British Forum for Ethnomusicology

Back Matter
Source: British Journal of Ethnomusicology, Vol. 9, No. 2 (2000)
Published by: British Forum for Ethnomusicology
Stable URL: http://www.jstor.org/stable/3060656
Accessed: 06/01/2009 19:46
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at
http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless
you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you
may use content in the JSTOR archive only for your personal, non-commercial use.
Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at
http://www.jstor.org/action/showPublisher?publisherCode=bfe.
Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed
page of such transmission.
JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the
scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that
promotes the discovery and use of these resources. For more information about JSTOR, please contact support@jstor.org.
British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to
British Journal of Ethnomusicology.
http://www.jstor.org
Notes to contributors
Submissions should be sent to the Editors: Dr Martin
Clayton, Faculty
of Arts, Open
University,
Milton
Keynes
MK7 6AA, England;
e-mail:
m.r.l.clayton@open.ac.uk;
Dr Suzel Ana
Reily,
School of
Anthropological Studies, Queen's University Belfast, Belfast
BT7 INN, Northern Ireland; e-mail:
sreily@clio.arts.qub.ac.uk.
Order of
preference
for submission format is:
1. a Macintosh disk with the article in Microsoft Word or ASCII
(plain text)
format
plus
one
hard
copy;
2. a PC disk with the article in Word for Windows 2 or ASCII
(plain text)
format
plus
one hard
copy;
3. two hard
copies.
Hard
copies
must be
typed
or
printed
on one side
only
on A4
paper
with
ample margins,
with
all materials
double-spaced. Tables, maps, photographs,
music
examples
and other illustrative
materials should be
presented
on
separate
sheets. Authors must
eventually supply
"camera-
ready" copy
to
professional
standard of all illustrative materials; the editors will advise on the
preparation
of such materials if
necessary.
Authors must also
supply
a list of words
requiring
diacritical accents. A
full-page figure may
not
normally
exceed 118 x 196mm. A list of
captions
must be
provided
on
separate
sheets. Authors must obtain
approval,
before
submission, for
reproduction
of
any
material not their own.
All
manuscripts
must be
accompanied by
an abstract of 50 to 80 words and a short note on
the contributor
(including
contact
address),
both to be included in the Journal. Authors of
articles will receive one
copy
of the Journal and ten
offprints
free of
charge;
authors of
reviews will receive a
single offprint.
Purchase of further
offprints may
be
possible
on
request.
Notes on
style
It would be
helpful
if contributors were to bear in mind the
following points:
1.
Quotations: Use double
quotation marks, but
single
within
quotations.
2.
Figures:
All
figures, tables, charts and musical
examples
should be referred to as
"Figures",
numbered
successively
and referred to in the text.
3.
Spelling
and
terminology:
UK
spelling
and
usage
will be
employed.
4.
Paragraphs:
Do not indent or leave blank lines between
paragraphs.
Use one
space only
following punctuation.
5. Initial
capital
letters: Use as seldom as
possible
in
bibliographies, mostly
as initial letters
in
proper
nouns and in
journal
titles. In the text, use
upper
case in
referring
to
"Figure 3", and
lower case for "section 1.2", "verse 2" etc.
6. Numerals: Use minimum numbers for
pages
and dates, e.g. 25-8, 136-42, but 12-16;
1980-81, 1914-18. Use numerals for
percentages,
measurement and for
ages, e.g. 25%,
12km, 5m, 10
years
old. For other numbers in text, write out in full between one and ten;
thereafter use numerals.
7. Italics: Use
mainly
for book titles and
foreign
words and
phrases.
Do not italicize et al.,
e.g., c., i.e., ibid., and similar short elements.
8. Footnotes: should be minimized
by including
materials within main text whenever
possible.
9. References: should be cited within the text,
listing
the author's last name, date of
publication
and
page number, e.g. (Blacking 1973:52);
where an author's name has
just
been cited in the
text, references need be made
only
to date and
page, e.g. (1973:52).
Two works of identical date
by
one author should be
distinguished as, e.g.,
1987a and 1987b. Avoid the
expressions op.
cit.
and loc. cit.. Full references should be
given
on a
separate
sheet
alphabetically by
author and
chronologically
for each author, using
the
style
shown below, giving
authors' full
names,
publishers'
names for books, and
page
numbers for articles and book
chapters.
Blacking,
John and Keali'inohomoku,
Joann
W.,
eds
(1979)
The
performing
arts: music and
dance. The
Hague:
Mouton.
Jairazbhoy,
Nazir
(1977)
"The
'objective'
and
subjective
view in music
transcription."
Ethnomusicology
21.2:263-73.
Keali'inohomoku,
Joann W.
(1979)
"Culture
change:
functional and
dysfunctional
expressions
of dance,
a form of affective culture." In J.
Blacking
and J.W. Keali'inohomoku
(eds)
The
performing
arts: music and
dance, pp.
47-64. The
Hague:
Mouton.