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TRANSLATED BY
HENRY WADSWORTH LONGFELLOW
(1807-1882)
CANTICLE I: INFERNO
CREDITS
The base text for this edition has been provided by Digital Dante, a project sponsored by Columbia
University's Institute for Learning Technologies. Specific thanks goes to Jennifer Hogan (Project
Editor/Director), Tanya Larkin (Assistant to Editor), Robert W. Cole (Proofreader/Assistant Editor), and
Jennifer Cook (Proofreader).
The Digital Dante Project is a digital 'study space' for Dante studies and scholarship. The project is
multi-faceted and fluid by nature of the Web. Digital Dante attempts to organize the information most
significant for students first engaging with Dante and scholars researching Dante. The digital of Digital Dante
incurs a new challenge to the student, the scholar, and teacher, perusing the Web: to become proficient in the
new tools, e.g., Search, the Discussion Group, well enough to look beyond the technology and delve into the
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For this Project Gutenberg edition the e-text was rechecked. The editor greatly thanks Dian McCarthy for her
assistance in proofreading the Paradiso. Also deserving praise are Herbert Fann for programming the text
editor "Desktop Tools/Edit" and the late August Dvorak for designing his keyboard layout. Please refer to
Project Gutenberg's e-text listings for other editions or translations of 'The Divine Comedy.' For this three part
edition of 'The Divine Comedy' please refer to the end of the Paradiso for supplemental materials.
CONTENTS
Inferno
I. The Dark Forest. The Hill of Difficulty. The Panther, the Lion, and the Wolf. Virgil.
II. The Descent. Dante's Protest and Virgil's Appeal. The Intercession of the Three Ladies Benedight.
III. The Gate of Hell. The Inefficient or Indifferent. Pope Celestine V. The Shores of Acheron. Charon.
The Earthquake and the Swoon.
IV. The First Circle, Limbo: Virtuous Pagans and the Unbaptized. The Four Poets, Homer, Horace, Ovid,
and Lucan. The Noble Castle of Philosophy.
V. The Second Circle: The Wanton. Minos. The Infernal Hurricane. Francesca da Rimini.
VI. The Third Circle: The Gluttonous. Cerberus. The Eternal Rain. Ciacco. Florence.
VII. The Fourth Circle: The Avaricious and the Prodigal. Plutus. Fortune and her Wheel. The Fifth Circle:
The Irascible and the Sullen. Styx.
VIII. Phlegyas. Philippo Argenti. The Gate of the City of Dis.
IX. The Furies and Medusa. The Angel. The City of Dis. The Sixth Circle: Heresiarchs.
X. Farinata and Cavalcante de' Cavalcanti. Discourse on the Knowledge of the Damned.
XI. The Broken Rocks. Pope Anastasius. General Description of the Inferno and its Divisions.
XII. The Minotaur. The Seventh Circle: The Violent. The River Phlegethon. The Violent against their
Neighbours. The Centaurs. Tyrants.
XIII. The Wood of Thorns. The Harpies. The Violent against themselves. Suicides. Pier della Vigna. Lano
and Jacopo da Sant' Andrea.
XIV. The Sand Waste and the Rain of Fire. The Violent against God. Capaneus. The Statue of Time, and
the Four Infernal Rivers.
XV. The Violent against Nature. Brunetto Latini.
XVI. Guidoguerra, Aldobrandi, and Rusticucci. Cataract of the River of Blood.
XVII. Geryon. The Violent against Art. Usurers. Descent into the Abyss of Malebolge.
XVIII. The Eighth Circle, Malebolge: The Fraudulent and the Malicious. The First Bolgia: Seducers and
Panders. Venedico Caccianimico. Jason. The Second Bolgia: Flatterers. Allessio Interminelli. Thais.
XIX. The Third Bolgia: Simoniacs. Pope Nicholas III. Dante's Reproof of corrupt Prelates.
XX. The Fourth Bolgia: Soothsayers. Amphiaraus, Tiresias, Aruns, Manto, Eryphylus, Michael Scott,
Guido Bonatti, and Asdente. Virgil reproaches Dante's Pity. Mantua's Foundation.
XXI. The Fifth Bolgia: Peculators. The Elder of Santa Zita. Malacoda and other Devils.
XXII. Ciampolo, Friar Gomita, and Michael Zanche. The Malabranche quarrel.
XXIII. Escape from the Malabranche. The Sixth Bolgia: Hypocrites. Catalano and Loderingo. Caiaphas.
XXIV. The Seventh Bolgia: Thieves. Vanni Fucci. Serpents.
XXV. Vanni Fucci's Punishment. Agnello Brunelleschi, Buoso degli Abati, Puccio Sciancato, Cianfa de'
Donati, and Guercio Cavalcanti.
XXVI. The Eighth Bolgia: Evil Counsellors. Ulysses and Diomed. Ulysses' Last Voyage.
XXVII. Guido da Montefeltro. His deception by Pope Boniface VIII.
XXVIII. The Ninth Bolgia: Schismatics. Mahomet and Ali. Pier da Medicina, Curio, Mosca, and Bertrand de
Born.
XXIX. Geri del Bello. The Tenth Bolgia: Alchemists. Griffolino d' Arezzo and Capocchino.
XXX. Other Falsifiers or Forgers. Gianni Schicchi, Myrrha, Adam of Brescia, Potiphar's Wife, and Sinon of
Troy.
XXXI. The Giants, Nimrod, Ephialtes, and Antaeus. Descent to Cocytus.
XXXII. The Ninth Circle: Traitors. The Frozen Lake of Cocytus. First Division, Caina: Traitors to their
Kindred. Camicion de' Pazzi. Second Division, Antenora: Traitors to their Country. Dante questions
Bocca degli Abati. Buoso da Duera.
XXXIII. Count Ugolino and the Archbishop Ruggieri. The Death of Count Ugolino's Sons. Third Division of
the Ninth Circle, Ptolomaea: Traitors to their Friends. Friar Alberigo, Branco d' Oria.
XXXIV. Fourth Division of the Ninth Circle, the Judecca: Traitors to their Lords and Benefactors. Lucifer,
Judas Iscariot, Brutus, and Cassius. The Chasm of Lethe. The Ascent.
INFERNO
CREDITS 7
Dante's Inferno
Inferno: Canto I
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
Inferno: Canto II
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
Inferno: Canto IV
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
Inferno: Canto V
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
Inferno: Canto VI
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Dante's Inferno
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Dante's Inferno
Say where they are, and cause that I may know them;
For great desire constraineth me to learn
If Heaven doth sweeten them, or Hell envenom."
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
Inferno: Canto IX
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Dante's Inferno
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Dante's Inferno
CREDITS 39
Dante's Inferno
Inferno: Canto X
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
Upon that saying, which seemed hostile to me.
Inferno: Canto XI
CREDITS 44
Dante's Inferno
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Dante's Inferno
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Dante's Inferno
"Philosophy," he said, "to him who heeds it,
Noteth, not only in one place alone,
After what manner Nature takes her course
CREDITS 47
Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
And the trunk said: "So thy sweet words allure me,
I cannot silent be; and you be vexed not,
That I a little to discourse am tempted.
CREDITS 52
Dante's Inferno
CREDITS 53
Dante's Inferno
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Dante's Inferno
That has so rent away from me my leaves,
CREDITS 55
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Dante's Inferno
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Dante's Inferno
CREDITS 58
Dante's Inferno
Inferno: Canto XV
CREDITS 59
Dante's Inferno
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Dante's Inferno
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Dante's Inferno
And men of letters great and of great fame,
In the world tainted with the selfsame sin.
The one who wins, and not the one who loses.
CREDITS 62
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
To look at me more than the other foul ones?"
And I to him: "Because, if I remember,
CREDITS 73
Dante's Inferno
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Dante's Inferno
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Dante's Inferno
CREDITS 76
Dante's Inferno
Inferno: Canto XX
CREDITS 77
Dante's Inferno
CREDITS 78
Dante's Inferno
CREDITS 79
Dante's Inferno
So that there scarce remained one in the cradle,
An augur, and with Calchas gave the moment,
In Aulis, when to sever the first cable.
CREDITS 80
Dante's Inferno
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Dante's Inferno
CREDITS 82
Dante's Inferno
They lowered their rakes, and "Wilt thou have me hit him,"
They said to one another, "on the rump?"
And answered: "Yes; see that thou nick him with it."
CREDITS 83
Dante's Inferno
Pray let us go," I said, "without an escort,
If thou knowest how, since for myself I ask none.
CREDITS 84
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
And grappled with him right above the moat.
CREDITS 88
Dante's Inferno
Who takes her son, and flies, and does not stop,
Having more care of him than of herself,
So that she clothes her only with a shift;
CREDITS 89
Dante's Inferno
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Dante's Inferno
CREDITS 91
Dante's Inferno
Save that at this 'tis broken, and does not bridge it;
You will be able to mount up the ruin,
That sidelong slopes and at the bottom rises."
CREDITS 92
Dante's Inferno
CREDITS 93
Dante's Inferno
CREDITS 94
Dante's Inferno
CREDITS 95
Dante's Inferno
What thou demandest I cannot deny;
So low am I put down because I robbed
The sacristy of the fair ornaments,
CREDITS 96
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
For speech before, is cleft, and the bi-forked
In the other closes up, and the smoke ceases.
CREDITS 100
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
Since we had entered into the deep pass,
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Dante's Inferno
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Dante's Inferno
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Dante's Inferno
"Nor death hath reached him yet, nor guilt doth bring him,"
My Master made reply, "to be tormented;
But to procure him full experience,
CREDITS 109
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Dante's Inferno
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Dante's Inferno
Less strange, know that these are not towers, but giants,
And they are in the well, around the bank,
From navel downward, one and all of them."
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Dante's Inferno
More just and more discreet will hold her for it;
Search round thy neck, and thou wilt find the belt
Which keeps it fastened, O bewildered soul,
And see it, where it bars thy mighty breast."
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Dante's Inferno
So said the Master; and in haste the other
His hands extended and took up my Guide,--
Hands whose great pressure Hercules once felt.
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Dante's Inferno
As yet had Michel Zanche not arrived,
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CREDITS 135