LINKSBOOKS

SPRING 12
ARCHI TECTURE 2
ARCHITECTURE FOR
A GREEN FUTURE

Jacobo Krauel
3
4
4

THE MOST VISIONARY PROJECTS FROM AROUND THE WORLD
PROJECTS ILLUSTRATED WITH PLANS, RENDERS AND COMMENTARIES
FEATURES WORLD-LEADING ARCHITECTURAL PRACTICES
Today no architect would deny that the greatest single challenge facing
the profession and the most exciting opportunity it has ever faced is to
reconstruct the delicate balance between human life and the health
of the ecosystems we depend on. This volume presents some of the
most imaginative, creative and exuberant solutions for a greener future
from architects from all over the world, from both established and up-
and-coming practices. Architecture for a Green Future, bursting with
inspirational ideas, is an unmissable volume for practising architects,
designers, students and the visionaries of tomorrow.
JACOBO KRAUEL, renowned architecture critic and expert. He is the author of the seminal book,
Sustainable Architecture: Low-Tech Houses, as well as over a dozen titles focusing on the latest
trends and applications in todays architecture. He currently resides in Barcelona, where he is
researching the work of Gaud.
PUB.DATE: MAY 2012
22 x 22 cm ( 9 x 9), 300 pages, hard cover w/jacket
510 color images, 295 B/W plans & drawings
I SBN: 978- 84- 15123- 73- 6
US $ 54.00 / 39
ARCHITECTURE FOR A
GREEN FUTURE
LINKS
ARCHI TECTURE 3
THE MOST VISIONARY PROJECTS FROM AROUND THE WORLD
PROJECTS ILLUSTRATED WITH PLANS, RENDERS AND COMMENTARIES
FEATURES WORLD-LEADING ARCHITECTURAL PRACTICES
4 5
ARCHI TECTURE 4
NEW CONCEPTS IN
MUSEUMS ARCHITECTURE
Jacobo Krauel
3
3
7
MUSEUMS AND GALLERIES BY TODAYS LEADING ARCHITECTS
OVER 400 FULL COLOR PHOTOGRAPHS BRING THE DESIGNS TO LIFE

EACH PROJECT DESCRIBED AND EXPLAINED BY THE ARCHITECT
Museums showcases the latest museums by some of the worlds most
prestigious architects. With gallery concepts ranging from the most
radical and avant-garde to the calm understatement, each project
creates an architectural setting that resonates with the artworks it
contains. The outstanding selection of projects, fully documented with
commentaries by the architects themselves and plans, drawings and
photographs, make this book a work of art in itself.
JACOBO KRAUEL, renowned architecture critic and expert. He is the author of the seminal book,
Sustainable Architecture: Low-Tech Houses, as well as over a dozen titles focusing on the latest
trends and applications in todays architecture. He currently resides in Barcelona, where he is
researching the work of Gaud.
PUB.DATE: APRIL 2012
24,2 x 28,4 cm ( 9
1
/2 x 11), 300 pages, hard cover w/jacket
490 color images, 185 B/W plans & drawings
I SBN: 978- 84- 92796- 99- 1
US $ 68.00 / 49
MUSEUMS
NEW CONCEPTS IN
ARCHITECTURE
LINKS
18 19
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ARCHI TECTURE 5
MUSEUMS AND GALLERIES BY TODAYS LEADING ARCHITECTS
OVER 400 FULL COLOR PHOTOGRAPHS BRING THE DESIGNS TO LIFE

EACH PROJECT DESCRIBED AND EXPLAINED BY THE ARCHITECT
12 13
A
A
A
A
B
B
B
B
C
C
C
C
D
D
D
D
FOURTH FLOOR PLAN
24. Exhibition room
Roof plan
12 13
Section 1-1
Section 2-2
16 17
INTERIORES.indd 16-17 15/09/11 17:59
ARCHI TECTURE 6
LATEST TRENDS IN
SHOP DESIGN
Carles Broto
3
4
1

PACKED WITH INSPIRATIONAL IDEAS FROM PRESTIGIOUS DESIGNERS
ENVIRONMENTS THAT WELCOME CUSTOMERS AND SELL PRODUCTS!
FULL-COLOR PHOTOS ACCOMPANIED BY DETAILED EXPLANATIONS
This book is bursting with some of todays most original and impressive
work in the eld of shop design. Leading designers and architects
showcase their nest projects to create a dazzling compendium of ideas
full of imagination, while at the same time intelligently designed for
a specic purpose: to sell the products. Explanatory texts accompany
striking, full-color photographs which highlight all facets of each and
every one of the featured projects. This is truly an essential book in the
collection of all professional designers, students and enthusiasts alike.
CARLES BROTO, an architecture scholar and one of the founders of the IAC (institute for
alternative culture). Following a successful period at the Atrium Group (Barcelona), he has now
joined Grupo Links - Structure as the publishing director of various contemporary architecture
collections. He is currently investigating the evolution of new American housing, as part of multi-
country project. He lives in Barcelona.
PUB.DATE: MAY 2012
24,2 x 28,4 cm ( 9
1
/2 x 11), 300 pages, hard cover w/jacket
498 color images, 110 B/W plans & drawings
I SBN: 978- 84- 15123- 70- 5
US $ 68.00 / 49
SHOP DESIGN
LATEST TRENDS IN
LINKS
20 21
INTERIORES.indd 20-21 15/09/11 18:00
ARCHI TECTURE 7
18 19
INTERIORES.indd 18-19 15/09/11 17:59
22 23
INSTALLATIONS 9
B
A
B
A
3
6
7
9
1
2
4
5
5
5
1
5
8
8
STAIRS
STORAGE
ELEVATOR
FITTING ROOM
SEATING
GLASS
CASHDESK
CABINET
1
2
3
4
5
6
7
8
RETAILCONCEPTS
GROUND FLOOR
BASEMENT
9
SUBZERO project subject AMSTERDAM place PLAN scale1:50
SUBZERO project subject AMSTERDAM place SECTION A scale1:50 RETAILCONCEPTS
To catch the eye of the stream of tourists passing by its doors
- amidst the visual cacophony of the surrounding souvenir
shops - Subzero makes a bold statement in the shape of a
dynamic wall consisting of backlit translucent boxes. Just one
look will unmistakable tell you: this is a sneaker store.
INTERIORES.indd 22-23 15/09/11 18:09
14 15
INTERIORES.indd 14-15 15/09/11 17:58
ARCHI TECTURE 8
NEW URBAN HOUSES
Carles Broto
3
4
2

CONTRIBUTIONS FROM LEADING ARCHITECTS AROUND THE WORLD
HOUSES THAT DEFINE THE MODERN URBAN LANDSCAPE
SECRET GARDENS, MOLD-BREAKING FAADES, RADICAL DESIGN SOLUTIONS
This book shows how city houses can dene the urban landscape. One
of the basic building blocks of the city, the town house also provides a
refuge from city life. The projects featured in New urban houses display
how leading architects from around the world continue to innovate on
this centuries-old model. Secret rooftop gardens, sweeping interiors,
striking dcor, faades that make a statement these are just some of
the elements revealed here, in elegant full-color photos and in-depth
commentaries from the architects themselves.
CARLES BROTO, an architecture scholar and one of the founders of the IAC (institute for
alternative culture). Following a successful period at the Atrium Group (Barcelona), he has now
joined Grupo Links - Structure as the publishing director of various contemporary architecture
collections. He is currently investigating the evolution of new American housing, as part of multi-
country project. He lives in Barcelona.
PUB.DATE: JUNE 2012
24 x 26 cm ( 9
1
/2 x 10
1
/2), 240 pages, hard cover w/jacket
320 color images, 105 B/W plans & drawings
I SBN: 978- 84- 15123- 71- 2
US $ 54.00 / 39
LINKS
URBAN
NEW
HOUSES
12 13
INTERIORES.indd 12-13 15/09/11 17:57
136 137
Plaza Shrubtub Sputnik
PLANTERS PLANTERS
Plaza is a great planter for trees and arborescent vegetation, consisting of dif-
ferent panels of diferent materials and fnishes for spaces in which traditional
plantingis not feasible. The structure is made of steel angle-irons with a powder
coated anti-corrosive protection in a black, wrought-iron-like fnish. This struc-
ture supports the panels, which are made of impact and damp resistant materi-
als, such as stainless steel, polyester resin panels or tropical wood. The bottom
is made of hot-dip galvanized steel mesh capable of supporting weights of up
to 1.000 kg. The inner container is made of fberglass. The item merely requires
placing on its four adjustable stainless steel legs to achieve a perfectly level and
stable installation. It requires zero maintenance.
Design: J.A Martnez Lapea / Elas Torres Production: Santa & Cole
The Shrubtub are made of 4mm CorTen steel as standard. They contain a vol-
ume of growth medium up to 5m3 and are suitable for shrubs, multi-stemmed
trees and bigger city trees depending on the substrate volume. The Treetec
nursing system is optional. The CorTen tub is well detailed, functional and de-
liverable with special double powder coating. The Shrubtubs are easy to move
and anchoring of the root ball is possible. The single sides are strengthened to
prevent bending by soil pressure. The bottom has special holes for water drain-
age and oxygen supply. The walls should be equipped with thick-walled geo-
textile for good insulation and oxygen distribution.
Design and production: Streetlife
This very robust circular container for plants has a clearly sculptural outline. It is
madeof grey colouredcast ironaccordingtothequality norms UNE-EN-1561. The
joints are sealed with zinc phosphate primer. The legs are available in a range of
diferent fnishes and materials. The entire item has received an anti-corrosive
treatment and comes with a wrought iron fnish. The various component parts
are held together with zincifed steel screws. The planter has the noteworthy
capacity of 332 litres and its weight amounts to approximately 260 Kg. The only
installation required is to place it on the ground in the desired location.
Design and production: Colomer
276 277
Heinola Reading Lamps Icon Mini Opal Hom
LIGHTING LIGHTING
Heinola is a town some 130 km north of Helsinki, Finland. Late summer 2004 the Heinola authorities
contacted the designer to see if they could use the lighting solution he had created for Raisio, an-
other small town in Finland. Raisio light net, completed 2002, got good response from international
press, which raised the image and status of the town. However, Vesa Honkonen had promised Raisio
he wouldnt use the same solution in Finland for 7 years, so Heinola was told they would have to be
content with something created just for them. They wanted it for a small library plaza; a relatively
small urban space, which the designer felt, required some movement. Vesa Honkonen started to
dream about the reading lamps stepping out of the library to dance in the street, growing bigger,
taking over the street. Having landed in new territory, they started to look over their shoulders, look
around, bend down. After a while they calmed down. They started to freeze as they slowly accepted
their form and positions. The time for movement was over. They were satisfed and at peace. Their
frozen movements took shape as three individual forms. The lower part of the pole is similar in each
variation. Three diferent curved parts permit the fxture to bend in diferent directions. The lamp
head is similar for each variation so three unique fxtures resulted and a total of ffteen units were
installed. It was clear form the start that the light source would be metal halide in order to project
strong dots of light onto the street and avoid even lighting. It was planned to be a good lighting
designers nightmare, uneven lighting with strong contrasts. Each lamp casts sharp beams onto the
street, revealing the shape of the light roaming out of its body. The manufacturers frst model pro-
vided extra information about the shape of light, so it was decided to push the lamp deep inside in
the body of the fxture to avoid glare. Thus, light bursts out of a black hole in diferent directions.
Design: Vesa Honkonen
Homisphotovoltaiclampof tremendousoutput. Thepanels
transformsolar intake radiation and store electrical power,
obtaining a highly efcient illumination system. Each Hom
lamp uses 30 led bulbs of the most recent design. The lamp
generates no heat, requires no maintenance and provides
illumination throughout the entire night, even in the win-
tertime. No trenches have to be dug to install them; they
can be placed in any out-of-the-way location, far fromthe
electrical mains. The lamp has a useful life of 50000 hours.
The design of the lamp represents a human fgure that em-
braces the light of the sun and defnes its profle. Hom is
ideal for spaces of large dimensions and it saves 255.5 kW/h
per year. This translates into a reduction of 153.3 kg of emit-
ted CO2 with no loss of light power.
Icon Mini Opal efectively provides cut-of street
lighting with less than 2.5% light distribution
above horizontal level. The clear, simplistic de-
sign is intentional, since Icon is designed for use
in numbers. It combines two geometric forms:
a cylinder and a hemisphere. Because of the
faintly lit hemisphere, the shape is uniform both
night and day. Numerous light source positions
in the refector can make both symmetrical and
asymmetrical light distribution possible. Difer-
ent mounting solutions are available to facili-
tate optimum positioning and meet individual
requirements.
Design: Alessandro Caviasca Production: SIARQ Design: Mads Odgrd Production: Louis Poulsen
ARCHI TECTURE 9
CONTRIBUTIONS FROM LEADING ARCHITECTS AROUND THE WORLD
HOUSES THAT DEFINE THE MODERN URBAN LANDSCAPE
SECRET GARDENS, MOLD-BREAKING FAADES, RADICAL DESIGN SOLUTIONS
SHOWCASES THE WORK OF MASTERS OF URBAN AND INDUSTRIAL DESIGN
A MUST-HAVE FOR ALL URBAN DESIGN PROFESSIONALS
300 PAGES OF CUTTING EDGE DESIGNS
Street Furniture oers the reader a close-up look at all of the elements
that go into the design of urban space. Every item shown in the full color
photographs that illustrate the projects was custom-designed for a specic
purpose. The creation of each piece is explained right from the initial stages
to its eventual construction and installation through original sketches and
detailed lists of materials. This is surely the most thorough and complete
volume of its kind, and constitutes a streetwise resource that no urban
design professional should do without.
CARLES BROTO, an architecture scholar and one of the founders of the IAC (institute for
alternative culture). Following a successful period at the Atrium Group (Barcelona), he has now
joined Grupo Links - Structure as the publishing director of various contemporary architecture
collections. He is currently investigating the evolution of new American housing, as part of multi-
country project. He lives in Barcelona.
3
2
0
PUB.DATE: APRIL 2012
24,2 x 28,4 cm ( 9 1/2 x 11), 300 pages, hard cover w/jacket
740 color images, 296 B/W plans & drawings
I SBN: 978- 84- 15123- 22- 4
US $ 68.00 / 49
THE COMPLETE BOOK OF
STREET FURNITURE
Carles Broto
FURNITURE
THE COMPLETE BOOK OF
STREET
LINKS
26 27
BdLove Bench Bench Seat I - Curved Big Bux
SEATS SEATS
Design: Ross Lovegrove Production: Bd
The BD LoveBench is made of polyethylene (MDPE), of medium den-
sity, a material that can be mass pigmented in diferent colors. The
part processing system is rotational moulding. The bench contains 5
stainless steel inserts. The item has a seating capacity for ten people.
Optionally, non-slip stoppers in EPDM (rubber) can be installed, to
make water drainage beneath the bench easier. It is secured using
stainless steel bolts. 5 bolts supplied if required. Polyethylene PEGS
close the ballasting holes (2u). A Polypropylene TRI-SURE PEG with
rubber O-ring seal closes the ballast emptying hole. The bench can
be ballasted with water or washed sand (max.120 Kg). The objects
general measurements are 2652 1293 940 mm.
The thickness of the material varies from 9 mm near the base un-
der 8 mm at the top of the object. The total weight of one bench
(without ballast) is approximately 80Kg. The item is available in a
range of standard colors: fuorescent red, beige, white, blue, green,
sandstone (sand granite structured) and millstone (dark grey gran-
ite structured). It can be supplied in custom made special colors
according to client requirements.
Design and production: Botton & Gardiner
In this version of the Benchseat 1 there is an appropriate and careful combina-
tion of diferent woods, held by a cast aluminum frame. The original Bench-
seat 1, which became known as a result of its installation in the Fox studios in
Sydney, Australia, was characterized by its complete simplicity. It consisted of
a single well-shaped curve that fulflled the necessary function and made it a
welcome item in any park or natural area.
The wooden components of the bench have been varnished with jarrah. The
bench has a maximum height of 440mm and a width of 430mm.
Big Bux is a multifunctional object: The design is based on the box tree, care-
fully pruned into the shape of a cube. In keeping with its origins, Big Bux
could and should be used as a decorative horticultural object (though it
need be neither pruned nor watered). Thanks to its materials and structure,
it is perfectly performant as a seat, but in conjunction with foor lighting, Big
Bux becomes a lamp. Brightly illuminated from within, its leafy pattern casts
exciting shadows onto the ground and neighbouring walls.
Design and production: Miramondo
ARCHI TECTURE 10
TODAYS EDUCATIONAL
FACILITIES
Carles Broto
3
4
7
THE BEST IN EDUCATION: SCHOOLS, COLLEGES, UNIVERSITIES AND MORE!
RESOURCE AND IDEAS BOOK FOR DESIGNERS AND ARCHITECTS
THE MOST INNOVATIVE DESIGNS IN THIS RAPIDLY EVOLVING FIELD
Education throughout the world is undergoing a process of transformation,
and as it evolves so too must the architecture built to house it. Educational
Facilities is an in-depth exploration of todays most innovative and
progressive designs for schools, universities and education centers. Projects
carried out by internationally renowned architects are accompanied by
comprehensive explanatory texts and full-color photographs, which give
the reader a valuable insight into this fundamentally important area. This
book is an essential tool for anyone interested in the education sector, from
professional architects to school directors.
CARLES BROTO, an architecture scholar and one of the founders of the IAC (institute for
alternative culture). Following a successful period at the Atrium Group (Barcelona), he has now
joined Grupo Links - Structure as the publishing director of various contemporary architecture
collections. He is currently investigating the evolution of new American housing, as part of multi-
country project. He lives in Barcelona.
PUB.DATE: MARCH 2012
24,2 x 28,4 cm ( 9
1
/2 x 11), 300 pages, hard cover w/jacket
492 color images, 193 B/W plans & drawings
I SBN: 978- 84- 15123- 76- 7
US $ 68.00 / 49
108 109
1 2 5m
ARCHI TECTURE 11
THE BEST IN EDUCATION: SCHOOLS, COLLEGES, UNIVERSITIES AND MORE!
RESOURCE AND IDEAS BOOK FOR DESIGNERS AND ARCHITECTS
THE MOST INNOVATIVE DESIGNS IN THIS RAPIDLY EVOLVING FIELD
30 31
120 121
222 223
ARCHI TECTURE 12
ARCHITECTURE FOR
BEAUTY & WELLNESS
Carles Broto
3
4
3
OVER 400 STUNNING FULL COLOR PHOTOGRAPHS
UNCOVER CONTEMPORARY ARCHITECTURES MOST HEALING SPACES
ILLUSTRATED WITH THE ARCHITECTS OWN COMMENTARIES AND PLANS
This volume uncovers some of contemporary architectures most
relaxing and healing spaces. Whether health clubs, spas or beauty
treatment centers, the projects featured all display immaculate
design and detailing by some of todays greatest architectural talents.
Renowned international architects have contributed their nest works,
documented with full color photographs, plans, sketches and detailed
commentaries so that anyone with a passion for great design, whether
or not they are professionals in the eld, can appreciate and explore in
depth this stunning selection of projects.
CARLES BROTO, an architecture scholar and one of the founders of the IAC (institute for
alternative culture). Following a successful period at the Atrium Group (Barcelona), he has now
joined Grupo Links - Structure as the publishing director of various contemporary architecture
collections. He is currently investigating the evolution of new American housing, as part of multi-
country project. He lives in Barcelona.
PUB.DATE: JUNE 2012
24,2 x 28,4 cm ( 9
1
/2 x 11), 300 pages, hard cover w/jacket
507 color images, 130 B/W plans & drawings
I SBN: 978- 84- 15123- 72- 9
US $ 68.00 / 49
LINKS
BEAUTY
ARCHITECTURE FOR
WELLNESS
&
ARCHI TECTURE 13
OVER 400 STUNNING FULL COLOR PHOTOGRAPHS
UNCOVER CONTEMPORARY ARCHITECTURES MOST HEALING SPACES
ILLUSTRATED WITH THE ARCHITECTS OWN COMMENTARIES AND PLANS
ARCHI TECTURE 14
INNOVATIVE
EXHIBITION STANDS
Jacobo Krauel
3
4
5

SOME OF THE FINEST EXAMPLES OF TRADE SHOW DESIGN
EXCELLENT IDEAS, FULL COLOR PHOTOS AND CONSTRUCTION DETAILS
CREATIVE SOLUTIONS FROM TODAYS MOST PROMINENT ARCHITECTS
The latest addition to the respected Stands series.
This volume contains some of todays most creative and innovative trade
show designs. Renowned international architects have contributed their
nest work, which pushes the boundaries that dene this fascinating and
ever-evolving area. Full color photographs, plans, sketches and detailed
explanatory texts provide insights into each of the featured projects. For
architects and designers in the eld, as well as for students, this book will
surely be an invaluable source of inspiration.
JACOBO KRAUEL, renowned architecture critic and expert. He is the author of the seminal book,
Sustainable Architecture: Low-Tech Houses, as well as over a dozen titles focusing on the latest
trends and applications in todays architecture. He currently resides in Barcelona, where he is
researching the work of Gaud.
PUB.DATE: JUNE 2012
24,2 x 28,4 cm ( 9
1
/2 x 11), 300 pages, hard cover w/jacket
488 color images, 102 B/W plans & drawings
I SBN: 978- 84- 15123- 74- 3
US $ 68.00 / 49
10 11
The design concept developed from the image of a tree. The
stable base was represented at oor level by solid materials and
dark, earthy colors, while large transparent cubes suspended
fromthe ceiling served as the treetop of innovation and ideas.
Floor plan
14 15
The AEG Acoustic Laboratory demonstrated the
acoustic performance of various products: press-
ing a button, the visitor was confronted with ev-
eryday urban noisescapes which enabled them
to appreciate rst hand the relatively silent opera-
tion of AEG vacuumcleaners and dishwashers.
LINKS
EXHIBITION
INNOVATIVE
STANDS
ARCHI TECTURE 15
10 11
The main furniture displays are dened by a white
wall, which enhances the sense of intimacy and
evokes a tting environment for the pieces.
h i s t o r y
In the early decades of the nineteenth century Europe
underwent a number of changes that affected the Arts as a
whole. This was a historic moment in which the middle
classes rose to ascendancy, such that furniture to some
extent lost its delicacy so as to meet the standards of func-
tionality. However, the most remarkable feature of the
early nineteenth century period, which we might call
Empire, was the eclecticism that derived from the unfo-
cused spirit of the age, such that no genuinely distinctive
movement arose. But few European countries resisted the
influence of the French Empire style. Many of its features
had already been present in the Directory period. These
common denominators were the decorative motifs and the
materials, while the differences lay in that Empire opted
for far more rigid and majestic forms of an imposing size.
Volumes became heavier and geometry was emphatic.
Bronze fell somewhat out of favour and was used only
sporadically, while classical motifs multiplied (sphinxes,
gryphons, eagles and winged lions). Of particular note
were swan motifs and the initial N engirdled within a
crown of laurels. Surfaces were flat and lacked fluting. The
corners of secrtaires, commodes and wardrobes were
underpinned by Hermes figures, columns and pilasters.
The most widely-used wood was still mahogany.
Most existing models were retained by the Empire style,
with a few novelties. Seat backs lost the typical en crosse cur-
vature of the Directory and became rigid and squared off
with simple mouldings and were upholstered or decorated
with palms or carved geometric patterns. Tables, which
were not unlike those of the preceding period, were still
mostly round, and stood on three or four legs or on a single
central element. The tabletop, though usually mahogany,
estilo Imperio francs.
Los contornos rectilneos y secos de sus muebles perfilan unas
patas cuadradas o redondas, de superficie planas o acanaladas y
con pies en punta o engolados. En los respaldos combina las
palas centrales talladas en finas varillas con las aldabas de compli-
cados lazos labrados. Recordemos, tambin, la inclusin de la
rejilla.
Debe apuntarse, ciertamente, el intento de Sheraton por adaptar
las antiguas formas de produccin artesanal a la nueva actividad
fabril surgida con la Revolucin Industrial, con el fin de conseguir
una produccin en serie.
Estilo Imperio (Siglo XIX)
Durante las primeras dcadas del siglo XIX Europa sufre una
serie de cambios que afectarn a todo el territorio artstico. Se
trata de un momento histrico en que toda la relevancia esta de
lado de la burguesa, con lo que el mueble perder en cierto modo
su delicadeza para cumplir las normas de la practicidad. Sin em-
bargo, lo que realmente destaca de estas primeras dcadas del si-
glo XIX que calificaremos bajo el nombre de Imperio, es el
eclecticismo derivado del ambiente de desorientacin reinante en
el momento, incapaz de originar ningn movimiento verdadera-
mente personal. Sin embargo, pocos pases. en Europa pueden
dejar de rendirse a la fascinacin por el Imperio francs. Aunque,
de hecho, muchos de los elementos del llamado estilo Imperio
estaban ya presentes en el Directorio. Estos elementos comunes
son los motivos decorativos y los materiales, mientras que las di-
ferencias residen en unas formas ahora mucho ms rgidas y
majestuosas y en unas proporciones ms vastas. Los volmenes
se hacen ms macizos y la geometra se acenta. El bronce es
cada vez ms escaso y colocado aisladamente mientras que se
h i s t o r i a
could also be glass or porcelain. Other characteristic piec-
es were the petit miroir portable: a shield-shape upon a
wooden base with a small drawer; the bote aux lettres, with an
oblong body standing on lyre-shaped or X-crossed legs
and covered by a foldaway board under which was fixed a
mirror; the table toilette for ladies; and the oval or rectan-
gular psyche Oriental mirror.
The Restoration
After the abdication of Napoleon in 1814 and the ensuing
restoration of the Bourbon dynasty, the Empire style faded
gradually and gave way to more explicit delicacy and com-
fort. Although in Louis XVIIIs reign (1814-1824) the
Empire style remained in evidence due to the economic
stagnation that prevented a renovation of furniture, under
Charles X (1824-1830) change was soon forthcoming.
First, mahogany was relinquished in favour of light-hued
woods like ash, elm, maple, lemonwood and so forth. Gilt
bronze appliqus became ever rarer, superseded by subtle
motifs embedded in dark wood. Forms became gentler
and more rounded, and ornament, while still based on
Classical Antiquity, was now endowed with a new and
graceful femininity. Seats often had very comfortable gon-
dola backs. Chairs had a moulded handle called a main de
prise to make them easier to carry. Commodes adopted the
la anglaise model, with drawers concealed by doors, and
the number of small furniture models grew significantly.
Biedermeier
multiplican los motivos de inspiracin clsica (esfinges, grifos,
guilas, len es alados, etc.). Especialmente conocidos son los
motivos de cisnes y la N dentro de una corona de laurel. Las su-
perficies de los muebles aparecen lisas y sin acanaladuras. Las
esquinas de los secrtaires, cmodas y armarios son subrayadas por
Hermes, columnas y pilastras. La madera ms utilizada sigue sien-
do la caoba.
Los muebles del Imperio conservan la mayora de los modelos ya
existentes, introduciendo alguna novedad. Ese es el caso de los
respaldos de los asientos, que pierden la tpica curvatura en crosse
de Directorio y se presentan rgidos y escuadrados con sencillas
molduras, recubiertos de tela o decorados con palmas o motivos
geomtricos tallados. Las mesas, no muy distintas de las del pe-
rodo anterior, siguen siendo mayoritariamente redondas y sus-
tentadas sobre tres o cuatro patas o por un nico elemento cen-
tral. Su tablero, aunque normalmente de caoba, puede ser tam-
bin de cristal o porcelana. Otros muebles caractersticos son el
petit miroir portable, pequeo espejo porttil en forma de escudo
sobre una base de madera que contiene un pequeo cajn, la
bote aux lettres, con un cuerpo rectangular sustentado por patas en
forma de lira o en X y cubierto por un tablero abatible bajo el
cual se fija un espejo, la table toilette para las damas o el espejo
oriental de forma oval o rectangular psyche.
La Restauracin
Tras la abdicacin de Napolen en el 1814 y el consiguiente re-
greso de los Borbones, el estilo Imperio va desapareciendo de
forma gradual a favor de una ms explcita gracia y comodidad.
Aunque durante el perodo en que Luis XVIII ocupa el trono
(1814-1824) sigue dominado por el estilo Imperio a causa de la
insuficiencia econmica que le impide encargar nuevos muebles
(si bien hace desaparecer la caracterstica napolenica), durante el
mandato de Carlos X (1824-1830) el cambio se har realidad.
218-260 Furniture History.indd 252-253 16/09/11 10:41
ARCHI TECTURE 16
NEW TODAYS CLASSICAL
EUROPEAN FURNITURE
Carles Broto
3
4
6
SHOWCASES THE LATEST TRENDS IN CLASSICAL FURNITURE
CURRENT MANUFACTURING WITH CLASSICAL INSPIRATION
GREAT PIECES OF FURNITURE FROM AROUND THE WORLD
The wide array of pieces of furniture presented in this volume oers a
detailed overview of the latest trends in classical furniture. It is a collection
of the nest examples of their kind currently in production around the
world. Each item is thoroughly documented with plans, sketches,text by
the designers and gorgeous, full color photographs. This is an essential
book for those who love great pieces of classical furniture.
CARLES BROTO, an architecture scholar and one of the founders of the IAC (institute for
alternative culture). Following a successful period at the Atrium Group (Barcelona), he has now
joined Grupo Links - Structure as the publishing director of various contemporary architecture
collections. He is currently investigating the evolution of new American housing, as part of multi-
country project. He lives in Barcelona.
PUB.DATE: FEBRUARY 2012
24,2 x 28,4 cm ( 9 1/2 x 11), 300 pages, hard cover w/jacket
705 color images, 210 B/W plans & drawings
I SBN: 978- 84- 15123- 75- 0
US $ 54.00 / 39
Ty pe s o f wo o d
Ash
This type of wood is of great elasticity and tough, its colour is
creamy white or slightly pinkish. It can be worked with no great
difficulty and can be bent easily by steaming; however, it is
unsuitable for exterior use because it is prone to decay.
Fresno
Madera de gran elasticidad y tenacidad, de color crema ligeramente rosado. Se tra-
baja con facilidad y se puede doblar con vapor sin dificultad; sin embargo es inade-
cuada para exteriores ya que es propensa a la putrefaccin.
Beech
This type of wood is straight-grained, and has a smooth uniform
texture; its white colour turns into pink or lightish-red, with some
brownish-grey spots in its cross section. It dries very fast but it is
also prone to twist. It is specially used in tool handles and in
other kitchen utensils.
Haya
Madera de grano recto, y textura fina y uniforme; su color pasa del blanquecino al
rosado amarronado, con manchitas caractersticas de color marrn satinado en sec-
cin transversal. Su secado es rpido pero tiende al alabeo. Se emplea especialmente
en los mangos para las herramientas y enseres de cocina.
Birch
This tree grows in the northern hemisphere. It has a shiny surfa-
ce and smooth texture; This wood has a white colour with a pin-
kish ivory or yellow-greyish duramen. It is not a hard-wearing
wood in conditions of decay. It is used as more often as plywood
than as solid wood. Nowadays it is used in construction work, in
parquetry and concealed frameworks.
Abedul
rbol caracterstico del hemisferio norte, de superficie lustrosa con una textura fina;
de color blanco y duramen marfil-rosado, o amarillo. No es una madera duradera
en condiciones favorables a la putrefaccin; se emplea ms como madera contracha-
pada que como madera maciza. En la actualidad se utiliza en la construccin de
edificios, en entarimados, en armaduras ocultas en ebanistera.
1.
2.
3.
Ti pos de ma de r a
Cedar
The name is given to different aromatic varieties of wood. Its
texture is similar in colour to mahogany, but lighter and easy to
work. It dries quickly, and it is stable and hard wearing, it also
resists fungus and termites. This wood is much appreciated in
veneering high quality furniture.
Cedro
Su nombre responde a varias maderas de olor aromtico agradable. De textura ms
gruesa, su color es semejante a la caoba pero es ms ligera y fcil de trabajar. Su
secado es rpido, es muy estable y duradera, pues resiste tanto los ataques fngicos
como las termitas. Se utiliza en revestimientos lujosos.
Cherry Tree
Its colour is pinkish brown, although it gets darker with time,
taking on a red mahogany shade. It needs to be dried well
because it is prone to woodworm and twist. This wood is specia-
lly used in making chairs, and also in veneering and high qua-
lity furniture.
Cerezo
Su madera es de color marrn rosado, aunque se oscurece con el tiempo hasta tomar
un color rojo caoba. Forma un veteado fino que coincide con el poro, de un color
mucho ms oscuro. Su secado es muy importante ya que es propensa a la carcoma y
al alabeo. Se emplea sobre todo en la fabricacin de sillera, en revestimientos y en
ebanistera de lujo.
4.
5.
American Cedar
Cedro Americano
Bosse Cedar
Cedro Bosse
Lebanese Cedar
Cedro del Libano
228-235 Types of Wood.indd 230-231 16/09/11 11:05
EUROPEAN FURNITURE
NEW TODAYS
CLASSICAL
LINKS
ARCHI TECTURE 17
ARCHI TECTURE 18
GRAPHIC DESIGN:
CORPORATE &
INSTITUTIONAL GRAPHICS
Dimitris Kottas
3
3
8
This book presents an overview of the most creative work in
contemporary graphic design in the elds of corporate and institutional
graphics. It presents a wide range of projects from complete brand
design to exquisitely designed business cards. With more than 100
projects from up-and-coming design oces such as Studio Brave,
Brogen Averill, Lundgren+Lindqvist, its focus on young designers
whose work will dene the eld in the coming years makes this book
indispensable for students and professionals alike.
DIMITRIS KOTTAS is an architect based in Athens. His experience encompasses more than
eight years as an editorial consultant and publications supervisor. He specializes in the
theory and history of architecture and has authored various architectural works including
A Visual Dictionary of Architecture and Construction and The Architects Handbook. For
the last ve years he has also run his own graphic design rm, Cuboctaedro.
PUB.DATE: FEBRUARY 2012
24,2 x 28,4 cm ( 9
1
/2 x 11), 272 pages, hard cover w/jacket
690 color images
I SBN: 978- 84- 15123- 67- 5
US $ 54.00 / 39
LINKS
PRESENTS WORK BY THE BEST YOUNG TALENTS IN GRAPHIC DESIGN
FROM COMPLETE BRAND DESIGN PROJECTS TO ONE-OFF ITEMS
INCLUDES OVER 100 PROJECTS BY 60 DESIGN OFFICES
ARCHI TECTURE 19
ARCHI TECTURE 20
GRAPHIC DESIGN:
ART &
CREATIVITY GRAPHICS
Dimitris Kottas
3
3
9

GROUND-BREAKING DESIGNS BY THE BEST YOUNG TALENTS IN THE FIELD
FROM COMPLETE BRAND DESIGN PROJECTS TO ONE-OFF ITEMS
DESIGNERS INCLUDE HEYDAYS, ANTI AND BROGEN AVERILL
Graphic design projects for art institutions and the creative industry
tend to be among the most innovative and daring in the eld. This book
presents an overview of some of the best from recent years. It includes
projects of all sizes from complete brand identities to small one-o
items made for museums, galleries, architects, interior designers and
lm-makers, as well as for the designers themselves. This is an unmissable
guide to the most pioneering work in contemporary graphic design.
DIMITRIS KOTTAS is an architect based in Athens. His experience encompasses more than
eight years as an editorial consultant and publications supervisor. He specializes in the
theory and history of architecture and has authored various architectural works including
A Visual Dictionary of Architecture and Construction and The Architects Handbook. For
the last ve years he has also run his own graphic design rm, Cuboctaedro.
PUB.DATE: MARCH 2012
24,2 x 28,4 cm ( 9
1
/2 x 11), 256 pages, hard cover w/jacket
645 color images
I SBN: 978- 84- 15123- 68- 2
US $ 54.00 / 39
LINKS
ARCHI TECTURE 21
GROUND-BREAKING DESIGNS BY THE BEST YOUNG TALENTS IN THE FIELD
FROM COMPLETE BRAND DESIGN PROJECTS TO ONE-OFF ITEMS
DESIGNERS INCLUDE HEYDAYS, ANTI AND BROGEN AVERILL
ARCHI TECTURE 22
GRAPHIC DESIGN:
MUSIC & ENTERTAINMENT
GRAPHICS
Dimitris Kottas
3
4
0

Graphic design projects for the music and entertainment industry are
among the most exposed and familiar types of graphics. This book
presents the most original work in this eld of continual innovation,
including a wide range of projects from cd covers and concert posters
to graphic identities for festivals and companies. It includes the work
of highly renowned designers such as Invisible Creature, Method and
IlovarStritar, among others. Presenting the latest trends in typography,
illustration, photography and digital design, this work is an essential
reference for all graphic designers.
DIMITRIS KOTTAS is an architect based in Athens. His experience encompasses more than
eight years as an editorial consultant and publications supervisor. He specializes in the
theory and history of architecture and has authored various architectural works including
A Visual Dictionary of Architecture and Construction and The Architects Handbook. For
the last ve years he has also run his own graphic design rm, Cuboctaedro.
PUB.DATE: APRIL 2012
24,2 x 28,4 cm ( 9
1
/2 x 11), 256 pages, hard cover w/jacket
670 color images
I SBN: 978- 84- 15123- 69- 9
US $ 54.00 / 39
LINKS
THE LATEST TRENDS IN THIS FAST MOVING FIELD OF GRAPHIC DESIGN
PROJECTS RANGE FROM CD COVERS TO COMPLETE GRAPHIC IDENTITIES
SHOWCASING WORK BY THE HOTTEST DESIGN TALENTS
ARCHI TECTURE 23
THE LATEST TRENDS IN THIS FAST MOVING FIELD OF GRAPHIC DESIGN
PROJECTS RANGE FROM CD COVERS TO COMPLETE GRAPHIC IDENTITIES
SHOWCASING WORK BY THE HOTTEST DESIGN TALENTS
BACKLI ST 24 BACKLI ST 24
LETTERING - BEYOND COMPUTER GRAPHICS
22 x 22 cm ( 9 X 9)
300 pages, fexicover
I SBN: 978- 84- 96969- 88- 9
PORTABLE ARCHITECTURE
22 x 22 cm ( 9 X 9)
300 pages, fexicover
I SBN: 978- 84- 89861- 38- 1
INDUSTRIAL DESIGN BY ARCHITECTS
22 x 22 cm ( 9 x 9)
400 pages, fexicover
I SBN: 978- 84- 92796- 57- 1
DESIGN FOR KIDS
22 x 22 cm ( 9 x 9)
300 pages, fexicover
I SBN: 978- 84- 92796- 56- 4
CALLIGRAPHY AND GRAPHIC DESIGN
22 x 22 cm ( 9 X 9)
252 pages, fexicover
I SBN: 978- 84- 96969- 87- 2
INFLATABLE
22 x 22 cm ( 9 X 9)
300 pages, fexicover
I SBN: 978- 84- 92796- 16- 8
HIGH DENSITY
22 x 22 cm ( 9 X 9)
300 pages, fexicover
I SBN: 978- 84- 92796- 80- 9
MICRO-ARCHITECTURE: MINIMUMDWELLINGSPACES
22 x 22 cm ( 9 X 9)
300 pages, fexicover
I SBN: 978- 84- 15123- 58- 3
UNUSUAL HOTELS
22 x 22 cm ( 9 X 9)
300 pages, fexicover
I SBN: 978- 84- 15123- 20- 0
EVENT ART
22 x 22 cm ( 9 X 9)
300 pages, fexicover
I SBN: 978- 84- 96969- 41- 4
CREATIVE EVENTS
22 x 22 cm ( 9 X 9)
300 pages, fexicover
I SBN: 978- 84- 96969- 62- 9
2
4
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8
3
2
0
8
2
2
5
CONTEMPORARY DIGITAL ARCHITECTURE
22 x 22 cm ( 9 x 9)
388 pages, fexicover
I SBN: 978- 84- 92796- 59- 5
CONTAINER ARCHITECTURE
22 x 22 cm ( 9 x 9)
256 pages, fexicover
I SBN: 978- 84- 96969- 22- 3
2
6
9
2
2
3
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$ 39.00 / 29
$ 39.00 / 29
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$ 39.00 / 29 $ 34.95 / 35
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$ 39.00 / 29
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$ 39.00 / 29 $ 45.00 / 35
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CONTEMPORARY WOOD HOUSES
24 x 26 cm ( 9
1/2
X 10
1/2
)
254 pages, hard cover w/jacket
I SBN: 978- 84- 96969- 06- 3
WOOD CABINS
24 x 26 cm ( 9
1/2
X 10
1/2
)
192 pages, hard cover w/jacket
I SBN: 978- 84- 96424- 07- 4
2
1
3
1
9
5
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SUPERB CABINS
24 x 26 cm ( 9
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X 10
1/2
)
192 pages, hard cover w/jacket
I SBN: 978- 84- 96263- 84- 0
1
6
1
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BACKLI ST 25 BACKLI ST 25 BACKLI ST 25
SMALL INTERIORS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 96263- 87- 1
CUTTING EDGE: WOODEN HOUSES
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 15123- 34- 7
INTERIOR DESIGN NOW
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 92796- 86- 1
HOUSES NOW
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 92796- 85- 4
WOOD INTERIORS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 15123- 33- 0
NEW HOME EXTENSIONS
24 x 26 cm ( 9
1/2
X 10
1/2
)
256 pages, hard cover w/ jacket
I SBN: 978- 84- 96969- 45- 2
1
7
3
2
4
0
2
9
4
2
7
8
2
7
7
2
9
5
2
8
2
COUNTRY IN STYLE
24 x 26 cm ( 9
1/2
X 10
1/2
)
192 pages, hard cover w/jacket
I SBN: 978- 84- 96969- 21- 6
2
0
7
INNOVATIVE IDEAS FOR SHOP WINDOWS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 92796- 30- 4
$ 45.00 / 35
$ 39.95 / 34
$ 39.00 / 34
$ 39.95 / 34
$ 45.00 / 35
$ 39.00 / 34
$ 45.00 / 35
$ 39.00 / 34
WOOD HOUSES & CABINS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 45- 8
BEACH HOUSES
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 60- 1
2
5
7
2
7
0
MINIMALIST INTERIORS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 96263- 02- 4
ZEN INTERIORS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 96263- 72- 7
1
7
6
1
4
4
$ 45.00 / 34 $ 39.95 / 34 $ 39 / 35 $ 39 / 35
HOUSES NOW: URBAN HOUSES
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/jacket
I SBN: 978- 84- 96263- 01- 7
RENOVATED HOUSES IN STYLE
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/jacket
I SBN: 978- 84- 96969- 09- 4
1
7
1
2
1
8
SUSTAINABLE HOMES USA
24 x 26 cm ( 9
1/2
X 10
1/2
)
254 pages, hard cover w/jacket
I SBN: 978- 84- 96424- 30- 2
2
0
4
SHOP WINDOWS
24 x 26 cm ( 9
1/2
X 10
1/2
)
502 pages, hard cover
I SBN: 978- 84- 96969- 63- 6
1
7
7
$ 59.00 / 48 $ 39.00 / 35 $ 39.95 / 34 $ 39.95 / 45
BACKLI ST 26
TODAYS CITY HOUSES
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, soft cover with faps
I SBN: 978- 84- 96263- 07- 9
GREAT SPACES: HOME INTERIORS
24 x 26 cm ( 9
1/2
X 10
1/2
)
192 pages, soft cover with faps
I SBN: 978- 2- 917031- 36- 0
COMPACT HOUSES
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, soft cover with faps
I SBN: 978- 84- 96969- 92- 6
COMPACT INTERIORS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, soft cover with faps
I SBN: 978- 84- 96969- 96- 4
WOOD CABINS
24 x 26 cm ( 9
1/2
X 10
1/2
)
192 pages, soft cover with faps
I SBN: 978- 2- 917031- 38- 4
THE NEW HOUSE
24 x 26 cm ( 9
1/2
X 10
1/2
)
168 pages, soft cover with faps
I SBN: 978- 84- 96969- 97- 1
SMART INTERIORS
24 x 26 cm ( 9
1/2
X 10
1/2
)
168 pages, soft cover with faps
I SBN: 978- 84- 96969- 94- 0
SUPERB CABINS
24 x 26 cm ( 9
1/2
X 10
1/2
)
192 pages, soft cover with faps
I SBN: 978- 2- 917031- 37- 7
APARTMENT INTERIORS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, soft cover with faps
I SBN: 978- 84- 96969- 91- 9
THE NEW APARTMENT
24 x 26 cm ( 9
1/2
X 10
1/2
)
168 pages, soft cover with faps
I SBN: 978- 84- 96969- 99- 5
9
3
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1
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8
.
1
9
1
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1
9
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1
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$ 24.99 / 19
$ 24.99 / 24
$ 29.99 / 28
$ 24.99 / 19
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$ 29.99 / 28
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HOUSES NOW: TOWN HOUSES
24 x 26 cm ( 9
1/2
X 10
1/2
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240 pages, hard cover w/jacket
I SBN: 978- 84- 96263- 74- 1
SMALL WOOD CABINS
24 x 26 cm ( 9
1/2
X 10
1/2
)
240 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 59- 0
1
4
5
3
3
4
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THE ARCHITECTS HANDBOOK
15 x 21 cm ( 6 X 8
1/4
)
200 pages, softcover
I SBN: 978- 84- 96424- 26- 5
THE ARCHITECTS HANDBOOK 2
15 x 21 cm ( 6 X 8
1/4
)
200 pages, softcover
I SBN: 978- 84- 15123- 64- 4
VISUAL DICTIONARY
20 x 25 cm ( 7
1/2
X 9
1/2
)
285 pages, soft cover w/faps
I SBN: 978- 84- 96424- 29- 6
COZY WOOD INTERIORS
17,5 x 22 cm ( 7 X 8
3/4
)
300 pages, soft cover w/ faps
I SBN: 978- 84- 96969- 08- 7
1
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NEW DOMESTIC INTERIORS
24 x 33 cm ( 9
1/2
X 13)
240 pages, soft cover with faps
I SBN: 978- 84- 96969- 95- 7
NEW CONCEPTS IN HOUSING
24 x 30 cm ( 9
1/2
X 12)
360 pages, soft cover with faps
I SBN: 978- 84- 96969- 98- 8
3
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1
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PLAN ATLAS: PUBLIC BUILDINGS
24 x 30 cm ( 9
1/2
X 12)
600 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 23- 1
PLAN ATLAS: APARTMENT BUILDINGS
24 x 30 cm ( 9
1/2
X 12)
600 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 21- 7
3
1
3
3
1
1
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IN STYLE ASIA
23 x 30 cm ( 9 X 12)
200 pages, hard cover w/ jacket
I SBN: 978- 84- 96263- 21- 5
1
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24 x 28 cm ( 9 X 11)
254 pages, hard cover w/ jacket
I SBN: 978- 84- 96969- 67- 4
2
1
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HIP DINING JAPAN
24 x 26,5 cm (9 1/2 X 10 1/2)
192 pages, hard cover w/ jacket
I SBN: 978- 84- 96263- 93- 2
HIP LOUNGING JAPAN
24 x 26,5 cm (9 1/2 X 10 1/2)
192 pages, hard cover w/ jacket
I SBN: 978- 84- 96263- 92- 5
1
8
2
1
8
1
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ICONIC STORE FRONTS USA
24 x 26 cm ( 10 X 10)
320 pages, hard cover w/ jacket
I SBN: 978- 84- 96969- 66- 7
2
2
1
CONTEMPORARY ARCHITECTURE
28 x 28 cm ( 11 X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 96969- 20- 9
NEW HEALTH FACILITIES
28 x 28 cm ( 11 X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 96969- 59- 9
NEW EXHIBITION DESIGN
28 x 28 cm ( 11 X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 96969- 72- 8
2
1
6
2
3
1
2
3
4
EXHIBITION
NEW
DESIGN
LINKS
STYLISH HOME INTERIORS
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 55- 2
STANDS INNOVATIONAL DESIGN
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 60- 6
HOUSES TODAY
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 54- 5
WORKING SPACES TODAY
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 57- 6
NEW KINDERGARTEN ARCHITECTURE
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 53- 8
TODAYS ICONIC ARCHITECTURE
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 93- 9
3
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3
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2
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6
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$ 68.00 / 49 $ 49.00 / 39
$ 68.00 / 49
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$ 55.00 / 55 $ 59.95 / 65
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TODAYS CULTURE FACILITIES
24 x 30 cm ( 9
1/2
X 11)
180 pages, hard cover w/jacket
I SBN: 978- 84- 96263- 58- 1
HOTELS
24 x 28 cm ( 9 X 11)
272 pages, hard cover w/ jacket
I SBN: 978- 84- 96969- 10- 0
1
3
3
1
9
6
$ 49.95 / 45
$ 45.00 / 45
LANDSCAPE DETAILS & IDEAS
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 29- 3
A&C:CONCRETE
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 25- 5
THE COMPLETE BOOK OF: PLAYGROUND DESIGN
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 56- 9
HOTEL SPACES:1000 INSPIRATION IDEAS
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 31- 6
A&C:WOOD
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 26- 2
A&C:GLASS
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 28- 6
A&C:PLASTIC
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 24- 8
SHOPPING MALLS NOW
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 47- 7
LINGHT IN: LANDSCAPE&ARCHITECTURE
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 30- 9
A&C:METAL
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 27- 9
3
0
1
3
0
7
3
2
8
3
0
2
3
0
8
3
0
9
3
0
6
3
0
5
3
0
4
3
1
0
$ 57.00 / 45
$ 69.99 / 55
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MATERIALS INNOVATION & DESIGN
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 77- 9
ECO-FRIENDLY ARCHITECTURE
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 15- 1
2
3
5
2
5
6
$ 49.00 / 55 $ 49.00 / 55
OFFICE INTERIORS & BUSINESS BUILDINGS
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 40- 3
HOSPITALS & HEALTH FACILITIES
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 04- 5
TRANSPORT FACILITIES
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 87- 8
NEW EXHIBITION DESIGN 2
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 79- 3
2
6
0
2
5
5
2
8
1
2
7
4
BARS & RESTAURANTS
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/jacket
I SBN: 978- 84- 96969- 79- 7
CLUBS & BARS DESIGN
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 46- 5
2
3
8
2
6
3
CULTURE SHOWS
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 01- 4
2
5
2
CITY EMBELLISHMENT BARCELONA
24,2 x 28,4 cm ( 9
1/2
X 11)
284 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 37- 3
2
3
0
$ 39.00 / 55
$ 55.00 / 55
$ 49.00 / 55
$ 49.00 / 55
$ 49.00 / 55
$ 49.00 / 55
$ 55.00 / 55
$ 55.00 / 55
NEW STAIRCASES
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 81- 6
NEW FACADES
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 83- 0
SHOPS NOW
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 32- 3
NEW ROOFS
24,2 x 28,4 cm ( 9
1/2
X 11)
300 pages, hard cover w/jacket
I SBN: 978- 84- 92796- 82- 3
2
7
1
2
7
3
2
9
1
2
7
2
$ 49.00 / 55 $ 49.00 / 55 $ 49.00 / 55 $ 69.99 / 55
TOP SHOPS 2
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 96424- 70- 8
FREESTYLE GRAPHICS
21 x 28,5 cm ( 8 X 11
1/2
)
256 pages, fexicover
I SBN: 978- 84- 96969- 35- 3
LANDSCAPE DESIGN UK
24,2 x 28,4 cm ( 9
1/2
X 11)
272 pages, hard cover w/jacket
I SBN: 978- 84- 96424- 82- 1
1
8
9
2
2
4
1
6
5
HOUSES NOW 2
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/jacket
I SBN: 978- 84- 96424- 75- 3
CREATIVE CALENDARS
29 x 21 cm ( 11 X 8)
256 pages, hard cover w/jacket
I SBN: 978- 84- 15123- 37- 8
1
6
4
3
1
4 SUPERB SHOPS
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/ jacket
I SBN: 978- 84- 96263- 86- 4
THE NEW OFFICE DESIGN
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/ elastic strap
I SBN: 978- 84- 96969- 03- 2
MAGIC PACKAGING
27 x 21 cm ( 10
1/2
X 8)
272 pages, hard cover
I SBN: 978- 9- 881- 80789- 2
1
6
2
1
8
8
3
3
2
FACTORIES & OFFICE BUILDINGS
24,2 x 28,4 cm ( 9
1/2
X 11)
240 pages, hard cover w/jacket
I SBN: 978- 84- 96424- 74- 6
MAGIC BRANDING
27 x 21 cm ( 10
1/2
X 8)
272 pages, hard cover
I SBN: 978- 9- 881- 80780- 9
1
7
2
3
3
1
LINKS LINKS
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