used to tone

down a bright sky
34.95
Soft ND Grad Set

down a bright sky
Includes:
34.95
Hard ND Grad Set

down a bright sky
Includes:
- 0.3 Hard ND Grad Filter
A Size
P Size
P Size Wide Angle
8.95
5.00
5.00
Adaptor Rings
37mm A Size
40.5mm A Size
46mm A & P Size
49mm A & P Size
52mm A & P Size
55mm A & P Size
58mm A & P Size
62mm A & P Size
67mm P Size
72mm P Size
77mm P Size
82mm P Size
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
Individual Filters
39.95
Includes:
- 0.3 Full ND Filter
Adaptors
34.95
Filter Wallets
A Size 9.95
P Size 9.95
Available in A & P Sizes unless stated
12.50
0.3 Full ND
12.50
0.6 Full ND
0.9 Full ND Glass Pro# 29.95
12.50
0.9 Full ND
15.50
1.2 Full ND
12.50
0.3 Soft ND Grad
12.50
0.6 Soft ND Grad
12.50
0.9 Soft ND Grad
15.50
1.2 Soft ND Grad
0.3 Hard ND Grad 12.50
Circular Polariser* 26.00
48.00
0.3 Reverse Grad
48.00
0.6 Reverse Grad
48.00
0.9 Reverse Grad
12.50
Blue Grad
12.50
Sunset Grad
12.50
Twilight Grad
12.50
Red
12.50
Green
12.50
Orange
12.50
Yellow
12.50
4x Star Effect*
*
12.50
6x Star Effect
*
12.50
8x Star Effect
*P Size only
Lee Filters
Foundation Kit
Standard Adaptors
Wide Angle Adaptors
ND Soft Grad Set
ND Hard Grad Set
Individual Filters from
59.00
20.00
40.00
180.00
180.00
75.00
Lee Seven 5
The Lee Seven 5 is fnally in stock

and is designed for compact camera
systems to give a photographer
more control over their images when
it really matters.
Holder
Adapaters
Hood
Starter Kit
Hard/Soft Grads
ND Filters
Big Stopper
Circular Polarisers
66.00
17.50
66.00
114.95
59.95
64.95
66.00
209.95
SRB are proud to stock

a range of Lee Filters
Products including;
Holders, Adaptors, Sets,
Kits, Filters, Bellows and
Accessories.
Lee SW150
This system enables you to use

graduated and standard flters on a
Nikon 14-24mm lens
(Other adapters are available).
The Lee SW150 holder is fully
rotational enabling greater fexibility
when positioning graduated flters.
Starter Kit
- Adaptor
- Holder
- 0.6 Hard Grad
Filter
324.95
Shutter Release Brackets

SRB make shutter release brackets to suit all types of cameras, from the
smallest compact camera to the largest DSLR camera
Compact Shutter
Release Bracket
19.95
DSLR Shutter Release

24.95
Bracket
Angled Shutter
Release Bracket
24.95
*SRBs ND and ND Grad Filters were listed in the Top 10 Landscape accessories
by Amateur Photographer magazine, and scored Max 5 stars
in a Digital Camera ND group test, winning a Gold & Value award
We manufacture and stock a huge

range of camera adaptors,
listed below are just some of
the adaptors that we have
Camera
Lens
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
M42
Nikon
Pentax K
Olympus OM
Con/Yash
Leica R
Leica M
Canon FD
16.95
22.95
24.95
24.95
24.95
22.95
24.95
44.95
Fuji X1 Pro
Fuji X1 Pro
Fuji X1 Pro
Fuji X1 Pro
Fuji X1 Pro
Fuji X1 Pro
Fuji X1 Pro
M42
Leica M
Nikon
Canon EOS
Olympus OM
Canon FD
Con/Yash
24.95
29.95
29.95
29.95
29.95
29.95
29.95
Nikon
Nikon
Nikon
M42
Canon FD
C Mount
24.95
44.95
32.95
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Nikon 1
M42
M39
Nikon
Canon EOS
Pentax K
Leica M
Leica R
Con/Yash
24.95
22.95
29.95
44.95
29.95
39.95
37.95
29.95
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Canon EOS
Nikon
Nikon G
M42
Olympus OM
Minolta MD
Leica R
Leica M
Sony Alpha
Pentax K
Canon FD
Con/Yash
29.95
29.95
34.95
29.95
29.95
29.95
29.95
29.95
34.95
29.95
29.95
29.95
4/3
4/3
4/3
4/3
4/3
4/3
M42
Con/Yash
Leica R
Nikon
Olympus OM
Pentax K
17.95
22.95
22.95
22.95
22.95
22.95
Pentax
Pentax
Pentax
Pentax
M42
Nikon
Sony Alpha
Canon FD
18.95
44.95
44.95
44.95
Sony Alpha
Sony Alpha
Sony Alpha
Sony Alpha
Sony Alpha
M42
Minolta MD
Nikon
Pentax K
Canon FD
15.95
44.95
44.95
44.95
44.95
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Canon EOS
Nikon
Sony Alpha
Olympus OM
Pentax K
Leica M
Leica R
Canon FD
M39
M42
29.95
29.95
34.95
29.95
29.95
29.95
29.95
42.95
23.95
23.95
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS
Leica M
Nikon
Canon FD
C Mount
M39
M42
29.95
29.95
29.95
29.95
29.95
29.95
29.95
Hoods & Caps

Reversible Petal
Hoods
52mm Petal Hood

55mm Petal Hood
58mm Petal Hood
62mm Petal Hood
67mm Petal Hood
72mm Petal Hood
77mm Petal Hood
82mm Petal Hood
10.95
10.95
11.95
11.95
12.50
12.50
13.50
13.50
Rubber Lens Hoods

49mm Rubber Hood
52mm Rubber Hood
55mm Rubber Hood
58mm Rubber Hood
62mm Rubber Hood
67mm Rubber Hood
72mm Rubber Hood
77mm Rubber Hood
4.95
4.95
4.95
4.95
4.95
4.95
4.95
4.95
Lens Snap Caps
46mm Lens Cap

49mm Lens Cap
52mm Lens Cap
55mm Lens Cap
58mm Lens Cap
62mm Lens Cap
67mm Lens Cap
72mm Lens Cap
77mm Lens Cap
82mm Lens Cap
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
3.95
Cleaning
3in1 Cleaning Kit
6in1 Cleaning Kit
Lens Pen
Cleaning Cloth with case
Hurricane Blower
Blower Brush
Dust Blower
Cleaning Solution
7.50
9.95
4.95
5.95
4.95
3.50
4.95
4.95
Accessories
Memory Card Cases
SRBs cases come in fve sizes,

designed to take all types of
cards. The cases are waterproof &
shockproof.
9.95
Spirit Level
This fts into your cameras hot
shoe and displays how level your
camera is on both planes
2 way
3 way
9.50
12.50
2 in 1 Refector
This product is great for lighting in

studio photography
40cm
80cm
110cm
8.95
12.95
15.95
5 in 1 Refector
40cm
80cm
110cm
13.95
17.95
21.95
Wireless Shutter
This wireless shutter release
works by infra red and is designed
for cameras with a remote socket
Canon EOS
Panasonic
Nikon
24.95
24.95
24.95
Close-Up Lens Set

Close-Up Lens Set
Wins Photoplus magazine
Group Test with a 90%
rating (Issue 73 Spring 13)
Image quality is impressive...

set gives up to a whopping
+17 dioptres magnifcation...
An absolute steal at the price!
These lenses can be used

individually or screwed together to
multiply the effect
52mm
55mm
58mm
62mm
67mm
72mm
77mm
19.95
19.95
19.95
19.95
19.95
19.95
19.95
SRB are a company who are vital to the optics industry at large. They are the go-to frm. Professional Imagemaker magazine Dec. 2012
Competition
WIN A Manfrotto
Professional
Backpack 50
WORTH
MORE THAN
200
Your chance to win one of two

Professional backpacks from Manfrotto
MANFROTTO and Amateur Photographer
are offering two lucky readers the chance to win
a Manfrotto Professional Backpack 50 worth
219.95. The Backpack 50 is a professional
backpack designed for a pro DSLR with battery
grip, attached 70-200mm f/2.8 lens, additional
camera body, ve extra lenses, ash, 15in laptop,
tripod and accessories. The Backpack 50 weighs
2.33kg and has external dimensions of 50.5cm
(h) x 31cm (l) x 28cm (w). It features Manfrottos
Camera Protection System (CPS) that has been
specically engineered and laboratory tested
to guarantee the highest level of protection
and shock-resistance where it really counts,

and Exo-Tough Construction that offers rigid
multi-layer surface construction that diffuses
sharp-impact shock. Available in black only,
the Manfrotto Professional Backpack 50
has a recommended retail price of 219.95.
To enter visit: www.amateurphotographer.co.uk/manfrottocompetition

The closing date for entries is Wednesday 11 June 2014
* Competition open to UK residents only. Contents of bag not included
HOW TO ENTER
To be in with a chance of
winning one of these great
Manfrotto backpacks, all
you have to do is visit www.
amateurphotographer.
co.uk/manfrottocompetition
and answer the simple
question.
The closing date for
entries is Wednesday
11 June 2014. The two
winners of the Manfrotto
Professional Backpack 50
will be chosen at random
from the correct entries
and will be contacted
by email within
six weeks of the
closing date.
Full terms and
conditions can
be found on the
website.
subscribe 0844 848 0848
15
Have your say
Letters
Share your views and opinions with fellow AP readers every week
THE POWER OF PHOTOGRAPHY

This probably isnt your typical letter, but I wanted to share rather bravely, I
hasten to add my story.
Im new to AP magazine and Im new to photography as well its a hobby I
stumbled upon by accident. You see, for a long time I have suffered depression.
Doctors and friends said I needed to get out, but nding the motivation for that
in itself was a problem. Then I got a puppy, so I had to go out, as she loves going
for long walks in the countryside. I started taking the usual photos of the dog using
my camera phone, then with my compact camera, which I started to carry all
the time. My picture-taking spread to nature and landscapes, so I moved up to
a DSLR, albeit a second-hand one from eBay.
I now nd myself out all the time taking pictures and I love it. I was constantly
lling up my timeline on Facebook, so I created a page where I could show off my
images. My page is doing well, Ive had messages from many parts of the world
and Ive had nothing but positive feedback. Theres something to be said about
taking a beautiful picture, capturing an image that momentarily lifts your spirits,
but for me, part of the magic is getting home and downloading it to my computer,
where I can see it again and again.
Barbara Elliot, via email
Im touched by your story, Barbara. As someone who recently got a puppy
myself, I know how great they are for getting you out and about. Ive
discovered great new walks I never knew existed, and of course I always
take my camera although my dog gets quite impatient when I take too
long over a picture! Nigel Atherton, Group Editor
NOTE: PRIZE APPLIES TO UK AND EU RESIDENTS ONLY
LETTER OF
THE WEEK
Write to
Wins a great shockproof,
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Send your thoughts

or views (about 500
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at the usual AP
address (see page 3).
A fee of 50 will be
paid on publication
or a bad one when they buy, while price

is no real indicator, either.
When you take into account the
high prices charged by the camera
manufacturers for replacement batteries,
it is little wonder that camera users are
drawn to third-party providers, such as
Hhnel, Hama, Energizer, Blumax and so on.
These rms manage to produce affordable
batteries at prices far below those of the
camera makers. Surely we are not judging
their batteries as fake or counterfeit?
The problem could be solved overnight if
cameras were supplied with two batteries
from the outset, as this would relieve the
photographer of the problem of having to
nd a second battery as a backup, which
throws them into a maze of batteries from
all sources, with some of dubious quality
and others a genuine bargain. Lets see
which manufacturer is willing to take the
plunge and supply two batteries as a
deliberate enticement to buy its cameras.
In the meantime, lets apply some
common sense. The article says that there
have been no reported incidents of camera
batteries triggering res on UK aircraft, so
lets not get carried away with the idea that
all third-party lithium batteries are suspect,
and instead observe the wise instruction
from the airlines to carry batteries separately
from their cameras in hand luggage.
Gordon Fleming, Hertfordshire
You are quite right in saying that not
all third-party batteries are fake or
counterfeit, or of poor quality. I have
more than a handful of third-party
batteries in my camera bag and in all
my years have never had a problem.
However, there have been cases of
mobile phone and laptop batteries
catching re or exploding and, while it is
not just limited to third-party batteries,
it is always worth making sure that
you purchase such a battery from a
reputable manufacturer and retailer
Richard Sibley, deputy editor
WISHFUL THINKING
ASSAULT ON BATTERIES
Your news article about exploding batteries
(AP 5 April) provoked me into writing
because I feel there is a lot of careless
talk that gets into print on the subject of
camera batteries. Your correspondent uses
16
such phrases as fake and counterfeit to

describe the batteries. Most third-party
camera batteries are produced in China,
as are most genuine batteries these days.
However, the camera owner is not in a
position to discern what is a good battery
A friend of mine was asked by his

ex-wife who had just landed a sizeable
lottery win what kind of camera hed buy
if money were no object. As a passionate
photographer, my pal had no hesitation
in telling her he would get a Nikon D4.
Knowing full well that his ex-missus had
never shown any interest in photography,
he mentioned the conversation to me.
We excitedly debated whether or not his
ex had been picking his brains over buying
him a D4. After all, they were still good
friends. We later we saw my mates ex and
her new fella at the Sunderland Air Show.
As my pal ddled around with his battered
old Nikon D70, he was mortied to see his
exs new boyfriend taking pictures with a
spanking new Nikon D4.
As we enjoyed a pint later, I asked him
how he felt. With a nonchalant look, he said,
No problem. Good luck to the guy. Then
he hissed, The jammy b******!
Mark Davies, Northumberland
subscribe 0844 848 0848
Have your say
KATHERINE WOODMAN
IN DECLINE
I recently went to two fairs within weeks of
each other to see my camera and audio
collections. One was a camera fair that had
about half the stalls and buyers that it had a
year ago, and the other was an Audiojumble
selling new and vintage Hi-Fi equipment,
as well as records and audio components.
At the Audiojumble there were 180 stalls,
around 20% more than the previous year,
and the hall and smaller rooms were heaving
by lunchtime. The most obvious difference
between this event and the photographic
one was the age range, with people aged
from 15-70 and women with their partners.
I packed up early as I had virtually run out
of things to sell.
It seems to me that audio covers a range
of interests from equipment to recordings,
whereas camera collecting is a dying
generation thing. I dont see many people
under 40 at camera fairs and women are a
rare sight. Unless something is done soon, I
think we will see a terminal decline in purely
camera fairs. Perhaps they should combine
with other types of collecting to get a wider
cross section of buyers. I stopped taking
expensive items to sell some time ago as
most people just want to play with them and
have no intention of buying, while others
treat it like an upmarket boot fair.
Do other sellers and buyers feel the same
way or is this an issue local to Kent? I would
love to hear what other readers think.
James Styles, Kent
DIFFERENT PERSPECTIVE
Craig Roberts article on photographing
in the city (AP 12 April) prompted me to
send in a picture (above) from a recent trip
to Birmingham to visit the new library. The
building has become something of a mecca
for photographers and offers plenty of
opportunities for great abstracts. The part
of the article that struck a chord, however,
was Craigs suggestion to forget the lift. We
did indeed take the stairs, and encountered
this cheeky chap sitting on an otherwise
deserted landing. It may not be an abstract,
but it does offer a different perspective on
the new library. It was a good job no one
else was around, as I imagine they would
have been surprised to nd me lying on the
oor in order to nd the best angle!
Katherine Woodman, West Midlands
Glad to see you took Colins advice,
Katherine, and didnt opt for the easy
option to get this humorous shot Phil
Hall, features & technique editor
DONT YOU
FORGET
ABOUT CSC
ROGER MACDONALD
I read the review of the

Tamron SP 150-600mm
f/5-6.3 VC USD lens
in AP 12 April and was
impressed enough to
think that one would
go well with my Canon
EOS 6D. However,
Damien Demolder, your
reviewer, says, unless
you are happy to gain
the same reach for a
350 Panasonic Lumix
DMC-FZ200 bridge
camera, there are not
many choices available. I would take issue with this, as for some time I have
been using an Olympus Zuiko Digital 70-300mm f/4-5.6 lens, which has the same reach
on the four thirds format as the new Tamron optic. Most recently, I have been taking very
similar garden-bird images to Damien, with, as far as one can tell from the printed examples,
similar results. And I do not have to go to f/16 to get sharp images in fact, at that aperture,
diffraction will have started to degrade the images.
Just to make my point, the above image was taken at full reach (600mm full-frame
equivalent) and f/7.1 to show the possibilities. OK, the image quality is not quite as good
as I would have got from my full-frame camera, but it is very respectable and comes at a
fraction of the cost and weight of the Tamron lens.
Roger Macdonald, via email
You are quite right, Mr Macdonald. I hadnt considered compact system cameras at
all when I made that comment much to my shame. I have used 600mm equivalent
focal lengths myself with micro four thirds cameras, and very much enjoyed the
results I was able to achieve. My old age, Im afraid, but thank you for reminding me.
Your picture proves the point very well indeed Damien Demolder
subscribe 0844 848 0848
AP reader Melvyn Dover is worried

that the new civil code issued by
the Hungarian government will
start to spread
WHEN I read on the AP website and in AP 19 April that
the Hungarian government has issued a civil code that
reportedly requires photographers to obtain consent from
everyone in a picture who is identifiable, regardless of
whether the image is published, my heart sank. I fear that
such an action will spread. Its a restriction that is likely to
gain favour throughout the rest of the EU. The seed has been
planted and a precedent set.
Whether such a ban will work remains to be seen, although
Hungary has enough legal officials to enforce it. The news
has already had implications here. Britains Foreign Office
has found itself suddenly needing to issue guidelines for a
subject where, in my opinion, none should be needed.
It was a double blow. That same week, I downloaded the
latest copy of a local magazine for the village where I was
brought up circulation of about 2,000 homes, delivered
free. Inside is a letter from the editors, which reads: We
would like to remind contributors that we cannot use photos
of children unless we have consent from parents or guardians
for their publication. We would appreciate it if contributors
could add a note to say that permission has been given each
time a photo of children is submitted.
Since the same publication contains photos of the girls
football club, Girl Guides, a pre-school party and a dancing
school, obviously some parents have granted such permission.
But how sad such a message makes me. This isnt the world
I was supposed to grow up in. A month beforehand, the
same village magazine showed a picture of a class from my
old infant school, the relevance being that it was the year it
moved to a new building and the head teacher had marched
children from the old site to the new. I remember that teacher
and the others there, but I had moved to junior school that
very year. Did they have to ask all those parents? Or the
pupils themselves, now grown up with children of their own?
A friend sent me a picture from the junior school and
we spent some time identifying classmates and wondering
what happened to them. We argued over the identity of
one. That photo brought back many stories and memories
about incidents that occurred during our school days no
permission asked or needed when it was taken.
Strangely, the camera manufacturers are silent about all
this, even though its possible their sales will ultimately be
limited by such ways of thinking. If people feel more and more
restricted in their hobby, they wont bother buying cameras
for fear of breaking the rules.
Ironically, the authorities
regularly photograph people
in our streets in this country
without their knowledge, let
alone their permission.
To paraphrase Corporal
Jones in Dads Army:
Permission to photograph,
sir? Unfortunately this is
real life, and not a comedy.
17
Photo insight Andrew Sanderson
BRINGING
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EVERY WEEK
A renowned
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If you would like to

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book Paper Negative
Photography is
available from www.
blurb.com, price 15
18
Andrew Sanderson on the virtues of 5x7in

negatives and working on a tight budget
THIS picture was taken along a country
road about two miles from my home, on
a route I often take when Im driving to
Wakeeld or Leeds. It usually has a lot of
fast-moving trafc and is not an ideal place
to park your car for a photograph. As Id
driven past the pool so often, I had become
a little intrigued by it and decided that one
day Id have to chance it and get a shot. Its
an attractive location, being in an area on the
edge of farmland where quarrying took place
many years ago. The ground is uneven and
there are pools of water everywhere.
One day I was driving around looking
for the kind of scene that would suit the
combination of camera, lm and lens I had
with me a Kodak specialist 5x7in camera
Id loaded with Ilford HP5 lm. Id also tted
the camera with a 150mm lens that had
been taken from a 5x4in camera.
On this occasion I got lucky. The roads
near the farmland were quiet so I was able
to jump out of the car, set up my big tripod
and mount my 5x7in camera on top in
the area I thought would provide the best
viewpoint for a quick test shot. I couldnt
get quite as close to the pool as Id wanted
because a big ditch and a wall topped
with barbed wire prevented me. I knew
the composition would have to be slightly
compromised, but as this was only going
to be a test shot I wasnt too concerned. I
also noticed a change in the weather rain
was coming so I knew I had to be quick
about it. As soon as I had the shot, I packed
everything away and returned home.
When the negative was processed I
noticed there was vignetting in the corners
from a badly tted square lens hood. I
hadnt noticed this at the time in my haste
to get the shot. That, of course, meant I

couldnt print the whole area of the negative
and would have to crop the image.
Cropping isnt a problem when shooting
large format. Thats because a large
negative really holds the detail. I understand
that many large-format users will throw
their arms in the air with horror at that
statement, but the negative quality is so
good at 5x7in that I can throw out almost
half the image and still have a great picture,
even going as far as to print at 5x4in. If I
were shooting 10x8in, I could discard 75%
of the image and still have the equivalent
of a 5x4in shot, although that would be
wasteful and expensive. There seems to
be an unwritten law of large format that
you must always use the full area of the
negative, because thats how the masters
used it. This is ne if the situation allows it,
but I believe in being a bit more exible. The
negative allows it, so why not do it?
I ended up with 5x4in of usable image
on a 5x7in negative. When I came to print,
I could see that the cropping had removed
the unwanted foreground and tightened up
the composition to produce an economical
shot. This image may not show what the
The repetition of
the cross-shaped
telegraph poles is
mimicked in the
position of the sun,
the reection and
the line of reeds
lens coverage is with this lens on a 5x7in

camera, but Im more than pleased.
One thing I like about this picture is
the separation in the tones, which is a
result of mist in the background. The bank
of rain coming in creates a necessary
distinction between the fog and the rest
of the background. I also enjoy the fact
that the sunlight isnt too intense. It has
been diffused and, as a result, it creates
a beautiful atmosphere in the image. Id
also say that its a very symmetrical shot.
There is the repetition of the cross-shaped
telegraph poles mimicked in the position of
the sun, the reection and the horizontal
line of reeds. Its subtle little details such as
these that can make an image work for me.
As I said, this was only supposed to be a
test shot so I took just one at this location.
That often happens with the way I work.
When I look back at a lot of my pictures, I
nd that they are single shots. Originally, this
was because I was always on a tight budget.
Working as a ne-art photographer, I pour
a lot of money into photography and dont
get much back from it. However, Ive never
been motivated by money its always
been about the photography. I always put
a lot of effort into working out the exposure
and if something goes wrong in the shot it
makes me learn quicker. If youre covering
yourself and banging out loads of shots, its
more expensive and you learn nothing.
You havent had that painful experience
of losing a shot. Its a way of tightening up
your technique while working on a tight
budget. AP
Andrew Sanderson was talking
to Oliver Atwell
subscribe 0844 848 0848
ANDREW SANDERSON
ANDREW
SANDERSON
PHOTO
INSIGHT
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AF-S 35mm f/1.8G DX........................................................... 149.00
AF-S 10-24mm f/3.5-4.5G IF-ED DX..................................... 639.00
AF-S 12-24mm f/4G IF-ED DX.............................................. 829.00
AF-S 16-85mm f/3.5-5.6G ED VR DX................................... 439.00
AF-S 17-55mm f/2.8G DX IF-ED........................................... 1,049.00
AF-S 18-55mm f/3.5-5.6G VR ED DX................................... 145.00
AF-S 18-55mm f/3.5-5.6G VRII ED DX................................. 229.00
AF-S 18-105mm f/3.5-5.6G VR DX IF-ED............................. 209.00
AF-S 18-140mm f/3.5-5.6G VR DX ED................................. 475.00
AF-S 18-200mm f/3.5-5.6G VR II DX IF-ED.......................... 585.00
AF-S 18-300mm f/3.5-5.6G ED VR DX................................. 675.00
AF-S 55-200mm f/4-5.6G VR DX IF-ED................................ 245.00
AF-S 55-300mm f/4.5-5.6G DX VR....................................... 279.00
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14mm f/2.8D AF ED............................................................... 1,219.00

16mm f/2.8D AF Fisheye....................................................... 619.00
20mm f/2.8D AF..................................................................... 465.00
24mm f/2.8D AF..................................................................... 369.00
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AF-S 50mm f/1.8G IF........................................................ 149.00
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Specialising in the exceptional

NIKON M UNSYNCHED + 5cm f/2 Nikkor-HC
In 1948 Nikons very first camera, the Nikon Model One was destined for only a brief production run. Its 24 x 32mm format
proved unpopular with the GHQ of the Occupation Forces under General MacArthur, who would not allow the camera to
be exported to the USA because the 24 x 32mm format was not compatible with Kodachrome 35mm slide mounts. It was
replaced by the Nikon M (the M standing for mutatio Latin for change or alteration). The M used a 24 x 34mm format, but it
was still smaller than the 24 x 36mm employed by Leica. The camera (pictured) is marked
Made in Occupied Japan, a sign of the times following the 1945 Armistice. This very fine
TO ORDER TELEPHONE
unsynched example is complete with a 5cm f/2 Nikkor HC lens, a leather ever-ready case,
020-7828 4925
an instruction manual, a Nikon Accessories leaflet and the original makers box. EXC.
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Retouchers guide
USING MERGE TO HDR PRO
MARTIN
EVENING
Martin Evening
is a Londonbased advertising
photographer and
noted expert in
both photography
and digital imaging.
As a successful
photographer, Martin is
well known in London
for his fashion and
beauty work, for which
he has won several
awards. In 2008, he
was inducted into the
NAPP Photoshop Hall
of Fame.
Martin has worked
with the Adobe
Photoshop and Adobe
Lightroom engineering
teams over many
years and is one of
the founding members
of Pixel Genius, a
software design
company producing
automated production
and creative plug-ins
for Photoshop.
His recent books
include The Adobe
Photoshop Lightroom 5
Book, Adobe Photoshop
CC for Photographers,
as well as the Adobe
Photoshop for
Photographers: The
Ultimate Workshop
series, which he
co-wrote with
Jeff Schewe.
22
After
Martin Evenings
Before
Retoucher s Guide
How to combine exposures using Merge to HDR Pro
OF ALL the landscape features that

characterise the Southwest United States,
the most distinctive are the slot canyons
of Utah and Arizona. This photograph was
taken at Antelope Canyon, near Page,
Arizona, which can only be accessed if
you join authorised photo tours. These
tours take place just before midday, which
is the best time to shoot as the light
streams directly down through narrow

gaps. To get a good photograph, you
need to shoot with a tripod and cable
release, and bracket your exposures to
be processed later using HDR software.
In this tutorial, I wanted to show how
to use the Merge to HDR Pro feature in
Photoshop to process a set of bracketed
exposures. I have to say that this is
not my favourite method, as I nd the

Photomatix program controls easier to
manage. Whenever I use Photoshop
for HDR processing, I tone the images
using Camera Raw (see the toning option
available in step 3). Even so, I nd the
controls in Merge to HDR Pro are much
improved upon earlier versions, and if
used correctly can produce good-looking
results that dont look too obviously like
HDR-processed images.
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Software tips and techniques Retouchers guide
This shows the original image, which was shot at

an exposure setting where I tried to balance the
exposure required for the shadows with the
exposure needed to record all the highlight detail.
At the time I photographed this scene, I had the

camera mounted on a tripod and was able to
photograph a bracketed sequence of images.
Here, you can see the three frames I selected in
Lightroom. These were bracketed 2 stops either side
of the middle exposure.
In Lightroom, I selected Photo>Edit in>Merge to

HDR Pro in Photoshop. This opened the individual
photos and merged them to create a master
32-bit HDR le. In this dialog I had the option to save
as a 32-bit image, or tick a box to Complete Toning
in Adobe Camera Raw.
Having done that, I inspected the image close-up

and ticked the Edge Smoothness box to smooth out
the jagged edges that can sometimes be generated
when editing in Merge to HDR Pro.
Instead of processing the image in Camera Raw, I

selected the 16-bit Mode menu option. The preview
here shows how the 32-bit image would look if
converted directly to 16-bit mode using the default
Merge to HDR Pro settings.
I then clicked on the Curve panel tab to edit the

response curve. The adjustments you make here are
applied to the master 32-bit image, ltered through
the 32-bit to 16-bit conversion. Youll nd the tone curve
here responds quite differently compared to regular
Curves adjustments.
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In this step, I modied the Edge Glow settings to

apply a wide Radius, low Strength setting combined
with an increase to the Exposure slider setting.
I then ne-tuned the sliders to apply a slightly

softer Edge Glow, darker Exposure and increased
the Detail. I also made some adjustments to the
Advanced panel settings to lighten the shadows and
darken the highlights.
I then clicked OK to convert the image to a 16-bit

version. In Photoshop, I added a Curves adjustment
layer and applied the curve shape shown here to
produce a slightly more contrasty image.
23
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Spring wildlife AP expert guide
AP expert guide to...
Spring wildlife
Spring is a fantastic time to shoot wildlife,
with a hive of activity all around us. Whether
you are in your back garden or out in the
open countryside, nd out what to shoot
and how to shoot it with our host of experts
AFTER the cold and gloom
of winter, spring is a fabulous
time of year for photography.
With the days getting longer
and warmer, plants that have
been lying dormant for the
winter burst into life as owers
start to appear and trees cloak
themselves in leaves. Its also
the time when wildlife becomes
more active, with some of
our native species emerging
from hibernation and millions

of migrant birds arriving on
our shores.
Spring wildlife offers an
excellent selection of subjects
to photograph, and much of
it is more accessible than you
think. Weve compiled a host of
subject matter to inspire you,
so with the days getting
longer, why not get out
there with your camera?
MIKE RAE
Brown hare
hiding, Suffolk
Canon EOS-1D
Mark IV, 800mm,
1/320sec at f/11,
ISO 3200
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6 July 2013 I www.amateurphotographer.co.uk
25
AP expert guide Spring wildlife
BROWN HARES
ALL PICTURES MIKE RAE
Generally nocturnal and shy creatures,

spring sees a change in the brown hares
behaviour and they can often be seen in
broad daylight. Mike Rae explains how to
get a shot of these unpredictable animals
and not scaring them when they do come

close. They come to eld edges, farm tracks
and road edges in the early morning and
evening. If it has rained, they like to dry off
here too.
SHOOTING ADVICE
AREA OF COUNTRY
Brown hares are widespread across the UK.
HABITAT
Breeding on the ground rather than in

a burrow, brown hares can be found in
numerous habitats, from open farmland
and wildower meadows, to broadleaf
forests and heathland.
BEST TIME OF DAY
Brown hares are most active at dawn and

in the evening. The weeks leading up to the
long days of May and June are the best
times to photograph them. Photographing
hares relies on predicting where they will be
26
Top: Early morning

in Suffolk and a
brown hare leaps
sideways
Canon EOS-1D
Mark IV, 800mm,
1/2500sec at f/6.3,
ISO 2000
Above: Brown
hares boxing,
Suffolk
Canon EOS-1D
Mark IV, 800mm,
1/1600sec at f/8,
ISO 1600
Hares are shy and they hear, see and smell

very well, and at the slightest sign of danger
they run. Not only that, but they can be
very unpredictable you may see a few
in a eld on one day and none the next,
so getting interesting close-up shots can
be a challenge.
That said, hares are used to vehicles
and, given time, will approach a parked car,
especially if they have seen it before in the
same place. It can take days to build their
condence, but nd a quiet farm track in
which to park on an early summers
evening and hares will come very close,
provided you are quiet and still. The best
opportunities to photograph hares come
when you least expect them, so always try
to have a camera with you in the car should
an opportunity present itself.
Taking it to the next level, youll want
to look at using a mobile hide, making
sure you use one with a black carbon
coat inside to absorb any smells that
may spook the hares. Speak with local
farmers about putting up an unoccupied
hide for several days, as hares will learn
to ignore it. Enter the hide an hour before
you expect to see anything, but you will
need to be patient as hares are
unpredictable and there is no guarantee that

they will appear.
KIT NEEDED
Hares either run (I have many photos of the

backs of running hares) or lie down if they
hear a shutter, but long lenses counter this.
I shoot with either 400mm or 800mm
lenses, but a 70-300mm on a cropped
sensor is a good starting point. Due to
their speed, youll want a camera with a
decent burst shooting speed as well, while
for support I use a beanbag when shooting
from the car and a sturdy tripod in the hide.
Mike Rae
Mike is passionate about the

environment and has travelled the
world photographing wildlife. He
also focuses on projects near his
Suffolk home, including promoting
the work done by wildlife-friendly
farmers. His photographs have
been widely published.
www.mikerae.com
ALL PICTURES ALAN PRICE
Above: A goldfinch
perches on a
branch covered
in apple blossom
Nikon D7100,
300mm, 1/500sec
at f/4, ISO 640
Above right: Blue

tits swarm around
a fat ball
Nikon D7100,
300mm, 1/1000sec
at f/5.6, ISO 1000
GARDEN BIRDS
If you dont fancy travelling to find your wildlife

subjects, your garden can provide the ideal venue.
Alan Price explains how to photograph garden birds
AREA OF COUNTRY
BEST TIME OF DAY
While the abundance of species will vary

depending on the area of the UK in which
you live, garden birds are widespread across
the country.
To ensure good feather detail, I rarely take

pictures in full sunlight. The soft light of
early morning or late afternoon is best.
HABITAT
Some years ago I built a simple but robust

bird table 2m tall with a 60cm square
top. This single feeding station is now the
base for attracting all my resident birds
to photograph. I also adapted my small
Garden birds enjoy a multilayered canopy

of plants, trees, vines and shrubs that offer
a complete package of food, shelter and
nesting sites.
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SHOOTING ADVICE
Left: A jay feasting

on acorns
Nikon D7100,
300mm, 1/320sec
at f/5.6, ISO 640
wooden shed to double up as a hide, using

the small window covered with a piece of
green netting for viewing, with my tripod and
camera lens slightly back from the opening.
I also use a comfortable stool, ensuring I am
alert to any action at all times.
To ensure that the backgrounds of my
photographs are always out of focus and
uncluttered, I positioned the table in the
centre of my lawn, which also means that
it is only 4m away from my shed hide. This
has evolved by carefully selecting a variety
of props, such as old kettles, old boots,
mossy logs, ower pots, wild owers and
clumps of grass, to create a series of mini
wild worlds. Once each set-up is complete, I
add crushed peanuts and chopped fat balls
in areas hidden from my cameras view to
attract my subjects.
For the picture of the goldnch perched
on a branch covered in apple blossom
(above left), I cut off a branch from my tree
and xed one end to a niger seed feeder
that was hanging above the table. Within a
few minutes, the goldnches were lining up
on the branch waiting for their turn to feed
and I soon had some great images.
When shooting from the hide, I tend to
focus on the areas where Ive laid the food
and then ne-tune the focus on the eyes/
head of the bird when it arrives. I try to
shoot with a shutter speed no slower than
1/1250sec, which often means Im shooting
at a sensitivity setting of around ISO 500.
KIT NEEDED
I like to shoot with a 300mm f/4 lens on

either my Nikon D90 or D7100, delivering
a focal length equivalent of 450mm. Failing
that, I shoot with my 70-300mm or 18105mm zooms, depending on how close
the subject is. To avoid camera shake, I use a
tripod or monopod, although a beanbag can
also come in handy.
Alan Price
Alan has been successful in winning several

international and national competitions, most
recently two awards in the International
Garden Photographer of the Year contest with
shots of swallow chicks and a jay taking acorns both images
captured in his garden. www.gatehousetudio.co.uk
27
A little owl
hunting at night
Canon EOS-1D
Mark IV, 16-35mm,
1/200sec at f/5.6,
ISO 1600
LITTLE OWLS
Little owls are among the most beautiful and charismatic

species of owl found in the UK, explains Jules Cox
ALL PICTURES JULES COX
AREA OF COUNTRY
Little owls are found throughout England
and Wales, with a few pairs in southern
Scotland. While they are most common
in central, southern and south-eastern
England and the Welsh borders, like so
much of our wildlife, little owls are sadly
a species very much in decline.
HABITAT
In terms of habitat, little owls tend to favour
lowland farmland with hedges and copses,
open parkland and orchards. Their favourite
prey is invertebrates.
BEST TIME OF DAY

The best time of day to photograph all
species of owls is at rst light and dusk,
when they like to hunt and are therefore
often most active. This is also the time of
day when the sun is at its lowest angle and
the quality of the light is at its best for wildlife
photography. It is true what they say it
really is all about the light.
SHOOTING ADVICE
I nd spring to be particularly good for
photography, when the adult owls are
rearing chicks. At this time the adults are
very active, hunting frequently to ensure
their young are properly fed.
Like many species, little owls are
creatures of habit. I try to set up my hide
close to a favourite perch used by the
owls. Before I head out to photograph the
28
birds, I watch their behaviour and nd out

which perch they tend to use as a lookout
or for hunting by dropping directly onto
their prey (often referred to as posting).
When photographing, I ensure I am as far
away as my long lens will allow to minimise
disturbance.
I change the position of the hide with
the movement of the sun, depending on
whether I am looking to photograph the
owls front-lit, back-lit or in silhouette.
I nd it most rewarding to work on a longterm project, following the owls over the
course of a season to try to build up a varied
portfolio of images that tell the story of this
beautiful, charismatic, yet threatened species.
In doing so, I hope that the wider public will
fall in love with them as I have and want to
conserve them for future generations.
Jules Cox
Jules Cox is a British wildlife photographer
based on the south coast of England.
His work has been recognised by the
prestigious British Wildlife Photography
Awards on a number of occasions, and in 2012 he won the
British Seasons category with a portfolio of mountain hare
images. www.julescoxphotography.co.uk
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A common frog
viewed through
nettles
Nikon D300,
105mm, 1/400sec
at f/6.3, ISO 200
COMMON FROGS
Frogs are one of the easiest amphibians to
photograph in the UK, as Jodie Randall reveals
AREA OF COUNTRY
Widespread across the UK.
HABITAT
KIT NEEDED
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Left: Little owl

at sunset
Canon EOS-1D
Mark IV, 500mm,
1/8000sec at f/8,
ISO 200
Common frogs can be found in

meadows, marshland and gardens.
BEST TIME OF DAY
Frogs are active during both the

day and night, but are most easily
observed during their breeding
season in early spring.
SHOOTING ADVICE
If you have a pond in your garden, the

chances are it will be alive with frogs
come spring, while public parks with
ponds or pools and nature reserves
are also great places to look for them.
The best way to achieve captivating
portraits is by shooting at, or near,
water level so you are at eye level with
the frogs. If the water is still enough,
you should be able to capture some
cracking reections, for which you will
need to be slightly higher. A beanbag
is the perfect tool to add extra height
and it provides a welcome platform to
rest on plus much-needed stability.
If you lie still, the frogs will quickly get
used to your presence. In the breeding
season, it is particularly important not
to disturb them. Do not make any
KIT NEEDED
The kit you need is fairly minimal, with

a macro lens, beanbag and something
to lie on being all thats required.
ALL PICTURES JODIE RANDALL
I use a long lens with a xed focal length

of 500mm and built-in image stabilisation
for all my wildlife photography. I love the
compression this lens gives me and the way
it isolates my subject from its background.
The built-in image stabilisation technology
helps avoid camera shake, which is
particularly important when photographing
a subject such as owls as they are most
active in low-light conditions when shutter
speeds drop. Using a long lens also helps
me to photograph relatively unobtrusively,
minimising any disturbance.
Good eld craft is an essential element
of all successful wildlife photography. Like
most bird species, owls are highly sensitive.
For this reason, I often work from a hide in
order to get closer to my subject with as little
disturbance as possible.
Putting your subject rst should always
be your prime consideration when
photographing wildlife. Typically, I use a cloth
hide of camouage canvas cover stretched
over a tubular frame. The hides camouage
patterning helps break up its outline in the
context of its wider environment. The hides
dark interior also means the owls have more
difculty seeing my outline and helps to
conceal any movement within.
A sturdy tripod is essential for hide work as
it is impossible to keep a heavy lens steady
for a long time. Using a tripod also helps
to ensure the lens is already in the right
position in anticipation of where the owl will
appear, minimising any sudden movement
that may frighten off the subject.
Above: A little owl

uses old rusted
farm machinery
as a perch
Canon EOS-1D
Mark IV, 500mm,
1/4000sec at f/5.6,
ISO 200
sudden movements, and if you do

need to adjust your position, move
very slowly and steadily.
Flotsam and jetsam oating on
the water, other frogs and untidy
backgrounds can cause unwanted
distractions in an image. To combat
this, try shooting through some foliage
in the foreground. Find a suitable
gap to shoot through and use a wide
aperture to blur the surrounding
vegetation. This not only eliminates the
problem of unwanted distractions in a
photograph, but the foliage also acts as
a frame for your subject.
A common frog in a garden pond

Nikon D300, 105mm, 1/400sec at
f/6.3, ISO 200
Jodie Randall
Far left: A little
owl about to land
Canon EOS-1D
Mark IV, 500mm,
1/8000sec at f/5.6,
ISO 1250
Jodies photographs have been featured in numerous wildlife

magazines. She is constantly aiming to create images in which
aesthetics play as much of a role as the character of her subjects
does. www.jodierandall.co.uk
29
ALL PICTURES STEVEN FAIRBROTHER
A puffin emerges
from its burrow to
survey the area
Nikon D800,
150-500mm,
1/800sec at f/6.3,
ISO 400
PUFFINS AND SHAGS

If you can brave the pungent smell, youll be
rewarded with some stunning opportunities
to photograph these ever-popular seabirds,
as Steven Fairbrother explains
AREA OF COUNTRY
While pufns and shags can be found at

various spots around the country, from
Cornwall to Shetland, one of the best places
to shoot these seabirds is the Farne Islands.
Situated off the Northumberland coast, the
Farne Islands are owned by the National
Trust. Theyre accessible by boat from April
to October for Inner Farne, and from May to
July for Staple Island, with numerous boats
sailing from Seahouses.
HABITAT
Surrounded by open sea, this rocky

collection of islands with its grassy cliff-tops
provides an ideal place for nesting colonies.
BEST TIME OF DAY
You cant land on the islands until lunchtime.

However, sunset tours around the islands
are available.
SHOOTING ADVICE
The challenge on the Farnes is how to

isolate your subject. Staple Island is great
30
for shooting pufns in a rocky setting,

against a dark rocky background. On Inner
Farne, where the pufns nest in burrows,
the foliage helps to provide foreground and
background mush. Its possible to see trails
where some pufns make their way back
to the cliffs. If you sit near one of these you
could have one scurry right past you!
While pufns mostly keep their distance,
shags dont give two hoots about you. Being
able to get so close means you can capture
some really intimate shots look out for
shots of birds holding their wings out to dry.
Camera settings will vary depending on
what youre shooting and the conditions.
Underexposure will be required for
close-ups of shags and its easy to clip the
highlights on a pufns breast, so keep an
eye on your histogram.
Its important not to keep moving
around. After an initial recce, pick a spot,
sit down and let the shot come to you. And
remember, if you get one good shot, give
your camera a quick 90 twist and youll
probably nd that you have two good shots.
Top right: A
frame-filling shot
of a shag on its nest
Nikon D800,
24-120mm,
1/50sec at f/7.1,
ISO 320
Above right:
Puffins regularly
stretch their wings,
which is the ideal
time for a shot
Nikon D800,
150-500mm,
1/640sec at f/6.3,
ISO 400
KIT NEEDED
Take everything from your widest lens to

your longest (ideally a 300mm). A 70200mm zoom is perfect for shooting
from the boat, while a sturdy monopod
is a must for long lenses, although your
camera bag can be a useful support for
ground-level shots.
Its worth noting that the white cliffs
arent made of chalk, but rather of guano,
which is rather more pungent, so its best
to wear old clothes, a hat and not to look
up with your mouth open. Rain can add
atmosphere to a shot, so make sure
youve got a cover for your camera. Its
also worth taking a pair of binoculars.
Steven Fairbrother
Having worked as a graphic designer for nearly 20

years, photography has always been a big part of
Stevens job. After working with photographers
on various shoots, taking his own pictures was a
natural progression. He now combines his love of the outdoors
with photography and has recently had an image highly
commended in the Coast and Marine category of the British
Wildlife Photography Awards. www.fairbrother.me.uk
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ALL PICTURES JAMIE HALL
ADDERS
An adder on
leaf litter
Canon EOS 50D,
100mm, 1/100sec
at f/8, ISO 320
Jamie Hall explains how to

capture stunning images
of the UKs only venomous
snake, the elusive adder
A close-up of an
adders head
Canon EOS-1D X,
100mm, 1/320sec
at f/4, ISO 800
AREA OF COUNTRY
Adders are the only venomous snake native
to the UK and are widespread in England,
Scotland and Wales, but are not believed
to be found in Ireland. Their distinct dorsal
diamond zigzag pattern easily identies
them, but they also present in melanistic
form a dark brown or solid black colour.
HABITAT
Adders live in a variety of habitats, but I
tend to stick to sandy heathlands, rough
commons or south-facing woodland edges,
where the snakes can bask in direct sun,
close to tight cover in order to hide. They are
elusive, with a nervous nature. Once I have
found a suitable subject, I ensure I am in a
position to be able to compose the subject
and surrounding landscape at eye level,
taking great care not to get too close and
upset the snake.
BEST TIME OF DAY

During the spring, I head out on warm, dry
mornings. The earlier you can get out the
better, as this is when the adders are more
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approachable. If they have bathed in the sun

for a couple of hours, they are more likely
to make a hasty retreat for cover as soon
as they sense you approaching and you will
miss out on any photo opportunities.
SHOOTING ADVICE
I normally choose a 180mm macro lens
to get close-up images. Provided you
approach the adder quietly, this lens enables
you to get clean images of the subject while
blurring the background. I prefer to use
the 180mm lens rather than the 100mm,
or even 50mm, because it means you
dont have to get quite so close. This is also
better for the snakes welfare as you do not
encroach on the animals space as much.
I rest the camera on a beanbag as tripods
are bulky and get caught up in undergrowth.
Once I am in position and have composed
the image, I focus on the eye using a shallow
depth of eld to blur any distracting foliage in
the background. Be careful not to blow the
highlights on the lower jaw area of the adder
if the sun is shining on your subject,
by underexposing slightly.
An adder in a
woodland glade
Canon EOS-1D X,
70-200mm,
1/500sec at f/4,
ISO 100
KIT NEEDED
As well as shooting with a macro lens for
the up close and personal images, I also
use other lenses, such as a wideangle, to
show the adders in their environment, or a
mid-range zoom and compose the subject
small in the frame. I always try to make sure
that I am taking images from the subjects
eye level, and by using different lenses
and compositions this enables me to get a
variety of different images in a few hours.
Jamie Hall
Jamie is a wildlife photographer based close to
the coast in Suffolk and just south of the
Norfolk Broads an ideal location where he
can follow his passion for photography. The
amazing wildlife and scenery around this beautiful part of
England allows Jamie to take some unique images.
www.jamiehallphotography.co.uk
31
,
25 000
amateur photographer of the Year Competition
IN PRIZES TO BE WON
mark pain
EnTER
Today!
Round Three World in Motion

32
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In association with
THIS MONTHS PRIZES

TOTAL KIT
WORTH
1,200
Your chance to enter the UKs most prestigious

competition for amateur photographers
WITH the opening two rounds
of APOY looking at street and
animal photography, we now turn
our attention to World in Motion,
so you can show off your most
breathtaking action image.
With fast burst modes and
sophisticated AF systems appearing
on the most affordable DSLR or
compact system camera, you dont
need the most advanced kit to get
a stunning action shot.
Sport will naturally spring to mind
as the perfect subject matter for
this challenge, but dont think you
need exclusive press accreditation
to some of sports top-ight arenas
and games to capture a great shot.
Grass-roots games and amateur

events can still produce fantastic
photo opportunities, and you can
apply the same principles and
techniques that are used at major
sporting events to these more
accessible environments.
However, youre not just
restricted to sporting events, so
look further aeld for inspiration.
And while shooting with a fast
shutter speed to capture the action
lends itself to this subject, dont be
afraid to consider using a slower
shutter speed to illustrate the
movement. Just show us something
with bags of impact that captures
the drama of the event.
HOW TO ENTER
1st prize
The first-prize winner will receive an
Olympus OM-D E-M10 with a 14-42mm EZ
Pancake zoom, a 45mm f/1.8 portrait
lens, a 40-150mm zoom, a 9mm fisheye
lens, a macro adapter and a street case
in which to carry it all. Thats a total
retail price of 1,200. The E-M10 has a
16.1-million-pixel, four thirds-sized CMOS
sensor and a TruePic VII image-processing
system. The 1.44-million-dot EVF displays
a 100% field of view and has a 120fps
refresh rate. The 14-42mm EZ Pancake
zoom lens is the most compact pancake
To enter via email, follow the link at the bottom of this page. We will
need to know where and how you took your image, plus the camera
and lens used with aperture and focal length details. Remember
to include a telephone number and your postal address so we can
contact you if you win. To enter by post, send a covering letter with
your image including the information mentioned above and also
letting us know if you would like your entry returned to you once
the round has been judged. Entries can be sent to APOY, Amateur
Photographer, IPC Media, Blue Fin Building, 110 Southwark Street,
London SE1 0SU.
PLAN
YOUR APOY 2014 YEAR
Below is a list of this years rounds, a synopsis of what were looking for and the
dates they will be announced. When you are planning your entry, remember to
take into consideration the criteria of fullling the brief, creativity and technical
excellence on which you will be judged.
Theme
Street Life
Animal Planet
World in Motion
By the Sun and the Moon
Dawn & Dusk
Macro World
In a Faraway Place
The World in Black & White
Kept in the Dark
Building Blocks
Synopsis
Announced Closes Results
Street photography
1 Mar
28 Mar
26 Apr
Pets and wildlife
5 Apr
25 Apr
31 May
Action/movement shots 3 May
30 May 28 June
Portraits in natural light 7 June
27 June 26 July
Landscapes in dawn/dusk 5 Jul
25 Jul
30 Aug
Insects, owers and plants 2 Aug
29 Aug
27 Sep
Travel photography
6 Sep
26 Sep
25 Oct
Monochrome images
4 Oct
31 Oct
29 Nov
Night photography
1 Nov
28 Nov 20-27 Dec
Architecture exteriors
6 Dec
26 Dec
31 Jan
How to enter via email: For full details of how to enter via email and for
terms and conditions, visit www.amateurphotographer.co.uk/apoy14
subscribe 0844 848 0848
2nd prize
The second-prize winner will receive
an Olympus PEN E-PL5 camera plus
a 14-42mm and 40-150mm twin-lens
zoom kit worth 500. The E-PL5 offers
serious image quality with its powerful
3rd prize
The third-prize winner will receive
an Olympus Stylus SP-100EE Ultra
Zoom camera, with an impressive
16-million-pixel sensor and 3in
LCD screen. The camera includes
a handy autofocus lock so you
need never lose a shot due to
fuzzy focusing. The camera also
features a 50x optical Ultra Zoom
lens with a focal length ranging
from 24mm to 1,200mm, and built-in
Dot Sight to make it easier to focus
precisely on distant subjects.
lens and has a maximum shooting

magnification equivalent of 0.45x in the
35mm format. The 45mm f/1.8 portrait
optic is ideal for low-light portrait work
without flash. The 40-150mm zoom has
high-speed AF and MSC technology,
and the 9mm fisheye lens is ideal for
capturing wide angle scenes.
PRIZE
WORTH
500
16.1-million-pixel sensor and a new
OM-D component in the TruePic VI image
processor. The camera has lightning-fast
autofocus, a touch-sensitive LCD screen
and full HD video.
PRIZE
WORTH
350
33
In association with
Why not try
Top sports photographer Mark Pain has some suggestions to help you get started shooting stunning action images
MARK PAIN
CAPTURING THE MOMENT
PREPARATION
UNDERSTAND THE SPORT
OTHER SUBJECTS
If youre shooting sport, it should

ideally be something youre familiar
with so you have a good idea of the
rules, patterns of play and so on. If
youre not familiar with it or youve
never tried to shoot that particular
sport before, take some time at
the beginning of the game or event
to stand back and watch whats
happening. Look for the shapes the
However, you dont have to shoot

any sport at all as you can capture
movement elsewhere. This can be
anything, from a slow-sync ash
shot of a child on a swing to light
trails at night, blurring water or
freezing the moment a balloon full
of water is burst. Its up to you to
be as creative as you want when it
comes to the World in Motion.
ISTOCK
Well-researched preparation plays

a huge part in coming away with
a special image that moment.
Once youve chosen your sport and
the xture you want to photograph,
its vital to do a proper recce of the
location beforehand, preferably
hours or days before. Great
sports pictures are rarely taken
by chance theyre more often
down to meticulous planning and
preparation.
When you go on your recce, you
need to work out the basics of the
shoot so youre fully prepared when
the action starts. This will maximise
your chance of coming away with a
special image. Ask yourself: What

focal-length lens will work best?
Where is the best place to shoot
from? Will I be able to access that
spot during the event?
Take a good look at the
backgrounds you are likely to face.
A great sports picture normally
requires a plain, clean background.
This will make your subject stand
out even more for the viewer, giving
the image more impact. A busy or
messy background can ruin even
the best sports picture, so this really
is a crucial aspect. Bad decisions
made at this stage can completely
ruin your day and leave you with a
set of poor images.
Sometimes its not possible to
do a recce days before an event,
or a venue can change its layout at
the last minute. The golden rule is
to get to the event as early as you
can to give yourself the maximum
amount of time to make the right
decisions so you can capture that
special image.
players are making or the take-off

point of the athlete or horse, and
decide on the exact moment youd
like to capture. Dont start shooting
straight away. Instead, step back
and get a good look of whats going
on in front of you.
MARK PAIN
Sport is one of the most exciting

and thrilling forms of photography.
With often fast and action-packed
subjects, it requires both high
levels of concentration and great
reactions. Its all about capturing the
moment that crunching tackle,
that beautiful jump or that deadheat nish. Yet its not something
you can achieve simply by turning
up to a local football match and
hoping for the best.
the camera, such as shutter speeds

and apertures, very quickly when
shooting sport, so practise at home
before you head out. You should be
able to change often-used settings
on the camera without taking your
eye away from the viewnder.
KNOW YOUR CAMERA

You must be comfortable with your
camera and its controls. You may
need to change crucial settings on
RULES
1. Entrants may submit only one photograph per month, as an sRGB JPEG file that is 2,700-3,000 pixels along its longest dimension, an unmounted print (max size 210x297mm) or slide (no glass mounts please), in colour or black & white. 2. The entrants name, address and daytime phone number must be attached
to the slide mount or the back of the print. 3. You may only submit digital files by email (no CDs/DVDs). When submitting a digital file, the file name of your image must be your first name and surname, the subject line of your email message must state the round name and your name once again, and the body
copy of your email must include your name, address, daytime telephone number, the camera model, lens and exposure details. 4. Photos submitted must be your own work, must not be copied, must not contain any third-party materials and/or content that you do not have permission to use and must not otherwise be obscene,
defamatory or in breach of any applicable legislation or regulations. If IPC has reason to believe your entry is not your own work or otherwise breaches this rule, your photos will NOT be considered. 5. Photos must not previously have been published in a national UK photography magazine. 6. Copyright of all entries remains with
the photographer, but IPC, Olympus and their associated group companies reserve the right to use, publish and republish entries in connection with the competition, without payment. 7. By entering this competition you grant permission to IPC, Olympus and their associated group companies to reproduce your photos in electronic
format and hard copy including for display at an exhibition, in IPCs Amateur Photographer magazine and on IPCs and Olympuss websites and social media should they be selected to promote the competition. 8. You grant IPC and Olympus the right to use your name and town or city of residence for the sole purpose of identifying
you as the author of your photos and/or as a winner or runner-up of the APOY competition. 9. Each postal entry must be accompanied by a covering letter, including your name, address, telephone number and image/camera details. All submissions must be well packaged in a stiffened envelope (no tubes, please) bearing sufficient
postage, and entrants wanting their picture back must include a stiffened SAE stamped of sufficient value for their return. 10. This competition is open to bona fide amateur photographers and students only. That is, entrants should not earn more than 10% of their total annual income OR 5,000 annually from photography. 11.
Employees of IPC Media, Olympus and their families may not enter this competition. Entries are judged by AP staff. 12. There is no age limit for entering, and international entries will be accepted. 13. Prizes are as stated and no cash or other alternative can be offered to the monthly prizes or overall prize. 14. Prize value correct at
time of going to press. Overseas winners will be contacted about how to claim their prize, although entrants who live outside the UK who win a prize will be liable for any local customs charges and enter at their own risk. Olympus has the right to substitute a prize for a similar item of equal or higher value if the stated prize is not
available. No money can be added to the overall prizes. The overall first prize for the APOY 2014 competition will be to win Olympus products to the value of 5,000 RRP as at the date of notification. 15. Prizes are subject to Olympus standard terms and conditions for its products. Acceptance of a prize is deemed to be acceptance of
those terms and conditions. 16. Entries on behalf of another person will not be accepted and joint submissions are not allowed. 17. No responsibility is taken for lost, delayed, misdirected or incomplete entries. Proof of delivery of the entry is not proof of receipt. 18. No purchase is necessary. 19. The overall winner must choose his or
her prize within six weeks of being notified. In the event of a tie, the Editor will choose a winner. The Editors decision is final and no correspondence will be entered into. 20. By submitting photos you are accepting these rules. 21. IPC, Olympus or their associated group companies shall not be liable for any loss, damage or injury of
any nature howsoever caused, sustained by any entrant under this promotion. However, nothing in these rules shall have the effect of excluding or restricting liability for personal injury, death, fraud or fraudulent misrepresentation caused by the proven negligence of employees or agents of IPC, Olympus or their associated group
companies. 22. Olympus shall not be liable for any failure to supply the prizes where such failure is caused by any supervening circumstances outside its control which amount to force majeure and which without the fault of either party renders performance impossible or incapable of satisfactory execution. 23. These rules are
governed by the laws of England and Wales and any dispute in relation to them shall be subject to the non-exclusive jurisdiction of the English courts. 24. This competition is owned and run by Amateur Photographer/IPC Media and all competition terms and conditions are bound by Amateur Photographer/IPC Media rules.
34
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Your pictures in print
Grey squirrel close-up
1 Our attention is forced onto

the colours and textures of the
squirrels fur, thanks to the
shallow depth of eld
Canon EOS 60D, 100mm,
1/160sec at f/2.8, ISO 100
Pufn
2 The extreme foreground blur really

brings us into the main subject
Canon EOS 60D, 150-500mm,
1/1600sec at f/5.6, ISO 1250
Grey squirrel
3 The squirrels open mouth

adds a tiny splash of colour
that was worth waiting for
1/2000sec at f/6.3, ISO 2500
EDITORS
CHOICE
SEE MORE ONLINE AT

AMATEURPHOTOGRAPHER.
CO.UK/SPOTLIGHT
38
Arnolds shots are excellent, even more so when

you realise hes only 18. His study of a pufn
has a lovely quality to it. The low shooting angle
and shallow depth of eld work well, while the
overcast conditions deliver a pleasing soft light
Phil Hall, features & technique editor
subscribe 0844 848 0848
AP publishes more reader photographs than any other photography magazine
IF YOUR PICTURES
ARE FEATURED
YOULL RECEIVE
* PRIZE APPLIES TO UK AND EU RESIDENTS ONLY
The winner of the

Editors Choice
picture of the
week will receive
a HelloCanvas
16x24in canvas print
(including shipping)
worth 36.95
Common frog
4 Capturing the frog just

as it emerged, Arnold
used a reection to give
it an almost alien look
Canon EOS 60D, 100mm,
1/125sec at f/5.6, ISO 640
The Editors Choice will be printed

onto a high-quality canvas with
UV-resistant inks and mounted
onto a sturdy wooden frame
1.2in thick. For HelloCanvas
each happiness of yesterday is
a memory for tomorrow, and we
think your best beloved pictures
deserve the best service. Our
dedicated team is renowned
for its attention to detail.
www.hellocanvas.co.uk
How to submit
your images
Please see the Send us
your pictures section on
page 3 for details or visit
www.amateurphotographer.
co.uk/spotlight
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Adult otter and pup
5 Battling with adverse

weather, Arnold managed
to get a wonderful
telephoto shot of these
otters interacting
Canon EOS 60D,
150-500mm, 1/2000sec
at f/6.3, ISO 3200
Arnold Monteith Bristol

Although Arnie is just 18 years old, he already has an impressive six
years of photography under his belt. First inspired by seeing some of the
fantastic images entered into Wildlife Photographer of the Year, Arnie has
spent a huge amount of his time, camera in hand, tracking down British
animals. I dont feel a photograph is complete until it has been printed
and you can feel it in your hands and think to yourself: Wow! I created
this, he says. You can see more of Arnies photography on his
personal portfolio at arniemonteithphoto.wix.com/arnie.
39
Jon Harris Hampshire
As a photographer, Jon has never been one to

stand still. Hes been roaming around air shows
since he was ten years old photographing
planes, and these days is constantly trying out
new techniques, such as reverse-lens macro
work. Wildlife is a passion of Jons alongside
aviation, and the bird-of-prey shoot you see on
these pages was one of his frst opportunities
for him to get into real studio work.
Peregrine falcon
1 The open wings add

dynamism to this
fearsome portrait
1/160sec at f/8, ISO 160,
softboxes, handheld
Tawny eagle
2 The framing of this shot

augments the eagles
palpable aggressiveness
1/200sec at f/8, ISO 200,
softboxes, handheld
40
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Red-tailed
hawk
3 A long focal
length gets us
right into the
hawks space
Canon EOS 40D, 75300mm, 1/160sec
at f/8, ISO 200,
softboxes, handheld
Tawny owl
4 The colours and

textures of the
feathers come out
nicely in this shot
at f/8, ISO 160,
softboxes, handheld
Southern
white-faced
owl
5 The owls eyes

pop vividly out
of this image
at f/8, ISO 160,
softboxes, handheld
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41
Christine Warwick Cumbria

While Christines husband was the rst one of them to
pick up a camera, when he abandoned it to take up stick
making it was hers for good. I love to get really close to
subjects such as insects and butteries, she says. I just
love nature. Christines future plans are to get some good
wildlife imagery from the Shetland Isles.
Common lizard
1 Christine has adroitly dealt

with a busy background by
keeping it well out of focus
Sony Alpha 77, 100mm, 1/100sec
at f/9, ISO 400, beanbag
Turnstone
2 The lapping water, pensive

bird and glistening rocks
all work perfectly
Sony Alpha 77, 70-400mm,
1/80sec at f/8, ISO 400, UV lter
Black darter
3 The intricate details of the

dragonys body stand out
well against the background
Sony Alpha 77, 100mm, 1/125sec
at f/7.1, ISO 800, tripod
Then enrol on one of our School of Photographic

Imagings Home Study Courses. Weve courses
to suit all levels of experience covering all aspects of
photography and bite-sized courses from just 75.
Just visit www.spi-photography-courses.com,
call 0203 148 4326 or turn to page 52 of this issue.
WANT TO LEARN MORE

AND IMPROVE YOUR
PHOTOGRAPHIC SKILLS?
42
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Your pictures assessed
APappraisal
Expert advice, help and tips from Damien Demolder
Original
Levels
Nikon D600, 70-200mm,

1/30sec at f/7.1, ISO 200
WIN
I THINK we all appreciate a picture in

which one colour stands out against a
sea of another, as the statement is direct
and obvious we all know where we are
supposed to look. When we encounter
these scenes in life we dont always see the
potential, so Carlo should be congratulated
for being observant on this occasion.
However, to make the most of this scene,
Carlo needed to take a little more control
of his camera to meter and set the white
balance himself instead of leaving these two
critical issues to chance.
The camera has seen a dark area, which
naturally it wants to brighten, and an image
that is full of one colour, which it cant quite
understand. Hence, the resulting picture is
too light and too cold.
The Levels histogram shows that midtones
dominate the image, so Ive shifted the
middle slider to the right to make them
darker. For the colour, I made a shift towards
red/magenta in the Hue/Saturation window
and tackled the oversaturated yellows with
a desaturating slide to the left.
Carlo has, I suspect, added extra
saturation to the yellow tree to make it stand
out, and has lightened it until some of the
colour information has been lost. While the
colour and tone are now about as right as
they can be with the detail that is left, the
overall effect isnt very exciting.
Using a red-dominated Channel Mixer
conversion, I made a monochrome version
of the image, which darkened the green and
made the yellow stand out just by their
tonal differences. I also added some warmth
via a duotone to create an image in which
we can concentrate more thoroughly on the
difference between the yellow and green
trees than we could in the colour version.
Hue reduced
Yellow saturation
Colour xed
Channel mixer
Edited
The camera has

seen an image that
is full of one colour,
which it cant quite
understand. Hence,
the picture is cold
44
The person who takes

the picture of the
week* in Appraisal
will win a Manfrotto
Unica VII Messenger
Bag worth 84.95.
This bag combines
style and functionality,
ensuring that it is the
perfect companion
for carrying your
camera gear, laptop
and personal items.
Gain quick access to
your DSLR with lens
attached, laptop and
personal effects in the
upper compartment by
using the top opening.
An additional
compartment in the
base of the bag also
provides storage for
selected Manfrotto
Compact Photo
Tripods.
www.manfrotto.co.uk
Submit
your
pictures
Send up to six prints,
slides or images on CD
(please include the
original les from the
camera along with
your submitted
versions on your CD).
Tell us about the
pictures and include
details of equipment
used and exposure
settings. Send your
images to Appraisal at
the address on page 3.
Enclose an SAE if you
want them returned
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*PRIZE APPLIES TO UK AND EU RESIDENTS ONLY/CONTENTS OF BAG NOT INCLUDED
Yellow tree
Carlo Murenu
Your pictures assessed
Original
Faded layer
Edited
Layers
Abandoned bridge
Alexander Ong
Nikon D800, 24-70mm,
30secs at f/16, ISO 100
ALEXANDER tells me that he was

attracted to this scene by its relaxing
atmosphere, and I think wed agree that
sitting next to a stream and a semiconcealed bridge in the middle of the woods
would be a very relaxing experience indeed.
He really has chosen a lovely spot, and his

low angle has made the most of the leading
curved line of the stones in the foreground.
When we are relaxing, though, we like
things to be calm no loud music, no bright
lights and nothing to disturb our senses. Yet
what we have here are extremely powerful
colours that break the peace.
You can desaturate colours just using the
saturation slider, but sometimes this leaves
them looking as though they have been
switched off. I usually prefer to make a black
Original
& white copy here simply by desaturating

the image completely to use as a layer
between the original and a copy of the
original. I then switch the blending mode of
the top layer to Color and reduce its opacity,
gently fading the colour.
The result is much more relaxing, and
still holds more colour information than the
version that just had the saturation reduced.
It is a lovely shot, and was a lovely shot
before I started, so for that, Alexander
deserves my picture of the week award.
After levels
PICTURE
OF THE
WEEK
After curves
Curves
Levels
Colour mode
Before desaturation
Edited
Applying blur
Snowmen Ami Debesh

Sony Cyber-shot DSC-F828, 28-200mm,
1/250sec at f/8, ISO 800
AMI HAS fallen into the classic trap that we have

all fallen into at some point believing that cameras
understand snow. They dont.
You can see from the histogram just how far off
Amis camera was from understanding that snow
needs to be white, and a massive pulling in of the
highlight and midtone sliders has been needed to
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create some semblance of white in the image. The

snowmen are in the shade too, as one might expect,
so a blast of contrast via a tone curve is needed to
give them some shape.
Amis picture is riddled with image noise, which will
need drastic action to remove. I added 10 pixels of
Gaussian Blur to the picture on a duplicate layer, and
then faded the blurred image to the Color mode
to remove the massive blobs of colour that were
painted all over the snowmen. Then a pass through
the noise-reduction lter removed the luminance
grey dots along with lots of image detail.

Our snowmen were still suffering from the cold,
however, with blue and cyan tints to their bodies, so
I used the Hue/Saturation tool to simply desaturate
these colours to remove them, and to return the
snow to a whitish tone.
In future, Ami, set your cameras exposure
compensation to at least +2EV when shooting white
objects. In this case, matters were made worse by
the setting sun shining at the camera, but usually
+2EV would be about enough.
45
Icons of photography Ralph Gibson
amateur photographers
iCONS OF PHOTOGRAPHY
ICONIC phOtOgraphEr i photograph
Ralph Gibson
1939-present
Contrasty, minimal and surreal, Ralph Gibsons images dont conform to photographic norms, writes David Clark
46
A visual signature in photography,

Gibson told me in an interview in 2007,
is something that enables the viewer to
instantly know this is the work of a specifc
photographer. You cannot get anywhere in
photography by imitating the work of the
people you admire. Photographers whose
work is instantly recognisable and who have
a visual signature are not unduly proud of it.
For Gibson, fnding this signature meant
concentrating on everyday objects, such as
a tablecloth, a shoe or a part of the human
body. His aim was to turn something totally
insignifcant into an object of importance
and to make my perception of anything
the subject itself.
From the 1970s onwards, Gibson has
worked by gradually subtracting elements
from the frame. In a world of infnite myriad
possible objects to photograph, I eliminate
everything I dont want in a frame until Im
fnally left with what I do want, he continued.
I call this process subtractive.
This approach creates a sense of
mystery and a tension between what we
are shown and what is hidden from view.
One notable example is Gibsons 1975
photograph Priest Collar (see page 48).
This tightly cropped image only shows the
priests black tunic, a bright fash of white
collar and his chin. The rest is left to the
viewers imagination.
One important part of Gibsons style is
the use of shadows to remove unnecessary
detail. I photograph primarily in bright
sunlight and expose for the highlights, which
is pretty easy to do, he says. I eliminate a
lot of unwanted material and activity into the
shadow area. In so doing, I create a shape.
Instead of being a variation on light,
for me shadows themselves become
cut forms, they become shapes.
lou reed
RALPH Gibson is generally regarded as

one of the great fne-art photographers
working today. He is celebrated for creating
deceptively simple images that often have
an unsettling, surreal and dreamlike quality.
He has been photographing for more
than 50 years, yet his style has remained
unusually consistent throughout this long
period. His subjects are usually simple and
apparently unimportant, but the way he
chooses them, frames them and composes
the image makes his work unique.
Gibsons early photographs, taken while a
student at the San Francisco Art Institute in
California, USA, were street-documentary
pictures. However, even in those images his
unusual style was clearly present, particularly
in the pictures that focus on details or
include strong shadows.
In those early shots, he has said, I
remember wanting to use the edge of the
frame in such a way as to imply activity
transpiring outside the frame. He further
honed this approach in the following years
and his images later took on an increasingly
minimalist appearance as he moved towards
his mature style.
In between dropping out of college in
1962 and the publication of his frst major
book, The Somnambulist, in 1970, Gibson
worked with two photographers who had
an important infuence on his work. The frst
was the American photojournalist Dorothea
Lange, who employed Gibson as a printer
for two years. Then, in 1967, Gibson began
assisting Robert Frank, most famous for
his documentary photography book The
Americans, on two of his movies.
Both these photographers impressed on
Gibson the importance of fnding ones own
individual style. He describes this quality as
a visual signature.
Above: Portrait
of Ralph Gibson
taken for his book
Mono by musician
Lou Reed in Long
Island, USA, 2013
Right: I thought
of the woman
speaking across
time and distance,
says Gibson. Image
taken in Elba, 1980
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ralph gibson
Icons of photography Ralph Gibson
Biography
1939
Born on 16 January in Los

Angeles, California, USA
1956-60
Joins the US Navy at the age of

16 and studies photography
1960-62
Attends the San Francisco Art

Institute, but drops out of the
course before completing it
1961-62
Begins his professional

career as an assistant to
Dorothea Lange
1967-68
Works as an assistant to
photographer and film director
Robert Frank on two films
Ralph gibson
In recent years, Gibson has begun making

live performances in which he plays his
own musical compositions on guitar while
his images are projected on a backdrop
In the late 1960s, there was
limited opportunity for fne-art
photography to be published in
high-quality books, so Gibson founded his
own publishing company, Lustrum Press,
in 1969. It subsequently published not
only Gibsons own books, but also those by
other prominent American photographers,
including Larry Clark and Mary Ellen Mark.
Gibson has continued to publish his work in
book form and has now produced more than
40 titles. These books, which include Days
at Sea (1975) and Refractions (2005) simply
present a series of apparently unrelated
images for readers to absorb. They might
show anything from a gesturing hand, part
of a face or a nude female torso, to a door
handle or a section of architecture. They are
contemplative images focusing on shapes,
patterns, textures, shadows and light.
Now 75, Gibson continues to produce
plenty of new work and experiment with
photography and other media. In
2010, he was the cinematographer
on American musician Lou Reeds
documentary flm Red Shirley. In recent
years, Gibson has also begun making live
performances in which he plays his own
musical compositions on guitar while his
images are projected on a backdrop.
Gibsons work, which is included in more
than 150 museum collections worldwide,
has all been shot on Leica equipment. The
frst camera he owned, which he bought
48
when he was 22, was a Leica and he

has continued using the manufacturers
M-series cameras ever since.
Until recently, Gibson was resistant to
digital imaging, preferring to use flm and
his expert traditional darkroom printing
techniques. However, in 2013 Leica sent
him a prototype of its M Monochrom digital
black & white camera. Despite declaring
that digital photography will never compare
to analogue the previous year, the camera
convinced him otherwise.
Its a measure of his status as a
photographer that in February 2014, Leica
produced a limited-edition M Monochrom,
which was signed and endorsed by Gibson.
Despite its $28,000 (around 16,000)
price tag, all 35 models reportedly sold
out in fve minutes.
Priest Collar,
1975. This remains
one of my most
important images,
says Gibson
1969
Founds publishing company

Lustrum Press. Its first
publication is his book The
Somnambulist (1970)
1988
Awarded the Leica Medal

of Excellence
2007
Presented with a Lucie Award

that honours the greatest
achievements in photography
2013
Commissioned to shoot
advertising images for luxury
Italian brand Bottega Veneta
2014
Publishes Mono, featuring

black & white digital images
shot with a limited-edition
M-series Leica
Books and WeBsites
Books Gibsons most recent books

are Nude, published by Taschen, and
Mono (Lustrum Press, 2014). A career
retrospective, 50 Years, was published by
Pointlight Gallery in 2013. Some of his
earlier books, including Days at Sea and
Infanta are available via online booksellers.
Websites Gibsons offcial website, www.
ralphgibson.com, includes an extensive
archive of his work, plus his books,
exhibitions and fashion work. Several videos
of Gibson talking about his work can be
found on www.youtube.com. aP
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Camera pole and backpack On test
APTestbench
Over the next few pages we present this weeks equipment tests, reader questions and technique pointers
The AP
guarantee
to you
An affordable and
stylish way to
capture images
and video at
extreme angles
All our tests are

conducted by people
who understand the
product area, as well
as photography. We
aim to discover any
shortcomings, as
well as nding those
aspects that deserve
praise. All our tests
are thorough, honest
and independent
XSories
Big U-Shot
55.99
www.xsories.co.uk
EVER wished that your arms were longer when

it comes to taking pictures or capturing video? Well,
XSories has developed a range of compact poles to help
you get your camera into otherwise tough-to-reach positions.
The Big U-Shot camera pole we tested is a limited-edition
model, extending from 29cm to 94cm,
and made from aluminium and
leather with a screw-in strap for
extra security. It looks great, bearing
more of a resemblance to a fancy
collapsible baton than a humble camera
pole. In use, it is very solid, locking into place
reassuringly with a simple twist when extended, and
collapsing smoothly when operated in reverse.
I found that the Big U-Shot was great for taking group photos
and for getting a camera above a crowd at concerts, although
this may incur a shower of projectiles if used selshly!
The tip of the Big U-Shot has a 14in universal screw head
attached to a ball that can be locked into position at various angles,
and will hold a device weighing up to 3kg. Its a simple, affordable
way to capture shots from extreme angles with a freedom you
wouldnt get from simply extending your arm. Jon Devo
Booq Python
Slimpack 123.91
www.booqbags.co.uk
THE BOOQ Python Slimpack is a stylish

backpack that, while very compact, can still
hold plenty of kit. Impressively, the Python
A unique, stylish
Slimpack can house up to two mid-sized
and robust
DSLRs, four mid-sized lenses and one
backpack intended
large telephoto optic although to do so,
for a medium-sized
one DSLR will need to be housed in the
DSLR kit
top-access camera compartment. The
bag also has a slip-in pouch that can hold
a 10in tablet (iPad Air) or smaller.
Made from ballistic nylon, the Python Slimpack is waterresistant and very durable. Should this water-resistance not be
enough for you, a removable rain poncho is also included. This is
a bright red in colour and has a reective Booq logo on the back,
which is intended to make you more visible in rainy, low-light
conditions as well as keeping your gear dry.
Down the centre of the bag is an attachment for a tripod,
which can be rmly secured in place
via a pouch at the bottom and
a small clip at the top. The zips
seem very durable and can be
padlocked for extra security
from theft.
Another noteworthy
feature is found on the
back of the bag: a small
plaque that reads If
found, please visit Terralinq.
com, with a barcode
underneath. Each
barcode is unique, and
can be entered onto
the Terralinq website
so that, if the bag is
ever lost, it can be
easily recovered.
Callum McInerney-Riley
FORTHCOMING TESTS In the next few weeks AP hopes to run the following equipment through the most rigorous testing procedures in the industry
Nikon D3300 vs
D5300 vs D7100
We compare and contrast

three APS-C Nikon models
at different price points
aimed at photographers
of different abilities.
AP 10 May
Sony Cyber-shot
DSC-HX400
With a 20.4-million-pixel
sensor and 50x optical
zoom, we nd out how
Sonys HX400 performs.
AP 10 May
Samsung Galaxy S5
This smartphone can

autofocus as fast as
you blink, so Jon Devo
nds out if its impressive
speed is matched by its
picture quality.
AP 10 May
Sigma 50mm f/1.4

DG HSM Art
Nikon 1 V3
AP 17 May
AP 24 May
We test the new 50mm Art

lens that promises quality
close to that of the 3,000
55mm f/1.4 Zeiss Otus for a
fraction of the price.
Nikons 1 V3 compact
system camera boasts fullresolution photos at 20fps
with continuous AF and
built-in Wi-Fi. We put it
to the test.
CONTENT MAY BE SUBJECT TO CHANGE
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51
IN ASSOCIATION WITH
AND
Improve your
photography
I started
with the SPI
Foundation in
Photography
in 2009 and
learned so
much from this course.
I always look forward to
getting feedback from
my tutors and I am
currently completing the
Foundation in Digital
Imaging Techniques
course. Ross Mackenzie
Study in your own time

Receive detailed feedback
from a professional tutor
Students are assigned
a personal tutor
Split the monthly
payment costs
Half-price magazine subscriptions
Subject-specic, bite-sized
courses from only 75
Dedicated student area
and online forum
From this to this
FOUNDATION IN DIGITAL
PHOTOGRAPHY
COURSE LEVEL BEGINNER
COURS
FEES ONLEY
299
Viewpoint and composition

How to use your cameras
program modes
All about lenses
Sharpening your image
Formatting, sizing
and printing
ISO, ash, exposure and
white balance setting
Basic image editing
For detailed course contents or to enrol call 0203 148 4326

or visit WWW.SPI-PHOTOGRAPHY-COURSES.COM
Please quote
ref: SPI007
Sony Alpha 6000 Camera test
Sony Alpha 6000

Speed and quality are what the new 24.3-million-pixel Sony
Alpha 6000 is all about. Capable of 0.06sec autofocus, Sony
says it will never miss the perfect shot. Jon Devo takes aim
Jon Devo
Technical writer
AFTER four years, it is only now that
Sony has updated its NEX-6 one of
the most popular compact system
cameras the market has ever seen in
the form of the Alpha 6000. The new
camera also shares some common
features with the equally popular Sony
NEX-7 and retains the distinctive NEX
body shape, which will please fans of
the series, but that is pretty much
where the similarities end. Although
the E-mount-compatible Alpha 6000
resembles the camera it is replacing,
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inside Sony has included some of the

best technology it has to offer.
By bringing the portable NEX cameras
into the Alpha family, the Japanese rm
is clearly trying to blur the lines between
the DSLR and compact system camera
markets. To help the Alpha 6000
compete with DSLRs, Sony has included
the new Bionz X processor that is featured
in the Sony Alpha 7R, which was APs
Product of the Year at the 2014 AP
Awards, plus an improved version of the
APS-C-sized, 24.3-million-pixel Exmor
APS HD CMOS sensor featured in its
previous SLT agship, the Alpha 77.
In short, the Alpha 6000 is what you
would get if you threw the NEX-6 and the
NEX-7 into a boiling pot and sprinkled the
fragrant mixture with the latest and tastiest
hot sauce.
AT A
GLANCE
24.3-million-pixel
Exmor APS HD
CMOS sensor
ISO 100-12,800
(expandable to
ISO 25,600)
Three times
faster Bionz X
image-processing
engine
179-point hybrid
AF system
Fast 0.06sec
autofocus time
RRP 549 body
only, or 669 with
16-50mm kit lens
FEATURES
The 24.3-million-pixel, APS-C-sized image
sensor in the Alpha 6000 features a gapless
on-chip design, increasing the cameras
light-collecting efciency for improved lowlight shooting and reduced noise throughout
its ISO 100-25,600 sensitivity range. It is
also worth noting that there is no antialiasing lter in this model.
In the past few years, the high-end
interchangeable-lens camera landscape
has become increasingly competitive, with
Olympuss OM-D range, Fujilms X-series
and Panasonics GX and GH cameras all
continually pushing the boundaries of
what is possible in a mirrorless camera.
However, the Sony Alpha 6000 enters
the market with one of the most impressive
feature lists in its class, greatly beneting
from the improved processing power of
the Bionz X engine, which is three times as
fast as the original Bionz processor used in
the NEX cameras. The increased speed is
particularly notable in terms of start-up time.
From switching the camera on, I can begin
shooting in about a second, even in hi-speed
burst mode, which is fantastic for sharp
shooters wanting to capture shots at
a moments notice.
Improvements to areas such as autofocus
speed have been enabled by this extra
power, with the Alpha 6000
recording a rapid focusing time of
0.06sec according to the CIPA
53
Camera test Sony Alpha 6000
standard. Under ideal conditions, the

Alpha 6000 has one of the fastest
focusing systems on the market,
even faster than that of the impressive
Fujilm X-T1. It also helps that the shutter
lag is imperceptible, with the Alpha 6000
achieving focus almost instantaneously.
Burst-mode shooting at up to 11fps,
continuous for 21 raw + JPEG frames or 49
ne JPEGs, is also possible before buffering
becomes an issue. This will appeal to anyone
considering using the camera for sports,
action or fast-moving family members.
The Alpha 6000 has 25 precision
contrast-detection AF points, as did the
NEX-6. But theres a more signicant
improvement to the number of phasedetection points, up from 99 previously to
179 points, covering almost 100% of the
frame. The new hybrid autofocus system
not only makes it easier for the camera to
recognise scenes, but it also boosts the
ability of the Alpha 6000 to lock onto the
correct subjects and track them tenaciously.
AF-A (a combination of continuous
and single-shot AF) is featured in the
Alpha 6000, which is a rst for the Sony
E-mount family. When in this mode, and
faced with situations where subjects arent
predominantly stationary or moving, the
camera will select the appropriate focusing
mode for the scene. Im also pleased to
see that Sony has enabled active AF point
visibility, making it easier to check whether
focusing is accurate or not, particularly while
shooting burst frames and tracking.
9/10
BUILD AND HANDLING
Designed to operate like a DSLR, the Alpha
6000 has dual shutter and aperture control
access while avoiding accidental pressing.

The rst of the two custom buttons, C1, sits
beside the shutter button, while C2 can
be used to delete images during playback
mode, as well as be set to access a number
of functions and quick menus.
The Fn button above the rear control
wheel opens the shortcut menu and can
also be used to connect to a smart device
for image transfer. Auto-exposure lock
(AEL), main menu and manual ash buttons
sit along the top of the LCD screen, although
given the numerous ways in which the Alpha
6000 can be customised, theres little
reason to delve into the main menu once
youve got the camera set up how you like.
I found the Alpha 6000s controls easy
to access and operate during use. Within
a short time of using the camera, I could
adapt controls swiftly without even looking
at the LCD or averting my attention away
from compositions.
In terms of portability, most of the
cameras weight sits in the grip, which
houses the battery and memory card, but
this is countered by the weight of the lens,
making the Alpha 6000 well balanced. Its
comfortable to operate one-handed, but
for optimum comfort I preferred to use two
hands and shoot through the EVF in the
majority of instances.
8/10
METERING
via a shoulder dial behind the shutter and the
selection wheel on the rear of the camera.
The ergonomically moulded, rubberised
grip provides a rm hold, and Sony has
smartly placed the dedicated movie record
button just on the outer side of where your
thumb naturally rests, making it easy to
Improved image
detail and
natural colour
reproduction
are visible in this
image, shown
cropped at 100%
The 1,200-zone evaluative multi-segment

metering does a superb job of rendering
true-to-life levels of exposure in most
instances. The Alpha 6000s ability to
take a reading from a large portion of the
frame makes for reliable meter readings
that produce consistent results. Shooting
FEATURES IN USE SONY PLAYMEMORIES APPS

THE ALPHA 6000 comes with
some fantastic features straight out
of the box, including Sonys recently
updated PlayMemories app library,
which is accessible through the
cameras menu when connected to
Wi-Fi. This provides you with a host
of additional features that you can
download (for free or purchase) to
expand the cameras functionality.
A couple of the applications I
really liked were Liveview Grading
and Light Shaft.
Liveview Grading enables you to
add colour effects to your videos in
real-time, adjusting various aspects
such as colour-depth saturation
or applying preset effects. Costing
7.99, its a downsized version of
what video editors spend hours
doing on programs that cost
20 times as much.
54
Light Shaft does pretty much

what youd expect, and for 3.99
you can use it to craft the light in
your images using one of four light
shapes: are, ray of light, star and
light beam. Its a really interesting
effect that can add atmosphere
and drama to an otherwise at
image. Light intensity, width,
direction and position are all
adjustable, and the app makes
a copy of your image so that the
original is untouched. I also enjoyed
using Cinematic Photo, Smart
Remote Control and Catch Light.
I did experience some stability
issues with certain apps, but the
cameras rmware has since been
updated so hopefully these will have
been addressed, and for the most
part I found them straightforward to
use. Sony PlayMemories apps are
a fun and affordable way to expand

the Alpha 6000s capabilities and
create effects in-camera, saving
you time in front of a computer.
A screen shot of the creative

Light Shaft app available in the
PlayMemories store. It can be used
to create striking effects in-camera
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Lighting in DJ booths
is scant at best. I
shot this image of
Jey Flash at 1/30sec
handheld, but I was
limited to an f/4
lens. Thankfully,
noise at ISO 3200
wasnt an issue for
the Alpha 6000
a foreground subject with bright sunlight

behind is one of the most challenging
scenarios a metering system can face,
but when left to its own devices the Alpha
6000 still captured pleasing results, only
naturally losing highlight detail in the
out-of-focus background.
Taking advantage of the cameras spot
and centreweighted metering does help,
though, and the cameras extensive 5EV
exposure compensation in 13 steps gives
great additional control over exposures.
fast, with no discernible shutter lag. When

the shutter button is half-pressed to lock
onto a subject or scene, focus is attained
almost instantly, even in relatively low
ambient light.
The combination of improved phase
and precision contrast detection, powered
by the new Bionz X processor, gives
the camera the ability to create a
3D map of the subject so that it
8/10
DYNAMIC RANGE
Shadow areas in high-contrast scenes retain
a good amount of detail, particularly the raw
les, but I found compressed JPEGs also
contained recoverable shadow and highlight
detail. In our dynamic range tests, the Alpha
6000 scored 12.26EV at ISO 100, which
is on a par with Canons EOS 1200D and
keeping up with the recently released DSLR
throughout its sensitivity range.
In most conditions, I found colours from the
Alpha 6000 to be rich and vibrant, and the
reproduction of highlight and shadow detail is
instantly pleasing, without the need to apply
curves or adjustments in post-production.
8/10
AUTOFOCUS
The response time of the Alpha 6000s
179-point hybrid AF system is exceedingly
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The Alpha 6000 captures great natural

tones and depth in this image, shot at
1/500sec at f/4 and ISO 400
Shooting a subject
with the sun
directly behind
is a challenging
metering scenario,
but the Alpha
6000s 1,200-zone
evaluative metering
system exposed
well unassisted
55
can read the distance of each

element in the focus area.
Benets from the improved
system also carry over into AF performance,
as the Alpha 6000 can drive its lenses
35% faster than Sonys previous system.
In use, the Alpha 6000 switches focus
points rapidly when tracking subjects using
its 11fps hi-speed continuous burst mode,
demonstrated by small red AF points lighting
up in the display as your subjects move
across, towards or away in the frame. Its the
closest thing many users will get to shooting
fast-moving subjects with a Nikon D4S or a
Canon EOS-1D X, for a fraction of the price.
I did experience dropped focus in a few
frames, but I was able to capture so many
frames either side of the failures that it
wasnt a signicant issue. Overall, I was
very impressed with the Alpha 6000s
AF performance: its one of the fastest
cameras in its class and snappier than
any comparable DSLR.
Facts & gures
RESOLUTION & NOISE
These images show 72ppi (100% on a computer screen) sections

of images of a resolution chart, captured using the 16-70mm lens
set to 36mm and f/5.6 . We show the section of the resolution chart
where the camera starts to fail to reproduce the lines separately.
The higher the number visible in these images, the better the
cameras detail resolution is at the specified sensitivity setting.
JPEG ISO 100
RAW ISO 100
JPEG ISO 200
RAW ISO 200
JPEG ISO 400
RAW ISO 400
JPEG ISO 800
RAW ISO 800
JPEG ISO 1600
RAW ISO 1600
JPEG ISO 3200
RAW ISO 3200
JPEG ISO 6400
RAW ISO 6400
JPEG ISO 12,800
RAW ISO 12,800
JPEG ISO 25,600
RAW ISO 25,600
32
32
32
32
33
32
9/10
NOISE, RESOLUTION
AND SENSITIVITY
Considering the resolution of the Alpha
6000s 24.3-million-pixel, APS-C-sized
sensor, we expected the Alpha 6000 to
perform well and it did. It scored 32 on
our resolution chart, which is comparable to
the 31 scored by the Nikon D5300.
Multi-frame noise reduction (MFNR) is
now included in ISO settings in-camera
rather than via a downloadable app, as was
the case with the NEX-5R and NEX-6. This
is deployed in low-light situations, ring off
six frames in quick succession and then
stacking them into a single image to combat
noise. At lower ISO levels, theres no distinct
advantage to using MFNR, but at higher
sensitivity settings the improvement in noise
reduction and detail retention is impressive,
particularly beyond ISO 1600.
Theres almost no visible colour noise
in any images until about ISO 6400,
and looking at the raw les its possible
to balance the noise reduction enough
to remove any damaging noise while still
retaining a good level of edge sharpness
and texture. The camera is capable of
applying area-specic noise reduction that
is intelligent enough to avoid being too
aggressive, until you push it to its extremes.
Beyond ISO 8000, photographs begin
to look more artistic than accurate when
viewed any larger than they automatically
appear on the Alpha 6000s 3in screen.
Id happily print JPEG images straight out
of the Alpha 6000, but for scenarios where
light is very limited and you need a fastenough shutter speed to shoot handheld,
the Alpha 6000s capable sensitivity
performance is a great support.
27/30
WHITE BALANCE AND COLOUR
I was happy with the white balance
and colours captured by the Alpha
6000. Regardless of which colours
56
31
549 body only or 669 with 16-50mm f/3.5-5.6 lens

24.3-million-effective-pixel, APS-C-sized
(23.5 x 15.6mm) Exmor APS HD CMOS sensor
6000 x 4000 pixels
Output size
1.07x
Focal length mag
Sony E mount
Lens mount
JPEG, ARW (raw), AVCHD/MP4
File format
2-stage JPEG
Compression
Adobe RGB, sRGB
Colour space
Electronically controlled focal-plane shutter
Shutter type
30-1/4000sec in 13EV steps plus bulb
Shutter speeds
1/160sec
Max flash sync
100-25,600
ISO
iAuto, iAuto+, program, aperture priority, shutter priority,
Exposure modes
manual, scene selection, sweep panorama, memory
recall, movie
1,200-zone evaluative metering, centreweighted
Metering system
and fixed centre spot
5EV in 13EV, 1/2EV steps
Exposure comp
Auto, 7 presets, colour temperature, plus custom setting
White balance
White balance bracket Lo, Hi
Single, continuous, timer, speed priority 11fps, bracketing
Drive mode
Tilt 3in LCD screen with 921,600 dots
LCD
1.44-million-dot OLED Tru-Finder with 100% field of view
Viewfinder type
Single, continuous, manual
Focusing modes
179-point (phase-detection), 25-point (contrastAF points
detection), centre, flexible spot, multi-point
Yes
Built-in flash
1920 x 1080 pixels (60p/50p, 60i/50i or 24p/25p AVCHD
Video
output), MP4 (1440 x 1080 pixels at 25fps)
SD, SDHC, SDXC, Memory Stick Pro/HG Duo,
Memory card
Memory Stick XC-HG Duo
Rechargeable NP-FW50 Li-Ion (360 shots)
Power
USB 2.0 Hi-Speed, HDMI
Connectivity
120 x 67 x 45mm
Dimensions
287g body only
Weight
32
RRP
Sensor
Sony, The Heights, Brooklands, Weybridge, Surrey

KT13 0XW. Tel: 01932 816 000. Website: www.sony.co.uk
31
30
29
28
26
31
30
29
28
26
The omission of an anti-aliasing filter has allowed

the Sony Alpha 6000 to score well on our resolution
chart, but as a result, colour banding in the form of
moir is much more pronounced. Above are extreme
examples of how this will affect images with close
lines or regularly repeating patterns, such as denim
or metal grids.
subscribe 0844 848 0848
FOCAL POINTS
Pop-up fash
AF points
Tutorials
The Alpha 6000s flash pops up via

a manual button on the rear of the
camera. Its guide number of 6m @
ISO 100 is a good enough distance
to use the flash for small group
photos in low light.
The combination of fast

179-point hybrid autofocus and
impressive 11fps continuous
shooting means you should
easily be able to home in on the
action and get a winning shot.
Shooting tips in the Alpha 6000s

home menu provide photographic
guidance on more than 100
subjects, from camera basics to
scenario-specific advice, such as
how to shoot star trails.
Camera shown actual size
Titlable LCD
Ergonomics
Dual control
The ability to tilt the 3in LCD

screen gives greater control over
compositions, making it possible
to capture images with unique
perspectives that stand out.
One of the issues I often have with cameras

that have a compact design is controls
that are too small and difficult to use. The
Alpha 6000s dials, wheel and buttons are
big enough to operate with ease, even while
wearing gloves.
Being able to adjust both the shutter

speed and aperture independently is a
great strength of the Alpha 6000, and will
appeal to anyone keen to have DSLR-like
control over settings.
Quick menu
subscribe 0844 848 0848
Photography guide
Building shooting tips
57
Images captured
by the Alpha 6000
are crisp with vivid
colours, as shown
in this image.
Detail is visible in
all highlight and
shadow areas
Competition
Olympus OM-D E-M10
Nikon D5300
TESTED AP 22 MARCH 2014
TESTED AP 14 DECEMBER 2013
WITH the Alpha 6000, Sony is aiming to attract those

considering buying their rst DSLR or looking for a highly
capable portable second body. While there are many cameras
that will be suitable for both audiences, the Olympus OM-D
E-M10 and Nikon D5300 stand out as direct competitors.
The E-M10 is a superb companion camera, coat-pocketsized with a lens attached, and suited to a wide range
of applications thanks to its micro four thirds mount and
good low-light performance. While it lacks some of the
video functionality of the Alpha 6000, it has a superior
1,037,000-dot touchscreen and classic DSLR styling.
The D5300 is a solid rst camera that matches the
video and sensor resolution of the Alpha 6000 and has a
similar price tag, but benets from having access to Nikons
extensive lens family. There is an increase in size and weight
with the Nikon, but if that is not a concern it will be tough to
choose between the two.
dominated the frame, the camera

was able to intelligently read and
apply the appropriate settings.
However, there are 11 white balance
presets as well as the option to assign one
custom option if you want more precise
settings, plus 12 creative style modes to
add some in-camera colour options. The
only one I wasnt particularly impressed
with was portrait mode, as its default effect
made people look either unwell or hot.
That said, the best thing about the colour
styles is the ability to adjust their contrast,
saturation and sharpness to achieve a
look that suits your tastes.
I prefer to make colour adjustments
myself in post-processing and leave the
camera in its default mode. Standard colour
captured by the Alpha 6000 is rich, and
saturated enough to be vibrant without
being unrealistic.
9/10
VIEWFINDER,
LCD AND VIDEO
On paper, the Alpha 6000s Tru-Finderbranded, 0.39in, 1.44-million-dot OLED
EVF appears to be a downgrade from
the 0.5in, 2.3-million-dot XGA OLED
viewnder that featured on the NEX-6.
Even the magnication has been slightly
reduced, from 1.09x in the NEX-6 to
1.07x, equivalent to 70x in 35mm terms.
However, in use, the smaller, lowerresolution EVF on the Alpha 6000 appears
58
to render a 100% eld of view with greater

vibrancy and clarity than its predecessor.
The refresh rate is impressive, meaning that
lag is barely noticeable when moving the
camera, so while it may not be as good as
an optical viewnder, its certainly not poor.
At 921,600 dots, the Alpha 6000s
3in TFT LCD screen is a match for the
NEX-6 that it replaces, but its not quite as
impressive as the LCD on the pricier Fujilm
X-T1, or even the cheaper touchscreenoperable Olympus OM-D E-M10, both of
which sport 1.04-million-dot screens.
The 16:9 aspect ration of the Alpha
6000s tilting LCD screen works great for
video, but leaves two black bars either side
when in photo mode, cropping the screen. It
didnt bother me too much because I prefer
to shoot stills using the EVF, but it does
make the screen appear quite small when
using it during live view.
People keen to shoot video will be
pleased to learn that the Alpha 6000
includes some useful functions, including
zebra patterning, and that it can record
1920x1080-pixel full HD, AVCHD
Ver2.0/MP4 video at 60p and 24p. It also
has a Type D Micro HDMI connection,
providing a clean HDMI output for video
recording. Its a little disappointing that
theres no headphone jack to monitor
audio, but the multi-interface hotshoe
at least allows you to connect an external
microphone.
8/10
Verdict
STRIKING a strong balance between aesthetics and

performance, the Sony Alpha 6000 is a desirable camera
with no standout aws. Of course, improvements can and
will always be made, but Sony largely hit the nail on the
head with the NEX-6 and NEX-7 cameras, so rather than
drastically overhauling those designs for their replacement,
it has simply advanced the imaging technology and
processing power of this updated model.
The improvements, particularly in low-light performance
and speed, are signicant enough to justify an existing
NEX user upgrading, and I also believe the Alpha 6000
will challenge the entry-level DSLR market and appeal to
advanced enthusiasts, just as Sony is hoping it will.
Top-spec technology and a host of cutting-edge
features may just see the Alpha 6000 mirror the longevity
and success of its predecessor and keep it competitive in
years to come.
1
Tested as an
Enthusiast CSC
Rated Very good
86
10
FEATURES
9/10
BUILD/HANDLING 8/10
NOISE/RESOLUTION 27/30
DYNAMIC RANGE 8/10
AWB/COLOUR
9/10
METERING
8/10
AUTOFOCUS
9/10
LCD/VIEWFINDER 8/10
subscribe 0844 848 0848
Everything you need for

camera sensor cleaning
Swab View
A range of swabs are
available, use them to
apply our cleaning liquids.
There are swabs in all
sizes from micro
through
4/3rds
full frame to
medium format.
Our orange swabs
are
recommended
and safe to use for
cameras without an
anti aliasing filter.
There are also swabs
available
for
specialist uses.
These include
corner
swabs,
digital back swabs
and focusing screen
swabs. All are designed
to make this delicate task
as easy as possible.
Dust
Quasar and Mini

Quasar loupes
make the job of
identifying dust
and grease on
your sensor as safe and easy
as possible
Swablight is the
latest innovation in
the sensor cleaning range. This small
and compact light can be focused to
clearly show where dust is lurking,
and a swab can be fitted directly to
the unit so precise cleaning can be
carried out. So portable it should
go everywhere with you!
For removing dust and similar

debris, our Arctic Butterfly range
of brushes are a proven success.
They are available in sizes to suit all
sensors.
Zeeion blowersare ideal
for removing dust from
inside shutter chambers.
Flexodome. Use your

Zeeion blower with
complete confidenceI
Allows you to position
the blower to reach
those hard to clear
areas in your digital
SLR.
Clean
VisibleDust
liquid
cleaners
(Sensor Clean, Smear Away and
VDust Plus) are safe to use on
all current camera sensors. It is
recommended that VDust Plus
is only used with our Orange
series of swabs.
Sensor Clean is for light stains,
whilst Smear Away is for more
stubborn stains caused by oil
and lubricants, our Green
swabs are
best for
use with
these
liquid
cleaners.
For information about other products in the range, and nearest stockist...
Tel: (Frazer) 07725 081436 (Denys) 07909 227517

Email: info@alphaodl.co.uk Website: www.alphaodl.co.uk
There are many detailed How To tutorials available at...
www.visibledust.com
Patents apply to
Visible Dust products
Power at your
fingertip
The art of light
The new Nissin Di700 features a colour LED display panel

and selector dial that allows you to operate all settings with
one fingertip. It also supports high-speed synchronisation
up to 1/8000 seconds, along with wireless TTL, and is the
only fash in its class equipped with an external power socket.
The Di700 has an enhanced auto zoom coverage of 24-200mm
with an output of GN54 at 200mm. The head features new
rotating lock release buttons and rotates 180 to the right
and left, upwards to 90 and 7 downward tilt, making it
ideal for close-up photography.
Visit www.kenro.co.uk for further information.
1/8000
High
Speed
GN
54
ISO100
24-200mm
Auto
Zoom
Supplying the photographic industry for over 40 years

Kenro Ltd, Greenbridge Road, Swindon, SN3 3LH
t: 01793 615836 f: 01793 530108 e: sales@kenro.co.uk
PS 8
Power Pack
Available
E-TTL/
E-TTL II
Canon
i-TTL
Nikon
ADI/
P-TTL
Sony
www.kenro.co.uk
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Supported by
Tuesday
17 June
Sony Alpha 7 Seminar

Listen to talks by leading photographers
Joe Cornish and Adam Duckworth and
learn more about the Sony Alpha 7 range
mprove your photography

knowledge and skills with
an afternoon learning insider
secrets from landscape
photographer Joe Cornish and
portrait photographer Adam
Duckworth. Held at the home
of Amateur Photographer and
What Digital Camera, you will
also have the chance to take
part in a studio shoot with a
professional model.
YOU WILL
Learn the secrets of renowned
landscape photographer Joe
Cornish, and get the chance to
TO BOOK
YOUR PLACE
see his exclusive images taken

on the Sony Alpha 7R
Try your hand at portrait
photography with advice and
guidance from Adam Duckworth
Speak to a Sony expert and use
the new Sony Alpha 7 and 7R
cameras and lenses
Bring along your own Canon,
Nikon or Sony lenses to try on
an Alpha 7 camera
WHEN AND WHERE The seminar
takes place on Tuesday 17 June,
from 1pm until 7pm at the Blue
Fin Building, 110 Southwark
Street, London, SE1 0SU
PHONE 0203 148 4326 to pay by card

EMAIL us at spiadmin@ipcmedia.
com with the words Landscape
seminar in the subject line. Please
include your name, address and
telephone number.
JOE CORNISH
THE SONY
ALPHA 7
SERIES
Featuring a 35mm full-frame CMOS sensor in a small
and lightweight body, both the 24.3-million-pixel Sony
Alpha 7 and 36.4-million-pixel Alpha 7R are truly
portable cameras, allowing photographers to get the
best image quality possible in a palm-sized camera
body far smaller and lighter than a bulky DSLR.
Together with the powerful new BIONZ X processor
and an improved XGA OLED Tru-Finder with wide eld
of view, the interchangeable-lens cameras from Sony are
packed with practical features from its dust/moistureresistant magnesium-alloy body to extensive custom
controls to NFC and Wi-Fi, it is not difcult to see why
these cameras are already multiple award winners.
ADAM DUCKWORTH
POST a cheque for the full amount of

49, made payable to IPC Media Ltd,
to Sony seminar, IPC Media, Blue Fin
Building, 110 Southwark Street,
London SE1 0SU. Please include your
name, address and telephone number.
Places are not conrmed until receipt of

payment. Tickets are non-refundable but are
transferable.
Camera
WHAT DIGITAL
For full details please visit www.amateurphotographer.co.uk/sonyseminar
Nissin i40 Flash test
Nissin i40 ashgun

It may be small, but the Nissin i40 is a fully edged ashgun
that is ideal for travelling light. Richard Sibley puts it to the test
DATAFILE
RRP
204
Street price
Around 190
Guide number
27m @ ISO 100 (35mm zoom
head position) or 40m @
ISO 100 (105mm zoom head
position)
Flash modes
E-TTL II/E-TTL (Canon)
iTTL (Nikon), PTTL (Sony),
TTL (FT)
Number of flashes
220-1,700
Colour temperature
5,600K
Wireless
Yes
Power source
Four AA batteries
External power
N/A
Dimensions
85 x 61 x 85mm
Weight
203g (without batters and
external diffuser)
AS MANUFACTURERS make
cameras smaller and smaller, the demand
for small, lightweight ashguns to
accompany them also increases. Weighing
just 203g, the Nissin i40 fulls this
demand. However, despite being small,
it doesnt scrimp on features.
FEATURES
With shutter speeds of up to 1/8000sec
and a guide number of 27m ISO 100
at its 35mm zoom-head position (or 40m
ISO 100 at 105mm), the Nissin i40 is
powerful for its size. However, it isnt just its
power that is impressive. The i40 can rotate
180 either left or right, and the ash head
can tilt up through 90, making it easy to
bounce the ash off walls or a ceiling. If you
dont have a wall or ceiling to bounce the
ash off, then the i40 has its own slide-out

bounce card, as well as a wideangle diffuser.
The i40 can even double as a small video
light using two LEDs, with nine different
power levels. When shooting video, the
lights can be powered for up to 3.5 hours
from the ashs four AA batteries. Batteries
arent included with the ashgun, although
a plastic diffuser and a small case are.
Usefully the case has a carabiner and a belt
or strap loop, which makes it easy to carry
the ash safely with you when not in use.
The Nissin i40 is available in Canon and
Nikon t Sony, four thirds and Fujilm
versions will follow shortly and the ash is
compatible with the intelligent TTL metering
systems from each of these manufacturers.
However, the i40 goes a stage further in
that it can also be used as a wireless TTL
slave, or as a simple slave should you wish
to use it with an older ash system or as
part of a studio ash set-up. The Nissin i40
really is a fully specied ash unit that is
packed in to a tiny, but well-built body.
BUILD AND HANDLING

The build quality of the Nissin i40 is
as good as you would expect from a
proprietary manufacturer, but what you
really want to know is how easy it is to
use. Flashguns can be daunting, but, like
other Nissin products, the i40 is very userfriendly. The two dials on the rear are the
only controls on this ashgun. One acts as
a function dial, while the other dictates the
power of the ash when it is in manual or
TTL mode.
IN USE
With just two dials, and a self-explanatory
range of labels and icons, one of the i40s
key selling points has to be its ease of use.
I had no problem getting the ash up and
running, in all its modes, without the need
for the instruction manual. The only items
on the dial that may need an explanation
are the SF and SD settings, which stand

for Slave Film and Slave Digital. The SD
setting takes a pre-ash into consideration
before being triggered, while the SF mode
res on detection of another ash. Both
these modes worked perfectly, and the
size of the ash makes it ideal for discreet
off-camera use.
The included plastic diffuser snaps into
place with no danger of it falling off. When
shooting a portrait in bright sunshine, the i40
is powerful enough, even with the diffuser,
to provide a decent level of ll-in ash.
The additional video LED feature doesnt
offer enough power to be useful except in
low-light conditions. In daylight, they failed
to even add a catchlight to the subjects
eye. However, it is useful for helping to focus
when taking still images in low light. AP
Verdict
WE ALL wish for smaller and
lighter camera equipment, but dont
want to sacrice any of the features
we have come to expect. In this
regard, the Nissin i40 is excellent.
It may not be as powerful as a fullsized ashgun, but it is more than
powerful enough to act as a ll-in
ash on a bright day. Its size makes
it a great travel companion for a
small DSLR or CSC, especially as
it can be used
wirelessly.
However, best
of all is the fact
it is so simple
to use.
Kenro, Greenbridge Road, Swindon, Wiltshire SN3 3LH. Tel: 01793 615 836. Website: www.kenro.co.uk
subscribe 0844 848 0848
61
Your questions answered
AskAP
WHATS IT WORTH?
I was looking through some of

my old issues of AP and found an
article in October 2007 referring
to the Canon T90 and Data Memory Back
90. I have actually owned this set-up, along
with the Interface Unit DMB and two MSX
computers, for a few years now. I have
since moved to digital and do not use this
equipment any more. Would this equipment
attract any interest today? If so, what value
could I put on it?
Terry Stock
Let the AP team answer your photographic queries
WEIGHTY PROBLEM
I have been an enthusiastic

photographer for more than
50 years, almost always
working with Pentax equipment.
However, my last Pentax, a K10D,
with all the lenses I had accumulated,
started to feel too heavy for me, so a
few years ago I decided to change to
a smaller, lighter format. The camera I
chose was an Olympus Pen E-PL3.
Sadly, I am so frustrated by its image
quality, which is much less sharp than
my old Pentax, that I am almost ready
to give up my lifelong hobby.
Have I expected too much of a
camera that has a smaller sensor, but
many more pixels than my old one?
The lenses are much lighter, but are
they likely to be of a lesser quality? Do
I need to change my technique? Would
I get the quality I seek by upgrading
to one of the Olympus OM models,
although I cannot easily afford to do
that? Or should I give up worrying
about weight, buy a wheelbarrow and
dig the Pentax out of the cupboard?
Jay Moore
Without seeing the soft

images youre getting from
your new camera, I cant
say whether its as a result of a fault of
some sort or, as you suggest, because
you are expecting too much. I would,
however, suspect the latter, as your
choice of the E-PL3 denitely feels like
a downgrade to me. Im not saying the
E-PL3 is a bad camera, but youve
traded a model housing 10.2 million
pixels on a 23.5x15.7mm-sized sensor
(the Pentax K10D) for a camera
that increases the pixel count to
12.3 million, but also reduces the
size of the sensor to 17.3x13mm
(the Olympus E-PL3). To put it
bluntly, an increased number
of smaller photosites is typically
not going to be conducive to
improved (or even comparable)
image quality, especially if youre
also relying on kit lenses rather
than premium optics.
62
Although upgrading to an OM model

is one possible (albeit expensive) way of
xing this, its not one Id recommend.
Instead, I have a much simpler
suggestion, which I would also have
proposed before you invested in the
E-PL3: buy yourself a camera bag that
will only accommodate your Pentax
K10D and two lenses, or even the
camera and one lens if you prefer.
While the body-only weight of the
K10D is some 400g more than the
E-PL3, from the sound of it I think it
was all your lenses that were weighing
you down. I know from experience
that its easy to fall into the trap of
thinking that you need to take every
lens with you every time you leave the
house However, while this might mean
you are prepared for almost every
photographic opportunity, you also
end up with a bag you can barely lift.
So my advice is simple: choose one
or two lenses or focal lengths each
time you head out. Although this might
feel limiting, it can also be liberating, as
it encourages you to actively seek out
different viewpoints, think about what
youre trying to achieve and use your
legs to nd your shots. There may be
one or two spectacular shots that you
miss along the way because you dont
have the right lens, but is that really the
end of the world if it means you can
carry on enjoying your lifelong hobby
and getting the quality results you are
after? I would say not.
Chris Gatcum
ASK
Be it about modern
technology, vintage
equipment,
photographic
science or help with
technique, here at
AP we have the
team that can help
you. Simply email
your questions
to: apanswers@
ipcmedia.com,
via twitter @ap_
answers or by
post to: Ask
AP, Amateur
Photographer
Magazine, IPC
Media, Blue
Fin Building,
110 Southwark
Street, London
SE1 0SU.
The Pentax K10D

may be heavy, but
the image quality
is spot on
Im sure what you have would

be of interest to someone,
somewhere, but putting a denitive
value on it is very difcult. In isolation, Canon
T90 models are commonplace, although
the price varies dramatically: theyve sold
for as little as 25 for a body and 50mm
f/1.8 lens in online auctions, or as much as
125 for the same combination in a similar
condition. The Data Memory Back 90 is less
commonly seen, but it can still be had for
around 30 indeed, in February of this
year, a T90, complete with a Data Memory
Back 90, sold for just under e70 (around
55) on eBay. In total, 30 bids were made,
so there was certainly interest in the item,
but the market ultimately dictated its nal
value. Its a similar story with your MSX
computers: you dont say what model they
are, but Canon V-20s have sold for as little
as 25 and as much as 70, for example.
So, if you sold your camera and computers
individually, you could possibly expect to
make 100-200-plus.
However, the one item that I have had no
luck in tracking down is the Interface Unit
DMB that links these things together. For
me, that has the potential to make this a
far more interesting proposition. While the
camera, back and associated computers
are fairly easy to come by, the piece that
links them together is not. Indeed, even
nding a picture online of one is quite tricky,
but I did stumble across the website www.
mir.com.my/rb/photography/hardwares/
classics/canont90/htmls/interface.htm,
which shows a T90 with a Data Memory
Back 90 connected to a Canon V-20 MSX
computer. What is most telling is that the
accompanying text states, It took me 12
years to nd one of those interfaces (the
Interface Unit DMB), which gives you an idea
of just how scarce this item appears to be.
How this apparent rarity translates into
pounds and pence is a tricky one, though.
The hardcore Canon collector market could
potentially dig deep for such an uncommon
item, and if you had several interested
parties bidding for it at auction the price
could rise quite quickly, especially if you
were willing to ship worldwide. On the other
hand, you can have the rarest commodity
on the planet, but if nobody wants it then
its worth nothing.
I would welcome suggestions from AP
readers as to a value, but one way of nding
out what your kit is worth (or at least what
people would pay) might be to list your
items as a single lot on eBay, making sure
subscribe 0844 848 0848
Your questions answered
In next weeks AP
On sale Saturday 6 May
AP GLOSSARY
Digital diseases 2
It is worth noting that Windows operating
systems are most prone to malware,
followed by Apple Macs and then Linux
operating systems. This has less to do
with any weakness in Windows and
more to do with an economy of scale:
there are far more Windows users in
the world than Mac and Linux users,
meaning Windows malware is potentially
more lucrative and wide-ranging.
SPYWARE Spyware is fairly selfexplanatory its malware designed to

spy on you. Once it has got into your
computer system, spyware gathers
information from your computer that is
sent elsewhere. The types of spyware
vary: at one end of the spectrum is
spyware that keeps track of the websites
you visit to allow pop-up adverts to be
you opt for international site visibility. Set
a deliberately high reserve price to avoid
giving your items away (maybe 600-plus
for the lot), enable the best offer option
and then see what happens. The aim isnt
necessarily to sell the items (hence setting
an inated reserve price), but to get a
genuine indication of what the market is
willing to pay. It is then up to you whether
or not you want to accept the highest offer
(assuming your reserve isnt met).
Be warned, though, as it will cost you
a small amount to list your equipment
expect to pay around 20 to get the auction
up and running with a 600 reserve. There
would also be the usual selling fees at the
end of the auction if the item sells.
Chris Gatcum
LENS RECOMMENDATION
I have recently received

as a present a Canon
EOS 1100D with a
FROM THE standard lens. I have used this a
FORUM little, but I think I need a telephoto
lens as I want to try getting some
wildlife shots. My partner has offered to buy
me one for my birthday, but which one do I
need? It will be a second-hand lens, as I am
just starting out and dont want to spend too
much money on it. Can anyone recommend
a lens that costs around 100?
ste_m
As you may have seen on the

AP Forum, theres one lens
recommended above all others
when it comes to your budget telephoto
subscribe 0844 848 0848
better targeted at you, while at the other

end of the scale is spyware that records
keystrokes, which can include your online
banking login details and passwords. The
former is more irritating than anything
else, while the latter is clearly dangerous.
TROJAN HORSE A Trojan horse

is a type of malware that is usually
downloaded and installed willingly by
the victim, who is duped into thinking its
something useful (just as its namesake
was willingly dragged into Troy). Unlike a
virus, a Trojan horse isnt self-replicating,
but it is just as nasty. This is because
Trojan horses often create what is known
as a backdoor, which is a means of
allowing someone to gain full access to
the host computer (and all its passwords)
without the owners permission.
buy: the Canon EF-S 55-250mm f/4-5.6
IS. This lens effectively takes over from
the 18-55mm kit lens in terms of focal
length (giving you a seamless range of 18250mm with just two lenses), while offering
a similar build quality and performance. On
your EOS 1100D, the focal length would
be equivalent to 88-400mm, which is ideal
for recording all kinds of wildlife subjects,
both near and far.
A common alternative, at a near-identical
price, is Canons EF 75-300mm f/4-5.6
III, which is often seen as the second lens
in a twin-lens kit. However, although it
would increase the maximum focal length
to a 480mm equivalent on your EOS
1100D, the lack of Image Stabilisation (IS)
means camera shake is likely to be more
a problem. More importantly, the lens is a
much older design that dates back to the
early 1990s. As such, its performance is
not quite as good on
digital cameras as
the designed
for digital
55-250mm
EF-S lens.
Chris Gatcum
You wont go
far wrong with
the Canon
55-250mm
f/4-5.6 IS lens
when shooting
wildlife
ON TEST
NIKON D3300
VS D5300
VS D7100
We compare and
contrast three APS-C
models from Nikon at different price points
MIKE GROOM
In AP 26 April we looked at the difference between computer viruses and worms.

This week its the turn of spyware and Trojan horses.
MASTERCLASS
SPORTS PHOTOGRAPHY
Five AP readers join Mark Pain to capture the

drama of top-ight Premiership rugby
TESTBENCH
SIX OF THE BEST

We take a close look at a
variety of ND grads
on the market today
ON TEST
SONY CYBER-SHOT
DSC-HX400
We nd out whether the

HX400, Sonys replacement
for the NEX-6, lives up to the
success of its predecessor
To advertise please call 020 3148 2508 Fax 020 3148 8155 e-mail julia_laurence@ipcmedia.com
Index to advertisers
Alpha Optical Distribution Ltd .......................59
John Lewis Partnership.......................... Cover: ii
Premier Ink & Photographic ..................... 76-77
Kenro Ltd........................................................59
Sigma Imaging..................................................9
SRB-Griturn Ltd ..............................................14
Calumet Photographic Ltd ..............................49
Leica Camera Ltd ...........................................85
Cameraworld............................................ 78-79
London Camera Exchange.................. 50, 80-81
SRS Ltd...........................................................64
Wex Photographic.............................. 35, 66-69
Camtech...................................................65, 86
Clifton Cameras................................................4
Mifsud Photographic ................................ 74-75
Digital Depot .................................................43
Nicholas Camera Company............................84
WhiteWall......................................................24
Wilkinson Cameras ........................................70

York Cameras (London) Ltd.............................86
Ffordes Photographic Ltd.......................... 82-83
Olympus Imaging & Audio Ltd .............Cover: iv
Grays of Westminster.......................... 20-21, 86
Park Cameras Ltd...................... 71-73, Cover: iii
64
www.amateurphotographer.co.uk | 3 May 2014
Classified.....................87-89
subscribe 0844 848 0848
Digital Photography
DIGITAL PHOTOGRAPHY
CANON EOS 5D BODY COMPLETE WITH ALL ACCESS .......MINT-BOXED 465.00

CANON EOS 5D BODY COMPLETE WITH BATT & CHGR ................EXC++ 375.00
CANON EOS 30D BODY COMPLETE WITH ALL ACCESS .....MINT-BOXED 199.00
CANON EOS 50D COMPLETE WITH ALL ACCESSORIES ..... MINT BOXED 375.00
CANON EOS 50D COMPLETE WITH ALL ACCESSORIES ....EXC++BOXED 325.00
CANON EOS 600D COMPLETE WITH CAN 18-55 I/S LENS... MINT BOXED 375.00
CANON EOS 400D COMPLETE CANON 18-55 MKII + ACCS.MINT-BOXED 189.00
CANON EOS 400D COMPLETE WITH ACCESSORIES...........MINT-BOXED 145.00
CANON EOS 400D + GRIP WITH Ni-CAD BATT + CHGR ..................EXC++ 165.00
CANON EOS 500D COMPLETE WITH ALL ACCESSORIES ... MINT BOXED 199.00
CANON EOS 1000D BODY WITH CANON 18-55 LENS.........................MINT 175.00
CANON POWERSHOT G10 WITH 2 BATTS & CANON CASE MINT BOXED 175.00
CANON POWERSHOT G9 + BATTERY AND CHARGER .....................MINT- 149.00
CANON EOS M WHITE + 18-55 LENS + SB 90 EX KIT ........... MINT BOXED 199.00
CANON 220 EX SPEEDLITE........................................................ MINT CASED 69.00
CANON 430 EX II SPEEDLITE MK II......................................... MINT BOXED 169.00
CANON 550 EX SPEEDLITE......................................................MINT-BOXED 179.00
CANON 580 EX SPEEDLITE...................................................... MINT-CASED 225.00
CANON 580 EX MKII SPEEDLITE ............................................. MINT CASED 269.00
SIGMA EM-140 DG EO-ETTL MK II MACRO FLASH................ MINT BOXED 249.00
CANON BG-E1 BAT GRIP FOR EOS 300D.................................MINT-BOXED 35.00
CANON BG-E2 GRIP FOR EOS 20/30/40D...............................................MINT 49.00
CANON BG-E3 BATT GRIP FOR EOS 350D/400D.....................MINT-BOXED 39.00
CANON BG-E4 BATT GRIP FOR EOS 5D etc............................. MINT BOXED 89.00
CONTAX SL 300R T* COMPACT DIGITAL COMPLETE...........MINT-BOXED 129.00
FUJI X10 COMPLETE WITH CASE AND LENS HOOD ............ MINT BOXED 275.00
FUJI 18mm f2 FUJINON FOR X MOUNT FUJI...........MINT BOXED AS NEW 299.00
NIKON D3 BODY WITH ALL ACCESS 23850 ACTUATIONS MINT-BOXED 1,199.00
NIKON D700 BODY COMPLETE WITH ALL ACCESSORIES ..MINT-BOXED 975.00
NIKON D300 BODY KIT COMPLETE + ALL ACCESSORIES... MINT BOXED 375.00
NIKON D200 BODY KIT COMPLETE WITH ALL ACCESS.......MINT-BOXED 219.00
NIKON D200 BODY KIT COMPLETE WITH ALL ACCESS......EXC++BOXED 189.00
NIKON D3000 BODY COMPLETE WITH ACCESSORIES........ MINT BOXED 149.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS.............................MINT- 189.00
NIKON D80 BODY COMPLETE WITH ACCESS.................................... EXC+ 159.00
NIKON D70 BODY COMP WITH NIK 18-70 AFS LENS............ MINT BOXED 275.00
NIKON D70 BODY WITH ACCESSORIES.................................MINT-BOXED 145.00
NIKON D60 BODY COMPLETE WITH ALL ACCESSORIES .... MINT BOXED 175.00
NIKON 1 V2 WITH 10-30mm VIRTUALLY UNUSED KIT .......... MINT BOXED 475.00
NIKON 10 - 100 f4.5/5.6 PD -ZOOM VR1 FOR NIKON 1 SYS.. MINT BOXED 399.00
NIKON J1 COMPLETE WITH 10 - 30 LENS & CHARGER.....................MINT- 145.00
NIKON MB-D10 BATTERY GRIP FOR D300/300S/700............. MINT BOXED 195.00
NIKON MB-D10 BATTERY GRIP FOR D300/300S/700........................EXC++ 145.00
NIKON MB-D200 BATT GRIP FOR NIKON D200........................ MINT BOXED 75.00
NIKON MB-D80 BATT GRIP FOR NIKON D80/D90 ...............................EXC++ 50.00
NIKON SB50 DX SPEEDLIGHT COMPLETE ..............................MINT-BOXED 59.00
NIKON SB400 SPEEDLIGHT & CASE......................................... MINT CASED 85.00
NIKON SB600 SPEEDLIGHT + CASE ....................................... MINT-CASED 169.00
NIKON SB800 SPEEDLIGHT .................................................... MINT- CASED 195.00
NIKON SB900 SPEEDLIGHT + EXT BATT PACK+ DIFFUSER MINT-CASED 245.00
SIGMA 140 DG MACRO FLASH iTTL FOR NIKON................... MINT BOXED 245.00
SIGMA EF-530 DG ST ELECTRONIC FLASH Ittl NIKON FIT..... MINT BOXED 75.00
NIKON SC 29 TTL REMOTE CORD ..........................................................MINT 49.00
SIGMA 10-20mm f4/5.6 DC EX HSM FOR OLYMPUS 4/3rds....MINT+HOOD 289.00
OLYMPUS HLD-5 BATTERY GRIP FOR E620 BODY ..............................MINT 39.00
OLYMPUS 12 - 60mm f2.8/4 SWD ZUIKO DIG ED 4/3RDS...... MINT CASED 575.00
OLYMPUS 14 - 45mm f3.5/5.6 ZUIKO DIGITAL 4/3rds LENS......MINT+HOOD 99.00
OLYMPUS 14 - 42mm f3.5/5.6 MK II R MSC MICRO 4/3rds .MINT AS NEW 165.00
PANASONIC 45 - 200mm f4/5.6 LUMIX G VARIO MIC 4/3rds.. MINT BOXED 185.00
PANASONIC LUMIX DMC-G6 TOTALLY AS NEW LATEST..... MINT BOXED 375.00
PANASONIC LUMIX DMC-G2 BODY & CHARGER................................MINT 119.00
PANASONIC GX1 BODY COMPLETE WITH ALL ACCESS .....MINT-BOXED 189.00
PANASONIC GF1 BODY COMP WITH ACCESSORIES............. MINT BOXED 99.00
PANASONIC GF2 BODY COMPLETE WITH ALL ACCESS ..... MINT BOXED 145.00
PANASONIC DMW-LVF1 LIVE VIEWFINDER FOR GF1............ MINT BOXED 95.00
PANASONIC 20mm f1.7 LUMIX G MICRO 4/3rds LENS........... MINT BOXED 215.00
METZ 48 AF-1 FLASH UNIT FOR OLYMPUS/PANASONIC....................MINT- 99.00
SONY ALPHA 28 - 75mm f2.8 SAM LENS................................. MINT BOXED 249.00
SIGMA 18 - 200mm f3.5/6.3 DC SLD GLASS FOR SONY........ MINT BOXED 125.00
SONY ALPHA HVL-F36AM FLASH GUN................................... MINT CASED 145.00
Canon Autofocus, Digital Lenses, Canon FD
CANON AUTOFOCUS, DIGITAL LENSES, CANON FD
CANON EOS 1NRS BODY....................................................................EXC++ 199.00

CANON EOS 1 BODY.............................................................................. EXC+ 115.00
CANON EOS 3 BODY..............................................................................MINT- 125.00
CANON EOS 3 BODY............................................................................EXC++ 115.00
CANON EOS 5 BODY............................................................................EXC+++ 59.00
CANON 20 - 35mm f2.8 USM L ............................................................MINT- 575.00
CANON 70 - 200mm f4 USM L ................................................ MINT BOXED 445.00
CANON 70 - 300mm f4/5.6 USM IMAGE STAB DO LENS........ MINT BOXED 599.00
CANON 200mm f2.8 USM L MK II WITH HOOD...................................MINT 499.00
CANON TRIPOD RING FOR 200mm f2.8/70-200mm f4............................MINT 79.00
CANON 40mm f2.8 STM LENS .................................................. MINT BOXED 139.00
CANON 50mm f1.8 MARK 1 (VERY RARE NOW)...................................MINT 175.00
CANON 50mm f1.4 USM ............................................................ MINT BOXED 225.00
CANON 17 - 55mm f2.8 USM IMAGE STABILIZER...................MINT-BOXED 545.00
CANON 17 - 85mm f4/5.6 IMAGE STABILIZER.......................................MINT 179.00
CANON 18 - 55mm f3.5/5.6 MK II ..............................................................MINT 59.00
CANON 18 - 55mm f3.5/5.6 IS MK II IMAGE STABILIZER........................MINT 99.00
CANON 28 - 80mm f3.5/5.6 USM MK V.....................................................MINT 49.00
CANON 28 - 90mm f4/5.6 USM..................................................................MINT 69.00
CANON 28 - 105mm f3.5/4.5 USM...........................................................MINT 125.00
CANON 28 - 200mm f3.5/5.6 USM...........................................................MINT 149.00
CANON 35 - 80mm f4/5.6 EF MKIII............................................................MINT 39.00
CANON 55 - 250mm f4/5.6 MKII IMAGE STABILIZER.............. MINT BOXED 159.00
CANON 70 - 300mm f4/5.6 USM IMAGE STAB DO LENS........ MINT BOXED 599.00
CANON 70 - 300mm f4/5.6 USM IMAGE STABILIZER...............MINT+HOOD 299.00
CANON 75 - 300mm f4.5/5.6 + HOOD.......................................................MINT 89.00
CANON 75 - 300mm f4.5/5.6 MK III ............................................. MINT BOXED 99.00
CANON 75 - 300mm f4.5/5.6 USM MK III ................................................MINT 125.00
CANON 58mm CLOSE UP LENS TYPE 500D ............................ MINT BOXED 49.00
KENCO DG CANON FIT TUBE SET 12,20,36mm....................... MINT BOXED 99.00
CANON EF 1.4x EXTENDER MK I...........................................................MINT 179.00
CANON EF 2.0x EXTENDER MK I............................................. MINT CASED 199.00
CANON EF 2.0x EXTENDER MK II............................................ MINT BOXED 239.00
KENCO TELEPLUS PRO 300 DGX 2.0 TELECONVERTER..... MINT BOXED 165.00
TELEPLUS MC7 7 ELEMENT 2x TELECONVERTER..............................MINT- 89.00
CANON 540 EZ FLASH + INST.................................................... MINT BOXED 69.00
CANON 540 EZ FLASH + INST................................................... MINT- CASED 59.00
CANON 420 EZ FLASH................................................................ MINT CASED 39.00
CANON RS-80N3 REMOTE SWITCH.......................................... MINT BOXED 29.00
CANON TC-80N3 REMOTE CONTROLLER................................ MINT BOXED 85.00
CANON ST-E2 SPEEDLITE TRANSMITTER............................. MINT BOXED 125.00
CANON ANGLE FINDER B .......................................................... MINT BOXED 79.00
CANON LC3 TRANSMITTER AND RECIEVER.......................................MINT 115.00

CANON PB-E2 BOOSTER FOR CANON EOS1/1N/3 etc ........................MINT- 75.00
SIGMA 4.5mm f2.8 EX DC HSM CIRCULAR FISHEYE............. MINT CASED 499.00
SIGMA 10mm f2.8 EX DC FISHEYE HSM................................. MINT BOXED 345.00
SIGMA 14mm f2.8 ASPHERICAL CANON FIT .......................... MINT BOXED 375.00
SIGMA 105mm f2.8 EX DG MACRO SUPERB SHARP LENS.. MINT BOXED 345.00
SIGMA 400mm f5.6 APO MACRO.............................................MINT--CASED 295.00
SIGMA 70 - 300mm f4/5.6 APO MACRO + HOOD...................................MINT- 59.00
SIGMA 170 - 500mm f5/6.3 APO COMP WITH HOOD..............MINT-BOXED 395.00
TAMRON 90mm f2.8 SP Di MACRO LENS ............................... MINT BOXED 249.00
TAMRON 10 - 24mm f3.5/4.5 Di II LD AF SP ASPHERIC......... MINT BOXED 279.00
TAMRON 28 - 75mm f2.8 XR DI LD ASPHERIC (LATEST) ...... MINT BOXED 245.00
TAMRON 55 - 200mm f4/5.6 LD MACRO Di II............................. MINT BOXED 65.00
TOKINA 10 - 17mm f3.5/4.5 AT-X DX LENS (LATEST)...........................MINT 345.00
CANON F1 AE BODY 1984 L.A OLYMPIC LTD ED .........MINT BOXED NEW 995.00
Contax G Compacts & SLR & Ricoh
CONTAX G COMPACTS AND SLR & RICOH
CONTAX G1 BODY ................................................................................MINT-- 175.00

CONTAX T2 TITANIUM COMPACT SUPERB ........................... MINT CASED 245.00
CONTAX TiX TITANIUM COMPACT + LEATHER CASE.......... MINT CASED 399.00
CONTAX 21mm f2.8 BIOGON T* WITH FILTER & FINDER ..... MINT CASED 695.00
CONTAX 28mm f2.8 BIOGON G + FILTER & CONTAX HOOD .. MINT BOXED 299.00
CONTAX 90mm f2.8 SONNAR G + HOOD + FILTER, CAP .................MINT 199.00
CONTAX 90mm f2.8 SONNAR G + HOOD.............................MINT- BOXED 219.00
CONTAX TLA 140 FLASH FOR G1/G2........................................ MINT CASED 65.00
CONTAX TLA 200 FLASH FOR G1/G2........................................ MINT CASED 89.00
CONTAX GD1 DATABACK FOR CONTAX T3.............................MINT-BOXED 69.00
CONTAX SA-2 FLASH ADAPTOR .............................................................MINT 55.00
CONTAX AX AUTOFOCUS BODY (RARE NOW) ..................................MINT- 399.00
CONTAX ARIA BODY (STRAP, INSTRUCTIONS) ...................EXC++BOXED 199.00
CONTAX FIT YASHICA 28mm f2.8 SUPERB CONDITION.......................MINT 65.00
CONTAX 45mm f2.8 TESSAR T* PANCAKE LENS + HOOD .................MINT 225.00
CONTAX 50mm f1.7 PLANAR AE............................................................MINT 125.00
CONTAX 85mm f1.4 PLANAR MM..........................................................MINT- 425.00
CONTAX 135mm F2.8 SONNAR T* MM...................................EXC++BOXED 195.00
CONTAX TLA 280 FLASH.........................................................................MINT- 95.00
RICOH GR1 V DATE COMP + CASE & HOYA FILTER SET....MINT-BOXED 295.00
Leica M, R & Screw & Binoculars
LEICA M , R , & SCREW & BINOCULARS
LEICA M7 FLAG BODY RARE LIMITED EDITION UK FLAG....MINT-BOXED 1,575.00

LEICA M7 BLACK BODY COMPLETE REALLY NICE ...........MINT-BOXED 1,399.00
LEICA M6 CLASSIC CHROME BODY COMPLETE ..................MINT-BOXED 799.00
LEICA M6 PANDA BODY WITH STRAP & INSTRUCTIONS .... MINT BOXED 875.00
LEICA M4-P 70TH ANNIVERSARY 1913-1983 .....................MINT- BOXED 1,195.00
LEICA M4 P BLACK BODY ........................................................MINT-BOXED 995.00
LEICA M2 BODY COMPLETE WITH INST BOOK.....................MINT-BOXED 895.00
LEICA M2 BODY WITH LEICA METER MR & LEICA CASE..............EXC+++ 699.00
LEICA M3 BODY DOUBLE WIND .......................................................EXC+++ 595.00
LEICA Mda BODY SER No 12659XX CIRCA 1970 ................................MINT- 575.00
LEICA Mda BODY SER No 14111XXCIRCA 1975-76 ..........................EXC++ 475.00
LEICA III BODY REALLY NICE CLEAN BODY WITH CASE..................MINT- 295.00
LEICA III BODY SER No 1816XX C1945 NEEDS SERVICE................EXC++ 179.00
LEICA CL BODY COMP WITH 40mm f2 SUMMICRON.........................MINT- 795.00
LEICA CL BODY ......................................................................................MINT- 495.00
MINOLTA CLE WITH 40mm f2 ROKKOR .............................................EXC++ 499.00
MINOLTA CLE BODY COMPLETE WITH CASE..................................EXC++ 365.00
VOIGTLANDER 28mm f1.9 WITH M RING..............................................MINT 365.00
VOIGTLANDER 50mm f1.1 NOKTON LEICA M MOUNT ..........MINT-BOXED 745.00
LEICA 35mm f2 SUMMICRON BLACK No 36396## + HOOD MINT CASED 1,299.00
LEICA 35mm f3.5 SUMMARON M WITH LEICA FILTER.......................MINT- 395.00
LEICA 50mm f1.5 SUMMARIT M WITH RARE XOONS HOOD .............MINT- 475.00
LEICA 50mm f1.5 SUMMARIT SCREW WITH XOONS HOOD..............MINT- 399.00
LEICA 50mm f2 SUMMICRON BLACK No33829## + HOOD EXC+++CASED 875.00
LEICA 50mm f2 SUMMICRON COLLAPSIBLE.......................................MINT- 399.00
LEICA 50mm f2 SUMMICRON CHROME M FIT.................................EXC+++ 595.00
LEICA 50mm f2 CLOSE FOCUS SUMMICRON WITH SPECS..............MINT- 695.00
LEICA 50mm f2 CLOSE FOCUS SUMMICRON .....................................MINT- 595.00
LEICA 50mm f2.5 SUMMARIT M 6 BIT LATEST....................... MINT BOXED 765.00
LEICA 90mm f2 SUMMICRON BLACK (BUILT IN HOOD)........ MINT BOXED 875.00
LEICA 90mm f2.5 SUMMARIT M 6 BIT LATEST + HOOD......................MINT 875.00
LEICA EVER READY CASE 14505 FOR M7/M6/M6TTL etc.....MINT-BOXED 125.00
LEICA M GRIP FOR M7/M6/M6TTL etc.....................................................MINT 49.00
LEICA SF20 FLASH FOR M7/M6/M6ttl etc .................................. MINT BOXED 95.00
LEICA 5cm f2.8 COLLAPSIBLE ELMAR SCREW...................................MINT- 299.00
LEICA 90mm f4 COLL ELMAR M MOUNT.........................EXC++IN KEEPER 145.00
LEICA 90mm f4 C ELMAR + HOOD.........................................................MINT 395.00
LEICA 135mm f4.5 HEKTOR + HOOD M MOUNT .................................EXC++ 99.00
LEICA 135mm f4.5 HEKTOR IN KEEPER...........................................EXC+++ 199.00
LEICA 90mm f4 ELMAR BLACK SCREW...............................................MINT- 145.00
LEICA 135mm f4.5 HEKTOR + HOOD SCREW .....................................EXC++ 99.00
LEICA SBOO1 FINDER FOR 50mm LENSES + CASE............. MINT-CASED 125.00
LEICA WINDER M4-2 FOR M4 etc.............................................MINT-BOXED 145.00
LEICA R5 BODY BLACK .........................................................................MINT- 299.00
LEICAFLEX SL BODY CHROME ...............................................MINT-BOXED 299.00
LEICA 28 - 70mm f3.5/4.5 R VARIO ELMAR ROM LENS.........MINT-BOXED 565.00
LEICA 180mm f4 ELMARIT R 3 CAM ...................................................EXC++ 345.00
LEICA MOTORWINDER AND STRAP FOR R6 etc................... MINT BOXED 145.00
MINOX 10 x 25 BR COMPACT BINOCULARS + CASE............................MINT 99.00
ZEISS 6 x 20 B MONOCULAR WITH CASE.............................. MINT CASED 125.00
BRONICA SQA/i/M POLAROID MAGAZINE BACK ..................... MINT BOXED 69.00

BRONICA 135W BACK FOR SQ VERY RARE...................................EXC+++ 165.00
BRONICA SPEED GRIP FOR SQA/SQAi .................................................MINT- 59.00
FUJI 645 WIDE S PROFFESSIONAL WIDE 60......................... MINT-CASED 395.00
FUJI GW 690 MK III PROFFESSIONAL.....................................MINT-BOXED 599.00
FUJI GW 670 MK III C/W 90mm f3.5 LENS ............................... MINT BOXED 675.00
MAMIYA 6 BODY WITH 50mm f4 G FOR 6 + HOOD,FILT...............MINT- 1,265.00
MAMIYA 150mm f4.5 G WITH HOOD....................................................MINT 365.00
MAMIYA 43mm f4.5 WITH FINDER & HOOD FOR 7/7II ........... MINT BOXED 799.00
MAMIYA 150mm f4.5 WITH HOOD FOR 7/7II ........................... MINT BOXED 395.00
MAMIYA 150mm f4.5 + HOOD FOR MAMIYA 7/7II.................................MINT 425.00
MAMIYA 180mm F4.5 SEKOR Z W FOR RZ...........................................MINT 199.00
MAMIYA 250mm f4.5 LENS FOR RZ......................................................MINT- 195.00
MAMIYA 150mm f3.5 A/F FOR 645 A/F...................................................MINT 299.00
MAMIYA 210mm f4 SEKOR C FOR 645.................................... MINT CASED 195.00
MAMIYA 180mm F4.5 SEKOR FOR RB...................................................MINT 169.00
MAMIYA RZ 67 PRO BACK.......................................................................MINT- 69.00
MAMIYA 220 BACK FOR RZ 67................................................................MINT- 95.00
PENTAX 645N II A/F WITH PENTAX 45-85 ZOOM LENS .....................MINT- 599.00
PENTAX 6x7 BODY WITH 55mm f4 LENS (DENT TO PRISM)...........EXC++ 645.00
PENTAX 55mm f3.5 TAKUMAR SMC FOR 6x7......................................MINT- 195.00
PENTAX 55mm f2.8 FOR PENTAX 645..................................... MINT BOXED 199.00
PENTAX 200mm F4 FOR PENTAX 67 + FILTER AND HOOD ..............MINT- 199.00
ROLLEIFLEX SCHNEIDER 150mm f4.6 MAKRO FOR 6008 .................MINT- 575.00
WISTA TYPE N 4x5 MOUNT ROLL FILM HOLDER FOR 6x7 ..MINT-BOXED 145.00
YASHICAMAT 124G COMPLETE WITH CASE ....................................EXC++ 179.00
YASHICAMAT 124G COMPLETE WITH CASE ......................................MINT- 199.00
Hasselblad
HASSELBLAD
HASSELBLAD 503 Cxi BODY + WLF .....................................................MINT- 495.00

HASSELBLAD 500CM + 80mm f2.8 T* + HOOD BLACK .......................MINT- 675.00
HASSELBLAD 500CM BODY WITH 80mm f2.8 T* + HOOD..................MINT- 695.00
HASSELBLAD 90mm f4 FOR XPAN ................................... MINT-IN KEEPER 365.00
HASSELBLAD 500EL/M BODY + A12 BLACK BACK...........................EXC++ 299.00
HASSELBLAD 50mm f4 CF FLE DISTAGON + HOOD ............. MINT BOXED 699.00
HASSELBLAD 150mm f4 SONNAR CF ..............................................EXC+++ 375.00
HASSELBLAD 4504 PRO FLASH COMPLETE .........MINT BOXED UNUSED 145.00
HASSELBLAD A12 BACK......................................................................EXC+++ 99.00
HASSELBLAD CW WINDER + REMOTE.................................................MINT 299.00
HASSELBLAD PLAIN PRISM...................................................................... EXC 75.00
HASSELBLAD PM PRISM........................................................................MINT 199.00
HASSELBLAD 500CM/503 WLF BLACK..................................................MINT 125.00
HASSELBLAD EXTENSION TUBE 16E F.................................................MINT- 75.00
Nikon Auto-Focus, Digital Lenses & Accessories
NIKON AUTO-FOCUS , DIGITAL LENSES & ACCESSORIES
NIKON F55 BODY.........................................................................MINT-BOXED 39.00

NIKON 10.5mm f2.8 G IF-ED A/F DX FISHEYE LENS ........... MINT BOXED 395.00
NIKON 28mm f2.8 A/F ..............................................................................MINT 129.00
NIKON 35mm f2 A/F ................................................................................MINT- 125.00
NIKON 50mm F1.8 A/F...............................................................................MINT 79.00
NIKON 50mm f1.4 A/F + FILTER.............................................................MINT- 175.00
NIKON 85mm f1.4 A/F D WITH HOOD.................................... MINT BOXED 645.00
NIKON 100mm f2.8 AIS SERIES E GREAT PORTRAIT LENS..............MINT- 100.00
NIKON 180mm f2.8 A/F D IF-ED LATEST LENS....................... MINT BOXED 465.00
NIKON 17 - 55mm f2.8 f2.8 G IF-ED AF-S + HOOD ............... MINT BOXED 695.00
NIKON 18 - 35mm f3.5/4.5 D IF-ED A/F ..................................MINT-BOXED 325.00
NIKON 18 - 55mm f3.5/5.6 G DX AF-S VIBRATION RED......... MINT BOXED 99.00
NIKON 18 - 70mm f3.5/4.5 G DX IF ED AF- S CASED............MINT+HOOD 149.00
NIKON 18 - 105mm f3.5/5.6 G DX ED AF-S VIBR RED.......... MINT CASED 149.00
NIKON 18 - 200mm f3.5/5.6 G DX ED AF-S VR II LATEST.... MINT BOXED 465.00
NIKON 24 - 120mm f3.5/5.6 A/F I/F ED AF-S VR...................... MINT BOXED 245.00
NIKON 35 - 70mm f3.3/4.5 A/F..................................................................MINT- 75.00
NIKON 35 - 80mm f4.5/5.6 A/F D............................................... MINT BOXED 55.00
NIKON 35 - 105mm f3.5/4.5 A/F WITH MACRO......................................MINT 129.00
NIKON 35 - 135mm f3.5/4.5 A/F + HOOD...............................................MINT- 129.00
NIKON 70 - 200mm f2.8 IF/ED AF-S VIBRATION REDUCTIONMINT BOXED 999.00
NIKON 70 - 300mm f4/5,6 G BLACK .........................................MINT-BOXED 95.00
NIKON 70 - 300mm f4/5.6 D ED ..............................................MINT-BOXED 145.00
NIKON 70 - 300mm f4.5/5.6 G IF-ED AF-S VIB REDUC......... MINT BOXED 299.00
NIKON 80 - 200mm f2.8 IF-ED A/F .......................................................EXC++ 295.00
NIKON 80 - 200mm f2.8 IF-ED A/F D 2 TOUCH ..................... MINT CASED 595.00
NIKON 80 - 400mm f4.5/5.6 D ED VIBRATION REDUC ...........MINT-BOXED 699.00
NIKON TC14E MKII 1.4x TELECONVERTER............................ MINT BOXED 275.00
NIKON TC17E MKII 1.7x TELECONVERTER............................ MINT BOXED 275.00
NIKON TC20E AF-1 2.0X TELECONVERTER...........................MINT-BOXED 145.00
NIKON TC20E II AF-S TELECONVERTER.............................................MINT- 195.00
NIKON SB28 SPEEDLIGHT .........................................................MINT-BOXED 65.00
TAMRON 1.4x A/F D TELECONVERTER NIKON FIT.............................MINT 75.00
NIKON MC 36 TIMER REMOTE CONTROL FOR D700/200/300.............MINT- 99.00
NIKON DA20 ACTION FINDER FOR NIKON F4/S/E...............................MINT 195.00
SIGMA 20mm f1.8 EF DG ASPHERIC RF (LATEST)................ MINT BOXED 299.00
SIGMA 24mm F2.8 A/F + HOOD................................................................MINT 49.00
SIGMA 70mm f2.8 EX DG MACRO (LATEST VERSION).......... MINT BOXED 299.00
SIGMA 85mm f1.4 EX DG HSM (LATEST MODEL) .................. MINT BOXED 499.00
SIGMA 105mm f2.8 DG MACRO + HOOD................................. MINT BOXED 265.00
SIGMA 180mm f5.6 MACRO A/F APO....................................... MINT BOXED 175.00
SIGMA 500mm f4.5 EX DG HSM .....................................................EXC+++ 1,799.00
SIGMA 17 - 35mm f2.8/4 EX ASHERICAL................................EXC++BOXED 159.00
SIGMA 18 - 35mm f3.5/4.5 ASPHERICAL.................................... MINT BOXED 79.00
SIGMA 28 - 200mm f3.8/5.6 WITH RUBBER HOOD................................MINT- 49.00

SIGMA 50 - 500mm f4.5/6.3 DG HSM OPTICAL STABILISER .MINT-BOXED 845.00
SIGMA 55 - 200mm f4/5.6 DC HSM............................................. MINT BOXED 89.00
SIGMA 135 - 400mm f4.5/5.6 D APO..................................................EXC++ 275.00
SIGMA 150 - 500mm f5/6.3 DG HSM OPTICAL STABILISER .. MINT BOXED 565.00
TAMRON 17 - 50mm f2.8 XR Di II VC WITH MOTOR............... MINT BOXED 275.00
TAMRON 28 - 300mm f3.5/6.3 I/F LD Di ASPHERIC VC ...........MINT+HOOD 399.00
TAMRON 55 - 200mm f4/5.6 LD MACRI Di II .............................. MINT BOXED 99.00
TOKINA 35mm F2.8 ATX-PRO DX MACRO 1:1 (LATEST)....... MINT BOXED 295.00
TOKINA 12 - 24mm f4 IF DX ASPHERICAL AT-X PRO.............MINT+HOOD 299.00
TOKINA 16 - 50mm f2.8 ASPHERICAL AT-X PRO DX ............. MINT BOXED 275.00
Nikon Manual
NIKON MANUAL
NIKON F3 TITANIUM BLACK BODY..........................................MINT-BOXED 675.00

NIKON F3 HP WITH MD4 DRIVE (FROM COLLECTION)......................MINT- 495.00
NIKON F3 PLAIN PRISM (FROM A COLLECTION)MINT .......................MINT 395.00
NIKON F3 HP T TITANIUM BODY..........................................................MINT- 595.00
NIKON F3 BODY REALLY CLEAN BODY ..............................................MINT- 299.00
NIKON F2 A PHOTOMIC BODY CHROME.............................................MINT- 395.00
NIKON F2 BODY WITH MD2/MB1 DRIVE + 50mm f2 NIKKOR.............MINT- 499.00
NIKON F2 PLAIN PRISM (VERY SLIGHT DINK ON PRISM).............EXC+++ 345.00
NIKON F2 PHOTOMIC BODY CHROME................................................MINT- 345.00
NIKON FE2 BODY CHROME..................................................................MINT- 195.00
NIKON FE2 BLACK BODY ....................................................................EXC++ 165.00
NIKKOREX WITH 50mm f2 NIKOR LENS...............................................EXC++ 99.00
NIKON F3 CF 100 BERGUNDY CASE F3 WITH MD4 (RARE)..........EXC+++ 199.00
NIKON F3 CF 20 BERGUNDY CASE FOR F3..........................................MINT- 69.00
NIKON 16mm f2.8 AI COMPLETE WITH FILTERS ..............................EXC++ 299.00
NIKON 24mm f2.8 AIS SUPERB SHARP LENS ......................................MINT 225.00
NIKON 28mm f2.8 AI..............................................................................EXC++ 169.00
NIKON 28mm f3.5 AI..............................................................................EXC+++ 99.00
NIKON 28mm f3.5 AIS..............................................................................MINT 125.00
NIKON 35mm f2.8 PC SHIFT MANUAL EARLY .....................................MINT- 295.00
NIKON 45mm f2.8 GN NIKKOR...............................................................MINT- 199.00
ZEISS 50mm f1.4 NIKON FIT (SUPERB LENS) ........................ MINT BOXED 345.00
NIKON 50mm f1.4 AI..............................................................................EXC++ 145.00
NIKON 50mm F1.8 AIS (FROM A COLLECTION ....................................MINT 115.00
NIKON 50mm f2 AI SUPERB PRIME LENS.................................MINT-BOXED 49.00
NIKON 55mm f2.8 MICRO NIKKOR AIS.................................................MINT- 159.00
NIKON 55mm f2.8 MICRO NIKK AIS (FROM A COLLECTION) MINT BOXED 225.00
NIKON 85mm f2 AIS (FROM A COLLECTION) ......................... MINT BOXED 275.00
NIKON 105mm f2.5 AIS (FROM A COLLECTION) .................... MINT BOXED 295.00
NIKON 105mm f2.5 AIS.......................................................................EXC+++ 199.00
NIKON 105mm f2.5 AI SCOLLOP FOCUS RING....................................MINT- 195.00
NIKON 105mm f4 AIS MICRO NIKKOR..................................................MINT- 275.00
NIKON 135mm f2.8 AIS SHORT TELEPHOTO B/IN HOOD....................MINT 195.00
NIKON 200mm f4 NIKKOR Q ....................................................... MINT-CASED 95.00
NIKON 500mm f8 MIRROR LENS WITH FILTER SET.............. MINT CASED 345.00
NIKON 28 - 50mm f3.5 AIS + HOOD.......................................................MINT- 199.00
NIKON 35 - 70mm f3.3/4.5 ZOOM NIKKOR MACRO AIS ......................MINT- 169.00
NIKON 35 - 105mm f3.5/4.5 AIS ZOOM MACRO ...................... MINT BOXED 195.00
NIKON 35 - 105mm f3.5/4.5 AIS ZOOM MACRO .................................EXC++ 139.00
NIKON 35 - 135 f3.5/4.5 AIS.................................................................... EXC+ 165.00
NIKON 43 - 86mm f3.5 AI ZOOM ............................................................EXC++ 69.00
NIKON 70 - 210mm f4.5/5.6 NIKKOR...........................................MINT-BOXED 65.00
NIKON PB5 BELLOWS WITH PS5 SLIDE COPY ADAPTOR ... MINT BOXED 165.00
NIKON PB6 BELLOWS WITH DOUBLE CABLE RELEASE....................MINT 199.00
NIKON MF-24 250 EXPOSURE FILM BACK FOR F4S/F4E ..................MINT- 299.00
NIKON MD4 DRIVE FOR F3/F3T/F3P .....................................................MINT 125.00
NIKON MD12 MOTOR DRIVE FOR FM3a/FM2/FE2/FM/FE ................EXC+++ 79.00
NIKON PK13 AUTO EXTENSION RING ......................................MINT-BOXED 55.00
NIKON PK12 AUTO EXTENSION RING .................................................EXC++ 49.00
NIKON PK11 AUTO EXTENSION RING ....................................................MINT 49.00
NIKON PN11 AUTO EXTENSION RING....................................................MINT 75.00
NIKON TC 16A TELECONVERTER A/F ....................................................MINT 79.00
NIKON TC 200 CONVERTER.....................................................................MINT 69.00
NIKON TC 201 CONVERTER..................................................................EXC++ 89.00
NIKON TC 301 CONVERTER..................................................................MINT- 145.00
NIKON SB 16A FLASH FOR ALL NIKON F3 CAMERAS .......... MINT BOXED 129.00
NIKON SB 16 FLASH FOR F3/FM2/FM3/FE/FE2...................... MINT-CASED 119.00
NIKON SB 16 FLASH FOR F3...................................................... MINT-CASED 75.00
Olympus Manual
OLYMPUS MANUAL
OLYMPUS OM2N BODY CHROME........................................................MINT- 129.00

OLYMPUS OM2N BODY BLACK ............................................................MINT- 129.00
OLYMPUS OM2 SPOT BLACK ...............................................................MINT- 129.00
OLYMPUS OM2 BLACK ........................................................................EXC++ 115.00
OLYMPUS 35mm f2.8 ZUIKO....................................................................MINT- 69.00
OLYMPUS 50mm F1.8 ZUIKO....................................................................MINT 49.00
OLYMPUS 50mm f3.5 MACRO ...............................................................MINT- 129.00
OLYMPUS 55mm f1.2 G ZUIKO AUTO S (VERY RARE LENS)MINT-CASED 395.00
OLYMPUS 135mm f3.5 ZUIKO..................................................... MINT-CASED 49.00
OLYMPUS 75 - 150mm f4 ZUIKO ................................................ MINT BOXED 59.00
OLYMPUS WINDER II ...............................................................................MINT- 39.00
OLYMPUS T32 FLASH............................................................................EXC++ 29.00
OLYMPUS F280 FLASH UNIT...................................................................MINT- 49.00
OLYMPUS VARIOMAGNIFINDER..............................................................MINT 89.00
Medium & Large Format
MEDIUM & LARGE FORMAT
BRONICA ETRSi COMPLETE WLF,120 BACK, 75mm LENS................MINT- 245.00

BRONICA ETRS + WLF, 75mm + 120 BACK + SPEED GRIP.............EXC++ 195.00
BRONICA 40mm f4 ZENZANON FOR ETRS/ETRSi ..............................MINT- 159.00
BRONICA 50mm f2.8 ZENZANON MC .................................................EXC+++ 99.00
BRONICA 150mm f3.5 ZENZANON E MC................................... MINT BOXED 99.00
BRONICA 150mm f3.5 ZENZANON E MC.................................................MINT 89.00
BRONICA 150mm F4 E .............................................................................MINT- 89.00
BRONICA ETRSi 120 BACK......................................................................MINT- 79.00
BRONICA AE I I I METERED PRISM......................................... MINT BOXED 195.00
BRONICA AEII METERED PRISM............................................................ EXC+ 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSi .............................................MINT 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSi ..........................................EXC++ 59.00
BRONICA SPEEDGRIP FOR ETRS/ETRSi ..............................................MINT- 45.00
BRONICA MOTOR WINDER E..............................................................EXC+++ 89.00
BRONICA 150mm f3.5 ZENZANON S.....................................................MINT- 165.00
BRONICA SQAi COMP WITH 80mm PS,WLF,120 BACK.......................MINT 475.00
BRONICA SQA + 80mm f2.8 S, PRISM FDR,BACK, GRIP.....MINT-/EXC+++ 395.00
BRONICA 50mm f3.5 PS LENS.................................................. MINT BOXED 195.00
BRONICA 65mm f4 ZENZANON PS FOR SQ ........................... MINT-CASED 145.00
BRONICA 110mm f4 PS ZENZANON MACRO FOR SQ........... MINT-CASED 365.00
BRONICA 150mm f4 PS ZENZANON FOR SQ ......................... MINT-CASED 145.00
BRONICA 200mm f4.5 PS LENS WITH HOOD ......................... MINT BOXED 179.00
BRONICA PRISM ME METERED FOR SQA/SQAi...................................MINT- 89.00
BRONICA SQAi 120 MAGAZINE BACK.....................................................MINT 69.00
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D3300
NEW!
1 V3
D5200
Black, Red
or Grey
D5300
Black,
Red or
Bronze
14.2
megapixels
24.2
15.0 fps
15m
waterproof
From
megapixels
megapixels
5.0 fps
1080p
5.0 fps
1080p
5.0 fps
1080p
movie mode
NEW! Nikon 1: V3
729
+ EVF + Grip
729
799
499
From 508
D5200
Camera Control Pro 2
699
659
D3200 Body
D3200 + 18-55mm f3.5-5.6 VR II
D7000
D7100
16.2
24.1
From 619
D5300
508 D5300 Body

499 D5200 Body
519 D5200 + 18-55mm f3.5-5.6 G AF-S VR II 549
D3300 Body
D3300 + 18-55mm VR II
1049
Nikon 1 AW1 + 11-27.5mm

Silver, White or Black
V2 + 10-30mm Lens
60
CASHBACK*
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movie mode
D3300 Body
NEW! Nikon 1 V3 Body

NEW! Nikon 1 V3 +10-30mm lens
NEW! Nikon 1 V3 +10-30mm lens
24.2
24.1
megapixels
Remotely control most functons

of your Nikon DSLR from a
computer via USB or wireless.
FULL Package 135.95 Upgrade 49.99
309
349
559 Inc Cashback*

Price you pay today 619
D5300 + 18-55mm VR II
629 Inc Cashback*
D5300 + 18-140mm VR 819 Inc Cashback*
D800
D610
24.3
megapixels
megapixels
megapixels
6.0 fps
100
6.0 fps
1080p
movie mode
579
D7000 Body
739 Inc Cashback*

D7100 +18-105mm VR 879 Inc Cashback*
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GX7 Black
NEW!
10.0 fps
NEW! A6000
A99
1649
Body 589
Body 1799
1669
A7 Body
A7 + 28-70mm
1235
1489
RECOMMENDED LENSES:
Sony FE 55mm F1.8 ZA Carl Zeiss Sonnar T*
Sony FE 35mm f2.8 ZA Carl Zeiss Sonnar T*
OM-D E-M10
NEW! A6000 Body

NEW! A6000
+ 16-50mm PZ
589
649
NEW! A5000 + 16-50mm PZ
Black or White
419
849
749
NEW!
A99 Body Black

A77
A58 + 18-55mm
A58 + 18-55mm
+ 55-200mm
movie mode
NEW! GH4
from 1299
From 629
GH4 Body
+ 14-140mm f3.5-5.6
1299
1749
509
GH3 body
GH3 + 12-35mm f2.8
749
1449
1799
RECOMMENDED LENSES:
Sony 50mm f1.4
Sony 16-50mm f2.8 DT SSM
359
305
479
RECOMMENDED LENSES:
12-35mm f2.8 Vario Power OIS 829
NEW! 14-140mm f3.5-5.6 OIS 495
megapixels
9.0 fps
movie mode
NEW! OM-D E-M10 From 529

OM-D E-M10 Body
529
OM-D E-M10 +14-42mm Electronic Zoom 699
1299
1489
1949
649
799
Available in Black, Tan & Silver
569
16.3
Black
or Silver
megapixels
16.1
8.0 fps
1080p
GM1 + 12-32mm lens
NEW!
24.0
16.1
689
749
849
GX7 Body
GX7 + 14-42mm
GX7 + 20mm lens
X-E2
K-3
megapixels
GX7
Body 689
X-T1
E-P5 Silver, Black or White
Black & Silver
OM-D E-M1 Body

OM-D E-M1 + 12-50mm
OM-D E-M1 + 12-40mm
OM-D E-M5 Body
OM-D E-M5 + 12-50mm
5.0 fps
1080p
12.0 fps
4k Video
CMOS Sensor
A7R Body
A7R Body
megapixels
megapixels
6.0 fps
Full Frame
megapixels
CMOS Sensor
16.0
16.05
megapixels
16.1
or Silver
GH4
24.3
36.4
megapixels
1999
D800 Body
A99
Black or Silver
4.0 fps
Full Frame
Full Frame
CMOS Sensor
1279 Inc Cashback* D800 Body

1999
Price you pay today 1399 D800E Body
2349
D610 + 24-85mm
1779 Inc Cashback*
Nikon Cashback* ends 28.05.14
CUSTOMER PRODUCT REVIEWS
Sammydo Ulster
A6000
A7R Black
4.0 fps
D610 Body
CUSTOMER REVIEW: D7100 Body

D7100 good lightweight camera
Teddy Notnghamshire
From 1399
D610
D7100 Body
CUSTOMER REVIEW: D7000 Body

great all round camera
120
CASHBACK*
Full Frame
CMOS Sensor
From 839
D7100
D7000 + 18-105mm VR
705
D7000 + 18-105mm VR + 70-300mm 1144
megapixels
movie mode
CASHBACK*
1080p
movie mode
36.3
6.0 fps
1080p
8.3 fps
1080p
megapixels
16.3
8.0 fps
1080p
megapixels
movie mode
7.0 fps
movie mode
E-P5 Body
K-3
X-E2
NEW! X-T1
799
From 899
From 759
From 1049
E-P5 + 14-42mm
899
E-P5 + 17mm + VF-4 Electronic
Viewnder
1299
E-PL5 + 14-42mm
449
E-PL5 + 14-42mm
+ 40-150mm
649
RECOMMENDED LENSES:
Olympus 12mm f2.0 ED 899
Olympus 17mm f1.8
369
K-3 Body
K-3 +18-135mm
K-3 Silver Limited editon
with Batery grip
K-5 II + 18-55mm WR
K-5 II + 18-135mm WR
K-5 IIs Body
K-50
From
K-500
From
759
1149
899
1169
X-E2 Body
X-E2 + 18-55mm
1199
679
919
699
429
329
RECOMMENDED X-MOUNT LENSES:

Fujinon 35mm f1.4 R
409
Fujinon 60mm f2.4 R
435
Fujinon 18-55mm f2.8-4.0 OIS 499
X-Pro1 Body
X-E1 Body
X-E1 + 18-55mm
1049
1399
829
399
679
NEW! X-A1 + 16-50mm

Red, Blue or Black
379
NEW! X-T1 Body

NEW! X-T1 + 18-55mm
01603
208761
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700D
EOS 100D
Capture the moment

at 7 frames per second
18.0
7.0 fps
1080p
movie mode
From 399
100D
100D Body
100D + 18-55mm f3.5-5.6
100D + 18-55mm f3.5-5.6 IS STM
+ 40mm f2.8 STM
EOS 1Dx
EOS 7D
700D Body
439 Inc Cashback*

700D + 18-55mm IS STM 548 Inc Cashback*
700D +18-135mm IS STM 689 Inc Cashback*
700D + 18-135mm IS STM + 40mm STM
819 Inc C/back*
399
479
619
5D Mark III
EOS 6D
20.2
22.3
megapixels
18.1
megapixels
12.0 fps
8.0 fps
1080p
Full Frame
100
CASHBACK*
movie mode
CMOS sensor
4845
1Dx Body
CUSTOMER REVIEW: EOS 1D X Digital SLR Camera Body

honestly say that I have never been
so excited about my equipment
Snappersh Oxford

bought this as an upgrade to the 5D
Mk 2 and have never looked back.
Dave Cornwall
1029
7D Body
megapixels
6.0 fps
1080p
4.5 fps
1080p
18.0
megapixels
movie mode
movie mode
Full Frame
Full Frame
5D Mark III From 2329
From 1379
6D
5D Mk III Body
2179 Inc Cashback*

5D Mk III + 24-105mm f4.0L IS USM 2749
Inc Cashback*
5D Mk III + 24-70mm f2.8 II
3768
Inc 360 C/back* Price you pay today 4128
1379
1925
6D Body
6D + 24-105mm f4.0 L IS USM
Canon Cashback* ends 07.05.14
CUSTOMER REVIEW: 5D Mark III +

Mind blowingly clear
photography
CUSTOMER PRODUCT REVIEWS

The full frame sensor is superb
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MT190XPRO3
160cm Max Height
9cm Min Height
MT190XPRO3 ................184
MT190XPRO4 ................199
MT190CXPRO3 Carbon Fibre ............ 344
MT190CXPRO4 Carbon Fibre ............ 359
MT190XPRO3 + 496RC2 Ball Head.... 244
MT190XPRO4 + 496RC2 Ball Head.... 259
6X Systematc Series:
GT3542 LS .................649
GT3542 XLS...............649
GT4542 LS .................749
GT5542 LS .................739
GT5562 GTS ..............1049
Zielo Ireland
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to be our Photographer of
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Tripods
GT3542 LS
146.5cm Max Height
9.4cm Min Height
150
CASHBACK*
CMOS sensor
CMOS sensor
7D Body
929
Inc Cashback*
7D + 18-135mm f3.5-5.6 IS
1159
Inc Cashback*
7D + 15-85mm f3.5-5.6 IS USM
1375
Inc Cashback*
From 485
700D
858
From
CASHBACK*
movie mode
1150
70D
50
5.0 fps
1080p
movie mode
70D Body
858
70D + 18-55mm f3.5-5.6
IS STM
968
70D + 18-135mm f3.5-5.6 IS STM
20.2
megapixels
megapixels
4.0 fps
1080p
The new EOS 70D with Wi-Fi

capabitlity incorporates the new
Dual Pixel CMOS AF technology
enabling fast and smooth AF
tracking whilst shootng movies or
stlls in Live View mode.
EOS 70D
18.0
megapixels
Silk Road YTL8353

171cm Max Height
19cm Min Height
SILK ROAD - 3D Column:
YTL9353 Aluminium ....... 99
YTL9383 Aluminium ....... 109
YTL8353 Carbon Fibre .... 209
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Flashguns & Lightng Accessories

Macrolites:
Speedlites:
MR-14EX
469
600EX-RT
469
430EX II
209
Speedlights:
Macro ash:
Flashguns:
SB700
229
MT-24EX
749.99
Kits:
SB910
339
R1 Close-Up
415
R1C1
559
HVL-F43M HVL-F60AM
459
275
Flashguns:
Flashguns:
24 AF-1
59.99
44 AF-1
139.99
52 AF-1
199.99
58 AF-2
279.99
15 MS-1
295.99
EF 610 DG ST
109.99
EF 610 DG Super
159.99
Di622 II.............114.99
Di700................159
Di866 Mark II...199
FL-300R
134.99
MiniTT1 149
FlexTT5 149
Micro Apollo
25.99
Plus III Set

229
Collapsible
Umbrella Flash Kit
65
PlusX Set
129.99
Sand Bag
9.99
3m Background
Support
99
Light Stands
From
10.99
Background
Ezybox Hotshoe EzyBalance
Ezybox
Sofbox 44.99 From 89.99 Grey 19.99 Support 124.99
AF 540FGZ AF 360FGZ
225
349
PZ42X
99
PF30X...............74.99
16R Pro ............337.99
Rogue
Soflite
Reector Kits
Inc Honeycomb
& Diuser:
42cm 49
55cm 69
70cm 129
FL-600R
299
Flashguns:
Flashguns:
MG8000
349
EM-140 DG
Macro Flash
From 314.99
Flashguns:
Flashguns:
FlashBender Folding Sofbox

From 23.99 From 54.99
Reectors:
30cm
12.50
50cm
22.99
75cm
34.99
Urban Collapsible 95cm
TriFlip Kits
59
165
From 69.99
120cm 74.99
Reector
Bracket
24.99
O Camera
ash Cord
From 30.99
Tilthead
17.99
Sekonic L-308s
139
Pro 478DR
324.99
DigiPro F
159.99
Terms and Conditons All prices incl. VAT at 20%. Prices correct
at tme of going to press. FREE Delivery** available on orders
over 150 (based on a 4 day delivery service). For orders under
150 the charge is 2.99** (based on a 4 day delivery service).
For Next Working Day Delivery our charges are 4.99**.
Saturday deliveries are charged at a rate of 7.50**. (**Deliveries of very heavy items, or to some European countries, N.I.,
remote areas of Scotland & Ch. Isles may be subject to extra
charges.) E. & O.E. Prices subject to change. Goods subject to
availability. Live Chat operates between 8am-7pm Mon-Fri and
may not be available during peak periods. Subject to goods
being returned as new and in the original packaging. Where
returns are accepted in other instances, they may be subject to
a restocking charge. Applies to products sold in full working
conditon. Not applicable to items specically described as IN
or incomplete (ie. being sold for spares only).
Wex Photographic is a trading name of Warehouse Express
Limited. Warehouse Express 2014.
*CASHBACKS Are redeemed via product registraton with
the manufacturer. Please refer to our website for details.
Mon & Wed-Sat 10am-6pm, Tues 10am-5pm,
Sun 10am-4pm
Unit B, Frenbury Estate, Norwich. NR6 5DP.
your knowledgeable
friends in photography
190x PRO L
& 804RC2
Manfrottos tallest 190 Series tripod with a precise,
lightweight 804RC2 three-way head with quick release.
FREE
Manfrotto
LED 12 light
worth 34.99
MRRP 225.98
SPECIAL BUY PRICE
129.99
NEW
MT190
NEW
MT055
NEW
Ideal for indoor

and macro photography
Only while stocks last
ADVANCE & PRO BAGS
The new 190 is a unique tripod that

provides compactness and greater
transportability.
The new Manfrotto 055 allows

unlimited creativity for professionals and guarantees better-than-ever
camera stability.
Keep your passion protected - Photo carrying solutions designed to

meet your stylish as well as photographic needs. Protection, design and
quality in a brand-new fully-featured collection of camera bags.
FROM
FROM
FROM
184.99
199.99
Need help or advice?
01772 252 188
24.99
www.facebook.com/WilkinsonCameras
working with our

chosen partners
www.twitter.com/wilkicameras
Email us with any enquiries at: sales@wilkinson.co.uk | Find your nearest store: www.wilkinson.co.uk/stores
Good reasons to shop at
MIFSUD PHOTOGRAPHIC
MIFSUDS ARE CANON PROFESSIONAL STOCKISTS
EOS FULL FRAME
EOS APS-C
1DX
70D
body ...................... 4844

URGENTLY WANTED
Why not part exchange
your EOS 5DII/III etc
body ...................................... 855

plus 18-55 STM .................... 965
plus 18-135 STM ................ 1139
60D
body ...................................... 499

plus 17-85 IS......................... 699
5D MKIII
700D
body ...................... 2329

plus 24-105 IS....... 2899
6D
body ...................... 1379

plus 24-105 IS....... 1925
body ...................................... 485

plus 18-55 STM .................... 598
100D
body ...................................... 399

plus 18-55 STM .................... 479
1200D
body ...................................... 349

plus 18-55 IS II ..................... 449
COMPACT CAMERAS
SX50 . . . . . . . . . . . . . . . . . . . . 329
G1X MKII. . 749 G1X . . . . 419
G16. . . . . . . . . . . . . . . . . . . . 449
EF-S NON FULL FRAME LENSES
10-22 F3.5/4.5 USM . . . . . . . 489
15-85 F3.5/5.6 IS USM no box 549
17-85 F4/5.6 IS U no box. . . 249
18-55 F3.5/5.6 IS no box . . . 129
18-135 F3.5/5.6 IS STM. . . . 319
60 F2.8 Macro USM . . . . . . . 359
EF FULL FRAME LENSES
8-15 F4 L USM Fisheye . . . 1099
16-35 F2.8 MKII L USM . . . 1219
17 TSE F4 L Shift . . . . . . . . 1959
17-40 F4 L USM . . . . . . . . . . 629
20 F2.8 USM . . . . . . . . . . . . 389
24 F1.4 L II USM . . . . . . . . 1359
24 F2.8 IS USM . . . . . . . . . . 459
24 F3.5 L TSE MKII . . . . . . 1699
24-70 F2.8 L II USM. . . . . . 1799
24-70 F4 L IS USM no box. 1049
24-105 F4 L IS USM no box . . 639
28 F1.8 USM . . . . . . . . . . . . . . . 389
28 F2.8 IS USM . . . . . . . . . . 419
35 F1.4 L USM . . . . . . . . . . .1159

35 F2 IS USM. . . . . . . . . . . . 489
40 F2.8 STM. . . . . . . . . . . . . 159
50 F1.2 L USM . . . . . . . . . . 1259
50 F1.4 USM . . . . . . . . . . . . 295
50 F1.8 II . . . . . . . . . . . . . . . . 89
65 F2.8 MPE macro . . . . . . . . . 853
70-200 F2.8 IS LII USM . . . . . 1949
70-200 F2.8 non IS L USM . .1019
70-200 F4 L IS USM. . . . . . . 979
70-200 F4 L USM . . . . . . . . . 519
70-300 F4/5.6 L IS USM. . . . . 1229
70-300 F4.5/5.6 IS USM . . . 429
85 F1.2 USM L II . . . . . . . . 1769
85 F1.8 USM . . . . . . . . . . . . 319
100 F2.8 IS L USM macro . . 739
100 F2.8 Macro USM . . . . . . . . 444
100-400 F4.5/5.6 IS L USM . .1329
180 F3.5 L USM Macro . . . 1229
200 F2.8 II L USM . . . . . . . . 639
200-400 f4 IS L USM . . . . 10299
300 F2.8 IS L USM II . . . . . 5399
300 F4 L IS USM . . . . . . . . .1149
400 F2.8 IS L USM II . . . . . 8199
400 F5.6 L USM . . . . . . . . . .1149
500 F4 IS L USM II . . . . . . . 7749

600 f4 IS L USM II . . . . . . . 10222
Ext tube 12II .59 Ext tube 25II . 115
1.4x III or 2x III converter ea 399
FLASH & ACCESSORIES
320EX flash . . . . . . . . . . . . . . . . 169
430EX flash . . . . . . . . . . . . . . . . 219
600EX RT flash . . . . . . . . . . . . . 449
MR-14EX II. . . . . . . . . . . . . . 599
MR-14EX ringflash . . . . . . . . 499
MT-24EX ringflash . . . . . . . . 739
ST-E3 Speedlite transmitter . 239
ST-E2 Speedlite transmitter . 159
BG-E11 grip (5D MKIII) . . . . 229
BG-E13 grip (6D) . . . . . . . . . 169
BG-E14 grip (70D) . . . . . . . . 219
Drop In Circ Polariser II . . . . 199
GP-E2 receiver. . . . . . . . . . . 219
LP-E4N battery. . . . . . . . . . . 129
LP-E6 battery . . . . . . . . . . . 63.99
RS-80N3 remote . . . . . . . . 39.99
TC- 80N3 remote . . . . . . . . . .119
AIIW, AIIB, B/B, C (WII)
or D tripod mount ring each . . 99
MIFSUDS ARE NIKON PROFESSIONAL DEALERS

NIKON FULL FRAME
D4S
body .................................5199
URGENTLY WANTED
Why not part exchange
your Nikon D4/D3 etc
body ...................................839
plus 18-105 VR ..................969
D7000
body ...................................569
plus 18-105 VR..................699
Df
plus 50 f1.8 AFS G............2444
D800
body .................................1999
D800E body .....................2339
D610
NIKON APS-C
D7100
body .................................1389
D5300
body ...................................619
plus 18-55 VR....................679
plus 18-140 VR..................869
D3300
body ...................................449
plus 18-55 VR....................539
DX NON FULL FRAME LENSES

10.5 F2.8 . . . . . . . . . . . . . . . 579
10-24 F3.5/4.5 AFS G . . . . . 639
16-85 F3.5/5.6 AFS VR . . . . 429
18-55 F3.5/5.6 AFS VR . . . . . 99
18-105 F3.5/5.6 AFS G
ED VR no box . . . . . . . . . . . 165
18-140 F3.5/5.6 AFS VR . . . 479
18-300 F3.5/5.6 AFS G ED VR 689
35 F1.8 AFS G . . . . . . . . . . . 169
40 F2.8 AFS G . . . . . . . . . . . 199
55-300 F4.5/5.6 AFS G VR . 259
85 F3.5 AFS G VR . . . . . . . . 349
FX FULL FRAME LENSES
14 F2.8 AF D . . . . . . . . . . . 1239
14-24 F2.8 AFS G ED AFS 1315
16-35 F4 AFS VR . . . . . . . . . 819
18-35 F3.5/4.5 AFS G . . . . . 549
20 F2.8 AF-D . . . . . . . . . . . . 469
24 F3.5 PCE. . . . . . . . . . . . 1499
24-70 F2.8 AFS G ED . . . . 1245
24-85 F3.5/4.5 AFS G ED VR 399
24-120 F4 AFS G ED VR . . . 819
28 F1.8 AFS . . . . . . . . . . . . . 499

28-300 F3.5/5.6 AFS
G ED VR . . . . . . . . . . . . . . . . 659
35 F1.4 AFS G . . . . . . . . . . 1329
35 F1.8 AFS G FX . . . . . . . . 509
35 F2 AF-D . . . . . . . . . . . . . . 269
50 F1.4 AFS G . . . . . . . . . . ..299
50 F1.8 AFS G . . . . . . . . . . . 149
58 F1.4 AFS G . . . . . . . . . . 1499
60 F2.8 AFS . . . . . . . . . . . . . 419
70-200 F2.8 AFS VRII . . . . 1619
70-200 F4 AFS G ED VR . . . 969
70-300 F4.5/5.6 AFS VR . . . 439
80-400 F4.5/5.6 AFS G VR 1969
85 F1.4 AFS G . . . . . . . . . . 1179
85 F1.8 AFS G . . . . . . . . . . . 377
105 F2.8 AFS VR macro . . . 629
200 F2 AFS G VRII . . . . . . 3699
200-400 F4 AFS VRII . . . . . 4899
300 F2.8 AFS G VR II . . . . 3999
300 F4 AFS . . . . . . . . . . . . 1029
400 F2.8 AFS VRII . . . . . . . 6666
500 F4 AFS VRII . . . . . . . . 5847
600 F4 AFS VRII . . . . . . . . 7069

800 F5.6 AFS VR . . . . . . . 13995
TC14EII converter . . . . . . . . 319
TC17EII converter . . . . . . . . 319
TC20EIII converter . . . . . . . . 389
FLASH & ACCESSORIES
EN-EL3E battery . . . . . . . . . . 67
EN-EL4A battery. . . . . . . . . . . 99
EN-EL18 battery. . . . . . . . . . . 99
MBD15 Grip (D7100) . . . . . . 249
MBD14 Grip (D600) . . . . . . . 219
MBD12 Grip (D800/E) . . . . . 279
MBD11 Grip (D7000) . . . . . . 229
MBD10 Grip (D300/D700) . . 249
MC36A remote . . . . . . . . . . . 129
MC30A remote . . . . . . . . . . . . 69
SB-700 flash. . . . . . . . . . . . . 239
SB-910 flash. . . . . . . . . . . . . 349
SBR1CI ringflash/command . 579
SC-28 TTL cord . . . . . . . . . . . 59
SC-29 TTL cord . . . . . . . . . . . 69
SU-800 commander no box . 189
UT-1 data transmitter . . . . . . 349
WE WANT YOUR EQUIPMENT
WE PART EXCHANGE, BUY FOR CASH

OR COMMISSION SALE
Collection can be arranged, contact us at info@mifsuds.com or ring 01803 852400

X-T1 + 18-55mm OIS 1389
X-T1 body .................. 1039
X-E2 + 18-55mm OIS 1099
X-E2 body.................... 739
X-Pro 1 + 18mm .......... 879
X-E1 + 18-55mm OIS .. 597
X-E1 body.................... 379
10-24mm F4 XF........... 849
14mm f2.8 XF .............. 669
16-50mm XC 1 only..... 179
18mm f2 XF ................. 419
For
NEW FUJI
PROMOTIONS
NOW - see website
18-55mm OIS no box .. 399
23mm f1.4 XF .............. 759
27mm F2.8 XF............. 349
35mm f1.4 XF .............. 419
55-200mm OIS XF.......... 549
56mm F1.2 XF............. 888
60mm f2.4 XF .............. 465
X100s Black................. 979
X100s Silver ................ 849
X20 Compact............... 349
EF-X20 Flash............... 169
10-20 F3.5 EX DC HSM. . . . . . 399

10-20 F4/5.6 EX DC HSM . . . . 359
12-24 F4.5/5.6 EX DG HSM macII. 599
17-50 F2.8 EX DC OS HSM . . 319
17-70 F2.8/4.5 DC OS HSM . . 349
18-35 F1.8 DC HSM. . . . . . . . . 649
18-200 F3.5/6.3 DC OS HSM mac 269
18-250 F3.5/6.3 DC OS HSM mac 319
24-70 F2.8 EX IF DG HSM. . . . 599
30 F1.4 DC HSM Art . . . . . . . . 379
35 F1.4 DG HSM . . . . . . . . . . . 669
50 F1.4 EX DG HSM Art . . . . . 849

50-500 F4/5.6 OS HSM . . . . . . . 999
70-200 F2.8 EX DG OS HSM . 799
70-300 4.5/5.6 APO DG HSM mac 169
85 F1.4 EX DG HSM . . . . . . . . 669
105 F2.8 EX DG OS HSM . . . . . 399
120-300 F2.8 DG OS HSM . . . 2799
150 F2.8 EX DG OS HSM . . . . 699
150-500 F5/6.3 DG OS HSM . . 749
180 F2..8 EX DG OS HSM . . 1299
1.4x EX DG . 199 2x EX DG. 239
PRO LENS
& BODY
HIRE
Email for details Subject to availability

DSLR SENSOR
CLEANING ON
THE PREMISES
Email us now for
details - done
by appointment
only MON-FRI
HOYA. PANASONIC. PENTAX. TAMRON. ETC. Please see website
Family Run Pro Dealership with Friendly, Knowledgeable Staff. Open 7 days per week. Prices inc VAT - correct 17/04/2014. P&P Extra. E&OE.
PHONE LINES OPEN
Mail Order :
U.K. Stock
Only
MON -FRI 8am - 7pm,

01803
852400
info@mifsuds.com
Email -
www.mifsuds.com
27-29, Bolton Street, Brixham. Devon. TQ5 9BZ.
SAT 9am - 5pm,

SUN 10am - 1pm.
SHOP OPEN
MON -SAT 9am - 5pm,
SUN 10am - 1pm.
FREE COURIER DELIVERY FOR NEW ITEMS ORDERED ON-LINE (U.K. Mainland only)
PART EXCHANGE WELCOME - COLLECTION AVAILABLE

BUY WITH CONFIDENCE - FAMILY RUN SINCE 1954
EXPERT ADVICE COUPLED WITH QUALITY SERVICE
VALUE FOR MONEY PRICING ON UK SOURCED STOCK
HUGE RANGE OF NEW & USED PRODUCTS
SPEEDY DELIVERY FOR MAIL ORDER
FULLY AIR CONDITIONED SHOWROOM
LIMITED FREE PARKING AVAILABLE
D4S Body
5199
1DX Body
4844
IN
STOCK!
IN
STOCK!
WE WANT YOUR EQUIPMENT

WE PART EXCHANGE, BUY FOR CASH
OR COMMISSION SALE
Collection can be arranged.
contact us at info@mifsuds.com
or ring 01803 852400
WANTED URGENTLY!!
GH3 + 14-140mm . 1129

GH3 + 12-35mm ... 1449
GX7 body .............689
GX7 + 14-42mm...749
GX7 + 20mm II .....849
Canon: ALL L Series lenses

Nikon: D3S and D4 bodies
Nikon: 200mm f2, 200-400mm f4, 300mm f2.8,
400mm f2.8, 500mm f4 & 600mm f4 lenses etc
Sigma: 300mm f2.8, 300-800mm f5.6,
500mm f4.5 & 800mm f5.6 lenses
Other items: Email US rst!
Please email in rst instance: matt@mifsuds.com
QUALITY USED EQUIPMENT. See website for full list. Call us for condition and to buy secondhand stock. 3 Month warranty on most secondhand.
BRONICA ETRS 645 USED
ETRSi + 75 PE + 120 back
+ AEII prism.................. 349
ETRSi body .................. 139
ETRS body ..................... 99
45-90 F4/5.6 PE box .... 449
50 F2.8 PE ................... 199
50 F2.8 E........................ 99
75 F2.8 PE ................... 139
75 F2.8 EII.................... 129
100-220 F4.8 PE box ... 449
135 F4 PE .................... 199
150 F3.5 E...................... 89
150 F3.5 PE M- Box..... 149
200 F4.5 PE ................. 179
500 F8 EII..................... 379
2x extender E ................. 79
E14 ext tube ................... 49
120 RFH ......................... 69
Polaroid Back ................. 25
Rotary prism ................. 129
AEIII prism.................... 179
AEII Prism ...................... 79
Plain Prism E.................. 29
Angle viewfinder E........ 129
Winder ............................ 79
Winder EI...................... 149
M bracket........................ 69
Speed Grip E.................. 39
Tripod adapter E............. 39
Metz SCA 386 ................ 49
Ext tube 14 or 42 each... 49
BRONICA SQ 6x6 USED
SQAi complete ............. 449
SQAi body .................... 249
SQA + 80 F2.8 PS + RFH . 299
SQB + 80 + RFH .......... 299
SQ + 80 + RFH ............ 179
40 F4 PS ...................... 379
40 F4 S......................... 299
50 F3.5 PS ................... 199
50 F3.5 S...................... 149
110 F4.5 PS macro....... 379
135 F4 PS M- ............... 249
150 F3.5 S...................... 79
150 F4 PS ............. 149/199
200 F4.5 PS M- box ..... 199
S36 ext tube box ............ 79
2x PS converter M- ...... 179
Polaroid back.................. 25
135N back .....................119
SQAi 120 RFH................ 79
SQA 120 RFH................. 49
Plain Prism S Boxed ...... 69
AE Prism Early ............... 79
ME Prism Finder............. 79
Metz SCA 386 ................ 49
Pro shade S.................... 59
Lens Hood 65-80............ 20
SQAi Motorwinder ........ 149
Speed grip S................... 69
BRONICA GS 6x7 USED
Polaroid Back ................. 25
Speed Grip .................... 49
AE Rotary Prism........... 129
CANON DIGITAL AF USED
1D MKIV ............ 2399/1999
1D MKIII body........ 699/849
7D body ....................... POA
5D MKIII body ...............1799
5D MKI body box............549
60D body M- box ............399
50D body box..................349
700D body box................399
650D body box................379
600D body box................299
550D body box................249
450D body box................169
400D body box................149
BG-E2N.....59 BG-E2 ....49
BG-E3 ...............................29
BG-E4 (5D MKI) ...............49
BG-E5........69 BG-E7....99
BG-E11............................239
G10 compact box ...........199
SX40 compact box .........149
CANON AF USED
EOS 1V body box......... 299
EOS 1N RS body ......... 299
EOS 3 + PB-E2 ............ 239
EOS 3 + BP-E1 ............ 199
EOS 3...................... 99/169
EOS 1n/ 3 body each ... 129
EOS 5/30 body each ...... 39
EOS 600/300/500 b/o ea 20
EOS 50E body................ 20
10-22 F3.5/4.5 U box ... 419
14 f2.8 L II M- box ...... 1399
15-85 F3.5/5.6 IS U M- 449
16-35 F2.8 LII M- box... 949
17 TSE F4 L M- box ... 1599
17-40 F4 L box ............. 499
17-85 F4/5.6 IS U EFS. 199
18-55 F3.5/5.6 IS EFS ... 79
18-55 F3.5/5.6 IS STM ......99
18-55 F3.5/5.6 EFS............59
20 F2.8 M- box................ 299
20-35 F3.5/4.5 USM M-.. 249
22-55 F4/5.6 .......................49
24-70 F2.8 LII M- box ... 1499

24-70 F2.8 LI box............ 949
24-105 F4 L M-................ 549
28 F1.8 U......................... 299
28-80 F3.5/5.6 USM...........79
28-135 F3.5/5.6.................179
50 F1.8 MKI.................. 149
50 F1.8 MKII................... 69
55-250 F4/5.6 IS EFS .. 139
55-200 F4/5.6 U ............. 69
60 F2.8 EFS .................. 299
70-200 F2.8 IS U L box1099
70-200 F2.8 L box ..........799
70-200 F4 IS U L.......... 699
70-200 F4 L U ................429
70-300 F4.5/5.6 L IS U...899
70-300 F4.5/5.6 IS U......599
70-300 F4.5/5.6 IS U......299
80-200 F4.5/5.6 .............. 49
100 F2.8 IS U L M- box 639
100 F2.8 U mac box..... 349
100-400 F4.5/5.6 L 899/999
180 F3.5 mac L ............ 799
300 F2.8 IS L U .......... 3399
300 F4 .......................... 899
400 F2.8 IS U LII M- box 7299
400 F2.8 IS U L............4799
600 F4 IS USM L .........4999
1.4x ext MKII ..................269
1.4x ext MKI ...................169
2x extender MKII............199
2x extender MKI.............149
Teleplus 2x DG conv ...... 89
Jessops ext tubes........... 69
BP-50.............................. 20
BP-E1 ............................. 49
GP-E2 receiver M- box. 179
LC-4 wireless kit ............119
Angle finder C............... 139
WFT-E5 M- box ............ 399
SIGMA CAF USED
10-20 F3.5 EX DC........... 339
12-24 F4.5/5.6 EX DG .... 399
17-70 F2.8/4 DC mac ..... 149
18-35 F1.8 DC HSM M-.. 499
18-50 F2.8 EX DC........... 199
18-50 F3.5/5.6 DC..............49
18-200 F3.5/6.3............... 149
20 F1.8 EX DG box........369
28-300 F3.5/6.3 DG .......169
70-200 F2.8 EX DG .......399
100-300 F4 EX DG ........349
135-400 F3.5/5.6 APO.... 249
150 F2.8 macro............... 399
150-500 F5/6.3 DG OS... 599
170-500 F5/6.3................ 399
500 F4.5 EX DG............ 2799
1.4x EX conv ................... 129
2x EX DG conv ............... 179
2x EX M- box................... 129
OTHER CAF USED
TAM 28-200 XR Di.............99
TAM 28-300 F3.5/6.3 XR Di 199
TAM 70-300 F4/5.6 Di VC 239
TAM 90 F2.8................. 199
TOK 17-35 F4 Pro FX .. 399
Kenko ext tube set Mint 119
CANON FLASH USED
ST-E2 transmitter ..........119
220EX............................. 69
430EXII box.................. 169
540EZ non dig ................ 59
550EX box.................... 199
580EX box.................... 269
580EXII box.................. 299
MR14EX ring flash ....... 299
MT24EX........................ 449
Sigma EM140G ring ..... 199
CANON MF FD USED
F1 body early................ 179
T90 body box.................. 79
A1 body .......................... 99
20 F2.8 ......................... 199
24 F2.8.....79 28 F2.8.. 49
35-105 F3.5/4.5 .............. 99
50 F1.4 ........................... 99
50 F3.5 Macro ................ 89
50 F3.5 Mac + Tube ......119
80-200 F4 ....................... 79
100 F2.8 ......................... 99
100 F4 Macro + tube.... 199
135 F2 box ................... 299
2X A Extender................. 99
2X B Extender ................ 69
TOK 60-300 F4/5.6......... 69
WLF fits F1 early ............ 79
AE power winder FN ...... 79
Motor drive MA ............... 49
Winder A......................... 19
Angle finder B................. 49
Auto bellows FD ............. 99
PB-E1 power booster ..... 69
CANON FLASH USED
155A......19 199A......... 49
244T.......29 300TL ...... 49
CONTAX SLR USED
28-70 F3.5/4.5 MM M-.. 379
35 F2.8 AE.................... 179
50 F1.4 AE M- .............. 199
85 F1.4 AE M- box ....... 499

85 F1.4 AE.................... 249
100 F3.5 AE.................. 179
TLA360 flash M- box ...... 99
TOKINA 500 F8 mirror.... 49
CONTAX RF USED
G2 body Titanium ......... 369
35-70 F3.5/5.6 tit box ... 379
FUJI DIGITAL USED
S5 body box ................. 299
S2 body body ............... 129
XE-1 body blk/silv box.. 249
XM-1 body blk .............. 229
14 F2.8 XF box............. 579
18 F2 R M- box ............ 269
27 F2.8 ......................... 249
50-200 F3.5/4.8 ............ 469
50-230 F4.5/6.7 M- box 279
XE-1 case....................... 49
EF-20 M- box.................119
X100 box ...................... 379
X100 leather case .......... 49
X100 lens hood .............. 49
X10 ............................... 189
X10 leatehr case ............ 49
X10 lens hood ................ 39
S9600 box ...................... 79
HS30 box...................... 149
FUJI MED FORMAT USED
GX617 + 90 + VF
+ CF box..................... 1799
G617 + 105 F8 ............1199
250 F5.6 GX680 ........... 149
GA645 M- ..................... 399
GSW690 MKIII ............. 799
GW690III M- box .......... 599
GITZO USED
GT3541LS......................... 399
HASSELBLAD XPAN USED
30 F5.6 M-....................... 1399
90 F4 M-............................ 249
Centre filter 49mm............ 149
HASSELBLAD 6x6 USED
SWCM chr + VF .......... POA
PM45 prism box ........... 299
PM90 prism .................. 169
PME prism box ............. 149
45 Prism late.............. 149
WLF early ....................... 49
A16 black...................... 149
A12 latest blk/chr.......... 179
A12 late blk/chr............. 129
E12 blk ......................... 149
Polaplus back 100 .......... 69
503CW winder box ....... 179
50 F2.8 FE M- box ....... 649
250 F4 FE M- box ........ 499
50 F2.8 CE M- box ....... 699
50 F4 CF FLE............... 699
50 F4 CF ...................... 499
80 F2.8 CF ................... 399
80 F2.8 blk T* ............... 299
150 F4 CFI ............ 499/549
150 F4 CF .................... 299
Vivitar 2x conv ................ 69
LEICA DIGITAL USED
Digilux 3 + 14-50 box.....699
V-Lux 30 Blk M- box ......279
LEICA M/COMPACT USED
M7 0.72 silv m- box .... 1399
M6 body blk scruffy .........599
M4 chrome body..............699
21 F2.8 blk ASP M- box . 1749
24 F2.8 blk M- ............ 1399
28 F2.8 M- box ............. 799
35 F2 blk ASP M- box 1399
35 F2 Asph blk ........... 1299
50 F2 chrome ............... 549
Zeiss 25 F2.8 ZM ............699
Zeiss 50 F2.8 ZM ............699
CF fLash..49 CF22 flash .49
SF20 flash .........................69
M6 ERC.......................... 49
M Handgrip (14405) ....... 49
Handgrip X1 ................... 49
LIGHTMETERS USED
Gossen Vario 6S ............ 89
Minolta IIIF...................... 79
Minolta Flashmeter V ... 149
Minolta Spotmeter F ..... 179
Pentax digital spot M.... 269
Pentax spot meter V....... 99
Sekonic L508................ 219
Sekonic L558................ 249
Sekonic L778................ 249
MAMIYA 645 AF USED
55-110 F4.5 box ........... 449
150 F3.5 box ................ 249
Ext tube NA401 .............. 79
Ext tube NA402 .............. 79
Ext tube NA403 .............. 79
MAMIYA 645 MF USED
645 Pro + 80 F2.8 N
+ 120 RFH + prism....... 349
645E + 80 + winder ...... 249
645 1000S kit ............... 179
645E body .................... 149
645 Super comp ........... 199
645 Super body .............. 89
35 F3.5 N M- box ......... 299

35 F3.5 C...................... 149
45 F2.8 N M- Box ......... 149
45 F2.8 C........................ 99
50 F4 shift..................... 299
55 F2.8 N........................ 99
55-110 F4.5 ........... 199/299
80 F1.9 N M- ................... 299
105-210 F4.5 ULD C....... 179
150 F2.8 A .................... 279
150 F3.5 N...................... 89
210 F4 N M- ................... 99
2x converter N ................ 89
Ext Tube 1, 2, 3S each... 29
Teleplus 2x converter ..... 49
Vivitar 2x converter......... 49
FE401 AE prism box .... 199
AE prism 645 Super ....... 99
Plain prism (645 Super) . 69
WLF 645N/1000S/J ........ 49
WLF Super box .............. 79
Polariod Back HP401 ..... 29
Polaroid back.................. 29
120 Insert ....................... 20
HA401 120 RFH Box...... 49
120 Back. .39 Winder.. 79
645 winder WG401......... 99
MAMIYA TLR 6x6 USED
C330 S B/O + WLF....... 139
C330 S B/O + WLF....... 199
C330 F Body + WLF..... 149
55 F4.5 ......................... 199
65 F3.5 box late............ 199
65 F3.5 serviced ........... 149
80 F2.8 late serviced .... 139
80 F2.8 early................... 99
105 F3.5.129 180 F4.5 149
250 f4.5 late serviced ... 249
250 f4.5 early serviced . 179
Paramender.................... 49
CDS Mag Hood box........ 99
MAMIYA 7 RF 6x7 USED
7II body.................. 749/849
43 F4.5 + VF box ......... 999
50 F4.5 L + VF ............. 769
65 F4 M- ....................... 599
80 F4 ............................ 649
150 F4.5 M- .................. 449
210 F8 + VF box M- ..... 499
Polarising filter ZE702 .... 79
Panoramic kit.................. 49
MAMIYA RB 6x7 USED
Pro SD + 90 F3.5 L
+ back........................... 699
Pro SD + 127 KL
+ RFH + WLF ............... 599
Pro S body.................... 149
Pro S body scruffy .......... 99
Prism late ..................... 179
Prism early ..................... 69
WLF ................................ 79
Chimney ......................... 49
120 645V back ............... 99
Pro S Polaroid back ....... 29
Pro SD Polaroid back..... 69
50 F4.5 C...................... 299
90 F3.5 KL.................... 249
127 F3.5 KL.................. 299
180 F4.5 KL M-............. 199
180 F4.5 C...................... 99
250 F4.5 KL M- box ........ 249
360 F6.............................POA
45mm tube SD M-..............79
Ext tube 2............................49
MAMIYA RZ 6x7 USED
RZ Pro body ................. 149
37 F4.5 M- box ............. 599
50 F4.5 W.............. 199/299
65 F4 box M- ................ 399
75 F4.5 shift................. POA
90 F3.5 W M- box......... 299
127 F3.5 box ................ 299
180 F4.5 W box............ 199
250 F4.5 APO M- box... 499
350 F5.6 APO M- box... 499
500 F6 APO M- box...... 499
No 2 ext tube.................. 49
WLF ................................ 79
AE prism early ................ 79
Pro II Polaroid back........ 49
120 Back Pro 1............... 39
Pro shade ....................... 49
MANFROTTO USED
MT0573C3 non geared 299
190XPROB ..................... 89
METZ USED
45CL1 batt...................... 29
45CL4 batt...................... 39
60CT4 box.................... 169
MINOLTA/SONY DIGITAL USED
Sony A580 body box......299
Sony A330 body.............149
Sony NEX7 body M- box579
Sony NEX6 + 16-50.......399
Sony NEX 5 + 18-55 + 16 POA
Sony RX100 box............249
Sony RLAM ringlight ......179
Min VC7D grip box...........89
Sony VGC90AM scruffy...99
Sigma EF530DG Super...79

Sony HX300 box............229
MINOLTA/SONY AF USED
Dynax 9 body ............... 299
Dynax 800Si body .......... 49
Dynax 700Si + VC700.... 69
700Si/7xi body ea........... 49
Dynax 5 body .................... 39
505Si Super/500Si b?o ea 25
28-80 F3.5/5.6 ................ 25
28-85 F3.5/4.5 .............. 129
35-70 F4 ......................... 39
35-70 F3.5/4.5 ....................25
35-80 f4/5.6.........................25
50 F2.8 macro ................. 179
100-300 F4/5.6...................99
300 F2.8......................... 2299
500 F8 Mirror................... 349
1.4x APO D conv............. 199
BP200 grip..........................39
RC1000S/L cord.................15
SONY LENSES USED
16-70 F4 ZA OSS M- .....599
18-55 F3.5/5.6 SAM...........39
18-70 F3.5/5.6 DT..............49
18-200 F3.5/6.3 OSS LE 399
18-200 F3.5/6.3 DT......... 199
50 F1.4 SAL DT .............229
50 F2.8 macro ................. 239
55-200 F4/5.6 DT M- box ..99
70-300 F4.5/5.6 G SSM.. 549
75-300 F4.5/5.6 box.........119
NEX 30 F3.5 mac M- box149
NEX 50 F1.8 M- box ....... 159
SIGMA MIN/SONY AF USED
18 F3.5 box ......................99
18-35 F3.5/4.5..................69
28-135 F3.8/5.6................99
55-200 F4/5.6...................69
70 F2.8 EX DG................ 249
180 F5.6 macro early ..... 49
600 F8 .......................... 349
1.4x EX DG conv.......... 149
2x EX conv ..................... 99
TAM 70-300 F4/5.6 Di .... 79
TAM 90 f2.8 Di box....... 249
TAM 90 f2.8 .................. 199
Teleplus 1.4x conv.......... 69
Teleplus 2x conv............. 79
Kenko 1.4x Pro 300DG 149
Sony angle finder ........... 79
VC600 (600Si)................ 29
Min 3200i........................ 19
Min 350Xi ....................... 20
Min 3600HSD flash ........ 49
Min 5200i........................ 39
Min 5600HSD M-.......... 129
Min 1200 Ringflash......... 69
MINOLTA MD USED
X700 body blk................. 69
X300 chr/XGM chr each. 49
MD 28 F2.8..................... 49
MD 28 F3.5..................... 29
MD 50 F1.7..................... 39
MD 75-210 F4.5 ............. 49
MD 70-300 F4.5/5.8 ....... 69
Auto 280PX flash............ 19
Auto 360PX flash............ 39
Auto bellows 1 + 100 F4 99
Motor drive 1 box ........... 99
NIKON DIGITAL AF USED
D4 body box ...... 3099/3499
D3S body box.... 2299/2499
D3X body box.... 1689/1899
D2XS body box ............ 599
D2X body...................... 499
D800 body box ........... 1699
D700 body box .... 899/1299
D600 body box ............. 899
D300s body ........... 549/599
D300 body box ...... 399/449
D200 body box ............. 199
D7000 body box ........... 429
D5000 body .................. 199
D3200 body .................. 229
D90 body box ............... 299
D80 body ...................... 199
D70s body box ............... 99
D70 body box ................. 89
EH-6 mains charger ....... 59
EH-5 mains charger ....... 49
MBD-10 ................... 99/149
MBD-11......................... 169
MBD-15 box ................. 179
MBD-80 box ................... 49
MBD-200 box ................. 39
Coolpix P500 box ........... 79
Coolpix P5000 box ......... 69
10 F2.8 V M- .................119
18.5 F1.8 M- box .......... 109
NIKON AF USED
F6 body ........................ 849
F5 body ................. 399/299
F5 body scruffy............. 199
F4s body....................... 249
F100 body box.............. 199
F80 sil/F801 body each.. 49
F55/F65/F601 body each 29
12-24 F4 DX ....................599
Although we are the best stocked dealer in the West Country, we cannot always
have every item listed in stock at all times, so we are happy to reserve new &
used items for customers planning to visit. Prices correct at time of compilation
17/04/2014 but please see website for the most up to date prices.
Prices are subject to change without notice.
Mail order used items sold on 10 day approval. Return

in 'as received' condition for refund if not satisfied
(postage not included - mail order only). Subscribe to
our email newsletter - be amongst the first to learn
about special offers and promotions - ask us for details.
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14-24 F2.8 AFS M-........1149

16-35 F4 AFS VR M-.......749
16-85 F3.5/5.6 AFS VR...329
17-35 F2.8 AFS ...............949
17-55 F2.8 AFS DX.........499
18-35 F3.5/4.5 AFD.........299
18-55 F3.5/5.6 VR M-........79
18-55 F3.5/5.6 ...................69
18-105 F3.5/5.6 VR.........139
18-135 F3.5/5.6 AFS .......129
18-200 F3.5/5.6 AFS VRII. 449
18-200 F3.5/5.6 AFS VRI349
24 F2.8 AFD ....................299
24-50 f3.5/4.5 AF.............149
24-70 F2.8 AFS M-........1099
24-120 F3.5/5.6 VR M- ...299
24-120 F3.5/5.6 D ...........129
28 F2.8 AF N ...................119
28-80 F3.5/5.6 AFD box....69
28-100 F3.5/5.6 AF G ........69
28-300 F3.5/5.6 AFS VR box 529
28-300 F3.5/5.6 AFS G ED VR399
35 F1.8 AFS DX M- box . 129
35 F2 AFD M- box........... 219
35 F2 AF .......................... 169
35-70 F2.8 AFD............... 249
35-80 F4/5.6 AFD...............49
50 F1.4 AFS G ................ 239
50 F1.4 AF (non D) ......... 149
50 F1.8 AFD .......................99
55-200 F4/5.6 AFS VR ......99
55-300 F3.5/5.6 AFS VR 199
60 F2.8 AFD micro.......... 239
70-200 F2.8 VRI.............. 999
70-210 F4/5.6 ................. 89
70-300 F4.5/5.6 VR ...... 329
70-300 F4.5/5.6 G box ... 79
80-200 F2.8 AFD N M- . 799
80-200 F2.8 early ......... 299
80-400 F4.5/5.6 VR ...... 699
80-400 F4.5/5.6 VR ...... 599
85 F1.4 AFD M- box ..... 699
85 F1.8 AFD ................. 239
85 F3.5 DX VR M-........ 299
105 F2.8 AFS VR ......... 539
200-400 F4 AFS VRII M-.. 4399
200-400 F4 AFS VRI M-... 3499
300 F2.8 AFS VRII M- . 3399
300 F2.8 AFS VRI box 3099
300 F4 AFS M- ............. 849
300 F4 AFS .................. 649
600 F4 AFS II ............. 4299
TC17EII ........................ 269
TC20E box ................... 179
SIGMA NAF USED
17-70 F2.8/4 DC OS HSM 259
18-35 F1.8 DC HSM box 499
18-125 F3.8/5.6 DC OS 159
18-125 F3.8/5.6 DC........ 89
24-70 F2.8 EX DG HSM. 479
24-70 F2.8 EX ................. 349
28-200 F3.5/5.6............... 129
28-300 F3.5/6.3 DG ........ 169
28-300 F3.5/6.3..................69
30 F1.4 EX DC box......... 169
50-150 F2.8 DC...............249
50-500 F4/6.3 EX DG .....499
70-200 F2.8 EX DG...... 429
70-300 F4/5.6 DG ..........69
120-300 F2.8 EX DG ...... 899
135-400 F4.5/5.6 DG box349
150-500 F5/6.3 DG OS... 579
170-500 F5/6.3................ 349
500 F4.5 EX DG............ 2499
1.4x EX DG M-................ 179
1.4x EX conv ......................99
TAMRON NAF USED
10-24 F3.5/4.5 DiII .......... 269
17-35 F2.8/4 Di................ 199
17-50 XR DiII VC box ..... 299
18-200 F3.5/5.6 XR Di.... 129
18-250 F3.5/6.3 DiII box . 179
24-135 F3.5/5.6 box.........119
28-300 F3.5/6.3 XR VC .. 229
55-200 F4/5.6 DiII ..............39
70-300 F4/5.6 ............... 69/89
90 F2.8 Di box................. 249
90 F2.8............................. 199
TOK 11-16 F2.8 ATX ......379
TOK 12-24 F4 ATX II M-.369
TOK 12-24 F4 ATX M-.. 319
TOK 12-24 F4 ATX ....... 279
TOK 16-50 F2.8 ATX Pro 399
TOK 17-35 F4 ATX Pro M-.399
TOK 19-35 F3.5/4.5 ...........99
TOK 35 F2.8 mac M- ...... 169
TOK 80-400
F4.5/5.6 ATX................. 299
Zeiss 21 F2.8 M- box ... 999
Samyang 85 F1.4 M-.... 199
FLASH / ACCESSORIES USED
SB-24........49 SB-25........49
SB-27........39 SB-29........79
SB-30........39 SB-600.. 149
SB-80DX box......................79
SU-800 commander........ 199
SB-900 M- box ................ 269
SB-910 M- box ................ 299
SD-8 box.............................49
MB-10 (F90X).....................19
MB-15 (F100) .....................39
MB-21 (fits F4)....................99
MB-40 (F6) ...................... 179
MC-30 .................................49
MF-23 (date back F4) ........99
ML-3 remote M- box ........119
WT-2 box ............................99
NIKON MF USED
F2 + DP-1 blk ............... 199
F3HP body.................... 249
F3 body ................. 149/199
FA body blk................... 199
FE-2 body chr........ 169/199
FM2n body chr ............. 179
FM2n body blk....... 179/249
24 F2 AIS...................... 339
28 F3.5 shift box........... 449
35 F1.4 AI ..................... 299
35-70 F3.3/4.5 AIS ......... 99
35-105 F3.5/4.5 AIS ......119
43-86 F3.5 AI.................. 49
50 F1.8 AIS..................... 89
50 F1.8 AIS pancake.... 139
50 F1.8 E........................ 59
55 F2.8 AIS micro......... 179
100-300 F5.6 AIS ......... 149
105 F2.5 AIS................. 179
105 F2.8 AIS Micro....... 249
135 F2.8 AIS................. 149
180 F2.8 AIS ED .......... 349
200 F4 AIS.................... 149
300 F2.8 AIS................. 799
300 F4.5 AI ................... 179
500 F8 late box ............ 299
TC14A...129 TC16A .... 99
TC200....59 TC201B .....69
TC300 .................................99
MD-12 winder.....................49
SB-10.......25 SB-15 .... 29
SB-16.......49 SB-17 .... 49
DW-4 6x mag find fit F3 . 99
PK-12.............................. 29
PB-4 bellows ................ 169
NOBLEX USED
135UC .......................... 349
OLYMPUS DIGITAL USED
XZ1 M- box................... 199
E500 body .................... 129
E420 body .................... 129
E410 +14-42................. 149
E300 body ...................... 99
11-22 F2.8/3.5 M- ......... 579
12-60 F2.8/4.5 SWD box.699
14-42 F3.5/5.6 ................ 59
14-45 F3.5/5.6 .............. 129
14-54 F2.8/3.5 .............. 229
25 F2.8 M- .................... 149
35 F3.5 ..........................119
40-150 F3.5/4.5 .............. 69
40-150 F4/5.6 ................. 69
50 F2 ED macro ........... 399
50-200 F2.8/3.5 ED ...... 549
70-300 F4/5.6 box ........ 269
Sigma 30 F1.4 DC HSM 229
Sigma 105 F2.8 EX DG 299
OLYMPUS PEN USED
OMD E-M1 body box.... 849
Pen E-PL1 + 14-42....... 149
Pen E-PM1 body .......... 149
12-50 F3.5/6.3 EZ M- ... 179
14-42 F3.5/5.6 ................ 59
14-150 F4/5.6 ............... 269
HLD6 grip box .............. 149
HLD7 grip M- ................ 149
OLYMPUS MF OM USED
OM-4 body blk .............. 139
OM-2SP body ................ 149
OM-2n body chr M-........ 219
OM-2n body chrome...... 169
OM-2n body black ......... 149
OM-2 chr body............... 129
OM-1 body chrome........ 129
OM-20 or OM-10 body..... 49
28 F2.8......49 28 F3.5 . 39
28-48 F4 ......................... 99
35-70 F3.5/4.5 ................ 79
35-70 F4 ......................... 79
35-105 F3.5/4.5 .............. 79
50 F1.8...............................29
50 F3.5 macro....................89
135 F3.5 ......................... 29
180 F2.8 ....................... 349
200 F4 ............................ 79
Sigma 500 F7.2 ............ 149
Olympus Auto bellows
+ slide copier M- ........... 129
Man ext tube 7/14/25 ea. 15
Auto ext tube 14/25 each .... 29
F280 ash.49 T32 ash 29
PANASONIC DIGITAL USED
LX5 M- box .....................199
LX3 box ..........................149
GH2 body box ................369
G5 body box black..........229
G3 Olympic kit M- box.. 299
GX1 body box............... 199
GF3 body mint- box........ 89
12-32 F3.5/5.6 box ....... 239
14 F2.5 ......................... 179

14-42 F3.5/5.6 X M- ..... 169
14-42 F3.5/5.6 ................ 69
14-45 F3.5/5.6 .............. 149
14-50 F3.8/5.6 OIS....... 299
20 F1.7 box .................. 199
BG GH3 grip M- ........... 139
LVF1 VF.........................119
PENTAX DIGITAL AF USED
K20D body.................... 229
K10D body.................... 179
ist DS body ..................... 89
TR Power pack 3............ 99
DBG2 grip....................... 79
DBG4 grip M- box ........ 149
PENTAX 35mm AF USED
15 F4 M- ....................... 429
17-28 F3.5/4.5 .............. 199
17-70 F4 SDM M- box.. 349
18-55 F3.5/5.6 ................ 29
21 F3.2 AL Limited .......... 369
28-70 F4 AL........................59
28-80 F3.5/5.6 ................ 39
35 F2.8 Limited M-........ 299
35-80 f4/5.6 .................... 29
40 F2.8 Limited M-........ 249
50-135 F2.8 SDM M- box 549
70 F2.8 Limited............. 349
70-200 F4/5.6 ................. 69
70-300 F4/5.6 ................. 79
80-200 F4.7/5.6 .............. 49
100-300 F4/5.6 ............... 79
560 F5.6 AW Mint box 3499
AF500FGZ flash ............. 49
SIGMA PKAF USED
8 F4 EX M- box ............ 249
12-24 F4.5/5.6 EX DG.. 369
18-250 F3.5/6.3 OS...... 249
18-250 F3.5/6.3 ............ 199
28-200 F3.5/5.6 .............. 49
50-200 F4/5.6 WR .......... 99
70-300 F4/5.6 DL mac.... 59
105 F2.8 EX DG M- box329
170-500 F5/6.3 DG....... 349
TAM 17-50 F2.8 XR Di . 249
TAM 18-200 XR DiII ....... 99
TAM 70-300 F4/5.6 Di .... 79
TAM 90 F2.8................. 199
PENTAX 35mm MF USED
LX + FA1W prism ......... 299
LX + FA1W prism ......... 199
K1000 body chr .............. 79
P30N body...................... 59
ME Super body chr ........ 49
28-80 F3.5/4.5 ................ 49
50 F1.7 PKA ................... 59
50 F1.7 ........................... 49
50 F2......39 55 F1.8.... 49
135 F3.5 ......................... 39
400-600 F8/12 .............. 299
1000 F11....................... 799
FB1 + FC1 LX V/F.........119
Rear converter A 2x........ 79
Rear converter T62 ........ 69
PENTAX 645AF USED
645N body .................... 399
120 insert........................ 49
1.4x converter ..................179
PENTAX 645MF USED
45-85 F4 ....................... 269
80-160 F4.5 .................. 269
135 F4 Leaf .................. 179
150 F3.5 EX++ ............. 149
200 F4 ......................... 149
1.4x or 2x converter each179
120 Insert M- box............ 49
Ref conv (angle nder) . 149
PENTAX 67 USED
67II + AE prism ............. 799
67MU + 105 F4 late
+ plain prism ................. 349
67MU + 105 early
no meter ....................... 399
45 F4.....249 55 F4 .... 249
90 F2.8 leaf................... 149
105 F2.4 late................. 299
135 F4 mac late............ 249
135 F4 mac early............ 99
165 F2.8 ....................... 149
165 F4 leaf latest .......... 249
200 F4 latest................. 169
300 F4 early scruffy......... 99
300 F4 late.................... 199
Auto ext tubes................. 49
Vivitar 2x conv ................ 49
Pentax rear conv 1.4x... 249
Folding focus hood ......... 79
SAMSUNG DIGITAL USED
NX11 + 18-55 box ........ 149
NX100 + 20-50 box ...... 149
TAMRON ADAPTALL USED
24 F2.5 late .................... 69
28-80 F3.5/4.2 SP .......... 49
28-200 F3.5/5.6 .............. 99
35-210 F3.5/4.2 .............. 49
90 F2.5 late 2:1 ............ 149
300 F2.8 ....................... 399
YASHICAMAT USED
124G............................. 219
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Bronica ETRS/Si
ETRSi Complete + Grip..................................As Seen 189
ETRSi Complete ...........................................E+ / E++ 249
ETRSi Body + Speed Grip ..................................... E+ 149
ETRS Complete................................................... E++ 159
30mm F3.5 PE Fisheye............................. E++ 699 - 749
40mm F4 E ........................................E+ / E++ 129 - 149
45-90mm F4-5.6 PE.................................. E++ 399 - 449
70-140mm F4.5 PE.............................................. E++ 599
75MM F2.8 EII ......................................................... E+ 59
100mm F4 E Macro.............................................. E++ 169
105mm F3.5 E ................................................ As Seen 49
150mm F3.5 E ..............................As Seen / E+ 59 - 109
150mm F3.5 PE................................................... E++ 149
200mm F4.5 E ............................. E+ / Unused 119 - 219
200mm F5.6 E ..................................................... E++ 129
250mm F5.6 E ............................As Seen / E++ 79 - 159
250mm F5.6 PE..................................................... E+ 149
500mm F8 E ............................................... E+ 349 - 399
120 E Mag.............................................................. E++ 45
Polaroid Mag E ......................................E+ / E++ 15 - 59
Extension Tube E14......................... E+ / Unused 39 - 89
Extension Tube E28............................................... E++ 39
Extension Tube E42............................................... E++ 39
Motorwinder E........................................E+ / E++ 75 - 85
SCA386 Flash Adapter ................................. E++ 20 - 45
AEII Meter Prism...................................................... E+ 75
Prism Finder E ...............................As Seen / Exc 35 - 39
Rotary Finder E...................................................... E++ 79
Speed Grip E ......................................................... E++ 35
Bronica RF645
45mm F4 RF + Finder.....................E++ / Mint- 299 - 399
100mm F4.5 RF................................................... E++ 589
RF Polarising Filter Set .........................................Mint- 95
RF20 Speedlite ......................................... E++ 129 - 149
Bronica SQA/Ai/B
SQAM Complete.................................................... E+ 299

SQAM Body Only................................................... E+ 125
SQA Body + Speed Grip........................................ E+ 149
SQA Body Only.......................................................Exc 99
SQB Body Only + Speed Grip.............................. E++ 149
65mm F4 PS...................................................Unused 249
75-150mm F4.5 PS................................................ E+ 399
135mm F4 PS Macro........................................... E++ 229
140-280mm F5.6 PS.............................................. E+ 399
200mm F4.5 PS................................................... E++ 129
200mm F4.5 S ..................................................... E++ 129
SQA 220J Mag......................................................... E+ 75
AE Prism Finder S ................................................... E+ 89
CDS MF Finder S............................................E+ / E++ 79
Prism Finder S ......................................................... E+ 69
Prism Finder SQi...................................................... E+ 59
Proshade S.............................................................. E+ 25
Canon EOS
EOS 1VHS Body Only............................................ E+ 449
EOS 1N RS Body Only .......................................... E+ 269
EOS 1N + E2 Booster.......................................... E++ 149
EOS 1N + E1 Booster...........................Exc / E+ 99 - 129
EOS 1N + BP-E1 Grip.......................................... E++ 149
EOS 1N Body Only .................................................Exc 99
EOS 1 + BP-E1 Grip ....................................... As Seen 89
EOS 1 + E1 Booster.............................E+ / E++ 99 - 149
EOS 1 Body Only....................................................Exc 79
EOS 3 + E2 Booster............................................... E+ 149
EOS 3 Body Only................................... As Seen 79 - 89
EOS 30E Body Only........................................ As Seen 39
EOS 30 + BP300 Grip.............................................. E+ 69
EOS 30 Body Only..........................................E+ / E++ 79
EOS 5 Body Only..................................................... E+ 49
EOS 5 QD Body Only............................................... E+ 59
EOS 50E + BP50 Grip ....................As Seen / E+ 39 - 69
EOS 50E Body Only........................................ E+ 19 - 49
EOS 3000V Body Only............................................. E+ 15
15-85mm F3.5-5.6 IS USM .................................... E+ 419
16-35mm F2.8 L USM MKII ................................. E++ 899
17-40mm F4 L USM............................................... E+ 399
17-85mm F3.5-5.6 IS USM .................................... E+ 159
18-55mm f3.5-5.6 EFS........................................... E++ 49
18-55mm F3.5-5.6 EFS II......................................... E+ 49
18-55mm F3.5-5.6 EFS III...................................... E++ 49
18-55mm F3.5-5.6 IS EFS II .................................. E++ 79
18-55mm F3.5-5.6 IS STM...........................Mint- 79 - 99
24mm F1.4 L USM............................................... E++ 879
24mm F2.8 EF.......................................... E++ 219 - 239
24-70mm F2.8 L USM........................E+ / E++ 849 - 949
24-105mm F4 L IS USM ...................E+ / Mint- 489 - 529
28mm F2.8 IS USM ............................................Mint- 389
28-80mm F3.5-5.6 II ................................................ E+ 59
28-80mm F3.5-5.6 USM II........................................ E+ 59
28-90mm F4-5.6 USM II................................ E++ 49 - 59
28-105mm F3.5-4.5 USM.......................... E++ 119 - 149
28-135mm F3.5-5.6 IS USM .................................. E+ 159
28-200mm F3.5-5.6 USM..................................... E++ 139
28-300mm f3.5-5.6 L IS USM............................ E++ 1,599
35mm F1.4 L USM................................................. E+ 789
35-135mm F3.5-4.5 EF.......................................... E++ 79
45mm F2.8 TS-E.................................................. E++ 849
50mm F1.4 USM.................................................. E++ 229
50mm f2.5 EF Macro............................................ E++ 179
50-200mm F3.5-4.5 EF.....................................Unused 99
55-200mm F4.5-5.6 USM..................................Unused 99
55-200mm F4.5-5.6 USM II.................................... E++ 89
55-250mm F4-5.6 EFS IS ....................E+ / E++ 89 - 139
60mm f2.8 USM EFS Macro .................................. E+ 239
70-200mm F2.8 L IS USM II ..............Mint- 1,499 - 1,549
70-200mm f4 L IS USM..............................E++ / Mint- 749
70-200mm f4 L USM.............................................. E+ 339
70-200mm f4 L USM + A(W) Collar...................... E++ 429
70-210mm F3.5-4.5 USM................................Unused 149
70-210mm F4 EF........................... E++ / Unused 69 - 99
70-300mm f4-5.6 L IS USM....................... E++ 949 - 959
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70-300mm F4.5-5.6 DO IS USM.......Exc / E++ 399 - 689

75-300mm F4-5.6 USM II....................................... E++ 99
80-200mm F4.5-5.6 EF II................................E+ / E++ 59
90-300mm F4.5-5.6 EF............................................ E+ 79
100mm F2.8 EF Macro ........................................ E++ 179
100mm F2.8 L Macro IS USM.............................Mint- 559
100-400mm F4.5-5.6 L IS USM .........E+ / E++ 849 - 899
135mm F2 L USM................................................ E++ 749
180mm F3.5 L Macro USM................E+ / E++ 799 - 849
300mm F4 L IS USM................................. E++ 899 - 949
400mm F2.8 L IS USM........................................ E+ 4,399
400mm F2.8 L USM...............................E+ 2,299 - 2,499
400mm f4 DO IS USM ...................................... E++ 3,899
400mm f5.6 L USM.............................................. E++ 899
600mm F4 L IS USM......................................... E++ 5,499
600mm F4 L USM............................................... E+ 3,499
Sigma 10-20mm F4-5.6 DC HSM ........................ E++ 259
Sigma 15-30mm F3.5-4.5 EX DG ........................ E++ 219
Sigma 18-125mm F3.8-5.6 DC OS HSM ............. E++ 159
Sigma 18-250mm F3.5-6.3 DC OS HSM ............. E++ 219
Sigma 24mm F2.8 Super Wide II ........................... E++ 79
Sigma 28-105mm F4-5.6 UC AF............................ E++ 69
Sigma 70-200mm F2.8 APO EX DG HSM ............Exc 239
Sigma 70-210mm F2.8 Apo ......... E+ / Unused 179 - 249
Sigma 70-210mm F3.5-4.5 Apo ........................Unused 79
Sigma 70-300mm F4-5.6 Apo Macro .......... E++ 69 - 109
Sigma 75-300mm F4.5-5.6 Apo ............................... E+ 69
Sigma 100-300mm F4 Apo EX HSM...................... E+ 469
Sigma 105mm F2.8 EX DG Macro....................... E++ 219
Sigma 120-400mm F4.5-5.6 Apo DG OS HSM.... E++ 499
Sigma 170-500mm F5-6.3 Apo ...As Seen / E+ 199 - 289
Sigma 300mm F2.8 Apo .................................Unused 399
Sigma 300mm F4 Apo ......................................... E++ 159
Tamron 10-24mm F3.5-4.5 Di II LD Asph .............. E+ 249
Tamron 17-50mm F2.8 XR Di II ..........................Mint- 179
Tamron 18-270mm F3.5-6.3 DI II VC................... E++ 229
Tamron 19-35MM F3.5-4.5 AF............................... E++ 79
Tamron 28-75mm F2.8 XR Di AF......................... E++ 229
Tamron 60mm F2 Di II (if) Macro ........................Mint- 249
Tamron 90mm F2.8 SP AF Macro ....................... E++ 249
Tamron 180mm F3.5 Di Macro AF....................... E++ 489
Tamron 200-400mm F5.6 AF LD ......................... E++ 249
Tamron 200-500mm F5-6.3 Di LD AF.................. E++ 649
Tokina 12-24mm F4 AF PRO DX ATX MKII........Mint- 349
Tokina 16-28mm F2.8 ATX FX............................Mint- 589
Tokina 16-50mm F2.8 ATX Pro DX...................... E++ 349
Tokina 28-80mm F2.8 ATX Pro.......................Unused 279
Tokina 300mm F2.8 ATX SD ..........................Unused 999
Zeiss 28mm F2 Distagon ZE...............................Mint- 749
Zeiss 35mm F2 ZE Distagon...............................Mint- 649
Zeiss 50mm F1.4 ZE..................................E++ / Mint- 429
Zeiss 50mm F2 Macro Planar ZE........................... E+ 689
Zeiss 85mm F1.4 Planar ZE................................. E++ 749
Zeiss 100mm F2 ZE Macro.................................. E++ 989
1.4x EF Extender ...............................E+ / E++ 139 - 149
1.4x EF II Extender .........................E++ / Mint- 199 - 219
2x EF Extender .................................Exc / E++ 129 - 159
Teleplus 2x MC7 Converter...................................Mint- 39
EF25 Extension Tube............................................. E++ 49
300EZ Speedlite ....................................E+ / E++ 12 - 29
380EX Speedlite ...................................E+ / Mint- 75 - 79
430EZ Speedlite .............................As Seen / E+ 29 - 39
480EG Speedlite.................................................... E++ 99
540EZ Speedlite ....................................E+ / E++ 49 - 59
550EX Speedlite ................................E+ / E++ 129 - 149
580EX MkII Speedlite........................................... E++ 269
580EX Speedlite ................................E+ / E++ 149 - 189
90EX Speedlite .....................................................Mint- 79
ML3 Macrolite ........................................................ E++ 59
MR-14EX Macro Ringlite.................E++ / Mint- 329 - 349
ST-E2 Transmitter..................................E+ / E++ 79 - 89
Centon MR40 AFC Macro Flash ............................ E++ 44
Marumi DRF-14C RingFlash.................................. E++ 59
Metz 50MZ5 Flash ............................................... E++ 129
Sigma EF430 Flash...........................................Unused 49
Sigma EF430ST Flash......................................Unused 69
Sigma EF500 DG ST Flash.................................... E++ 79
Sigma EF500 DG ST Flash II................................. E++ 79
Sigma EF530 DG ST Flash...................................... E+ 59
Sunpak Auto DX12R RingLight............................ E++ 119
ST Body Only......................................................... E+ 229

RTS2 Body + Motordrive........................................ E+ 199
RTS2 Body + Winder ............................................. E+ 169
RTS2 Body Only .................................................... E+ 149
RTS + Winder ........................................................ E+ 149
RTS Body Only .................................................... E++ 125
Aria Body Only..................................................... E++ 129
167MT Body Only ........................................... E+ 69 - 89
137MD Body Only...................................................Exc 35
139 Body + Winder .................................................. E+ 75
Preview Body Only...............................E+ / E++ 49 - 249
15mm F3.5 AE.................................................. Mint 1,249
25mm F2.8 MM...................................................Mint- 399
28-70mm F3.5-4.5 MM......................................... E++ 279
28-80mm F3.5-5.6 AF..........................................New 399
28mm F2.8 AE..................................................... E++ 169
35-70mm F3.4 MM............................................... E++ 279
35mm F2.8 MM...................................................... E+ 179
45mm F2.8 AE................................E++ / Mint- 189 - 199
45mm F2.8 MM..................................E+ / Mint 199 - 249
50mm F1.4 AF....................................................Mint- 499
60mm F2.8 AE Macro........................E+ / E++ 439 - 469
70-200mm F4-5.6 AF........................................... E++ 499
70-300mm F4-5.6 AF................. E++ / Unused 449 - 799
80-200mm F4 MM..............................E+ / E++ 195 - 249
85mm F2.8 MM......................................... E++ 289 - 299
100mm F3.5 AE..................................................... E+ 239
100mm F3.5 MM........................ E++ / Unused 249 - 389
135mm F2 (60 Year Edition)........................Unused 2,399
180mm F2.8 AE..............................................Unused 599
180mm F2.8 MM........................ E++ / Unused 349 - 599
200mm F3.5 AE................................................... E++ 199
200mm F4 AE.................................................Unused 499
300mm F4 AE........................................................ E+ 299
TLA20 Flash...........................................E+ / E++ 15 - 39
TLA280 Flash........................ As Seen / Unused 39 - 149
TLA30 Flash...........................................E+ / E++ 25 - 39
TLA360 Flash.......................................E+ / E++ 79 - 149
Digital Compact Cameras

Canon Powershot G2............................................... E+ 49
Canon Powershot G2 + WC-DC58......................... E++ 79
Canon Powershot G6...................................... As Seen 49
Canon Powershot G9............................................. E+ 129
Canon Powershot S95 ........................................... E+ 119
Canon Powershot SX150 IS................................... E++ 39
Canon SX160 IS ...................................................Mint- 89
Fuji F100FD.................................................... As Seen 59
Fuji Finepix S200 EXR.................................... As Seen 99
Fuji Finepix S5000 ................................................... E+ 49
Fuji Finepix S5500 ................................................. E++ 39
Fuji Finepix S9500 ................................................... E+ 99
Leica Digilux 2........................................................ E+ 249
Leica Digilux 3 + 14-50mm........................ E++ 649 - 699
Leica Digilux 3 Body Only ...................................... E+ 299
Nikon Coolpix 3100................................................ E++ 29
Nikon Coolpix 950.................................................... E+ 49
Nikon Coolpix 990........................................... As Seen 59
Nikon Coolpix 995.................................E+ / Mint- 49 - 89
Nikon Coolpix L810................................................ E++ 99
Nikon Coolpix S9300................................................ E+ 95
Panasonic DMC FZ28.......................................... E++ 109
Panasonic DMC FZ38.......................................... E++ 129
Panasonic DMC LX1.............................................. E++ 79
Panasonic DMC LX2.............................................. E++ 99
Panasonic DMC-FS4 ............................................... E+ 39
Panasonic DMC-FX7 ...................................... As Seen 29
Panasonic FX500................................................... E++ 79
Panasonic FZ100................................................... E+ 129
Panasonic FZ28................................................... E++ 129
Ricoh GR Digital .................................................Mint- 449
Ricoh GR Digital Limited Edition ............... Mint- / Mint 129
Ricoh GX100...........................................................Exc 79
Ricoh GX100 + V/Finder....................E+ / E++ 119 - 139
Ricoh GX200 + Finder............................................ E+ 129
Ricoh GX200 + Finder + Wide/Tele Lenses........... E+ 179
Ricoh GXR + 24-85mm.......................................Mint- 289
Ricoh GXR + 28mm F2.5..................................... Mint 379
Sigma DP1.........................................E+ / E++ 129 - 149
Sony DSC RX1 + Handgrip..............................Mint- 1,749
Sony DSC-H5 + Lenses....................................... E++ 129
Contax 645 Series
Sony DSC-HX9V...............................E+ / Mint- 119 - 129
35mm F3.5 Distagon.........................E+ / Mint- 749 - 949 Sony DSC-T77......................................................Mint- 99
45mm F2.8 Distagon................................. E++ 499 - 599 Sony DSC-W320.................................................... E++ 49
45-90mm F4.5 Vario ......................................... E++ 1,599
80mm F2.0 Planar ................................................. E+ 599 Digital Mirrorless
120mm F4 Apo Macro............................... E++ 699 - 899 Nikon V1 White Body Only................................... E++ 139
140mm F2.8 Sonnar .................. E++ / Unused 399 - 799 Olympus E-P2 Black Body Only........................... E++ 149
210mm F4 Sonnar ............................E+ / Mint- 389 - 499 Olympus E-P3 Body Only - Black........................... E+ 219
MFB-2 Polaroid Mag..............................E+ / E++ 79 - 99 Olympus E-P3 Body Only - Silver ........................ E++ 249
MSB1 Flash Bracket ...........................................Mint- 179 Olympus E-P5 Black Body Only..........................Mint- 589
Olympus E-PL1 Black Body Only........................... E+ 109
Contax G Series
Olympus E-PL3 Black + 14-42mm ....................... E++ 179
Olympus E-PL5 + 14-42mm................................Mint- 259
Olympus EM-5 Black Body + HLD6 Grip.............. E++ 529
Olympus EM-5 Black Body Only .......E+ / Mint- 409 - 449
Olympus EM-5 Black Body Only (inc Case)......... E++ 439
Panasonic G1 Body Only..................... Exc / E++ 59 - 74
Panasonic G2 Body Only..................................... E++ 109
Panasonic G6 Body Only....................................Mint- 359
Panasonic GF-2 Body Only.....................Exc / E+ 59 - 79
Panasonic GF-3 Black Body .............E++ / Mint- 89 - 119
Panasonic GF-3 Red Body..................................Mint- 129
G2 Millennium Kit.............................................. E++ 1,789 Panasonic GF-5 Body Only.................................... E++ 99
G2 Body Only......................................................... E+ 399 Panasonic GH-2 Body Only ..............E+ / Mint- 279 - 349
G1 Body + GD1 Back........................................... E++ 199 Panasonic GH-3 Body Only ................................. E++ 649
G1 Body only ......................................................... E+ 199 Panasonic GX1 Body Only.................E+ / Mint 169 - 229
16mm F8 G + Finder...........................................Mint- 999 Pentax Q Body Only............................................. E++ 129
21mm F2.8 G + Finder....................E++ / Mint- 549 - 649 Samsung NX10 + 18-55mm................................. E++ 179
28mm F2.8 G......................................................Mint- 329 Sony NEX3 + 16mm F2.8 .................................... E++ 239
35MM F2 G.......................................................... E++ 269 Sony NEX5 + 16mm F2.8 ...................................Mint- 209
90mm F2.8 G..............................As Seen / E++ 99 - 239 Sony NEX5 + 18-55mm + Flash............................. E+ 189
16mm Viewfnder ................................................Mint- 199 Sony NEX5N + 18-55mm + Flash........................ E++ 249
TLA140 Flash........................................E+ / Mint- 39 - 59 Sony NEX6 + 16-50mm ......................................Mint- 329
TLA200 Flash......................................................... E++ 89 Sony NEX7 + 18-55mm ............................ E++ 549 - 599
Sony NEX7 Body Only..................................E+ / E++ 449
Contax SLR Series
N1 + 24-85mm..................................................... E++ 499 Micro 4/3rds Lenses
NX + 28-80mm........................... E++ / Unused 289 - 389 Samyang 7.5mm F3.5 UMC Fisheye ................... Mint 179
NX Body Only ...................................................... E++ 199 Panasonic 12-35mm F2.8 G Vario OIS................ E++ 649
AX Body Only.....................................E+ / E++ 249 - 449 Olympus 12-50mm F3.5-6.3 M Zuiko........ E++ 179 - 189
RTS3 Body Only .................................................. E++ 399 Panasonic 12.5mm F12 G 3d..............................Mint- 119
RX Body Only ....................................E+ / E++ 169 - 229 Olympus 12mm F2.0 ED LTD Black..................... Mint 589
S2 Body Only............................. E++ / Unused 450 - 549 Panasonic 14-140mm F4-5.8 OIS HDE+ / Mint- 249 - 279
01463 783850
Panasonic 14-42mm F3.5-5.6 Asph OISE+ / Mint- 59 - 69

Panasonic 14-42mm F3.5-5.6 HD Compact...........Mint 89
Olympus 14-42mm F3.5-5.6 M.Zuiko ED.....E++ / Mint- 79
Olympus 14-42mm F3.5-5.6 M.Zuiko II R .............Mint- 79
Panasonic 14-45mm F3.5-5.6 ASPH G Vario ...... E++ 129
Panasonic 14mm F2.5 Asph..............E+ / E++ 119 - 129
Olympus 15mm F8 Body Cap Lens..............E++ / Mint- 45
Olympus 17mm F2.8 M.Zuiko - Black .................Mint- 129
Olympus 17mm F2.8 M.Zuiko - Silver......................... E++ /
Mint- 119 - 129
Panasonic 20mm F1.7 G Pancake..E++ / Mint- 209 - 219
Panasonic 25mm F1.4 DG Summilux ......Mint- 359 - 369
Sigma 30mm F2.8 EX DN.................. E++ / Mint- 89 - 99
Olympus 40-150mm F4-5.6 ED M.Zuiko..................... E++ /
Mint- 119 - 129
Panasonic 45-200mm F4-5.6 OIS.......................Mint- 179
Olympus 45mm F1.8 M.Zuiko - Silver........E++ / Mint- 189
Centon 500mm F8 Refex ...................................... E++ 69
Olympus 8mm F3.5 FishEye Zuiko D.......................... E++ /

Mint- 429 - 489
Olympus 11-22mm F2.8-3.5 Zuiko.....E+ / E++ 329 - 349
Olympus 12-60mm F2.8-4 ED SWD ..E+ / E++ 319 - 399
Olympus 12-60mm F2.8-4 SWD .........................Mint- 419
Olympus 14-42mm F3.5-5.6 Zuiko......................... E++ 49
Olympus 14-45mm F3.5-5.6 Zuiko................ E++ 49 - 59
Panasonic 14-50mm F3.8-5.6 Asph....................... E+ 249
Olympus 14-54mm F2.8-3.5 MkII........................Mint- 319
Olympus 14-54mm F2.8-3.5 Zuiko............ E++ 229 - 249
Sigma 18-50mm F2.8 EX DC.............E+ / E++ 129 - 159
Olympus 35mm F3.5 Macro Zuiko .....E+ / E++ 139 - 149
Olympus 40-150mm F3.5-4.5 Zuiko....................... E++ 59
Olympus 40-150mm F4-5.6 ED Zuiko....E+ / E++ 49 - 89
Olympus 50-200mm F2.8-3.5 ED.............. E++ 449 - 499
Olympus 50-200mm F2.8-3.5 SWD ..................... E++ 599
Olympus 50mm F2 ED Macro Zuiko .................... E++ 289
Olympus 70-300mm F4-5.6 ED Zuiko....... E++ 189 - 199
Olympus EC14 Zuiko Tele Converter..................Mint- 229
Sony NEX Lenses

Flash & Lighting - Please Call
Sony 16-50mm F3.5-5.6 PZ OSS ...E++ / Mint- 159 - 199
Fuji - Please Call
Sony 18-55mm F3.5-5.6 OSS................................ E++ 99
Sigma 19mm F2.8 EX DN.................. E++ / Mint- 79 - 99
Zeiss 32mm F1.8 Touit E..................................... Mint 449 Hasselblad H Series
Sony 50mm F1.8 OSS....................E++ / Mint- 129 - 159 H3DII Complete (50MP).................................... E++ 9,889
H2 Complete....................................................... E+ 1,989
H2 Body + Prism + Mag.................................... E++ 1,250
Digital S LR Cameras
H1 Body + HV90 Prism + Magazine.................. E++ 1,289
H1 Body + HV90 Prism..................................As Seen 499
H1 Body Only................................................E+ / E++ 689
35mm F3.5 HC.................................................... E+ 1,249
50mm F3.5 HC.................................................. E++ 1,299
50-110mm F3.5-4.5 HC ...............E+ / E++ 1,850 - 1,950
80mm F2.8 HC....................................................... E+ 599
300mm F4.5 HC...............................................Mint- 2,399
1.7x H Converter.............................E++ / Mint- 699 - 749
BCH Charger + 9.6V Battery.................................. E+ 125
Canon EOS 1DS MKIII Body Only .........E+ 1,389 - 1,499 Extension Tube H 26mm...................................... E++ 159
Canon EOS 1DS MkII Body Only.......E+ / E++ 699 - 949 HM 16/32 Magazine............................................Mint- 129
Canon EOS 1D X Body Only............................. E++ 4,189 Hmi100 Polaroid Mag..........................E+ / Mint- 79 - 149
Canon EOS 1D MkIII Body OnlyAs Seen / E++ 799 - 899 HVM Magnifying Hood ........................................Mint- 249
Canon EOS 1D MKIIN Body Only......E+ / E++ 449 - 589
Canon EOS 1D MkII Body Only .........E+ / E++ 399 - 749 Hasselblad V Series
Canon EOS 1D Body Only.............................As Seen 249
Canon EOS 5D MKIII Body OnlyE++ / Mint 1,849 - 1,899
Canon EOS 5D MkII Body Only ....................E+ / E++ 989
Canon EOS 5D Body Only........As Seen / E++ 299 - 429
Canon EOS 7D Body Only..............E++ / Mint- 629 - 789
Canon EOS 70D Body Only................................. Mint 699
Canon EOS 60D Body Only...............E+ / Mint 399 - 459
Canon EOS 50D Body Only................................. E++ 329
Canon EOS 40D Body Only................................. E++ 199
Canon EOS 30D + BG-E2 Grip.............................. E+ 189
Canon EOS 30D Body Only........................ E+ 159 - 189 500CM Gold Edition.....................................Unused 3,999
Canon EOS 20D + BG-E2 Grip................................ E+ 99 205TCC Complete ............................................ E++ 2,999
Canon EOS 20D Body Only............As Seen / E+ 79 - 99 203FE Chrome Complete.................................. E++ 1,950
Canon EOS 600D Body Only..............................Mint- 279 202FA Chrome Body + Winder F........................... E+ 549
Canon EOS 500D Infra Red Body........................ E++ 289 202FA Chrome Body............................................ E++ 649
Canon EOS 450D Infra Red Body..................As Seen 249 503CX Chrome Body Only..................................... E+ 549
Canon EOS 450D Body Only................................. E+ 149 500ELX Complete................................................ E++ 899
Canon EOS 400D Body Only................................. E+ 109 553ELX Black Body Only....................................... E+ 449
Canon EOS 350D Body Only................................... E+ 79 553ELX Chrome Body Only............E++ / Mint- 399 - 649
Canon EOS 300D Body Only.......................... As Seen 49 500ELX Black Body Only...................E+ / E++ 349 - 449
Canon EOS D30 + BG-ED3 Grip .................... As Seen 79 500ELM Chrome Body Only................................... E+ 149
Canon EOS M + 22mm F2..................................Mint- 289 905SWC Complete ........................................... E++ 3,999
Fuji S2 Pro Body Only........................E+ / E++ 119 - 149 SWCM Complete ................................................ E+ 1,399
Fuji S3 Pro Body Only.............................................. E+ 99 SWC Body + Finder ............................................ E+ 1,199
Fuji S5 Pro Body Only........................E+ / E++ 239 - 279 Arc Outft........................................................... E++ 2,250
Kodak DCS Pro14N Body Only.............................. E+ 299 Flex Outft ......................................................... E++ 1,099
Leica Digital Modular R..................................... E++ 1,949 30mm F3.5 CFi Fisheye.................................... E++ 2,799
Leica S2 Black Body Only................................Mint- 6,989 45mm F4.5 Apo Grandagon................................. E++ 889
Nikon D3X Body Only ..................E+ / E++ 2,299 - 2,499 50mm F2.8 FE....................................................... E+ 649
Nikon D3 Body Only.......................................... E++ 1,399 50mm F4 CF.......................................................... E+ 349
Nikon D2X Body Only ........................E+ / E++ 299 - 349 50mm F4 CF FLE ....................................... E+ 599 - 649
Nikon D1X Body Only ............................................ E+ 189 50mm F4 Cf FLE...................................... E++ 849 - 949
Nikon D700 Body Only........................Exc / E+ 889 - 899 50mm F4 Classic ZV....................................Unused 2,999
Nikon D600 Body Only........................................Mint- 989 60-120mm F4.8 FE.......................................E+ / E++ 599
Nikon D300 Body Only................As Seen / E+ 249 - 329 120mm F4 CF Macro..........................Exc / E+ 449 - 649
Nikon D200 + MB-D200 Grip..........................As Seen 159 120mm F4 CFi ..................................................... E++ 849
Nikon D200 Body Only..................As Seen / E+ 99 - 149 135mm F5.6 C Macro ................................. E+ 189 - 249
Nikon D100 Body Only............................................. E+ 99 135mm F5.6 S Planar............................................ E+ 219
Nikon D90 Body Only................As Seen / E++ 219 - 289 140-280mm F5.6 C Black ........................... E+ 499 - 549
Nikon D80 Body Only...........................E+ / E++ 89 - 149 140-280mm F5.6 F Variogon ................................. E+ 599
Nikon D70 Body Only....................As Seen / E+ 59 - 109 150mm F2.8 F........................................................ E+ 349
Nikon D60 Body Only.........................E+ / E++ 125 - 129 150mm F4 C Black....................As Seen / E++ 129 - 299
Nikon D50 Body Only............................................... E+ 89 150mm F4 CF.....................................Exc / E+ 249 - 299
Nikon D40 Body Only.................................. E++ 99 - 109 150mm F4 CFi ....................................................Mint- 749
Nikon D7100 Body Only....................................... E++ 649 160mm F4.8 CB................................................... E++ 399
Nikon D7000 Body Only............................ E++ 399 - 429 250mm F5.6 C Black.............................................. E+ 199
Nikon D3100 Body Only................. Mint- / Mint 159 - 169 250mm F5.6 C Chrome.......................................... E+ 189
Nikon D3000 Body Only.....................E+ / E++ 129 - 139 250mm F5.6 C Silver ............................................. E+ 199
Olympus E5 Body Only............................. E++ 749 - 849 250mm F5.6 CF................................................... E++ 349
Olympus E3 Body Only...................E++ / Mint- 359 - 399 250mm F5.6 CF Super Achromat ....................... E+ 1,999
Olympus E1 Body Only........................E+ / E++ 99 - 149 350mm F5.6 CF........................................ E++ 749 - 849
Olympus E520 + 14-42mm .................................. E++ 179 500mm F8 C Black................................................. E+ 450
Olympus E500 + 14-45mm .................................... E+ 149 1.4x E Converter.................................................. E++ 399
Olympus E500 + 17.5-45mm ........................E+ / E++ 129 2xE Converter...................................................... E++ 249
Olympus E450 + 14-42mm ...........................E+ / E++ 199 Komura 2x Converter............................................. E++ 45
Olympus E420 + 14-42mm .................................. E++ 169 Vivitar 2x Converter.................................................. E+ 45
Olympus E400 + 14-42mm .................................... E+ 159 Teleplus 2x MC6 Converter............ E++ / Unused 49 - 79
Olympus E300 Body Only........................................ E+ 99 A12 Black Mag......................................................... E+ 79
Olympus E20P + Lenses...................................... E++ 159 A12 Chrome Mag..........................As Seen / E+ 99 - 149
Panasonic L1 Body Only....................E+ / E++ 239 - 279 A12 TCC Black Mag............................................... E+ 149
Panasonic L10 Body Only.................................... E++ 129 A24 Black Mag.....................................E+ / E++ 39 - 129
Pentax K5 IIs Body Only .....................................Mint- 639 A24 Chrome Mag............................... Exc / E++ 49 - 125
Pentax K5 II Body Only........................................ E++ 529 A24 TCC Black Mag............................................... E+ 139
Pentax K30 Black Body Only ............................... E++ 289 E12 Chrome Mag................................................. E++ 249
Pentax KM + 18-55mm ........................................ E++ 159 E24 Black Mag..................................E+ / Mint- 169 - 199
Pentax K200D Body Only .................................... E++ 119 Acute Matte screen 42165 ..................................... E++ 75
Pentax *isT DL2 + 18-55mm................................ E++ 119 HC Prism ............................................................... E++ 99
Pentax *isT DL2 Body Only.................................Mint- 119 HC1 Prism........................................................Exc / E+ 39
Pentax *isT D + D-BG1 Grip .................................. E+ 119 PM Prism ............................................................... E+ 129
Samsung GX1S + 18-55mm .................................. E+ 149 PM45 Prism ......................................E+ / Mint- 249 - 289
Sigma SD9 + 18-50mm + 55-200mm................... E++ 189 PM5 Prism ........................................................... E++ 199
Sigma SD9 + 24-70mm................................... As Seen 99 PM90 Prism ..........................................................Exc 129
Sigma SD9 Body Only .................................... As Seen 99 PME5 Meter Prism................................................. E+ 299
Sony A100 Body Only..................................... As Seen 79 PME90 Meter Prism..............................................Exc 349
Sony A350 + 18-55mm + VG-B30AM Grip..........Mint- 249 Autobellows............................................... E++ 199 - 249
Sony A580 Body Only............................................ E+ 199 Bellows + Hood...................................................... E+ 179
Sony A65 + 18-55mm .........................................Mint- 449 CW Winder........................................................... Mint 249
Sony A77 Body Only................................. E++ 499 - 549 Extension Tube 21................................................. E++ 35
Extension Tube 32E............................................... E++ 59
4/3rds Lenses
Extension Tube 55.......................................... E+ 30 - 35
Olympus 7-14mm F4 ED Zuiko................. E++ 849 - 999 Flash L grip (45169)................................................. E+ 79
Profash 4504................................................ E+ 99 - 199

Winder F ................................................................ E++ 95
Hasselblad Xpan Series
Xpan II + 45mm F4 ......................E+ / E++ 1,389 - 1,489

30mm F5.6 Asph + Finder................... E++ 1,789 - 1,899
90mm F4............................................E+ / E++ 239 - 349
Fujinon 90mm F4................................................... E+ 239
45/90mm Centre Filter ....................................E+ / E++ 99
Large Format - Please Call
Leica R series - Please Call
Leica Screw - Please Call
Leica M Series
M Monochrom Body Only.................................. E++ 4,799
M9 Black Body Only.....................E+ / E++ 2,849 - 2,899
M9 Steel Grey Body Only.................................... E+ 2,849
M8.2 Black Body Only....................................... E++ 1,749
M8.2 Chrome Body Only................................... E++ 1,699
M8 Black Body Only...............As Seen / E++ 999 - 1,389
M8 Chrome Body Only........................ E++ 1,299 - 1,389
M6 Platinum + 50mm F1.4................................ Mint 6,499
M6 Titanium + 35mm F1.4.................................. E+ 3,499
M6 Titanium + 35mm F1.4 Asph....................... E++ 4,499
M7 0.58x Black Body Only.................................. E+ 1,389
M7 0.72x Black Body Body Only......................... E+ 1,299
M7 0.72x Black Body Only................................ E++ 1,349
M7 0.72x Chrome Body Only.............. E++ 1,289 - 1,449
M6 0.72x Black Body Body Only............................ E+ 749
M4-P Black Body Only .......................E+ / E++ 649 - 689
M4 Chrome Body Only........................................... E+ 599
MD2 Black Body Only ............................................ E+ 349
MDA Chrome Body Only........................................ E+ 359
Konica Hexar RF Limited Edition....................... Mint 2,999
Konica Hexar RF Body Only .................................. E+ 429
16/18/21mm F4 Tri Elmar + Finder ................... E++ 3,199
21mm F2.8 Asph M Black.........E++ / Mint- 1,399 - 1,699
21mm F2.8 Asph M Black 6bit .......................... E++ 1,699
21mm F2.8 M Black.....................E+ / E++ 1,199 - 1,299
21mm F2.8 M Black 6bit ..................................... E+ 1,249
21mm F3.4 R + 122228 M Mount........................Mint- 799
21mm F4 Chrome + Finder................................. E+ 1,199
24mm F2.8 Asph M Black.........E++ / Mint- 1,599 - 1,649
24mm F2.8 Asph M Black 6bit .......................... Mint 1,899
28mm F2 Asph M Black.................................... E++ 1,749
28mm F2 Asph M Black 6bit .....E++ / Mint- 1,849 - 1,949
28mm F2.8 M Black...........................E+ / E++ 599 - 749
35mm F1.4 Asph M Black................... E++ 2,149 - 2,249
35mm F1.4 Black................................................ E+ 1,250
35mm F2 Asph M Black.................................... E++ 1,249
35mm F2 Asph M Black 6bit ...................E++ / Mint- 1,599
50mm F1.4 M Black.......................................... E++ 1,399
50mm F2 Chrome.................................................. E+ 449
50mm F2 Collapsible .................................. E+ 349 - 449
50mm F2 M Black................................................ E++ 999
50mm F2 M Black 6bit ................................ E+ 849 - 949
50mm F2.5 M Black 6bit ...................................... E++ 749
50mm F2.8 M Black............................................... E+ 599
50mm F2.8 M Chrome ......................................... E++ 699
75mm F1.4 M Black 6bit ................................... E++ 2,699
75mm F2.5 Black 6 BIT...................E++ / Mint- 849 - 889
90mm F2 M - Black................................................ E+ 789
90mm F2.5 Black 6 BIT........................................ E++ 949
90mm F2.8 Black...............................E+ / E++ 349 - 399
90mm F2.8 Chrome............................Exc / E+ 199 - 449
90mm F2.8 M - Black............................................. E+ 649
90mm F2.8 M Black..........................Exc / E++ 550 - 849
90mm F4 C Elmar................................................ E++ 299
90mm F4 Elmar ............................As Seen / E+ 69 - 199
90mm F4 Elmar E39..........................E+ / E++ 189 - 299
90mm f4 M Rokkor................................................. E+ 249
28/35/50mm F4 Tri Elmar ................................. E++ 2,499
135mm F2.8 Black...................................... E+ 299 - 349
135mm F2.8 M Black.....................................As Seen 250
135mm F4 Black.................................................... E+ 389
135mm F4.5 Hektor ........................................ As Seen 99
21/24/28mm Viewfnder - Black.............................. E+ 219
24mm Black Viewfnder......................E+ / E++ 199 - 249
28mm Black Viewfnder.......................................... E+ 199
A42 Swing Polariser............................................... E++ 59
Bellows II ................................................................. E+ 85
Ever-Ready Case M............................................. E++ 119
Large B&S Head.....................................Exc / E+ 35 - 39
M6TTL/M7 Leather Case ....................................... E++ 75
MC Meter................................................................. E+ 35
Motor M...........................................E++ / Mint- 179 - 249
Universal Polariser M..........................................Mint- 199
Winder M ................................................................. E+ 75
Mamiya - Please Call
Minolta - Please Call
Nikon AF
F6 Body + MB40 Grip .........................................Mint- 899

F6 Body Only..................................E++ / Mint- 749 - 849
F5 Anniversary Body Only ................................... E++ 799
F5 Body Only......................................Exc / E+ 179 - 299
F4E Body Only....................................................... E+ 249
F4S Body + MF23 Control Back............................. E+ 249
F4S Body Only....................................Exc / E+ 149 - 179
F100 Body + MB15 Grip....................................... E++ 179
The Kirk, Wester Balblair, E: info@ffordes.com

Beauly, Inverness. IV4 7BQ. F: 01463 782072
www.ffordes.com
See up to 3 images of each used item on website

Website updates used equipment list 10-15 times daily
All items come with 6 month warranty - (unless stated)
Our knowledgeable staff are on hand and ready to help
F100 Body Only .............................................. As Seen 79

F90X + MB10 Grip.......................................... As Seen 39
F90 Body Only ......................................................... E+ 39
F80 Black Body Only............................ Exc / E++ 35 - 39
F80 Chrome Body Only ......................................... E++ 39
F70 Body Only .......................................E+ / E++ 19 - 29
F65 Chrome + 28-80mm........................................ E++ 59
F65 Chrome Body Only...................................E+ / E++ 25
F60 Chrome Body Only.................As Seen / E++ 15 - 49
F55 Chrome Body Only..........................E+ / E++ 15 - 25
F50 Black Body Only................................................ E+ 15
F50 Chrome Body Only............................................ E+ 15
F601 + 35-70mm...................................................... E+ 49
F601 Body Only ......................................Exc / E+ 19 - 35
F601 Date Body Only............................................... E+ 29
F801 Body Only .............................................. E+ 29 - 39
F801S Body Only................................................... E++ 29
Pronea S + 30-60mm............................................. E++ 39
10.5mm F2.8 G AF ED DX Fisheye ..............E+ / E++ 349
12-24mm F4 G AFS DX ED................................. E++ 429
16-85mm F3.5-5.6 G ED VR AFS DX.................. E++ 289
17-55mm F2.8 G AFS DX IFED.........E+ / E++ 529 - 549
18-55mm F3.5-5.6 AFS II................... E++ / Mint- 49 - 59
18-55mm F3.5-5.6 G AFS VR..............E++ / Mint 59 - 79
18-70mm F3.5-4.5 G AFS ED DX........E+ / E++ 99 - 129
18-105mm F3.5-4.5 G AFS ED DX VRE+ / E++ 119 - 129
18-135mm F3.5-5.6 G AFS DX...........................Mint- 149
18-200mm F3.5-5.6 G AFS DX VRII.................... E++ 399
18-300mm F3.5-5.6 AFS DX VRII........................ E++ 479
20mm F2.8 AFD....................................................Exc 199
20-35mm F2.8 AFD ............................................... E+ 449
24mm F1.4 G AFS ED.......................Mint- 1,249 - 1,349
24mm F3.5 ED PC-E ................E++ / Mint- 1,089 - 1,099
24-50mm F3.3-4.5 AF.............................................. E+ 79
24-50mm F3.3-4.5 AFN .................................. E+ 79 - 99
24-85mm F3.5-4.5 G AFS...................................... E+ 159
24-120mm F3.5-5.6 ED AFD................E+ / E++ 99 - 149
24-120mm F3.5-5.6 G AFS ED VR...................... E++ 179
28mm F2.8 AF..................................................... E++ 139
28mm F2.8 AFD................................................... E++ 159
28mm F2.8 AFN..................................................... E+ 125
28-80mm F3.3-5.6 AFG......................................... E++ 39
28-100mm F3.5-5.6 AFG ....................................... E++ 59
28-300mm F3.5-5.6 G ED AFS VR.E++ / Mint- 549 - 599
35mm F1.8 G AFS DX.....................E++ / Mint 109 - 119
35mm F2 AF.......................................................... E+ 149
35-70mm F3.3-4.5 AF............................................ E++ 49
35-70mm F3.3-4.5 AFN .........................E+ / E++ 39 - 59
35-80mm F4-5.6 AFD .............................................. E+ 29
35-105mm F3.5-4.5 AF................................... As Seen 49
35-135mm F3.5-4.5 AFN ................................ E+ 79 - 99
50mm F1.4 AFD..................................................... E+ 169
50mm f1.8 AFD...................................................... E++ 79
55-300mm F4.5-5.6 AFS VR................................ E++ 189
60mm F2.8 AFD Micro........................................... E+ 249
70-200mm F2.8 G AFS ED VR..........E+ / E++ 699 - 899
70-200mm F2.8 G AFS ED VRII......................Mint- 1,449
70-210mm F4-5.6 AF............................................... E+ 59
70-210mm F4-5.6 AFN ...................As Seen / E+ 49 - 79
70-300mm F4-5.6 AFG................................. E++ 59 - 69
70-300mm F4-5.6 ED AFD .................................. E++ 149
70-300mm F4-5.6 G AFS VR.............E+ / E++ 299 - 319
75-240mm F4.5-5.6 AFD ................................E+ / E++ 69
85mm F1.4 AFD..................................Exc / E+ 589 - 599
105mm F2 AF DC................................................ E++ 599
105mm F2.8 AF Micro............................................ E+ 349
180mm F2.8 ED AF ............................................... E+ 299
180mm F2.8 ED AFD........................................... E++ 489
200-400mm F4 G VR AFS IFED......................... E+ 2,999
400mm F2.8 AFS II........................................... E++ 3,499
Samyang 35mm F1.4 AE AS UMC ........................ E+ 329
Sigma 17-35mm F2.8-4 EX.................................... E++ 99
Sigma 17-70mm F2.8-4.5 DC Macro.................... E++ 129
Sigma 18-50mm F2.8 EX DC Macro...................... E+ 159
Sigma 18-125mm F3.8-5.6 DC OS HSM ............Mint- 179
Sigma 18-200mm F3.5-6.3 DC ................................ E+ 89
Sigma 28-70mm F2.8 EX DG................................. E+ 219
Sigma 30mm F1.4 EX DC HSM......E++ / Mint- 219 - 239
Sigma 50-500mm F4-6.3 Apo DG HSM................. E+ 449
Sigma 70-210mm F4-5.6 UC AF.............................. E+ 39
Sigma 70-300mm F4-5.6 Apo DG.As Seen / E++ 49 - 69
Sigma 70-300mm F4-5.6 Apo Macro Super......... E++ 109
Sigma 70-300mm F4-5.6 DG Macro .. E++ / Mint- 69 - 79
Sigma 120-300mm F2.8 EX DG OS HSM........Mint- 1,950
Sigma 135-400mm F4.5-5.6 Apo D....E+ / E++ 249 - 349
Sigma 135-400mm F4.5-5.6 Apo DG................... E++ 329
Sigma 150-500mm F5-6.3 Apo DG OS HSM....... E++ 599
Tamron 17-50mm F2.8 XR Di II ............................Exc 149
Tamron 70-300mm F4-5.6 AF LD ...................E+ / E++ 69
Tamron 90mm F2.5 SP AF .................................... E+ 129
Tokina 10-17mm F3.5-4.5 DX Fish Eye ATX ....... E++ 379
Tokina 11-16mm F2.8 ATX Pro DX...................... E++ 379
Tokina 12-24mm F4 ATX PRO SD ...................... E++ 249
Tokina 24-200mm F3.5-5.6 ATX.....................Unused 149
Vivitar 28-210mm F3.5-5.6 AF............................... E++ 49
Zeiss 35mm F2 ZF Distagon................................ E++ 489
Zeiss 85mm F1.4 Planar ZF............E++ / Mint- 689 - 749
Zeiss 100mm F2 Macro ZF2............................. E++ 1,149
Teleplus 1.7x AF Converter...................................... E+ 29
TC-20E Converter.................................................... E+ 99
Metz 34AF-3N Flash.............................................. E++ 29
Metz 44 AF-3 Digital Nikon....................................... E+ 59
Metz 58AF1 Digital............................................... E++ 149
Sigma EF500 Super Flash................................Unused 75
R1C1 Speedlight Commander Set......................Mint- 399
SB21B Ringfash......................................... E++ 99 - 179
SB22S Speedlight.................................................... E+ 39
SB24 Speedlight ...................................................... E+ 45
SB25 Speedlight ...................................................... E+ 39
SB27 Speedlight ............................................. E+ 39 - 49
SB28DX Speedlight ...............................E+ / E++ 69 - 79
SB400 Speedlight .................................................... E+ 75
SB50DX Speedlight ...............................E+ / E++ 59 - 69
SB800 Speedlight ..............................E+ / E++ 179 - 199
SB80DX Speedlight ............................................... E++ 79
Connect
NOW
Nikon Manual
F3T Limited Edition + 50mm F1.4 AIS ................... E+ 499

F3T Titanium Body Only ........................................ E+ 299
F3HP + MD4 Motordrive ....................E+ / E++ 149 - 399
F3 + MD4 Motordrive ............................................. E+ 199
F3 + MF14 Databack ............................................. E+ 219
F3 + MF14 Databack + MD4 Drive......................... E+ 149
F3 Body + DW2 Finder .......................................... E+ 149
F3 Body Only......................................................... E+ 119
F2AS Black Body Only..........................................Exc 249
F2A Black Body Only..........................Exc / E+ 179 - 249
F2A Chrome Body Only ......................Exc / E+ 179 - 189
F2 Photomic Black Body Only................................ E+ 149
F2 Photomic Chrome Body Only................... E+ 99 - 149
F2 Chrome Body Only...........................................Exc 175
FM3A Chrome Body Only .................E+ / Mint- 349 - 449
FM2T Titanium Body Only ................................... E++ 499
FM2N Black Body Only.......................................... E+ 179
FM2N Chrome Body Only.................................... E++ 199
FM Chrome Body Only............................................. E+ 79
FE2 Black Body Only............................................... E+ 99
FE2 Chrome Body Only ................................ E+ 99 - 129
FE Chrome Body Only ............................................. E+ 79
FA Black Body Only................................................. E+ 99
FA Chrome Body Only ............................................. E+ 75
FG Chrome + MDE Drive......................................... E+ 79
FG Chrome Body Only....................................E+ / E++ 79
FG20 Chrome Body Only....................................... E++ 59
F301 Body Only ....................................................... E+ 25
FT2 Black Body Only ...........................E+ / E++ 75 - 119
FTN + 50mm F2 Non AI..........................................Exc 79
FTN Black Body Only............................................... E+ 79
FTN Chrome Body Only.................................. As Seen 59
FT Chrome Body Only ............................................. E+ 59
EL Chrome Body Only ............................................. E+ 59
15mm F3.5 AIS.................................................... E++ 749
24mm F2 AIS....................................................... E++ 299
24mm F2.8 AIS...................................................... E+ 129
28mm F2.8 Series E .............................................. E++ 69
28mm F3.5 Non AI................................................... E+ 59
35mm F2 AIS.....................................E+ / E++ 249 - 349
35mm F2.0 Non AI.......................................... As Seen 79
35mm F2.8 AI ...................................................... E++ 125
35mm F2.8 AIS........................................................ E+ 99
35mm F2.8 Non AI.......................................... As Seen 49
35mm F2.8 PC Shift............................................... E+ 249
43-86mm F3.5 AI ............................................ E+ 49 - 79
43-86mm F3.5 Non AI.............................................. E+ 75
45mm F2.8 GN Auto.............................................. E+ 175
45mm F2.8 P .....................................E+ / E++ 179 - 199
50mm F1.2 AIS...................................................... E+ 449
50mm F1.8 AI ........................................................ E++ 59
50mm F1.8 AIS...................................................... E++ 89
50-300mm F4.5 AI ................................................. E+ 399
80-200mm F4 AIS.................................................... E+ 99
80-200mm F4.5 AI ..................................Exc / E+ 49 - 89
800mm F5.6 IFED AIS.......................................Exc 1,499
85mm f1.8 Non AI.................................................. E+ 199
85mm F2 AIS....................................................... E++ 149
100-300mm F5.6 AIS............................................... E+ 99
105mm F2.5 AI .......................................................Exc 79
105mm F2.5 Non AI................................................Exc 69
135mm F2.8 Non AI................................................. E+ 45
135mm F3.5 AI ............................................... As Seen 45
135mm F3.5 Non AI.......................As Seen / Exc 55 - 65
180mm F2.8 ED AIS............................................ E++ 249
200mm F2 IFED AIS........................................... E+ 1,599
200mm F4 AI ........................................................... E+ 79
200mm F4 AI Micro................................................ E+ 189
200mm F4 Non AI.................................................... E+ 69
200mm F5.6 Medical.............................................. E+ 399
300mm F4.5 AIS...................................................Exc 149
300mm F4.5 Non AI............................................... E+ 125
500mm F8 Refex...............................E+ / E++ 289 - 299
500mm F8 Refex C............................................... E+ 279
600mm F4 IFED AIS.............. E+ / Unused 1,649 - 3,499
600mm F4 IFED AIS + TC300 ............................ E+ 1,749
800mm F5.6 IFED AIS.......................................Exc 1,499
1000mm F11 Refex............................................... E+ 689
Arsat 35mm F2.8 PC Shift ..................................... E+ 149
Pro Optic 8mm F3.5 Fisheye CS.........................Mint- 149
Tamron 200-500mm F6.9 ...................................... E+ 249
SB-M Speedlight...................................................... E+ 19
SB11 Speedlight .................................................... E++ 99
SB12 Speedlight ........................................... E++ 29 - 39
SB14 Speedlight .................................................... E++ 49
SB15 Speedlight ....................................E+ / E++ 25 - 29
SB16A Speedlight...........................................E+ / E++ 59
SB17 Speedlight ...................................................... E+ 35
SB18 Speedlight .............................. E+ / Unused 10 - 30
SB20 Speedlight ........................................... E++ 39 - 49
SB21B Ringfash.................................................. E++ 149
Bellows II + Copier................................................. E++ 85
PB6 Bellows......................................................... E++ 199
PB6 Bellows + PS6 Copier..................................Mint- 299
PB6M Macro Copystand ...................................... Mint 125
PF2 Focus Stage ..................................................... E+ 84
PG2 Focussing Stage.......................................... E++ 129
Repro Kit Model PF.............................................Mint- 259
Olympus OM Series
OM4Ti Black Body Only....................................... E++ 199

OM2SP Black Body + T20 Flash.............................. E+ 99
OM2SP Black Body Only .............................. E+ 89 - 129
OM2N Chrome Body + Winder 2.............................Exc 79

OM2N Chrome Body Only ..............As Seen / E+ 59 - 79
OM2 Chrome Body Only.......................................... E+ 69
OM1 Chrome Body Only.........................................Exc 59
OM40 Black Body Only...........................................Exc 49
OM30 Chrome Body Only........................................ E+ 39
OM10 + 50mm F1.8 + M/Adapter........................... E++ 49
OM10 Chrome Body Only...............................E+ / E++ 25
OM101 + 50mm + 35-70mm + 70-210mm ...... As Seen 99
28mm F2.8 Zuiko................................................... E++ 59
28-48mm F4 Zuiko................................................. E++ 79
35-70mm F3.6 Zuiko.............................................. E+ 119
50mm F3.5 Macro Zuiko ................................. As Seen 49
50-250mm F5 Zuiko.................................. E++ 299 - 349
65-200mm F4 Zuiko............................................... E+ 149
75-150mm F4 Zuiko............................................... E++ 39
80mm F4 Macro Zuiko ........................................... E+ 175
135mm F2.8 Zuiko................................................... E+ 49
180mm F2.8 Zuiko.............................E+ / E++ 349 - 399
Power Bounce Grip 2............................................... E+ 39
T10 Ringfash........................................................... E+ 75
T10 Ringfash + Power Control ............................ E++ 125
T20 Flash.................................................E+ / E++ 9 - 25
T28 Flash Head .............................................. As Seen 49
T32 Flash........................................................ E+ 19 - 55
T45 Hammerhead Flash ...................................... E++ 175
Pentax 645 Series
645N Body Only..................................................... E+ 349
33-55mm F4.5 AL FA.........................Mint- 1,149 - 1,249
35mm F3.5 A ......................................................... E+ 379
35mm F3.5 AL (IF) FA ......................................... E++ 999
45mm F2.8 A .....................................E+ / E++ 159 - 229
45-85mm F4.5 A .................................................... E+ 289
55mm F2.8 A ............................................ E++ 159 - 225
75mm F2.8 A ........................................................... E+ 99
80-160mm F4.5 A ..............................E+ / E++ 289 - 399
150mm F3.5 A ...................................E+ / E++ 159 - 169
200mm F4 A ........................................................ E++ 199
200mm F4 FA...................................................... E++ 349
120 Insert...............................................E+ / E++ 39 - 65
220 Insert...............................................E+ / E++ 25 - 59
CELEBRATING 100 YEARS OF PHOTOGRAPHY
D-Lux 6
FREE
copy of
Adobe
Lightroom
via download
when registered
Ffordes price of 549 Includes...

Hand Grip & Soft Leather Pouch (Value 130) As Shown
Offer only available while current stocks last
Pentax 67 Series
67II Body Only ...............................................As Seen 450

6x7 Mirror Up Body Only........................................ E+ 299
35mm F4.5 Fisheye Takumar ...........E+ / Mint- 379 - 499
45mm F4 SMC....................................................... E+ 249
75mm F4.5 shift ................................................... E++ 349
75mm F4.5 SMC.................................................... E+ 149
100mm F4 SMC Macro + 1:1 Converter............... E++ 399
135mm F4 Macro...................................... E++ 199 - 299
135mm F4 Macro Takumar.................Exc / E+ 129 - 149
150mm F2.8 Takumar............................................ E+ 129
200mm F4.............................................................. E+ 199
200mm F4 Takumar....................As Seen / E++ 79 - 199
300mm F4.............................................................. E+ 199
300mm F4 ED (IF) M*............................................ E+ 999
300mm F4 Takumar..................As Seen / E++ 159 - 349
500mm F5.6.............................................. E++ 639 - 899
Vivitar 2x Converter................................................ E++ 79
6x7 Autobellows.................................E+ / E++ 249 - 349
Pentax Manual
LX + FA1 Prism...................................................... E+ 249
MX Chrome Body Only ............................................ E+ 99
Super A Body Only................................................... E+ 49
Program A Body Only .............................................. E+ 59
K1000 Chrome Body Only................................Exc / E+ 59
ME-Super Chrome + 50mm F1.7...........E+ / E++ 59 - 69
ME-Super Chrome Body Only.................................. E+ 49
P50 Body Only....................................................... E++ 39
P30T Body Only..................................................... E++ 35
P30N + 28-80mm................................................... E++ 59
MV Black Body Only ................................................ E+ 39
A3 + 50mm F1.7 .................................................... E++ 59
A3 + 50mm F2 ......................................................... E+ 69
A3 Body Only.........................................E+ / E++ 29 - 49
24-35mm F3.5 SMC M.................................. E+ 99 - 149
28-50mm F3.5-4.5 SMC M..................................... E++ 75
28-80mm F3.5-4.5 A................................................ E+ 49
28-80mm F3.5-4.5 SMC A ....................................... E+ 59
28mm F2.8 SMC A .................................................. E+ 75
35-70mm F2.8-3.5 SMC A .............................. As Seen 39
35-70mm F3.5-4.5 SMC A ....................................... E+ 39
35-80mm F4-5.6 SMC A ........................................ E++ 25
40-80mm F2.8-4 SMC M...................... Exc / E++ 25 - 59
40mm F2.8 SMC M................................E+ / E++ 89 - 99
50mm F1.7 SMC A ................................E+ / E++ 49 - 79
50mm F1.7 SMC M.................................Exc / E+ 25 - 39
50mm F2 SMC M..................................................... E+ 25
50mm F2.8 SMC A Macro...................................... E+ 149
50mm F4 SMC M Macro......................E+ / E++ 85 - 119
70-200mm F4 SMC A .............................................. E+ 49
70-200mm F4 Takumar A ........................................ E+ 39
75-150mm F4 SMC M.............................................. E+ 35
80-200mm F4.5 SMC M........................................... E+ 49
135mm F3.5 SMC M................................................ E+ 35
200mm F2.5 SMC PK............................................ E+ 399
Takumar 135mm F2.5.............................................. E+ 29
Vivitar 19-35mm F3.5-4.5 Series 1......................... E++ 59
645-PK Lens Adapter............................................. E++ 29
AF200S Flash............................................... E++ 15 - 19
AF200Sa Flash ............................................. E++ 20 - 25
AF220T Flash ........................................E+ / E++ 15 - 19
AF240fT Flash ....................................................... E++ 25
AF240Z Flash .................................................E+ / E++ 15
AF260SA Flash......................................E+ / E++ 15 - 29
AF280T Flash ........................................E+ / E++ 35 - 49
AF400T Flash ....................................E+ / E++ 149 - 175
Novofex Autobellows............................................. E++ 49
Autobellows + 100mm F4 SMC.............................. E+ 159
FB1 + FC1 Action Finder......................E+ / E++ 99 - 125
FE1 Magni Finder .................................................... E+ 49
Hotshoe Grip................................................E++ / Mint- 25
LX Grip..................................................................... E+ 25
Winder MX............................................................... E+ 29
Winder LX..............................................E+ / E++ 49 - 59
Winder MEII...........................................E+ / E++ 19 - 29
Pentax AF - Please Call
Rollei - Please Call
Voigtlander - Please Call
Established 1960
24-90mm
Vario Summilux
(35mm equivalent)
Face detection AF tracking
10 Megapixel 3 TFT AR coated screen
1cm wideangle, 30cm tele close focusing
Scene & program modes
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28-70mm Vario Elmar (35mm equivalent)
16 Megapixel APS-C sensor 3.0 920k-Dot, Wide-Angle
LCD Monitor Manual focusing ring Manual exposure
Solid Aluminum/Magnesium construction SRP 2150
Tan Leather Protector, Tan Leather Wrist Strap, Spare Battery & Neoprene Case (Value 280)
e will not be
we will price match against
U.K. stock that is in-stock
eaten on price
please ring us for further
details and price quote
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FREE copy of
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DNA of the
Leica M
28-70mm
Vario Elmar
(35mm
equivalent)
16 Megapixel
APS-C sensor
3.0 920k-Dot, Wide-Angle
LCD Monitor Manual focus ring
Manual exposure Solid
Aluminum/Magnesium construction SRP 2150
Black Handgrip & Black Finger Loop (S,M,L), Spare Battery & Neoprene Case (Value 320)
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CAMERA COMPANY FOR THE AMATEUR/PROFESSIONAL PHOTOGRAPHER, CAMERA COLLECTOR

NEW UK DIGITAL SLRs and LENSES
CANON EOS 17-40L/UNUSED........... 475-545
CANON,NIKON,SONY,FUJI,ETC ...............Low CANON 17-55f2.8 EFS..................... 475-545
CANON EOS 20-35 f2.8L ................. 475-675
SPECIALS
CANON 15-85,NEW,N0 Box .......................495
NIKON D4 BODY,BXD,ASNEW................3699 CANON EFS 17-85/unused............... 199-295
ARC HASSELBLAD+45mm,ASNEW.......2995 CANON 24-70 f2.8L/asnew............ 875-1125
CANON 1DSMK111,asnew21k act........1995 CANON 24-105mm L/ASNEW .......... 545-695
CANON 1DS MK11,ASNEW,UNUSED......1295 CANON 28-70 f2.8L/asnew.............. 575-795
CANON 1DMK111,BOXED,UNUSED........1195 CANON 28-300LIS/UNUSED......... 1295-1995
CANON 550D BODY,BXD,NEW?...............295 CANON 35-350mm-L/asnew.......... 795-1045
CANON 7D BODY/ASNEW..............645-795 CANON 70-200 f2.8L/LIS............... 695-1275
CANON 24mm TSE-11...........................1375 CANON 70-200 f4L/LIS.................... 345-725
CANON 85mm f1.2L-11.............1295-1495 CANON 100-400LiS/BXD,UNUSED.. 845-1125
CANON 200f1.8,400/600 PL MNT...........NEG CAF-SIGMA 120-300f2.8............... 895-1275
CANON 600mm f4LIS,ASNEW ...............5995 CAF-SIGMA 100-300f4/ASNEW........ 425-595
CANON POWERSHOT G1X,ASNEW...........325 CAF 12-24 SIGMA-Fullframe ............ 345-495
CANON 600D BODY,ASNEW ....................325 CANON EX SPEEDLITES.................... 125-325
CONTAX-Y ZEISS 500f8,NEW? ..............1295 CANON MR14 RINGFLASH ............... 295-375
CONTAX 645+80f2/BXD,UNUSED ..1475-2275 CAF SIGMA EM140 M-FLASH........... 195-275
CONTAX T2,T3,BXD,UNUSED.........495-795 CONTAX N1 BODY/UNUSED.............. 345-695
CONTAX TVS111,BXD,UNUSED ...............795 CONTAX 24-85AF/NEW?.................. 325-795
GANDOLFI 5x4 VARIANT ...........1195-1775 CONTAX 25,28mmf2.8/28f2 .......... 275-1175
FUJI X-PRO 1 BODY,ASNEW....................675 CONTAX 85f1.4/135f2..................... 495-975
FUJI XE-1 BODY ......................................345 CONTAX T /BXT/NEW....................... 275-695
FUJI 18f2,35mm f1.4/BXD ..................ea349 CONTAX T2,GOLD/BLACK,NEW? ............ea725
HASSELBLAD H4D-31+80mm...............6995 CONTAX DATABACK-T2 GOLD....................145
HASSEL H3D 39+80mm,SUPERB..........5575 CONTAX T2,TITN ............................. 245-375
HASSEL CFV39 DIGIBACK,ASNEW ........6495 CONTAX T3-ANNIV.70YR............................775
HASSEL 30mm CFi,BXD,ASNEW ...........3475 CONTAX 645+80f2+Back............ 1295-1995
HASSEL 40mm CFE-IF,BXD,NEW? ........3995 CONTAX 645 LENSES 45-210mm .... 645-995
HASSEL1000f+60,80,135,BELLO ...........NEG CONTAX 645 35mm,120MAKRO.. 1125-1595
HORSEMAN 612PANO+35mm,UNUSED .NEG CONTAX-G LENSES/BLACK/NEW ............... ASK
LEICA 1F,FIRST BATCH,+FINDER..........1275 ENLARGERS-From 35mm-10x8................. ASK
LEICA M6,WETZLER,BXD,NEW?............2295 EXACTA VX,VARIOUS+LENSES .................. ASK
LEICA M6TTL,ASNEW,UNUSED?............1795 FLUID HEAD/OTHER TRIPODS.....COME TO SHOP
LEICA M7.85,BXD,UNUSED....................2125 FUJI S1,S2,S3,S5 BODIES.................. 79-425
LEICA M8/BXD,ASNEW..............1375-1995 FUJI SWD65mf5.6/360f6.3....................ea750
LEICA M6PLATIN+50f1.4,ASNEW .........6495 FUJI 645,MF/AF............................... 345-595
LEICA R8/BOXED,UNUSED?...........425-795 FUJI GW670/690,90mm .................. 525-995
LEICA R9+DIGITAL MODULE .................2695 FUJI GSW690,65mm/BOXED.......... 745-1195
LEICA 15mm SUPER ELMAR-R .1695-2575 FUJI GX 617+90mm/105mm....... 1875-2650
LEICA 19mm ELMARIT-R ..........1395-1995 617LENSES 90/105/180/300 ...... 1295-1995
LEICA 35mm SUMMICRON-R/NEW?... 675-1795 FUJI GX617 90-300 LENSHADES............ea145
LEICA 50mm SUMMICRON-R/NEW?... 325-1275 FUJI GX680 MK3+135mm,NEW? .............. NEG
LEICA 80mm f1.4-R/UNUSED?..1695-2475 FUJI GX 680 MK1-3 Comp ..................from595
LEICA 250mm f4-R/BXD,UNUSED595-1375 FUJI GX680 LENSES-50-300mm............... ASK
LEICA 1.4 APO-CONVERTER,NEW ...........695 FUJI 50mm GS-M(GX680)NEW? ...............1495
LEICA 24f3.8M-ASPH,BXD,ASNEW .......1495 FUJI GX680 500mm+Accs,rarity ............... ASK
NIKON D4 BODY,BXD,LOW USAGE ........3699 FUJI GX680-111 BEATTIE SCREEN .............225
NIKON D700 BXD.LOW USAGE ..............1025 FUJI GX680-111 220/POLA BACK..........ea165
NIKON D800 BODY.......................1395-1575 GANDOLFI/(LOUIS)5x4-10x8.....................TALK
NIKON ZEISS 50f1.4 ZF,NEW...................475 HASSEL PME45/90/BXD-NEW? ........ 325-995
NIKON 200f2G-VR1,NEW.......................3125 HASSEL PRISMS-PM45...................... 75-375
NIKON 35Ti,28Ti/ASNEW...............345-795 HASSEL ACUTEMAT-GRID/SPLIT.................195
NIKON F3T,BL,BXD,UNUSED..................1695 HASSEL EXPAN 45mm/90mm/NEW? 275-595
NIKON F6 BODY/BXD,UNUSED ....895-1495 HASSEL EXPAN CAPS/HOODS .............. 25/59
OLYMPUS OMD E-M5+12-50,BXD ..........745 HASSEL 100mm CF/i/ASNEW......... 599-1545
OLYMPUS E3 BODY/BXD-UNUSED 395-595 HASSEL 903SWC COMP/ASNEW.. 1975-2795
OLYMPUS E3 GRIP/UNUSED..........195-275 HASSEL 202FA,COMP.................. 1595-2195
OLYMPUS 4/3rd+Micro LENSES .....LOTS OF HASSEL 205TCC,COMP,ASNEW...............2895
PENTAX 85mmf1.8SMC M42,ASNEW .....395 HASSEL 205FCC**COMP,UNUSED............5995
PENTAX67-11 WOODGRIP,NEW? ............245 HASSEL E12/E16 Mag/NEW ............. 245-495
PANASONIC GH1 BODY,NEW...................349 HASSEL 60-120 FE/NEW ............... 995-1995
ROLLEI 2.8F PLANAR,SUPERB ..............1695 HASSEL 501C/CM+80/ASNEW....... 995-1795
ROLLEI 2.8FX,CASED,UNUSED ..............3495 HASSEL 503CW,COMP/NEW? ...... 1195-2625
ROLLEI 6008AF+80,BXD,UNUSED.........2475 HASSEL H1,Comp/ASNEW............ 1795-2475
ROLLEI 6003/8+80mm..................645-995 HASSEL H1+PHASE ONE P25.................... NEG
ROLLEI-PQ/AFD LENSES,40-250mm ... LOTS HASSEL H LENSES 35-300mm..... 1195-2495
SCHNEIDER CENTR-FILTR-4,77mm ........495 HASSEL 180mm CF/E/asnew ......... 795-1325
SIGMA-120-400 OS,CAF,NEW UK............595 HASSEL 150/250mm T*/ASNEW ...... 345-999
SONY ALPHA 900 BDY...........................1299 HASSEL 120mm CF/i/E MKRO........ 895-1675
SONY NEX7 BDY,ASNEW.........................545 HASSEL 140-280mm/ASNEW ........ 895-1695
SONY-SIGMA 15mmFISHEYE,NEW..........445 HASSELBLAD H2,COMPLETE NEW............3475
SONY ZEISS 85f1.4,NEW UK..................1045 HASSEL 30FISH/C/CF/CFi............. 1875-3795
SONY ZEISS 24-70f2.8.ASNEW .............1095 HASSEL 40mm CF-FLE/asnew........ 895-1795
SONY ZEISS 70-200f2.8 ........................1295 HASSEL 40mm CFE/IF.................. 2595-3475
TAMRON-CAF 28-105f2.8,UNUSED.........595 HASSEL 250mm FE/ASNEW........... 795-1145
TAMRON-NAF 70-200f2.8Di....................695 HASSEL/METZ 4504 TTL FLASH................ ASK
WISTA 5x4,10x8/UNUSED ...........645-2645 HASSEL SCA 390 ADAPTER .......................145
WIDE RANGE OUT OF DATE FILM ...... PHONE KODAK CAROUSEL TRAYS,BOXED ............ea25
COLLECTABLES-ZEISS,V-LANDER,NIKON,
KONICA HEXAR RF+50mm/UNUSED775-1495
CANON,ETC...........................LARGE STOCKS LARGE FORMAT LENSES,35-600mm..........LOTS
CATALOGUES-LEICA ZEISS NIKON CANON
LEICA UV/IR FILTERS,NEW?....................... ASK
HASSELBAD ETC ............................ ENQUIRE LEICA 111G BODY/NR-NEW ........... 599-1475
ZEISS 135mm S-PLANAR,IN
LEICA 5cm,9cm SUMMICRON SCREW ....... ASK
SYNCHRO-COMPUR..........................OFFERS LEICA SUMARIT L39 5cmf1.5........... 475-595
LEICA ZEISS 25/18mm,NEW .......... 825/1045
SCANNERS,MID-RANGE TO HIGH-END,MOST LEICA 21mm,24mm f2.8M/ASPH . 1395-2495
FORMATS AVAILABLE S/H
LEICA 35mm f2M/ASPH............... 1275-1695
LEICA 35mm f1.4/ASPH............... 1595-2845
MAMIYA PRESS-UNIVSL+50+100f2.8+250+ LEICA 50mm f2,f1.4/ASPH............. 895-2195
POLABACK+67+69RFHNEG
LEICA M3,S/DW/ASNEW ................ 545-1395
LEICA M1,M2,M3,M4-2/P................ LOTS-ASK
DIGITAR 28-120mmLENSES
LEICA CL/ANNIV body....................... 445-795
IRIS/SHUTTER.........................................NEG MINOLTA CLE+LENSES............................. ASK
HORSEMAN VIEW-DIGITAL CAMERA,
LEICA M4,CHR/BOXED/ASNEW.................. NEG
HASSELBLAD H3D39+80mm .................NEG LEICA MR4 METERS/ASNEW ............ 169-295
LEICA M4-CASE,BOXED,UNUSED............... NEG
BOWENS/ELINCHROM FLASHES,REDHEAD/
LEICA M5/3L/BXD-UNUSED............ 695-1975
BLONDE LIGHTS ................................... LOTS LEICA M6 TITANIUM/UNUSED....... 1475-1995
LEICA M6/TTL,CHR/BXD-UNUSED... 795-2195
PROFOTO 7a12/2400/7b,LUMEDYNE
LEICA M7/BOXED,UNUSED........... 1375-2295
PORTABLE FLASH..................... LOW PRICES LEICA M8/ASNEW........................ 1395-1895
LEICA M9/M9P BXD,ASNEW......... 2745-3295
ESOTERICA/EXOTICA/CLASSICA
LEICA R8/R9/BXD-ASNEW.............. 425-1195
ALPA 360 ROTOCAMERA,ASNEW ...........4795 LEICA PROJECTORS/LENSES/NEW ............ ASK
ALPA 6c,9/10/11-Si+LENSES ................... ASK LEICA MINILUX/BXD-UNUSED? ......... 199-495
BESSA L/T/R+LENSES 12-90mm .............LOTS LEICA MINILUX ED BOGNER BXD ................795
BRONICA-ETR/SQA/EC+LENSES................ ASK LIGHT METERS OLD TO LATEST ......... 39-495
BRONICA GS1+50-250mm+Accs ............. ASK LINHOF MASTER/TECHNICARDANSEVERAL-ASK
CANON 1D MK111/UNUSED?......... 795-1495 MAMIYA PRESS+LENSES 50-250.............. ASK
CANON WFT-E2 TRANSMITTER ........ 295-425 MAMIYA RZ67-11,BXD,ASNEW ..................895
CANON 1DS MK11 .......................... 645-995 MAMIYA 645 AF/AFD COMP........... 795-1195
CANON EOS 1DS/BXD ASNEW.......... 425-645 MAMIYA 35/55-110AF/UNUSED..... 525-1445
CANON EOS 1D MK11/ASNEW......... 395-645 MAMIYA 120(MF)MACRO 645/AF ... 895-1299
CANON EOS 1D/BXD/ASNEW ........... 325-545 MAMIYA 7-11+80mm/ASNEW ..... 1195-1695
CANON 5D MK11 BODIES .............. 895-1125 MAMIYA 7/7-11 Body ...................... 399-995
CANON EOS 5D/BXD/ASNEW ........... 395-675 MAMIYA 7 LENSES 43-210mm/NEW......... ASK
CANON EOS 30D/40D/50D .............. 195-425 MAMIYA RZ67/11+110mm.............. 425-699
CANON 550/600/650D/ASNEW........ 275-375 MAMIYA RZ PHASE-ONE PLATE........ 345-475
CANON 24,45,90Tilt&Shift .....................ea845 MAMIYAFLEX 55mm/105DS/180S .........ea275
CANON EOS IV/HS/NEW? ................. 325-995 METERS-DAYLIGHT/FLASH,LOTS-OF ......... ASK
CANON F1/F1n,ASNEW/UNUSED .. 1125-1395 MINOLTA/SONY 17-35 f2.8-4,NEW ............595
CANON FD 17/20mm/ASNEW .......... 275-395 MINOLTA APO 100-300/400mm...... 295-595
CANON FD 24mm f1.4L................... 645-895 MINOLTA 500AF/600SIGMA-SONY... 275-575
CANON FD50/100 MACRO/+TUBE ... 129-275 MINOLTA/SONY 35-105f2.8 TMRN.............475
CANON FD 85mmF1.2L/ASNEW....... 595-899 MINOLTA/SONY 50/100mm MACRO.......... ASK
Canon FD 50-300mm L+Hood ....... 995-1475 MINOLTA-AF16,20,24,35,85,100 ............. ASK
CANON FD 300f4/300f2.8 ............. 345-1195 MINOLTA/SONY 1.4x,2xAPO............. 195-275
CANON FD 400mm f2.8,800mm5.6 .......... NEG MINOLTA DYNAX 7,9/BXD-NEW?...... 145-475
CANON VT/V1T+50mm(L39)..................... NEG MINOX MDC/TOURING,BOXED ................ea495
CANON 50mm f1.2,L39................... 425-775 NIKKOR 65f4,90f4.5,COPAL........... 795-1175
CANON EOS 14f2.8L/L11............. 1195-1595 NIKON F6/F6+GRIP/UNUSED .......... 995-1745
CANON ZEISS 85f1.4ZE,ASNEW.................839 NIKON S3 OLYMPIC+50f1.4...................... NEG
CANON EOS 135f2.8/135f2L ........... 245-725 NIKON SP Sp.Ed+35f1.8,NEW? ................6995
CANON EOS 200mm f1.8L........... 2495-3175 NIKON 28Ti/BOXED/UNUSED? .......... 495-775
CANON EOS 300mm f2,8L/LIS ..... 1425-3275 NIKONOS 1VA/V+35/UNUSED?......... 295-795
CANON 300mm f4L/IS/asnew ........ 599-1045 NIKON PC-SHIFT 28mm,35mm .................. ask
CANON EOS 400mm f2.8L/11...... 2475-3995 NIKON 14mm/18mm f2.8AFD .......... 745-995
CANON EOS 500f4.5L.................. 2275-3245 NIKON 8mmf4SIGMA FISH,NEW?................425
CANON 16-35 f2.8L/L11 ................. 745-995 NIKON 8mm f2.8AIS,CASED .....................3775
NIKON 15mm f3.5/asnew............... 675-1395

NIKON 16mm f2.8D/AIS .................. 395-575
NIKON 18mm f3.5/f4 AIS ................. 495-975
NIKON 35mm f1.4/AI/S .................... 575-995
NIKON f1.2 50,55mm/AI/S ............... 375-545
NIKON-ZEISS 50f1.4/18mm ............. 445/825
NIKON 60mm/105mm Micro ............ 245-525
NIKON 85mm f1.4 AIS ..................... 495-875
NIKON 85mm/f1.8/f1.4AF ................ 225-845
NIKON 105f1.8/135f2 AIS................ 499-899
NIKON 120 MEDICAL/NEW? ......... 1245-1995
NIKON 200F2/600f5.6AI/S ........... 1395-2475
NIKON D300/s/BXD ASNEW ............. 295-595
NIKON 14-24,24-70mm N ............. 875-1095
NIKON 16-85AFS/BXD,UNUSED........ 295-375
NIKON 17-35mm f2.8 AFS ............. 795-1175
NIKON 17-55mm f2.8DX.................. 595-795
NIKON 20-35mm f2.8AF/D............... 475-695
NIKON 18-70/135 DX AFS ............... 129-169
NIKON 18-200mm VR...................... 245-325
NIKON 28-45mm AI ...................................395
NIKON 28-70mm f2.8AFS ................ 695-995
NIKON 24-120mm/VR...................... 145-345
NIKON 35-70mm f3.5MF ................. 295-475
NIKON 35-70mm f2.8AF/D............... 395-575
NIKON 70-200f2.8VR/VR11 ......... 1995-1295
NIKON 70-210AFD/70-300ED.......... 175-295
NIKON 80-200f2.8AF-D/AFS ............ 395-995
NIKON 80-400mm VR/UNUSED ........ 595-845
NIKON 50-300mm f4.5MF ............. 975-1525
NIKON MEDICAL 200f5.6 .........................1125
NIKON 300mmf2.8 AI/S ................. 675-1275
NIKON 400f2.8/600f4/A1/S ...................... ASK
NIKON MF 200-600mm ................. 775-1145
NIKON MF 180-600mm ...........................3795
NIKON 180f2.8AF/D......................... 375-549
NIKON 300mm f4 ED/AFS ................ 445-945
NIKON 300mmf2.8AF/VR ............. 1495-3250
NIKON 400mm f2.8 AF/i............... 2995-3995
NIKON-AF 200-500 TMRN ............... 645-745
NIKON SB 29 MACROLITE ..........................299
NIKON SB-R1C1 MACROKIT .......................475
NIKON SB-21 MACROLITE-F3.....................275
NIKON SPEEDLITES SB28-910 ........... 69-299
NIKON DW1(F2)WLF,UNUSED .....................195
NIKON DA30,DW30.DW31,MF28............... NEG
NORMAN 2/400B PORTA-FLASH...... 395-625
OLYMPUS OM3/4Ti/UNUSED .......... 295-1125
OLYMPUS E3/1/30/330/300 ..................... ASK
OLYMPUS 8mmFISHEYE DIGITAL................645
OLYMUS 9-18mm MICRO 4/3rd .................375
OLYMPUS 11-22/7-14mmNEW...... 595/1295
OLYMPUS 14-54mm/NEW?.............. 245-395
OLYMPUS 12-60/50f2M/18-180............... ASK
OLYMPUS 50-200f2.8-3.5ASNEW..............725
OLYMUS DIGITAL FLASHGUNS................... ASK
OLYMPUS PEN FT,Bl+42mm f1.4...............845
PENTAX 6x7MU/67+90mmLeaf .................695
PENTAX 6x7MU/67+90/75mm...................625
PENTAX 6x7/67-11AE+105mm ..... 495-1295
PENTAX 67 55-100/90-180...................... ASK
PENTAX 67 AUTO BELLOWS...................... NEG
PENTAX 67 300/400/500mm......... 425-1895
PENTAX LX BODY/UNUSED............... 275-875
PENTAX 31/43/77mm LIMITED.................. NEG
PENTAX 35mm FISH 6x7/NEW?........ 475-995
PENTAX 645AF 33-55/35/45-85............... NEG
PENTAX 645AF 45/120/80-160 ................ ASK
PENTAX 15mm SMC-M/A ................ 575-995
PENTAX M42/SMC-M,A LENSES....... LOTS,ASK
PENTAX FA 40 PANCAKE,asnew.................245
PENTAX FA 50mm/100mm MACRO.. 275-395
PENTAX AF 85f1.4*,asnew.........................875
PENTAX 50-135f2.8/60-250 ED....... 699/895
PENTAX 16-50f2.8/12-24mm.......... 645/595
PENTAX AF TAMRON 28-75f2.8.................325
PENTAX-AF 70-200f2.8 SIGMA..................495
PENTAX ED 200f2.8/300f4SDM ....... 675/825
PENTAX AF 360/540FGZ NEW?........ 229/345
POLAROID 180/190/195.................. 395-695
PROFOTO 7B COMP,SUPERB ...................2275
PROFOTO 7B BATTERY ..............................395
PROFOTO 7B MULTI-CHARGER ..................295
QUANTUM Q-FLASH OUTFITS.................... ASK
RICOH GR1/S/V/BXD,ASNEW............ 165-345
ROSS 10x8 Mahogany+Brass Lenses .........neg
RODENSTOCK 55,75,90,115mm.... 695-1375
RAYNOX 180deg PRO VERTER,new ............545
ROLLEIFLEX-1,EARLY ROLLEICORDS ......... ASK
ROLLEI-SL35,GERMAN,BOXED,NEW? ........ NEG
ROLLEI SL66/E/SE,COMPLETE........ 799-1995
ROLLEI 50,80,150mm HFT,SL66............... ASK
ROLLEI SL66 PENTAPRISM............... 175-295
ROLLEI PQ 60mm SCHNEIDER,RARE.........1695
ROLLEI PQS50/PQ180f2.8,UNUSED......ea1895
ROLLEI PQ 55SHIFT/110mm f2 ................. NEG
ROLLEI PQ 140-280mm,asnew ................2275
ROLLEI-35,35S,35SE/ASNEW .......... 225-495
ROLLEI AFM 35 Supercompact...................245
ROLLEI 6x6 PROJECTORS ................ 395-745
SEKONIC L608/718/778METERS...... 275-495
SIGMA 180f2.8 1:2 MACRO,NAF................475
SIGMA 70-200mm f2.8/CAF/NAF ...............445
SIGMA 135-400,CAF/NAF,NEW? ................399
SIGMA 150-500 OS CAF/NAF........... 575-625
SIGMA 170-500DG,CAF/NAF/SONY............425
SIGMA 50-500mm,CAF/NAF/NEW? .. 625-895
SIGMA EM-140MACROFLASH,CAF/NAF......239
SINAR-F/F2,P/P2,5x4-10x8................ LOTS,ASK
SINAR NORMA 10x8&5x4,superb .............1495
SIGMA 14mmf2.8 CAF/PENTAX-AF... 475-599
SIGMA 10-20 CAF/NAF/PAF/SNY...... 265-375
SIGMA 12-24mm CAF/NAF/NEW...... 445-525
SPOTMETERS-PENTAX,MINOLTA,ZONE6 ... ASK
SUPER_ANGULON/XL 58/65/75/90 ........... ASK
TOKINA 11-16mmf2.8 CAF/NAF....... 329-425
TAMRON 300mm f2.8 MF................ 495-875
WISTA 5x4/10x8,CHERRY/ROSEWOOD ...... ASK
WESTON EUROMASTER-11(NEWCELLS) .....159
YASHICA DENTAL-11,100mm MICRO .........475
ZEISS SUP-IKONTA 534/16,ASNEW............695
ZEISS BIOTAR 7.5cm f1.5(M42)..................neg
ZEISS 40/120mm PQ,ROLLEI SL6008........ ASK
ZEISS 300mm f2.8APO CONTAX AE .......... POA
ZEISS 200/300f4 CONTAX/UNUSED.. 275-495
ZEISS 21mm+FINDER-CONTAREX..............995
ZEISS 35f2/25f2.8-CONTAREX...............ea995
ZUIKO 21mm f2 OM....................... 795-1045
ZUIKO 35mm SHIFT/ASNEW............. 375-545
ZUIKO 350mm f2.8(OM)CASED ................. NEG
ZUIKO OM LENSES,HUGE STOCKS............. ASK
5x4 DARK SLIDES,FIDELITY,LAST .............ea20
10x8,5x7,W/H-PLATE DDS........................ NEG
SONY-MINOLTA FANSNEW SONY
35mmf1.4G,85mmf1.4Zeiss ZA,
70-200mmf2.8,500mmf8 2xverter
100mmf2.8macr50mmf2.8macro 50mmf1.4
11-18mm,18-250mm,18-70mm,75-300mm
HVL-F42/58
SIGMA300mmf4,400f5.6,
70-300DGMAKRO,PLUS USED MINOLTA-AF

20f2.8,28/24f2.8,35f2,50f2.8M,85f1.4,100f2
,135f2.8,500f8.
300mm f2.8,various ...................... 725-1245

4/600f4.5,800mm f5.6/L...........................Neg
NUMEROUS ACCESSORIES...............Please ask
USED DIGITAL SLR CAMERAS AND LENSES

CANON EOS 10D/20D/D60 ................ 95-165
CANON 300-400D+18-55............... 145-195
BG ED3-D30,D60,10D ....................... 69 - 89
FUJI S1/S2/S3/S5PRO ....................... 85-445
Kodak DCS Pro(C,N)/new?......................... ASK
Kodak DCS Pro14N/512................... 545-745
Kodak DCS 420,520C,760...................... offers
LEICA DIGILUX-3 +14-50................. 695-995
Minolta RD175(Dynax Mount) .................. offers
PANASONIC G1-G3/GF,GH ............... 135-699
PANASONIC LENSES,NEW,USED................ ASK
SAMSUNG GX20,14.6mp,NEW? .................345
SONY A330/350/550/700................ 175-395
SONY ALPHA LENSES ...................... LOTS,ASK
NIKON D70/70s/D100/D1-X............... 95-225
NIKON D2H/D2X/D2XS/BXD.............. 295-995
NIKON D200/300/D300s.................. 199-595
OLYMPUS DIGITAL BODIES............... LOTS ASK
OLYMPUS 4/3+M4/3rd LENSES ....... LOTS ASK
LEICA 14-50mm f2.8-4 ................... 399-525
PENTAX K10D/20D BODY................. 199-325
BATTERIES,CHARGERS,ETC......................... ASK
CONTAX 645 AUTOFOCUS

CONTAX 645COMP./BXD,ASNEW ... 995-2295
645+80+Kodak/Imacon-Digital................. ASK
645 Body ........................................ 525-695
CONTAX 645 35-400mm Lenses .............. ASK
MP-1 HOLDER,FLASHBRACKET..............ea225
120/220/Inserts/Polabacks .................from149
Accessories.....................................Please ask
HOYA 80/81/85ABC,ND2/4,FL-W,
CIR-POL--43mm-82m........................ASK
CONTAX REFLEX/CONTAX-G PHONE/

FAX/EMAIL
FUJI
FUJI GX617+105/90mm.............. 1895-2795
FUJI GX 617 body/unused? .......... 1295-1725
FUJI 90/300mm FINDER-617.................ea395
Fuji GX680 MK1-111..................... 695-1745
Fuji 680-III RFB+insert ...............................495
FUJI GX/S LENSES,50-300mm .................. ASK
GX 680 Accessories................................... ask
Fuji SW 65f5.6,360f6.3(5x4)............ 475-795
GA 645/Boxed unused?.................... 345-595
GS645+45/75mm........................... 325-575
GS/W690 6x9cm 65mm,90mm........ 550-995
GS670/690-90mm MKI-III................ 525-845
HASSELBLAD
HASSEL HI,COMP/asnew.............. 1975-2495
35mm FILM CAMERAS,MOST MAKES
......................................... LOW-LOW PRICES HASSEL H Lenses 28-300mm..................... ASK
HASSEL 1.4PC MUTAR/new?.......... 795-1295
HASSEL 110mm f2 FE ................... 699-1695
ARRIFLEX CAMERAS+LENSES,LOTS &
LOTS-OF ...................................................ASK HASSEL 205 TCC comp ....................from2295
Hassel 205TCCPrototype............................neg
903SWC/905SWC/UNUSED ......... 2795-4795
PROFESSIONAL DIGITAL BACKS + BODIES
EXPAN 45mm/90mm/NEW?............. 275-475
ALL MAKES OF NEW PRO BACKS SUPPLIED AT
EXPAN LENSHOODS,GADGETBAG.............. ASK
COMPETITIVE PRICES!
Carnival 2020 Hassel-V sys........................595 PHASE 1 P25,22MP(V)/(H)......................... NEG
Eyelike Proscan/LEAF CANTARE............... offers ZEISS 2xMUTAR/NEW?..................... 575-995
60-120mm FE/NEW....................... 695-1295
Kodak DCS-Contax/Mamiya/HASSEL
................................................... 1295-1795 H2 COMPLETE/NEW UK ............... 1995-3695
HASSEL IMACON/PHASE 1 P25,HASSEL-H,22MP 205FCC,complete,UNUSED.......................5995
.................................................................neg 500SWC/SWC-M Superwide ........ 1295-2495
2000FC/M/W+80mm-F+A12..............from995
500EL,M/553ELX Bodies.................. 175-895
LCD & VIDEO PROJECTORS
553ELD Digital body/asnew.......... 1275-1995
VARIOUS BY SONY,NEC,KODAK,
SHARP,PANASONIC,ETC............................ Low 503CW,complete/NEW................. 1525-2995
SONY VPLL-FM21 f2 PROJ LENS..........OFFERS 503CX/CXI+80CF+A12 ................. 895-1675
500C/CM,complete Various.............. 575-995
500C,500CM Bodies........................ 145-375
FIXED LENS DIGITAL CAMERAS
CANON POWERSHOT PRO-1/NEW? .. 175-295 30mm C/T/CF/CFi/ASNEW ........... 1675-3895
CANON POWERSHOT G2-G12 ............ 99-295 40mm Distagon,C/T/CF/FLE ........... 695-2245
CANON POWERSHOT G1X,ASNEW..............325 50mm/150mmf2.8 F/FE ................ 575-1695
CONTAX TVS DIGITAL,Bxd,asnew................275 50mm Distagon C/T/F/CFI.............. 275-1495
LEICA DIGILUX-1,asnew .............................195 60mm CT/CB/CFi/ASNEW .............. 545-1995
LEICA D_LUX 2/3/4/unused.............. 165-345 60mm Distagon f5.6.................................. ask
Minolta Dimage Z2-Z7/boxed ............. 59-129 80mm f2.8 F/C/CT/CF-E ................ 225-1375
Nikon Coolpix ,various ........................ 49-275 100mm Planar/T*/CF/CFi ............... 495-1995
Olympus E20,SP510,C5050............... 99-139 110mm f2 F/FE/NEW? ................... 595-1475
PANASONIC LX1-5/ASNEW ................ 89-395 120mm f5.6/chr/Bl.......................... 425-695
RICOH GR DIGITAL 1-3..................... 125-225 120mm Makro CF/i/CFE................. 595-1995
RICOH GX100/200+VF/NEW ............ 145-295 135mm Makro-PlanarCF............................ ask
Sigma DP1-DP2s/asnew .................. 165-275 150mm F4 C/T/CF/CFi/asnew .......... 225-995
Sony DSC P/W/T**/asnew .................. 45-275 180mm Sonnar CF/CFE.................... 55-1175
Sony DSC F717/F828/UNUSED......... 125-399 250mm C/CT/CF/CFi........................ 245-995
Various 2-16MP cameras........................... low 250mm F4 F/FE/NEW .................... 475-1145
350mm f5.6 C/Ct ...............................from625
350mm f4 FE/NEW? .................... 2475-3995
RAYNOX HIGH DEFINITION FRONT-LENS
500mm f8 Apo-Tessar............................... ask
CONVERTERS -LOW PRICES
140 280mm Variogon................. 795-1775
Extender 1.4E/2XE........................... 375-695
LARGE FORMAT-5x4,5x7,10x8 ETC
ARCA SWISS 5x4............................. 145-945 PM5/PM45/PME45/PM51/NEW?...... 245-995
CAMBO 5x4,10x8............................ 195-995 Magnifer PM/E 90,51,NEW........................149
GANDOLFI/GRAFLEX/DEVERE .................... ASK PM90/PME90/BOXED/UNUSED?....... 225-795
HORSEMAN/MPP/PLAUBEL .............. 295-995 NC2/HC-3/HC-3-70/Meterprism ......... 69-275
LINHOF 5x4TECH/MONORAIL ......... 345-2475 A12,A16,A24/Latest/NEW? ................ 89-595
SINAR 5x4,10x8 ............................ 345-1725 A32 back/bxd.NEW? ........................ 345-595
LARGE FORMAT LENSES APLENTY PLEASE ASK 12-on/Pola-80,70mm Backs .................from49
Pola100,Pola+,PolaCombi.................. 89-195
CINE CAMERAS-SUPER-8,16mm,35mm, H1 Polaroid Back ................................from125
Tubes 8mm to 56E, ........................... 49-169
LARGE STOCKS,PHONE/EMAIL
Bellows,Semi/Auto ........................... 195-495
Pro-Lenshades,various............................... ask
DIGITAL CAMCORDERS
Canon XM1/2,XL1-s/XL2................ 345-1275 Winder-F,Winder-CW....................... 195-395
CANON XL LENSES ................................... ASK Cable release-Winder CW.............................40
Panasonic 120 3CCD..........................from225 Filter 93 POLA/CR,NEW.............................. ask
PANASONIC DVC/100A .................. 895-1345 Polarising Filter S60/S70.................. 145-225
SONY PD150/170/NEW.......................from375 Softar I,II,III S60 new .................................. ask
Sony IP1/5/7 NEW ..............................from225 Softar 1 series 70,NEW..............................175
Sony VX1000-2100 ......................... 275-799 IR release unit 555ELD,NEW.......................285
SONY DSR-250/570kit.............................. NEG Step up ring,Various................................... ask
Various amateur/pro camcorders ................ ask Flashguns/ Brackets................................... ask
WELL-USED BODIES,LENSES............ TO CLEAR
D-Flash-40,/asnew .......................... 275-425
BRONICA LARGE STOCKS PLEASE
HASSEL/METZ 4504 TTL FLASH.................225
PHONE/EMAIL US
CANON AF
EOS IV/HS body/UNUSED................ 345 - 795
EOS 1/N/HS/1NRS,EOS3.....................from145
EOS 5,10/33/100,300/V.................. 39 - 129
EOS 600/620/650/EFmanual ................from29
EOS 500/N/1000/50E...........................from29
EOS 1X, 1X7 APS/BXD NEW? ................from39
20mm/24mmf2.8USM/asnew .......... 245-345
28mm f2.8/28f1.8/NEW .................. 159-325
28mm f3.5 Nikkor-PC,CAF.........................795
50mm f1.8/f1.4USM/NEW.................. 65-295
85f1.8/100f2/f2.8 Macro................. 195-325
SIGMA 300f4,400f5.6,500........................ ASK
1000mm f8 Sigma,asnew ........................3795
20 35/24-85USM...........................from 185
24-135 TAMRON/UNUSED? ............. 275-325
28 105mm/MK11....................... 129 - 145
28 135mm IS/NEW....................... 189-295
70/75-300mm IS/NEW .................... 245-395
Extender 2x,1.4x/11......................... 145-225
SPEEDLITE 380-580EX11 .................. 95-325
PB-E2,Cmnd Back E1/BPE1 ............... 99-139
Macrolite ML3/MR-14EX .................... 95-349
Pola-flter 400f2.8/600f4 ...........................225
ACCESSORIES GALORE.................PLEASE ASK
CANON MF--(CANON FD)
CANON F1N,asnew,UNUSED.....................1125
CANON F1N WL Finder,unused...................195
CANON Speedfnder-Old F1........................275
CANON F1n(old)+Motor+250Mag...............995
F1,LAKE PLACID,used................................495
BOOSTER FINDER,boxed,asnew..................325
Canon EF/PELLIX/ASNEW................. 145-295
AE1/A1/FTB/nvarious......................... 65-185
T50/T70/T80/T90various ................... 45-229
17mm f4/15f2.8/20mmf2.8............. 245-495
20-35mmL,24-35mmL,24f1.4................... ask
24mm,28mm,35mm,50mm............... 29-169
28f2,35f2,85f1.8,55f1.2.................. 125-495
35mm TILT/SHIFT............................ 275-475
100mm/Macro,135mm,200mm......... 45-325
LEICA-M LEICA-R LEICA SCREW

LEICA M9/M9P ............................ 2875-3495
LEICA M8/M8-2/BXD,ASNEW ....... 1375-2175
LEICA M1,bODIES ............................ 695-995
Leica M2 Black Paint+Motor. .....................neg
LEICA M3/M4 BLKPAINT,ORIG..................TALK
Leica M3,late dw,glass p/p......................... ask
LEICA M3,1stbatch ....................................neg
LEICA M4 BODY/BXD-ASNEW......... 595-2295
LEICA M5 BODY/3L-ASNEW ........... 595-1295
Leica M6 Platin+50f1.4,BXD....................6495
M6 TITANIUM,BOXED,UNUSED .................2295
LEICA M6/TTL/UNUSED.................. 875-1995
LEICA M7/MP/BXD,UNUSED ......... 1245-3245
LEICA MDa,DATASTRIP/asnew .................. NEG
KONICA HEXAR-RF+50f2/UNUSED.... 795-1395
90f2.8/90f2//135- APO-TELYT....... 475-1995
Leitz 400+560mmf5.6/6.8 ....................... ASK
Coll.50mm Summicron-M*blackpaint....... offers
Leitz Mooly Motor,Black,superb ............... offers
M4-P/M4-2/MD2/M2-R ................. 595-1645
M2/M3 body/SUPERLATIVE ............ 595-1945
Leica CL bodies .............................. 375-595
21mm f2.8/ASPH .......................... 995-1895
28mm f2.8 Elmarit......................... 695-1275
35mm f1.4 Summilux/ASPH......... 1275-2995
35mm f2 Summicron/ASPH............ 975-1695
35mm f2/f2.8 M3.......................... 595-1375
50mm f2,collapsible BLACKPAINT ............2895
50mm f2 Summicron/Black............ 895-1375
50mm f2.8 Chr/bl/asnew ................. 545-895
50mm f1.2 Canon+M Adapter................... ASK
LEICA-R LENSES,15mm-800mm............... ASK
Leitz Duo-24 Synchroniser..........................125
135mm f2.8, f4, f4.5 choice .................PHONE
Finders 21, 28, 35, 50, 90, 135 Vidom....... ask
Winders-M4-2,M4P,M6,SF20/24 ............... ask
FOCOMAT 1c/11c/V35 Enlargers............... NEG
SUPER COLORPLAN PRO 90mm NEW.........295
LEICA REFLEX/LEICA SCREW-LARGE
STOCKS,PHONE,FAX,EMAIL
MAMIYA RZ/RB67 LARGE STOCKSPHONE,FAX,EMAIL

MAMIYA 7 RANGEFINDER LARGE STOCKS
PLEASE PHONE/EMAIL
MAMIYA 645-645AF
645 PRO-TL COMP.......................... 425-645
MAMIYA 645-35mm Back..........................145
645AF/AFD COMPLETE.................. 695-1195
35mm AF...........................................from675
55mm/150mmAF,asnew.....................from475
55-110mm/AF/New....................... 375-1475
AF Extension Tubes.............................from125
120 Backs/Polaroid back AF................from145
645 Super + 80 + back.....................from 225
645J/1000s+80mm...........................from195
35mm C/N ..................................... 225-395
55mm,45mm,150mm,210mm......... 125-295
70mm C, leaf shutter ....................... 125-159
55mm,80mm,150mm leaf shutter.......from275
80mm f1.9/110mm C/N .................. 195-375
80mm f4 Macro+tube,asnew .....................375
120mm f4 Macro 1:1..................... 895-1145
150mm f2.8,A...........................................395
200mm f2.8 Apo,unused?..........................945
300mm f2.8APO-A,Cased........................2495
75-150mm/105-210mm c/n...............from225
120 backs,Polaroid backs ....................from 65
AE Prism/Right Angle fnder.................from115
Screens, pro shades, etc, etc ..................... ask
MAMIYAFLEX TWIN LENS PLEASE PHONE/
FAX/EMAIL
MINOLTA/SONY ALPHALARGE STOCKS.
PHONE/FAX/EMAIL
NIKON AF
F6/F6+GRIP/unused?..................... 895-1695
F5/BOXED/unused ........................... 225-795
F100 body/boxed/unused................. 125-325
F3AF+80mm f2.8Af,asnew ........................Neg
F801/x,F90/x/asnew............................From69
F4/S/E/BXD UNUSED........................ 225-995
F4 Polaroid Back........................................ ask
F50/55/60/65/70/75............................from25
F601/501/F401/S/x.............................from 25
14mm/18mmf2.8 AFD..................... 795-995
20mm/24mm f2.8AF/D.................. 245 - 425
28mm f2.8 AF/D............................ 105 - 195
105mm f2.8 Micro/VR ..................... 345-545
85mm f1.8 AF/AFD.......................... 145-275
180mm f2.8 AF/D............................ 245-495
200mm f3.5 IFED-F3-AF............................Neg
300mm f2.8 AF/D........................ 895 - 1995
300mm f2.8 AF Tamron LD-IF....................995
300mm f4/AFS/asnew ..................... 495-845
400mm f2.8 AF/I/S...................... 2495-3995
500mm f4P(notAF)/asnew.............. 1750-2495
17 - 35mm AFS............................. 825-1195
18 35mm AF................................ 299-375
20 35mm f2.8AFD........................ 545-695
20 35mm f2.8D Tokina ATX....................375
24 85mm AFD............................ 265 - 345
24 120mm AFD/VR....................... 145-295
28 70mm AF/D............................. 95 - 145
28 70mm f2.8AFS........................ 575-795
28 85mm AF/asnew .................... 145 -245
35 70mm f2.8 AF/D...................... 225-345
35 135 AF..............................................225
80 200mm f2.8 AF/D.................... 375-695
80 200mm f2.8 AFS..................... 695-875
80-400mm Tokina ATX..............................495
SB 20, 24, 25, 26, 28, 80DX ..................... ask
Metz 34-54AF DIGITAL Flash...................... ask
MF15/19/21/22/25/26/28................. 49-225
Nikon Ringfashes ...................................... ask
MF-24 250-Exp,Action Finder-F4 .................Neg
MC30,MC20 Remotes/New................. 29 -79
Nikon flters, several................................... ask
NIKON MF HUGE STOCKS-PLEASE PHONE/
FAX/EMAIL
OLYMPUS 35mm,HUGE STOCKS PHONE/
FAX/EMAIL
PENTAX 35mm,645,6x7 HUGE STOCKS
PHONE/EMAIL
PROJECTORS HUGE STOCKS PLEASE PHONE
ROLLEIFLEX - 6x6,35mm HUGE STOCKS
PHONE/EMAIL
BRITISH/GERMAN CLASSICS,FOLDERS.
ASK US
STUDIO LIGHTING/PRO FLASH PHONE/EMAIL
SPECIALS
AGFA SUPER ISOLETTE .................... 325-495
ALPA 6c,9d,10d bodies.................... 295-995
ALPA 11 EL, 11SI bodies................ 995-1995
ALPA lenses 24-300mm ............................ ask
ART PANORAMA 6x12/17/24.....................neg
BESELER TOPCON SUPER D outft............... ask
BESSA 11,6x9cm ........................... 325-595
BABY(SEMI)IKONTA.......................... 225-395
COMMERCIAL EKTAR LENSES ................... ASK
CONTAFLEX /SuperB /BC ................. 145-395
CONTAREX +50mm....................... 295-1495
CONTAX IIA/111A ............................ 225-495
CONTAX 1 + 5cm/ EARLIEST?................... ASK
CONTAX 645 ACCESSORIES...................... ASK
ENSIGN 6x4.5cm, Ensar...............................99
ENSIGN SELFIX 6x4.5 xpress......................175
FUJITA 66+LENSES .................................. ASK
GANDOLFI plate/5x4 .............................. ask
GOSSEN ULTRASPOTMETER ......................395
GRAFLEX 6x9cm +101mm........................ ASK
ILOCA STEREO......................................... NEG
HORSEMAN 5x4 GEARED ...........................775
HORIZON PANORAMA,BXD.........................345
KODAK CAROUSEL PROJECTORS ................ ASK
KODAK RETINA II/III c/C .......................from175
KOMAFLEX 127-SLR OUTFIT ......................695
KONICA FS1+LENSES............................... ASK
KONICA HEXAR m.i. occupied Japan ...........695
KOWA 6+ LENSES 55-250mm.................. ASK
LEICINA SPECIAL Super 8........................... ask
LEITZ FOCOMAT IIc+Ilford Hd................... Offers
LEITZ ZEICHEN APPARAT ...........................195
LINHOF 220 (120, 6x7 cm)..................from595
LINHOF MASTER TECHNIKA...............from1575
LINHOF PRESS 70+80Planar from............1375
MAMIYAC220+80,BXD,NEW? ................... 345
MAMIYAFLEX 55/135/180NEW ................ ASK
METZ 70 MZ5,new ....................................275
METZ Flash adapters, various..................... ask

MINOLTA/SONY WILESS FLSH CNTR...........195
MINOLTA A1-1000 IR Trigger.......................95
MINOLTA TC1 Classic new? .......................795
MINOX 35 AF NEW?...................................275
MINOX GT, GTE, ML........................... 95-195
MINOX TOURING DB, boxed........................495
MPP MICROFLEX/BOXED.................. 345-495
MULTIBLITZ 200/500 fashkit ........... 345-545
NAGEL PUPILLE +5cm ELMAR .................. ASK
NIKON Rangefnder Lenses........................ ASK
NIKKOR 85mm f1.5/105f2.5 M39 ............. POA
NIKON Rangefnder S2,S3,S4,SP ............... NEG
NIKON 35mm 28mm PC-SHIFT ........ 345-795
NIKON WC-E80 verter ............................... ask
NIKON 200mm F2300f2.8 AIS............ from875
NIKON 400mm F2.8 AIS....................from1995
NIKON DW31 F5.....................................345
NIKON F-F TN, BL/CHR.............................. NEG
NIKONF2- F2AS,BL,CHR............................ NEG
NIKON MD4 (F3) Nice.................................199
NIKON TC 14E AFI......................................195
NIKON 65/135/150COPAL ........................ NEG
NIKON 210/240 f5.6 COPAL...................... NEG
NIKON 450mm f9 COPAL...........................995
NIKON EN-EL7 battery, new..........................29
NIKON MB16/18,F80/F75 ........................ea49
NIKON EH-62A ac adapter............................69
NIKKOR 48-85 lens Nikkorex ......................195
OLYMPUS 180mm f2.8.................... 395-575
OLYMPUS 35mm f2............................from145
OLYMPUS 35mm shift lens............... 395-495
OLYMPUS 350mmf2.8,OM................from3695
OLYMPUS 500mm f8..........................from345
OLYMPUS 60/70mmPEN-FT...................ea495
OLYMPUS 90mm f2 MACRO ......................995
OLYMPUS PEN-D............................... 99-195
OLYMPUS XA/SERVICED..................... 75-125
OLYMPUS PEN-FT, black............................395
OLYMPUS T45 FLASH outft........................195
OLYMPUS FL50 FLASHGUN........................195
OLYMPUS TCON-17/14B........................... ASK
PANORAMA 35mm CAMERAS................... ASk
PENTACON 6/TL+Lenses .......................... ASK
PENTAX SIGMA 50/105 MAKRO ................ ASK
PENTAX 2000mm f13.5 ASNEW............... POA
PENTAX Spotmatic F, Bl + 55mm .............. 225
PENTAX 24mm f3.5 Screw,rare................. 295
PENTAX Sigma 14mm f2.8 AF....................475
PENTAX AF SIGMA 17-35mm.....................275
PENTAX LX MOTORDRIVE.......................... NEG
PENTAX SMC-A 28-135mm.......................295
PENTAX 67 ft 45mm to300mm.................. ask
Projectors, converters,cases,bags. Flashguns,
Enlargers
PHOTON B. 800W redhead kit ....................395
POLAROID 10x8 Processor........................ ASK
PERIFLEX GOLD* +50 f2.8 .........................295
REID 3+5cm TTH,SUPERB......................... NEG
RETINA I/1a....................................... 69-115
RETINA REFLEX 4 ............................ 275-425
ROLLEI-35,GERMAN ...........................from225
ROLLEI 6000 HIGH-D SCREN......................145
ROLLEI SL66/e/SEcomp ................ 795-1495
ROLLEI SL66/e LENSES............................LOTS
ROLLEIFLEX 3.5/2.8D-F TLR ....................LOTS
ROLLEI PQ /S 40to250mm lenses............... ask
ROLLEI P11 6x6cm PROJECTOR.................595
ROLLEI SL66 METERED HOOD....................295
ROLLEI SL66/E/SE 45 Prism............ 195-325
ROLLEI flters, ROLLEINAR 1-3.................... ask
ROLLEI 6x6 projector/.lenses..................... ASK
SEKONIC L778 SPOT METER......................445
SIGMA12mm Fisheye T mount....................545
SIGMA 600mm MF,OM,MD,NIK..................345
SIGMA 180mm Macro CAF/NAF .................375
SINAR P 10x8, SINAR P2 10x8 ................... ask
SINAR P2 5x4, as new ............................ offers
SINAR P2, 10x8 & 5x4 .............................. NEG
SINAR-C 5x4 ......................................from475
SINAR NORMA 5x7/ 5x4............................ NEG
SUNPAK DX12R PRO RINGFLASH ...............225
SUPER SYMMAR 80mm f4 .......................1275
TAMRON ADATALL LENSES....................... ASK
TAMRON AF 300mm f2.8 NAF ...................995
TAMRON 500mm MIRROR ......................... ask
TAMRON 200-400 Minolta AF ....................495
TOKINA ATX 28-70f2.8 NAF.......................325
-VISATEC Soft Box .................................... ask
VOIGTLANDER Prominent + 50 f2...............475
VOIGTLANDER 54mm UV/Focar lenses........ ask
VOIGTLANDER 150 Apo Lanthar .................695
VOIGTLANDER 240mm HELIAR...................595
VOIGTLANDER 12to75mm M39.................. ask
VOIGTLANDER VIRTUS-645 ........................475
VOIGTLANDER VITOMATIC IIa ............. 75-195
WALLACE HEATON 6x9 camera..................275
WIDELUX 150 PANORAMA .......................1995
WRAYFLEX 1 MILITARY body boxed ............ ask
YASHICA AF35-70/28-85/70-210 ............. ASK
YASHICA 500mm f8(Contax ft)...................395
YASHICA T-T5,Zeiss T* ..................... 85-225
ZEISS 35mmf2,bl.,CONTAREX ....................999
ZEISS CONTAREX250mm...........................995
ZEISS BIOGON 75mm US Military................ ask
ZEISS PLANAR 80inCOMPUR..................... NEG
ZEISS SONNAR 250inCOMPUR.................. NEG
ZEISS CONTAX 300mm f2.8 AE................. NEG
ZEISS IKONTA 6x4.5-6x9 .......................... ASK
ZEISS TROPEN(TROPICAL)ADORO.............. NEG
ZEISS TENNAX 1, serviced..........................169
ZEISS CONTAX I-IIIvarious........................... ask
ZEISS CONTAX rangefnder lenses .............. ask
ZEISS IKON 1.7x TELESKOP........................225
WHATS NOT LISTED?
Filters from 22mm 133mm,CAMERASOLD,VERY OLD,ODD,WEIRD,
UGLY,BEAUTIFUL. Lenses to ft most cameras..
Finders..Accesories.
PRICES???------NOTHING IN LIFE IS FIXED,
AND THIS APPLIES TO OUR SECONDHAND
PRICES!!!
SO FEEL FREE TO MAKE US REASONABLE
OFFERS.
STOCKS CONSTANTLY
CHANGING---IN-&-OUT
FREE COFFEE,TEA&CAKE FOR PAYING
GUESTS
WHAT YOU EXPECT FROM NICHOLAS KNOWLEDGE, EXPERIENCE, EXTENSIVE STOCKS

BUY BY POST WITH TOTAL CONFIDENCE. IF FOR ANY REASON YOU ARE NOT ENTIRELY SATISFIED (DONT TELL US WHY) RETURN GOODS WITHIN 7
DAYS FOR IMMEDIATE REFUND LESS POSTAGE. 3 MONTHS GUARANTEE. EQUIPMENT SIMILAR TO ABOVE WANTED FOR CASH.
YORK CAMERAS
(LONDON) LTD
Telephone: 020 7242 7182

Email: sales@yorkcameras.co.uk
www.yorkcameras.co.uk
USED BARGAINS
CANON DIGITAL SYSTEM
Full Frame Sensor
EOS 1DX
APPROX 100 ACTUATIONS

%o[, complete
2 year warranty.......
4,349
EOS 5' MNI Eody, Eo[......................................E[c++ 499

EOS 1'S MNII Eody, Eo[..................................E[c++ 799
APS-H SENSOR
EOS 1' MNII1 %ody..............................................E[c 249
EOS 1' MNIII Eody Eo[.....................................E[c++ 849
EOS 1' MN IV %ody Eo[ed............................... Mint- 2299
APS-C SENSOR
EOS 70' + 18-135mm IS S7M Eo[..................... Mint 999
EOS 70' Eody Eo[............................................... Mint 899
EOS 50' Eody Eo[............................................E[c++ 39
EOS 50' Eody ..................................................E[c++ 399
EOS 40' Eody Eo[..............................................Mint- 329
EOS 40' + EFS 18-55mm IS...........................E[c++ 349
EOS 40' Eody ..................................................E[c++ 299
EOS 30' Eody ..................................................E[c++ 199
EOS 7' Eody Eo[................................................. Mint 859
CANON DEMO LENSES

200mm f2 L is USM
ONLY 4,249
500mm f4L is MN II
ONLY 7,399
CANON L SERIES
EF 180mm f3.5 L Macro hood............................. Mint- 999
EF 200mm f2.8 L MNII hood................................ Mint- 429
EF 200mm f2.8 L MNII Eo[.................................. Mint- 449
EF 200mm f2.8 L MNII + Collar........................... Mint- 489
EF 300mm f4 L IS + case ...................................Mint- 899
EF 400mm f4 'O is USM...............................E[c++ 3,899
EF 500mm f4L is MNII USM............................. Mint- ,499
EF 00mm f4L is USM.....................................Mint- ,299
EF 28-300mm f3.5/5. L IS Eo[........................ Mint- 199
EF 70-200mm f2.8 L Eo[...................................... Mint 849
EF 100-400mm f4.5/5. L IS Eo[....................... Mint 1099
CANON L SERIES ACCESSORIES
7ripod Mount 5ing A Eo[ ....................................... Mint 89
7ripod Mount 5ing A .............................................Mint- 9
EF 2.0[ MN-I e[tender.........................................Mint- 149
EF 2.0[ MN-I e[tender.........................................E[c+ 139
EF 2.0[ MN-II e[tender......................................E[c++ 199
EF 2.0[ MN-II e[tender........................................Mint- 249
CANON EF/EFS SYSTEM
EFS 10-22mm USM ............................................Mint- 429
EFS 17-85mm IS USM + hood ........................... Mint- 299
EFS 18-135mm IS S7M...................................... Mint- 349
EFS 18-135mm IS...............................................Mint- 29
EF 85mm f1.8 USM FL7, hood........................... Mint- 275
EF 85mm f1.8 USM.............................................Mint- 249
EF 100mm f2 USM..............................................Mint- 29
EF 100mm f2 USM Eo[.......................................Mint- 299
EF 70-210mm USM.............................................Mint- 159
EF 70-300mm IS USM........................................ Mint- 349
EF 75-300mm IS + hood.....................................Mint- 29
EF 75-300mm f4/5. MNII.................................... Mint- 139
EF 75-300mm f4/5. is USM + +ood................E[c++ 29
EF 80-200mm MNII................................................Mint- 99
CANON LENSHOOD
E:8A ...........................9 E:75%II........................ 9
E:-78E ........................25 E:-78C ...................... 15
E:-83II.........................15 E:-83'II .................... 19
E:-83E ........................17 E:-83+ ...................... 19
E:-83*........................15 E:-5II....................... 10
E:-0% .......................... E:-0C ...................... 10
E:-0...........................10 ES-79II........................ 25
E7-74............................19 E7-83II ........................ 19
E7-83% .........................15 E7-83C........................ 19
E7-8............................19 E7-5%........................ 19
E7-4............................15 E7-73 .......................... 29
Ricoh GR
CANON FD SYSTEM
AE-1 + 50mm f1.8 F' E5C.................................Mint- 199
AE Motor 'riYe F1 c/w %3..................................E[c++ 99
:inder A.......................................................E[c++ 25/30
F7% %ooster, Eo[ ..................................................Mint- 89
Lens Mount ConYerter 3 ......................................... 19/29
M-20 E[tension 7uEe..........................................E[c++ 19
M-Set of 3 E[tension 7uEes, Eo[.......................... Mint- 49
F' Auto %ellows + 'ouEle CaEle 5elease, Eo[ .. Mint 149
Film ChamEer 250, Eo[....................................... Mint- 299
Speedlite 199A, Case, Eo[..................................... Mint 9
Speedlite 2997 ........................................................ E[c 25
Speedlite 2447, Eo[ ..............................................Mint- 29
Speedlite 3007L ..................................................E[c++ 39
790 3erformance %ooN .................................................. 49
FL 35mm f2.5........................................................Mint- 89
FL 50mm f1.8......................................................E[c++ 35
FL 50mm f1.8......................................................E[c++ 35
F' 20-35mm f3.5L ............................................E[c++ 299
F' 80-200mm f4 L ..............................................Mint- 199
F' 500mm f4.5 L...................................................E[c 399
F' 28mm f2.8........................................................Mint- 9
F' 35mm f2.8........................................................Mint- 99
F' 50mm f1.4 SSC.................................................E[c 89
F' 50mm f3.5 Macro + 25 7uEe, Eo[.................... Mint 99
F' 85mm f1.8 SSC + hood.................................E[c+ 149
F' 135mm f3.5 SC %/L.......................................E[c++ 50
F' 135mm f3.5................................................ Mint 9/59
F' 200mm f4.........................................................Mint- 59
F' 35-70mm f2.8/3.5 rare...............................E[c++ 189
F' 35-70mm f4 ...................................................E[c++ 39
F' 70-210mm f4 + Filter........................................ Mint 89
F' 70-210mm f4 + Case.......................................Mint- 79
F' 100-300mm f5. ..............................................Mint- 89
F' E[tender 2.0[ %...............................................Mint- 9
CANON SUPER 8 CINE
Auto =oom 318M.................................................E[c++ 59
Auto =oom 518 c/w 1.[ 7ele Lens ..................E[c++ 129
EXPOSURE METERS
:eston Master V, case.......................................E[c++ 89
+orYe[ 3 + case..................................................E[c++ 29
Si[tus.......................................................................E[c 20
CANON CAMERA CO 1950S RANGEFINDER SYSTEM
VL-2 Leica Screw Mount +
50mm f1.2 Canon Camera Co............................E[c+ 399
Serena 135mm f3.5...............................................E[c+ 89
VOIGTLANDER
LEICA M FITTING
15mm f4.5 Aspherical c/w 15mm Viewnder,
tted case............................................................ Mint- 349
LEICA SCREW FIT
Elmar 50mm f2.8 s/no 137272 CollapsiEle .......E[c+ 199
LEICA M SE5IES
Summaron 35mm f2.8 with Viewnder
M3 only............................................................E[c++ 229
+eNtor 135mm f4.5................................................E[c+ 79
LEICA +OO'S
12571J ts 35mm/50...........................................E[c++ 35
IUFOO ts 90mm/135mm ...................................E[c++ 35
Elmar 5cm ...........................................................E[c++ 29
Leica Viewnder 3.5cm + case .........................E[c++ 199
CONTAX ACCESSORIES
Sonnar 90mm f2.8 * c/w Lenshood, Filter,
case.................................................................E[c++ 249
7LA 280 Flash.....................................................Mint- 19
7LA-20 Flash......................................................... Mint- 49
7LA E[tension Connector S................................... Mint 20
Focus Screen FU 17M7............................................. 19
'iopter +1 and -5 .......................................................# 19
'iopter +2, -2, -4 Circular ............................................ 12
*.-52 * Series................................................... Mint 25
.-34 Metal Cap 7VS............................................ Mint 29
Metal +ood 7VS................................................... Mint 29
*.-51 * Series................................................... Mint 19
*.-51 Lens Cap 55mm.......................................... Mint 19
*.-%....................................................................... Mint 20
59mm 3ush-on Conta[ Cap........................................... 19
YASHICA ACCESSORIES
ML 42-75mm f3.5/4.5..........................................E[c++ 49
ML 200mm f4 ..........................................................E[c 40
ML 135mm f2.8 .....................................................Mint- 59
*A-21 +ood, Eo[.................................................... Mint 15
*A-11 +ood, Eo[.................................................... Mint 15
Focus Screen FA.................................................. Mint 12
Focus Screen FA4.................................................. Mint 12
<ashica F3 Eye Cup............................................... Mint 12
ROLLEIFLEX SYSTEM
5ollei 3.5C Model, 75mm f3.5 3lanar, Meter,
e r case..............................................................E[c++ 749
5olleiNin Set, case...............................................E[c++ 79
5ollei Orange Filter, case............................................... 25
5ollei UV Filter, Eo[........................................................ 29
5ollei 3olar Filter............................................................ 9
5ollei Leather Snood...................................................... 25
5ollei Lenshood 511, Eo[, case .................................... 89
5ollei Lenshood 51, case .............................................. 59
M33 %ayonet +ead........................................................ 25
AICO %ayonet + Close-up Set ....................................... 49
%-35 :rist Strap............................................................. 12
PENTAX PK SYSTEM
3enta[-M 100mm f4 Macro.....................................M- 149
L; Focus screen 7ype SE-20, S'-21, SE25................. 25
3enta[ SMC-A 50mm f1.4................................... Mint- 19
L; System Finder F%-1, F'-1 F'-2 Very 5areMint- 349
3enta[ L; :inder 2.......................................E[c+ 59/9
3enta[ AF080C 5ing Flash...............................E[c++ 129
3enta[ AF2807 Flash..........................................E[c++ 39
3enta[ AF4007 Flash........................................E[c++ 129
3enta[ 2[ 7 ConYerter ........................................ Mint- 9
3enta[-A 50mm f1.7............................................E[c++ 59
3enta[-M 200mm f4............................................E[c++ 49
Sigma 00mm f8 Mirror.........................................E[c+ 9
3anagor 35-100mm f3.5...................................As Seen 39
Ultra 80-200mm f4.5............................................E[c++ 19
PENTAX M42 SYSTEM
FuMi S7801 + 50 f1.4............................................ Mint- 199
5ussian %ellows %o[...........................................E[c++ 9
Spotmatic F +oneywell SMC 55 f1.8 Lens.....E[c++ 199
Spotmatic + 50mm f1.4.......................................E[c+ 149
Asahi %ellows......................................................E[c++ 49
Asahi Eyepiece Magnier....................................... Mint 35
Asahi Clip-on ashshoe.......................................... Mint 25
Super 7aNumar 105 f2.8......................................E[c++ 89
Super 7aNumar 135 f3.5........................................ Mint- 89
7aNumar 300mm f4...........................................E[c++ 299
3entacon %ellow Unit with slide copier + Eo[es .E[c++ 9
NIKON AF SYSTEM
'7000 %ody, Eo[.................................................Mint- 449
AF 1mm f2.8' Fisheye......................................Mint- 49
AFS 17-35mm f2.8'............................................Mint- 995
AFS 18-55mm f3.5/5. V5.................................. Mint- 129
AFS 24-70mm f2.8*, Eo[.................................. Mint 1,049
AF 75-300mm f4.5/5........................................... Mint 129
AFS 80-400mm f4.5/5. AF' V5, Eo[................. Mint 790
Sigma 30mm f1.4 E; +SM 'C............................ Mint 299
Sigma 35mm f1.4 E; +SM '*............................ Mint 499
Sigma 15-30mm f3.5/4.5...................................... Mint 199
Sigma 55-200mm f4.5/5....................................... Mint 79
'ioptric F801, +3, +2..........................................# Mint 25
'ioptric F501, +1, -2...........................................# Mint 25
M+-18A ........................25 M+-5 ......................... 29
E+- .............................9 M+-21 ......................... 99
E1-EL4A.......................79 %L-4 ............................ 15
'.-1 ...........................10 '.-10.......................... 10
CF-41% .........................39 CF47/47'................# 19
NIKON MF & ACCESSORIES
FM21 Eody........................................................E[c++ 149
F*-20 %O'<......................................................E;C++ 79
1mm f2.8 Ai Fisheye..........................................Mint- 499
28mm f3.5 3erpectiYe Control...........................E[c++ 499
28mm f3.5 AIS...................................................E[c++ 149
105mm f2.5 AIS...................................................E[c+ 129
105mm f4 Micro 1iNNor AiS...............................E[c++ 149
135mm f3.5 Ai + +ood ......................................E[c++ 129
25-50mm f4 AiS 5A5E
*rays of :estminster 250 plus................E[c++ 199
3.-13............................9 3.11/11A.................... 49
'5-3 .............................79 MC-12 ......................... 20
MC4A............................20 +%-20.......................... 20
+%-12 ...........................10
SC -17, Eo[ ..................................................... Mint 20/25
SC-24, Eo[.............................................................. Mint 29
*elatin Filter +older AF1........................................ Mint 29
*elatin 39mm 'rop-in............................................ Mint 29
M5-2 Shutter 5elease............................................ Mint 29
AS-3 Flash Coupler F3 ........................................ Mint 39
AS-1 Flash Coupledr F2 ...................................... Mint 39
AS-2 Flash Coupler EL........................................ Mint 29
SC- Coiled Synch Cord 1M F2 .......................... Mint 29
F3 Focus Screen 7ype +4/C......................................# 25
Eye 3iece Correction 'ioptre
FA, FE, FM, FE2, FM2, -5, B1, +3, 0 .........................# 25
F3 'ioptre +2, +0.5 ....................................................# 25
F*, EM, 'ioptre +1........................................................ 25
1iNNormat 'ioptre +2...................................................... 25
1iNNormat Case.............................................................. 20
1ippon .ogaNi Lens Case.............................................. 15
1ippon .ogaNi Filter Case.............................................. 20
1iNon 5eYerse 5ing ....................................................... 25
RICOH SYSTEM
Ricoh A12 Module
28mm f2.8
A3S-C Cmos Sensor
1 Megapi[els
12.3 Megapi[els
A3S-C Cmos Sensor
Leica M Series Lens tting
ONLY 559
ONLY 299
18 Bury Place, London WC1A 2JL
Specialists in fine pre-owned cameras,

lenses, binoculars and accessories
WANTED
We urgently require your used photographic

equipment both digital and film. We have customers
waiting for: Nikon, Canon, Leica, Contax, Bronica,
Hasselblad & most other makes of camera lenses,
accessories, binoculars and collectables.
We will buy for cash from you or we are happy to sell
on your behalf on a commission basis.
Best prices paid
We can arrange collection and even call and collect and
pay on the spot if necessary anywhere in the UK.
01954 252352
Visitors are welcome. Please phone for an appointment
View our full range at www.camtechuk.com
opposite the British Museum
Mastercard/Visa accepted E. O.E. 1e[t 'ay 'eliYery 10.00
86
subscribe 0844 848 0848
To advertise here, call Rob on 01922 412 720 Email robert_selvey@ipcmedia.com
CHOOSE FUJI!
X-PRO1 +
18mm f2
XF Kit
Claim 150
Cashback
879
597
from Fuji
X-E1 +
18-55mm
OIS Kit
Claim a FREE
50-230mm XC
FOR STUNNING CASHBACK &

FREE LENS PROMOTIONS
1099
OR buy body only at 739 Claim a

FREE 18mm, 27mm or 35mm lens
NOT FORGETTING THE LATEST ADDITION
lens from Fuji

worth 379.99!
All prices correct 16/04/14 but subject to change without notice. E&OE.
X-E2 +
18-55mm
OIS Kit
Claim a FREE
55-200mm XF
lens from Fuji worth 580!
X-T1 body
only 1039
X-T1 +
18-55mm OIS
Kit
1389
Limited Stock - BUY NOW!
WE WANT YOUR QUALITY EQUIPMENT
PART EXCHANGE
CASH BUY
COMMISSION SALE
COLLECTION CAN
BE ARRANGED
WANTED NOW!
Canon: ALL L Series lenses

Nikon: D3S and D4 bodies
200mm f2, 200-400mm f4,
300mm f2.8, 400mm f2.8,
500mm f4 & 600mm f4
lenses etc
Sigma: 300mm f2.8,
300-800mm f5.6,
500mm f4.5 &
800mm f5.6 lenses
In the rst instance

please email
info@mifsuds.com
Family Run Pro Dealership with Friendly, Knowledgeable Staff. Open 7 days per week.
27-29, Bolton Street, BRIXHAM. Devon. TQ5 9BZ.

Tel: 01803
852400
Email: info@mifsuds.com
www.mifsuds.com
88
subscribe 0844 848 0848
To advertise here, call Rob on 01922 412 720 Email robert_selvey@ipcmedia.com

Wanted
CLASSIFIED
Cameras For Sale
HH SPECIAL OFFERS HH CLEARANCE OFFERS HH END OF LINES HH
NEW HOYA MULTI-COATED SLIM
DIGITAL UV FILTERS
11.49
52mm 12.49
13.49
58mm 14.49
15.49
67mm 16.49
19.49
77mm 21.49
S/H CANON EOS 35mm GEAR

Canon EOS 650 Body
9.95
Canon EOS 888 Body
11.95
Canon EOS 500N Body
13.95
Canon EOS 1000FN Body
14.95
Canon EOS 50E Body
19.95
Canon RS60-E3
14.50
Off Camera Shoe Adapter
8.95
Canon EOS Body Cap
2.99
Canon 300-EZ Speedlite
14.95
Canon 420-EZ Speedlite
29.95
49mm
55mm
62mm
72mm
New KOOD Japanese Optical

Flat Skylight or UV Filters
27/28/30/30.5/34/35.5/37/37.5
39/40.5mm each
7.99
43/46/49/52mm each
8.99
55/58mm each
9.99
62/67mm each
11.99
72/77mm each
15.99
S/H 35mm CAMERA OUTFITS

Cosina CT-1 Kit, CT-1 Body,
28/70mm Zoom Lens, Zoomhead
F/gun, Tripod, Gadget Bag
28.50
Minolta Dynax 500si Kit, 500si Body,
35/80mm Minolta Zoom Lens, Sky, Lens
Hood, Mini Tripod, Gadget Bag 29.95
Chinon CG-5 Kit, CG-5 Body,
50mm f2 Ricoh Lens, Skylight,
Lens Hood, Vivitar 75/150mm
Zoom, F/Gun, Tripod, Bag
34.50
Minolta 404si Kit, 404si Body,
35/80mm Minolta Zoom Lens,
Sky, Lens Hood, Mini Tripod,
Gadget Bag - the lot 33.95
Pentax MZ-5 Kit, MZ-5 Body,
35/80mm Pentax Zoom Lens,
Pentax Flashgun, Tripod, Sky,
Lens Hood, Gadget Bag
38.50
Pentax SF-7 Kit, SF-7 Body,
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Lens, Sky, Tripod, G/Bag
34.95
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27, 28, 30, 34, 37mm
2.99 each
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3.35 each
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3.65 each
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3.99 each
LINEAR POLARIZING FILTERS
to clear (for Manual Focus only)
49mm 1.99
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39.95
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7.99
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49, 52, 55mm (rubber)
6.49
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7.49
RUBBER LENS HOODS
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3.99 each
58, 62, 67, 72mm
5.35 each
77mm 7.99
82mm Metal 8.99
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300mm f4 Zuiko-T boxed
199.95
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49.95
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9.95
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4.99
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Small 2.99 Med 3.99 Large 5
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14.95
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24.95 each
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18.50 each
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17.95
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9.95
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11.95
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6.99
Minolta 200X Flashgun
4.99
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11.95
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V76PX 1.49
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CR1620 or CR1220
99p each
CR1216 or CR1025
99p each
COLLECTORS CORNER
Asahi Pentax Spotmatic 55mm f1.8
UV Filter, Lens Hood, Clip-on
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all in excellent condition
79.95
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3 May 2014
| www.amateurphotographer.co.uk |
89
The nal frame *Nsync Photo Fan Pack
Editorial
A COLLECTORS
LIFE FOR ME
When Tony Kemplen resolved to use a different film camera

each week, he discovered a treasure trove of lost gems
a large chunk off its value. That didnt seem to be

the case. I did ascertain that it was produced for the
bands 2001 PopOdyssey tour, and that the idea was
that thousands of fans would re their cameras as the
band appeared on stage, creating a mass paparazzi
look. The effect from the stage may have been
impressive, but I fear the amateur paps would have
been disappointed with their photos, given that the
built-in ash wouldnt cover anything more than a few
feet away. However, at least they were guaranteed to
have a nice set of pictures of the boys at the bottom of
each blank photo!
It was going to be a challenge to nd subjects that
would do justice to this star-struck camera. Good
daylight is a must for these simple single-use models,
and with the ageing lm likely to be losing its sensitivity,
I seized the opportunity to take it with me on a sunny
summers day visit to Ironbridge Gorge in Shropshire.
Normally, with a single-use camera, you hand over
the device and never see it again, which might have
been a wrench for the young fans. I had
no such worries, as I develop my
own lms, and simply opened
it up in a changing bag
before loading the lm
into my developing
tank. Examining the
cameras entrails, I was able
to conrm my assumption
that this is a standard
disposable camera with a thin
strip of black plastic covering
one edge of the image area,
protecting the pre-exposed border
from being overwritten.
Ironbridge may well be a
UNESCO World Heritage Site, but
for me it will forever be linked with
a youthful Justin Timberlake and his
mates. It was a bit of fun, but I wont be
buying any more *Nsync memorabilia.
This I promise you. AP
To read more about Tonys 52 cameras project visit 52cameras.blogspot.com. To see more photos from
the *Nsync Photo Fan Pack, visit www.ickr.com/tony_kemplen/sets/72157634584738624
90
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Editorial team
IVE SEEN some weird and wonderful novelty

cameras in my time, but this one really takes
the biscuit. When I spotted it, still in its sealed
packaging, languishing in a box of junk at a church
jumble sale, it took me a few minutes to take in the
full horror of what I had found.
Common sense and decency told me to put it
down and step away, but looking up at the waterdamaged ceiling of the parish rooms, I could see
that the church roof fund needed all it could get. Out
came my 1.50, before I hastily stuffed the camera
in my bag so no one would see my folly.
I hadnt heard of the boy band *Nsync before. They
must have been popular, because this camera would
ensure that each and every photo on the lm had all
ve pop stars emblazoned along the bottom edge.
This meant that even while looking at your holiday
snaps, you never had to lose sight of your heroes.
At the heart of this Photo Fan Pack is a simple
pre-loaded 35mm camera of the single-use type.
The outer layer is adorned with graphics relating to
the band, while inside I suspected there must be
some kind of mask at the lm plane, to shield the
pre-exposed strip of cool borders, as the packaging
describes them. You also get a backstage pass for the
2001 tour, complete with a bespoke lanyard.
Having furtively stashed away my illicit piece of
boy-band memorabilia, I almost forgot about its
existence. But a rummage through my boxes of junk
cameras brought it back to the surface, and noting
that the lm expired in 2001, I decided it was time to
give it a go. Before opening the still-sealed packaging,
I thought Id better have a quick Google in case this
was a priceless collectable and I was about to knock
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Offer valid from 01/04/14 until 30/06/14. While stocks last. Terms and conditions apply.
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