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Author(s): Stephen Jones Source: British Journal of Ethnomusicology, Vol. 8 (1999), pp. 27-66 Published by: British Forum for Ethnomusicology Stable URL: http://www.jstor.org/stable/3060851 . Accessed: 13/07/2011 01:33 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=bfe. . Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to British Journal of Ethnomusicology. http://www.jstor.org STEPHEN JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g St u d yi n g h ow m u s i c i a n s i n C h i n e s e vi l l a ge s h a ve m a i n t a i n e d t h e i r l oc a l t r a d i t i on s ove r t h e t u r bu l e n t c ou r s e of t h e t we n t i e t h c e n t u r y m a y i l l u m i n a t e t h e r e l a t i on of m u s i c a n d pol i t i c s . Wh i l e t h e r u r a l r e vol u t i on i n C h i n a , a n d c e n t r a l c u l t u r a l pol i c y, a r e we l l d oc u m e n t e d , t h e fa t e of vi l l a ge m u s i c -m a ki n g i s n ot . Th e r e vi va l of t r a d i t i on s i n C h i n a s i n c e t h e 1980s m a y s e e m l i ke s om e m i r a c u l ou s s u r vi va l or a r e -i m a gi n a t i on of t h e pr e -Ma oi s t pa s t . Th i s a r t i c l e s h ows d i ffe r e n t a s s a u l t s fa c e d , t h r ou gh ou t t h r e e m a jor pe r i od s i n t h e i r m od e r n h i s t or y, by r i t u a l a s s oc i a t i on s s e r vi n g fu n e r a l s a n d c a l e n d r i c a l r i t u a l s i n n or t h C h i n e s e vi l l a ge s . By c on t r a s t wi t h s om e ot h e r t r a d i t i on s wh i c h we r e e r a s e d u n d e r Ma oi s m , t h e s e a s s oc i a t i on s we r e m a i n t a i n e d s por a d i c a l l y t h r ou gh ou t t h e Ma oi s t pe r i od De s pi t e pr ofou n d s oc i a l u ph e a va l s , t h e m e a n i n gs offu n e r a l s i n r u r a l s oc i e t y h a ve r e m a i n e d c on s t a n t e n ou gh for t h e a s s oc i a t i on s t o r e t a i n t h e i r r e l e va n c e . "Mu s i c ! Mu s i c ! Is i t n ot h i n g bu t t h e s ou n d s of be l l s a n d d r u m s ?" - C on fu c i u s (An a l e c t s 17, v. 11, m y t r a n s l a t i on ) "Th e r e i s n o s u c h t h i n g a s a r t t h a t i s d e t a c h e d fr om or i n d e pe n d e n t of pol i t i c s ." - Ma o Ze d on g (Ma o 1942:86) "I h a ve n ot be e n a bl e t o c h a n ge [C h i n a ] - I h a ve on l y be e n a bl e t o c h a n ge a fe w pl a c e s i n t h e vi c i n i t y of Be i ji n g." - Ma o Ze d on g i n i n t e r vi e w wi t h Ri c h a r d Ni xon , 1972 (Ki s s i n ge r 1997:31) "Th e m ou n t a i n s a r e h i gh , t h e e m pe r or i s fa r a wa y." - C h i n e s e pr ove r b 1 In t r od u c t i on Th i s a r t i c l e foc u s e s on a l i vi n g r i t u a l t r a d i t i on i n n or t h e r n C h i n e s e vi l l a ge s , t h a t of a m a t e u r r i t u a l gr ou ps l oc a l l y kn own a s "Mu s i c As s oc i a t i on s " BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL. 8 1999 pp.27-66 28 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 (Yi n yu e h u i ).1 As t h e c i t a t i on s a bove r e ve a l , bot h C on fu c i a n a n d Ma oi s t t h ou gh t s u ppor t a ba s i c t e n e t of e t h n om u s i c ol ogy: t h a t m u s i c a l c u l t u r e i s i n t i m a t e l y r e l a t e d t o t h e s oc i e t y wh i c h n ou r i s h e s i t . Howe ve r , wh i l e t h e r u r a l r e vol u t i on i n C h i n a i s we l l d oc u m e n t e d ,2 t h e fa t e of vi l l a ge m u s i c -m a ki n g i s n ot . Bot h i n C h i n a a n d a br oa d , s t u d i e s h a ve be e n c on s t r a i n e d by pol i t i c a l fa c t or s . In C h i n a , s c h ol a r s h a ve be e n d i s c ou r a ge d fr om wr i t i n g c a n d i d l y, a n d t r a d i t i on a l e xpr e s s i ve c u l t u r e i s oft e n d e s c r i be d i n s om e t h i n g of a t i m e l e s s h i s t or i c a l pr e s e n t , wi t h s c a n t m a t e r i a l on i t s l oc a l m a i n t e n a n c e t h r ou gh d i ffe r e n t ph a s e s of t we n t i e t h -c e n t u r y h i s t or y. For e i gn s c h ol a r s h a ve u n t i l r e c e n t l y h a d l i t t l e a c c e s s . As wi t h C h i n e s e s oc i e t y a s a wh ol e , a t l e a s t t h r e e m a jor pe r i od s m a y be d e fi n e d i n t h e m od e m h i s t or y of t h e a s s oc i a t i on s : t h e "ol d s oc i e t y" be for e t h e C om m u n i s t "Li be r a t i on " of 1949 (or be for e t h e Ja pa n e s e i n va s i on of 1937); t h e ye a r s of Ma oi s t c a m pa i gn s a n d t h e c om m u n e s ys t e m u n t i l 1979; a n d t h e e r a of l i be r a l r e for m s s i n c e 1980. Not e t h a t a r ou n d 20 ye a r s h a ve a l r e a d y pa s s e d s i n c e t h e d i s m a n t l i n g of t h e Ma oi s t c om m u n e s ys t e m . In d e e d , t h i s m a ke s t h e d oc u m e n t i n g of t h e pe r i od a l l t h e m or e u r ge n t , s o we c a n i n t e r pr e t vi l l a ge r s ' m e m or i e s be for e we a l l s u c c u m b t o s h a l l ow m yt h . 1.1 Mu s i c a l ba c kgr ou n d On t h e c e n t r a l He be i pl a i n s ou t h of Be i ji n g3 m os t vi l l a ge s h a ve , or h a d , s om e ki n d of a m a t e u r r i t u a l a s s oc i a t i on pe r for m i n g for fu n e r a l s a n d c a l e n d r i c a l r i t u a l s for t h e god s , n ot a bl y t h e C h i n e s e Ne w Ye a r . Som e a r e "Bu d d h i s t Affa i r s As s oc i a t i on s " (Fos h i h u i ) c on s i s t i n g of a gr ou p of voc a l l i t u r gi s t s a c c om pa n yi n g t h e m s e l ve s on r i t u a l pe r c u s s i on , wh i l e m a n y m or e a r e "Mu s i c As s oc i a t i on s " a d d i n g a pa r a -l i t u r gi c a l i n s t r u m e n t a l e n s e m bl e . In fa c t t h e fol k r e l i gi on s t i l l pr a c t i s e d by t h e s e vi l l a ge a s s oc i a t i on s i s a n a ge -ol d s yn t h e s i s of Bu d d h i s m a n d Da oi s m , wh e r e by t h e pr ot e c t i on of a r a n ge of god s i s s ou gh t i n or d e r t o gu a r a n t e e a bu n d a n t h a r ve s t s , good h e a l t h , a n d 1 Wh i l e d oc u m e n t i n g t h e i r c on d i t i on s i n c e t h e 1980s , I h a ve m a d e a r e l a t i ve l y d e t a i l e d h i s t or i c a l e t h n ogr a ph y of a n a s s oc i a t i on i n on e vi l l a ge , Ga ol u o (Jon e s , u n pu bl i s h e d m a n u s c r i pt ). Th e m a t e r i a l pr e s e n t e d be l ow i s a m e r e s u m m a r y of m or e s u pe r fi c i a l a n d br i e f i n t e r vi e ws i n ove r a h u n d r e d vi l l a ge s i n a d oze n c ou n t i e s , ye t I be l i e ve i t s h ows s om e c on s i s t e n t pa t t e r n s wh i c h wi l l be r e fi n e d bu t n ot r e fu t e d by m or e pr obi n g fi e l d wor k. Mv 1989 fi e l d wor k wi t h Xu e Yi bi n g on t h e Mu s i c As s oc i a t i on s wa s r e fl e c t e d i n a n i n t r od u c t or y a r t i c l e (Jon e s a n d Xu e 1991); s e e a l s o Jon e s 1998:181-212. Fr om 1993 t o 1997, a i d e d by a r e s e a r c h gr a n t fr om t h e Le ve r h u l m e Tr u s t , I c ol l e c t e d d a t a on t h e a s s oc i a t i on s on a pr oje c t wi t h Xu e Yi bi n g, Qi a o Ji a n zh on g, a n d Zh a n g Zh e n t a o of t h e Mu s i c Re s e a r c h In s t i t u t e (MRI) of t h e C h i n e s e Ac a d e m y of Ar t s i n Be i ji n g, t o a l l of wh om I a m m os t gr a t e fu l . In t h e t e xt , "'we " r e fe r s t o t h i s t e a m . Sou r c e s a r e ou r fi e l d n ot e s s i n c e 1989, c opi e s of wh i c h a r e h e l d i n t h e MRI; s om e h a ve be e n pu bl i s h e d i n C h i n e s e i n Zh on ggu o yi n yu e n i a n ji a n 1994, 1995, a n d 1996. Al s o i n C h i n e s e , n ot e Qi a o e t a l . 1997 a n d Zh a n g 1998. 2 Of m a n y fi n e s oc i a l s t u d i e s by We s t e r n a u t h or s , i n wh i c h e xpr e s s i ve c u l t u r e h a r d l y fe a t u r e s , s e e e .g. t h e wor ks of Hi n t on a n d t h e C r ooks ; a n d m or e r e c e n t l y, C h a n , Ma d s e n a n d Un ge r 1992, Fr i e d m a n 1991, Hu a n g Sh u -m i n 1989, Se ybol t 1996, a n d Ga o 1999. 3 For a m a p s e e Jon e s a n d Xu e 1991:5. JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 29 Fi gu r e 1 Th e Mu s i c As s oc i a t i on of Ka i kou vi l l a ge , Xi on gxi a n c ou n t y, pe r for m i n g for a t e m pl e fa i r i n t h e vi l l a ge , 1995. Th i s a s s oc i a t i on r e s t or e d on l y i n 1994, t o s e r ve t h e vi l l a ge 's n e wl y r e fu r bi s h e d t e m pl e . In t h e c e n t r e , t wo fr a m e s of yu n l u o, pl a ye d by on e m u s i c i a n . Fi gu r e 2 Th e voc a l l i t u r gi s t s of t h e Ma t ou Mu s i c As s oc i a t i on pe r for m i n g for a fu n e r a l , 1995. We i Gu ol i a n g (c e n t r e , pl a yi n g h a n d be l l ) l e a r n t voc a l a n d i n s t r u m e n t a l r i t u a l m u s i c fr om t h e Da oi s t pr i e s t s of t h e Hou s h a n m ou n t a i n t e m pl e i n t h e 1930s ; ot h e r s s t u d i e d d u r i n g bot h t h e Ma o a n d De n g e r a s . 30 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 pr ope r r e l a t i on s wi t h t h e a n c e s t or s . Th ou gh s om e a s s oc i a t i on s c l a i m "Bu d d h i s t " or "Da oi s t " t r a n s m i s s i on , t h e i r pa n t h e on s a r e s yn c r e t i c , a n d e ve n t h e n a m e s Fo ("Bu d d h a ") a n d Da o a r e oft e n u s e d i n t e r c h a n ge a bl y. Im por t a n t a r t e fa c t s of s u c h gr ou ps i n c l u d e gon gc h e s c or e s a n d r i t u a l m a n u a l s ; pa n t h e on s a n d ot h e r god pa i n t i n gs , a s we l l a s d on or s ' l i s t s , a r e d i s pl a ye d for r i t u a l s . In t h i s a r e a t e m pl e s a r e n ow r a r e e xc e pt i n t h e l a r ge r t own s . Th ou gh bot h t h e m u s i c a n d r i t u a l h a ve l on g be e n a s s oc i a t e d wi t h pr i e s t s , t h e r e h a ve be e n n o fu l l - t i m e pr i e s t s i n t h e a r e a s i n c e t h e 1950s , a n d t h e a m a t e u r r i t u a l pr a c t i t i on e r s of t h e Mu s i c As s oc i a t i on s a r e n ow t h e m a i n i n t e r m e d i a r i e s wi t h t h e s pi r i t u a l wor l d of god s , gh os t s a n d a n c e s t or s . Th e r i t u a l a n d m u s i c h a ve a c e r t a i n l oc a l pr e s t i ge , r e pr e s e n t i n g t h e "ol d r u l e s " (l a o gu i ju ) of "c i vi l i za t i on " (we n m i n g), bu t t h e m u s i c i a n s a r e or d i n a r y pe a s a n t s . Me m be r s h i p h a s r e m a i n e d e xc l u s i ve l y m a l e . Mos t Mu s i c As s oc i a t i on s h a ve , or s h ou l d h a ve , t h r e e m a i n m u s i c a l c om pon e n t s , c h u i -d a -n i a n : wi n d m u s i c , pe r c u s s i on m u s i c , a n d voc a l l i t u r gy. Apa r t fr om voc a l l i t u r gy, Mu s i c As s oc i a t i on s a r e fa m e d for t h e i r s ol e m n m u s i c for a l a r ge wi n d a n d pe r c u s s i on e n s e m bl e , oft e n kn own a s s h e n g-gu a n m u s i c a ft e r i t s l e a d i n g i n s t r u m e n t s . An e n s e m bl e c om m on l y c on s i s t s of a r ou n d t we n t y m u s i c i a n s .Th e i n s t r u m e n t a t i on i s s t r i c t . Apa r t fr om s h e n g (fr e e -r e e d m ou t h - or ga n ) a n d gu a n (or gu a n zi , a s m a l l pi pe wi t h a l a r ge d ou bl e -r e e d ), t h e ot h e r m e l od i c i n s t r u m e n t s a r e d i 4 (or d i zi , t r a n s ve r s e fl u t e wi t h ka zoo-m e m br a n e ) a n d yu n l u o (fr a m e of t e n pi t c h e d gon gs ). Th e i r m e l od i e s a r e a c c om pa n i e d by l a r ge ba r r e l d r u m a n d s m a l l c ym ba l s . Th e m u s i c i a n s a l s o pe r for m m a je s t i c m u s i c for pe r c u s s i on e n s e m bl e , l e d by t wo t ype s of l a r ge c ym ba l s (bo a n d n a o) a n d a l s o u s i n g d a n gzi (s i n gl e gon g i n fr a m e ). Vi l l a ge r s h e r e u s e t h e wor d yi n yu e (t h e s t a n d a r d t e r m for "m u s i c ") t o r e fe r n ot t o m u s i c ge n e r a l l y, bu t s pe c i fi c a l l y t o t h e s h e n g-gu a n m u s i c pe r for m e d by t h e Mu s i c As s oc i a t i on s a s a r i t u a l d u t y for fu n e r a l s a n d god s ' d a ys . In c on t r a s t t o s om e ot h e r t ype s of C h i n e s e m u s i c , s u c h a s fol k-s on g a n d e ve n ope r a , or s om e m or e you t h fu l u r ba n e n t e r t a i n m e n t ge n r e s , t h i s pa r a -l i t u r gi c a l m u s i c , i n h e r i t e d fr om t h e t e m pl e s of i m pe r i a l t i m e s , a n d s t r i c t l y t r a n s m i t t e d by m e a n s of a n u n va r yi n g s c or e i n gon gc h e n ot a t i on , r e s e m bl e s a c l a s s i c a l t r a d i t i on of a r t m u s i c . Apa r t fr om t h e s ol e m n a n d c on s e r va t i ve r i t u a l m u s i c of t h e Mu s i c As s oc i a t i on s , r i t u a l a s s oc i a t i on s h a ve e vol ve d i n s om e vi l l a ge s s i n c e e a r l y i n t h e t we n t i e t h c e n t u r y, wh i c h pe r for m a s t yl e c a l l e d "Sou t h e r n Mu s i c " (Na n yu e ), l e d by a l a r ge r gu a n zi oboe a n d a l s o u s i n g a s m a l l s h a wm a n d a bowe d fi d d l e , a n d pl a yi n g m or e popu l a r m od e m pi e c e s , oft e n ba s e d on fol k-s on g or l oc a l ope r a . Mos t h a ve r e m a i n e d a m a t e u r , pe r for m i n g on l y for fu n e r a l s a n d n ot for we d d i n gs , l i ke t h e Mu s i c As s oc i a t i on s fr om wh i c h t h e y e vol ve d . In m os t vi l l a ge s wi t h a r i t u a l e n s e m bl e t h e r e i s on l y on e gr ou p, wh i c h pe r for m s e i t h e r "Mu s i c " or Sou t h e r n Mu s i c . Som e c on ve r t e d fr om t h e t r a d i t i on a l s t yl e t o Sou t h e r n Mu s i c be t we e n t h e 1920s a n d 1960s . Fe w vi l l a ge s h a ve m or e t h a n on e r i t u a l a s s oc i a t i on , t h ou gh on e , Sh e n s h i zh u a n g, h a s fou r Mu s i c As s oc i a t i on s a l l pe r for m i n g t h e m or e t r a d i t i on a l s t yl e , a n d t h e a d ja c e n t vi l l a ge s of Nor t h a n d Sou t h Ga ol u o e a c h h a ve bot h t ype s . 4 Th r ou gh ou t t h i s a r e a , a s i n Be i ji n g, m a n y wor d s a r e r ou n d e d off wi t h a n 'r ', t h u s gu a n a n d d i s ou n d l i ke gwa r a n d d e e r . JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 31 , 04, Two.. 7a 0. - - [. Fi gu r e 3 Th e pa n t h e on of t h e Li u ji n g Mu s i c As s oc i a t i on , d i s pl a ye d for c a l e n d r i c a l r i t u a l s . To t h e r i gh t i s a pa pe r e n ve l ope , l a t e r bu r n t i n or d e r t o be s e e c h t h e god d e s s Hou t u . ?r ., 'i t Y' r 'i ?--- s ~? ~ .J r ?I ' 1~1L . i - ~ -?s r ? ~ d 9 .?~r "??~ c ?: ? ..? I ?r ;F' `?: r ' ;f: .. ~f _~F~~v: I' ?~i b YI.~ IP~E ~C Y~'u ~l k d )Dl r ;' L? R r .,r I?? ~I :??,- :r :l i ?J Fi gu r e 4 Th e Te n Ki n gs s c r ol l . Ma n y vi l l a ge s i n t h e a r e a s t i l l pr e s e r ve "pr e c i ou s s c r ol l s " (ba oju a n ) fr om t h e s e ve n t e e n t h t o n i n e t e e n t h c e n t u r i e s s u c h a s t h i s on e t o t h e t e n ki n gs of t h e u n d e r wor l d , r e c i t e d for fu n e r a l s . 32 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 Ot h e r ge n r e s a r e a l s o pe r for m e d i n t h e s a m e a r e a . Th e m os t c om m on t ype of i n s t r u m e n t a l e n s e m bl e t h r ou gh ou t r u r a l C h i n a i s t h e wi n d -a n d -pe r c u s s i on ba n d (c h u i d a ba n ) of "bl owe r s -a n d -d r u m m e r s " (c h u i gu s h ou ), wh o pe r for m s h a wm -a n d -pe r c u s s i on m u s i c for a wi d e r a n ge of c e r e m on i a l c on t e xt s , i n c l u d i n g n ot on l y fu n e r a l s bu t a l s o we d d i n gs , t a boo for t h e Mu s i c As s oc i a t i on s . Th e y a r e fu r t h e r d i s t i n gu i s h e d fr om t h e Mu s i c As s oc i a t i on s i n t h a t t h e y a r e pr ofe s s i on a l ; t h e y oft e n be l on g t o a s i n gl e fa m i l y. Th e i r r e pe r t or y i n c l u d e s m a n y "c l a s s i c a l " (Jon e s 1998:75-6) m e l od i e s i n l e n gt h y s u i t e s , bu t t h e y a r e l e s s l i m i t e d by t r a d i t i on t h a n t h e Mu s i c As s oc i a t i on s a n d i n c or por a t e m od e m pi e c e s fr e e l y. In d e e d , a s t r i c t s oc i a l h i e r a r c h y h a s be e n i n h e r i t e d fr om i m pe r i a l t i m e s : t h e bl owe r s -a n d -d r u m m e r s , wi t h t h e i r m e r c e n a r y ou t l ook a n d r e a d i n e s s t o a d a pt , a r e oft e n s oc i a l ou t c a s t s , wh i l e r i t u a l m u s i c i a n s a r e c on s i d e r e d s u pe r i or (Jon e s 1998:154ff.). Al s o c om m on t od a y a r e ot h e r l e s s e xpl i c i t l y r i t u a l a s s oc i a t i on s for a c t i vi t i e s s u c h a s s t i l t -wa l ki n g, l i on -d a n c i n g, ya n gge d a n c i n g a n d m a r t i a l a r t s . Th e y pe r for m m a i n l y for t h e Ne w Ye a r , a n d oc c a s i on a l l y for ot h e r c a l e n d r i c a l fe s t i vi t i e s . Un t i l t h e e a r l y 1960s m a n y vi l l a ge s i n t h e a r e a h a d a n a m a t e u r t r ou pe pe r for m i n g t h e l oc a l t r a d i t i on a l ba n gzi ope r a ; a ft e r a n i n t e r l u d e a s Ma o Ze d on g Th ou gh t Pr opa ga n d a Te a m s d u r i n g t h e C u l t u r a l Re vol u t i on , fe w t r ou pe s we r e s u c c e s s fu l i n r e vi vi n g i n t h e 1980s . As t o l e s s for m a l m u s i c - m a ki n g, s ol o a n d gr ou p s i n gi n g (s u c h a s l ove s on gs or wor k s on gs ) s e e m s t o h a ve be e n qu i t e r a r e i n t h i s a r e a , a n d n a r r a t i ve -s i n ge r s r e c i t i n g s t or i e s fr om popu l a r fi c t i on t o t h e a c c om pa n i m e n t of s a n xi a n ba n jo d e c l i n e d a ft e r t h e 1950s . Th e m a i n s u r vi va l of fol k-s on g i n t h i s a r e a m a y be t h e r i t u a l s on gs of s h a m a n s . Si n c e t h e m i d 1980s C h i n e s e pop m u s i c h a s be e n d om i n a n t i n t own s i n t h e a r e a , a n d i n t h e vi l l a ge s i s h e a r d d a i l y on t e l e vi s i on . 1.2 Pe r s pe c t i ve s So ou r foc u s h e r e i s t h e m a i n t e n a n c e of t h e s h e n g-gu a n m u s i c a n d voc a l l i t u r gy of t h e Mu s i c As s oc i a t i on s a n d Bu d d h i s t Affa i r s As s oc i a t i on s . Th e s e gr ou ps h a ve s e r ve d , m a i n t a i n e d t h e i r r e l e va n c e t h r ou gh , or be e n i n s e n s i t i ve t o i m pe r i a l , r e pu bl i c a n , c om m u n i s t a n d c a pi t a l i s t s oc i e t i e s , s u r vi vi n g t h e t r a u m a s of wa r l or d i s m , ba n d i t r y, Ja pa n e s e i n va s i on , c i vi l wa r , Ma oi s t c a m pa i gn s , t h e n e w c a pi t a l i s m , a n d e ve n vi s i t s fr om m u s i c ol ogi s t s , wi t h l i t t l e a ppa r e n t c h a n ge i n e i t h e r c on t e xt or m u s i c a l s ou n d . Wh i l e s oc i e t y, a n d s om e ot h e r m u s i c a l ge n r e s , h a ve be e n c h a n gi n g qu i t e r a d i c a l l y, t h e s e r i t u a l a s s oc i a t i on s h a ve r e m a i n e d i n t r i n s i c a l l y c on s e r va t i ve , m a i n t a i n i n g t h e i r s oc i a l a n d m u s i c a l c or e - i n c on t e xt , i n s t r u m e n t a t i on , a n d r e pe r t or y. We m a y obs e r ve a c e r t a i n *i m pove r i s h m e n t " (Ne t t l 1983:349-54), a n d s om e t e m por a r y a d a pt i ve s t r a t e gi e s , bu t l i t t l e i n n ova t i on . In l i n e wi t h s i n ol ogy, we n e e d t o "br e a k t h r ou gh t h e 1949 ba r r i e r " (e .g. Fr i e d m a n 1991:xvi i , c i t i n g Pa u l C oh e n ). St u d y of l oc a l r e a l i t i e s - n ot ju s t pol i c y d oc u m e n t s or s t a t e -s pon s or e d u r ba n t r ou pe s - i n "Re d C h i n a " (a n d ot h e r c ou n t r i e s wh e r e a n i m a ge of s t a t e s oc i a l i s m m a y ove r s h a d ow r e a l i t y) m a y c or r e c t s om e fa c i l e c on c l u s i on s . Tr a d i t i on a l r i t u a l a n d m u s i c a l c u l t u r e s JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 33 we r e n ot e r a d i c a t e d u n d e r Ma oi s m or r e pl a c e d by t h e m od e m s e c u l a r "c on s e r va t or y s t yl e ". Nor c a n we a c c e pt t h e bl a n d c om pe t i n g pr opa ga n d a t h a t t ypi c a l l y c l a i m s "a ft e r Li be r a t i on , t h e C om m u n i s t Pa r t y e s t e e m e d fol k m u s i c i a n s , wh o we r e a bl e t o t u r n ove r a n e w l e a f a n d c r e a t e n e w wor ks ". Ge n r e s s u r vi vi n g or r e vi vi n g s i n c e t h e 1980s a r e n ot "l i vi n g fos s i l s " m i r a c u l ou s l y a n d m a r gi n a l l y pr e s e r ve d i n a s oc i e t y s om e h ow i s ol a t e d fr om s oc i a l c h a n ge or c u s h i on e d fr om n e w a n d "r e vol u t i on a r y" c u l t u r e ; t h e m u s i c i a n s h a ve t a ke n pa r t a c t i ve l y i n s oc i a l a n d pol i t i c a l c a m pa i gn s . Ye t C om m u n i s t c u l t u r a l pol i c y a n d i t s u r ba n pr ofe s s i on a l e m bod i m e n t h a ve r e m a i n e d l a r ge l y i r r e l e va n t t o t h e m u s i c i a n s a n d t h e i r a u d i e n c e s . Nor i s t h i s a ki n d of i s ol a t e d pr e s e r va t i on i s m (c f. Ne t t l 1983:351-2), s u c h a s h a s be e n d e s c r i be d for Ja pa n a n d Kor e a , wh e r e t h e c e n t r a l s t a t e s t e ps i n t o pr e s e r ve a n a n c i e n t c u l t u r e u n d e r a r t i fi c i a l c on d i t i on s . Ou r fi e l d wor k m a t e r i a l s h ows t h a t t h e a s s oc i a t i on s h a ve we a t h e r e d d i ffe r e n t pr obl e m s t h r ou gh ou t a l l t h r e e pe r i od s . Th e pr e -Li be r a t i on pe r i od wa s n o gol d e n a ge for e xpr e s s i ve c u l t u r e : ba n d i t r y, wa r l or d i s m , i n va s i on a n d c i vi l wa r t h r e a t e n e d s oc i a l d i s i n t e gr a t i on . Du r i n g t h e fol l owi n g Ma oi s t pe r i od , d e s pi t e fr e qu e n t pol i t i c a l a s s a u l t s , r i t u a l a s s oc i a t i on s oft e n s u r vi ve d wi t h t h e s u ppor t of vi l l a ge c a d r e s a n d t h e c om m u n i t y; br i e f bu t s i gn i fi c a n t r e vi va l s we r e s t a ge d s oon a ft e r Li be r a t i on a n d fr om 1962 t o 1964, a n d t h e wor s t e xc e s s e s of t h e C u l t u r a l Re vol u t i on we r e ove r by 1970. For t h e r e for m pe r i od s i n c e 1980, s u c h gr ou ps m a y be m or e s e r i ou s l y t h r e a t e n e d by c a pi t a l i s m t h a n t h e y we r e by Ma oi s m . C om m u n i s m i s wi d e l y be l i e ve d t o h a ve t r a n s for m e d c u l t u r e a s we l l a s s oc i e t y. Gi ve n t h e c l os e i d e n t i fi c a t i on , r e ve a l e d by ou r fi e l d wor k, of t h e vi l l a ge e l i t e wi t h t h e i r Mu s i c As s oc i a t i on s bot h be for e a n d s i n c e Li be r a t i on , t h e m e d i a t i on of t h e t e n s i on s be t we e n m od e r n i zi n g l e a d e r s h i p a n d t r a d i t i on a l c u l t u r e i s r e m a r ka bl e . On e a n a l ys i s c om m e n t s a ppos i t e l y: Al t h ou gh t h e C om m u n i s t Pa r t y, i n t r yi n g t o i m pr ove l i fe , bot h a d a pt e d t o a n d t r a n s for m e d pe a s a n t va l u e s a n d s oc i a l r e l a t i on s , C h i n e s e vi l l a ge r s - i n c l u d i n g Pa r t y m e m be r s - ke pt t o t h e i r own a ge n d a . Eve n wh e n t h e Pa r t y br ou gh t e c on om i c ga i n a n d c u l t u r a l h e a l i n g, c e n t r e a n d h i n t e r l a n d we r e fr e qu e n t l y a t od d s ... Vi l l a ge r s a n d t h e i r a l l i e s a n d pa t r on s a m on g offi c i a l s a l s o t r i e d , a s t h e y h a d for m a n y ge n e r a t i on s u n d e r va r i ou s r e gi m e s , t o d od ge , d e fl e c t , a n d bl u n t t h e i m pa c t of d e m a n d s d e t r i m e n t a l t o l oc a l i n t e r e s t s a n d va l u e s . Th os e n e ga t i ve i m pa c t s gr a d u a l l y e r od e d t h e n e w s t a t e 's popu l a r l e gi t i m a c y. (Fr i e d m a n 1991:xv) If wi t h i n C h i n a i t i s s t i l l d i ffi c u l t t o fr a n kl y a s s e s s pol i t i c a l , s oc i a l a n d e c on om i c pr obl e m s u n d e r Ma oi s m - a pa r t fr om t h e C u l t u r a l Re vol u t i on - s om e We s t e r n h i s t or i a n s , wi t h d e t a i l e d a n a l ys e s , por t r a y t h e wh ol e pe r i od a s on e of u n r e l e n t i n g t r a u m a a n d s u ffe r i n g, bot h pe r s on a l a n d c ol l e c t i ve , wi t h pol i t i c a l pe r s e c u t i on a n d e c on om i c d e pr i va t i on , i m pl i c i t l y i n fl i c t e d by a n e vi l a n d a ppa r e n t l y a l i e n s t a t e m a c h i n e (Ji n g Ju n 1996; c f. Fr i e d m a n 1991, C h a n 34 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 1992). Su c h a n i n t e r pr e t a t i on i m pl i e s t r a u m a t i c c u l t u r a l d i s r u pt i on : Ji n g's s t u d y of a C on fu c i a n t e m pl e i n Ga n s u pr ovi n c e s h ows c on vi n c i n gl y h ow t r a d i t i on wa s s ys t e m a t i c a l l y d e s t r oye d t h e r e u n d e r Ma oi s m . He n c e s c h ol a r s of m od e m C h i n a oft e n qu a l i fy t h e "r e vi va l " of t r a d i t i on s i n c e t h e r e for m s of t h e 1980s a s a r e -i m a gi n a t i on of t h e pr e -Ma oi s t pa s t u n d e r t r a n s for m e d s oc i a l c on d i t i on s . Ou r m a t e r i a l s u gge s t s a s om e wh a t d i ffe r e n t s i t u a t i on . Ne i t h e r t h e m u s i c a l for m n or t h e s oc i a l c on t e xt of t h e s e r i t u a l a s s oc i a t i on s we r e e xt i n gu i s h e d u n d e r Ma oi s m . Ma n y m u s i c i a n s s t r a d d l e d a l l t h r e e pe r i od s , fr om t h e ol d s oc i e t y t h r ou gh Ma oi s m t o t h e r e for m s , fa c i l i t a t i n g a u t h e n t i c t r a n s i t i on . Fu r t h e r , I s u gge s t t h a t t h e n a t u r e a n d fu n c t i on of t h e fu n e r a r y a n d c a l e n d r i c a l r i t u a l s of t h e Mu s i c As s oc i a t i on s h a ve c h a n ge d l i t t l e qu a l i t a t i ve l y s i n c e a t l e a s t t h e 1940s . An obvi ou s e xpl a n a t i on for t h i s r e s i l i e n c e i s t h e pe r s i s t e n c e (a ga i n , r a t h e r t h a n r e a ppe a r a n c e ) of t h e s oc i a l , e c on om i c a n d i d e ol ogi c a l c on d i t i on s wh i c h s u ppor t t h e a s s oc i a t i on s . Ec on om i c c on d i t i on s h a ve i m pr ove d i n t e r m i t t e n t l y s i n c e t h e 1940s , n ot a bl y s i n c e 1980, bu t t r a n s por t , s u ppl i e s of e l e c t r i c i t y a n d wa t e r , h e a l t h -c a r e , a n d i n d u s t r y r e m a i n ba c kwa r d i n r u r a l a r e a s . Vi l l a ge s h a ve c on t i n u e d t o d e pe n d on a gr i c u l t u r e a n d t o pe r c e i ve t h e n e e d for fu n e r a r y a n d r e l i gi ou s obs e r va n c e s ve n e r a t i n g t h e a n c e s t or s a n d s e e ki n g pe a c e a n d pr os pe r i t y. If c e n t r a l C h i n e s e pol i c y c l a i m s t h a t t h e s e c on d i t i on s h a ve be e n t r a n s for m e d s i n c e Li be r a t i on (ju s t a s i t c l a i m s t h a t t r a d i t i on a l c u l t u r e h a s be e n i m pr ove d "), C h i n e s e offi c i a l s a s we l l a s ou t s i d e obs e r ve r s a r e we l l a bl e t o s e e r e s pe c t s i n wh i c h t h e y h a ve be e n u n a bl e t o c h a n ge s oc i e t y. Eve n Ma o's d i s c l a i m e r t o Ni xon n ow s e e m s qu i t e e xa gge r a t e d : e ve n c om m u n i t i e s s o n e a r Be i ji n g r e m a i n e d u n t ou c h e d by t h e r e vol u t i on i n s i gn i fi c a n t r e s pe c t s , bot h e c on om i c a l l y a n d c u l t u r a l l y. Th i s m a y be n e i t h e r t ypi c a l n or a t ypi c a l of ot h e r for m s of e xpr e s s i ve c u l t u r e u n d e r Ma oi s m , r e gi on a l l y a n d n a t i on a l l y. Ri t u a l h a s r e m a i n e d a pe r va s i ve a s pe c t of e xpr e s s i ve c u l t u r e i n r u r a l C h i n a . In s om e pl a c e s c u l t u r a l i m pove r i s h m e n t s e e m s t o h a ve be e n s e ve r e n ot ju s t fr om 1966 t o 1976 bu t fr om a bou t 1956 t o 1980; we e ve n h a ve t o e n t e r t a i n t h e pos s i bi l i t y t h a t s om e pl a c e s l os t t h e i r t r a d i t i on s a br u pt l y be for e Li be r a t i on , n e ve r t o r e c l a i m a n y e xpr e s s i ve m e d i a a s t h e i r own , bu t t h i s t oo wou l d n e e d d e m on s t r a t i n g i n d e t a i l . In d e e d , s om e Mu s i c As s oc i a t i on s i n t h i s a r e a h a ve n e ve r r e vi ve d s i n c e t h e wa r fa r e of t h e 1940s ; m a n y fol k-s i n ge r s , pe r for m e r s of n a r r a t i ve -s i n gi n g, a n d ope r a gr ou ps a l s o ga ve u p s oon a ft e r Li be r a t i on . C on ve r s e l y, m a n y m or e r e m ot e a r e a s of s ou t h e r n C h i n a s e e m t o h a ve r e t a i n e d t h e i r t r a d i t i on s wi t h l e s s d i s r u pt i on t h a n h e r e . It m a y t r a n s pi r e fr om fu r t h e r r e s e a r c h t h a t s om e ot h e r t ype s of m u s i c i a n i n C h i n a , s u c h a s n a r r a t i ve -s i n ge r s a n d s h a wm pl a ye r s , m a y be m or e "m a r gi n a l ", l e s s r e pr e s e n t e d i n t h e vi l l a ge powe r s t r u c t u r e , a n d t h u s bot h m or e vu l n e r a bl e t o c e n t r a l d e c r e e s a n d m or e t a n ge n t i a l t o m a jor e ve n t s ; bu t t h e i r h i s t or y t oo wi l l be t h a t of m od e r n C h i n a , wi t h a l l i t s c om pl e xi t i e s . On l y d e t a i l e d m a t e r i a l wi l l e n a bl e u s t o ju d ge . JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 35 2 Be for e C om m u n i s m Be for e s u r ve yi n g t h e m od e m for t u n e s of t h e He be i r i t u a l a s s oc i a t i on s , a s u m m a r y of m a t e r i a l on t h e i r e a r l y h i s t or y i s a ppos i t e . 2.1 Ea r l y h i s t or y a n d t r a n s m i s s i on C l u e s t o t h e e a r l y h i s t or y of t h e Mu s i c As s oc i a t i on s a r e s pa r s e . Im pe r i a l s ou r c e s m e n t i on vi l l a ge a s s oc i a t i on s l a r ge l y i n t h e c on t e xt of fol k r e l i gi ou s s e c t s , a n d t h e n on l y wh e n t h e y we r e pe r s e c u t e d for r e be l l i n g a ga i n s t t h e gove r n m e n t . Th e h i s t or y of "Wh i t e Lot u s " s e c t s (Na qu i n 1985) s h ou l d be h i gh l y r e l e va n t , bu t pr ovi d e s l i t t l e s pe c i fi c d a t a . In ge n e r a l Mu s i c As s oc i a t i on s d ou bt l e s s r e pr e s e n t e d a m or e pu bl i c , c on for m i s t vi l l a ge -wi d e or ga n i za t i on t h a n t h e "h e t e r od ox" s e c t s , bu t l oc a l r e a l i t y wa s c om pl e x. Eve n t h e i m pe r i a l pe r i od be for e 1911 wa s n ot on e of u n i n t e r r u pt e d pe a c e for s u c h a s s oc i a t i on s . C i vi l u n r e s t wa s c om m on t h r ou gh t h e Mi n g (1368-1644) a n d Qi n g (1644-1911) d yn a s t i e s . Th e Qu ji a yi n g a s s oc i a t i on t e l l s of a c r i s i s i n 1853, a n d t h e Li u ji n g gr ou p a l s o be c a m e i n a c t i ve , h a vi n g t o r e l e a r n fr om a n e a r by vi l l a ge on t h e e ve of t h e t we n t i e t h c e n t u r y. Gove r n m e n t pe r s e c u t i on of "h e t e r od ox" s e c t s wa s fi e r c e u n t i l t h e m i d n i n e t e e n t h c e n t u r y. Th ou gh t h e s e s e c t s c a n r a r e l y be i d e n t i fi e d d i r e c t l y wi t h t h e Mu s i c As s oc i a t i on s , r i t u a l m a n u a l s a n d e ve n i n s t r u m e n t s m u s t h a ve h a d t o be r e pl a c e d a ft e r c on fi s c a t i on (e .g. Ma a n d Ha n 1992:501-3, 542). Vi l l a ge r s d e s c r i be t wo c om m on m e a n s of t r a n s m i s s i on of t h e i r r i t u a l s h e n g- gu a n m u s i c a n d voc a l l i t u r gy: a gr ou p of wou l d -be m u s i c i a n s l e a r n t e i t h e r fr om Bu d d h i s t or Da oi s t pr i e s t s i n l oc a l t e m pl e s , or by i n vi t i n g a m u s i c i a n fr om a n ot h e r vi l l a ge a s s oc i a t i on . An i n s t r u m e n t a l s c or e i n t h e t r a d i t i on a l gon gc h e s ol fe ggi o wa s u s u a l l y c opi e d for t h e a ppr e n t i c e a s s oc i a t i on . Fu l l -t i m e pr i e s t s h a ve be c om e fe we r s i n c e t h e n i n e t e e n t h c e n t u r y; l a ym e n h a ve l on g a c qu i r e d a c e r t a i n r i t u a l kn owl e d ge , bu t t h e ve m a c u l a r i za t i on of r i t u a l h a s be e n n e c e s s i t a t e d i n m od e m t i m e s by t h e gr e a t e r e ffi c i e n c y of for c e d s e c u l a r i za t i on , s i n c e e a r l y i n t h e t we n t i e t h c e n t u r y a n d e s pe c i a l l y s i n c e 1949. Si n c e t h e 1950s vi l l a ge r s c ou l d on l y l e a r n fr om for m e r pr i e s t s ; wi t h vi l l a ge t e m pl e s e m pt y, ve r y fe w pr i e s t s i n t h e r e m a i n i n g t own t e m pl e s s t i l l pl a y t h e s h e n g-gu a n m u s i c . Mos t l y t h e m u s i c s e e m s t o h a ve s pr e a d s ou t h fr om t h e t e m pl e s of Be i ji n g a n d Ti a n ji n , wh os e r e pe r t or i e s ove r l a p s u bs t a n t i a l l y wi t h t h os e of t h e vi l l a ge a s s oc i a t i on s . Wi t h m or e d a t a , we c ou l d d i s c e r n d i ffe r e n t l e ve l s of t r a n s m i s s i on : fi r s t fr om t h e m a jor t e m pl e s of Be i ji n g a n d Ti a n ji n t o m i n or t e m pl e s t h e r e ; t h e n t o l a r ge r t e m pl e s i n c ou n t y-t own s ; t h e n t o vi l l a ge s , a n d fr om vi l l a ge t o vi l l a ge . Apa r t fr om m u s i c a l c l u e s a n d or a l t r a d i t i on s , s om e a s s oc i a t i on s pr e s e r ve d a t a bl e a r t e fa c t s . A fe w i n s t r u m e n t s s a i d t o be a r Mi n g d a t e s h a ve s u r vi ve d (Gu o 1991:3, 5, Zh a o 1987:49). An ot h e r t ype of c l u e c om e s fr om s c or e s i n t h e gon gc h e s ol fe ggi o-t ype n ot a t i on , wh i c h a r e oft e n d a t e d . Th e gr e a t m a jor i t y we h a ve i n s pe c t e d we r e c opi e d s i n c e t h e e a r l y t we n t i e t h c e n t u r y, bu t s om e ol d e r 36 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 s c or e s s u r vi ve (Qi a o e t a l . 1997). Mos t c e l e br a t e d i s t h e 1694 s c or e of t h e Zh i h u a t e m pl e i n Be i ji n g (Jon e s 1998:304-5), wh os e r e pe r t or y ove r l a ps s u bs t a n t i a l l y wi t h t h a t of vi l l a ge Mu s i c As s oc i a t i on s . Se ve r a l vi l l a ge s c or e s i n e a s t e r n Xi on gxi a n a t t r i bu t e t h e t r a n s m i s s i on of s h e n g-gu a n m u s i c t h e r e t o a C h a n (Ze n ) pr i e s t c a l l e d "Won d r ou s Ton e s " (Mi a oyi n ) i n 1787 (Fi gu r e 5). De s pi t e t h e Qi n g gove r n m e n t 's h os t i l i t y t o s e c t s , vi l l a ge r s oft e n pos s e s s fi r m t r a d i t i on s t h a t t h e i r Mu s i c As s oc i a t i on wa s fou n d e d or s u ppor t e d by Qi n g e m pe r or s . We c a n n ot a s s u m e t h a t a l l s u c h c l a i m s a r e s pu r i ou s , t h ou gh s i n c e 1980 a fe w a s s oc i a t i on s h a ve be e n fa br i c a t i n g h i s t or i e s a s vi s i t i n g fi e l d wor ke r s i n fl u e n c e t h e m i n s e e ki n g i m pr e s s i ve h i s t or i c a l pe d i gr e e s . Se ve r a l Mu s i c As s oc i a t i on s c l a i m a t r a d i t i on t h a t t h e Qi n g e m pe r or s Ka n gxi (r . 1662-1722) or Qi a n l on g (r . 1736-95) fa vou r e d t h e m wi t h a "d r a gon pl a c a r d " (l on gpa i ) or a n i m pe r i a l d r a ft a ft e r h e a r i n g t h e m pe r for m . We c a n t r a c e s e ve r a l Mu s i c As s oc i a t i on s ba c k t o t h e m i d e i gh t e e n t h c e n t u r y, bu t t o go ba c k e ve n a s fa r a s Ka n gxi 's r e i gn i s s t i l l s pe c u l a t i ve . In c on t r a s t t o ou r r u d i m e n t a r y kn owl e d ge of s e c t a r i a n or Mu s i c As s oc i a t i on a c t i vi t y ove r s e ve r a l c e n t u r i e s , t h e br i e f a n d c a t a c l ys m i c Boxe r u pr i s i n g of 190() wa s t h or ou gh l y d oc u m e n t e d . Di s t i n c t i ve fe a t u r e s of t h e Boxe r m ove m e n t we r e t h e i r i n vu l n e r a bi l i t y r i t u a l s , s pi r i t -pos s e s s i on , a n d m a r t i a l a r t s . Non e of t h e s e i s d i r e c t l y r e l a t e d t o t h e pr a c t i c e s of t h e t ypi c a l vi l l a ge r i t u a l a s s oc i a t i on . Howe ve r , m or e ge n e r a l l y t h e i r d om a i n - c om m u n i c a t i on wi t h t h e god s - wa s i d e n t i c a l , a n d bot h pe r c e i ve d t h e for e i gn i n t r u s i on of C a t h ol i c i s m a s a t h r e a t . In on e vi l l a ge t h e Mu s i c As s oc i a t i on e ve n pe r for m e d a s t h e Boxe r s we n t i n t o Fi gu r e 5 Pa ge fr om t h e gon gc h e s c or e of We s t An 'ge zh u a n g vi l l a ge , c opi e d i n 1947, wi t h a h i s t or y of c opyi n g goi n g ba c k t o 1787. Th i s i s t h e ope n i n g of t h e t h i r d s u i t e , s h owi n g t h e pr e l u d e He s i qi a n pa i a n d t h e ope n i n g of Qi Ya n h u i . JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 37 ba t t l e wi t h t h e Al l i e d t r oops . In Ga ol u o c on fl i c t be t we e n t h e C a t h ol i c m i n or i t y a n d t h e vi l l a ge r i t u a l a s s oc i a t i on l e d t o t h e ga t h e r i n g of Boxe r s t o m a s s a c r e C a t h ol i c s . 2.2 Aft e r t h e fa l l of e m pi r e (1911-37) We s t e r n s oc i a l s c i e n t i s t s a n d C h i n e s e s c h ol a r s a n d m u s i c i a n s a l i ke s u bs c r i be t o t h e n ot i on t h a t t h e pe r i od be for e t h e 1949 Li be r a t i on , or be for e t h e 1937 Ja pa n e s e i n va s i on , wa s a gol d e n a ge for C h i n e s e fol k c u l t u r e . Gi ve n wh a t we kn ow a bou t t h e pe r i od , t h i s wou l d s e e m i m pl a u s i bl e . Th e h or r or s of t h e l on g pe r i od of a n a r c h y be for e Li be r a t i on a r e ge n u i n e l y r e c a l l e d by ol d e r vi l l a ge r s , a n d r e c ogn i ze d by C h i n e s e a n d We s t e r n s c h ol a r s . For m os t poor e r vi l l a ge r s , t h e e a r l y d a ys of Li be r a t i on we r e s u r e l y c h a r a c t e r i ze d by a fe e l i n g of r e l i e f, a s d u r i n g t h e pr e c e d i n g d e c a d e s i n s e c u r i t y a n d c u l t u r a l d i s i n t e gr a t i on m u s t h a ve be e n m or e pr om i n e n t t h a n a n y s e n s e of pr os pe r i t y or fr e e d om ; i n m os t vi l l a ge s , pr om i s e s of m od e r n i zi n g r a t i on a l i s m a ga i n s t t h e c h r on i c s oc i a l pr obl e m s wh i c h t h e y fa c e d we r e l a r ge l y a bs e n t u n t i l t h e C om m u n i s t s br ou gh t h ope . If i n t h e 1990s pe opl e i d e n t i fi e d m i gr a t i on a s a fa c t or i n d i s c ou r a gi n g t h e t r a n s m i s s i on of t h e m u s i c , for s e ve r a l d e c a d e s be for e Li be r a t i on t oo i t h a d be e n a c om m on r e s pon s e of you n g m e n s e e ki n g t o e s c a pe ba n d i t r y, i n va s i on , ki d n a ppi n g, c on s c r i pt i on , a n d fa m i n e . Ye t we m u s t t a ke ol d e r vi l l a ge r s ' n os t a l gi a s e r i ou s l y. Ou r m a t e r i a l gi ve s r a t h e r r a r e gl i m ps e s of wh a t m u s t h a ve be e n a r i c h r i t u a l c u l t u r e pu n c t u a t e d by fr e qu e n t c a l e n d r i c a l a n d l i fe -c yc l e r i t u a l s , bu t d a t a fr om ot h e r a r e a s of C h i n a r e ve a l t h e r i c h e s of r i t u a l c u l t u r e ba s e d on a bu s y a n n u a l pr ogr a m m e of t e m pl e fa i r s a n d c u s t om a r y obs e r va n c e s (s e e e .g. Joh n s on 1994 for Sh a n xi ), wh i c h we r e n e ve r t o r e vi ve on s u c h a l a r ge s c a l e . Be for e 1949 c u l t u r a l t r a d i t i on s we r e pe r h a ps on e of t h e fe w a r e a s wh i c h offe r e d e m ba t t l e d vi l l a ge r s a n y s t a bi l i t y. Eve n i n t h e m i d s t of c h a os , t h e r e we r e n o a l t e r n a t i ve s t o or i d e ol ogi c a l a t t a c ks u pon t r a d i t i on a l c u l t u r e : vi l l a ge r s r e m a i n e d c om m i t t e d t o t h e va l u e s wh i c h t h e Mu s i c As s oc i a t i on r e pr e s e n t e d , e ve n i f t e m por a r y c on d i t i on s m a d e t h e m i m pr a c t i c a bl e . Th e a s s oc i a t i on s we r e pa r t of a c om pl e x n e t wor k of r e l i gi ou s a n d c u s t om a r y l i fe . Aft e r t wo m i l l e n i a of i m pe r i a l r u l e c a m e t o a n e n d i n 1911, t h e Re pu bl i c a n pe r i od wa s m a r ke d by s t a t e a t t e m pt s t o i n c r e a s e c on t r ol ove r l oc a l c om m u n i t i e s (Du a r a 1988, 1991). Bu t c e n t r a l c a m pa i gn s d i d n ot a l wa ys fi l t e r d own a s fa r a s t h e vi l l a ge s . Th e Ma y Fou r t h Move m e n t of 1919 wa s a d e c i s i ve a wa ke n i n g of u r ba n i n t e l l e c t u a l s i n fa vou r of m od e r n i t y, bu t vi l l a ge r s i n Ga ol u o, n ot fa r s ou t h of Be i ji n g, n e ve r h e a r d of i t - t h e y kn e w 1919 on l y a s t h e ye a r of a s e r i ou s e pi d e m i c i n t h e vi l l a ge . St i l l , t h e c e n t r a l a t t a c k on t r a d i t i on a l s ys t e m s m a y h a ve u n d e r m i n e d vi l l a ge a s s oc i a t i on s . Th i s wa s i n l a r ge m e a s u r e a s t r u ggl e for pr ope r t y, r e s ou r c e s a n d powe r . Fr om t h e 1920s t h e Na t i on a l i s t gove r n m e n t a t t e m pt e d s e ve r a l r u r a l r e for m s wh i c h a ffe c t e d l oc a l , a n d e s pe c i a l l y r e l i gi ou s , c u l t u r e . Re pu bl i c a n c a m pa i gn s a ga i n s t ga m bl i n g we r e i n h a r m on y wi t h t h e t r a d i t i on a l m or a l e t h i c of vi l l a ge r i t u a l a s s oc i a t i on s , a n d a r e r e fl e c t e d i n a n a m e a d opt e d by a t l e a s t on e 38 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 Mu s i c As s oc i a t i on , Ton gl e ji e d u h u i ("Sh a r e d pl e a s u r e a n t i -ga m bl i n g a s s oc i a t i on "). Ot h e r c a m pa i gn s , h owe ve r , pu t gove r n m e n t i n pot e n t i a l c on fl i c t wi t h r i t u a l a s s oc i a t i on s . Re l i gi on n ow c a m e u n d e r m or e s u s t a i n e d a t t a c k fr om m od e r n i zi n g i d e ol ogu e s t h a n fr om C on fu c i a n s u n d e r t h e Qi n g e m pi r e , ju s t a s l a t e r u n d e r C om m u n i s m , s u pe r s t i t i on wa s vi e we d a s a m a jor obs t a c l e t o m od e r n i za t i on a n d pr ogr e s s . Te m pl e s we r e c on ve r t e d i n t o s c h ool s , offi c e s or fa c t or i e s , or we r e d e m ol i s h e d . Apa r t fr om t h e s t r u ggl e be t we e n vi l l a ge s a n d t h e n e w i n va s i ve s t a t e powe r , l oc a l wa r fa r e be t we e n r i va l wa r l or d s a n d ba n d i t r y m u s t h a ve a ffe c t e d e xpr e s s i ve c u l t u r e a n d r e l i gi ou s pr a c t i c e . In Yi xi a n c ou n t y, ba n d i t c h i e f Li u Gu i t a n g ki d n a ppe d pe opl e for r a n s om . Da oi s t pr i e s t s i n t h e Hou s h a n m ou n t a i n t e m pl e a n d vi l l a ge r s a t t h e foot of t h e m ou n t a i n we r e t h r e a t e n e d . Th e l os s of r i t u a l m a n u a l s wa s n ot a l wa ys pol i t i c a l : i n Be i h ou , t h e vi l l a ge c opy of t h e Hou t u s c r ol l wa s l os t d u r i n g t h e t i m e of t h e ba n d i t s i n t h e e a r l y 1930s . C a t h ol i c m i s s i on a r i e s fr om It a l y a r r i ve d i n Yi xi a n i n 1926 s e e ki n g t o r e - e va n ge l i ze t h e a r e a (Ma r t i n a a n d St e fa n i n i 1956). At Ne w Ye a r 1931, t h e y r e por t e d , a ft e r s e ve r a l ye a r s of u n r e s t , wi t h fi gh t i n g be t we e n t h e t r oops of a l oc a l wa r l or d , t h e Na t i on a l i s t s , a n d l oc a l ba n d i t s , pa r a d e s of pe r for m i n g a s s oc i a t i on s on c e a ga i n e m e r ge d , s u c h a s h a d n ot be e n s e e n for m a n y ye a r s pr e vi ou s l y. "In r e c e n t ye a r s t h e r e h a s be e n wa r , wh i c h h a s s u s pe n d e d e ve r yt h i n g. Now i t i s s om e t i m e s i n c e wa r h a s be e n s poke n of, a n d t h e ol d t r a d i t i on s h a ve be e n a bl e t o be r e vi ve d " (Pe r i l Be n e 1931:113-15). Bu t by 1933 s ol d i e r s h a d a ga i n a r r i ve d i n Yi xi a n a n d pe opl e we r e a fr a i d . Th e m i s s i on a r i e s r e m a i n e d for a t u r bu l e n t 20 ye a r s . Ove r a l l t h e y fou n d i t ve r y h a r d t o ga i n a foot i n g, bu t i n vi l l a ge s wh e r e t h e y d i d s u c c e e d i n e va n ge l i zi n g, t h e i m pa c t on i n d i ge n ou s r e l i gi ou s c u l t u r e m u s t h a ve be e n c on s i d e r a bl e . Th e i m m i n e n t bu i l d i n g of a l a r ge C a t h ol i c c h u r c h i n Sou t h Ga ol u o, s c e n e of a m a s s a c r e of C a t h ol i c s i n t h e 1900 Boxe r u pr i s i n g, pr od u c e d a d e fe n s i ve fl u r r y of a c t i vi t y i n t h e vi l l a ge r i t u a l a s s oc i a t i on s , wh os e d on or s ' l i s t s fr om 1930 l i s t t h e c om m i s s i on i n g of n e w r i t u a l pa i n t i n gs . De s pi t e t h e i r s u s pi c i on of t h e for e i gn r e l i gi on , t h e a s s oc i a t i on s s t i l l fou n d i t a ppr opr i a t e t o bu i l d d i pl om a t i c br i d ge s by pe r for m i n g for m a l l y for t h e be n e d i c t i on of t h e c h u r c h i n 1931. Th e pe a c e fu l n a t u r e of t h i s r e l i gi ou s c om pe t i t i on wa s s h or t - l i ve d , h owe ve r , a s t h e C om m u n i s t s we r e e ve n m or e h os t i l e t owa r d s C a t h ol i c i s m t h a n t owa r d s n a t i ve "s u pe r s t i t i on ". C h i n e s e C a t h ol i c s m a i n t a i n e d t h e i r fa i t h c l a n d e s t i n e l y t h r ou gh Ma oi s t pe r s e c u t i on , a n d h a ve r e vi ve d s i n c e t h e 1980s wh i l e r e m a i n i n g vu l n e r a bl e (Ma d s e n 1998). Be s i d e s c a m pa i gn s , wa r l or d s a n d ba n d i t s , n a t u r a l d i s a s t e r s we r e fr e qu e n t a n d d e bi l i t a t i n g. Su m m e r fl ood s c ou l d be c a t a s t r oph i c , bu t m or e c om m on wa s d r ou gh t , n e c e s s i t a t i n g r a i n pr oc e s s i on s , i n wh i c h r i t u a l a s s oc i a t i on s pa r t i c i pa t e d . Se ve r e fa m i n e s t r u c k n or t h C h i n a i n 1920-21 (Fr i e d m a n 1991:10) a n d r e c u r r e d t h r ou gh ou t t h e Ja pa n e s e oc c u pa t i on . Ri t u a l c on t a c t s we r e m a i n t a i n e d or e xpa n d e d . Vi l l a ge r s fr om Nor t h Ru h e l e a r n t s h e n g-gu a n m u s i c s oon a ft e r t h e Boxe r u pr i s i n g by i n vi t i n g t h e Sou t h Ga ol u o a s s oc i a t i on t o t e a c h t h e m . By t h e 1930s , m e m be r s h i p wa s d e c l i n i n g, wi t h a l a c k of r e gu l a r n e w r e c r u i t s . So, n ot l on g be for e t h e Ja pa n e s e i n va s i on i n JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 39 1937, t h e y t a u gh t a s e c on d ge n e r a t i on , t h e n m os t l y t e e n a ge r s ; e i gh t or t e n s t a ye d t h e c ou r s e . Se ve r a l a s s oc i a t i on s we r e fou n d e d i n t h e e a r l y t we n t i e t h c e n t u r y by l e a r n i n g fr om a n ot h e r vi l l a ge or fr om a Bu d d h i s t or Da oi s t pr i e s t . A d i s t i n c t i ve n e w m u s i c a l fe a t u r e of t h e Re pu bl i c a n pe r i od wa s t h e r i s e of t h e m or e popu l a r s t yl e of s h e n g-gu a n r i t u a l m u s i c c a l l e d Sou t h e r n Mu s i c . Howe ve r , wh i l e s om e Mu s i c As s oc i a t i on s c on ve r t e d t o t h e n e w s t yl e , m a n y ot h e r s r e t a i n e d t h e i r t r a d i t i on a l s t yl e e ve n t h r ou gh ou t t h e ye a r s of Ma oi s m , a n d s t i l l d o s o t od a y. 2.3 Th e wa r a ga i n s t Ja pa n (1937-45) Th e "7t h Ju l y i n c i d e n t " i n 1937 fi n a l l y c on fi r m e d t h e fu l l -s c a l e Ja pa n e s e i n va s i on of C h i n a a n d t h e ou t br e a k of wa r . Th i s wa s a d e c i s i ve m om e n t i n m od e m h i s t or y for t h e wh ol e n a t i on . It wa s d u r i n g t h e wa r t h a t t h e C om m u n i s t s ga i n e d s u ppor t t h r ou gh ou t r u r a l n or t h e r n C h i n a . Wh i l e t h e t own s we r e c on t e s t e d , by 1939 m os t vi l l a ge s i n ou r a r e a we r e u n d e r C om m u n i s t c on t r ol . Th ou gh t h e Ja pa n e s e m a d e on l y oc c a s i on a l r a i d s , C h i n e s e c ol l a bor a t or s a n d ba n d i t s s t r u ggl e d wi t h t h e e m e r gi n g C om m u n i s t u n d e r gr ou n d ; wi t h ki d n a ppi n g a n d c on s c r i pt i on r i fe , a n a t m os ph e r e of fe a r pr e va i l e d . Vi l l a ge r s oft e n pe r i od i ze t h e i r c u l t u r a l i m pove r i s h m e n t by t h e Ja pa n e s e i n va s i on i n 1937, r a t h e r t h a n by "Li be r a t i on " s om e t e n ye a r s l a t e r . Ma n y Mu s i c As s oc i a t i on s s a i d t h a t r i t u a l a c t i vi t i e s be c a m e l e s s fr e qu e n t ; e l d e r l y vi l l a ge r s we r e n os t a l gi c a bou t t h e d a ys be for e t h e i n va s i on . Bu t wh e n t h e y s a y t h e i r t r a d i t i on s we r e d e s t r oye d a ft e r t h e i n va s i on , t h i s i s s u r e l y a t l e a s t pa r t l y a d i s c r e e t m e s s a ge i d e n t i fyi n g t h e C om m u n i s t s a s offe n d e r s . Ma n y r e l i gi ou s bu i l d i n gs a n d pr a c t i c e s we r e d e s t r oye d i n t h i s pe r i od , pe r h a ps l e s s by t h e Na t i on a l i s t s a n d t h e Ja pa n e s e t h a n by t h e 8t h Rou t e Ar m y a n d t h e n e w C om m u n i s t c a d r e s . In s om e pl a c e s t h e l a s t pr oc e s s i on s t o pr a y for r a i n we r e h e l d i n 1938, a ft e r wh i c h s u c h m a jor pu bl i c obs e r va n c e s be c a m e i m pos s i bl e be c a u s e of t h e fi gh t i n g. Pi l gr i m a ge s (for r a i n or for t e m pl e fa i r s ) c e r t a i n l y be c a m e m or e d i ffi c u l t : m a n y r i t u a l a s s oc i a t i on s s t oppe d m a ki n g t h e 3r d -m oon Hou s h a n pi l gr i m a ge a ft e r t h e i n va s i on , a n d fe w r e s u m e d on c e t h e C om m u n i s t s fi n a l l y br ou gh t pe a c e , d u e t o i d e ol ogi c a l r e s t r i c t i on s . Th e t e n r i t u a l t e n t s a n d l a n t e r n s of Yi s h a n gyi n g, of gr e a t va l u e , we r e l os t a ft e r t h e Ja pa n e s e i n va d e d . Be for e t h e Ja pa n e s e d e s c e n d e d u pon Fu xi n , t h e m u s i c i a n s wr a ppe d t h e i r i n s t r u m e n t s i n oi l s ki n ba gs a n d h i d t h e m d own t h e we l l s . In on e vi l l a ge t h e y h a d t o d e m ol i s h t h e i r t e m pl e t o s e l l t h e wood t o m e e t t h e d e m a n d s of t h e Ja pa n e s e a n d c ol l a bor a t or s ; t e m pl e be l l s we r e a l s o m e l t e d d own t o m a ke h a n d -gr e n a d e s . Th e Sou t h Yi 'a n Mu s i c As s oc i a t i on wa s fou n d e d on l y t wo ye a r s be for e a n ot or i ou s m a s s a c r e i n 1937. Bu t u s u a l l y t h e Ja pa n e s e on l y pa s s e d t h r ou gh , a n d s e n i or vi l l a ge r e pr e s e n t a t i ve s (oft e n i n c l u d i n g t h e l e a d e r s of t h e Mu s i c As s oc i a t i on ) we r e a t pa i n s n ot t o offe n d t h e m . Mor e ove r , t h e Ja pa n e s e r e s pe c t e d t h e l oc a l r i t u a l s , be i n g Bu d d h i s t s t h e m s e l ve s . In Ea s t Zh a n gfe n g m u s i c i a n s s a i d t h e Ja pa n e s e h a d a c t u a l l y or ga n i ze d t h e c ol l e c t i on of d on a t i on s 40 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 t o r e s t or e t h e vi l l a ge Dr a gon Ki n gs t e m pl e . Ja pa n e s e t r oops e n t e r e d Li h e zh u a n g wh i l e t h e Mu s i c As s oc i a t i on wa s bu r n i n g i n c e n s e a n d pr a c t i s i n g s c or e -r e a d i n g. On e of t h os e m e n s t u d yi n g t h e m u s i c r e c a l l e d : "Th e y we r e ve r y pl e a s e d we we r e l e a r n i n g t h e [r i t u a l ] m u s i c a n d wor s h i ppi n g t h e Bu d d h a s ." Som e vi l l a ge r s joi n e d t h e r e s i s t a n c e , or we n t i n t o h i d i n g. St i l l , m a n y c l a i m e d t h a t m u s i c a l l i fe we n t on l a r ge l y u n d e t e r r e d by wa r fa r e . As s oc i a t i on s t r a i n e d n e w m e m be r s i n t h e e a r l y 1940s . Som e m u s i c i a n s e ve n pr a c t i s e d t h e i r i n s t r u m e n t s i n t h e t u n n e l s bu i l t by t h e gu e r r i l l a s t o c om ba t t h e Ja pa n e s e . Vi l l a ge r s c on c u r wi t h t h e offi c i a l c l a i m t h a t m e m be r s h i p of "s e c r e t " s e c t s s u c h a s t h e Da Foji a o a n d La oFom e n , s oon t o be br a n d e d a s a n t i -C om m u n i s t , i n c r e a s e d d u r i n g t h i s pe r i od be c a u s e of t h e i n s e c u r i t y a n d n e e d for pr ot e c t i on . In d e e d , i n m a n y vi l l a ge s t h e gr e a t m a jor i t y of t h e popu l a t i on be l on ge d t o s u c h s e c t s . If t h e y we r e u s u a l l y d i s t i n c t fr om t h e m or e pu bl i c , a s c r i pt i ve r i t u a l s wh i c h t h e Mu s i c As s oc i a t i on s e r ve d , t h e d i s t i n c t i on m u s t s om e t i m e s h a ve be e n l os t on ze a l ou s C om m u n i s t c a d r e s wi t h l i m i t e d l oc a l kn owl e d ge . In Be i h ou i n 1945, t h e 8t h Rou t e Ar m y bu r n t a wh ol e s t a c k of s c r i pt u r e s a n d pa i n t i n gs be l on gi n g t o t h e vi l l a ge Mu s i c As s oc i a t i on , be l i e vi n g t h e m t o be l on g t o t h e Da Foji a o s e c t . 2.4 Th e c i vi l wa r a n d l a n d r e for m (1946-8) By t h e t i m e of t h e Ja pa n e s e s u r r e n d e r i n 1945, m os t vi l l a ge s i n t h e a r e a h a d be e n u n d e r t h e c on t r ol of t h e C om m u n i s t s for s om e ye a r s . By c on t r a s t wi t h pr opa ga n d a , m a n y vi l l a ge r s s i m pl y h ope d t o e s c a pe wa r fa r e a n d l on ge d for a qu i e t l i fe , h a vi n g s c a n t s ym pa t h y for e i t h e r s i d e . An d a s i n r e l i gi ou s wor s h i p, vi l l a ge r s a r e by n e c e s s i t y oppor t u n i s t i c , s e r vi n g d i ffe r e n t m a s t e r s i n or d e r t o s u r vi ve . Howe ve r , m a n y r i t u a l m u s i c i a n s we r e s t a u n c h fi gh t e r s for t h e C om m u n i s t c a u s e . As a m a t e u r c h a r i t a bl e or ga n i za t i on s , Mu s i c As s oc i a t i on s c l a i m t o s e r ve a n ybod y i n n e e d of fu n e r a r y r i t u a l . Th e y m u s t oft e n h a ve pe r for m e d for r e l a t i ve l y we l l -t o-d o h ou s e h ol d s , wh o we r e l a t e r t o be c on s i d e r e d "c l a s s e n e m i e s "; bu t s i n c e t h e m u s i c i a n s t h e m s e l ve s c a m e m a i n l y fr om poor fa m i l i e s , t h e y m a y h a ve h a d c a u s e t o be gr a t e fu l t o t h e n e w r e gi m e , ga i n i n g fr om l a n d r e for m . Mu s i c As s oc i a t i on s we r e pe r i od i c a l l y r e c r u i t e d for pu bl i c c a m pa i gn s , a n d s om e t i m e s pl a ye d , or we r e m a d e t o pl a y, "n e w pi e c e s ", r i gh t u n t i l t od a y; bu t t h i s wa s s o s por a d i c a s t o be e n t i r e l y i n c i d e n t a l t o t h e i r m a i n a c t i vi t y. In 1946 t h e Zh a obe i kou Mu s i c As s oc i a t i on wa s on e of s e ve r a l s u m m on e d t o t h e c ou n t y-t own t o pe r for m a t a bi g Pe a c e m e e t i n g for t h e s h or t - l i ve d C om m u n i s t -Na t i on a l i s t c ol l a bor a t i on . Th e y pl a ye d n e w pi e c e s s u c h a s Th e Gr e a t Re a r (Da h ou fa n g), a n d ga i n e d a n a wa r d . C om m u n i s t s on gs m a d e a pa s s i n g m a r k on s om e ot h e r a s s oc i a t i on s . In Be i h ou a ft e r t h e 8t h Rou t e Ar m y t ook ove r i n 1947-8, vi l l a ge r s h e a r d t h e m s i n gi n g "r e vol u t i on a r y s on gs ". Mu s i c i a n C h e n g Yi pi c ke d t h e m u p on t h e gu a n zi a n d t a u gh t t h e m t o t h e Mu s i c As s oc i a t i on by m e a n s of t h e t r a d i t i on a l gon gc h e s ol fe ggi o - t h e n e w c i ph e r n ot a t i on offi c i a l l y e s pou s e d h a s n e ve r t a ke n r oot . JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 41 As t h e C om m u n i s t s c on s ol i d a t e d t h e i r c on t r ol of m a n y vi l l a ge s , t h e y we r e a bl e t o d e m a n d t h e d e s t r u c t i on of t e m pl e s a n d l a i c i za t i on of pr i e s t s . Th e t e m pl e s of Ga oqi a o vi l l a ge we r e d e s t r oye d i n t h e 1945-6 "C a m pa i gn for t h e e l i m i n a t i on of s u pe r s t i t i on i n t h e Li be r a t e d a r e a s ". Fol k r e l i gi on h a d l on g be e n u n d e r a t t a c k, a n d m a n y vi l l a ge t e m pl e s we r e d e c r e pi t a n d n e gl e c t e d , a l l t h e m or e s o wi t h c h r on i c wa r fa r e ; s t i l l , fa i t h r e m a i n e d s t r on g, a n d t h e r e n e we d a ffr on t t o t r a d i t i on c a u s e d a n xi e t y. Th e C om m u n i s t s be ga n t o i m pl e m e n t t h e fi r s t s t a ge of l a n d r e for m by 1946, or ga n i zi n g vi l l a ge r s i n t o Pe a s a n t s ' As s oc i a t i on s . Bu t a s t h e Na t i on a l i s t a r m i e s m a d e a br i e f s or t i e fr om Be i ji n g, t h e C om m u n i s t l e a d e r s h i p h a d t o r e t r e a t , a n d vi l l a ge r s we r e l e ft t o fa c e l oc a l gr ou ps of "Re t u m -t o-t h e -Di s t r i c t t r ou pe s " (Hu a n xi a n g t u a n ), or ga n i ze d by ve n ge fu l d i s pos s e s s e d l a n d l or d s a n d ot h e r s wi t h a gr u d ge a ga i n s t t h e C om m u n i s t s . Two n e i gh bou r i n g vi l l a ge s wi t h Mu s i c As s oc i a t i on s s u ffe r e d t r a u m a s . Re t u r n -t o-t h e -Di s t r i c t t r ou pe s d e s c e n d e d on Nor t h Ba i ba o a n d ki l l e d 18 l e a d e r s of t h e Pe a s a n t s ' As s oc i a t i on , wi t h t h e s u ppor t of t h e c ol l a bor a t i on i s t gove r n m e n t . In Sou t h Ga ol u o, C om m u n i s t r e s i s t a n c e l e a d e r a n d r i t u a l s pe c i a l i s t C a i Fu xi a n g wa s s pi r i t u a l l y br oke n wh e n h i s wh ol e fa m i l y wa s m u r d e r e d on t h e or d e r s of a r i va l vi l l a ge bu l l y, wh o h a d gon e ove r t o t h e s i d e of t h e Re t u m -t o- t h e -Di s t r i c t t r ou pe s . Aft e r Li be r a t i on , C a i r e t r e a t e d fr om pol i t i c a l l i fe , t h ou gh h e c on t i n u e d t a ki n g pa r t i n t h e voc a l l i t u r gy of t h e Mu s i c As s oc i a t i on . La n d r e for m wa s a l on g pr oc e s s , fr om a t l e a s t 1946 t o 1952. In 1951 i n Ti a n h ou , Nor t h a n d Sou t h vi l l a ge s we r e c om bi n e d a n d t h e i r l a n d s h a r e d , wh e r e u pon t h e i r t wo Mu s i c As s oc i a t i on s a l s o c om bi n e d , wi t h ove r 70 m e m be r s . Mos t a s s oc i a t i on s own e d s om e l a n d , a s we l l a s h i r i n g ou t e qu i pm e n t s u c h a s pot s a n d bowl s , t a r pa u l i n s a n d a wa l l -pou n d e r . Su c h l a n d wa s n ot c on fi s c a t e d for t h e c om m u n e u n t i l t h e 1958 Gr e a t Le a p For wa r d . In m a n y vi l l a ge s r i t u a l m u s i c i a n s we r e on t h e l a n d r e for m c om m i t t e e . As vi l l a ge r s s ou gh t t o fl e e wa r fa r e , ki d n a ppi n g for r a n s om a n d c on s c r i pt i on , t h e r e wa s c on s i d e r a bl e m obi l i t y. Se ve r a l m u s i c i a n s s ou gh t r e fu ge i n u r ba n t e m pl e s wh e r e t h e y be c a m e fol k Da oi s t s pe r for m i n g for r i t u a l s , r e t u r n i n g t o t h e i r h om e vi l l a ge s a ft e r Li be r a t i on . In s u c h c a s e s m i gr a t i on c on s ol i d a t e d r i t u a l e xpe r t i s e . Howe ve r , i n Yi s h a n gyi n g t h e ol d a s s oc i a t i on h e a d Li u Fu you , wh o l e a r n t t h e m u s i c i n 1935, obs e r ve d t h a t i f h e h a d n ot gon e off t o joi n t h e a r m y i n 1938, t h e Mu s i c As s oc i a t i on wou l d n ot h a ve l os t s o m a n y of t h e i r ol d s h e n g-gu a n s u i t e s . In Ga ol u o fi gh t i n g m a d e i t i m pos s i bl e t o obs e r ve t h e Ne w Ye a r 's r i t u a l s fr om 1946 t o 1948, bu t m a n y ot h e r vi l l a ge a s s oc i a t i on s r e m a i n e d a c t i ve . Th e Zh a obe i kou a s s oc i a t i on c l a i m e d t o h a ve be e n l a r ge l y u n a ffe c t e d by e i t h e r t h e wa r a ga i n s t Ja pa n or t h e c i vi l wa r . In Fu xi n t h e r e wa s n o ot h e r e n t e r t a i n m e n t , a n d a l ot of boys wou l d c om e a l on g e ve n i f t h e y we r e n ot a l l owe d t o s t u d y t h e m u s i c . In Ma wu zh u a n g, t h e vi l l a ge or ga n i ze d 60 or 70 you n g m e n t o t a ke u p t h e r i t u a l m u s i c i n 1945, s i n c e t h e y we r e a fr a i d i t wou l d be l os t - t h e r e we r e s t i l l a d oze n or s o s e n i or m a s t e r s t h e n . An yon e wh o wa n t e d t o l e a r n h a d t h e i r food t a ke n c a r e of, a fu r t h e r i n c e n t i ve . Aft e r t h os e wh o c ou l d n 't fi gu r e t h e m u s i c ou t 42 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 ("c ou l d n 't c r a c k i t " [ba i bu gu o], a s t h e y s a i d ) we r e l e t go, ove r 20 s t u d e n t s s t a ye d t h e c ou r s e . Th e y s t u d i e d t h e s h e n g-gu a n m u s i c for t h e fi r s t t h r e e ye a r s ; i n t h e fou r t h ye a r t h e y wou l d h a ve gon e on t o l e a r n t h e s c r i pt u r e s , bu t t h e pl a n wa s d i s r u pt e d by t h e ou t br e a k of m a jor fi gh t i n g i n t h e a r e a . Th e m u s i c i a n s ' n os t a l gi a for t h i s t r a u m a t i c pe r i od s e e m s t o r e fl e c t a l l t h e m or e on t h e r e s t r i c t i on s a ft e r Li be r a t i on . Fr om n ow on , vi ol e n c e a ga i n s t t r a d i t i on a l c u l t u r e wa s t o be c on t i n u e d by ot h e r m e a n s ; ye t e ve n t h e s e n e w for m s of vi ol e n c e we r e u n a bl e t o e r a d i c a t e r i t u a l t r a d i t i on s . 3 Ma oi s m "Th e C om m u n i s t Pa r t y d oe s n 't be l i e ve i n He a ve n or Ea r t h ." - vi l l a ge r s "Al t h ou gh ou r m u s i c wa s n 't s u pe r s t i t i ou s , i t wa s t r e a d i n g t h e s a m e pa t h a s s u pe r s t i t i on ." - vi l l a ge l e a d e r d e s c r i bi n g t h e e a r l y 1950s "Re l i gi ou s l i fe wa s e xa c t l y t h e s a m e be for e a n d a ft e r Li be r a t i on ." - vi l l a ge m u s i c i a n s "Th e r e i s a pol i c y bu t i t i s n 't i m pl e m e n t e d ; on e e ye ope n , on e e ye c l os e d ." - c om m on e xpr e s s i on s 3.1 Li be r a t i on Th e C om m u n i s t r e vol u t i on of 1949 m a y s e e m t o h a ve be e n a fu n d a m e n t a l d i vi d i n g l i n e i n t h e t r a n s m i s s i on of t r a d i t i on a l c u l t u r e i n C h i n a . Ye t t h e r e wa s n o s u d d e n c h a n ge i n 1949, a n d Li be r a t i on wa s (i n d e e d , i s !) a l on g pr oc e s s : t h e C om m u n i s t s c on t r ol l e d m a n y a r e a s fr om e a r l y i n t h e 1940s , bu t s t i l l s t r u ggl e d t o ga i n c om pl e t e c on t r ol of ot h e r s i n t o t h e m i d 1950s . St i l l m or e ba s i c a l l y, t h e d e gr e e of c on t r ol wa s c on s t a n t l y n e got i a t e d a t l oc a l l e ve l . Th e c i t a t i on s a bove gi ve a s u c c i n c t i m pr e s s i on of t h e c om pl e xi t i e s of t h e s i t u a t i on . On e r e a s on wh y vi l l a ge r s r a r e l y d e s c r i be t h e pe r i od s oon a ft e r t h e offi c i a l "Li be r a t i on " of 1949 a s on e wh e n t r a d i t i on s we r e d e s t r oye d , i s s u r e l y be c a u s e vi l l a ge s h a d i n s om e s e n s e s a l r e a d y be e n i n t h e pr oc e s s of t r a n s for m a t i on s i n c e a t l e a s t 1939. In d e e d , d e s pi t e c om m on n os t a l gi a for t h e d a ys be for e Li be r a t i on , wh e n r i t u a l pr a c t i c e h a d c on t i n u e d d e s pi t e c on s t a n t wa r fa r e , t h e m or e pe a c e fu l c on d i t i on s of t h e e a r l y 1950s s e e m e d t o m a n y t o m a r k s om e t h i n g of a r e s t or a t i on of t r a d i t i on . St a bi l i t y e n c ou r a ge d c u l t u r a l r e vi va l . We ga i n a s e n s e of t h i s fr om t h e a c c ou n t s of bot h C h i n e s e a n d for e i gn obs e r ve r s . Be l d e n ga ve a r os y pi c t u r e : Th e C om m u n i s t s , i n e n c ou r a gi n g t h e r e vi va l of d a n c i n g, s a t i s fi e d a gr e a t a n d h e a r t fe l t n e e d of t h e pe opl e for a r t i s t i c e xpr e s s i on . It i s a c u r i ou s fa c t t h a t m os t pe opl e , e s pe c i a l l y i n t i m e s of wor l d -s h a ki n g JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 43 d ou bt , h a ve a d e s i r e t o be i n s pi r e d , t o s t a r t t h e i r l i ve s ove r a ga i n , t o be c om e you n g on c e m or e ... Th e ye a r n i n g t o d a n c e , t o s i n g, t o for ge t , t o d r e a m , t o be c om e on c e m or e l i ke c h i l d r e n , be c a m e a s m u c h a pa r t of t h e r e vol u t i on a s d i d t h e l a n d r e for m . (Be l d e n 1973:132) Eve n s om e l e s s r e vol u t i on a r y c om m e n t a t or s h a ve c a l l e d i t a h on e ym oon pe r i od (Fr i e d m a n 1991:111-22; c f. Jon e s 1998:42-3). Th e c u l t u r a l r e vi va l wa s ge n e r a l . Aft e r m a n y ye a r s of i n s e c u r i t y, a m a t e u r ba n gzi ope r a gr ou ps r e vi ve d , n ow r e c r u i t i n g s u bs t a n t i a l n u m be r s of wom e n . Bot h t r a d i t i on a l a n d n e w ope r a s we r e popu l a r i n t h e vi l l a ge s . In m a n y pl a c e s t r a d i t i on a l ope r a d e c l i n e d s e ve r e l y by t h e t i m e of t h e Gr e a t Le a p For wa r d , t h ou gh t h e Sou t h Ga ol u o ope r a t r ou pe we n t a ga i n s t t h e pol i t i c a l t i d e a n d r e ve r t e d t o t h e t r a d i t i on a l s t yl e i n 195 8. Ma n y vi l l a ge s wi t h e xi s t i n g r i t u a l a s s oc i a t i on s e n r ol l e d n e w s t u d e n t s a r ou n d 1950: a l a r ge n u m be r of s e n i or m u s i c i a n s t od a y be ga n l e a r n i n g t h e n . In t h e wi n t e r of 1951 t h e Nor t h Da ya n g a s s oc i a t i on , wh i c h h a d s t oppe d pe r for m i n g d u r i n g t h e c on s t a n t wa r fa r e of t h e pr e c e d i n g ye a r s , r e c r u i t e d ove r 30 boys t o s t u d y t h e s h e n g-gu a n m u s i c . Bu t by 1957 t h e a s s oc i a t i on h a d t o s t op u n d e r t h e pr e s s u r e s of c ol l e c t i vi za t i on . In Ti a n h ou t h e a s s oc i a t i on h a d e i gh t n e w s h e n g m ou t h -or ga n s m a d e . Th e n ot a t e d gon gc h e s c or e s of vi l l a ge Mu s i c As s oc i a t i on s m a ke a n i n t e r e s t i n g i n d e x of t h e i r l i fe -for c e . Wh i l e we h a ve fou n d m a n y s c or e s fr om t h e t r ou bl e d Re pu bl i c a n pe r i od , we a l s o n ot e d t h e gr e a t e n e r gy s i n c e 1949 i n m a i n t a i n i n g t h e t r a d i t i on . Ma n y s c or e s we r e r e c opi e d , i n t h e t e e t h of n e w pr e s s u r e s , i n t h e e a r l y '50s , t h e e a r l y '60s , a n d t h r ou gh ou t t h e '80s a n d '90s . Br i e f h i s t or i e s we r e e ve n wr i t t e n , oft e n on d on or s ' l i s t s c om m e m or a t i n g vi l l a ge r s ' s u ppor t for t h e bu yi n g of n e w i n s t r u m e n t s or r i t u a l pa i n t i n gs . If t h e e a r l y 1950s we r e a pe r i od of opt i m i s m a n d r e n e wa l for s om e a s s oc i a t i on s , m a n y ot h e r s m u s t h a ve fa l l e n s i l e n t . Un d e r C om m u n i s t i d e ol ogy, t h e s t a t u s of vi l l a ge Mu s i c As s oc i a t i on s wa s n ow a m bi va l e n t . Ma n y s t a ye d i n t a c t i n t h e e a r l y 1950s , bu t "t h ou gh t h e m u s i c wa s n 't s u pe r s t i t i ou s , i t wa s t r e a d i n g t h e s a m e pa t h a s s u pe r s t i t i on ", s o a c t i vi t y wa s a l wa ys s e n s i t i ve . Ye t t h e s u ppor t of vi l l a ge c om m u n i t i e s , a n d vi l l a ge c a d r e s , oft e n d e fl e c t e d c e n t r a l pol i c y. Wh i c h r i t u a l a s s oc i a t i on s s t oppe d pr a c t i s i n g, or fa i l e d t o r e vi ve , a ft e r Li be r a t i on , a n d wh y? Mos t of t h os e s t i l l pr a c t i s i n g n ow, of c ou r s e , ke pt goi n g t h e n , on l y be i n g s e ve r e l y r e s t r i c t e d fr om a bou t 1964 t o t h e l a t e 1970s . Eve n wh e r e vi l l a ge r s wa n t e d t o ke e p t h e i r a s s oc i a t i on goi n g, i n t h e fa c e of t h e pr e va i l i n g e t h os of t h e n e w c e n t r a l r e gi m e t h e y s om e t i m e s fe l t u n a bl e t o d o s o. Su c h r e s t r i c t i on s s i n c e 1949 a r e oft e n e xpr e s s e d by t h e t e r m "we d i d n 't d a r e pl a y" (bu ga n c h u i ). Not e t h e n a t u r a l e xpr e s s i on of c on fl i c t wi t h t h e c e n t r a l a u t h or i t i e s - we h e a r d n o t r a c e of a n y r h e t or i c a bou t "n o l on ge r wa n t i n g t o pr a c t i s e s u pe r s t i t i on n ow t h a t t h e Pa r t y h a d l i be r a t e d u s ", s u c h a s on e fi n d s i n offi c i a l s ou r c e s . Som e a s s oc i a t i on s c e a s e d pr a c t i s i n g wi t h ou t a n y s pe c i fi c pr oh i bi t i on . Th e d e c l i n e wa s s om e t i m e s c a s u a l or pe r s on a l , n ot e xpl i c i t l y pol i t i c a l . Th e Gu a n yi n 44 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 Ha l l a s s oc i a t i on of Sou t h Ga ol u o s t oppe d pe r for m i n g voc a l l i t u r gy n ot s o m u c h be c a u s e of offi c i a l d i s a ppr ova l , bu t r a t h e r be c a u s e t h e i r s e n i or r i t u a l s pe c i a l i s t d i e d i n 1950 be for e you n gs t e r s h a d h a d t i m e t o l e a r n pr ope r l y. In Ea s t La opi n g a ft e r 1950 n o on e i n t e r fe r e d wi t h r i t u a l a c t i vi t y, bu t "l i fe wa s n o good ", s o t h e y d i d n 't fe e l l i ke i t a n y m or e . Th e Li h e zh u a n g a s s oc i a t i on , d e s pi t e h a vi n g a ve n e r a bl e h i s t or y goi n g ba c k t o t h e e i gh t e e n t h c e n t u r y a n d s om e fi n e m u s i c i a n s , c e a s e d pr a c t i s i n g for e ve r i n 1953: d e s pi t e s e n i or vi l l a ge r s ' i n s i s t e n c e t h a t t h e a s s oc i a t i on wa s t h e on l y d i ve r s i on (wa n yi 'e r ) i n t h e wh ol e vi l l a ge (c f. Jon e s 1998:59) a n d t h a t t h e y m u s t n ot be t h e ge n e r a t i on t o l e t i t d i e , t h e vi l l a ge l e a d e r s , a l t h ou gh n ot a ga i n s t i t , fe l t u n a bl e t o r i s k s u ppor t i n g i t . St i l l , m a n y Mu s i c As s oc i a t i on s pr a c t i s e d r e l a t i ve l y u n t r ou bl e d u n t i l a bou t 1956. It i n e r a n t s h e n g-r e pa i r e r Qi You zh i c ou l d n ot fi n d a n y m or e wor k i n Be i ji n g a ft e r 1949, s i n c e t h e t e m pl e s h a d a l l c l os e d d own a n d s h e n g-gu a n m u s i c wa s n ow r a r e t h e r e , bu t h e s t i l l fou n d pl e n t y of wor k m e n d i n g s h e n g for vi l l a ge Mu s i c As s oc i a t i on s . Bu t wi t h t e m pl e s a n d s e c t s d i s a ppe a r i n g, t h e r i t u a l a c t i vi t i e s of t h e Mu s i c As s oc i a t i on s we r e i n c r e a s i n gl y i s ol a t e d . Te m pl e l i fe wa s be c om i n g t e n u ou s a ft e r t h e m i d 1940s . As we s a w, t e m pl e s h a d a l r e a d y be e n u n d e r a t t a c k fr om m a n y a n gl e s for h a l f a c e n t u r y, a n d fr om t h e C om m u n i s t s s i n c e a t l e a s t t h e l a t e 1930s . Pr i e s t s we r e l a i c i ze d , s e l d om wi l l i n gl y. C a m pa i gn s a ga i n s t "s e c r e t " s e c t s , fi e r c e i n 1950-51, c on t i n u e d i n t e r m i t t e n t l y t h r ou gh ou t t h e 1950s , e ve n i n t o t h e C u l t u r a l Re vol u t i on . In s om e vi l l a ge s u p t o 80% of pe opl e we r e m e m be r s of s e c t s ; r i n gl e a d e r s we r e e xe c u t e d or t a ke n off t o l a bou r c a m ps , bu t fe w m u s i c i a n s or or d i n a r y m e m be r s s e e m t o h a ve be e n i m pl i c a t e d . In Ha n zh u a n g i n t h e e a r l y 1950s t h e Mu s i c As s oc i a t i on pr a c t i s e d wi t h ou t pr obl e m s , s u ppor t e d by t h e vi l l a ge l e a d e r s h i p. Xi e Yon gxi a n g, a s t a u n c h Pa r t y m e m be r a n d e d u c a t e d vi l l a ge l e a d e r , h i m s e l f a m e m be r of bot h t h e Mu s i c As s oc i a t i on a n d t h e "Te a -l e a ve s t e a c h i n gs " s e c t , t ook r e s pon s i bi l i t y for ge t t i n g t h e s e c t t o s t op a c t i vi t y. In m os t vi l l a ge s pe opl e r e a l i ze d t h e y h a d n o c h oi c e , t h a t "t h e n a i l wa s pos i t i on e d on t h e pl a n k" (ba n s h a n g d i a n d i n g) - a pr ove r b e xpr e s s i n g u n s poke n pol i t i c a l pr e s s u r e . Vi l l a ge r s r e m i n d u s t h a t t h e s e c t s d i d n ot pe r for m t h e s a m e r i t u a l a s t h e vi l l a ge -wi d e a s s oc i a t i on s ; t h e l os s of s e c t a r i a n l e a d e r s wa s n o l os s for t h e pu bl i c r i t u a l . Howe ve r , t h e Mu s i c As s oc i a t i on wa s , a n d i s , a n i m por t a n t a ge n t of vi l l a ge s ol i d a r i t y. It h a d a s m u c h popu l a r s u ppor t i n t h e n e w s oc i e t y a s i n t h e ol d : m a n y m e m be r s we r e s t a l wa r t s of t h e C om m u n i s t r e vol u t i on . On e s t r a n ge s i d e -e ffe c t of t h e pol i c i e s of t h e e a r l y 1950s i s t h a t t h e ve r y fa c t of c l os i n g d own t e m pl e s a n d r e t u r n i n g pr i e s t s t o t h e l a i t y a c t e d a s a s t i m u l u s t o t h e t r a n s m i s s i on of s h e n g-gu a n m u s i c a n d r i t u a l fr om pr i e s t s t o l a y vi l l a ge r s . Se ve r a l Mu s i c As s oc i a t i on s we r e e s t a bl i s h e d on l y i n t h e e a r l y 1950s ; pr i e s t s wh o h a d pr e vi ou s l y h e l d a l u c r a t i ve m on opol y ove r t h e voc a l l i t u r gy a n d s h e n g-gu a n m u s i c n ow fe l t obl i ge d t o h a n d t h e m on t o or d i n a r y vi l l a ge r s . Al l t oo s oon a ft e r Li be r a t i on , d e s pi t e t h e r e vi va l wh i c h pe a c e fu l c on d i t i on s e n c ou r a ge d , s om e vi l l a ge m u s i c i a n s we r e "vol u n t e e r e d " t o s e r ve on t h e Kor e a n Fr on t . Ma n y d e s e r t e d l on g be for e t h e y a r r i ve d , bu t Li u Zh e n ji a n g, fr om t h e Yi s h a n gyi n g a s s oc i a t i on , s t a ye d t h e c ou r s e . Li ke m a n y n e w s t u d e n t s , h e on l y JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 45 s t a r t e d l e a r n i n g t h e m u s i c i n 1950. He n ow t ook h i s gu a n zi wi t h h i m t o t h e fr on t s o h e c ou l d pr a c t i s e ! Re l i gi ou s be l i e f wa s e vi d e n t e ve n i n t h e n e w Pe opl e 's Li be r a t i on Ar m y: t h e l oc a l god d e s s Hou t u i s wi d e l y be l i e ve d t o h a ve r e s c u e d a t r ou pe i n t h e Kor e a n Wa r - a n d a ga i n l a t e r i n t h e Vi e t n a m Wa r . 3.2 C ol l e c t i vi za t i on a n d t h e Gr e a t Le a p For wa r d (1954-9) If t h e i n i t i a l pe r i od a ft e r Li be r a t i on h a d be e n r e l a t i ve l y t r a n qu i l , by t h e m i d 1950s c ol l e c t i vi za t i on l e d t o t h e e s t a bl i s h m e n t of pe opl e 's c om m u n e s , a n d t o t h e m i l i t a r i ze d l a bou r a n d c om m u n a l c a n t e e n s of t h e Gr e a t Le a p For wa r d . Th e s e c a m pa i gn s s oon c a u s e d i m m e n s e s oc i a l d i s r u pt i on . As c a m pa i gn s . m a s s m e e t i n gs a n d for c e d l a bou r i n t e n s i fi e d , pe opl e s i m pl y h a d l e s s fr e e t i m e for c u l t u r a l pu r s u i t s . Mu s i c As s oc i a t i on s we r e s e ve r e l y d a m a ge d ; s e ve r a l h a d t o s u s pe n d a c t i vi t y. Not wi t h s t a n d i n g t h e br i e f "h on e ym oon " a ft e r Li be r a t i on , a s c ol l e c t i vi za t i on be ga n t o be e n for c e d , c u l t u r a l l i fe wa s "wa t e r e d d own ". Vi l l a ge r s c om m on l y a ppl y t h i s i m a ge of d i l u t i on or d e pr e s s i on t o pol i t i c a l l y s e n s i t i ve pe r i od s ; ot h e r c om m on d e s c r i pt i on s of t h e i n fl u e n c e of c ol l e c t i vi za t i on on c u l t u r e a r e "we got by" (c ou h e ) a n d za ot a l e (s om e t h i n g l i ke "t h i n gs we n t t o t h e d ogs "). C om pa r e t h e c om m e n t of a Bu l ga r i a n s h e ph e r d r e c a l l i n g h ow i n t h e 1950s h e n o l on ge r pl a ye d t h e fl u t e : "Th e r e i s n o l i fe , l i t t l e c ou s i n " (Ri c e 1994:35); i n t e r vi e ws wi t h fol k-s i n ge r s i n s ou t h e r n Ji a n gs u vi l l a ge s s u gge s t a s i m i l a r pi c t u r e (Sc h i m m e l pe n n i n c k 1997:135). Ye t t h e h i s t or y of t h e He be i r i t u a l a s s oc i a t i on s i s m or e c om pl e x. Th e y s e e m t o h a ve s u r vi ve d m or e obs t i n a t e l y t h a n s om e m or e s e c u l a r , i n d i vi d u a l , a n d e n t e r t a i n m e n t t r a d i t i on s , s i n c e t h e y h a ve c on t i n u e d t o s e r ve a s oc i a l fu n c t i on wh i c h h a s n e ve r be e n r e pl a c e d . On e ba s i c c h a n ge wa s i n pa t r on a ge . Pr e vi ou s l y, r i c h a s we l l a s poor h ou s e h ol d s h a d s u ppor t e d t h e r i t u a l a s s oc i a t i on s ; n ow t h e ol d l a n d l or d s h a d be e n pu r ge d , i t wa s u p t o t h e "br i ga d e " (a s t h e t e a m of c a d r e s m a ki n g u p t h e vi l l a ge gove r n m e n t c om m i t t e e wa s kn own ) a n d i t s s u bor d i n a t e pr od u c t i on t e a m s t o s t e p i n t o s u ppor t t h e i r vi l l a ge a s s oc i a t i on s . Th i s t h e y oft e n d i d , a s be s t a s t h e y c ou l d . Th r ou gh ou t C om m u n i s t h i s t or y c a d r e s r e s pon s i bl e for i m pl e m e n t i n g Pa r t y pol i c y a t vi l l a ge l e ve l we r e oft e n c om m i t t e d t r a d i t i on a l i s t s a n d t h u s s t a l wa r t s of t h e i r r i t u a l a s s oc i a t i on . Th u s i n Nor t h Xi n zh u a n g t h e vi l l a ge l e a d e r s h i p s u ppor t e d t h e Mu s i c As s oc i a t i on e ve r s i n c e i t s fou n d i n g i n 1951; d u r i n g c ol l e c t i vi za t i on , a s s oc i a t i on m e m be r s , u n a bl e t o ga i n wor k-poi n t s wh i l e pe r for m i n g fu n e r a l s a n d t h u s a bs e n t fr om pr od u c t i on , we r e n on e t h e l e s s e a c h a wa r d e d a fu l l d a y's wor k-poi n t s t o gu a r a n t e e t h e i r l i ve l i h ood . In s om e vi l l a ge s t h e pr od u c t i on t e a m s n ow ga ve t h e i r Mu s i c As s oc i a t i on s om e gr a i n a n d fi r e wood t o h e l p t h e m s u r vi ve . Th r ou gh t h e e a r l y 1950s , Mu s i c As s oc i a t i on s oft e n ke pt t h e s m a l l a m ou n t of l a n d wh i c h t h e y h a d own e d be for e Li be r a t i on , t h e yi e l d fr om wh i c h h e l pe d pa y for e xpe n s e s ; bu t by 1958 s u c h l a n d wa s c on fi s c a t e d for t h e c om m u n e . 46 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 If vi l l a ge l e a d e r s d i d t h e i r be s t t o be s u ppor t i ve of t h e i r l oc a l t r a d i t i on , c a d r e s fr om ou t s i d e we r e oft e n h os t i l e . In Sou t h Ga ol u o a gr ou p of n e w s t u d e n t s s t a r t e d t o l e a r n t h e s h e n g-gu a n m u s i c i n 1957, bu t wh i l e t h e y we r e h u m m i n g t h e gon gc h e s ol fe ggi o of t h e s c or e t oge t h e r on e n i gh t a ft e r fi n i s h i n g wor k, t h e y we r e ove r h e a r d by a c a d r e fr om t h e d i s t r i c t wor k-t e a m . He t ol d t h e m t o s h u t u p, a n d s e n t t h e m off t o s h ove l m u d fr om t h e r i ve r for m a n u r e . Si x of t h e e i gh t n e w s t u d e n t s l a t e r ga ve u p. Bu t d e s pi t e t h e i n c r e a s i n g pr e s s u r e s , s e ve r a l ot h e r a s s oc i a t i on s t r a i n e d n e w m e m be r s i n 1956-7. Ju s t a s pe opl e we r e be i n g d e pr i ve d of pe r s on a l l i be r t i e s i n t h e bl i n d e c on om i c r u s h , fu r t h e r m e a s u r e s we r e t a ke n a ga i n s t s e c t s , Bu d d h i s t s , Da oi s t s a n d C a t h ol i c s . Se c t s we r e n e ve r e n t i r e l y s t a m pe d ou t by t h e c a m pa i gn s of t h e e a r l y 1950s , a n d c a m pa i gn s c on t i n u e d i n t o t h e C u l t u r a l Re vol u t i on . De s pi t e s om e vi l l a ge r s ' c l a i m s t h a t "r e l i gi ou s l i fe wa s e xa c t l y t h e s a m e be for e a n d a ft e r Li be r a t i on ", t e m pl e fa i r s we r e be c om i n g fe we r , a n d we r e c on d u c t e d on a m u c h s m a l l e r s c a l e t h a n be for e . Som e vi l l a ge a s s oc i a t i on s s t i l l m a d e t h e Hou s h a n m ou n t a i n pi l gr i m a ge i n t h e 3r d m oon , bu t i n d i vi d u a l pi l gr i m s we r e n ow m or e c om m on , pr a yi n g for t h e bi r t h of s on s or t o be c u r e d of i l l n e s s . Non e t h e l e s s , vi l l a ge r s fe l t m a n y m or e bon d s wi t h r e l i gi ou s t r a d i t i on be for e t h e C u l t u r a l Re vol u t i on . A Ma t ou vi l l a ge r ga ve a n i n t e r e s t i n g c om pa r i s on wi t h t h e c u r r e n t r e l i gi ou s "r e vi va l ", a s s e r t i n g t h a t e ve n i n 1958 m or e pe opl e m a d e t h e jou r n e y t o Hou s h a n t h a n t od a y, wh e n ove r 100,000 pi l gr i m s r e gu l a r l y a r r i ve for t h e 3r d m oon . As we s a w, t h e pr oc e s s of c on ve r t i n g or d e s t r oyi n g t e m pl e s h a d be gu n i n t h e l a t e i m pe r i a l pe r i od , bu t wa s n ow i n c r e a s i n gl y s u ppor t e d by s e c u l a r i d e ol ogy: wi t h a n e e d for r a w m a t e r i a l s a n d fu e l , wood a n d m e t a l fr om t e m pl e s we r e pr i m e t a r ge t s , wh i l e offi c i a l i d e ol ogy a l s o a ppl a u d e d t h e d e s t r u c t i on of fe u d a l s u pe r s t i t i on . Ma n y t e m pl e s we r e d e s t r oye d i n t h e Gr e a t Le a p For wa r d . In Nor t h Da ya n g t h e Mu s i c As s oc i a t i on fou n d a pa i n fu l c om pr om i s e : t h e y pu l l e d d own a t e m pl e a n d s ol d off i t s t i l e s i n or d e r t o pa y t o h a ve t h e i r s h e n g m ou t h -or ga n s t u n e d . In vi l l a ge s s u c h a s Ha n ji a yi n g t h e Mu s i c As s oc i a t i on 's own r oom wa s d e s t r oye d i n t h e fe r vou r for c om m u n i za t i on . Th i s wa s i r on i c , s i n c e s u c h r oom s a r e c om m on l y kn own a s "pu bl i c bu i l d i n gs " (gu a n fa n gzi ), a n d t h e a s s oc i a t i on s s e r ve t h e vi l l a ge a s a wh ol e , r a t h e r i n t h e s pi r i t of c om m u n i s m , you m i gh t s a y. In d e e d m u c h pr i va t e pr ope r t y, i n c l u d i n g fa m i l y h om e s , wa s a l s o d e s t r oye d a t t h a t t i m e , on t h e e m pt y pr e t e xt t h a t n e w c om m u n a l d or m i t or i e s wou l d be bu i l t . In t h e i n fa m ou s s t e e l c a m pa i gn vi l l a ge r s ga ve u p t h e i r wa t e r c a r t s , woks a n d d oor -h i n ge s t o m e l t d own t o m a ke s t e e l , wh i c h t u r n e d ou t t o be u s e l e s s . Th e m e t a l of i n s t r u m e n t s , s u c h a s t h e pr e c i ou s yu n l u o gon g-fr a m e , wa s s om e t i m e s s ol d off or s a c r i fi c e d t o t h e c a m pa i gn . Th a t t h i s wa s qu i t e r a r e s e e m s t o s h ow t h a t vi l l a ge r s r e a l i ze d t h e i r yu n l u o we r e i r r e pl a c e a bl e , wh e r e a s t h e i r m a t e r i a l l i ve l i h ood c ou l d be for e gon e m or e r e a d i l y. Si n c e we h e a r d of n o a c t i ve a s s oc i a t i on s wh i c h ga ve u p t h e i r yu n l u o, pe r h a ps m os t of t h os e t h a t d i d h a d be e n i n a c t i ve for s om e ye a r s . In t h i s a r e a t h e m a jor m u s i c a l i n i t i a t i ve of t h e pe r i od wa s t h e offi c i a l gl or i fi c a t i on of Sou t h e r n Mu s i c , n ow pu bl i c i ze d a s a s e c u l a r "s on gs -for -wi n d s " JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 47 (c h u i ge ) i n t h e m od e l c ou n t i e s of Xu s h u i a n d Di n gxi a n (Jon e s 1998:195-202). As we s a w, t h i s s t yl e wa s r e l a t i ve l y m od e m a n d a d a pt a bl e , h a vi n g fi r s t be c om e popu l a r i n t h e 1920s . Eve n a s t h e i r t r a d i t i on a l a c t i vi t i e s we r e be i n g s e ve r e l y l i m i t e d , s om e Mu s i c As s oc i a t i on s , a s we l l a s Sou t h e r n Mu s i c As s oc i a t i on s , we r e r e c r u i t e d t o s e r ve t h e pom p of t h e Gr e a t Le a p For wa r d . Pa r a d e s t o "r e por t joy" (ba oxi , t h e t e r m for t h e i n fl a t e d a n d c om pu l s or y a n n ou n c e m e n t s of e c on om i c s u c c e s s e s ) we r e n ow fr e qu e n t . Th e Ha n zh u a n g Mu s i c As s oc i a t i on pl a ye d for c om m u n e m e e t i n gs i n t h e Gr e a t Le a p For wa r d , a n d for t h e 1s t Ma y wor ke r s ' fe s t i va l . Th e Mu s i c As s oc i a t i on s of Nor t h a n d Sou t h Ga ol u o c om bi n e d t o go t o a n e a r by vi l l a ge t o s u ppor t a bi g pr od u c t i on d r i ve . Th e a s s oc i a t i on s pl a ye d t h e i r u s u a l i n s t r u m e n t s - t h a t wa s a l l t h e y h a d - a n d m os t pe r for m e d t h e i r u s u a l r e pe r t or y, a l t h ou gh s om e pl a ye d "n e w pi e c e s ". Th e m u s i c i a n s of t h e Da oi s t -t r a n s m i t t e d Mu s i c As s oc i a t i on i n Li ji a wu we r e d e pu t e d for a pa r a d e i n Be i ji n g i n 1959, pl a yi n g "r e vol u t i on a r y s on gs " s u c h a s Soc i a l i s m i s good a n d Th e pe opl e , c om m u n e s a r e good . Ye t n e i t h e r t h e n e w c on t e xt s n or t h e n e w pi e c e s m a d e a n y l a s t i n g i m pa c t on t h e Mu s i c As s oc i a t i on s . Am a zi n gl y, i n 1959 t h e m u s i c i a n s of t h e Nor t h Xi n zh u a n g Mu s i c As s oc i a t i on got t oge t h e r t o fi n d a ph ot ogr a ph e r t o t a ke a gr ou p por t r a i t wi t h t h e i r a ge d m a s t e r , t h e for m e r Bu d d h i s t pr i e s t Da gu a n g, wh o h a d t a u gh t t h e m ju s t a ft e r Li be r a t i on . Th e y fa c e t h e c a m e r a pr ou d l y i n t h e i r fi n e Bu d d h i s t r obe s (Fi gu r e 6). Ha r d l y l e s s i n c r e d i bl y, t h e y m a n a ge d t o ke e p t h e ph ot o, a n d e ve n s om e of t h e r obe s , t h r ou gh t h e C u l t u r a l Re vol u t i on , a n d a r e i n gr e a t d e m a n d for fu n e r a l s t od a y. Fi gu r e 6 Th e Nor t h Xi n zh u a n g Mu s i c As s oc i a t i on , 1959. For m e r Bu d d h i s t pr i e s t Da gu a n g s i t s i n t h e c e n t r e a m on g t h e pu pi l s h e t a u gh t r i t u a l m u s i c s oon a ft e r Li be r a t i on . 48 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 De s pi t e t h e wor s e n i n g c r i s i s , d a m a gi n g c u l t u r e a n d r e l i gi on a s m u c h a s t h e e c on om y, s om e c u l t u r a l a u t h or i t i e s s t i l l m a n a ge d t o or ga n i ze m or e t r a d i t i on a l a c t i vi t i e s , s u c h a s "fol k fe s t i va l s ", u s u a l l y h e l d i n c ou n t y-t own s . Som e of t h e s e we r e e ve n r e c or d e d , t h ou gh I kn ow of n o r e c or d i n gs wh i c h s u r vi ve d t h e C u l t u r a l Re vol u t i on . In t h e d e s pe r a t e wi n t e r of 1959-60 t h e Nor t h Lon gh u a Mu s i c As s oc i a t i on r e c or d e d t wo pi e c e s a t Ga oya n g c ou n t y-t own for t h e c ou n t y Pe opl e 's Ra d i o St a t i on . Soon a ft e r , t h e y we n t t o Ba od i n g t o t a ke pa r t i n a n a r t s fe s t i va l a r r a n ge d by t h e Ba od i n g Bu r e a u of C u l t u r e , pl a yi n g i n a t r u c k i n t h e s n ow. Tod a y m u s i c i a n s r e m e m be r s u c h e xc e pt i on a l e ve n t s wi t h a ki n d of n os t a l gi a ; bu t a t t h a t t i m e , m a n y we r e s t a r vi n g. 3.3 Th e Th r e e Ye a r s of Ha r d s h i p, a n d a l u l l Th e s e ve r e fa m i n e s of 1959-61 t h r ou gh ou t C h i n a h a ve s t i l l n ot be e n wi d e l y a c kn owl e d ge d (Be c ke r 1996). Th e wh ol e c ou n t r y wa s a ffe c t e d , wi t h t e n s of m i l l i on s d yi n g; He n a n a n d An h u i pr ovi n c e s fu r t h e r s ou t h s u ffe r e d wor s t , bu t c e n t r a l He be i wa s ba d l y h i t t oo. Be ggi n g a n d va gr a n c y we r e c om m on i n Ba xi a n c ou n t y, a n d m a n y s t a r ve d t o d e a t h i n t h e vi l l a ge s i n t h e m od e l c ou n t y of Xu s h u i , d e s pi t e i t s s pe c i a l s t a t u s (Fr i e d m a n 1991:342). Th e Zh a obe i kou a s s oc i a t i on h a d t o s t op pr a c t i s i n g d u r i n g t h e t h r e e ye a r s of h a r d s h i p. "In 1960 we we r e s o h u n gr y we c ou l d n 't m ove ; m os t pe opl e we r e s c a ve n gi n g t h e c ou n t r ys i d e , we h a d n o e n e r gy t o pe r for m . We s t i l l c ou l d n 't ge t goi n g a ga i n i n 1961" Wh i l e m a n y pe opl e we r e d yi n g, i t wa s a fu r t h e r d i s t r e s s for t h e s u r vi vor s t o be u n a bl e t o gi ve pr ope r fu n e r a l s . Som e a s s oc i a t i on s m a n a ge d t o c on t i n u e pe r for m i n g fu n e r a l s , bu t t h e pe r i od wa s s o h or r i fi c t h a t e ve n i f t h e y we r e a c t i ve , t h e y pr e fe r t o for ge t . In Sou t h Ga ol u o, fl a u t i s t He Yi h a s n e ve r be e n a bl e t o for ge t t h e d e a t h fr om s t a r va t i on of h i s m a s t e r C a i Sh a n i n 1960: "He 'd t a ke n s u c h t r ou bl e t o t e a c h m e , a n d e ve n i f I c ou l d n 't fe e d h i m , t h e l e a s t I s h ou l d 've d on e wa s t o pl a y for h i s fu n e r a l ". In Yu a n m e n kou t h e pr e s e n t r i t u a l s pe c i a l i s t s h a d on l y l e a r n t a t h i r d of t h e r i t u a l m a n u a l s be for e a l l t h e i r ol d m a s t e r s s t a r ve d t o d e a t h i n 1960. Th r ou gh ou t t h e a r e a , a n d pe r h a ps i n m os t of C h i n a , a s t h e e c on om i c s i t u a t i on s h owe d s i gn s of i m pr ovi n g i n t h e t e m por a r y r e t r e a t fr om e xt r e m e l e ft i s t pol i c i e s , t h e r e wa s a br i e f r e vi va l of t r a d i t i on fr om l a t e 1961 or 1962 (c f. Fr i e d m a n 1991:354; Ma c ke r r a s 1975:168). I s u s pe c t s t r on gl y t h a t t h e t r a i n i n g of t h e ge n e r a t i on wh i c h l e a r n t fr om 1962 t o 1964 i s r e s pon s i bl e for t h e c on t i n u i t y t od a y; h a d i t n ot be e n for t h a t pe r i od , fe w wou l d h a ve l e a r n t s h e n g- gu a n m u s i c a n d voc a l l i t u r gy for m a l l y or ope n l y fr om a bou t 1957 u n t i l a t l e a s t 1977. Vi l l a ge r s s t r e s s e d t h a t i n t h e d a ys be for e t e l e vi s i on a n d pop m u s i c , e ve n u n d e r Ma oi s m , t h e r e wa s s i m pl y n o ot h e r c u l t u r a l l i fe ; t e e n a ge boys l i ke d t o l e a r n be c a u s e t h e r e wa s n ot h i n g e l s e t o d o, pa r t i c u l a r l y i n t h e l on g wi n t e r e ve n i n gs be for e Ne w Ye a r . In Zh a obe i kou t h e a s s oc i a t i on r e s t or e d i n t h e s e c on d h a l f of 1962, bu t t h e n i n 1963 t h e r e wa s a fl ood - t h e y h a d t o r e s c u e t h e i n s t r u m e n t s by pu t t i n g t h e m i n a boa t . Ga ol u o a l s o s u ffe r e d a fl ood i n 1963, t h e l a r ge s t s i n c e 1917. Ma n y JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 49 s u c h "n a t u r a l d i s a s t e r s " we r e br ou gh t on by poor l a n d m a n a ge m e n t d u r i n g t h e Gr e a t Le a p For wa r d . Howe ve r m u c h s e c u l a r pr e s s u r e wa s bu i l d i n g u p, a d ve r s i t y m a d e pe opl e s e e k t h e god s t o r e s c u e t h e m fr om t h e i r pl i gh t . Th e Yi s h a n gyi n g m u s i c i a n s h a d be e n t oo bu s y t o m a ke t h e Hou s h a n pi l gr i m a ge d u r i n g t h e Le a p, bu t t h e y m a n a ge d t o go i n 1960 - t h ou gh h u n gr y (n ot t oo m a n y h a d s t a r ve d t o d e a t h i n t h e i r vi l l a ge ), t h e y we r e you n g e n ou gh a n d c ou l d s t i l l "bl ow". Th e y l a s t m a d e t h e pi l gr i m a ge i n 1964. Th e Xi a on i u a s s oc i a t i on ke pt u p t h e pi l gr i m a ge t oo i n t h e e a r l y 1960s , bu t i n a s m a l l e r gr ou p, a n d n ot d a r i n g t o br i n g t h e i r a s s oc i a t i on pe n n a n t s wi t h t h e m . Se ve r a l vi l l a ge s pe r for m e d r i t u a l s a n d r e c i t e d s c r i pt u r e s t o a ve r t fl ood i n g. Mor e fr e qu e n t a c a l a m i t y wa s d r ou gh t : i n Ea s t Ba i ji a n t h e e l d e r s pr a ye d for r a i n c l a n d e s t i n e l y i n 1962 a n d e ve n i n 1964, by a gr e e m e n t wi t h t h e vi l l a ge br i ga d e , bu t t h e y d i d n ot d a r e go pu bl i c by u s i n g s h e n g-gu a n m u s i c . Mos t m ovi n g for m e i s t h e t e n u ou s t h r e a d by wh i c h t h e r i t u a l t r a d i t i on of Sou t h Ga ol u o wa s pr e s e r ve d . In t h e wi n t e r s of 1962-4, s i x t e e n a ge r s s t u d i e d t h e voc a l l i t u r gy, i n c l u d i n g t h e be a u t i fu l Hou t u s c r ol l , wi t h r i t u a l s pe c i a l i s t a n d for m e r C om m u n i s t gu e r r i l l a C a i Fu xi a n g, a s pa r t of t h e "m i n or r e s t or a t i on " of t h e Mu s i c As s oc i a t i on . Fou r of t h os e s i x m e n n ow m a ke u p t h e r i t u a l s pe c i a l i s t s of t h e a s s oc i a t i on . Ove r 30 you n g vi l l a ge m e n s t a r t e d l e a r n i n g t h e s h e n g-gu a n m u s i c t h a t wi n t e r t oo, a n d t h e ope r a t r ou pe r e vi ve d s t r on gl y wi t h t h e t r a d i t i on a l r e pe r t or y wh i c h i t h a d be e n s e e ki n g t o pe r for m s i n c e 1958. Al s o t ou c h i n g i s t h e t r a gi c opt i m i s m of t h e Nor t h Lon gh u a Mu s i c As s oc i a t i on . Th e pr e fa c e t o t h e i r 1963 gon gc h e s c or e s t a t e s t h a t t h e a s s oc i a t i on wa s fou n d e d "ove r 200 ye a r s a go"; s om e i n s t r u m e n t s h a d be e n l os t d u r i n g t h e Ja pa n e s e oc c u pa t i on , a n d t h e r e wa s on l y on e s c or e . For t h e Is t m oon of 1963, "wi t h c on d i t i on s pe a c e fu l a n d pe opl e 's h e a r t s a t r e s t ", t h e y m i m e ogr a ph e d 20 c opi e s of t h e s c or e for n e w m e m be r s t o s t u d y. Al a s , t h e y s poke t oo s oon . In Ea s t La opi n g, m u s i c i a n Du Ji n h e we n t off t o joi n t h e a r m y i n 1956, a n d wh e n h e c a m e h om e i n 1961 wa s m a d e h e a d of t h e vi l l a ge m i l i t i a , wh i c h , l i ke ot h e r i n s t i t u t i on s , wa s ju s t be gi n n i n g t o fu n c t i on a ft e r s om e ye a r s of c h a os . "I u s e d t h e oppor t u n i t y of t r a i n i n g t h e m i l i t i a t o s i n g r e vol u t i on a r y s on gs a n d s t u d y, a n d t o r e or ga n i ze t h e vi l l a ge 's Bu d d h i s t Affa i r s As s oc i a t i on a n d Mu s i c As s oc i a t i on ! Th e r e we r e pl e n t y of ol d m a s t e r s fr om bot h a s s oc i a t i on s t h e n . For t h e n e xt c ou pl e of ye a r s we a ga i n s e t u p t h e Ne w Ye a r 's l a n t e r n t e n t , h a n gi n g ou t t h e r i t u a l pa i n t i n gs , bu t by n ow pe opl e on l y offe r e d i n c e n s e , t h e r e wa s n o i n s t r u m e n t a l m u s i c ." Th e y h a d t o s t op pr a c t i s i n g i n t h e De s t r oy t h e Fou r Ol d s c a m pa i gn i n 1966; on l y t h e voc a l l i t u r gy h a s r e vi ve d i n r e c e n t ye a r s . Som e l oc a l c u l t u r a l a u t h or i t i e s c on t i n u e d t o m a ke t oke n a t t e m pt s t o s u ppor t fol k m u s i c . In t h e e a r l y 1960s t h e Xi on gxi a n c ou n t y Bu r e a u of C u l t u r e or ga n i ze d a c om pe t i t i on for n e a r l y a d oze n Mu s i c As s oc i a t i on s a n d Sou t h e r n Mu s i c As s oc i a t i on s . De s pi t e s por a d i c e c on om i c pr ogr e s s , C h i n a wa s s t i l l d e s pe r a t e l y poor . On e r a r e l y-m e n t i on e d c h a n ge i n t h e e a r l y 1960s m u s t h a ve t r a n s for m e d vi l l a ge l i fe : t h e a d ve n t of e l e c t r i c i t y. Al t h ou gh s t i l l r u d i m e n t a r y a n d s por a d i c t od a y, i t m u s t h a ve be e n a gr e a t e xc i t e m e n t . In a vi l l a ge wh os e br i ga d e i n s t a l l e d e l e c t r i c i t y i n 50 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 t h e Mu s i c As s oc i a t i on 's r oom a t pu bl i c e xpe n s e , on e pe r c e pt i ve a m a t e u r h i s t or i a n s u gge s t e d t h a t t h i s wa s a m a jor e l e m e n t i n t h e r e vi va l . Th e for c e d r e t u r n of m a n y vi l l a ge r s t o r e s c u e a gr i c u l t u r e m u s t a l s o h a ve pl a ye d a pa r t : a s c a m pa i gn s t e m por a r i l y qu i e t e n e d d own , s on s a n d gr a n d s on s of s e n i or m u s i c i a n s we r e a ga i n a va i l a bl e t o l e a r n t h e t r a d i t i on . 3.4 Th e Fou r C l e a n u ps a n d t h e C u l t u r a l Re vol u t i on (1965-76) It i s i m por t a n t t o d i s c e r n ph a s e s i n t h e C u l t u r a l Re vol u t i on , n ot t o c on s i d e r i t a s a n u n d i ffe r e n t i a t e d bl a c k h ol e . Th e l i ve s of vi l l a ge r s we r e d i s r u pt e d m u c h l e s s t h a n t h os e of e d u c a t e d u r ba n d we l l e r s (Ga o 1999). Mos t vi l l a ge r s h a d t o s u s pe n d r i t u a l a c t i vi t y a r ou n d 1965 wh e n t h e Fou r C l e a n u ps (Si qi n g) c a m pa i gn be ga n , a l l t oo s oon a ft e r t h e r e vi va l of 1962-4. Bu t t h e wor s t vi ol e n c e wa s ove r by 1969, a n d vi l l a ge r s c on s i d e r e d t h e C u l t u r a l Re vol u t i on t o h a ve e n d e d by t h e n ; fu r t i ve r i t u a l a c t i vi t y a ga i n be c a m e c om m on , r e ve r t i n g t o t h e r ou t i n e c u l t u r a l "d i l u t i on " wh i c h we n ot e d c h a r a c t e r i zi n g t h e wh ol e c om m u n e pe r i od fr om a bou t 1955 t o 1978. Al t h ou gh m a n y r e l i gi ou s a r t e fa c t s we r e d e s t r oye d d u r i n g t h e fi r s t d e c a d e s of C om m u n i s t r u l e , a r e m a r ka bl e a m ou n t h a d s u r vi ve d t o t h e 1960s . Bu t i n t h e fi r s t c ou pl e of ye a r s of t h e C u l t u r a l Re vol u t i on e m bl e m s of t h e h e r i t a ge we r e br u t a l l y d e s t r oye d . In a l m os t e ve r y vi l l a ge we we r e t ol d h ow l a r ge c offe r s fu l l of s c r i pt u r e s we r e t a ke n ou t a n d bu r n t . De s pi t e t h e r e vi va l s i n c e t h e 1980s , m u s i c i a n s d ou bt t h a t on e i n t e n s c r i pt u r e s fr om t h e e a r l y 1960s h a s be e n r e s t or e d . Th e voc a l l i t u r gy wa s m or e vu l n e r a bl e t h a n t h e i n s t r u m e n t a l m u s i c , s i n c e r i t u a l m a n u a l s we r e m or e s u s pe c t t h a n i n s t r u m e n t a l s c or e s ; m or e ove r , voc a l l i t u r gy i s pe r for m e d wi t h t h e a i d of t h e r i t u a l m a n u a l s , wh i l e i n s t r u m e n t a l m u s i c i s m e m or i ze d , t h e s c or e fu n c t i on i n g on l y a s a l e a r n i n g d e vi c e a n d a i d t o m e m or y. Th e Ha n zh u a n g a s s oc i a t i on h a d t o s u s pe n d a c t i vi t i e s wh e n t h e i r i n s t r u m e n t s we r e c on fi s c a t e d i n t h e Fou r C l e a n u ps . Xi e Yon gxi a n g, a s a r e s pe c t e d Pa r t y m e m be r , wa s s u m m on e d by t h e d i s t r i c t wor k-t e a m t o a n s we r qu e s t i on s ; h e m a n a ge d t o pa t c h t h i n gs u p, a n d s om e i n s t r u m e n t s we r e r e t u r n e d , bu t t h e a s s oc i a t i on r e m a i n e d i n a c t i ve t h r ou gh t h e e a r l y ye a r s of t h e C u l t u r a l Re vol u t i on . Hon e d by pa s t c a m pa i gn s , vi l l a ge r s h a d ga i n e d s om e c a n n y pol i t i c a l s ki l l s . In Sou t h Ga ol u o pot e n t i a l l y s u s pe c t m a n u a l s we r e h i d d e n wi t h pe opl e l e a s t l i ke l y t o h a ve t h e i r h ou s e s r a i d e d , s u c h a s "poor pe a s a n t " C a i Hu a n a n d d e c r e pi t on e -e ye d r e s i s t a n c e ve t e r a n Zh a n g We n . El s e wh e r e fi n e ope r a c os t u m e s we r e a l s o h i d d e n i n t h e h ou s e s of "pol i t i c a l l y c or r e c t " poor pe a s a n t s . Du r i n g t h e Fou r C l e a n u ps t h e Be i h ou a s s oc i a t i on wa s e n c ou r a ge d t o pl a y n e w pi e c e s s u c h a s "Don 't for ge t t h e bi t t e r n e s s of c l a s s " (Bu wa n g ji e ji ku ); a ga i n C h e n g Yi t ook t h e l e a d , t e a c h i n g by m e a n s of t h e t r a d i t i on a l gon gc h e s ol fe ggi o. At t h e s t a r t of t h e C u l t u r a l Re vol u t i on , t h e y we r e e ve n for c e d t o pl a y wh i l e t h e wor k-t e a m s bu r n t t h e i r r i t u a l m a n u a l s a n d pa i n t i n gs , a t e l l i n gl y s a d i s t i c i n d i gn i t y. Th e a s s oc i a t i on m a n a ge d t o pr e s e r ve on l y on e m a n u a l . JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 51 In Li ji a fe n , fi ve t e e n a ge boys l e a r n t t h e voc a l l i t u r gy i n 1963, wh e n t h e r e we r e s t i l l m a n y s e n i or m e m be r s . Aft e r t h e Fou r C l e a n u ps be ga n i n 1965 t h e y h a d t o s t u d y i n s e c r e t a t h om e . Th e Fu xi n a s s oc i a t i on d e s c r i be d a c t i vi t y d u r i n g t h e C u l t u r a l Re vol u t i on a s e ve n m or e "wa t e r e d d own " t h a n a ft e r c ol l e c t i vi za t i on ; t h ou gh t h e y ke pt goi n g i n s e c r e t wi t h i n t h e vi l l a ge , t h e y s t i l l t a l ke d of "r e vi vi n g" i n 1978. In t h e C u l t u r a l Re vol u t i on t h e y pa i n t e d t h e i r be a u t i fu l ol d d r u m r e d , u s i n g i t for pr opa ga n d a , s o t h e Re d Gu a r d s wou l d n ot h a ve a pr e t e xt t o d e s t r oy i t . In m a n y vi l l a ge s Mu s i c As s oc i a t i on m e m be r s t ook pa r t i n t h e n e w Pr opa ga n d a Te a m s . In Ea s t Yu zh u a n g t h e Mu s i c As s oc i a t i on s u s pe n d e d a c t i vi t y i n 1960, r e s t or e d a ft e r t h e fa m i n e s , a n d a ft e r t h e Fou r C l e a n u ps c h a n ge d t o a s e c u l a r "c l u b" (zh u l e bu ), m a i n l y pe r for m i n g m od e l ope r a s . Bu t t h e y got on we l l wi t h t h e vi l l a ge c a d r e s t h r ou gh ou t t h e pe r i od , a n d d u r i n g t h e Fou r C l e a n u ps e ve n t h e wor k-t e a m s fr om ou t s i d e d i d n ot i n t e r fe r e wh e n t h e y d i d fu n e r a l s . Th e y c on s i d e r e d t h e i r r e s t or a t i on - s u ppor t e d by t h e vi l l a ge a u t h or i t i e s - a s a t r a d i t i on a l Mu s i c As s oc i a t i on t o d a t e fr om 1975. In Ga ozh u a n g n e a r by, m u s i c i a n s c l a i m t h a t i n t h e C u l t u r a l Re vol u t i on t h e r e we r e n o a t t a c ks on t h e vi l l a ge a s s oc i a t i on ; fe w ke pt u p t h e s h e n g-gu a n m u s i c , bu t t h e voc a l l i t u r gy wa s a c t i ve t h r ou gh ou t . "Th e a s s oc i a t i on i s n 't a ga i n s t a n yt h i n g, i t m a ke s n o d e m a n d s , d oe s n 't h a r m a n yon e , s o e ve r yon e be l i e ve s i n i t , a n d i t 's n e ve r d i s ba n d e d ." As on e m u s i c i a n obs e r ve d , "In t h e C u l t u r a l Re vol u t i on t h e r e wa s n o ot h e r e n t e r t a i n m e n t [yu l e ], s o we s t i l l u s e d t o pl a y t h e ol d pi e c e s a t Ne w Ye a r . Th e t h e n s e c r e t a r y d i d n 't i n t e r fe r e [bu gu a n ], h e d i d n 't t h i n k i t wa s t h e br i ga d e 's r e s pon s i bi l i t y - t h e y we r e a l wa ys qu i t e e n l i gh t e n e d [ka i m i n g]. Th e c om m on pe opl e h a d a good i m pr e s s i on of t h e Mu s i c As s oc i a t i on , we 'r e n ot m e r c e n a r y, we pr a c t i s e good [xi n gs h a n ]." In t h e Fou r C l e a n u ps t h e Pa r t y Se c r e t a r y of t h e d i s t r i c t c om m i t t e e br ou gh t a wor k-t e a m t o Ga ozh u a n g, s t a yi n g for ove r a ye a r u n t i l a ft e r t h e for m a l ou t br e a k of t h e C u l t u r a l Re vol u t i on . Th e Mu s i c As s oc i a t i on pl a ye d ol d pi e c e s for r e l a t i ve s of t h e a r m y, s o t h e d i s t r i c t Se c r e t a r y d i d n ot i n t e r fe r e . Mu s i c i a n s i n Ea s t We n qu a n a l s o c l a i m t h a t t h e i r Mu s i c As s oc i a t i on ke pt pe r for m i n g t h r ou gh ou t t h e C u l t u r a l Re vol u t i on . "Th e r i va l Re d Gu a r d fa c t i on s we r e t oo bu s y fi gh t i n g i t ou t t o t a ke a n y n ot i c e - a n d a n ywa y on e fa c t i on l i ke d t h e m u s i c ." In Ea s t Ba i ji a n , Wa n g Fe n gzh a n g, t h e pr e s e n t l e a d gu a n zi pl a ye r , be ga n t o l e a r n t h e r i t u a l m u s i c fr om h i s fa t h e r i n 1961, bu t we n t off t o joi n t h e a r m y i n 1965. As t h e C u l t u r a l Re vol u t i on br oke ou t , t h e m u s i c i a n s bu r i e d t h e i r m e l od i c i n s t r u m e n t s for s a fe -ke e pi n g, s o a t fi r s t t h e y c ou l d on l y pl a y a bi t of pe r c u s s i on for fu n e r a l s . Bu t wh e n Wa n g c a m e ba c k t o t h e vi l l a ge i n 1973 t h e Mu s i c As s oc i a t i on wa s s t i l l goi n g, a n d h e c on t i n u e d s t u d yi n g wh e r e h e h a d l e ft off. In Zh a obe i kou , m u s i c i a n s poi n t e d ou t t h a t t h e Fou r C l e a n u ps c a m pa i gn wa s a ga i n s t c a d r e s , n ot a ga i n s t a s s oc i a t i on s . "In t h e C u l t u r a l Re vol u t i on we s t i l l obs e r ve d t h e Ne w Ye a r - we pl a ye d t h e ol d pi e c e s a s we l l a s r e vol u t i on a r y s on gs , a d d i n g a l a r ge we n gzi [a bowe d ba s s fi d d l e , l i ke a d a h u ]." As s oon a s pol i t i c a l c on t r ol l a ps e d i n t h e 1970s , t h e y d i s c a r d e d bot h t h e n e w pi e c e s a n d t h e we n gzi a n d r e t u r n e d t o t h e u n a d u l t e r a t e d t r a d i t i on a l s t yl e . 52 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 Th e Sou t h Ga ol u o a s s oc i a t i on s t i l l m a n a ge d t o pl a y t h e i r i n s t r u m e n t a l m u s i c for fu n e r a l s fr om a t l e a s t 1968, h a vi n g be e n s i l e n t for on l y a c ou pl e of ye a r s , i f t h a t . As e ve r , "wh e n t h e a u t h or i t i e s c on t r ol l e d t h i n gs s t r i c t l y we ke pt qu i e t , wh e n t h i n gs we r e m or e r e l a xe d we we n t t o pl a y". An d t h e y s t u c k t o t h e i r t r a d i t i on a l s h e n g-gu a n r e pe r t or y, t h ou gh t h e y n e ve r fe l t a bl e t o r i s k pe r for m i n g t h e voc a l l i t u r gy wh i c h t h e t e e n a ge r s h a d l e a r n t d u r i n g t h e s h or t -l i ve d r e s t or a t i on of 1962-4. Mu s i c i a n s ke pt t h e s m a l l e r i n s t r u m e n t s , wh i l e t h e l a r ge r pe r c u s s i on i n s t r u m e n t s we r e s t or e d a t t h e h ou s e of t h e for m i d a bl e l e a d e r He Qi n g, h i m s e l f a ba c ks t a ge pol i t i c a l a c t i vi s t . Apa r t fr om fu n e r a l s , t h e y a l s o t ook ou t t h e pe r c u s s i on i n s t r u m e n t s t o c e l e br a t e t h e s e n d i n g of you n g vi l l a ge r s off t o a r m y s e r vi c e . Ne w Ye a r t oo wa s s t i l l obs e r ve d i n a t r a d i t i on a l , a l be i t s i m pl i fi e d , wa y. Th e pa n t h e on a n d ot h e r r i t u a l pa i n t i n gs we r e ke pt i n t h e h ou s e of C a i Yon gc h u n , r i t u a l s pe c i a l i s t a n d ve t e r a n r e vol u t i on a r y. Fr om a bou t 1969 h e h u n g t h e m ou t a t Ne w Ye a r i n h i s h ou s e a n d vi l l a ge r s fu r t i ve l y c a m e t o offe r i n c e n s e be for e t h e pa i n t i n gs ; m a ybe s om e of t h e m u s i c i a n s e ve n pl a ye d . Th e n fr om 1971 He Qi n g t ook t h e pa i n t i n gs ba c k, a n d a t Ne w Ye a r t h e y on c e a ga i n a d or n e d t h e ol d r i t u a l bu i l d i n g. Bu t t h e d i a ogu a h a n gi n gs , wh i c h t r a d i t i on a l l y e m be l l i s h e d t h e a l l e ys a t Ne w Ye a r , s t i l l s t a ye d h i d d e n a wa y. He Qi n g e ve n h a d t h e a s s oc i a t i on 's d e c r e pi t ol d s c or e r e c opi e d d u r i n g t h i s pe r i od . 4 Th e r e for m e r a Aft e r t h e d e a t h of Ma o a n d t h e fa l l of t h e Ga n g of Fou r i n 1976, ove r t wo d e c a d e s of Ma oi s t pol i c i e s we r e ove r t u r n e d : De n g Xi a opi n g pr e s i d e d ove r t h e d i s m a n t l i n g of t h e c om m u n e s ys t e m a n d t h e i m pl e m e n t i n g of m or e l i be r a l e c on om i c pol i c i e s . As t h e s t a t e wi t h d r e w, t h e i n d i vi d u a l fa m i l y on c e a ga i n be c a m e t h e e c on om i c u n i t , br i n gi n g a n xi e t y a n d pr e s s u r e a s m u c h a s r e l i e f. Ma n y vi l l a ge r s a r e n ow n os t a l gi c for t h e s e c u r i t y of t h e c om m u n e s ys t e m , bot h e c on om i c a l l y a n d c u l t u r a l l y. Ec on om i c pr ogr e s s h a d be e n m a d e , bu t wa s l i m i t e d by popu l a t i on gr owt h . As m a s s m e e t i n gs be c a m e a m e m or y, t h e on l y "h a r d " pol i c y t o be i m pl e m e n t e d wa s t o be t h e c on t r ove r s i a l bi r t h -c on t r ol pol i c y. Al t h ou gh s u pe r fi c i a l l y t h e d i s m a n t l i n g of Ma oi s m e n a bl e d t r a d i t i on a l c u l t u r e t o r e vi ve on a m or e s ol i d foot i n g, r e l a t i ve l y fr e e of pol i t i c a l c on t r ol , t h e r i t u a l a s s oc i a t i on s h a ve fa c e d ve r y d i ffe r e n t pr obl e m s u n d e r t h e n e w c a pi t a l i s m . 4.1 Th e r e vi va l It i s i m por t a n t t o r e c ogn i ze t h e t h r e a d s by wh i c h r i t u a l a s s oc i a t i on s c l u n g on t o t h e i r t r a d i t i on s , e n a bl i n g t h e r e vi va l of t h e 1980s : i t t r a n s pi r e s t h a t m a n y h a d m a n a ge d t o m a i n t a i n a c t i vi t y i n a fu r t i ve wa y e ve n d u r i n g t h e C u l t u r a l Re vol u t i on , a t l e a s t s i n c e 1970 a s a c t i ve pol i t i c a l i n t e r fe r e n c e d i m i n i s h e d . St i l l , pr a c t i c e h a d l on g be e n s o d i l u t e d t h a t t h e y a l l s poke of a m a jor r e vi va l a ft e r t h e C u l t u r a l Re vol u t i on c a m e t o a n e n d . Ye t fe w r i t u a l m u s i c i a n s "poke d t h e i r h e a d s ou t " u n t i l a t l e a s t 1978, a n d m a n y we r e s t i l l h e s i t a n t t o r e vi ve s u c h JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 53 s u s pe c t a c t i vi t i e s t oo ope n l y i n t h e e a r l y '80s . In d e e d , c u l t u r a l c a d r e s we r e h i n d e r e d i n t h e i r wor k d oc u m e n t i n g m u s i c for t h e n e wl y c om m i s s i on e d An t h ol ogy of C h i n e s e fol k- m u s i c a t t h i s t i m e be c a u s e ps yc h ol ogi c a l l y-s c a r r e d s e n i or m u s i c i a n s s u s pe c t e d i t m i gh t be a r u s e t o "e n t i c e t h e s n a ke ou t of i t s l a i r ". On e s i gn of t h e c u l t u r a l t h a w a ft e r t h e ove r t h r ow of t h e Ga n g of Fou r wa s t h e s h owi n g on t e l e vi s i on of t h e l on g-ou t l a we d "ol d ope r a s ", fi n a l l y s a n c t i on e d by Ma o a n d h i s pr ot e ge Hu a Gu ofe n g, a ft e r a t e d i ou s t e n -ye a r d i e t of e i gh t r e vol u t i on a r y m od e l ope r a s . Tr a d i t i on a l bu r i a l for fu n e r a l s a l s o be c a m e m or e ope n . Th e pol i c y of c r e m a t i on , pr e s c r i be d d u r i n g t h e C u l t u r a l Re vol u t i on , h a d a n ywa y be e n wi d e l y r e s i s t e d : a s i n m a n y a s pe c t s of C h i n e s e l a w t od a y, "t h e r e i s a pol i c y bu t i t i s n 't i m pl e m e n t e d ". Th i s l a i s s e z-fa i r e l oc a l a t t i t u d e t owa r d s c e n t r a l pol i c i e s i s a l s o oft e n e xpr e s s e d by t h e popu l a r t e r m , "on e e ye ope n , on e e ye c l os e d ". Wh a t n ow c h a n ge d , i t s e e m s , wa s t h a t pe opl e we r e n o l on ge r s o a fr a i d t o fl ou t t h e l a w m or e ope n l y. As s oc i a t i on m e m be r s s a i d t h e r e vi va l of t r a d i t i on a l fu n e r a l s wa s a n i m por t a n t i n c e n t i ve t o r e s t or i n g t h e i r s h e n g-gu a n m u s i c , pe r c u s s i on , voc a l l i t u r gy a n d r i t u a l . Som e vi l l a ge s r e vi ve d t h e i n s t r u m e n t a l m u s i c e a r l i e r t h a n t h e voc a l l i t u r gy, a l t h ou gh bot h c on t i n u e d t o s e r ve r i t u a l on l y; t h e m u s i c a l l y ou t s t a n d i n g Ga oqi a o a s s oc i a t i on s t a r t e d pl a yi n g t h e i r s h e n g-gu a n m u s i c for r i t u a l s a ga i n i n 1979, bu t on l y r e s u m e d s c r i pt u r e r e c i t a t i on i n 1992. Th i s wa s n ot t h e fi r s t r e s t or a t i on , a ft e r a l l : Li be r a t i on i t s e l f h a d gi ve n r i s e t o t e m por a r y opt i m i s m , a n d we s a w t h e s h or t -l i ve d e ffor t s of 1962-4. Vi l l a ge r s h a d h a d t h e i r fi n ge r s bu r n t t oo oft e n . St i l l , t h e Nor t h Lon gh u a a s s oc i a t i on n ow s t a r t e d u p ye t a ga i n , a n d t o d a t e t h e i r fa i t h h a s n ot be e n c r u s h e d . Th e pr e fa c e of t h e i r 1980 gon gc h e s c or e d e c l a r e s : Now we h a ve pe a c e a n d s oc i a l c oh e s i on , ou r m u s i c h a s be e n r e s t or e d for t wo wi n t e r s , a n d we h a ve a bs or be d a gr ou p of n e w s t u d e n t s , l e a r n i n g ol d a n d n e w pi e c e s ; t h e r e a r e n ow ove r 40 m e m be r s , t h e ol d e s t 81, t h e you n ge s t 17. Th e fi n a l pa r a gr a ph i s a t ou c h i n g s e l f-ju s t i fi c a t i on : Wi t h t h e gu i d a n c e of t h e Pa r t y, ou r m u s i c i s n ow d i s pl a yi n g a gl or i ou s pr os pe c t , a n d t h e r e gu s h for t h ou t s t a n d i n g c om pos i t i on s , e n r i c h i n g t h e pe opl e 's c u l t u r a l l i fe , pr ovi d i n g e xa l t e d a n d e xqu i s i t e a r t i s t i c a ppr e c i a t i on . It c a n m a ke pe opl e bot h h a ppy a n d s a d , a n d m a ke t h e m fi r m i n t h e i r r e s ol ve , i n s t i l l i n g h e r oi c s pi r i t . Su c h c on s c i ou s pr i d e i s e vi d e n t i n t h e fe w ot h e r Mu s i c As s oc i a t i on s c or e s wh i c h h a ve pr e fa c e s , bu t i t i s m os t r a r e a m on g a s s oc i a t i on m e m be r s : s u c h offi c i a l voc a bu l a r y i s n e ve r h e a r d on t h e l i ps of fol k m u s i c i a n s . Not e a l s o t h a t n o n e w c om pos i t i on s "gu s h e d for t h ": t h e y ke pt pl a yi n g t h e t r a d i t i on a l r e pe r t or y. Ju s t a s a r ou n d Li be r a t i on 30 ye a r s e a r l i e r , wh i l e m a n y vi l l a ge r s s a i d t h a t t h e y ju s t c ou l d n ot a l l ow t h e t r a d i t i on t o be l os t for e ve r , r i t u a l a s s oc i a t i on s we r e s t i l l r e s t or e d wi t h d i ffi c u l t y. Du r i n g pe r i od s of pol i t i c a l r e pr e s s i on , m u s i c i a n s 54 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 h a ve n o c h oi c e bu t t o l i e l ow, bu t e ve n on c e i t be c om e s pos s i bl e t o pe r for m ope n l y a ga i n , m a i n t a i n i n g t h e t r a d i t i on s t i l l r e qu i r e s i n i t i a t i ve a n d e n t h u s i a s m . An i m por t a n t t a s k i n t h e e a r l y pe r i od a ft e r t h e C u l t u r a l Re vol u t i on (i n d e e d , i t s t i l l goe s on ) wa s t h e pa i n fu l pr oc e s s of r e c l a i m i n g a r t e fa c t s s t ol e n or h i d d e n d u r i n g t h e C u l t u r a l Re vol u t i on , i n c l u d i n g i n s t r u m e n t s , s c or e s , god -pa i n t i n gs a n d c os t u m e s . Th e fi r s t t a s k wa s t o r e pl a c e l os t or d a m a ge d i n s t r u m e n t s ; oft e n n e w on e s we r e bou gh t wi t h t h e h e l p of t h e vi l l a ge br i ga d e . Th e Gu ol i kou a s s oc i a t i on r e vi ve d s oon a ft e r t h e e n d of t h e C u l t u r a l Re vol u t i on , bu t d i s ba n d e d a ga i n for t wo ye a r s i n t h e e a r l y '80s . In a d e ba t e , t h e m e m be r s a gr e e d t h e y c ou l d n ot ju s t l e t t h e t r a d i t i on l a ps e for good , s o e ve r yon e c l u bbe d t oge t h e r t o bu y n e w i n s t r u m e n t s . Bu t n ot a l l Mu s i c As s oc i a t i on s c ou l d t h e n r e vi ve s i m pl y by ge t t i n g t oge t h e r a n d t r yi n g t o r e m e m be r t h e ol d r e pe r t or y. Ma n y a s s oc i a t i on s h a d l os t t h e i r ol d s c or e s a n d r i t u a l m a n u a l s i n t h e C u l t u r a l Re vol u t i on . If a n ol d s c or e s u r vi ve d , i t wa s oft e n r e c opi e d i n t h i s pe r i od ; i f n ot , s e n i or m u s i c i a n s we r e oft e n a bl e t o pool t h e i r kn owl e d ge a n d wr i t e a n e w s c or e fr om m e m or y. Th i s e n e r gy i n r e c opyi n g ol d s c or e s i s r e m a r ka bl e . We h a ve fou n d fe w s c or e s fr om be for e t h e t we n t i e t h c e n t u r y (i n on e s e n s e d i s a ppoi n t i n gl y, i f we a r e l ooki n g for c l u e s a bou t a n c e s t r y); qu i t e a l ot fr om t h e e a r l y t we n t i e t h c e n t u r y; s e ve r a l fr om t h e e a r l y 1950s a n d ve r y m a n y fr om t h e 1980s a n d e a r l y 1990s . Th i s i m pl i e s n ot on l y t h a t t h e s c or e i s a n i m por t a n t a r t e fa c t i n t h e c on s t a n t r e ge n e r a t i on of t h e t r a d i t i on , bu t m or e ba s i c a l l y t h a t t h e m u s i c i t s e l f i s a l i vi n g t r a d i t i on , n ot a n obs c u r e h i s t or i c a l bywa y wh i c h we a r e s e e ki n g t o r e c on s t r u c t . In Zh a n gzh u a n g, wh e r e t h e a s s oc i a t i on wa s ke e n t o r e s t or e t h e r i t u a l a s we l l a s t h e s h e n g-gu a n m u s i c , a for m e r Da oi s t pr i e s t (wh o t h ou gh h a vi n g r e t u r n e d t o t h e l a i t y i n 1952 h a d c on t i n u e d pr a c t i s i n g for fol k r i t u a l s ) h a d t o r e wr i t e a s m u c h a s pos s i bl e fr om m e m or y - i t t ook h i m a wh ol e ye a r t o wr i t e ou t t h e a bs t r u s e t e xt for t h e Re l e a s i n g Fl a m i n g Mou t h r i t u a l . Som e a s s oc i a t i on s h a d t o s e e k t e xt s fr om ou t s i d e t h e i r vi l l a ge . Th i s be c a m e m or e l i ke l y t h e l a t e r t h e r e s t or a t i on oc c u r r e d . Wh e n t h e Da l i a n g a s s oc i a t i on r e vi ve d i n 1990, t h e y c opi e d a s c or e fr om a for m e r Da oi s t i n a n ol d pe opl e 's h om e i n t h e c ou n t y-t own . Wh i l e a h u ge vol u m e of m a t e r i a l h a d be e n l os t for e ve r , d e s t r oye d by t h e Re d Gu a r d s , or by t h e m u s i c i a n s t h e m s e l ve s i n fe a r , t h e y a l s o h ope d t o fi n d c on fi s c a t e d good s wh i c h m i gh t s t i l l s u r vi ve . Th e Nor t h Xi n zh u a n g a s s oc i a t i on m a n a ge d t o r e c l a i m s om e of i t s be a u t i fu l ol d r i t u a l pa i n t i n gs a n d Bu d d h i s t r obe s . Eve n i f t h e ol d s c or e a n d m a n u a l s c ou l d be fou n d , s om e a s s oc i a t i on s n ow l a c ke d a s u i t a bl y a u t h or i t a t i ve m a s t e r . Th e l os s of s e n i or m u s i c i a n s s i n c e t h e 1960s wa s a s e ve r e bl ow. Ha vi n g l e a r n t s o t h or ou gh l y be for e Li be r a t i on , t h e y n ow s e e m i r r e pl a c e a bl e . Th e r e pe r t or y wa s s h r i n ki n g - of c ou r s e , t h e c h a n gi n g s oc i a l c on t e xt , wi t h a bbr e vi a t e d r i t u a l s , a l s o m a d e i t l e s s n e c e s s a r y for m u s i c i a n s t o m a s t e r s u c h a l a r ge r e pe r t or y. In Xi on gxi a n c ou n t y for a t l e a s t 200 ye a r s fr om t h e e i gh t e e n t h c e n t u r y u n t i l t h e 1950s , a l l 13 gr e a t s u i t e s e n s h r i n e d i n vi l l a ge s c or e s h a d be e n pl a ye d , bu t t h e s u r vi vi n g ge n e r a t i on c a n n ow on l y pl a y t h r e e or fou r a t m os t . JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 55 Som e ot h e r t r a d i t i on s s u c h a s n a r r a t i ve -s i n gi n g h a d be e n vi r t u a l l y e r a s e d i n t h i s a r e a s i n c e t h e 1940s . Bu t t h e r e s t or a t i on of r i t u a l a s s oc i a t i on s a r ou n d 1980 wa s n o r e -i n ve n t i on , n o pi e c i n g t oge t h e r of c u l t u r a l fr a gm e n t s : t h e t r a d i t i on h a d be e n i m pove r i s h e d , bu t m a n y m u s i c i a n s wh o h a d l e a r n t fr om t h e 1940s t o t h e e a r l y 1960s we r e a va i l a bl e t o t r a n s m i t t h e m u s i c t o t h e 1980s ge n e r a t i on . Th e y we r e pe r fe c t l y c l e a r h ow t o pl a y t h e s h e n g-gu a n m u s i c wh i c h t h e y ke pt "i n t h e i r be l l i e s ". Bu t i f t h e pr e s s u r e s of Ma oi s m h a d n ot d e s t r oye d t h e a s s oc i a t i on s , t h e y s oft e n e d t h e m u p for t h e c om i n g a s s a u l t s fr om c a pi t a l i s m . Th e Kon gc u n a s s oc i a t i on , a c t i ve u n t i l t h e Fou r C l e a n u ps , r e vi ve d a ft e r t h e e n d of t h e C u l t u r a l Re vol u t i on ; by 1979 t h e y we r e a ga i n pe r for m i n g fu n e r a l s i n vi l l a ge s i n t h e d i s t r i c t . Bu t by 1984 t h e y we r e i n a c t i ve a ga i n ; a ft e r pr i va t i za t i on s a n k i n , t h e r e wa s n o c e n t r a l a u t h or i t y, n o s oc i a l c oh e s i on , t h e br i ga d e d i d n ot s u ppor t t h e m , a n d t h e y d i s ba n d e d . Ou r l i s t of a c t i ve r i t u a l a s s oc i a t i on s e xpa n d s a l l t h e t i m e . In 1986 Be i ji n g m u s i c ol ogi s t s we r e a m a ze d t o l e a r n t h a t t h e r e wa s e ve n on e s u c h a s s oc i a t i on s t i l l pe r for m i n g t h e s h e n g-gu a n m u s i c , t h a t of Qu ji a yi n g. By 1989, a ft e r s om e pr e l i m i n a r y fi e l d wor k, we r e c kon e d t h e r e m i gh t be a bou t 50 a c t i ve gr ou ps ; n ow we t h i n k t h e r e m u s t be a t l e a s t a c ou pl e of h u n d r e d . Mos t (bu t by n o m e a n s a l l ) vi l l a ge s m a y h a ve h a d a c t i ve r i t u a l a s s oc i a t i on s (for "Mu s i c " or "Bu d d h i s t Affa i r s ", or bot h ) be for e t h e y we r e c on s t r a i n e d by wa r fa r e a n d pol i t i c a l i n t e r fe r e n c e . On e s e n i or m u s i c i a n t h ou gh t t h a t m os t vi l l a ge s wh i c h h a d Mu s i c As s oc i a t i on s be for e t h e C u l t u r a l Re vol u t i on h a d r e vi ve d , bu t t h i s i s fa r t oo r os y. In Xi on gxi a n c ou n t y, of 31 Mu s i c As s oc i a t i on s kn own t o h a ve e xi s t e d i n t h e 1950s , we fou n d on l y s i x s t i l l a c t i ve by t h e 1990s . In La i s h u i c ou n t y 48 a s s oc i a t i on s we r e s a i d t o be a c t i ve i n 1934; a 1982 s u r ve y fou n d 17 gr ou ps wh i c h h a d r e c e n t l y r e vi ve d a ft e r t h e C u l t u r a l Re vol u t i on ; by 1998 we we r e s t i l l l e a r n i n g of m or e , c e r t a i n l y wh e n we d e fi n e t h e r i t u a l a s s oc i a t i on t o i n c l u d e t h os e for "Bu d d h i s t Affa i r s " a s we l l a s "Mu s i c ". Al t h ou gh we m a y h a ve fou n d m os t of t h e a c t i ve , a n d i n a c t i ve , gr ou ps , c ou n t y c u l t u r a l c a d r e s m a y be u n a wa r e of or u n a bl e t o r e a c h vi l l a ge a s s oc i a t i on s ; s om e of t h os e wh os e r i t u a l i s m or e i m por t a n t t h a n t h e i r i n s t r u m e n t a l m u s i c m a y c on t i n u e t o be i m m u n e fr om t h e i m pe r t i n e n t vi s i t s of ou t s i d e r s . Th e s i t u a t i on e ve n t od a y i s e ve r c h a n gi n g. Som e a s s oc i a t i on s r e vi ve d e a r l y, a r ou n d 1978; ot h e r s a s l a t e a s 1985; s om e h a ve on l y r e s t a r t e d i n t h e 1990s . As we s a w, m a n y wh i c h t r i e d t o r e vi ve i n t h e e a r l y 1980s t h e n ga ve u p a ft e r a fe w ye a r s . In t h e 1990s , ju s t a s i n t h e Ma oi s t pe r i od , m a n y Mu s i c As s oc i a t i on s s t r u ggl i n g t o ke e p goi n g u s e d t h e e xpr e s s i on c ou h e "ge t t i n g by", r e fe r r i n g t o t h e i r n u m be r s , t h e i r a bi l i t y, a n d t h e qu a l i t y of t h e i r pe r for m a n c e - i m pl i c i t l y c on t r a s t i n g h a ppi e r t i m e s be for e c ol l e c t i vi za t i on , be for e Li be r a t i on , or be for e t h e Ja pa n e s e i n va s i on . It i s a l s o d i ffi c u l t t o a s s e s s l e ve l s of a c t i vi t y. Som e a s s oc i a t i on s ju s t m a n a ge t o pe r for m for t h e Ne w Ye a r r i t u a l s , s om e ba r e l y m a n a ge t o pe r for m fu n e r a l s wi t h r e d u c e d pe r s on n e l , s om e m e r e l y h a ve a s m a l l gr ou p of ol d m e n wh o ge t t oge t h e r oc c a s i on a l l y t o pl a y for fu n . Aft e r a l l , i f n o on e d i e s , t h e a s s oc i a t i on i s n ot r e qu i r e d a t a l l e xc e pt for Ne w Ye a r . Wh e t h e r we a s s e s s a n a s s oc i a t i on a s 56 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 a c t i ve or m or i bu n d d e pe n d s l a r ge l y on t h e i r r ol e i n vi l l a ge r i t u a l a n d t h e m u s i c i a n s ' own a s s e s s m e n t of t h e i r e n e r gy. In s om e vi l l a ge s we fou n d on l y a c ou pl e of e l d e r l y m u s i c i a n s , n ow u n a bl e t o r e vi t a l i ze t h e t r a d i t i on . Of c ou r s e , s u c h m u s i c i a n s , e ve n i f n ow i n a c t i ve , m a y s t i l l ke e p t h e i r i n s t r u m e n t s a n d s c or e s , a n d c a n s t i l l t e a c h u s a l ot a bou t t h e h i s t or y a n d for m e r pr a c t i c e of t h e As s oc i a t i on s . Fu r t h e r i n t e r vi e ws a r e n e e d e d i n or d e r t o pi e c e t oge t h e r t h e h i s t or y of a l l t h e Mu s i c As s oc i a t i on s i n a n y on e c ou n t y. Wh o kn ows wh a t a n c i e n t s c or e s a n d m a n u a l s r e m a i n h i d d e n a wa y i n vi l l a ge c offe r s ? Wh i l e r e c on s t r u c t i on c ou l d be a n i n t e r e s t i n g a ve n u e , m y m a i n c on c e r n h e r e i s t h e l i vi n g t r a d i t i on . Th e a ve r a ge m e m be r s h i p of a Mu s i c As s oc i a t i on t od a y i s a bou t 20 m u s i c i a n s . Gu a n c h e n g h a d 45 m e m be r s i n 1993, bu t i t i s oft e n t h e s m a l l e r a s s oc i a t i on s , wi t h a s fe w a s t e n a c t i ve m e m be r s , wh i c h a r e m os t a d m i r e d m u s i c a l l y, s u c h a s Ga oqi a o a n d Yi s h a n gyi n g. Al l t h e s e a r e opt i m u m n u m be r s : e s pe c i a l l y i n r e c e n t ye a r s , m a n y m u s i c i a n s a r e wor ki n g a s l a bou r e r s ou t s i d e t h e vi l l a ge , r e t u r n i n g on l y for t h e Ne w Ye a r a n d t h e bu s y a gr i c u l t u r a l pe r i od s . An d of c ou r s e n u m be r s va r y fr om ye a r t o ye a r : wh i l e n e w s t u d e n t s a r e l e a r n i n g t h e r e m a y br i e fl y be ove r 60 m e m be r s (r e m e m be r t h e r e we r e ove r 60 n e w r e c r u i t s i n Ma wu zh u a n g i n 1945), a n d i f ol d m e m be r s d i e off be for e a n e w r e c r u i t m e n t h a s t a ke n pl a c e , t h e gr ou p m a y be t e m por a r i l y d e pl e t e d . Bu t i n ge n e r a l , wh i l e t h e r e h a s a l wa ys be e n c on s i d e r a bl e va r i a t i on i n t h e s i ze of e n s e m bl e , m e m be r s h i p m a y be s m a l l e r t od a y t h a n i n t h e 1950s or e a r l i e r . 4.2 Th e vi l l a ge br i ga d e a n d n e w m on e y Rou t i n e d on a t i on s fr om vi l l a ge r s , m a i n l y be for e t h e Ne w Ye a r 's r i t u a l s , c on t i n u e t o pr ovi d e m os t of t h e a s s oc i a t i on 's n e e d s . In Sou t h Ga ol u o, t h e Mu s i c As s oc i a t i on r e bu i l t i t s r i t u a l bu i l d i n g i n 1990, r e l yi n g e n t i r e l y on d on a t i on s of m on e y a n d l a bou r fr om vi l l a ge r s . Apa r t fr om t h e ba s i c s u ppor t of t h e c om m u n i t y, we s a w h ow i n t h e 1950s t h e vi l l a ge br i ga d e , or i t s s u bor d i n a t e pr od u c t i on -t e a m s , h a d a s s u m e d i n for m a l r e s pon s i bi l i t y for s u ppor t i n g t h e i r Mu s i c As s oc i a t i on . Aft e r t h e e n d of t h e C u l t u r a l Re vol u t i on , d e s pi t e t h e d i s m a n t l i n g of t h e c om m u n e s ys t e m , i t wa s a ga i n wi t h t h e m or a l a n d fi n a n c i a l s u ppor t of t h e br i ga d e t h a t m os t Mu s i c As s oc i a t i on s r e vi ve d - t h ou gh s om e d i d s o wi t h n o offi c i a l e n c ou r a ge m e n t , wh i l e ot h e r s we r e u n a bl e t o s u s t a i n t h e r e vi va l d e s pi t e s u ppor t . Th e br i ga d e h a s a l wa ys h a d a c l os e r e l a t i on s h i p wi t h t h e Mu s i c As s oc i a t i on ; oft e n vi l l a ge c a d r e s t h e m s e l ve s pe r for m t h e m u s i c a n d r i t u a l . Th e br i ga d e offi c e m a y s e r ve a s t h e Mu s i c As s oc i a t i on 's ba s e , fu n c t i on i n g n ot on l y a s r e h e a r s a l a n d s t or a ge r oom , bu t e ve n a s a t e m por a r y t e m pl e , a s for t h e fi ve - d a y fe s t i va l for t h e god d e s s Hou t u i n t h e 3r d m oon i n Yi s h a n gyi n g. Eve n wh i l e t h e c om m u n e s ys t e m wa s s t i l l i n pl a c e , t h e Ha n zh u a n g Mu s i c As s oc i a t i on r e s t a r t e d a s e a r l y a s 1977 wi t h t h e s u ppor t of t h e br i ga d e , wh o ga ve wor k-poi n t s for t i m e s pe n t l e a r n i n g t h e m u s i c i n s t e a d of wor ki n g. In Nor t h Ba i ba o t oo t h e r e vi va l of t h e a s s oc i a t i on wa s or ga n i ze d by t h e br i ga d e , by e n c ou r a gi n g you n gs t e r s t o l e a r n t oge t h e r i n t h e e ve n i n gs , a ga i n for wor k-poi n t s . JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 57 Th e Lowe r Hu a n gh e a s s oc i a t i on h a d r e vi ve d a ft e r t h e e n d of t h e C u l t u r a l Re vol u t i on . Ar ou n d 1987 t h e br i ga d e or ga n i ze d a gr ou p of you n g m e n t o l e a r n t h e m u s i c , gi vi n g e ve r yon e s i x m a o t o s t u d y on wi n t e r e ve n i n gs , a n d pr om i s i n g t h r e e ye a r s '-wor t h of m on e y. Bu t t h e n e w s t u d e n t s c ou l d n ot l e a r n i t pr ope r l y, s a yi n g i t wa s n ot "good t o l i s t e n t o". Th e br i ga d e r a n ou t of m on e y, t h e m u s i c i a n s r a n ou t of i n t e r e s t , a n d t h e e xe r c i s e gr ou n d t o a h a l t . By 1993 n o on e wou l d "l ook a ft e r " (gu a n ) t h e a s s oc i a t i on , a n d i t wa s d or m a n t . By t h e m i d 1990s t h e s u ppor t of t h e br i ga d e wa s c on s i d e r e d h e l pfu l bu t n ot vi t a l : e ve n i f t h e br i ga d e d oe s n ot gi ve e c on om i c s u ppor t , a t l e a s t i t s h ou l d n ot i n t e r fe r e . Th e vi l l a ge a u t h or i t i e s h a ve be e n l os i n g powe r s i n c e t h e r e for m s , a n d a r e i n c r e a s i n gl y we a k fi n a n c i a l l y. Wh i l e t h e n e w fr e e d om s h a ve be e n we l c om e i n m a n y r e s pe c t s , t h e y h a ve a l s o br ou gh t a c e r t a i n i n s e c u r i t y, a n d t h e r e i s n ow n o c e n t r a l pa t r on t o "l ook a ft e r " t h e a s s oc i a t i on . As i n c om e d i ffe r e n t i a l s i n c r e a s e a ga i n , s om e e n t e r pr i s i n g a s s oc i a t i on s h a ve r e c e n t l y ga i n e d pa t r on a ge fr om n ou ve a u -r i c h e vi l l a ge e n t r e pr e n e u r s , r e i n for c i n g pe opl e 's c on fi d e n c e i n t h e c om pa t i bi l i t y of t r a d i t i on wi t h m od e r n i t y. Th ou gh t h e La n gwu zh u a n g a s s oc i a t i on h a d d i s ba n d e d ju s t be for e t h e C u l t u r a l Re vol u t i on , by t h e 1990s s om e of t h e ol d m e m be r s we r e ge t t i n g t oge t h e r t o pl a y for fu n , i n s pi r i n g a gr ou p of you n gs t e r s . In 1995 t h e fa t h e r of t h e vi l l a ge fa c t or y bos s pr od u c e d 1,000 yu a n of h i s fa m i l y's n e w-fou n d we a l t h , t h e fa c t or y ga ve 2,000 yu a n , a n d t h e r e s t of t h e m e m be r s c on t r i bu t e d a fu r t h e r 600 yu a n , wi t h wh i c h t o bu y i n s t r u m e n t s a n d c os t u m e s . Th e y s t u d y t h e m u s i c e ve r y e ve n i n g a ft e r kn oc ki n g off fr om t h e fa c t or y. Th e Sou t h Ga ol u o a s s oc i a t i on a l s o r e c e i ve d fu n d s fr om i t s n e w fa c t or y. Si m i l a r l y, t h e r e l a t i ve n e w a ffl u e n c e of Zh a n gzh u a n g a n d Ga oqi a o h a s h e l pe d s u ppor t t h e i r r i t u a l a s s oc i a t i on s . 4.3 Th e ge n e r a t i on ga p It i s i n e vi t a bl e i n ou r t a l ks wi t h m u s i c i a n s a n d vi l l a ge l e a d e r s t h a t we ge t t o d i s c u s s i n g t h e c u r r e n t pr obl e m s fa c e d by t h e Mu s i c As s oc i a t i on s , a n d t h e i r fu t u r e . Vi l l a ge r s a r e i n t e r e s t e d t o h e a r wh a t we t h i n k, a n d h a ve t h e i r own vi e ws . Aft e r a l l , t h e y wi l l fi n d e c on om i c wa ys of c on t i n u i n g i f t h e r e a r e s t i l l m u s i c i a n s e n t h u s i a s t i c e n ou gh , a n d i f t h e s oc i a l n e e d i n t h e vi l l a ge i s s t i l l fe l t . Th e ou t l ook i s n ot a l l bl e a k: you n g pe opl e a r e s t i l l be i n g r e c r u i t e d , vi l l a ge l e a d e r s a r e a ppr e c i a t i ve , a n d l oc a l be n e fa c t or s c om e for wa r d . Vi l l a ge r s s t i l l fe e l a n e e d for t h e pr ope r obs e r va n c e of fu n e r a l s a n d t h e c om m u n a l r i t u a l s of Ne w Ye a r . Ye t a n e w c r i s i s i s wi d e l y pe r c e i ve d . In a poi gn a n t m e e t i n g i n 1993 be t we e n t wo vi l l a ge r s i n Ha n zh u a n g, on e a pi l l a r of t h e Mu s i c As s oc i a t i on a n d for m e r Se c r e t a r y i n t h e 1950s , t h e ot h e r t h e pr e s e n t , be l e a gu e r e d Se c r e t a r y, t h e l a t t e r l a m e n t e d h ow m u c h m or e d i ffi c u l t i t wa s "l ooki n g a ft e r " t h e Mu s i c As s oc i a t i on n ow t h a n i n t h e 1950s . Th e br i ga d e s t i l l s u ppor t s i t , a n d t h e a s s oc i a t i on c ol l e c t s d on a t i on s fr om t h e vi l l a ge r s . Bu t i t i s d i ffi c u l t for t h e l e a d e r s : a wi d e l y-c i t e d l oc a l s a vi n g goe s : "r a t h e r m a n a ge a t h ou s a n d a r m i e s t h a n on e a s s oc i a t i on " (n i n g gu a n qi a n ju n , bu gu a n yi h u i ). Now e ve r yon e i s t oo bu s y m a ki n g m on e y, a n d i t i s n o u s e t h e br i ga d e ju s t gi vi n g 58 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 m on e y t o s t u d y or bu y i n s t r u m e n t s . An d a s a n a s s oc i a t i on h e a d you c a n n ot be t oo s oft or t oo h a r d wi t h t h e m e m be r s , a s Li Ju n l a n obs e r ve d i n Nor t h Ga ol u o: you h a ve t o c a jol e t h e m i n t o t a ki n g pa r t , bu t m u s t n ot a l i e n a t e t h e m . So a s pol i t i c a l fa c t or s i n t h e m a i n t e n a n c e of t h e t r a d i t i on r e c e d e , h u m a n , c c on om i c a n d s oc i a l fa c t or s r e m a i n i m por t a n t . C r u c i a l t od a y a r e t h e i n d i vi d u a l e n t h u s i a s m of ol d a n d you n g m u s i c i a n s , t h e l oc a l pr e s t i ge of t h e t r a d i t i on , a n d t h e m or a l a n d e c on om i c s u ppor t of t h e c om m u n i t y. Ec on om i c s u ppor t , t o s t u d y t h e m u s i c or bu y i n s t r u m e n t s , wa s n ot e n ou gh i n i t s e l f: m os t a bl e you n g m e n we r e a wa y fr om t h e vi l l a ge m a ki n g m on e y, a n d a n ywa y m or e i n t e r e s t e d i n pop m u s i c . In Sou t h Ga ol u o i n 1990, t h e br i ga d e d on a t e d a t on of c oa l t o h e a t t h e r e h e a r s a l ve n u e d u r i n g t h e wi n t e r , bu t n o you n g pe opl e wa n t e d t o l e a r n . By 1994 t h e a s s oc i a t i on h a d a fe w you n g s t u d e n t s , wh i c h t h e m u s i c i a n s a t t r i bu t e s i n c e r e l y t o t h e i n c r e a s e d pr e s t i ge of t h e a s s oc i a t i on s i n c e ou r vi s i t s , bu t e ve n t h i s wa s n ot e n ou gh t o pr om pt a m a jor r e c r u i t m e n t . Of ove r 100 Mu s i c As s oc i a t i on s vi s i t e d by ou r t e a m s i n c e 1986, Zh a n g Zh e n t a o (1998) h a s c om pi l e d a l i s t of 50 gr ou ps vi s i t e d fr om 1993 t o 1995, fr om wh i c h h e a n a l ys e d t h e a ge s of t h e 1,022 m u s i c i a n s t h e n l i s t e d . 26% we r e i n t h e i r 60s : m u s i c i a n s ove r 70 (13%) a r e a l s o i m por t a n t (bot h a s fi gu r e h e a d s for t h e a s s oc i a t i on a n d i n for m a n t s for u s )., e ve n i f t h e y a r e oft e n l e s s fi t a n d a c t i ve t od a y. Vi l l a ge r s c om m on l y d i s c u s s t h r e e ge n e r a t i on s , wh i c h Zh a n g h a s a n a l yze d a s : ove r 60 (39%), 40-60 (33%) a n d 20-40 (23% pe r c e n t ). Fi gu r e 7 Nor t h Sh a kou Mu s i c As s oc i a t i on , 1993. Se n i or m u s i c i a n s on gu a n zi a n d s h e n g h e l p 7-ye a r -ol d Li u Sh e n gku n wh i l e h e l e a r n s t h e i n s t r u m e n t a l m e l od y by s i n gi n g t h e gon gc h e s ol fe ggi o. JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 59 In d e e d , 13% we r e u n d e r 30. Th e l a r ge n u m be r of t h e you n ge r ge n e r a t i on wa s s u r pr i s i n g, s u gge s t i n g t h a t t h e r e i s n o r e c e n t c r i s i s of t r a n s m i s s i on . Tr a i n i n g t h e n e w ge n e r a t i on h a s be e n a c on s t a n t c on c e r n t h r ou gh a l l t h r e e pe r i od s of m od e m h i s t or y. Bu t I s u s pe c t t h e s u c c e s s i n r e c r u i t i n g you n g m u s i c i a n s i n t h e e a r l y 1980s wa s on l y t e m por a r y: fe we r h a ve l e a r n t s i n c e t h e n . Th u s m a n y d ou bt t h e a bi l i t y of t h e you n ge r ge n e r a t i on t o c on t i n u e t h e h e r i t a ge . Of c ou r s e , t h i s h a s be e n a c on s t a n t t h e m e i n t h e wor l d 's m u s i c s s i n c e t h e be gi n n i n gs of e t h n om u s i c ol ogy. Bu t t h e m os t i m por t a n t s i n gl e i n fl u e n c e on t h e c on t i n u i n g e n e r gy of Mu s i c As s oc i a t i on s m a y be t h e m i gr a t i on of m e n t o t own s i n s e a r c h of wor k. Vi l l a ge r s h a d be e n fr e qu e n t l y a bs e n t d u r i n g t h e wa r fa r e of t h e 1940s , bu t m u s i c a l t r a n s m i s s i on c on t i n u e d e ffe c t i ve l y; m i gr a t i on wa s c on t r ol l e d i n t h e ye a r s a ft e r 1949, t h ou gh t h e r e t u r n t o t h e vi l l a ge s a ft e r t h e fa m i n e s fr om 1961 s e e m s t o h a ve be e n a m a jor e l e m e n t i n t h e s h or t -l i ve d r e s t or a t i on t h e n . Now e ve n e n t h u s i a s t i c e xpe r i e n c e d m u s i c i a n s a r e oft e n a bs e n t m os t of t h e ye a r ; t h u s m a n y a s s oc i a t i on s on l y fi e l d a fu l l e n s e m bl e for t h e Ne w Ye a r 's r i t u a l s . Pot e n t i a l you n g r e c r u i t s t o a n a s s oc i a t i on s e l d om s t a y l on g i n t h e i r vi l l a ge . Th e y a r e n ot on l y bu s y, bu t l e s s i n t e r e s t e d i n t h e ol d c u l t u r e wh i c h t h e Mu s i c As s oc i a t i on r e pr e s e n t s , a l i e n a t e d fr om i t by t h e n e w c u l t u r e t h e y s e e on t e l e vi s i on a n d h e a r on t a pe s a n d s t r e e t br oa d c a s t s or i n ka r a oke ba r s . Bu t i t i s n ot ju s t a qu e s t i on of you n g pe opl e 's d wi n d l i n g e n t h u s i a s m for t r a d i t i on a l c u l t u r e u n d e r t h e on s l a u gh t of m od e r n i t y. Sc h ool a t t e n d a n c e i s n ow h i gh i n m os t vi l l a ge s i n t h i s a r e a , t h e c u r r i c u l u m i s d e m a n d i n g, a n d t e e n a ge boys r e a l l y h a ve l e s s t i m e a n d e n e r gy t o l e a r n t h e m u s i c , e ve n i f t h e y h a ve t h e i n c l i n a t i on . Tod a y's e l d e r l y m u s i c i a n s we r e h a ppy t o l e a r n t h e m u s i c wh e n you n g be for e Li be r a t i on , be c a u s e t h e r e we r e n o ot h e r c u l t u r a l a c t i vi t i e s , a n d t h e y we r e gi ve n fr e e food . In fa c t l e s s l i t e r a t e c h i l d r e n we r e m or e l i ke l y t o l e a r n t h e m u s i c t h a n t h os e wh o we n t t o s i s h u pr i va t e s c h ool , a n d t h i s s t i l l s e e m s t o a ppl y t od a y. In 1996 a t Ga ol u o we m e t t wo t e e n a ge boys fr om good fa m i l i e s , wh o l i ke d t h e r i t u a l m u s i c a n d r e s pe c t e d t h e vi l l a ge h e r i t a ge a n d t h e i r fa m i l i e s ' own pa r t i n i t . Bu t pr e c i s e l y be c a u s e t h e y we r e i n t e l l i ge n t , t h e y h a d t o wor k h a r d t o ge t good gr a d e s a n d be t t e r t h e i r l ot , a n d h a d n o t i m e t o l e a r n t h e m u s i c ; s u c h pe opl e t oo a r e u n l i ke l y t o s t a y l on g i n t h e vi l l a ge . Th u s i t s e e m s d ou bt fu l wh e t h e r t h e r e i s e n ou gh s u ppor t a m on g t h e you n ge r ge n e r a t i on t o ke e p m a n y Mu s i c As s oc i a t i on s a l i ve a ft e r t h e i r s e n i or s d i e . Th a t ge n e r a t i on i s t h e l a s t wh i c h s t u d i e d be for e Li be r a t i on a n d s t i l l r e c a l l s h ow t h i n gs we r e d on e t h e n , t h e l a s t t o h a ve pe r for m e d i n e n s e m bl e wi t h pr i e s t s . St i l l , t h a t 's a s t u ffy vi e w, I t h i n k: t h i n gs c h a n ge , a n d t h e r e a r e s t i l l gr e a t e l d e r l y a n d m i d d l e -a ge d m a s t e r s a r ou n d for you n ge r m u s i c i a n s t o r e m e m be r wh e n t h e y t oo gr ow ol d . Wi t h ou t d e n yi n g t h e fu n d a m e n t a l r e vol u t i on i n s oc i e t y u n d e r C om m u n i s m , a n d h a vi n g ju s t l a m e n t e d t h e pa s s i n g of m a s t e r s wh o l e a r n t be for e Li be r a t i on , we m i gh t ju s t a s we l l go ba c k t o t h e 1950s , a n d l a m e n t t h e l os s of m a s t e r s wh o l e a r n t u n d e r t h e Qi n g d yn a s t y; or i m a gi n e s t i l l e a r l i e r c h a n ge s . Looki n g a t br i gh t you n ge r m u s i c i a n s t od a y, I c a n 't s e e wh y t h e y s h ou l d h a ve l e s s ve n e r a t i on for t h e vi l l a ge h e r i t a ge t h a n t h e i r fa t h e r s a n d gr a n d fa t h e r s h a d . Ri t u a l a n d i t s m u s i c a r e s t i l l n e e d e d . Th e pr a c t i c e s e e m s t o be 60 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 n o l e s s ge n e r a l l y e s t e e m e d i n t h e vi l l a ge by n on -m e m be r s : t h e Mu s i c As s oc i a t i on r e m a i n s pr e s t i gi ou s , a n d i t s m e m be r s a r e i n fl u e n t i a l . Eve r y d e a t h of a s e n i or m u s i c i a n i s a bl ow, bu t n e w m u s i c i a n s h a ve ke pt c om i n g for wa r d u n d e r u n l i ke l y c i r c u m s t a n c e s for t h e pa s t h a l f-c e n t u r y. It wi l l be t ou gh for a n y fu r t h e r a s s oc i a t i on s s t i l l i n t e n d i n g t o r e vi ve t o d o s o a ft e r a ga p of ove r 30 ye a r s . St i l l , i t wi l l be i n t e r e s t i n g t o r e vi s i t t h e a r e a ove r t i m e . Aft e r a l l , vi l l a ge s m a y e ve n l e a r n fr om s c r a t c h , a s m a n y d i d e a r l i e r i n t h e t we n t i e t h c e n t u r y. It i s wor t h s t r e s s i n g a ga i n t h a t t h e r e pe r t or y r e m a i n s h i gh l y r e s i s t a n t t o c h a n ge : e n s e m bl e s l os e pi e c e s r a t h e r t h a n m od i fyi n g t h e r e pe r t or y. 4.4 Pol i t i c a l pr e s s u r e As we s a w, Ma oi s t pol i c i e s i m pove r i s h e d t h i s r i t u a l c u l t u r e bu t we r e u n a bl e t o e r a d i c a t e i t . Si n c e t h e a ba n d on i n g of Ma oi s m i n t h e 1980s , pol i t i c a l l i be r a l i za t i on h a s a l l owe d t r a d i t i on a l obs e r va n c e s t o be r e s t or e d , bu t t h e n e w e c on om i c a n d i d e ol ogi c a l c l i m a t e m a y be we a ke n i n g t r a d i t i on a l c on c e pt s s t i l l m or e t h a n u n d e r Ma oi s m . Re a s on s for t h e d e c l i n e h a ve n ow be c om e m or e e c on om i c a n d s oc i a l t h a n pol i t i c a l , bu t l e t u s a l s o n ot e ve s t i gi a l pol i t i c a l a s pe c t s . Th e d a ys of m a s s m e e t i n gs a n d wor k-t e a m s a r e l a r ge l y ove r , bu t a l on g wi t h t h i s fr e e d om fr om c on s t r a i n t c om e s a c e r t a i n a n a r c h y. Th e on l y r e m a i n i n g "h a r d " pol i c y i s t h e bi r t h -c on t r ol pr ogr a m m e , wh i c h m a n y vi l l a ge l e a d e r s a d m i t i s 90% of t h e i r d u t i e s , a n d a d e s pe r a t e l y d i ffi c u l t on e . Offi c i a l c or r u pt i on a n d i l l e ga l e xa c t i on s a r e m u c h r e s e n t e d , a n d m a n y vi l l a ge s h a ve be e n wi t h h ol d i n g gr a i n t a x. Re l i gi on a n d s e c t s h a ve r e vi ve d s i gn i fi c a n t l y e ve n i n t h i s r e l a t i ve l y t i gh t l y c on t r ol l e d a r e a . C a m pa i gn s a ga i n s t fe u d a l s u pe r s t i t i on a n d e xpl oi t a t i on h a ve be e n wa ge d , bu t r a r e l y s e e m t o a ffe c t t h e Mu s i c As s oc i a t i on s . Un d e r gr ou n d C a t h ol i c s a n d s h a m a n s h a ve be e n u n d e r r e n e we d a t t a c k fr om pol i c e s i n c e 1989. Bu t t h e i r vu l n e r a bi l i t y c on t r a s t s wi t h t h e Mu s i c As s oc i a t i on s , wh o n ow s e e m t o h a ve l i t t l e t o fe a r . Wh i l e c r e m a t i on i s s t i l l a n offi c i a l pol i c y, a n d i s c om m on l y obs e r ve d i n t h e t own s , i t i s i gn or e d i n t h e vi l l a ge s ; bu t pe r h a ps t h e pa r t of t h e Mu s i c As s oc i a t i on s i n a n offi c i a l l y i l l e ga l a c t i vi t y s u c h a s bu r i a l s t i l l m a ke s pr a c t i c e a l i t t l e s e n s i t i ve . Si n c e 1990 c ou n t y a u t h or i t i e s s u c h a s Xi on gxi a n h a ve be e n s e e n a s ove r - ze a l ou s i n i m pl e m e n t i n g t h e n a t i on a l c a m pa i gn oppos i n g e xt r a va ga n c e i n we d d i n gs a n d fu n e r a l s . Th i s pos e s a c e r t a i n t h r e a t t o t h e Mu s i c As s oc i a t i on s , a l t h ou gh pr oba bl y m or e s o t o t h e pr ofe s s i on a l s h a wm ba n d s . Th e c a m pa i gn wa s be i n g a ppl i e d i n Gu 'a n i n 1994, bu t pa t c h i l y. In a n i n c r e a s i n gl y a n a r c h i c fr e e m a r ke t s oc i e t y s u c h c a m pa i gn s a r e s h or t -l i ve d a n d d o n ot a ppe a r t o d e t e r vi l l a ge r s . In 1991 t h e La n gfa n g Bu r e a u of C u l t u r e i s s u e d "fol k m u s i c i a n pe r m i t s " for "pe a s a n t m u s i c m a s t e r s ", a u t h or i zi n g t h e h ol d e r s t o t a ke m on e y for pe r for m i n g. Se ve r a l vi l l a ge m u s i c i a n s s h owe d u s s u c h pe r m i t s . Th e y m i gh t be s e e n a s l e gi t i m i zi n g m u s i c i a n s , a s pr ot e c t i n g t h e m fr om pol i c e r a i d s , bu t t h e i r n e ga t i ve e ffe c t wor r i e s t h e m u s i c i a n s m or e : t h e y a r e n ow d e pe n d e n t on t h e gove r n m e n t JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 61 for l e gi t i m a c y, a n d a l l t h e m or e vu l n e r a bl e wi t h ou t a pe r m i t . Th e y fu r t h e r r e s e n t t h e m on e y i t c os t s - ye t a n ot h e r a r bi t r a r y t a x of d u bi ou s l e gi t i m a c y - a n d t h e i n t e r fe r e n c e i n t h e i r l i ve s . Bu t s u c h r e gi s t r a t i on wa s r a r e , a n d a n y s u c h t r ou bl e s e n c ou n t e r e d by Mu s i c As s oc i a t i on s t h r ou gh ou t t h e pl a i n s i n c e 1980 we r e on l y s h or t -t e r m h i t c h e s : ot h e r e l e m e n t s pl a ye d a fa r m or e i m por t a n t pa r t i n t h e d e c l i n e . 4.5 Ad a pt a t i on a n d s e l f-a wa r e n e s s Th e c on s e r va t i ve Mu s i c As s oc i a t i on s c on t i n u e t o pr i d e t h e m s e l ve s on n ot c h a n gi n g wi t h t h e t i m e s , u n l i ke t h e m or e fl e xi bl e Sou t h e r n Mu s i c As s oc i a t i on s . Howe ve r , i f t h e y l a r ge l y s u c c e e d e d i n r e s i s t i n g c h a n ge u n d e r Ma oi s m , s om e d i ffe r e n t pr e s s u r e s t o i n n ova t e , bot h m u s i c a l l y a n d c on t e xt u a l l y, s u r fa c e d i n t h e m od e m a t m os ph e r e of t h e 1980s . In n or t h C h i n a t h e r e i s a t r a d i t i on a l s c h i s m be t we e n pr e s t i gi ou s a m a t e u r s h e n g-gu a n m u s i c a n d l ow-c l a s s m e r c e n a r y s h a wm ba n d s ; m u s i c i a n s c ou l d be e xpe l l e d fr om a Mu s i c As s oc i a t i on for pl a yi n g wi t h a s h a wm ba n d . Th i s s c h i s m h a s be e n c h a l l e n ge d s i n c e t h e 1980s . Mos t you n ge r m u s i c i a n s wh o joi n a Mu s i c As s oc i a t i on a c c e pt t h e c on s e r va t i s m of i t s r e pe r t or y; i f t h e y wa n t t o pl a y pop m u s i c or e a r n m on e y t h e y wi l l fi n d a s h a wm ba n d i n s t e a d . Bu t s om e you n ge r m u s i c i a n s n ow t a ke pa r t i n bot h , a n d e ve n t r y t o i n t r od u c e m or e popu l a r pi e c e s i n t o t h e Mu s i c As s oc i a t i on r e pe r t or y. Sou t h Ga ol u o n e ve r h a d a s h a wm ba n d u n t i l s om e of t h e you n ge r Mu s i c As s oc i a t i on m e m be r s for m e d on e i n t h e e a r l y 1980s . Th e t wo we r e ke pt s t r i c t l y s e pa r a t e : t h e s h a wm ba n d e a r n e d m on e y a t we d d i n gs a s we l l a s fu n e r a l s , wh i l e t h e Mu s i c As s oc i a t i on h a s r e m a i n e d a m a t e u r , pe r for m i n g on l y for fu n e r a l s a n d c a l e n d r i c a l r i t u a l s . Th e s h a wm ba n d pl a ye d n e w pi e c e s , t h e a s s oc i a t i on ol d pi e c e s . Th ou gh i n r e c e n t ye a r s a ge n e r a t i on a l t e n s i on be c a m e a ppa r e n t , t h e "ol d r u l e s ' of t h e a s s oc i a t i on h a ve h e l d fa s t e ve n a ft e r t h e d e a t h of for m i d a bl e l e a d e r He Qi n g i n 1995; "n e w c on s e r va t i ve s " h a ve e m e r ge d . In 1998 t h e i d e a of c h a r gi n g m on e y, l i ke t h e s h a wm ba n d s , wa s a l s o m oot e d i n t h e Ga ol u o a s s oc i a t i on . Bu t t h i s , m u s i c i a n s s oon c on c l u d e d , wou l d e n t a i l a r a d i c a l t r a n s for m a t i on of t h e i r wh ol e e t h os . "Th e a s s oc i a t i on e xi s t s on t h e r e pu t a t i on of u pr i gh t n e s s - you c a n 't d e s t r oy pe opl e 's be l i e f i n i t ." To c h a r ge for r i t u a l d u t y wa s t h ou gh t t o offe n d t h e god s , r i s ki n g d i vi n e pu n i s h m e n t . Si m i l a r l y, a s c h ol a r s u s c e pt i bl e t o C om m u n i s t r h e t or i c m i gh t s u ppos e t h a t wom e n m i gh t n ow be m or e we l c om e t o t a ke pa r t , pa r t l y u n d e r t h e i n fl u e n c e of a pr oc l a i m e d i d e ol ogy of ge n d e r e qu a l i t y, a n d a l s o s i n c e fe we r you n g m e n r e m a i n i n t h e vi l l a ge s ; bu t t h e i d e a r e m a i n s u n t h i n ka bl e . An ot h e r t ype of i n n ova t i on s i n c e t h e 1980s c a m e fr om gr e a t e r s e l f- a wa r e n e s s . Vi l l a ge s be ga n t o h a ve gr e a t e r c on t a c t wi t h t h e ou t s i d e wor l d , i n c l u d i n g t e l e vi s i on . Wi t h t h e m a jor i n i t i a t i ve of t h e An t h ol ogy fi e l d wor k pr oje c t , c u l t u r a l c a d r e s vi s i t e d fr om t h e c ou n t y a n d t h e pr ovi n c e , i n a h a ph a za r d wa y, a n d t h e n fr om 1986, t h e Mu s i c Re s e a r c h In s t i t u t e s t a r t e d t oo; I joi n e d i n 1987. Som e Mu s i c As s oc i a t i on s h a ve wr i t t e n br i e f h i s t or i e s , a d opt i n g qu a s i - offi c i a l voc a bu l a r y. Th e c on c e pt of "c u l t u r a l h e r i t a ge " m a y h a ve be e n l e a r n t fr om t e l e vi s i on . 62 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 Som e gr ou ps h a ve m od i fi e d t o a m or e wi d e -r a n gi n g fu n c t i on , c r e a t i n g a m or e s e c u l a r fr on t . Th e c a s e of t h e Qu ji a yi n g a s s oc i a t i on i s u n i qu e . It h a s ke pt i t s e l f i n t h e s pot l i gh t of pu bl i c i t y s i n c e i t s "d i s c ove r y" i n 1986, wi t h h i gh - pr ofi l e r a d i o a n d t e l e vi s i on br oa d c a s t s a n d s e c u l a r pe r for m a n c e s i n Be i ji n g a n d fu r t h e r a fi e l d . De s pi t e t h i s s u bs t a n t i a l a d d i t i on t o i t s pe r for m i n g c on t e xt s , i t s r e pe r t or y a n d s t yl e h a ve r e m a i n e d u n c h a n ge d . Som e ot h e r Mu s i c As s oc i a t i on s h a ve m a d e oc c a s i on a l vi s i t s t o pe r for m or r e c or d i n Be i ji n g u n d e r va r i ou s offi c i a l a u s pi c e s . Se ve r a l a s s oc i a t i on s s ou gh t t o t r a n s m i t t h e i r m u s i c (bot h t h e voc a l l i t u r gy a n d t h e s h e n g-gu a n m u s i c ) by m a ki n g pr i va t e c a s s e t t e s for t e a c h i n g pu r pos e s i n t h e vi l l a ge . Bu t s u c h s t r a t e gi e s a r e e xc e pt i on a l . Vi s i t s fr om c a d r e s , or vi s i t s t o pe r for m i n c ou n t y-t own s , ge n e r a l l y t a ke u p on e or t wo a ft e r n oon s of vi l l a ge m u s i c i a n s ' wh ol e l i ve s . Vi l l a ge r i t u a l r e m a i n s t h e r ou t i n e bu s i n e s s of t h e a s s oc i a t i on s . 5 C on c l u s i on s So d e s pi t e a c e r t a i n i m pove r i s h m e n t , t h i s m u s i c s e e m s t o h a ve r e m a i n e d r a t h e r s t a bl e , u n d e r s oc i a l c on d i t i on s r e n own e d for t h e i r r a d i c a l i m pos e d m od e r n i za t i on a n d s e c u l a r i za t i on . We n ot e d s oc i a l , pol i t i c a l a n d e c on om i c fa c t or s i n t h e l os s , pr e s e r va t i on or m od i fi c a t i on of t r a d i t i on , s t r e s s i n g t h e e n d u r i n g popu l a r s u ppor t for a c on s t a n t pe r c e i ve d n e e d t h r ou gh ou t t h r e e d i s t i n c t t ype s of a s s a u l t . Pe r s on a l fa c t or s a r e a l s o s i gn i fi c a n t : t h e i n d i vi d u a l e n t h u s i a s m of s e n i or m e m be r s a n d n e w r e c r u i t s . Th e a s s oc i a t i on s a r e m a d e u p of t h e c on t i n u i n g pr a c t i c e s of m u s i c i a n s ; h e r i t a ge i s n ot a u t om a t i c , bu t i s pe r pe t u a t e d t h r ou gh t h e c on t i n u i n g e ffor t s of pe opl e (Fi n n e ga n 1989). Mu s i c m a y be bot h pe r pe t u a t e d a n d t h r e a t e n e d by t h e pe r s on a l i t i e s of i t s pr a c t i t i on e r s . For s om e m u s i c i a n s s i n c e t h e 1920s , Sou t h e r n Mu s i c s e e m e d t o be a l l t h e r a ge , wh i l e for ot h e r s , t r a d i t i on a n d "c i vi l i za t i on " for ba d e t h e c h a n gi n g of t h e h e r i t a ge . Un d e r pr e s s u r e , s om e ju s t ga ve u p, wh i l e ot h e r s h a ve obs t i n a t e l y i n s i s t e d on t h e i r t r a d i t i on s . To s u r ve y t h e Ma oi s t pe r i od a ga i n , t h ou gh t h i s r i t u a l m u s i c s e e m s t o h a ve be e n m or e r e s i s t a n t t o d e c l i n e t h a n m a n y ot h e r a r t for m s , on e m u s t a d m i t t h a t a l ot wa s l os t . Obje c t i ve a ppr a i s a l of t h e s e c on d h a l f of t h e t we n t i e t h c e n t u r y s u r e l y s u ppor t s t h e vi l l a ge r s ' d e pr e s s e d vi e w of t h e i r c u l t u r e be i n g "wa t e r e d d own ", h ow "t h i n gs we n t t o t h e d ogs " a n d t h e y h a d t o "m a ke d o". Fe we r gr ou ps a r e pr a c t i s i n g, a n d of t h os e s t i l l a c t i ve , r e pe r t or i e s h a ve be e n i m pove r i s h e d a s r i t u a l s h a ve be c om e s i m pl i fi e d . Tod a y t h e a ve r a ge a ge of m u s i c i a n s i s h i gh : a pa r t fr om br i e f e n e r gy i n t h e e a r l y 1960s a n d e a r l y 1980s , fe w h a ve l e a r n t s i n c e Li be r a t i on . Howe ve r , t h e Ma oi s t pe r i od wa s n ot on e of s i l e n c e : m u s i c i a n s i n s i s t t h a t t h e t r a d i t i on wa s m a i n t a i n e d . Th e t a i n t of fe u d a l s u pe r s t i t i on , e xh a u s t i on fr om c a m pa i gn s , a n d a l ow s e n s e of s e l f-va l u e i n t e r m i t t e n t l y c on s pi r e d t o d e pr e s s t h e a s s oc i a t i on s , bu t t h e m u s i c i a n s , a n d t h e vi l l a ge r s , r e m a i n e d a wa r e of r e pr e s e n t i n g a h e r i t a ge t h a t c ou l d n ot be l os t . Re vol u t i on a r y n e w m u s i c wa s e m bod i e d i n t h e n e w bu t n ot u bi qu i t ou s fol k-s on gs , a n d i n s om e ope r a t r ou pe s , JONES C h i n e s e r i t u a l m u s i c u n d e r Ma o a n d De n g 63 bu t ot h e r a s pe c t s of offi c i a l c u l t u r e r e m a i n e d m a r gi n a l t o vi l l a ge r s ' l i ve s . Wi t h fu n e r a l t r a d i t i on s s t i l l e n t r e n c h e d , s h e n g-gu a n m u s i c a n d voc a l l i t u r gy h a d l i t t l e t o c om pe t e wi t h . Th e C u l t u r a l Re vol u t i on i t s e l f s e e m s t o h a ve a ffe c t e d t h e t r a n s m i s s i on of t h e m u s i c l e s s t h a n on e m i gh t e xpe c t . In Sou t h Ga ol u o, m u s i c i a n s of t h e m i d d l e ge n e r a t i on , wh o c a m e of a ge i n t h e C u l t u r a l Re vol u t i on , pr e c i s e l y t h os e wh om on e m i gh t e xpe c t t o be m os t a l i e n a t e d fr om t r a d i t i on a l c u l t u r e , a r e n ow t h e ba c kbon e of t h e a s s oc i a t i on . Th e y l e a r n t t h e r i t u a l m u s i c bot h s h or t l y be for e a n d s h or t l y a ft e r t h e C u l t u r a l Re vol u t i on . As s oc i a t i on m e m be r s we r e pr om i n e n t a c t or s i n t h e wh ol e h i s t or y of t h e r e vol u t i on , a n d i n t h e on goi n g pr oc e s s of m od i fyi n g d a i l y l i fe . Th e y a l l kn ow "r e vol u t i on a r y" s on gs - t h ou gh t h e s e h a ve n ow be c om e qu a i n t a n t i qu e s , wi t h l i t t l e fu n c t i on , wh i l e s t r a n ge l y t h e ol d s h e n g- gu a n m u s i c r e m a i n s fu n c t i on a l . Vi l l a ge ope r a t r ou pe s h a d n o r e s e r va t i on s a bou t m od e r n i zi n g a ft e r Li be r a t i on - t h ou gh n ot e t h a t t h i s s e e m s n ot t o a ppl y t o a l l C h i n e s e vi l l a ge ope r a : s om e r i t u a l ope r a i n s ou t h e r n C h i n a wa s ju s t a s obs t i n a t e l y c on s e r va t i ve a s t h e s h e n g-gu a n m u s i c wa s h e r e . In Ga ol u o m a n y of t h e s a m e m u s i c i a n s h a ve be e n c or e m e m be r s of bot h t h e pr ogr e s s i ve vi l l a ge ope r a t r ou pe a n d t h e c on s e r va t i ve Mu s i c As s oc i a t i on . Th u s l oc a l t r a d i t i on s we r e n ot e r a s e d ; pa s s i ve c on s u m pt i on of c e n t r a l pr od u c t s a n d i d e ol ogy wa s n ot t h e r u l e . We s h ou l d be c a u t i ou s i n a s s u m i n g c e n t r a l c on t r ol of c u l t u r a l l i fe : t h e a u t on om y a n d d i ve r s i t y of "m u s i c u n d e r Ma o" wa s c on s i d e r a bl e . Eve n d u r i n g t h e i n t e r m i t t e n t m od e r n i za t i on of t h e i r ope r a t r ou pe s , He be i vi l l a ge r s h a ve r e t a i n e d t h e i r own l oc a l s t a n c e : t h e y d o n ot pe r for m Be i ji n g ope r a , a n d pe r for m for l oc a l r a t h e r t h a n offi c i a l oc c a s i on s , for gi n g t h e i r own s t yl e . Wh e t h e r on e fi n d s d i s r u pt i on or c on t i n u i t y u n d e r Ma oi s m a l s o h a s d i ffe r e n t i m pl i c a t i on s for t h e r e vi va l of t h e 1980s . Wh e r e t r a d i t i on s we r e t h or ou gh l y u pr oot e d u n d e r Ma oi s m (Ji n g 1996), t h e r e vi va l m a y i m pl y a s u bs t a n t i a l r e - i n ve n t i on . Fu r t h e r , s u c h r e vi va l s m a y s e e m t o d e r i ve fr om a r e a ppe a r a n c e of s oc i a l c on d i t i on s pr e d a t i n g Ma oi s m . Bu t He l e n Si u , i n a s t i m u l a t i n g a n a l ys i s of c h a n gi n g r i t u a l pr a c t i c e i n a s ou t h -e a s t e r n C h i n e s e t own , h a s i n t e r pr e t e d c u r r e n t r i t u a l s a s n e w r e c on s t r u c t i on s of c u l t u r a l r e m n a n t s wh os e m e a n i n gs a r e r e l a t e d t o n e w pe r c e pt i on s of powe r r e l a t i on s i n r u r a l s oc i e t y. Si u t h u s s e e s t h e r e vi ve d r i t u a l pr a c t i c e s a s r e fl e c t i n g a n e w a c c om m od a t i on be t we e n s t a t e a n d s oc i e t y. "In s t e a d of a r gu i n g t h a t t r a d i t i on a l pr a c t i c e s a r e be i n g r e vi ve d a n d a r e c h a l l e n gi n g t h e s oc i a l i s t i d e ol ogy, t h i s c h a pt e r m a i n t a i n s t h a t t h e r i t u a l s t od a y a r e r e c on s t i t u t e d by a d i ffe r e n t c a s t of pe r for m e r s a n d t h a t t h e pr oc e s s r e pr od u c e s a m u c h t r a n s for m e d r u r a l s oc i e t y i n wh i c h t h e powe r of t h e s oc i a l i s t s t a t e h a s l on g be e n t a ke n for gr a n t e d " (Si u 1989:123). Ri t u a l s a r e s a i d t o r e fl e c t s oc i a l powe r r e l a t i on s , wh i c h h a ve be e n t r a n s for m e d ; t h e r e for e t h e m e a n i n gs of r i t u a l s t oo h a ve c h a n ge d . Os t e n t a t i on , Si u 's i n for m a n t s c om m e n t , h a s r e pl a c e d r i t u a l e xpe r t i s e . On t h e He be i pl a i n t od a y, vi l l a ge r s ' pol i t i c a l pe r c e pt i on s a n d s oc i a l r e l a t i on s m a y be ve r y d i ffe r e n t fr om i n t h e d a ys be for e Li be r a t i on or u n d e r Ma oi s m . Of c ou r s e t h e r e h a d be e n a s s a u l t s on t h e vi l l a ge r s ' c u l t u r a l i d e n t i t y. Som e ot h e r t r a d i t i on s s u c h a s l i n e a ge obs e r va n c e s we r e ba n i s h e d u n d e r 64 BRITISH JOURNAL OF ETHNOMUSIC OLOGY VOL.8 1999 Ma oi s m , a n d s om e s u c h a s e xor c i s m s a n d r a i n pr oc e s s i on s we r e s o r e s t r i c t e d a s t o h a ve be c om e qu i t e r a r e t od a y. Th e r e vi va l of t h e a s s oc i a t i on s wa s s i gn i fi c a n t a ft e r t h e d e pr e s s i on of t h e c om m u n e s ys t e m , a n d wa s u n d ou bt e d l y "bl e n d e d wi t h c u l t u r a l i n ve n t i on s , s h a pe d by t h e l oc a l e xpe r i e n c e of Ma oi s m , a n d pe r m e a t e d wi t h c on t e m por a r y c on c e r n s " (Ji n g 1996:12). Th e r i t u a l s of t h e Mu s i c As s oc i a t i on s t od a y m a y be l e s s c om pr e h e n s i ve a n d t h e i r s oc i a l fu n c t i on l e s s pr e s s i n g. Som e e l d e r l y vi l l a ge r s c a n i n d e e d pe r c e i ve a c e r t a i n d i l u t i on of t h e l i fe -c yc l e a n d c a l e n d r i c a l r i t u a l s pr a c t i s e d by t h e a s s oc i a t i on s . Ri t u a l s a r e fe we r a n d s om e wh a t m or e c on d e n s e d , a n d os t e n t a t i on i s i n d e e d ga i n i n g gr ou n d ove r t h e s c r u pu l ou s obs e r va n c e of t h e "ol d r u l e s ". Bu t i t i s h a r d t o s e e h ow t h e r i t u a l s , or t h e i r m e a n i n gs , h a ve c h a n ge d qu a l i t a t i ve l y. Th e s e vi l l a ge s h a d l i m i t e d a c c e s s t o bot h e xpe r t i s e a n d os t e n t a t i on be for e Li be r a t i on , a n d t h e n e c e s s i t y of pr ope r fu n e r a l r i t u a l wa s n e ve r r e n d e r e d obs ol e t e by Ma oi s t s oc i a l r e vol u t i on . Th e offi c i a l l y pr e s c r i be d s e c u l a r "m e m or i a l m e e t i n g" h a s r e m a i n e d u n kn own i n t h e vi l l a ge s . Fu n e r a l pr opr i e t i e s h a ve r e m a i n e d pa r a m ou n t , fr om t h e kowt owi n g of t h e d e c e a s e d 's fa m i l y t o t h e s e qu e n c e of voc a l l i t u r gy, s h e n g-gu a n m u s i c a n d pe r c u s s i on be for e t h e c offi n . Th e s e h a ve n ot be e n r e c on s t i t u t e d a ft e r a l on g ga p bu t m a i n t a i n e d c on s t a n t l y. Th e pa r t i c i pa t i on of t h e a s s oc i a t i on s h a s n e ve r be e n c h a l l e n ge d a s a pr e s t i gi ou s a s pe c t of t h e fa m i l y's r i t u a l d e m on s t r a t i on of r e s pe c t for t h e a n c e s t or s . Si m i l a r l y, t h e pe r c e i ve d n e e d for t h e a s s oc i a t i on s t o pe r for m t h e Ne w Ye a r 's r i t u a l s h a s pe r s i s t e d : n ow, a s t h e n , i t r e pr e s e n t s a s i gn i fi c a n t e xpr e s s i on of vi l l a ge r s ' h ope s for t h e s e c u r i t y of t h e i r fa m i l y a n d t h e wh ol e vi l l a ge . Th e c a s t of pe r for m e r s a n d "c on s u m e r s ", a n d t h e i r m ot i va t i on s a n d powe r r e l a t i on s , h a ve r e m a i n e d l a r ge l y u n c h a n ge d i n t h e s pe c i fi c a r e a of t h e a s s oc i a t i on 's pr a c t i c e . Al l t h i s pr ovi d e s a c a ve a t t o a vi e w wh i c h pos i t s a s i m pl e a n d a br u pt d e c l i n e i n t r a d i t i on a l C h i n e s e c u l t u r e s i n c e 1949. Su c h r i t u a l gr ou ps h a ve n ot s u r vi ve d m i r a c u l ou s l y a s s om e ki n d of "l i vi n g fos s i l ", i n d e pe n d e n t of pol i t i c a l t r a n s for m a t i on s ; t h e m u s i c i a n s a r e n ot fu d d y-d u d d y a n t i qu a r i a n s c l i n gi n g on t o s om e we i r d r e l i c . Th e popu l a r s on g "Wi t h ou t t h e C om m u n i s t Pa r t y, t h e r e wou l d be n o Ne w C h i n a " s t a t e s a n i m por t a n t t r u t h : we c a n n ot l e a ve t h e C om m u n i s t Pa r t y ou t of ou r pi c t u r e of C h i n e s e c u l t u r e t od a y, bu t gr a s s -r oot s r e a l i t i e s m a y be ve r y d i ffe r e n t fr om c e n t r a l pol i c y a n d i t s e ffe c t s on u r ba n i n s t i t u t i on s . 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