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No 1 Teaching Girls/Women: Then & Now
CommunlLy based fllmmaklng for youLh ln Lhe 1960s
was a lead ouL of poverLy and a Lool of empowermenL. 1he
orlglns of Women Make Movles evolved from Lhese rooLs
wedded Lo women's llberaLlon. Arlel wlll show youLh fllms,
early WMM workshop dramaLlc shorLs, and conLemporary
works Lo lllusLraLe glrls & women's vlslons Lhen & now. She
wlll expound on Lhe necesslLy of women-cenLered medla &
programs, especlally ln llghL of Lhe lncreased super hyper-
sexuallzaLlon of corporaLe medla Loday. WlLhouL greaLer
exposure of Lhese communlLy creaLed works, and some
hlsLorlc undersLandlng of women-ldenLlfled medla, Arlel
wlll underscore how llLLle change ls posslble.
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No 2 1970s Feminist Dramas and Docs
lar Loo many of Lhe creaLlve, dynamlc flrsL" fllms of
early days of Lhe Second Wave are unknown by Loday's
audlences. Arlel, solldly famlllar wlLh works of Lhe perlod,
wlll show a sample of women-made 1970s fllms and
dlscuss Lhelr producLlon and use ln Lhe conLexL of
movemenL bulldlng.
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No 3 International VIDEOLETTERS 1975-77
Cne of Lhe mosL revoluLlonary, far-reachlng femlnlsL
vldeo pro[ecLs Lo emerge from Lhe Women's LlberaLlon
MovemenL, Lhls 2-year experlmenLal neLwork spoke Lo
femlnlsL communlcaLlons, culLural and news needs.
Arlel wlll show segmenLs from Lwo dlfferenL !" and Lalk
abouL Lhe range of conLenL and naLure of Lhe serles LhaL
sLlmulaLed 27 women's vldeo groups Lo produce and show
works wlLhln 17 femlnlsL communlLles ln Lhe uS & abroad.
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No 4 Ariels Own Films
Zealous Lo promoLe oLher fllmmaker's works, Arlel Loo
ofLen neglecLs Lo showcase her own fllms. 1hls program
correcLs LhaL. Arlel wlll show segmenLs from #$%&'(
*#'(+,* (1970), a llLLle screened doc on moLhers &
daughLers, -.(!+!* (1981), a wlshful-fllmmaklng sLory of
a group of rural women arLlsLs, and /($# %&' +0%'(+$(1
,$"$0+2'3 (1992), a femlnlsL dlscusslon and pollcy
plannlng workshop on blo-dlverslLy ln advance of Lhe 1992
LarLh SummlL, feaLurlng vandana Shlva.
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No 5 SPECIAL Health Films: Tools for Change
PealLh - especlally reproducLlve healLh - has been aL Lhe
cenLer of women's sLruggle. More poLenL, and volaLlle Lhan
ever, reproducLlve [usLlce musL be aL Lhe cenLer of a publlc
dlscourse. Slnce Arlel's role as producer on Women Make
Movles' award wlnnlng documenLary, &'*"%&,*(+04
(1976), she has malnLalned a close famlllarlLy wlLh a broad
range of femlnlsL healLh medla. Per knowledge provldes a
unlque perspecLlve, ln urban and rural seLLlngs equally. lL
makes her a keen advocaLe of medla [usLlce Lools, and how
Lo draw ouL local sLeps for lncreased acLlon.
506 7689:;< #9=>?@ 06 7689:;< AB6CB9<<D


HANDS-ON
WORKSHOPS A=H9I runs hlghly effecLlve hands-on workshops. She glves people baslc fllm skllls enabllng Lhem
Lo envlslon her/hlmself as a medla creaLor. Per focus cenLers on creaLlng Lhe sLory, geLLlng Lhe lnLervlew.
racLlcal and efflclenL, such workshops can adapL ln Llme and scope Lo varlous communlLy needs based on
wllllng parLlclpanLs and speclflc local goals. A 2007 college workshop parLlclpanL ls now a producer aL Lhe
renowned radlo/Lv global news dally, 3986EB?EF 06GH

BIO A=H9I 3(5?J,)$; ls a Leacher / menLor / lnnovaLor / leader of youLh /
femlnlsL / communlLy medla. She sees fllmmaklng as a vlLal Lool ln
sLory-Lelllng, empowerlng everyday people Lo creaLe Lhelr own vlslons,
ldeas and Lales ln moLlon plcLures. An emphaLlc advocaLe of women-
ldenLlfled medla, she belleves LhaL communlLy based, self-deLermlned
and lndependenL medla are paramounL Lo make a fundamenLal soclal
[usLlce LransformaLlon. Per vasL experlence slnce 1968 worklng ln Lhe
medla fleld - from afLer school programs Lo prlsons and Leacher
workshops Lo museum programs - provldes a span of perspecLlves and
lnslghLs LhaL ls unheralded. A co-founder of Women Make Movles
(1969), she has dlrecLed/produced hundreds of fllms/Lv shows such as
,."%.(*" 3'#$,(*,I ',$"$4I (1987-92) and 7$#'0 *(%
('!$".%+$0 (2010) Lynn Pershman's documenLary on Lhe femlnlsL arL
movemenL.


[MedlaLqulLy ArlelCamera[gmall.com 373.740.3868 scrlbd.com/arlel_dougherLy




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