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Legends That Every Child Should Know
Legends That Every Child Should Know
Legends That Every Child Should Know
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Legends That Every Child Should Know

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This is a book of legends from around the world. The author Hamilton Wright Mabie, A.M., L.H.D., LL.D. was an American essayist, editor, critic, and lecturer.
LanguageEnglish
Release dateJan 1, 2017
ISBN9789386834546
Legends That Every Child Should Know

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    Legends That Every Child Should Know - Hamilton Wright Mabie

    Famous Stories Every Child Should Know

    Hamilton Wright Mabie

    Alpha Editions

    Copyright © 2017

    ISBN : 9789386367402

    Design and Setting By

    Alpha Editions

    (A Vij Publishing Group Company)

    www.vijbooks.com

    All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher.

    The views and characters expressed in the book are of the author and his/her imagination and do not represent the views of the Publisher.

    Contents

    I

    A CHILD'S DREAM OF A STAR

    II

    THE KING OF THE GOLDEN RIVER; OR,

    THE BLACK BROTHERS

    III

    THE SNOW-IMAGE: A CHILDISH MIRACL

    IV

    UNDINE

    V

    THE STORY OF RUTH

    VI

    THE GREAT STONE FACE

    VII

    THE DIVERTING HISTORY OF JOHN GILPIN

    SHOWING HOW HE WENT FARTHER THAN HE INTENDED AND CAME SAFE HOME AGAIN

    VIII

    THE MAN WITHOUT A COUNTRY

    IX

    THE NÜRNBERG STOVE

    X

    RAB AND HIS FRIENDS

    XI

    PETER RUGG, THE MISSING MAN

    ACKNOWLEDGMENTS

    The stories of The Great Stone Face and The Snow Image by Nathaniel Hawthorne, are used in this volume by permission of Messrs. Houghton, Mifflin & Company. Messrs. Little, Brown & Company have granted permission for the republication of The Man Without a Country by Edward Everett Hale.

    INTRODUCTION

    The group of stories brought together in this volume differ from legends because they have, with one exception, no core of fact at the centre, from myths because they make no attempt to personify or explain the forces or processes of nature, from fairy stories because they do not often bring on to the stage actors of a different nature from ours. They give full play to the fancy as in A Child's Dream of a Star, The King of the Golden River, Undine, and The Snow Image; but they are not poetic records of the facts of life, attempts to shape those facts to meet the needs of the imagination, the cravings of the heart. In the Introduction to the book of Fairy Tales in this series, those familiar and much loved stories which have been repeated to children for unnumbered generations and will be repeated to the end of time, are described as records of the free and joyful play of the imagination, opening doors through hard conditions to the spirit, which craves power, freedom, happiness; righting wrongs, and redressing injuries; defeating base designs; rewarding patience and virtue; crowning true love with happiness; placing the powers of darkness under the control of man and making their ministers his servants. The stories which make up this volume are closer to experience and come, for the most part, nearer to the every-day happenings of life.

    A generation ago, when the noble activities of science and its inspiring discoveries were taking possession of the minds of men and revealing possibilities of power of which they had not dreamed, the prediction was freely made that poetry and fiction had had their day, and that henceforth men would be educated upon facts and get their inspirations from what are called real things. So engrossing and so marvellous were the results of investigation, the achievements of experiment, that it seemed to many as if the older literature of imagination and fancy had served its purpose as completely as alchemy, astrology, or chain armour.

    The prophecies of those fruitful years of research did not tell half the story of the wonderful things that were to be; the uses of electricity which are within easy reach for the most homely and practical purposes are as mysterious and magical as the dreams of the magicians. We are served by invisible ministers who are more powerful than the genii and more nimble than Puck. There has been a girdle around the world for many years; but there is good reason to believe that the time will come when news will go round the globe on waves of air. If we were not accustomed to ordering breakfast miles away from the grocer and the poulterer, we should be overcome with amazement every time we took up the telephone transmitter. Absolutely pure tones are now being made by the use of dynamos and will soon be sent into homes lying miles distant from the power house, so to speak, so that very sweet music is being played by arc lights.

    The anticipations of scientific men, so far as the uses of force are concerned, have been surpassed by the wonderful discoveries and applications of the past few years; but poetry and romance are not dead; on the contrary, they are more alive in the sense of awakening a wider interest than ever before in the history of writing. During the years which have been more fruitful in works of mechanical genius or dynamic energy, novels have been more widely distributed and more eagerly read than at any previous period. The poetry of the time, in the degree in which it has been fresh and vital, has been treated by newspapers as matter of universal interest.

    Men are born story-readers; if their interest subsides for the moment, or is absorbed by other forms of expression, it reasserts itself in due time and demands the old enchantment that has woven its spell over every generation since men and women reached an early stage of development. Barbarians and even savages share with the most highly civilised peoples this passion for fiction.

    Men cannot live on the bare, literal fact any more than they can live on bread alone; there is something in every man to feed besides his body. He has been told many times by men of great disinterestedness and ability that he must believe only that which he clearly knows and understands, and that he must concern himself with those matters only which he can thoroughly comprehend. He must live, in other words, by the rule of common sense; meaning by that oft-used phrase, clear sight and practical dealing with actual things and conditions. It would greatly simplify life if this course could be followed, but it would simplify it by rejecting those things which the finest spirits among men and women have loved most and believed in with joyful and fruitful devotion. If we could all become literal, matter of fact and entirely practical, we should take the best possible care of our bodies and let our souls starve. This, however, the soul absolutely refuses to do; when it is ignored it rebels and shivers the apparently solid order of common-sense living into fragments. It must have air to breathe, room to move in, a language to speak, work to do, and an open window through which it can look on the landscape and the sky. It is as idle to tell a man to live entirely in and by facts that can be known by the senses as to tell him to work in a field and not see the landscape of which the field is a part.

    The love of the story is one of the expressions of the passion of the soul for a glimpse of an order of life amid the chaos of happenings; for a setting of life which symbolises the dignity of the actors in the play; for room in which to let men work out their instincts and risk their hearts in the great adventures of affection or action or exploration. Men and women find in stories the opportunities and experiences which circumstances have denied them; they insist on the dramatisation of life because they know that certain results inevitably follow certain actions, and certain deeply interesting conflicts and tragedies are bound up with certain temperaments and types of character.

    The fact that many stories are unwholesome, untrue, vulgar or immoral impeaches the value and dignity of fiction as little as the abuse of power impeaches the necessity and nobility of government, or the excess of the glutton the healthfulness and necessity of food. The imagination must not only be counted as an entirely normal faculty, but the higher intelligence of the future will recognise its primacy among the faculties with which men are endowed. Fiction is not only here to stay, as the phrase runs, but it is one of the great and enduring forms of literature.

    The question is not, therefore, whether or not children shall read stories; that question was answered when they were sent into the world in the human form and with the human constitution: the only open question is what stories shall they read? That many children read too many stories is beyond question; their excessive devotion to fiction wastes time and seriously impairs vigour of mind. In these respects they follow the current which carries a multitude of their elders to mental inefficiency and waste of power. That they read too many weak, untruthful, characterless stories is also beyond question; and in this respect also they are like their elders. They need food, but in no intelligent household do they select and provide it; they are given what they like if it is wholesome; if not, they are given something different and better. No sane mother allows her child to live on the food it likes if that food is unwholesome; but this is precisely what many mothers and fathers do in the matter of feeding the imagination. The body is scrupulously cared for and the mind is left to care for itself!

    Children ought to have stories at hand precisely as they ought to have food, toys, games, playgrounds, because stories meet one of the normal needs of their natures. But these stories, like the food given to the body, ought to be intelligently selected, not only for their quality but for their adaptation. There are many good books which ought not to be in the hands of children because children have not had the experience which interprets them; they will either fail to understand, or if they understand, they will suffer a sudden forcing of growth in the knowledge of life which is always unwholesome.

    Only stories which are sound in the views of life they present ought to be within the reach of children; these stories ought to be well constructed and well written; they ought to be largely objective stories; they ought not to be introspective, morbid or abnormal in any way. Goody-good and professionally pious stories, sentimental or unreal stories, ought to be rigorously excluded. A great deal of fiction specially written for children ought to be left severely alone; it is cheap, shallow and stamped with unreality from cover to cover. It is as unwise to feed the minds of children exclusively on books specially prepared for their particular age as to shape the talk at breakfast or dinner specially for their stage of development; few opportunities for education are more valuable for a child than hearing the talk of its elders about the topics of the time. There are many wholesome and entertaining stories in the vast mass of fiction addressed to younger readers; but this literature of a period ought never to exclude the literature of all periods.

    The stories collected in this volume have been selected from many sources, because in the judgment of the editor, they are sound pieces of writing, wholesome in tone, varied in interest and style, and interesting. It is his hope that they will not only furnish good reading, but that they will suggest the kind of reading in this field that should be within the reach of children.

    HAMILTON WRIGHT MABIE

    I

    A CHILD'S DREAM OF A STAR

    There was once a child, and he strolled about a good deal, and thought of a number of things. He had a sister, who was a child too, and his constant companion. These two used to wonder all day long. They wondered at the beauty of the flowers; they wondered at the height and blueness of the sky; they wondered at the depth of the bright water; they wondered at the goodness and the power of God who made the lovely world.

    They used to say to one another, sometimes, supposing all the children upon earth were to die, would the flowers, and the water, and the sky be sorry? They believed they would be sorry. For, said they, the buds are the children of the flowers, and the little playful streams that gambol down the hill-sides are the children of the water; and the smallest bright specks playing at hide and seek in the sky all night, must surely be the children of the stars; and they would all be grieved to see their playmates, the children of men, no more.

    There was one clear shining star that used to come out in the sky before the rest, near the church spire, above the graves. It was larger and more beautiful, they thought, than all the others, and every night they watched for it, standing hand in hand at a window. Whoever saw it first cried out, I see the star! And often they cried out both together, knowing so well when it would rise, and where. So they grew to be such friends with it, that, before lying down in their beds, they always looked out once again, to bid it good-night; and when they were turning round to sleep, they used to say, God bless the star!

    But while she was still very young, oh very, very young, the sister drooped, and came to be so weak that she could no longer stand in the window at night; and then the child looked sadly out by himself, and when he saw the star, turned round and said to the patient pale face on the bed, I see the star! and then a smile would come upon the face, and a little weak voice used to say, God bless my brother and the star!

    And so the time came all too soon! when the child looked out alone, and when there was no face on the bed; and when there was a little grave among the graves, not there before; and when the star made long rays down toward him, as he saw it through his tears.

    Now, these rays were so bright, and they seemed to make such a shining way from earth to Heaven, that when the child went to his solitary bed, he dreamed about the star; and dreamed that, lying where he was, he saw a train of people taken up that sparkling road by angels. And the star, opening, showed him a great world of light, where many more such angels waited to receive them.

    All these angels, who were waiting, turned their beaming eyes upon the people who were carried up into the star; and some came out from the long rows in which they stood, and fell upon the people's necks, and kissed them tenderly, and went away with them down avenues of light, and were so happy in their company, that lying in his bed he wept for joy.

    But, there were many angels who did not go with them, and among them one he knew. The patient face that once had lain upon the bed was glorified and radiant, but his heart found out his sister among all the host.

    His sister's angel lingered near the entrance of the star, and said to the leader among those who had brought the people thither:

    Is my brother come?

    And he said No.

    She was turning hopefully away, when the child stretched out his arms, and cried, O, sister, I am here! Take me! and then she turned her beaming eyes upon him, and it was night; and the star was shining into the room, making long rays down towards him as he saw it through his tears.

    From that hour forth, the child looked out upon the star as on the home he was to go to, when his time should come; and he thought that he did not belong to the earth alone, but to the star too, because of his sister's angel gone before.

    There was a baby born to be a brother to the child; and while he was so little that he never yet had spoken word he stretched his tiny form out on his bed, and died.

    Again the child dreamed of the open star, and of the company of angels, and the train of people, and the rows of angels with their beaming eyes all turned upon those people's faces.

    Said his sister's angel to the leader:

    Is my brother come?

    And he said Not that one, but another.

    As the child beheld his brother's angel in her arms, he cried, O, sister, I am here! Take me! And she turned and smiled upon him, and the star was shining.

    He grew to be a young man, and was busy at his books when an old servant came to him and said:

    Thy mother is no more. I bring her blessing on her darling son!

    Again at night he saw the star, and all that former company. Said his sister's angel to the leader:

    Is my brother come?

    And he said, Thy mother!

    A mighty cry of joy went forth through all the star, because the mother was reunited to her two children. And he stretched out his arms and cried, O, mother, sister, and brother, I am here! Take me! And they answered him, Not yet, and the star was shining.

    He grew to be a man, whose hair was turning gray, and he was sitting in his chair by the fireside, heavy with grief, and with his face bedewed with tears, when the star opened once again.

    Said his sister's angel to the leader: Is my brother come?

    And he said, Nay, but his maiden daughter.

    And the man who had been the child saw his daughter, newly lost to him, a celestial creature among those three, and he said, My daughter's head is on my sister's bosom, and her arm is around my mother's neck, and at her feet there is the baby of old time, and I can bear the parting from her, God be praised!

    And the star was shining.

    Thus the child came to be an old man, and his once smooth face was wrinkled, and his steps were slow and feeble, and his back was bent. And one night as he lay upon his bed, his children standing round, he cried, as he had cried so long ago:

    I see the star!

    They whispered one to another, He is dying.

    And he said, I am. My age is falling from me like a garment, and I move towards the star as a child. And O, my Father, now I thank Thee that it has so often opened, to receive those dear ones who await me!

    And the star was shining, and it shines upon his grave.

    II

    THE KING OF THE GOLDEN RIVER; OR,

    THE BLACK BROTHERS

    I.—HOW THE AGRICULTURAL SYSTEM OF THE BLACK BROTHERS WAS INTERFERED WITH BY SOUTHWEST WIND, ESQUIRE

    In a secluded and mountainous part of Stiria there was, in old time, a valley of the most surprising and luxuriant fertility. It was surrounded, on all sides, by steep and rocky mountains, rising into peaks, which were always covered with snow, and from which a number of torrents descended in constant cataracts. One of these fell westward, over the face of a crag so high, that, when the sun had set to everything else, and all below was darkness, his beams still shone full upon this waterfall, so that it looked like a shower of gold. It was, therefore, called by the people of the neighbourhood, the Golden River. It was strange that none of these streams fell into the valley itself. They all descended on the other side of the mountains, and wound away through broad plains and by populous cities. But the clouds were drawn so constantly to the snowy hills, and rested so softly in the circular hollow, that in time of drought and heat, when all the country round was burnt up, there was still rain in the little valley; and its crops were so heavy, and its hay so high, and its apples so red, and its grapes so blue, and its wine so rich, and its honey so sweet that it was a marvel to everyone who beheld it, and was commonly called the Treasure Valley.

    The whole of this little valley belonged to three brothers called Schwartz, Hans, and Gluck. Schwartz and Hans, the two elder brothers, were very ugly men, with overhanging eyebrows and small, dull eyes, which were always half shut, so that you couldn't see into them, and always fancied they saw very far into you. They lived by farming the Treasure Valley, and very good farmers they were. They killed everything that did not pay for its eating. They shot the blackbirds, because they pecked the fruit; and killed the hedgehogs, lest they should suck the cows; they poisoned the crickets for eating the crumbs in the kitchen; and smothered the cicadas, which used to sing all summer in the lime-trees. They worked their servants without any wages, till they would not work any more, and then quarrelled with them, and turned them out of doors without paying them. It would have been very odd, if with such a farm, and such a system of farming, they hadn't got very rich; and very rich they did get. They generally contrived to keep their corn by them till it was very dear, and then sell it for twice its value; they had heaps of gold lying about on their floors, yet it was never known that they had given so much as a penny or a crust in charity; they never went to mass; grumbled perpetually at paying tithes; and were, in a word, of so cruel and grinding a temper, as to receive from all those with whom they had any dealings the nickname of the Black Brothers.

    The youngest brother, Gluck, was as completely opposed, in both appearance and character, to his seniors as could possibly be imagined or desired. He was not above twelve years old, fair, blue-eyed, and kind in temper to every living thing. He did not, of course, agree particularly well with his brothers, or, rather, they did not agree with him. He was usually appointed to the honourable office of turnspit, when there was anything to roast, which was not often; for, to do the brothers justice, they were hardly less sparing upon themselves than upon other people. At other times he used to clean the shoes, floors, and sometimes the plates, occasionally getting what was left on them, by way of encouragement, and a wholesome quantity of dry blows, by way of education.

    Things went on in this manner for a long time. At last came a very wet summer, and everything went wrong in the country around. The hay had hardly been got in, when the hay-stacks were floated bodily down to the sea by an inundation; the vines were cut to pieces with the hail; the corn was all killed by a black blight; only in the Treasure Valley, as usual, all was safe. As it had rain when there was rain nowhere else, so it had sun when there was sun nowhere else. Everybody came to buy corn at the farm, and went away pouring maledictions on the Black Brothers. They asked what they liked, and got it, except from the poor, who could only beg, and several of whom were starved at their very door, without the slightest regard or notice.

    It was drawing towards winter, and very cold weather, when one day the two elder brothers had gone out, with their usual warning to little Gluck, who was left to mind the roast, that he was to let nobody in, and give nothing out. Gluck sat down quite close to the fire, for it was raining very hard, and the kitchen walls were by no means dry or comfortable-looking. He turned and turned, and the roast got nice and brown. What a pity, thought Gluck, my brothers never ask anybody to dinner. I'm sure, when they've got such a nice piece of mutton as this, and nobody else has got so much as a piece of dry bread, it would do their hearts good to have somebody to eat it with them.

    Just as he spoke there came a double knock at the house door, yet heavy and dull, as though the knocker had been tied up—more like a puff than a knock.

    It must be the wind, said Gluck; nobody else would venture to knock double knocks at our door.

    No; it wasn't the wind: there it came again very hard, and what was particularly astounding, the knocker seemed to be in a hurry, and not to be in the least afraid of the consequences. Gluck went to the window, opened it, and put his head out to see who it was.

    It was the most extraordinary looking little gentleman he had ever seen in his life. He had a very large nose, slightly brass-coloured; his cheeks were very round, and very red, and might have warranted a supposition that he had been blowing a refractory fire for the last eight and forty hours; his eyes twinkled merrily through long silky eyelashes, his moustaches curled twice round like a corkscrew on each side of his mouth, and his hair, of a curious mixed pepper-and-salt colour, descended far over his shoulders. He was about four-feet-six in height, and wore a conical pointed cap of nearly the same altitude, decorated with a black feather some three feet long. His doublet was prolonged behind into something resembling a violent exaggeration of what is now termed a swallow-tail, but was much obscured by the swelling folds of an enormous black, glossy-looking cloak, which must have been very much too long in calm weather, as the wind, whistling round the old house, carried it clear out from the wearer's shoulders to about four times his own length.

    Gluck was so perfectly paralysed by the singular appearance of his visitor that he remained fixed without uttering a word, until the old gentleman, having performed another, and a more energetic concerto on the knocker, turned round to look after his fly-away cloak. In so doing he caught sight of Gluck's little yellow head jammed in the window, with its mouth and eyes very wide open indeed.

    Hollo! said the little gentleman, that's not the way to answer the door. I'm wet, let me in.

    To do the little gentleman justice, he was wet. His feather hung down between his legs like a beaten puppy's tail, dripping like an umbrella; and from the ends of his moustaches the water was running into his waistcoat pockets, and out again like a mill stream.

    I beg pardon, sir, said Gluck, I'm very sorry, but I really can't.

    Can't what? said the old gentleman.

    I can't let you in, sir—I can't indeed; my brothers would beat me to death, sir, if I thought of such a thing. What do you want, sir?

    Want? said the old gentleman, petulantly, I want fire, and shelter; and there's your great fire there blazing, crackling, and dancing on the walls, with nobody to feel it Let me in, I say; I only want to warm myself.

    Gluck had had his head, by this time, so long out of the window that he began to feel it was really unpleasantly cold, and when he turned, and saw the beautiful fire rustling and roaring, and throwing long bright tongues up the chimney, as if it were licking its chops at the savory smell of the leg of mutton, his heart melted within him that it should be burning away for nothing. He does look very wet, said little Gluck; I'll just let him in for a quarter of an hour. Round he went to the door, and opened it; and as the little gentleman walked in, there came a gust of wind through the house, that made the old chimneys totter.

    That's a good boy, said the little gentleman. Never mind your brothers. I'll talk to them.

    Pray, sir, don't do any such thing, said Gluck. I can't let you stay till they come; they'd be the death of me.

    Dear me, said the old gentleman, "I'm very sorry to

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