Escolar Documentos
Profissional Documentos
Cultura Documentos
EF 24-105mm f/4L IS USM, 1/250 sec @ f/6.3, ISO 800, Joel Santos. Canon Explorer
EXPLORE EOS
Canon Inc.
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WHATS INSIDE
GO DIGITAL!
Packed with extras, this brochure is also available to download
for both iOS and Android tablets. Just search for Canon
Brochures in the relevant app stores. Enjoy interviews with
professional photographers, discover how to shoot in new
styles, and get advice on which lenses and accessories can
make a difference to your photography.
canon-europe.com/brochures-eos-01
4
HISTORY
OF EOS
CAMERA
BODIES
48
ACTION
64
PEOPLE
56
26
PLACES
24
Speedlite
FLASHES
DETAILS
ISSUE
HIGHLIGHTS
Exclusive interview with Canon Explorer
Jrg Kyas on p16
40
LIFE
INNOVATION
ALWAYS
Starting with our first lens in 1946, weve been constantly developing
our technologies and manufacturing processes. In 1987, we launched
the Canon EOS Camera system. Now there are EOS cameras for every
type of photographer, from beginners to professionals. And thats just
the beginning. More than 70 lenses give you unlimited scope for
creative control so you can take exactly the shots you want.
f/1.0L USM
to incorporate Canons
DO lens elements.
f/4.5 SSC
2012
2001
1995
1993
1989
1982
FD 400mm
1975
1973
1971
1964
1961
1953
1951
1946
1973
FL-F
300mm f/5.6
1969
Serenar
50mm f/1.8 I
2013
EF 50mm
2011
f/2.8 SSC
2009
TS 35mm
2008
Canon
50mm f/0.95
FL
19mm f/3.5
Serenar
FD
55mm f/1.2 AL
Serenar
FD 35-70mm
100mm f/3.5 I
f/2.8-3.5 SSC
FD 14mm f/2.8L
50mm f/3.5 I
EF 35-350mm
f/3.5-5.6L USM
an Image Stabilizer.
Extender 1.4x
to employ SWC.
built-in extender.
CHOOSE
YOUR
BODY
Finding the right camera for your needs
depends very much on how experienced you are
as a photographer.
If youre just starting out, you need a high-quality
camera which is easy to use and offers creative
opportunities for you to grow as a photographer
you might want to start off using automatic mode
and then gradually exert greater control over
exposure and depth of field by changing the lenses
you use.
If youre an experienced photographer, youll need
high-quality equipment that can take you to the next
level you might want to shoot semi-professionally
and need the image quality to back you up.
BEGINNERS
ENTHUSIASTS
PROFESSIONALS
EOS M
EOS 60Da
APS-C
CMOS sensor.
EOS 70D
EOS-1D X
EOS 1200D
APS-C
APS-C
Full-frame
takes it beyond.
APS-C
EOS 7D
APS-C
EOS-1D C
Full-frame
Full-frame
A groundbreaking multimedia
screen controls.
EOS 700D
EOS 6D
APS-C
Full-frame
EOS 100D
WHICH SENSOR?
APS-C
An 18-megapixel, interchangeable-
Full-frame
angle EF lenses.
PEOPLE
People
EF 85mm f/1.2L II USM
1/4000 sec @ f/1.2, ISO 250
Thorsten Milse. Canon Ambassador
TURNING
HEADS
10
People
EF 50mm f/1.2L USM
1/6000 sec @ f/2, ISO 250
Shot by Lili Love
Its
Childs
Play
EF 70-200mm f/2.8L IS II USM, 1/250 sec @ f/11, ISO 250 Joe Petersberger
13
People
EF 16-35mm f/2.8L II USM, 1/100 sec @ f/2.8, ISO 320 Flavio Bandiera. Canon Explorer
EF 24-70mm f/2.8L USM , 1/30 sec @ f/6.3, ISO 1000 Flavio Bandiera. Canon Explorer
15
People
EF 85mm f/1.2L II USM, 1/200 sec @ f/8.0, ISO 400 Jrg Kyas, Canon Explorer.
PERFECT PORTRAITS:
JRG KYAS
What is it about people photography that you
like so much?
I think its the communication getting to know
people and getting in close to them. Its my approach
really; I am often curious about people and I like
getting to know them through taking pictures.
When I was working as an assistant, I was involved
in lots of shoots with bands and the music industry.
That continued when I went solo as a photographer,
and now I also shoot for advertising agencies and
magazines too.
What are your favoured lenses? What approach
do you take for portrait photography?
By far my two favourite lenses are the EF 85mm
f/1.2L II USM and the EF 50mm f/1.2L USM. Id say
I shoot more 80 per cent of my work on these two.
And when they arent quite what I need, I use either
the EF 24-70mm f/2.8L USM or EF 70-200mm f/2.8L
IS USM. With these four lenses we do everything.
17
01
02
08
03
06
07
04
18
05
19
18mm
24mm
40mm
85mm
135mm
300mm
Movies
FOCAL LENGTH
LENS
Action
APERTURE
Details
ALSO
SUITABLE FOR
PEOPLE LENSES
Life
Places
People
800mm
USM
f/5.6
USM
f/2.8
ULTIMATE
FLASH SETUP
USM
f/5.6
EF-S
STM
f/5.6
IS
f/4
USM
f/2.8
USM
f/1.4
STM
f/2.8
EF 50mm f/1.8 II
II
f/1.8
USM
f/1.2
B = Fill flash
Speedlite 580EX II
USM
f/1.8
20
USM
f/2
If your camera does not have a built-in flash, use the ST-E2
Speedlite Transmitter which sits in your cameras hot
shoe. Alternatively, some Speedlites (such as the 600EX or
600EX-RT) can be mounted on-camera and used to trigger
a second flash positioned some distance away.
STM
f/5.6
f/5.6
Mid-level Lens
Professional Lens
21
18mm
ALSO
SUITABLE FOR
24mm
40mm
85mm
135mm
300mm
800mm
18mm
24mm
40mm
85mm
135mm
300mm
800mm
Hybrid IS
USM
f/2.8
USM
f/1.2
II
USM
f/2.8
Macro
Movies
Action
Details
FOCAL LENGTH
LENS
Life
APERTURE
Places
f/2.8
USM
f/2
II
USM
f/2.8
II
USM
f/2.8
Hybrid IS
USM
f/4
IS
Technologies
USM
f/4
IS
USM
L-series
Canon L-series lenses offer the highest levels of performance in
the range and are built to deliver professional-level image quality
and durability.
f/2.8
EF (Zoom)
Image Stabilizer
IS
II
USM
Ultrasonic Motor
USM
f/2.8
Stepping Motor
Lenses using STM technology focus smoothly and quietly when
shooting video, and extremely quickly when capturing stills.
USM
DO
f/4
STM
IS
USM
Diffractive Optics
II
Lens version
III
f/4
Hybrid IS
USM
f/5.6
IS
USM
f/5.6
22
f/5.6
IS
USM
Entry-level Lens
Mid-level Lens
Professional Lens
23
TAKING
CONTROL
OF LIGHT
Finding the right flash for your photography depends
very much on the subjects you like to shoot. A flash
should enable you to take creative control over how
you light your shot whether its night or day,
indoors or out.
MACRO FLASHES
Speedlite FLASHES
Speedlite 90EX
Speedlite 430EX II
Speedlite 270EX II
Speedlite 600EX
cameras hotshoe.
and power.
TRANSMITTERS
Speedlite Transmitter ST-E2
Small, lightweight and portable,
Speedlite 320EX
Speedlite 600EX-RT
24
PLACES
26
EF-S 18-55mm f/3.5-5.6 IS STM, 1/320 sec @ f/8, ISO 100 Lucie Debelkova. Canon Explorer
Places
WHICH LENSES
TO PACK?
ON THE
ROAD
29
Places
EF-S 10-22mm f/3.5-4.5 USM
31
Places
EF 14mm f/2.8L II USM
20 sec @ f/4.0, ISO 12800
PRIME
LENSES
I
33
Places
EF-S 10-22mm f/3.5-4.5 USM
1/320 sec @ f/8, ISO 100
Shot by Karl Blackwell
LIVING IN
THE CITY
C
EF 16-35mm f/2.8L II USM, 1.3 sec @ f/11, ISO 400 Brent Stirton/Reportage by Getty Images. Canon Ambassador
35
Places
STM
f/5.6
f/2
STM
f/5.6
f/4.5
USM
f/5.6
EF-S
IS
USM
f/2.8
USM
f/5.6
STM
f/5.6
f/5.6
STM
f/5.6
II
USM
f/2.8
IS
USM
f/2.8
36
Entry-level Lens
Mid-level Lens
Professional Lens
24mm
40mm
85mm
135mm
300mm
800mm
Movies
Action
Details
FOCAL LENGTH
LENS
18mm
EF-M
APERTURE
People
FOCUS ON
TILT SHIFT
Life
ALSO
SUITABLE FOR
PLACES LENSES
18mm
ALSO
SUITABLE FOR
24mm
40mm
85mm
135mm
300mm
800mm
USM
f/4
II
USM
SWC
f/1.4
24mm
40mm
85mm
135mm
300mm
Movies
IS
f/3.5
USM
USM
f/4
USM
f/4
USM
f/5.6
USM
f/1.8
f/4
f/2.8
DO
USM
f/5.6
800mm
EF (Zoom)
18mm
Action
FOCAL LENGTH
Details
LENS
Life
APERTURE
People
f/4.5
IS
USM
f/5.6
USM
f/2
USM
SWC
f/4
f/1.4
II
SWC
f/3.5
EF 50mm f/1.8 II
II
f/2.8
f/1.8
USM
f/2.8
f/1.4
USM
Technologies
SWC
f/4
IS
IS
USM
Ultrasonic Motor
Lenses featuring a USM AF motor focus very quickly and in
near silence.
USM
Image Stabilizer
f/4
EF (Zoom)
II
Hybrid IS
L-series
USM
STM
USM
Hybrid IS
USM
f/4
II
USM
SWC
Stepping Motor
DO
Diffractive Optics
Lenses incorporating DO technology offer high image quality and
a dramatically smaller and lighter design, great when portability
is important.
f/2.8
Entry-level Lens
Mid-level Lens
Professional Lens
38
II
Lens version
III
LIFE
40
Life
READY FOR
ANYTHING
Find the right walkabout
lens for you.
ONE
FOR ALL
42
Life
EF 50mm f/1.8 II
3.2 sec @ f/9, ISO 400
Ulla Lohmann. Canon Explorer
How to Shoot
in Low Light
F
ixed focal length lenses often have much larger apertures than zooms and this is a huge advantage
when shooting in low light conditions. By opening up a lens aperture to f/1.4, you let through four
times as much light as a zoom lens used at f/2.8. This is enough to take a shutter speed of 1/15sec
up to 1/60sec fast enough to shoot hand-held without camera shake or subject movement spoiling the
sharpness of the image.
EF 28mm f/2.8 IS USM, 1/400 sec @ f/4, ISO 800 Jeff Ascough. Canon Ambassador
18mm
ALSO
SUITABLE FOR
LIFE LENSES
24mm
40mm
85mm
135mm
300mm
800mm
EF-M
IS
f/3.5
24mm
40mm
85mm
135mm
300mm
800mm
Movies
18mm
Action
FOCAL LENGTH
Details
LENS
Places
APERTURE
People
f/2.8
EF 50mm f/1.8 II
II
f/1.8
STM
f/5.6
L
EF-M 22mm f/2 STM
USM
f/1.2
STM
f/2
USM
f/2.8
USM
EF-S
USM
f/5.6
f/4
IS
USM
USM
Hybrid IS
USM
f/4
II
f/5.6
EF (Zoom)
II
f/2.8
f/4
USM
f/5.6
IS
IS
f/4
II
USM
f/2.8
STM
f/5.6
IS
USM
f/4
IS
f/3.5
f/5.6
Technologies
EF 24mm f/2.8 IS USM
IS
USM
IS
f/2.8
II
USM
SWC
L
USM
f/2.8
SWC
L-series
STM
USM
f/1.8
Hybrid IS
Image Stabilizer
Stepping Motor
II
Lens version
III
USM
f/2
USM
Ultrasonic Motor
Lenses featuring a USM AF motor focus very quickly and in
near silence.
USM
f/1.4
Entry-level Lens
46
Mid-level Lens
Professional Lens
47
ACTION
48
Action
EXPLORING
THE URBAN
JUNGLE
CHOOSING THE
RIGHT BODY
EF 70-300mm f/4-5.6L IS USM, 1/3200 sec @ f/7.1 ISO 1250, Brutus stling. Canon Ambassador
50
Action
EF 70-300mm f/4-5.6L IS USM
1/2000 sec @ f/6.3, ISO 500
Brutus stling. Canon Ambassador
SAFARI SHOTS
Make the most of once-in-a-lifetime opportunities for
shooting exotic wildlife.
EF 400mm f/2.8L IS II USM, 1/400 sec @ f/5.6, ISO 1000 Joe Petersberger
53
18mm
ALSO
SUITABLE FOR
ACTION LENSES
24mm
40mm
85mm
135mm
300mm
800mm
IS
II
USM
f/2.8
18mm
18mm
24mm
24mm
40mm
40mm
85mm
85mm
135mm
135mm
300mm
300mm
Movies
Details
FOCAL LENGTH
Life
LENS
Places
APERTURE
People
800mm
800mm
EF-S
IS
IS
f/4
STM
DO
f/4.5
III
f/5.6
f/4
USM
III
f/4
f/4
IS
II
USM
f/2.8
f/4.5
f/5.6
IS
USM
USM
f/5.6
f/4
IS
USM
IS
USM
f/4
IS
II
USM
SWC
f/2.8
Extenders
USM
f/5.6
USM
USM
f/2
IS
IS
f/5.6
USM
USM
f/4
IS
IS
f/5.6
f/2.8
USM
f/5.6
f/5.6
USM
f/5.6
IS
f/4
IS
f/3.5
USM
f/4
Extender EF 2x III
EF 500mm f/4L IS II USM
L
IS
II
USM
SWC
USM
SWC
f/4
IS
II
f/4
IS
USM
Technologies*
f/5.6
IS
USM
f/5.6
IS
Image Stabilizer
USM
Ultrasonic Motor
DO
L
Diffractive Optics
L-series
STM
SWC
Stepping Motor
SubWavelength
Structure Coating
II
Lens version
III
USM
f/2.8
Entry-level Lens
54
Mid-level Lens
Professional Lens
55
DETAILS
EF 100mm f/2.8L Macro IS USM
1/250 sec @ f/9, ISO 400
Joe Petersberger
56
Details
EF-S 60mm f/2.8 Macro USM, 1/50 sec @ f/5.6 ISO 800, Shot by Patrick Harrison
WHATS
COOKING?
EF 100mm f/2.8L Macro IS USM, 1/200 sec @ f/14, ISO 160 Gary Schmid. Canon Explorer
59
Details
EF-S 60mm f/2.8 Macro USM
1/250 sec @ f/3.5, ISO 500
Brutus stling, Canon Ambassador
EF-S 60mm f/2.8 Macro USM, 1/1250 sec @ f/3.2, ISO 500
Brutus stling, Canon Ambassador
TAKE A
CLOSER
LOOK
61
24mm
40mm
85mm
135mm
300mm
800mm
Hybrid IS
USM
f/4
EF-S
EF (Zoom)
18mm
Movies
FOCAL LENGTH
LENS
Action
APERTURE
Life
ALSO
SUITABLE FOR
DETAILS LENSES
Places
Shot on MP-E 65mm f/2.8 1-5x Macro Photo, Shot by Nikola Rahm. Focus stack of this sleeping wasp
found on late afternoon. 24 natural light shots taken at 3.9x magnification, combined in software, uncropped.
People
Details
USM
f/2.8
Macro
Hybrid IS
USM
f/2.8
USM
f/3.5
Technologies
IS
USM
Image Stabilizer
Detects camera-shake movements that can cause blur in pictures,
and corrects for this by moving a lens element to compensate.
62
Extension Tubes
Extreme macro
Ultrasonic Motor
Lenses featuring a USM AF motor focus very quickly and in
near silence.
L-series
Canon L-series lenses offer the highest levels of performance in
the range and are built to deliver professional-level image quality
and durability.
Hybrid IS
Entry-level Lens
Mid-level Lens
Professional Lens
63
Movies
DISCOVER MOVIES
Use your EOS to capture all the action.
Its easy to start using your camera for movies all the lenses in the EF and EF-S range can be used for
shooting moving footage. If your EOS features Hybrid AF or Dual Pixel CMOS AF, look for lenses with
STM technology. Theyll autofocus smoothly and quietly, so they wont distract attention from what
you are filming. You can also use your EOSs Movie Servo AF feature to help keep your subject looking
sharp it will refocus to track objects as they move around the frame.
67
Movies
HOW TO
MAKE A
SHORT
FILM
CINEMA EOS
Cameras and lenses in the Cinema EOS system
are designed for professional cinematographers,
and offer superb tonal accuracy, brilliant colour
reproduction and up to 4K resolution. The compact,
modular design of the C100, C300 and C500
cameras means they can be used with any of the
lenses in the EF range, as well as with specially
designed Canon Cinema lenses.
68
69
18mm
ALSO
SUITABLE FOR
IS
f/4
24mm
24mm
40mm
40mm
85mm
85mm
135mm
135mm
300mm
300mm
Details
Action
Life
135mm
300mm
800mm
II
USM
IS
USM
II
f/2.8
800mm
800mm
Hybrid IS
USM
f/2.8
STM
f/5.6
EF-M
85mm
f/2.8
Macro
18mm
18mm
Places
FOCAL LENGTH
LENS
People
APERTURE
40mm
MOVIES LENSES
24mm
STM
CN-E15.5-47mm T 2.8L S
f/5.6
L
1: 2.8
CN-E14.5-60mm T 2.6L S
f/2
L
1: 2.6
CN-E30-105mm T 2.8L S
STM
f/5.6
1: 2.8
CN-E30-300mm T 2.95-3.7L S
USM
f/2.8
1: 2.95
1: 3.7
EF-S
CN-E14mm T 3.1L F
STM
f/5.6
STM
f/5.6
Cinema EOS
1: 3.1
CN-E24mm T 1.5L F
L
1: 1.5
CN-E35mm T 1.5L F
STM
f/5.6
1: 1.5
CN-E50mm T 1.3L F
USM
1: 1.3
f/2.8
CN-E85mm T 1.3L F
USM
1: 1.3
f/2.8
CN-E135mm T 2.2L F
USM
1: 2.2
f/2
1: 2.95
f/2.8
1: 3.9
Technologies*
II
L-series
III
Lens version
f/1.4
EF (Zoom)
IS
70
Image Stabilizer
USM
Ultrasonic Motor
STM
Stepping Motor
Hybrid IS
II
USM
Entry-level Lens
Mid-level Lens
Professional Lens
71