The document summarizes key architectural features of several important religious structures in Burma. The Banbangyi, Payagyi and Payama pagodas had convex, dome-shaped outlines characteristic of early Burmese architecture. The Mingalazedi Stupa in Pagan has a high square base with staircases and a circular bell-shaped structure on top. The Shwedagon Pagoda in Rangoon reflects cultural influences from India and China and has a multi-leveled base decorated with miniature pagodas. The Abhayadana Temple south of Pagan has a single-arched entrance and decorated windows. The Ananda Temple in Pagan is considered the pinnacle of Burmese classical architecture with its
The document summarizes key architectural features of several important religious structures in Burma. The Banbangyi, Payagyi and Payama pagodas had convex, dome-shaped outlines characteristic of early Burmese architecture. The Mingalazedi Stupa in Pagan has a high square base with staircases and a circular bell-shaped structure on top. The Shwedagon Pagoda in Rangoon reflects cultural influences from India and China and has a multi-leveled base decorated with miniature pagodas. The Abhayadana Temple south of Pagan has a single-arched entrance and decorated windows. The Ananda Temple in Pagan is considered the pinnacle of Burmese classical architecture with its
The document summarizes key architectural features of several important religious structures in Burma. The Banbangyi, Payagyi and Payama pagodas had convex, dome-shaped outlines characteristic of early Burmese architecture. The Mingalazedi Stupa in Pagan has a high square base with staircases and a circular bell-shaped structure on top. The Shwedagon Pagoda in Rangoon reflects cultural influences from India and China and has a multi-leveled base decorated with miniature pagodas. The Abhayadana Temple south of Pagan has a single-arched entrance and decorated windows. The Ananda Temple in Pagan is considered the pinnacle of Burmese classical architecture with its
All had convex, domical outlines, a shape displaced in the great Burnese building period which began in the eleventh century by what is now regarded as the characteristics, concave bell-shaped stupas of the region. MINGALAZEDI STUPA, PAGAN Comprises a high square plinth of three stepped terraces, with a stairways in the centre of each side leading to the platform, from which the circular bell-shaped main structures uses. SHWE DAGON PAGODA (STUPA), RANGOON Built over older foundations and added to many times, reflects Burmas cultural connections with India and China, while expressing the exuberance typical of later phases of Burmese art. The supporting plinth is multiplaned, its many angles bearing miniature pagodas, the processional platform crowded with carved, glided and lacquered shrines and spirelets. ABHAYADANA, SOUTH OF PAGAN The entrance to the vestibule is through an arch with a single ring of voussoirs. The brick building is coated in stucco and pilasters reinforce its corners; windows are characteristic with plastered jambs, decorative pediments and regularly perforated stone or brick plate filling to the opening. ANANDA TEMPLE, PAGAN The supreme attainment of Burnese Classical architecture. It is a massive white brick building, with finely graduated tiered roofs and, projecting on each side, elaborately decorated portico entrances which give the temple the plan-form of a Greek cross. KYAUKKU TEMPLE The ground-floor arches with wide pilasters rising to a continuos frieze made an unusual base to the upper levels, which rose successively to the central mass of the stupa.