Laha hadld is one of the wOrld's most radteal archItects. In thiS remarlcablebook, her vtSIOO WIll dazzle, entertain and astound. Any copy of thiS boo.SW1i!fl by!he pubhsher as a paperba s sold lIbJect to the condition IMIII shan nol by Wily 01
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Título original
Architecture eBook Zaha Hadid Complete Buildings and Projects
Laha hadld is one of the wOrld's most radteal archItects. In thiS remarlcablebook, her vtSIOO WIll dazzle, entertain and astound. Any copy of thiS boo.SW1i!fl by!he pubhsher as a paperba s sold lIbJect to the condition IMIII shan nol by Wily 01
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Laha hadld is one of the wOrld's most radteal archItects. In thiS remarlcablebook, her vtSIOO WIll dazzle, entertain and astound. Any copy of thiS boo.SW1i!fl by!he pubhsher as a paperba s sold lIbJect to the condition IMIII shan nol by Wily 01
Direitos autorais:
Attribution Non-Commercial (BY-NC)
Formatos disponíveis
Baixe no formato PDF, TXT ou leia online no Scribd
The C.omplefeBuildin.gsan.dProjecsts Essay by Aaron Belsky
WHh 42ffi Illustrations, 328 in colour
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Thames and Hudson
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Any copy of thiS boo .\SW1i!fl by !he pubhsher as a paperba s s.old
~lIbJect to the condition IMIII shan nol by Wily 01 tr.lde or oltieMse be em l,eso!U. hlled out or rllherwde Qr(ulaled wnhpu the publISh!!",; plll)r con sen I In ilIl'I), f.Oll!lil 01 binding Of COW!r olher than thai In whrm Ills pUlbll5hed and W'lllioul a ~mllar oondr{lOn chJoltlg: tile-se \vords being Imposoo on a robRqu{>!'It Plllura5er
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Texts al1d magiS 1998 aha Hathd
InulxhKUOI'I 199,8 Adron BeLSky
411 ~hti Reserved No paft of thiS publl(dllOn IT1iIIf be teprodloced or transmllted lIlallV form Qf b, ally means, I!fOO'(ln C or m~hl!n C<!1 mdud IIg DI10IIXOj:li. r;I!{Ofd!ng or any other rnfollJ1i1hOfl slOra!]!! and lelrle\lcll $)'Stirn. ~'nthOUl OIllCl'lH'rrnl$.\on m wflMg hom I ,if publisher
8num I.Jbfo!ry C<>tdtogulng-m·Publ'GI11CN'1 DaloJ
A cataloqu(' .retold far tilts boo I~ aval able from Ih Bnllsll librill)'
41 aDWH 2QQO 1938
49 YICTOIttA aTY AUAL Btrll/ll 1988
50 A N(W BARCIlONA 19S9
51 TOKYO FORUM lo~yo 18gg
52 KAFER5TRA5SE DEVI10PMENr Kambulg 1,989
56 MOON~N S"ppI)(O uP;!n. 1989,-90
60 ~y 3 ~kA.. '989-90
61 UICls1IR SQUAIII lOflldm. 1m
61 V1T1lA flU STATION Wed .1m P.ht<n, Cif1'1T\itny 1!I9O-94 IntrOOlK1lon
B~YONID89 DEGR.EES Aaron Beuky
~ ch roe 0(1 IfV\!'!; on !be olt; t !lanr:l. I
The f 11l'I. CIlIJ!~ QI'Ii! M~<I t enOl ou. (orTTllIl'nl!'l\\IOn 01 IlIl' "~'«"I Ot's. I ru , .
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IlWfIolgt1IQ assure W 01 ~n I'J1m~1lM' dl1d un~Il ... ...ted "-,, c actlatl U" I
" hce5 d rW f urmml'd 11Jo(}f1'a. 0" r • II ~-oa.a ::i1~bDflI ~nd 0111 f ~C1Qr1 dPjN1l1ll'd to lid." us QO. cd uP /lope!enly Thl"fl C!mt' I'h~ 111m .!ftd' blHll IlIli pIISOO .... ·,tllkl oIIlIOO I It, Url' r:I)'f\<lm re 0' Ih!'c It-llih 9/ ~~. w tl)at OCI'W r tlw
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"',Ih AQ"., l'1'l(I\ 00 rTICI'Vl-meflt 1 f! U..,d nil l''''ilrgemt:nl of j] 'IDIIplhOI oot:!; no: S mar.,. fL'flcfl!f moIll fl-II!<
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\.o"(p .... motIOn 1'101 on p-Ill'!.euu. lJm lal '1!A1lllllo$ of m~lI)<nl b.Jl lev$a'S n them enur~ un!ulll"o'm ones 'wt! en far
ffewn OIl 109 I~:fl[d!!d rap d rno.t'rTIffll !I Llw I!lrll<l o· S ng~loIr y 9 d IIg 110011.119 SUpt'l'n;,tul~1 rnotro1U
E\lormtt\" a (j,Uel<ln1 nature llpl!f\S'tle 110 the t:;)m~'~ t/lill'l OIl~'IU 10 the '<lked rye If oot-}' Det.lUSI'
an 1Jf'I[OO!.OOO y IK'hW~I~d ~ce ,wl;rost.tutMl Ie< ~ $P.la! {!.>'l$CJo01.NY~I)(l(ed by mt'l'l
The ExptQ:sionof a Jenlh of Q Second
Zah~ Had d IS <l grC{l1 Clrtemollggrapher She sees I" (! a camera "Sh@ petU!I\IeS the City n slm", motl'OO. HI paM Sl.'o1)Op> and cfosl:o.l,Jpi, In Jump<lJts and narrative rhythms As sl1e draws (he \\:Qrld around her. 5h& draw~ cut 115 Uf1l:pnscous sp,aC(.'!i She rlrlds ~'II/1<Jr rs latent In Ine (Onslrur:hDfU of OUT modem world a nd s I oryt>oa rll S I he rn rnto u IOp1 as S he bold I eJ p 10 rei, illl! s10'.'~ down and ao:e1eJCIII!5 Ihe rhJ'thms 01 £r\'Cryday IIIe, <md she subjl::<u her en ' rOnmenilo the wrg -cal e~~lhon o! archll&lure as a form of rl!preenL-lho-n Sile budcs (he e.ptO!Jo.n 01 a tenlh 01 a second
Th ~ does no\ mpan IMI Yle .s nai all arch'll.~t Zi"lha liildld ,NTIS 10 bUild. ;Jnd !'Ier lll\i)g~ ille part 011"'" process that moves taw;:.rds conslruction She does nor, hoI\1!Ver propose Ifbeflln9 an dutOl'lOmous Objl!(;l Into a blank sire In~leatJ nf!f b<iJ dlnlJs are nlen~flCalllln5 lila, lead 10 e)J;!IIflS·OIlS She complewl!S ~I' trle energ es that (OhM 1hl! bu Id,ng 10 dpp&lr I,om rLS Pfograml"nE' to III technological llllraSlfu[Jl)re i-It'r bUlldlng5 are llee to reach out f'om IhLS denSIty 10 qeale-wace:s 1~1l ate rite of enCumbliln~ WrWf!? therl ~'I'a:> 01>(1:. t'tke potenlJolllor) PlMlI!' dchmy. \'(<I1I5 and p pes. therl' d~ no.'ll ~Mrds and IlliUle. I hal ~I ce iJ1fClVg 11 th 1'1 alldscol 1)1' to ooen up <I sp;rce I'o'e did no t KIiOW CO\j d l'Kr~'
H cI d hllr 'Onsllll .\e-d h£'t caleer 1'1 dlthlletlUt'!' In a }lID IlC tndnnef Sht' h.Js lolded It e memorie-s 01 a 1'0011"1 .pent on ..... oven carpeu illIG a Ifa,ntng ill londoo s Ar(hlte<:lur<l1 As.sOc ilIum SI-Il' has U3ed II'e 100ms of !,"dlly Moentle{it..c:enllJlY arllm as 1 e bu ld"ng blocks oot 01 wh ell silt> ha~ er~led her pat .. CC!'l of abslra<11'd merTlonfl"S She hil~ drd ... :n the el1crg es 01 the ~lIy and the 11l'd\l':r' ContCKilIS of tt ~ kmdSCllpe droUM hl'f Ih,. d do'a1. amj Illen lliIli!d th.)! for,(' as Ihe St.lrllng IJOiI1l lor ~q)ltI'il~oru. Inl0 d~ un ;nown 1{,lntol)' 1000'Jard! '.'.>1 Kh her ,,[[gula. fCl'm~ point
6
One might s.-W Ina' l.l'rla Had,d 15 il modernrsl. d81gnrng lolls.t ed to tem. nologlcal 1:0re5 CIb a ceiebldtlon of the' new tladld Ita!. no truck Wi'lh twalog'I!~, appllcd ordcls. Implied assUntlJJIIOns or gra-wly ~h!! belr!!l'es Ihill ve coultl and 5!lould bUild a bener ~WlrJd. onl? mar eo by freedom abeM' a else WI? 'NQuld be fllJ.erated from Tile Il;u!, from the COll5traints of so(lal COOo~I!nuon, [!!;)II) phi'S cal laws. and free 01 eur bodies tlo'Chlleclure. lor 1TlOIJ. I.!rnw ~udl as liadld. IS I~ ak;v.JYS fragmentary COllStI'\It;llQO of such il ~~'O/Id
The Three Modes of Modernism
TrddrtllJllallv, tll~le ,are 1I1Iee ,u~ 10 such I1'JOdtunsm Fust !~ adhl.'r,ents belJew In M\\ structr.ues 8y harr.~ng technology, a good ffiO(,1em!St po5lU .... -e can use our Ie5OUlCI.'S (IndudlllQ Ollfwl\res) mote- eUlt'll!l1Uy to create the Il'lol>crmum amounl of S\lIDru~ Whether Of SPil~e or of valul;' n1r~ 'too much 5 Ihal Wilkh IS the here« reallry 01 thl! alviilys new, the future. the ulop'an II IS lh.al v. len ha< no ~h.1pe dna comes dbooul by reo'udng rorm 10 IU m ",m.J1n. Second. Ihc rnOONrust b<!IreYI!~ In new ways of ~lOg lP:erh<1P$!.h1' watfd II dheddy nl"\:'ll, bUI \'~ I~I doo I recogrtl2e 1,1 iii such We seoe only what we have ueen Ita Med [0 pl!f't'rv.~ II crtly w.., can lock III Ift'Sh ways we {,Ill dl.lnqe tI\(i> \<Orld by JUlllnal ,JC\ We nPed 10 Open oureyl!' , our ears <lod IlU' m,11'Id$. 10 the Icaillies III our ex!SI!!OCI! Then we I II allO.:td be Iree Th l Ihl' m()(letnl~1 ~ lihc-:; \0 WPtl!S!!l11 Ihe It'"I,ty of l'I1Qd .... rnllyF\JlJng Ihe III I two ')'p«15. she 0' Iu:> IfanstorrruOUf nf!'W perceptiOns InlO reprewnlatoOl lor thfl fom \',e ha e tleillt.'tJ Such Shdpes arC' the prOlolyPI!$ for a u!Jlry wh"h Ih,"~ tllI'.'e become learfanged allla d~~ 10 thl' pomt \l1olt dl b~ Ihe nG!"W drSi!ppear.5 By repr~sel1llng nl'w IhlnlJ~ III ilL""" WiI)'S-. ,Iii' C<In bll tl nl'Y'J world .. !!'lei Lnhabrtll If on!y Vilt" 01Jr eil',
II ~ In.~ third ,uf,II.'(I thill char,l(terlZfX Z,lha Had'd SNt' d~ 1101 .. I
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T~ nduw al lewo ul un of CO:!I i! bu II ~ Itl J worlel of t ,)1) 1t"novINl me n Q O! ,-al hom eac object or Inu "'HII,!')I ~nd fo/dlog I nlG It flo.y 01 (IP 1<1 As ~ fe en .lfC:h,h..'(lur(' 'itINS'"g 'I d .\OI<ed nl0 f ds 01 glJ ~I(Il>1 ,I1I'U,l concrete lI(I\' ..... n9 'Oll a tile 1 Yel1l9M ~f 101m ilfl{l bur nf'\ It em ueh nd II e d(( 1m 10. 01 ( ,r1Sum I gDOl.h 11, tile !lovl'!. Ihil[ ldha H o.n t)1I Itl
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bod I!tJ thl.' col a 11OrolU'I\! elfo' IS 01 hilnd, \0 " IO/TTO J 'I IP,l I 'I to 031 .... SUOu~
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CM!' ~qM\ IIw)' s0U9ht 10 ,~plore Ih~ erll!lq'I of ,lit eur chang "9 d(lMllh !b'J II/' l.ng ~Iorlc~ about them ~m;l In ~o do ng .1dded.1 n.1rlolll\te lIlewPO'flt to the ~\l"mpt \(1 qf\-"f! sNIpe to mod~mtly Whether the 'MIlks WtHe ,Jnecdol~1 and: con~"Oh.nl'd (T$Chum I, <I. mvl!:llc.ll (ollagl.' IKoolha.»1 Of a man1iescto IC!JOt.), 111"Y.11 ocorporated mulllp'\! pel':ipectN1."l. ~w~p 09 alnl eXlliWIVe form~, and l~tme'ogiC,a1 framo\..o~ s ,ntel 'magIS wnoS(' repr,E!5el1latJon dest,lbed r.1I I It)er IMn celr rn!d
Con.donsodColiogos
II ~ In thl~ tonl&'llhcJt lana Hadld s WOI lIllO' shape i'lei flAI notable ~o. leer her theSiS deSIgn fOI d blld~e over the Th;)rrteS (MaleY1ch's n~lonlk, 1916-77, p 16'11> Ul1dDtl'bwdly uidebted 10' er aSSOOil!Joo \",Ih Rem Y.ooIha.ls - 511\! coll<ioorolOO 'Mih the OttlCli!' of Metropoh\im Ard1l1eclU.11 fop ttlree ye3lS - oJ'1 the way '" wli,eh It lorl'graumh ol geome!ly redu~ 10 Its essellce. Iler.:lll)' e<lOkl~ Ole SUpi'em<lUSI \\ott 01 Malevlr:h Hel pillntlng·olll'le br,dge looks I ~e Ihe Mall."Jlth ;'!1f'Jl11lIles thlll eoutd also be sculpture'; or homes The oeulr.:lhl'\l of the IrnJge 11 I1lenuona'. <is she s:aw the Du~d'1l9 as d 'soc.la! condef)~" to use" phri»t'IMM po~lar <11 till! J\r(hn:Klural AuoCla1.lon TIll! bu Idlng Ilselt ,s a modern ill oil lliat folds bac·~ Oil llse'll 10 blli1g mUeren. pt'OIJramme ell!ments (wtI en she does 1101 aoua!!)' shaw) InlO ct~e (onl.c1ct \Mlh eadl otllE'r \Nhdt i1stooru:l!. us as WE!W1!I5. I~er. are not th!! prOject's functional asp Irallons Dr Jl5 q Uti tavon~ of the past, bu I I h e Image rlieU II holds the: pa9~ and e,il' wlln II resolute SUHlaml!fllOl !he "Il\~
1/\ Sl'Wrai P!Ojl!Cts alter her g~adu;dicn. Had d CO(I!lnued 10 ~rop her nanal!'; siaocl! IlIOU! lully nlo il spi1Ui1I1angu~!le The loimS of 59 Eaton P\a.te \l9S1-82. p 191. an dpaf1lTl~\ daogn IOf her b/eUwr. dlrl!f.lly ~ an fI.A bomb thai hJdaplodE!{j on the s.'le The dr;!\MI[19IlSelllS an expl'Q5lon, and II elements 1\ plll('@5 on \he p<lge ille fragmt'nlS lrom lh,s rtIOSl madern release 01 energy In \~I Wi» 10 betome a Cl'nUilI theme In I-Iod'd's <I{(h,lectml', theObj~ {onden!e aod (he Gllis forms tum Inlo furniture These 1111eM' P eees then I'flQ\'I! bat OUIIO take th~lr pllKe as, Pop Art ,element.s iI SI.ilgt! set 101 1J1l! re«tUpa \100 01 ;t motrem oly
Hartrd dr:seloped Ih~ 59 Ealon Place dr<l'Mngs further InlO el ..... SIDll et Hal!;.n Place (1985. P 28) Ina roeltop \Itt,,", the Vle'OYel soars abol>c' the eeves of 1he CIty'S rowllouses (0 hall!:' d Pl!tllf-P.ll'I lI(ew .01 a oly (Offill.", dpdrt ill the seams, a perslll'dNe Ihill leIS t-I~!!l1d s fraglru!rlts of a modclMlS.t utOpia (0- n habll Ille r h, stOtlcal I erms.
Hadld'5 plopo.sal lor the new reslden(!! 101 the IrIsh Pllme Mlnlsllu (1979-80, p 18) ,ntlQduced COllage 1''110 hel \.'/Of Replesentationllll!lemell1.S (ll 5, globes, bucks) populale a ~!mpk> C\Jbl! thrPlJgh wn,(h a long ClIfVlflg wal tu~ 10 open U,p the prOJecl's n .. mOliove rnslBad .or Ie. hn!! u~ aboutlhe programme (II' th, ;§.lIe, Hildft:l ,1N0'45 lIlecosmopohtilll nalllre 01 the I~I' d~lKe. ralner lMl1 ql'!! us the plot, W ~u Ihe seena
Her pIIoposai 101 \.he Ghll'ld ,Su Idlngs plOje<1 In tendon's lralillqar Square 1198,5; p 25) summar,IZI!1 many of her achll!Vlmle)ns <lnd 5l"1DWS her ablnty 10 rli!-lmagltH! the urban land~pl!' The palnl1ng' IS a dlplyd'l 11'1<'11 dep'cts t he build, n g I rom al leasl lIVe jle/Slrechves 11 al so shovl\ (he eny peeh ng
away 110m [1St!1I In tlo\l1a nghl>s,dl'-up ~nd a bottom-up 'M!'W, cwaliOlJ til!! unsellhng elf ·ct 01 not I:.nCI'Mng ... "tut Is II ..... en (bon and """al ~ 1M pr~ felled gtouml 01 Ute palnurtg By c()mbllling 10 clrvl'lntlos 01 an HCII!!I drol:W!ng "'11th trn- ,J,l,p'ratlOOS III s Con'IlU~IM61 compr»lIl()n, Had'l1 d 11'1'11- nales the' cay
liadld hilS Ii programmatIC rauenele for thl~ mann-er gI rapf"ei.l!nl<lt on the Grand ElUlldlngs ;IU()J~I was SCHT1i!lhlng thaI would pUI thE! ac II,~ <lnd forlT1~ of Trnlalg.a' Sl:\uart me d dense com~1J01l lI'Idt \M)IJ'd 1,(,(, up liI'P!r~ 01 open spaa!' to ill em lJ1e Cfly 10 bl1!alhll 010 !hi! bu 1(1 ng w Ie Its ill}9 ress!Ve ~I! apes mc:r.1.'d out Into the IJrba n terra n Open ng IJ P thl! oW at \he seanu;, whell! !he te .. ~ty \'1e ~penel'l(t> and the l~otil~1 01 a n~ ,pr<ljec\10/1 or bu,ld,"g lTlfMll became iI· Iec;urmnt rubJ&1 01 her paLnll~ In tillS ,nstance she iI(Omplls'h~d th,s I.'nl!'lr:n the Imag:e luell le$lVlng 1Ial"lg3' 5qUdle 10 Its O'.'fr -100 lISted' reality and 11et bllld "9 In I~ UIOpiar'l real m of unlulf.ll ed (<lnM.'!. ~
The sum~ ct ihese early woro.s 100 t\\'o forms The III'S!. was iI pamtlog that peesented a· 01 her P(Qj«IS \0 (hill pomt, The WO(k./ (S9 Oe9'ees) (l9aa p241 In 11 Hadld milg nes our glOOaI re<lhlY as a collection 01 ' er de~gns a~ \~ e fR'q nt St'l:' II em from iJ h('ll<op\:er 01 a m<sS! 'e sOOollng off 1'110 spa-c(' ~ Ille \wdd tum$, lIS laIld!Cilpe I'ol!ayes up Into Irilgmell!6 01 new geomelni!S The leal I'.Orld OO(OIJ'l.l!S Hadldlancl, whete gm~lty dlSa"pea~, .oollpec11\'e warps "ne5 axrverge, jlmj lhere IS 0() deftoUlon of Ka'e O! a'CtI~'\'y ThIS 15 00\ a ~hc ~ne of IU'l(\lMS and fom'!';. but a rommHaUOtl of J)05S1bll! ,omposllro!1~ \hal I~elher form oJ veritable landscape a 5pa~e wped by hl.ltl'lol.o hands 11110 un a rllhe,.ll depictIOn of the physloll ehvlIooment III whICh we lIVe.
The secend summation mil de Hadld famous. Her WInning I!fllf'j rOf the Hong 1:01:'19 Pea~ compelJUOfl (19B3, p 20) 'pfOl'fXl to Ihom.anm of illchnecb ,md uwgn ~IU dents fI1Xlll(hng' Ih IS author) Itl a I lhe lee IvI ques she I'IJd been developing WIlle a new form 01 a~tMec\ure SlluillOO' al the h!gh~1 potnl oll~ co!ony IIW prOJI!(l won l!sell a sumCJl.illlOil 01 the s,le 115 \I;ell as 01 all those progr<lmmes IhOlI jeltl51lned tl:re mu"oilnl! dem.mds 01 eJi'5tence III favour of a purelv l'Ieo'ofll511C cenecuon 0 forms Tne bl.uldlflg was a fdOhly Ihillalmoo to del gl'll ,,00 dlsopl'~ tile- bod:!' In a fGrlT'l thai ilp~r!!d SOCIAl ilCcl!pMble
H:adld'~ ,]fchltetture (lmbodre1:l Ihls programme and slIe In lubes thai 5l<l !!<I up on lop a! each othe' ilkI' il pilI! III WOQden beam5 on a Ulllstll,/C' 1KIo SlIE.' They Q.X1e-nd\!d the vertJcahty 01 111~ Slle ,n canllll?Vl!i:S and stra\1l,ed milCei Tile Inlersll(eS ollbe forms anlt;utaled lh~ Peak's IUIKIIOf'I as a saoal clup \~I!fl! iI(tMtIe$ Intt::~led, wn!le the beams' lTlOYement seemed to capture and so1rdlly the trajrx\QIY of Dod'es In mOI,on II wa, a bulld,ng that bfOllght hurn~n ilnd mountain logether to I~l each other "did flOl just 'crown me broly', II purr~d ItI(' wry Pea, iJp.1rt so (h;l1 1'11:'. II I! Iillte.-di'lY Titans, could do bal·tle With II
HiKlLd laid OUt thIS Y1~!OO In il SI!I of very large p.1rntrngs lhal $et!med II) aspire 10 the scalE' 01 lhi' Pea Itself AtUlOIIgh the .. rcMecl empholSl.<ed thefa\lOnal !lillule of h!!1 construction, lhe dla~""ng~ pul cd Ihl! p.lrts ,lfld ptK6
9
.:lpar e od nQ It) s te and I programme ,,, on OOlnt1119 Hadld s m ed ,Il'menll of !tIe dub necoml1'l9 pan 0 downtO\vn Hong Kong, \' Ire till'
etropchs s s 'yscrapers t>e10l.\' !le<.Jm" abslrdel plal'Je5 thaI rOlaled Ill!'> off Jnd aC{lJal lurned InlO the bu Idl 9 bloc loS 10 Ihe Pea In t e!..e Instances Had d put 101'\\ rd an ar(hl l!Clure that reprE5 nted .. olllllflC.kI' j.JnOscape 01 1/1.:1' or an me\lopoh~ as an assembly 01 abstract geometric forms The~ shards 0 the ne'i pcrnted 10 IfMds a more open, Inlens and unslable arrangement 01 5pilC~
Setfiing Soil on Q Sea of Ge.stures
In th 01 CM n9 dl:<ade Had I»ndcd t ese til mes ,n bu Itl ngs deSIgns and plopoSdls ,uound the 'JOtld, a /lumber of \VII ell werl! In Germany Tnese IndudL>d her two argesl bt.nlt prOject5 10 dale. the Jell HO~,!I1g Block In 81)111n (J 986, p 381 and II Vllrs fir Sta on 0 Well am Rhe n \ 1990-94. P 62) \"Irllle Ihe lo!mf" bUit leba c orm~ useo In 111 Grand BUild ngs. d !Sign, lhe '!UeI po nled I e dlfetllOn to a ne.\ ehese of er war
T P'OJe<U for Be!hn letOHil II gsa p 49) Hamburg HaHel\stra;se 1989, f,I 52) and Du~setdl){f 11989·93 p 66) hdl'l In (ommon " t had by now become liadld'5 sIgnallJlc prOI'. shapes loh-II e 1paces around eccentnc cores pub' ( spaces brought 11110 C! eu Id 1\9 ,md s11a~ exlend ng out mto the Cit, Cher III ~ars Ih~$ forms too'.. OM an alrnosl ~ She cast, YJ!1 the; also changed Cll.'lr<lcter The;, became! gtner ma'e lri!n~parP.;nt and (note layered To some degree thIS was the I~uh of lillge' and In fI'IOSt cases more con ent onal program res T ese offICe bUIldings, nd apa tmen bloc had f("." br d e e ents, 50 II .... as perrwp~ thlracul! to de:"lop .. I'\ilrratrl'e representa OIl 0 them
One il\so son d a I , fQOl$, re ilO'O~ earllef bUild ng1 I',cre col.
laQ~ assembled OUI of Q spdrate eI ments, her forms now .emed to !' as s.ngul .. ' qe!.lu'f.'$ To H3d d I IS ,\';)$ the 1l'5U I oj $('1'Ing ('ef .... '01 a, d rorm of
landscape. or ~l\apang ollne /ilnd While the Bel!m VIClOf:a City As ja.',i!d the roope or InleOSlfiCOluon and extrUSion Hadld /lad II/51 proposecJ 11 Grilnd Butlo 119~ scheme the large complexes In Dusseldorf and fra fun rtad Ie fragments of a mod~frnsll(eberQ whose defts Ie 'ott! the edges iI5
Th~ hssures r~al the pil"tlill n.1lu'l! 01 each bu It! ng. In tnc DGsSl'idarl Pfl> leel the corntJ!e 's \ a,lOos functloru accrue s-ml1ar lortm, \\ ch are shEoefed 01 Into blldg6, will vay.. and publIC bUIld ngs I al are unrfied In Ie/ lree
ralton or 5P<1ce elher n the pu he realm ()I' I" the 0 nte to\\'e~ ~ -fifth
IS pan 01 the Silm!! UnM!'SI! 01 rGfms
Hadld's use 0 co'our also began 10 c.I1ange After Ihe hot ,mdgl! 01 t.e london CA project (1988 0 46) and II e colour-coded Irag nu thaI s ".lum d both Berlin bUildings. fhe other German deSigm NI!l rernal ab, Y)!lln their co/aural ens Thl~ was p.:)rllally because glass now predOlThr>;!(('\j dod perhaps also because or Ilie relilllVel grey envircnmem of Gelman 01 e
I <ilso. hO'tve 'er seemeo [0 milr: a cooling dm'll" of Had d ~ pa'et lonei and lonatitl6. lolds of contlnu.al forms and modulated !iOlum~~ dlsplaceo (01• lages 0 I sh.J rds
These d .elopmenls culmlnClted an tbe Vilra Flrl! Stillion
Irom fran Geh "s celebrated all· III! museum, one .5 most d all! 01 I~e
prOllo·1I e shape of U1l' bUI1dll'\g In realitY - and Hadld 5 drCl1o'ttngs ma e It cI at - Ihe III! slatlon ha; been conceptual! sheared 01 frot Ihe fi<.1 bl~ ne I 0 II and shot through U1 a CUNlng ~al wa lIlal le.ld~ b.!c 0 the mU'5eum and around the (omple' II Is an erupllo GUt or IlS piAlce thai freezes Ille muteness 0 the faCIOI'I walls a$ Illbng endosures The bu ttl ng opens liP J(!\.~ "long the fill: stallon's contours. rather than siandl 9 agil lS t 11!m TI'IS geological formation conuaues on the InSide were the la-gel ~act!s for the Irle IlUd~ CUI\'(I Into thl! ~hO'o',oe1 and loungc erees and It-e s ailS step up WI h e olumes to'! ards the second floor
Had d pro 'ed h Vltra lha she could buud a i;}fl[Iscape lit oug.,
10
fOITN may appear f"mlllar, I JII! a tong • .... a from 111e conslJucted aw:m-
blaqes (;I her early 'fOlk IllS1ead 01 bUilding on the land, open ng up neo. spac~ and IlUerlmg lorms thai rlW(-O up \'IIIth agglMSI\I Challeng.es \0 the-I surroundj 9~ 5 e now drev r forms out from e Sit' moulded 1 em 00 01 functions and used spatial logIC to cleate monumental bUilt f,JCU Her al(hlte<tule beciJme .emlOtS(enl of ho frelds ns up ov " hills <lnd ta es open up below them, 01 nO'lv nil f~ mo e through uooulab 9 I.lnd~pe. dod pea proVIde a seme of OfIentabon Peri'lalH H"d,d real'loo that th!! e p'Ds on of a I nth of a second' revedled not so much t e construction of the hurtllIn psyche as 1\ dId 111e nature of the bUilt I.'!lVlrOnment as OJ scdlmenta non of human habttatlon thai 10110\' rul analogous to lhose In 1/10lgan c
alule She round free spaces nol in th fragments 01 a utopia, but In 1 e e;.ololalJonol wildt already I' itS
Spiralling into Control
A'leI V,lra, sp!ral-5 beg n 10 dppe.lr In HarM s wor In the Iolded metal plale "lat enclosed th Blu p !I'll PaV1ilon (1995. p lOBI, ttl' OJ/ling up of i e
, rban Ja' e~ n lilt> Carddf Sa Opera HOU1e (1994-96. p 1181.:md the VIClona and Albert useum B011l'rhou~ Addition's 9 1 sequence of $cpat~ (19~5 p 124) /HU!I wandenog In lhofl: lantlsCape, Hadrd s bUIldings seem 10 wan 10 rna e the landscape heir own bV rapping 1\ around the programmes ard hC(ll»1ng the ~urloundlngs to sh~ller or contain !>pclce In the V & A proJKt, the gallery spiKes lea<h up beyol1d the rooftops n the ~me Vol they dllj In Ha an Place In t Cardiff Bay Opera Ho\JSl> Sill OIls enc ose tht' grand spare 01 the main hall, In Ihe Bluepnnt PavIlIon, they aeall'd an <led cular Jl(esence fOI the roll/ siand
Although most 01 her recent wOr S ale large bu 101 95. I'adld drCh"~ em d'S i1dnspilr~l'I\ volumes Inst.ead of the ','eighty pr~e of teeton" p\.a!es she /'lOW S\I gests tnal the man pulaooo of geometry and stnKlUfl! could I befa e a ~ce from us confines 1'hePfI.'OCCuI')J1UOn wllh tonlinUlt.~'ol 11 lal'ldKiloe becOmes r~S1 a~ open reaches and IOteOOf vol mes Man ot t assooated With the5e prOiOCts have white hnes on bIa SUI'''(l'~''~ f Wl!JI! bUI s~l!tches 01 po~lb hiles opel! 10 Inlerprelat OIl The certa nt1l'S 01
I! .. rly pto/ects oJ e gIVen 'IQY to I gCSlUral e plrxiltlOl'l of a~IM't opI' n ~
11
TI rs Iramluuml gem Ile qUJllly leKne-d <I culm nauon 11 H,td<d ~ pr()pCS/JI!o lor Ihe H'ld.ney Emil m II e.J11l.' cample. \1'10197 p 1631 ~nd Ihe Cln(lnf1J,lI Carll mfl'tllolry ArU Cl'ntre 11998 I) 168}tlfl't' l/'Ie s e'ns 01;,'00 'if mlo /JolllI~ !TIOIe mdll !Iii! 1!'IIer a(1! oot\!/een the .. nCNly of !hi!' Cd iJl1rJ!he Intenor r ill'toe!. be(OIJl>' moll' and morl' local n'd n fOl1Jl1n <I'ld spira I ng ...01- um ~ ~dl/lg anu Inlerlo(,,!'1~ ~'l\'''' forms /\\alls UOOfS al\d 001 fn!J!i1 ,md I'Itg'''llle ~P<lces (Inl\ilb table SpaGC5) tum nlo e{'~ ~lllhel1ng arOUlld each ClIIler e, e~ .. r I"IJQI'e dense wnll yel (u f)' \KId. SD;ltloll OfgJn,liltlOlU
A. the lwlmt' \ I1W u e tubular forms 01 11fl e:ill ter p'oWns tum ,nto domnsnt ff:'illUr'~ T1 ~ .lfe bumJleu loqt'lner (0 form ti:l: S;illUelllu V1di:lud. In Vienna 1994 D 961 ilnd the lial.lllolblll B lJge ~m:ljecl 1996. p 135) Thougl 10 SOf\"l! tent the !J.e.olm 'ee.} I Ihl' SI~bs 01 Ihe l'e,l~ prOJect I el' alt' 11()'. ... much dcnSt'r ol"d <Mre nlJhil1 pile l."1J ('reu ,~t>on al tI 1Mb .. ~pace become ~IIIUJUy lid ~\II"\gul~hdb'e Tlwv al~o l'rnpha~lle lI"Ie I'IIHllon1d1 rr10y('mt'M thnll.lljll mace PVet" Ihe ',,'I!ltJCol bUtllllJp 01 10 rn In Ihr 199"} pIOI'-<1 10' a Ial'ldKapc e h umoll n Germany III lSI J. Ih .... ~ mcrcreti \. III Had d ~ preVIous n1cresl5 1/'1 ttl!! rna IIllI 0' <l idoo!.Cape 10 creal e a gu:al (UtVI!d rJlilne
r.oward~e a New 'l<:!nd$(ape
l..W<l!.;.lP" has be<oml: a UOI'l'Il(\J,,1 prE-OC(UllatfQll n H,1dld's -.'Iltk If InE ~'CII umes 01 Irer devg'1S all! IIIcr~., rng /llIt! <0 Me l11e I e;(t"flo~ 1111 ruOjCCIs 1>\> IMe VIUWLlm of Islam r At s n Q.Jl". 11991 II 156), In.' OUlld !'It.! becomes no rtIflt'l' 01 les~ tMIl a 1 ppl!! un{juldllng OUI of tile S1!1) IJlOl'tng LID 10 eacornpass spaces Mlil \h"/1 dymg hac down InlO Ihe mound Counya,rd SIOti
1M ~ve ~p.aCP J,..d st'l 1;1 togelher I~{' ol Pel $1.lFl r::arp,~1 but alla ,~ • ill.~, .mll move In and out of IlInd IJ e 1l!)p1t'S In cloth ng 01 Iht' IOfrmo' l
Vetlll!r Panlol1 dlalf~ she' adores IIle5e bi.llldll1gs are moulds of I P't>
araml'J1e lhal lise up Qnl~ <IS lar as they mlJ'S1 to iK~rnmooale lJie 00 ;1"\"1'<lllhe UeilUt)' of the body Inher~nt In tl'e mOl/erne"l i,lM'lf
lOS/IIi' fh,> new world, hllW~vt:1 it1el''-' ~s il ulfterenl Ie,) It)' H ~ Gr ~.l1l1l has most j ull\" l'iCP!ored III such reee nt pl'Qfec.s iI ~ her sch eme f 01 ~ "~ bot tne London /vi HeM urn Dome (10 be completed '11 2000) The (om~< II'l'ef_ wea"""g or 5pdO.'S drtd Ieems IS r.moothed OlJl!f ttl the t.mdsc<lpe e ~uf'l~ btl! I' Ih d "p of a wall IMI! COIlIO\Jr< of and:Scape bt!wme ove/han!! ng fl'"QW). Hold 1I IId~ not IJa(901ter. tel deSire 10 !.fe~t\H1~ tK>~ol1d I'he Il'rlllilllOnS 01 ~le illld programme to create 51IU(lure~ lhat seem largel JnrJ mol~ open U an \~ ""PKI Irom a COlli n!XlolJ d nq
l'dos\ QJ Halld's IlKenl pIOjecb thus appe.lr to h .. vl' Il'pl.l((!d Slotbi P'II'M clflll biG< With ~Irdl~ an!:!, lul).es MCllOfl and gesture have rt.>pIaced IOfm as dbm nsnt elements, and the \'<01 ~ more opel). tentatIVe and Iyl (011 Op;;r Il'Ig up tht' ufual"llandscape, unroldlng the energlC'S.ll1 !hE' l'I100em n'lelrOlX .... Jrlli Cle.tlln9 illllllOl1.ilty \'.0' d, H.ldld e..:plores the SPilllal powb i,l!l!5 01 .sudt .1 n d rdllll ... lul(-' 11'\ I 01111 ~ Ihal h..I\r1' l!<ell QI.,\ '" typo l\ogy 5\ IU{ \ U re and da If IY'e 'i<l1 II - st !Slle prQPe't es
The mariner n ',\IlI'h she ple!.enl!. thl~ wor p.lfaitt'K Its. 1111~(l\JOnS Ovel the yeals H!ldld "'<IS n\!Okol"!! I,t'I'S!:!H fC'S$ and 'e5!I. !;OJ III the e*,fI(1J!lgn (II 11ft j},llnlll19~ lind tjla\"'''ng~ SI C 00\', I)IE-'fer~ fO ~V(V' II e a Renm$~llXr m.nt~ as Ih~ heoltil (I <In alt>l"f SI i' ~' etches 61'1d eees ·.;111 the p~l~e I es lhat
1-
12
del he' design ObjKUIli!S. 'I!I (0- vor (!I~ render lh WOf, at d larger SCdl dlld f" 10 > ~Ci!S bel ~ -n 11er g~s ures Then! IS less, delal ,1"\ the \', 1 ess d flerenlJ.1ll00 ,lIlel 1l'S& coioul Hil tn9 mt'lI-ed from mIJIll{oloured oJrnI t1E'd1/liy "arntetl collages 10 monochrome washes ~he now nroncces pa n!lng~ Ihal ,'III' only while I nes on bli!(' paper. ghost> 01 ,a 1 ulule Hly
Screen Gems
l)psp,1 t>er conlll'\U~ pa nl<!fly apprOJ(h, Had d nOW also rna es IlS of I e co p ... er 10 tJdvafl("l' I!T .urns lalesl !.Oft ',ilr ' ,,110\,'./5 her 10 a e I e
ng IandSCdpe ilnO unlolcl11 100.11"\, S''''OOP ~ ',eN' cut \IOw do-. n and
Sp4!ed up In many d lhe computer lull 15 Ben'~1 11 S Jlroml!>e tl 011 d ne separallon betw n percep IOn, I presentallO and r ililldl an dls.soI ... es The compu\1'f ~ iI way of leg~lcI on , tIS dbou OUf e!J\llronments 1\ mol es I \lOl" lor (OS Ih~t au!' 01 eM se 100 aMI! 1(' 10 see II a 10-.'1"; us 10 101m dnd I IOlJfllhOY' lall htnV1"ol\!f WI! choose II can \ en Clu,mllly these cntKdl1 Ph>Senllibons In10 uu IdJhll! Qua nles TIlUs the fll'W romes Q\JI of a miln 11\11.-
tlOO 01 1111' I pll1St'nlallOn of vi ill al'eall S
WIld! tilSolppl'alS In Ihl! P'oc.~\ the hand of thr 'N 'el Tn s B njilm,1\
m Pill lieu 111 1(0 C In Ih~ ese b','tclu~e 01
I d d her (1.l<lrlC S a aker 01 oulldgeouS slrUCIUfe~ 0 a Cl!rr.l'n tenl ItI.~ I~ 0 so« 1 ACJ Ihal she Cil .1'1() d Tel SI corrocter 'Programs telll 1 'I d I .... 1411 IlAd,d had conswcted t $u(h (.11 .n 1 II.' 19705. a d 19805
Illto d (ommon mode 01 Il''-'~ nlahon E\'('ryone oday se~ I t!II bu d ng~ Irom WOOIlI'MJ helcopl ~, and rna m I and one 10 (Jedl undul !he sa
hCI ',>CHII I~ /lOW tho 5C n thaI co I 1.S Lre 110'0'15 01 cMa !'!lID moments 01 IIl)hl and dar. Tile relll'C.l on 01 hpI 0\\ 16tP S !>aIC!)! V1$IDl4' on that WL'fft ilCi~t 01 he space dal and I "I nes pIlOnl not 00\ 01 llot> CadelSlel 01 tf!e Sp.tt 01 I prcsentauon bul n towards 11'1 1I00,o,S 01 .nforrNllIGn the Qves-
Ii()/\ Za Hold d now faces s vl'eL er.. can sc iiI Illes lew. nto 0 m
Can ',nd IhI: lanaSCd be)'O'1d ptlys.ca mdlo~'1,>7 Can y,e for e $pilei! IIlat open up IY.lI as moderMI loJ ,bu <» ~ frag nlS 0 tuned anti ~ led IlIWlIOIlflltmlS ",,$pended In glob31 lela lonsh,ps Can ,he m e so nelh IUl IMI a d tcee ou1 01 .. vtldl IS hilrd 10 gl<tij) aniJ cooslr,1I ed tr, 1000Ic of lecnnoroqy .lnd c.lp.laI1
Wt!c-o Hadld ~umm!.'d up her and our \orld rogelnf!( 1f1 J983, scan· lide!Xe In Ihl' pov"i!r of e' j)d nllng I) r('-a~ble II d"palar eces 01 OJ! rea I ' mto J new Of e She oS poeeod to f alll!' many 01 1 rearm, <1nd hel ab Illy 0 do SCI 0 ':es a qr I de')! 10 Ihe trl'lnl'f\doos lleedom COITlPIlICfS
9 Ii'n us not 0111 10 Imilg new \"."Id b I also 0 comll'UC thl' Even f
\i! /rII~ lhe V\SI04'Iary I e-ilI' 198fk
It> I dent\! of be
13
be<.lus her VIi5IO{) Gilil f!0I'" take conoete shaoe As pa-Iltlng!i dllolppear iI'IlllI comlluler drawlng~, the>r lT1.'!gl/J1"d \.'O!Id"beg M to appear
fl hilI IllCent PIOred5 Hadld seems \0 be: ma.119 beyond land$ClIpE! Into a ne-..v 11'10 of ~pace It I~ one IMI I~ .n Orlee "~nse and open, delmed and Indefirute, IIlal .)1')0:1 \'Irtual III Silape I~ Stll oni)' ~ prom!$.!, Olle that WI soon be lea IZM WMt wOl'io awaits bI!)'I'llId 89 degrees, DeyOl\d nghl 1I1"Ig1es- and s e"M!d geometries, and be)'Ol'ld the event hotr.'011 In Wfl m human actlVlUl!S sal filiI)' mo loqn, rerna ns fo. laha Har/id \0 see amllhen Pfl!SeotlO us In her 11.15.(1005 nes
or my gradua :on ~'oJect ro e Arc IKlu al seaal on ,
.... -anted 10 f,'.p exe I mlilallo
c ex tOt the PlOf}fdmlTH"
eql,l remef11S 0 a hotel on h nq rlord Sf IlI.'O'ter I e
<1 me h~ t GI"iZOO ~I t!~, Ion contOlms 10 i3 u mol es use ol
lilt apaa~el:ltl
lomeel lhe: del'lnilnd} o. 11'It' proglam'11r <lod .hl:' SIte
ll'l~b d~ n \Hl'nf'[·'l'CoIh· ( n u ~e of hr. t ',/Il
Srutl1 BanI. ""h.d! s d()(l1 !'l.lted of ... 50s
PO$~ ~ :s 10' ~p.'l'~
T1 1 PfOjK , jIOrtJCtllar
r~ ,',II !.lIef P!'O; ts
f '~I flill(' GIt.'J1 Jrop;a ~ >~ oil t
Gog!] '>elm Ip 81) III 'oil t ,'/01\
le~ to • \ r concrete Iorm ,}Oil
Ihf'~~~IIII~H,Ja,",.cd \001.' dt.t' Of'l Lnloo. 'I e Tham
16
n \
MUSEUM OF
THE NINETEENTH CENTURY
000" 1977-78
OM 0 f my lUll Ideo!og cal ilnd (OI1ll.'(lul,), il"Ojecu, II wthch I soogtll to ~tilbl \11 p,UilOples 10'
thr' role lhill ilrd11le,tu,1.' woultl
pl~ !\ClUes ;1I1h@ I'OG of the \1'<iCIlUe tl'! cen lu 1 won p.lt1'lcula rIy II lei est ed n the problems. of hlslOf1(ill, a nd OJ I tu ral COlit e.tl
~ archetype ollhe nineteenth· tfnlUf'j; mllSeum Via, thus e;.phxed III l\'o'Ow~ through the clalyo.,a~tI/l of Iht! Ilr(!(i.Se SOCIal s(~lIano 01 1M mello,pa!lldn local.lOt'l "rid LhtolJgh d'll'~ (fl5pl ~,y of S'l'mlxlilc I{'IISltlVl\y, ;m a!iJX!'Ct Ih~t appe.!'f(i 10 ~ abY'ntlll the "',Ill ollhe tol'llextwll,SI iuc.hllecl~ allhatuml"
Dl:JtCH PARUAMENTEXTENSION
Thl'l111C],ue 1978-79
Ih Ott !I)( ~'0Rl.- fft Af['.b 'I!:."(.tU:ft< w ....
rN>.Il(rld ""'" "'00I:I"", t ,ho'tis~
Situated wlltlln a re<;lolng>l'al 'IOr1~es~ In Ih('cents,e of Ihe HagUe tke potrucally dISUIIC! tnanches 01 the Dutch p.aillamenl anti
90\'(' m rneat .... 'erl!! housed III a SI n 9 Ie {ompl~ CJHed the 81nl1enhof To 5ep.l,atl" these two pohtlCil\ly
oppos ng braoches, a lI'Ian!lul<lr SIte ws acqUIred 10 allow 10' all
expa n ~1Qfl 01 pa rhal1\(! n lollY <J(commodilt"on The praogramme therclOfc IMolved .....01 ,Ing wlth,ll e !Sling il'IUClu,,*, white mil lng',lhl"
Pildlol men I5pilUillly autoflOfllOUS
This ~I.)S <l(h'!!iIed by creatlng il gall til: the 8lnnenl1ol1h.in 15OCCUpiOO by lv,o slabs il hort~lal element - d glas.s.bnO; podium tlv.lt Contal~ a vanely ollur'KtlOlI!i and thai acts ~;l W\lefefl forum for pohllCilI ,lC\.ll'It>, anc a small sIt-pu iipe'l 01 0'1011 rooms Th I!! IWO ilruCl1Jle5 are u ru rTed by an MWmb1y space \holt bfld9~ the general PUOIIe. olnd gO'lem1T\l'ni offtCIiI!s, and.m oImbul<llOlf MIn'ng through one ~Iijb al1ov.'S clf~ul,)lion
IRISH PRIME MINIISTER1S Rrt~SIOENCE
t or WI , rSt ma,elf Jl ro, ec l a I'~".
, (Ie-I e d ~ldW 'un l 'n loom
hJ' -hi?' II P"~ I,,' !lISler III
ob)ecl <~ va~ to ,Ie~t!"" 1', I? ghl
i! Sl'l ii Ir~dO(Tl'OO> u {,' Iress cl IlUU ( Ie BOI bt.r< dng' IhO~g .... connet:lcd b{ a oad .11K! W,I ~ \~lJy
II
I .e re
e '<I,n '1,l(':!tI~,Qn,oo The
q i.'~\. rnJ1o.: IOOIT' ':lIe loc .. te<J
"
59 EATON PLACE
landon 1981-82
An~xploQlQfI ,1\ Ihe Ilal.ao Ccrliulate 011 38 E~lon Plact'p,<OVIUI.'G th~ main rup ,.alion mf OUI rt'i1O'I.1uon 01 an
e !g.1nllum-et-llle-century la.'m 00tne an a S1eot(', wtllll'-'l>.r.lShlld stll!'fl In 8eJgra \"Ii T'r1c <lpil rtment I~ conta ned 0!1 thrN' 1001'S, V'Jl1lch \""0 rwelled conceptua"y as th,u
"'" b:C" "I zones 0\11 )I'Ilef\!eI1lton III tttl.'5e 5paCl3 was In~end!!d t(l prO'i'lde iI certalfl newness. whIch .'lil! a,h'l",e<I by 101rtl,::UKllJg 1TId1l!"als s",' .aHh lind ~\on{' on tllt~ g,ound d nO 10Jl IJoors as we I
as. by men ng a ~w WI rc;r;e n the lobby aod 0' 01 "9 -room a rea to
open Inc; publ,[ dOffiilI1 up 10tO the mdd~ll!'Iiel
PARE DE
LA VILLETTE
I,Uller Ihan h~fHln9 TO!Jl'l '
lt1e5C' p II(!.'S ! U !XllOn \;1.' (a lQf .why on Ihe !.:Ind v.mc.n 1\ (J1(wlWf t:1J medVl"tC<Il ~:f.ilelm lhal are <II
eoec (OOLlolied tby humans dod rdlH'orn thy oa\Ure) P,C" drt'ob I~SI·IOCKi le~I;lllfam:S .md II1fOfmllllon bo~1:5 orb 11Mtt-- n
their 0\'''' g.;rl<l n conlrtUllO a 0f'I9 mDfIochrOff' 'll~~nela
S\"o Approp' ate 10 <l nfOje<\ (OIl(OI~fd lor Ih~ I ulull! II1~re
~ a d~(0\1"!;! o~r(/en whICh conden't'5.11 ~he Il~f s fun( I Ofl~ and <ll1d5(,)f.leS
Palt~, 1982-83
FOr a cornp<'lItlon to dl~Q" I~e ptan
lind I l'fT11.'!HS O·j d, Pdf <ltE'd
1Xl1~1IlC' centra 1'"3'1$ S fl}oJS V.~IKod d'e3 dnd d('VOleti to ~I{'II(I.' ".'lie (reiltl:'d 00011"'9 p ece Ih3t WOllld 1110'; e i! rQ1;\ th \l1I·S !lat \(·"1)111 Th~ gre..'" plall%l.' n ,1 I III Imm a !"If:',' I ~ 0 " rden SU5Pf d(-'d
19
tHE PEAK
Hong 'onl1. 19B1Z-8J
A SIJjl'C4TIaUU 900f0g~- mate'lli!$ thaI art Imp,iltU!1Ihi rtlCal!)' ami hQII~ontallv d)arac\enzes th c /f. lDP fl.'SOtt ~ttl Y Iotal$l a\:)lnc I ne toog~ld Cfly The: arcl'ulet:lUre cub thlOOIJ~ tliitblJOIlal I)tIOCIP!C1 aAd r«o'l$tIWle. OI!W Dna, dirl~
Ilah.ll 300 Il!'5tS1.'. tfI:~fr(t, I\g It
b",~ Iht' movlllbltn Ih£' DllIldlng IS ... 'rall'~. With each la~er delll11nl).1 IUlXll(lo me hrS1 and ~nd ItNels umunn ilp.IflmenlS, til IhUd Iilyt'rII 13·metre-n.g1 VOCd ~!iper.dt-d be\ ... ~ lhe !oe(~nd a nd the Ptnl~ 5IQII!",r.;- featUII'3 the (ILib Ihe .. O d IS a limdSQpt: .Mlhln
Whlrn tUm:tIOIll!. - e~rme Iplatiorms. SNC\:. bar lIbrtlf), ilre sl.ISJ)ended Illle planets The Upp!!f !>lJala r;onl.,JlrII penU,Quse <'Ipal\mcl'Il$
Oftl'nnq end ~ymbollLlnQ the 'p.:nna,rj? ollh > high life., Ihe Pe,a .s beam .. and 'IQld~ are a genlle seismiC 5h It on iln Immo'lable ma5.
20
THE WORLD (89.D.EGREES)
This !)an'lliog repfl~nlS the (ul'mll1JllOn of a $ellen-year
eXIP 0.,,«00 Into ,artl'''Ie(LUre's uncharted IOrl1lonl!~ 111<11 bl!Qan Wllh m W'Ofk;)$ a student at London'S Atchu&tur.al AssOClal on TechnologY'~ rapid development <1nd cU/I;'IIeHhanglng hf~ styl"~ O'e<lled .. Iundamentally nev;' and
1983
e, 11I1.3'dlmg ea drop fOl' bu Id "ll <loll III thIS. new walla come t Ifelt we mU51 r~'lnve5togale tI- e .:rbortetJ dnd untested ~Pl:rrme'lrs 01 modermS1"l1- not to ((?~Ur'eclll1Hr'i but to utwell new freld. of bw1d'I11j The palnung. comprl3Sel and o:':<tIa\ld plOjE'CtS I had earned OUI OWl lhl! 1M! 5 eVf! n y:t'lll'S
GRAND BUILDINGS
-fifalgar Squdle london. 1985
Sthrml!'l.lO fe(.lOlure london's lTIO"i\lJmcJ\lS sq\lare COfllmu~ to this daV III U l' hope thm r;;utdated
polnn Ill] reslfoillnl, mltjhl be dbiindooed .v ~e pft'Wnroo d PW('I05oJllh.l1 celc-brilled the
o';I'ldm (pas:5'h,lIuE"! ollhe urban
tJ f)tlltd pe by I! 11!f\d 119 the pu 011 C 'rt.a1m nto ploles:l:lonaj offices. liI~r('bf plJU'!ll'ItJ tOf\vard Ih€' 1101'1\11.'1 whtre mod(irn Jrd'utecu.m:> can
~=-~-
[OI'unbule i () Ire q,uality (II City !ill'
A pu blit p,xhum. sla In, (If off I ces a lid tOWI! r S II Ie I h(' (COIf.!!'1 C hiltat 1 ensllCS of l.he bUIld ngs Beneillilihe to\~. whocll illl! lOPped by penthouselO. ale Wbll!n--doean lebb Il$ '" shoppl1'lg (OOtO" 1St' pee1~ up.
'gnnll), OJ/VIIlg around the loIle's !)emile I!!! and eMlas n-g II n{!l.\' pUblic damaln.:lS It'Mnd~ up 10 tile roof. whleh features a pub! t tI! ace Ihal owrfoolr;~ 1111" mile 01 (a~ below iU one S ill'l!d,QI:'PO nl r:l"I(M'S ill'OUfld thl' \QUd~. the 1000'Il'S appear 10 muloJte from shiluJs thai p"netf.Jle UW ~l.Iilre s surliJce 11'110 a $lng1e loCIl d I'N~\
25
,
"
~
-'I I~.~+I ...
~~-'1Iiiii..
-
-
,
- II
"-
.. "
HALKIN PLA.CE:
TIi S. Sl Ucry con'ilCen Lolltl 01'1 at ,'al1ou~ It ... els Irorn ~m.l\1 hQU!>Ir'l!J s les to 1,00g£<1 uruan ~) em!". Wp errvl5a~ e aroolS( <1Pi' In 9 1111111 a t
re a\C$ It! Ih1! s Y ar".d I~ irn rrll!d,atf urban (OfIthlion - ~ml! nxdr. ar~ habitable, 0IN!'~ 1101 fl'hl~ Idea anl!l:Joal~ OUl con(epllof La Fen ell Ip , -1011 In <I metrepo IS w ere I"l'ld Ii ~a(<:e <lnO planM1g ~>1rKIIO[l5 ,lie severe these er..,vai.ed SItes aIr> <~oered 1111!~ n Ihel'TlWl".e~ .\IIlh Sp.,Kc. dMae-d Iieft'tal 1I110lndoer and ou,lloor ;:af1~ In lile Klifl<aflO of H.a )(In 1'Ll{ ~ H..,· jWnlh oU1.~ $ spaces ille Sllncfl.\ dl!,.>d \)e\\'<een Ih~ e;o .11"9 andille r.~ ,'V roo IS
MElBURY COURT
Lonoon, 1985
Thrs d~gn t.I med \0 (.')11 OI!e tile rill d bo.c roorns 01 a ~ma I Il,)t n c1 pm! war pUlIlo'!e-OLlit IIdl Tv.o CUI'.I.'!J 0 ass \'Ii) 1S'''''''!re 5Ueid) ~ atf~~ ~ t!;< .. ling ap.lr1men\ OOd~OO.~llf O;cllilpPI~ 10 (!'WII' d qene'Oi.fSI',lIu d ~PdC(' (lleumJ I~ {entra !)Iot ,'d! FWl'lllul€ IS Of Ifll( ~ 01 P rol~ 10 iJ ION SPill to! <l'l~ lur n QN!I lie Dlllt~ .n \II' l~n!J arL';}$
28
, nrh 19B!;
TENTS AND CURTAINS
, Il I on g~~l' In It-e
un<1y 10 (r!?iI\C .1 modNn
" 110 lin! VIC\andn nol,OO 01 II 50 often (ha,ancn2ed
, i !
I
, 'anHll,ts dlJS'OIl the
II re ellen 01 Ill!? entlosure
te;l\eQ try the VIC lona ns' curta IO'IS
I n~
KYOTO INSTALLATIONS
Hie IIlSLJ'lilllon Sil fragment 01 the ,~s thaI v'1I\Jld reiKh hY'\lDflln the Calhcd" Road proJ~1 [p 301. JU.I a~ the 0Sa~~ Folly IJI 6O]5'eNed as a
test lor des;gn pnnciples laler cmo'o)'ed at ih('- VlU~ Fie 511100fl IP 621 S4:!f~, fig n way-. \0 a'llcul a I e ~e WlII\ n a contllled (onll! t WI! l6l>d (uN«! willis 10 waITt ot Ikrtd ~tP (I I! the '1IlIllpury Cwn pllJj~L 1 I:>PP9>Ile] I and [;,1Il0pl~ 10 mil,
th~ C ntlitnW
bE
30
24 CATHCART ROAD
Lcmdon I as-as
Til Inlt rnilUCl"dl SIVl~ res der (I-
P QVidPd \I bee dro rC!! I f r'Sl malt'na' I.1I~plrlr 01 V SUl'lr 'm<! S
""',"'11 f"l d SIOr.l~ ,·{at. furllli.'f
,1' lmale<.! hI:' ~Il"ce \. Ilh t (' ad loll
'1~(al menu of II doo
,)11(1 nb i
HAMBURG DOCKLANDS
Harrbllro. 198b
Our 'l[) II e ' a II? 1980s MIC ve
II' ... nnou .nteres In reJila z n9 vater rant '\;>,35 n nue erous e 11 S n EulOpc an d .\"'e' c.'I ,:..s part 01 .'.-0 ',', r. ~ op~ s· p r HalT'burC)
to 1.'''0 or' DO!> ete f -v ('~ a Ihl"5" d stncts. ,',r, .vere ol "('(j 10 (0'1, del ... a','S ,n .'.! U1 u e Cll ' ..
t· stor C 'd ha'.XlU' illea p." CUIc'H Y
ho 10/ 1".<1f11hO\.i I! d ~""I
a Sue c ers adt ceu d ale mMI'"
P iln eel 0 rL I~fle' '~II e iI'l'o1 ard actO- rtl00dlt'd ".' d r,lnq,' o
m '~-d U '.'5
nllCgral 0.']'1)\0 t ~ c IV centre, ra \e-.J il Ilumoer 01 11e'I'~'''m
\0 I( - ',,!'!ws. open"ess e\ler·pr('~('ol "i! e' '~.e sough \I gt'Omfol It'S nnd ;:0' es or red v!:'IQpmenl !lld ,','0 I d (r(!illE' no cnly 01 I'!'W Hlle
of u,han 'IV I b 1.1n enUII'I,. ne". (I; am ~ .... I n t e ot 10 lab! C
. ,.
NEW YORK, MANHATTAN:
A NEW CALLIGRAPHY OF PLAN
KURFURSTENDAMM 70
B' 19S6
l -- -..:1:;;/1
34
The ConUli! ~l:;' of ,W ~ treme narrow s<1e \1 7 16 mell'PS U.wi' l/S.e to OI:J I d(' I fl of s com 11' I!5Wd
Silruh\ ch str U!l~ 1001 comprrWd
.iJ ser es 01 Pii.lfl'1' ~~eE!S and ust!s Thl' hcruonl.JI pJ;,n~ ol the
'XInG\'.' en ale 111e -,.,s slot !t1e I 00 01,011 whl<h e5li1b 'f:p~ 1he WPdhlllO 01 CIICIJ'~lOn 1111'CI fI1a,rement'ra:nlh oil {! ~fl .. ;U::1!'lo ve r\lta I~ !.he sa om en CJI spaces <ltI e/enlJ.ales beh·.~ I Ill!' fjfCWnd'iDol P.JIl'pr l~ e pu_~~ elllrlimd the ,alll,I(>".er~d bu d, 9 i100v1:'
oJ daub (L'e lObby .md pillfOl~(' all! ra sed .jbc>\{' '''I;' I)llWncJ anti le<ld1~-d'bl .. otd'"ll. It~rab"" Ihe 111 r'I'H)-rf1 I [" graUlm. II nod to ihe Ruwan SIlP'TolllSlS The suu lI..re iloo.~ P1I11d aWilY from oJ ""10,00'11. Will ,.Jt Ii I!
9 P dbO'wt' II :. lUmp w. e a I~ til,
m n~nlfimU~
It' llIilll ~ IFill V txn .. ea lui nID'.c-'$ otIll0W!l1d~ 1M CO"lE'r tI' us If e flOor .Ilea Il'. (hes: ~\
tlJ lIKe ... UIIKlu'a m 10 I .rn n lim cdru~ ens srmft'l;l
trom t \OJ.) II 1 bl«l1'T1l!5 af!
urn Itf!!1 IH bo lOugl
'.11 II the Il'IIel r~ de I"" I I"S. Cd., b(I delr led
1\ <, )
,A .-....
r. 1
....
------...
36
..
----
..
- ...
Bl1fl'l1, '986-93
~ gf'll from tHe begll'll1'"9"~
h,}{j to conrmnl t\~o Iu· d,lInenl ... 1 is,S .. es thi! Ill! slIa teqy of on Ii I
ilnd le{lil r and the IIgllI bul II ng req 1J!a1J0I'IS fD/ SOO<IllIouslng. y..ruch 'coo\rad rt modem QP('fI· pia nlayouts In addlt>!lIl to these consU<l'nll wl!!re ln~ surroundl1'l9 tw Idlngs, wl'l>tn reples~nled
iI ~d~ rao!leof dIfferent \ypes imd penods, 'iO 11~ltl'gudE.'1 nes 511putalll'l9 thil.t new deYe~nts nl~al1:a lmU5lcontarn an .iI'Ierage oll~ 5tCfeyl. ~ seamle.5S msernon lOW th~ elra", CCIf\lex1
r r r T r f h 4: r 1
38
\...oLltd !lillie ooenmllJally m~b,e
We thererore Interpreted tiN! h~tDfey plann 119 restlJ(liCfI
by ueullng it kmg l.hreHlorey block th.}llennmaled In an e !.IhtstOle)' 1000~,U:f at the comer The
1001] er b!od:: s Lcr.~r ffDim
cOOM'(1 «.Hi'VI'INOill premises with stilnOOldl:zec:! cfwe hngs atxwe.
011 tOR IS oil roof goUGen with .. cn,]drerl's ~!aJ'9Joul\d The SOJlplcd tOWN C1i1d In ;lJl'IOI,jlled :>heet metal, COl'llarj'lS three \\IOOge-wpOO lofts 011 each nool
.................. ------~~~,/--
41
AIABU-JYUB.AN
4;
TOMI.GAYA.
.\.:.atJu-J .. uban Th' c['nlrtfl,QC,· or
\1 C [11:> gn a del cote elevateo (11'l~S Pd. I 0 Ufl~l\ vel It !~" ~,d1.! _ :1',11 1'0'11" ,lbo.e IJP('! 9'<)11" l t,'o~lot
110m Ih~ ~dl1~ a"o 110:ll' ,) tIll qla~s ',' .. 1 I 1\ .]1 .]11(1'.' .... ql 11'110 II e 'IY,~' .\I.1e" ... 11(/ ~ gcr1f'Jo t proport O(\~
1,1'.<' ln~m til!' II e fo' flla,l il' ollie/! .1(\ , \1[1
con~tf ~'f'd !{'~~n{ll.l!~a(m! "011: <lfll.l. r rl to II (' urban (Omj'llon
43
-
WEST HOllYWOOD crVIC CENTRE
-
------~
I ndrn 11' 11'1' 'f' for II e t
C~ !""', I ~ Jjil(e \\0 I
11 l' r· 11 H;' )'(0 ll'"t·frl'l
err, r '1' nt bIOu[J' ' .about 0 c
\
Al WAHDA SPORTS CENTRE
I,
~ . "
. ,
. "
r, '
1 \
InSIo'uh, of (on temporory Ar\! london t 9'88
n (!' soeam !'1g redlK'Ss 011
[la1f\Unq Comtnl lid for a
e 'hlb,1 on IhGI e~p!ot(;(J ~ flS ! the melroPQ €S.~. m~MIt 10 e>Jl'£'SS .~n ,('lC,nperal!On With tile ~p iN. ng mess 11">a1r.; lO"OOn OnOOt
level It'le D<I n1H'!g 1ha .... s ~&.lri a~ oj p.jlctM'OI . of 1 I.1gt'!. Sui rathe' Ihan plOmOflnq ,,1\ I!'\' n d~lnbllllOIl 01 1,h tS t1JbJn (1Q.ng ""h ell hil s tJ€i!1'l e<.-oI\"f19 101 (enlul es-~<lt1I(U 01100
Ill. (J ty <IS poIyre n Inc whete a
m mOOr 01 l'l'elr(!JlO loJ'1 Efi1ra conclen~ ~I d !fe/em local PO<nl5 ;n IhlS (OIlI~;.; '''(> roo repI!'S('.II\s ~ Ille\ol lOf1(;!on .'rl1ere~ ...
seu I!ments .mcl I'lr.w Cl.'nlr("S need 0 be n';'t'n\l!d 10 ~e.JJoIaceane'~l'll olnd O\'CM'Or .eo ll"ill1
BERI.IN2000
Tor to NI!~lldl!rpl;n.z t I! loll mg of Iht;' Will offel.el.ll\(>';'i pou blhllC!.. II)! regefll!ra.lJoll We ,r:mf,lderoo both !tie e p,ilJIS>PI1 dnd In' It p'Il" 0111 t' (J\ V lang nn from (omdbrS o!
(I .rclCJl)menll0 WIlII·lone IN d nil pmqr<.lmme-!o
989 \\1t \W'I' InV111'd 10 Ipe..U ,lIe tlOOuI I \y ~ lulllff A$ll<lrl 01 ~n ~, sdlMT1 btI\\~ft'tllh" <!..~ 01 r." 'nh 9P.d ilia 8,)111" bo f
fl'll'dn'l Uf,UlI! ,1ml8rlloor bUlgN
o go 'bI!yo tllyp,c~f nH;eu,&nth.· ((mlll'Y Ilbamml v.~ dec (1+.-<110 l!law ,llrl,.'t' af hom~nCOI>\
co !fIlf1l!fClaf de'l(!Jop'" ent to slIlnd .n pDlql\tln! contrast to' lh" wlnt!fdbfl' I riP IM\ U!red to defJ'dftdl~ 8Nftf'l'~ dIYI!tIUIl A K'fle". 01 dlilQhlmS ["gill! ,ntwl) ~~ ~~ d .... I!IOfjlT>('rn of Ihl!' • n~
r l Il!dsed tl'lIl lot ~ ((}fllrlor (lIU!S
PIOjKt Into Lhl! landscajJC and n 1~1! ~f d <l9,alTllo I'H~" Qrom~ U es Inhabllll!oe form~' d&'ld 10ne ~lJmeII1T1~ recl !lila' 'leI ghlly 01.11 (lj synl. \\11 th III e sllng 0 r dl'r
Iro ou: l'~l"5 .heW,)1 zone could
be(ol ",) I nNr II,]' AWle orxe
((lOC te "bllon wdl Jtld no qo <Om> <I ,,', ~ .o,;(I1Jld fa~ dov.l ,1 sf, p of Il'lfl t:il"CQfatl'CI \ \'I'!1l III rtf;
B~fol(' IheWd (ilme~IT".m H ~.\(' t'p!tomqe(j Bed n ~ stete iI~ iI., u.tw.'l 1'),1:1 Tr sl~ s on a m~Jllf a ...... 11 (' ",'fU·;l~rHldmm. bu~ <omlllelely enc o<.ed rl'lll " I lUoll \ I';}C(~~ t 'e
TO(l!!JW iI !lU kl!'le) n such a fo/tdled ~onleJo:l rugfJMIE'd thaI W
tI <1ed nre I'K'\~ a r (I)frldo' .' \h [tul"l< d<s!,n(IZO'l ~ I ~',OOIa.nl" Ihr~o: r'la 0' tlln,) 00$ ~pf.llllg tao IICS off"x' doll.! note
B~iI "the t/U{ 'Olm \lle .... '(1110 be ! \(> n~N locus at <~ roJ major ·hOfOU(Jtltar('~ stre-eU-"nd a I 6 - a nl!\'J opp nC) .. U!,l :.1l'1f, n:>tI n (o~(('rw c ,r:I.J.lIol1I0 Ii c mo~ on rhe frm~c 01 \I ~ sue T S l'llciowd s.J).1(t! ~ra~·f ooreo .1ml § ~llsPl"ndNJ ~ I rur\lle' pob la(ll\lc~ \',hKh ntludl!'ntOH'!,)~, ah hGl~ lo\Jby "m lllP\J1 r:J(I\f' .J';'iI-'fIl",ly ~I ~ (onh~l(>f1te (enlfl~ OInll a restaurant AOO,(>.;)n
It'nd b e ~~tel'!\ I} 0111[(' wan s
,1(h 01 wtI~h rn (jhl rna "liN! d d,\ul'II; (OI!Xl',lli: d n IIV 'Upi't lT1~dl on tt,.. <lwpf>'og Id(III.i."S 0'1 lap 01 ttl ~ IIOdl~" lJefll SIJIHOflW Il'flg the hotel
, I
~ .... .;.. .~
. ..-:;;:,--~
49
\
>
TIl" d goN' oij1~ 01 (('Ida'S
n nt!tee!1tr cmltlryp','n lor I e (I S ,!~"ve" I\l' pt,.aldl t:lement IQf
rr f('(;l)nslnKlion of 11 Ou, f'r-,,, UIIMn geumelry S t~:;ed Q:1 a wbd 1Wl.\1InQ of III! dUl()onallfllo
~O:e>"i '(\ Ol1i.Ig(', <) lilfl1Tl (' n ts A5 It; rs Ill'ltl tfillVC .es u/barll:onu~,,1S II
cw\'i1Mlf'y 'Ill" t" led by an
f.I ilSlK con dOl' 01 l"'IC.lI tor.d loOmnequld! (lIl ~g"). gmfdMl ChOUlulg ~OflM Dr 'ill ".. (I'll 1 \'1<1)') <!nQ
.... lIll'rlmnU 1l1il111 g r~ an tilbdn I rJ<m~ .!1'Id ITUJIt-p' C!S We\ll
~" lV In ~d 11e>!]11DoUriKIoc:I
A NE'WBARCEU)NA
so
TOKYO FORUM
.,
Hl,.cel c fl t C"j IJ'lI1>' rl''''Q 1'1
I lin ;(UI~ II , 111'0',
51
BAFENstRASSE .DEVEI •. O P ME NT
I( Iltil no n ~'mq
(I USl'S W~f ".,'() Ie-; or. J Int' ••
I} p 1!;)led 10/ ~edeve OPI':1~1'\1 The treel J d L> !a. v tlOi.o ~ <lr!!' "",'1 01 J '1Id I
lJ lheOlher
E be 0 r Db ('{I ve W<I} 10 creart
01 nm. IIg aeress I! C W (IS alld 10 ntQ
re<re03\ on j eoa
On "'It"~ OC03lro 0
, .
-
.~
-!.---~-""'"
T I'
K'(1,om ,ollht' III JS cur!.,," \'/i\ 1
~ nall!1" J}.lf1S 01 (ldC h !tOOf la boJCom e ooaJOCI! 11,,,a(~~ T e t' fNilUIlf\
ThjO K'<ond I~ \Ud 9"" ,1\ II n "'''I( .. -f1I''-c(' '11\1 f'I b 00:;" WI
( '\r YOf1ld.1 ;('111'<; ot UllnjJl!;";$l'Cl I,,,, It JI dlhPl~ be' M ,) Ul'nse
~'l91 r,ll ,II owed fOl' <J tl·~'1!(1
01 l"l~fl<lf('n( A\ oor!l,il~'I<"S til' ol.ll!J fl'l 9i1m oprn .md (\osc IwIWL en tho lIuctur,r mte '5iKl', del ymq Lh no\Ja~ 01 I t I.It t 3~ ad r Tn., gtO\lntJ fk>or tan1.. In" 'l'~,]1
~p J'L~ ff~ dl'.IlIIJI Un'b re ,1I1<T<'C, and .oml' tof111t'(1 hOfi 'onidll ~
• (ron Itt.: Sl'll:rs Man a~p\!(ts 01 thIS proJ~lllnIlClp.!,Il' tlw wnlerlymg
pnn Ip ~ (1111 £" A., rW Moal~ C~I!{' I Ou~< .. >ldo'" If! IJaI
53
.MOONSOON
For ,a h'llrlo:d pfogramrre<lf lor ~I !d\lrlg and It' ",,-ed Ioung fig Wl'
.\ anled I.e CJl'a r J .... Opj:ln Ihon 01 mood T e r~tJ I lwo ~ynll {'II(
~nOsU<l!'l9.(' O\-t>dds II a~ u'
nsplred t7( Ille !.eJ5OfIal It!' bu Idf19' of SapPOfO Ihe-gfQUr'Jd 11001 I~UJr(':'i [00 gre-,;; mate n Izeu n
y ass MClll\Otal TableHle ~arp c"gml?nts 01 I(l' a fa ed lloor I • dlll~ I~ e <lr'I: Kebert] ,)1:1.0» II e
1pace AIY>.e Ihe (II chalJlUer wh r s
a h,,,na~ 01 '~I(> It!ruI!tled In sealin!] ~t'OS bpi :ant yelfa.vs ill'd e ull1!loIm Ofo1lf'gC$ A SJ) roll above Ihr bar leilr~ Ih,oU9" the9100nd floor cell "9
,uri rtg up 10 II " t.mdu~de Ollhe uPJler·'l'\'el dome 1\ e dire Icrn.uJo b!.WoI1119 through a pressure eiSI' A plalJl4J of h omorphx sofil~ Jtcomrnodat~ ':<.ItrI'l9 ant! r~nqlng ar.d d o. .. "S ~I'I nhnrte (onllg ratlOfl 0' seat fig Iype" ,.,.1111 fJlIJ'Jable ua illld D1tJ!llll ~f" 1:1010$
56
FOL·LY3
0,110 '90 OS<! ,oil 1989 90
QUI :.lIe at I~ tnlt!!".llIOfhlt Elpcl 111 Osa d WiI> bolled OIl
,I ~ open plaid ~ l 1 be J U 1"< bon 01 SPVf!Ii\i Ptllhs W,edes"gn\'tl CI ~r I~ 01 comprr-.lI!d a'ld lu!('(Il'lcmrnl5 10 i!>:)Mnd '''I r liutd~(i\/lf' and
rc J d (I !'leClew d n I'JlIQ\ ilftlem
from ~f I' 1\\ D '~r1IC,)11y
e"l.I'uded pI,,~ )rlol. the 101
Ttl ilppr CI.ltl I ng vr!.lIO' \ .M' e up
d~e n.cr1101'lta1 n!Jne-; o'ef ne thi> S1ruClull! ~ peflrflell.'~
llld "Ntl' ~ M.'r ~ of ~'1f1~ r S CoolfastJf1q \· ... Ih {t1 .. H nil, !.Jnrs, Inle famf)~ol .Iilt; I"lJ ~S1rC'I(11 along Ij, .. qrOUf1d plaoe Tile lll')",p;: 1t'dlunchon;ofti1I'>i' O'yrI;tmlt 1\0 (.J1'l1il i1"th. t GIl t!1~rrll,"15 en:al <I IlUmbel 01
,~ .• ~Il!·11' VlS!IQI m~y $C'(!~
Il'mpmap, J'l'h1fl' Irofl 111[> <lrt1UOU\ e eroSe (11 Will fttl mil ghbl;!t 1'19
\V111l liS llUf'cil{l(j ,llld lWl~IJl1q
If> 62)
LEICESTER SQUARE
,.
VITRA FIRESTATI,ON
/-
~ I! a ('ild conta rl!d .ilk.caratf· ilttl:,l 0' fil'g'~ scate 1 <l(101'1 DU Idn9~ ..... dI!CHJe-tl 10 concenlfilte O!'l ~ SIll! el~ .lZone\, 111 n \hI51Ildu$1I a 1,!r1UKal"" \h" we'(htd 110m \tie 1Th1 n 0.111' 10 ttw filr ef1Cl ot I"~ ~ Ie VI hen' 111(' r re s a\ on \',00 d tilOO
e I Ie stat on ~ dl'~ 911(.'(\ as he ecJgl! or s 500·m l!1'.,Iong lOO~,
.'1 ch I If tx,(CHT;H an a- rl(la ~nd\Cdpe A~ e>panSlOns OC(U'. 0 , \C erne a loW!. Of a dynam (!)<IIII'm 10 develop bel\',~f' 1 t' waces, ~ furrolu'e III il .llg .. loom
Tlll'd(>5.o1j 's PllfTl<I'Y fe,l\ure IS OJ
puncturen .lrul b cal: il(CQrd,ng \0 t I! stallon s /tmctloos The mil n
63
lite e ol
64
r
\
=
'<:r"
65
--------------------------------~~~
ART AND MED~A CE:NTRE
DU~Sl"dOff Rh:elnlulenl. 1989-93
FOII~ ledevelcmmenl of DilSsellfud s proml'1eOl ~ ~rbour nre an ~nU~rpfise zan!' (OfIUi'1l 09 offltCS for an alivel [ SIng Hl1en(y and studios IntetSper'>l!d ~'. II hop~ le5lilUlal'lts.wd rewire Iila'I[Ie5
.... e Cf(,Ued i!n'llhht alland:;(ape tha I fa (.ed Iht' Ir.' e I a no b«a'TIt
an e_ll.'ns.aon oll./le wall'! S .lClMUe and fUl1c!,ol\s Th1~ andKape ~s protected t1J d 90. rnetre-kmq \' :;:0 I 1.1Il e b1!' dlr19 \hal ccota ns !he offl(('5 ,mel ll~ s out lfa!f(( no.S'i'
FIgm the INcr an I!l1Olmot,J$ mClillllC \fMngle cuts 11"10 [he site,
p ertmg [he wall 10 form dl1l'nlr.m(E' ,amp 1111.' ,ulJom.nq o,oufld planes UilI'" QjX'n 10 Ii! .eill terM cal 5t.;di05 \0 [MC! f'\(J'lh and shops
and re:.!<lU'MU Seier .... grol.lrru
a wal 01 IN'hn>Cd ~NlC '$ S comprl3sed. 0;() It I pari 01 1111'
w,,11 nses dbc1\t'qrOlJl'd and
rurves. around 10 cre.:lle a n.o·sea!
c.,.,cma
The I'.ilil S Wfel'$ lie hilS ~fllll
iOn ~J' IOOSfOOS .n Its eooCle I e ,on the Il'Ier s dl' Ie.. £'15 a re a rlleu ,net! by VillYl!lg d!?pUh~ 01 r;an!,levl'f em e-adl lloor A glazed '11f"ll}el bUilding !Sa Iragmenled s.me'S 01 sla\»; Set pt'fptl'ld.culaf to the stll..'et • I' glass spil1lle thJI hdvt' 1»0 ~n tree 110m tIl<2 Will "Jhtore 1he ~W cQOverge,
a V(Hd SCilrved eur Ior cOrlierence rOQm~ "'lIl Ci.h.bUlon arl~a~
Am nlmallst 9 iI$S be 1tmoumled by a lam I)' 01 SClJlpl.t'd tj)t!l ilnd heavy lrhll'lgui<lr Slructure,., the CI'II/ance 'abby '>iI,1 tl;~lnlersecW;1I1 of Iht' w111 .:mtl hI' flnge, bUilding From here the Sifeel and
n'(CISColpe dIe Visually (Oflfl!!(led
A "bOOnl",\! qldfld sWI,learll up
10 the (onflmmce 1000rnSI"rOU!l~
Ii'll! (1nderbefly Dr a tU."ary slab
so per1l:jed.J 00,.1'
--
~. -
MUSIC VIDEO PAVILION
GrOningen, The Net i!/klf1ds. 1990
ilK! Inh!l11JOn f.o· our muSt(:·YlfJeo p,)lIIlion was 10 ma e al)l.wlul fI ae' In W 411 'IllS 101 me I C! ITIOSI c.hiJlleng l'1I'Ilocauon II' tile CIt lh gap bel\', !en 1 monumenr.J A·
, ,~ and 111 I ,Olt'f\~ ~ bu Id ngs In
1~land - clap!Joilld houses, lh
P ill e-glass v, nd 0\1\'\ I dang the OCI?dIl. ~ !'Udl;l III hI 1 ,alloll Inler 1$ - tl1e dl!S>fJn 'Q{ t r.. paYl1 on jlf()o/l(l!"lo d ',' nd ',10 Ihe' mild '11
..... 11 d1 people "11\ ~ " mo",ng am d dec m(lge becen 1110 fliIn olIn pcrforman(.'
Trapped t>.!1W1'ft1 two will ~ ~I i1
uarWIlC('011 dfH·I~ WI (lID 111 ,H~-d f"t;atj~, ndonla II '0 fil ~
n.
r-
• 1
q'ov' (I fin ~I be 1ll'.JIII I\!.l ,e5 iI ot of I a i ,)"0 I!" '0' 10 pfodu.c:~ sror • deo-s ce of I'('';$olae ')ntl
"<1. I.H;t Ihf ',"Idros atl' r >u/nt en 0[\ tl e r 0.<. '1 'N! Will1!1:'{l I '(11.
fl\,) .C" !;M.'rlmme's and v deo P'OOI..i'~ J \0 I'", u a ~[rUCl"I(' \',' til ",11 {I 11\("1 O"J d l'fpi!t rnent
73
HOTEL AND RESIDENTIAl COMPLEX
AbLJ Dh.lOI 1990
l h:- mil~I'I"Il"num(II'I', Abu Dh~b UlgJ! I~~a 0.,.J gr d A~ a uniform struutJr~ tI t· grid ser,l'S as (1\: II '5aq<l c:;tW., Cl\~ al 3'cMectw'" '>\"<11 U are pl<Ked for 1 I ole-I comp'e> 100dted on a p'lIl1e ~,(> n lhf CJI)' ccnue .'.~ II) I~ up U', t or 10flL.l' urb<ll'l gt ,d '0
L«or'1( ""if <'II P a .. "" a I Jb of .rnartrn '''L~ "~tll Ok roo-r s u at L«O!1'r ~ udd dro .. '0< I aIel re ~tcd
'c.j,
e (onh"e'lce room~.
C'>' ",WIts and a l1eal\h dllb Wl'Ie,e
, < an sp l5 l>3ar these ,~Ce5 pt'!1dl'd J"d scelpted 111;:J COUlWiI,d At grout!d le ,el . 'Olev be.:lm (ut.s dCloc,S U e ~ arrd t 'O<lg\1 ,he sla I:l. pr(M(llng
J<t"~ r c r ~ )hoPPlllq m a II bdO'N a~tJolh<:es ~oo,.e On the t)l!am s IOl..rth I 00'. \\ It I ,~,,' over .he
I.J! 1'1" oowll1:lbby, whose
<: 0 M(~ " a a CUl\ed r,"lmp .at ;-""ocps f,om ()f11? com e , of lI'>e s-te, ~'ound Ihe sl!Jb ilnd mID II e wn.t:a cOtirlyard
INTERZUM 91
WE W1!re asked bt a Germiln
timber manulacwrello ""all! ai' ext' IblUor~ stand 10 d~p'ay the r prodi.lCls for the btarmuall"lenum
I rade shO\'J TIl e prima!)' I n I en lion
of our desIgn WiI$ 10 crcale iI separale envnonm,ent thaI (ould bt, I'ltj'I!lrlence,d on sever.Jllevets WIIl"1ln
Gluzendoll, Geqnany. 1990
the b.lckd.op of a large ilrod ~Ienle
\ ra de 51\0''''' ~\ e Wi! "led 10 'lduce the So!n5e 01 an uuolaled lal'ldiCiIfje Wlt.r ,n an endo<...ed structure Imde, il (!nl'i1Il palhw,))' \',111(h. loI:e the tluflf 01 a tllle hJd branches thai ran off II lEd 10 product I!XI1lb IS and ambren I ,>u rroond ng~
;
LONDON 2066
, ,
r ~ j~ r ~ • ,.,.J. r i r
..
conal a /ll'd by (OI'M'nllOn
!11 nrec:l t vo de lOllS,) .f)arIO
a 1,1' d or £! ghl I ,)~ 10 be 10CA1.;.d n ~ !tlb"rboll e Ha • lh ~.o V, \\ 0 be CO(Ist1\iC1 01 It' .,fo,( (O(l(fl.' <:- •• 1b tlCKl lilt' con ent OO.JI cont gula lOn (1 c.Jome51 spa es 0 SPill I
Ihe ness ~(' HII'Q n,j-.
I!(j b t\'iO
8
-
~o
• rr n a 0'1 dOO Iller i1ClJOn
79
THE G.REAT UTOPIA
Solomon R G1Jgg~lll1ellT1 Museum, r~e-.II '(Oft, 1992
"
r".! • «I'd",! Jell
The d~ go fOI an e hltJIIIOO on RUSSlJ"I S~pre"'aI11m olnd
Construc1 'ii5m ofl~red lhe Cl-Ppoflunlly 10 rev,s!! rOy:Sludl''ll f..lplorat ens of 1M!!' three(hmll~Of"lilrqudhlll!'Sol M:al('"eh s le~lont~ If.! 16) OLJr prooo5.)1 ter !ile GtJggcnl1flm show te<lture-d II'<Q IMge-S!;iJle Insl.1lldllon, 01 Ihe Talln To,\,j1! and ~. a ev d 's Te lonll •• wtul1 boil I'ng ag<>d 1'1 Illl' r m'iin
IVa WI\l1 Fran .. Uoyd W{ ghl s fPlra11mq form al'd I', Nl' n tum
d' storied b)l t)o( snace For 1M
'11:>\ lime M(ll~cl'l S lei Ion
was nabllao1e VIS tors h"d to aess [hlOll .. h It '0 reach [r,\!" llPJX>f gilllJ;;/UM
Our ues gn (Cllthe 9alrE'rI~ h~d[ure!o. "[eMnl om: 1l1.l1 act veil' eng'>3gl:' 1;(,[1 IheoIJ,;:"C\S.o' dsplay For (' ample the 10,',t'1 and I ~HQCllh set up Ihe CfJp!»lhat'l llt'[M>en
'.1" ev, '5 Rffi 5qlidre snd Tall n s Co me! ReI ,,( I(Jr Ihl!" pace
CO tarn ng WOlf, flq'n U'E' OIU, «a 010e,tllblon Ollf'oll'v' e,er.s
32
SUPfI>ID<IhSI (Otnpoj,illoru; has been e tlutll-a hom lh IOOf In I he B 1,,( _ ROOln \', II rh ~ 0\:\1$ obit-us "0m
lit 19?1 5,:5 :;25'(',,11 b I 0"
Ila 'Ill If 9~ dl~'IIaj1H:l on P '51>C/i ~1anti.; apr ea- 10 d~rnill(:" ... ll~"\lld
U(l.al aooV{' 11'11' 11001 1111$ ~r1s.: of ve qfn E'i5"l"50~ I~ I'I1{Q ntf • 19<1'11 In U e G 000 Room n \~t {O<Ulru,(IO S Ildllg O!J [rom I
(e,1 ng gr,ml.al low<ltd a ,', te IJ Lh<lll"mrg~~ Irocnllh" 110m
,,,. Qo
" - "; ~-
83
VIS~ON FOR MADRIDI
H ,tOI'1'']) .' Ine gtO'olVlh 01 Mildrid could bt, de.>enbf>d as d stJ"e~l\'1! bl,rstll'lg 01 ~he!ls Itlt~ nrcutar
mna e.'a c t)', Ihe t'1li"chH!l'llh{~nlU'" 91 d .:lnO /'1 li"d~venlll!lh c~nlul't. ~h.e I ncar de~ Qpwer'll now d1!hned b~'-iI h'ghwilV In IHe form of dnl' l)he Framedlf\ Lbe~'~'1 b~llh~
RIO M,lnunares, Ire CltV IS rlC)\', 9101,','1'19 malnt} e.ulw03lds Suburbs of hOUJIf'9 hlocts hol"e mU5tUoame-o beyond the 1.430 h qnv,ay ana are sbout to engulf the ,,('adzy "'IUc)ge~
Our ohj!!<Il'i1' was to pre..ent the City from tcillarSJI191nlo 1ormlt'SSr.~S5, to ''''annel and orgilOl.;::e 11115
1992
J parks imd Ii' 5ur~ IiII d1cilp!:s .....
CClmmelOcl det. e;()offielll, [fbt
BILLIE STRAUSS HOTEL
NalX'rn, GNrnany, 1992
e (on ex for u IS ,nl-1101 1
addl 0 \"as d In eresbl'1j O/'II! il half-tlmDffed cllmhou an slab'e I a tile C'I!!f'IIJ> arlted to au me I .... I a dial eng oy new slru(IUI!! that ... .-auld h.c1\ e a sru1ptulOl
ptesenct' e eart 0 III d~ gn IS a
b obb' ,an ell PllCdl sp,jce tha medlah5 DeIWffn Ihe old b(j Id !'I9 ilnd I e new nne Pol ~, 1010 tht foonda\.on I ~ sp.;te can be U!K.~ io' perlOfma MOl' e I '\i)1 10 S In
t ~ 10-/. r abo, e III s I e vot
po n <lfE!' t 1f'C I~ -elsa! rooms based on t e cross and S <J', eilr. 1 ell w (/1
as a ~on p elt!\ sell-cont,1lned
e 1fonlTll!nt MIll bUllt-'" f rnllure and fillrngs A I IrO molii. I I! sp ral IH died bf the two oU er spaces J~ they connect bile. 10 Ih milln
86
bUI ding In a Idg!! 0 SlrOll9 d'a<lfaclt>r,t;'1? nsembt€'~' U9
d Sin 'Ing centres on1! [hell S Ifltended 10 encourage tleDaH a-o
c.ONCiER.T HALL.
cv n"ag~ 1992-93
1 ! gf 511\1 t!U 1(' a ,hll" es both ,OITl;J<ldnfSl,lI1d oj)eMt'lS by
<rnl d~p ruu of Ilq hI l.KId ilf1tl WJtel thlO!Jgh a solrd voium<' that (X(UIlIe5 ol compact !;lIe Th~ ~rp 1J Jfl' ope-I\ \0 IN! i'l:y. and s O'oY Ihe u rell!'1 of Ih~ Nil Acul'lled o!lll cui deil\'e5 off the pubhcIe cOffij!lOOen(. bflflg1lln the
prOIOOlldlk s1O\vIy up 'lito the bwldln9 Stulplumlly e.<J)I'E!S$.lVi! voh.I1TIC!o 01 Ihe WlJ.ture. <lrb(;u1ale-d, by dlHl!rell[ roIoun 01 graMe, comprl!U sl).iIce bel\!leen them The stru<lur~ are maiko from r:~t-lt1- plate re,ntOfteci COllCfl!te 10 .II ow lI~ula:rty $I\aped flal slabs 10 be fOmled
\ UL
J
F]
=
:::::0 87
RHEINAUHAFEN REDEVElOpIMENT'
Cologne. ,992
To (OnO«I Ih ~ f onner IlIO IJSlnill ~Of>£' 10 C~!le",;e- u~ II ree
d I ~ lint I k~ml<ll IIE'IICC'S - 1J<)1lN'1;! d v .. wgednds!l'f,) lodell!~il1'ld lIdi>jll tll(!- multipurpose ~11" 10 1$ heUlIDIJe-neou~ '".moo nd 11'195
The 5i1d.Qe. ;l!i~ mil~S -t> • .amblg ~OIJ!, entities t!lilT are "ll:a1ed SOffIev.rert' be l'.'VE'@n ou lid "<:IS .}nt:11a nd
orms WOf~m!lIOlJ~lh ... ' Ihe m(110f'lS !mm a col efl:~nl drea·,-, It'. J h g h de/\1l1y 01 e 1.:1 lUI ,II le'lolin.' nO~fflJ ~i")(j comme-rcl4llocllrhes
JS \M!l ~~ .11COtj)OfIlUfWj old
bu IdlF1g> ..,,11'1 ton crted tIY.'i and n I!\Y SIn)" L res
The trapt'zod,l! .lleil E'rnbra(!.'S I hi'
138
.1
entire Il.lrllutH bi!:.II1, ;' 111 two t'ltJ.ay$ldl? ~ IrlangJ Ih J\ (on lain bo.nmg f olt,1 ,,~.lmla dIet. _11'\ centre ro- I e rw~rbO,lI iln ilrtiI"IlO lhp no'IIl'n(fudt~ ol' {Dnrell'll«> (:mlfl' Be, .... 't>n Ihc lfilp!!lOld dnd
\\edge ilfl1ilS me ~I,mbnq 0111«- 100000el'5 '!he .... edg!' S-I!octlQn rl!ell CUIS flom fbi:> bani s of Ihi" R "er Rhrll!! II'Ilrlll1e Ubll!IIII'lt!. COl'lnOOmq Ihe IIver/ronl WIll, lh~ Swer,m hotol1\9 QIJJrtt!' Hcwslllg L5. Ot(jilrU.led 11 long horrzoflloil bloc S on stills Ii 'e the lorml'r wan!lIou~. Il~ Ilthcv NII1.' OOen 1lf!1!d \0 allow u/ll3bS'trU( tl!'d YI Y5, 01 t I! /'M!t Thl' SIl [allill ':Ji. the RbmelpClf Wllh lin! ct\J<lV'i'cll', ~p.mrnn9 Ilarl 01 tlu' n'!;,f>Ide-IClad nlrouqOOuttll1' \.II~ l1~w (uHut.l~ (eIUH'~ well;' ~flVl~l(lnl'd ,] SC'<l I ttred J vel, ll1ill 'MJeJld refjl!'(l th ·.Clte,·~ movl?ml.'n! ilS II fJOIiY'S by <lr1d tn~l\q1!S .... ~lh lhl' seol~on~
90
--
91
p
CARNUNTUM
, 1·93
On '011 e tasc nabOo'l~ 01
;u(hal!Olog cal ~t ,.Iklcht
fhe rustOly 0 ne mountain IlSei • Its prog~n tOl', cu IlRo 010 U1 stfillil
I e il bldO re>o1.'al!lfl e bedr
a"d thus be<orn 119 par 0 the
elCho tlOn F 001\ ~ itl1 tlga,ns cae: 01 I I I<lulled pldlV'$ one (uts
amptu a re, a ou"'d ob,{'C I II e Quarry \h.,1 10'10.'J\ tl I'arth·~
(ontOlolr5 OUt of is llE!(Jati
calVed space err e-r9~1 po We prqecllon un! lev n _ CN r the
s ope d cf (rysla"'7.If'Al ItseI( ('Ner lune out of the SHe S p eau il A.a! loll
ex enslOl1 of man-mad topography Th m 'ulT1's the In ~ rsect OIl of
t e corKep\~ II lored nih other hree plQte(tS The qroUnd Ia~ 'IUP and I"rusu large slabs up
10 the a' " !' geo'oo (.,11 outllOPP qs From the street Ih s IOlfNllf'fl'~ seen <>gall1slll'<e
moun n wt1ich I1Q as
cfl ~ oque In I' 0 uarr/- I plac oIlhl! Sol!'l tuar, -In lie distance
93
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