Escolar Documentos
Profissional Documentos
Cultura Documentos
John Szinger
eOrigami Publishing LLC
Dedication
To Jeannie, Elizabeth and Michelle
Copyright
Copyright 2011 John Szinger
All rights reserved.
Bibliographical Note
Zing Origami is a new work, first published by
eOrigami Publishing LLC, in 2011.
International Standard Book Number
978-0-9832656-1-0
CONTENTS
Cover
Title Page
Dedication and Copyright
Model Menu
Introduction
Adirondack Canoe
Adirondack Chair
Octopus
Loon
Brown Bear
Butterfly I
Hot Air Balloon
Asian Elephant II
Baluchitherium
Lizard
Snapping Turtle
Fivefold Rose
Symbols and Folds
Model Menu
Introduction
Ive been folding paper for most of my life. The
first thing I remember is making paper boats and
airplanes with my father. As a kid I checked out the
origami books at my local library, and fairly quickly
worked my way through all that I could find.
Whenever a new one came out I devoured it.
Origami was only one among a number of creative
pursuits, however. Eventually my primary creative
focus became music, playing synthesizers and
saxophones in rock and jazz groups. Years later,
with a new baby in the house it was time to take a
break from playing out with bands, and I needed a
focus for my creative energy.
My first convention in 2001 was a revelation.
Origami had evolved in the last decade or so.
People were folding realistic models of great
complexity at a very high level of execution. It
totally blew my mind. But the best thing was I met
a whole bunch of origami people. Id only ever
folded by myself, and had never known anyone
who was into origami. They turned out to be the
nicest people, smart and creative and eager to
share. I took a class on origami design and by the
end Id created my Lizard and was off and running
inventing models.
If youre a folder you already understand the
appeal of origami as an art form, its elegant and
essential nature, the joy of creating something out
of almost nothing, just a piece of paper and some
creases. Yet somehow this gives rise to almost
limitless possibilities. Like music, origami has a
deep basis in mathematics, particularly geometry
and ratios, and from this arises higher levels of
freeform expression. Unlike most art forms, which
are either additive or subtractive with the medium
and materials, origami is purely transformative.
Nothing is added or removed, only changed.
One endlessly fascinating question in origami is
symmetry. Traditional models all use 22.5-degree
symmetry, which is easy to develop and fine as far
Acknowledgements
Special thanks to John Montroll, mentor and friend,
to Brian Webb without whom this book would not
have been made, and to Origami USA.
Adirondack Canoe
Cutting through the waters of a Northern lake, almost silently, just
the slight splash of the oars. Around the next bend you might spot a
butterfly or a loon. This canoe features a more realistic and
sculptural design than many of the traditional boats out there, and
even has a little bench.
1. Fold two opposite corners to the center. Turn the model over.
4. Squash folds.
6. Fold the edges to the center through all layers and unfold.
8. Reverse folds.
10. Valley fold the remaining tip into the pocket created in step 9.
13. Open the model to make it 3-D. Crimp notches to shape the
hull, repeat behind.
14. Canoe.
Adirondack Chair
Nothing beats relaxing out on a deck or by the side of a lake,
watching the birds and insects glide on by. This model took a fair
amount of experimentation with the proportions, making the legs
hold together, and into the detail on the backrest.
9. Unfold.
19. Pleat.
28. Lift and spread the arms, making the model 3-D.
31. Lower the front edge of the seat and squash fold the ends.
Octopus
As a delicious treat or the one of the most advanced invertebrates,
everyone loves the octopus! With its rotational symmetry this
model is an early forerunner to the whole origami from space
approach.
1. Waterbomb base.
2. Squash fold.
9. Unfold.
13. Swing one flap to the left on the near layer and one flap to the
right on the far layer.
16. Repeat step 14 seven times, spreading the points out radially
as you go.
19. Octopus.
Loon
The Common Loon is a waterfowl found in the wilderness lakes of
Canada and the northeast United States, including the Adirondack
mountains. It is noted for its distinctive black and white plumage.
To fold the Loon in its winter plumage use paper that is grey on
both sides.
2. Fold a corner to the mark and make a second mark, then unfold.
5. Valley folds two corners so the edges lie on the landmark and
parallel to the center line.
6. Valley fold the two corners out again to lie on the edge.
21. Valley fold the tip first, then fold the flap as far as possible.
Repeat behind.
22. Sink.
25. Mountain fold to thin the neck, repeat behind. Crimp to form the
bill.
27. Loon.
Brown Bear
The Brown Bear (a.k.a. Black Bear) is a familiar denizen of forests
of the Northeastern United States. Campers must be careful to
secure their food, or risk providing the bears with a free meal and
an unexpected close encounter. This model introduces the bear
base, which is useful for many four-legged animals with a short tail
and a detailed head.
2. Kite fold the opposite corner and unfold. Turn the model over.
7. Reverse fold.
9. Pull out a flap and swing the point downward. Repeat behind.
11. Sink at the shoulder. Valley fold the leg forward; repeat behind.
12. Fold and unfold at the rear of the model. Pull out a layer on the
head; repeat behind. Mountain fold a hidden layer; repeat behind.
14. Crimp the head. Reverse fold to narrow the hind legs; repeat
behind.
15. Pull out a flap at the foot; repeat behind. Pull out a flap at the tail.
Mountain fold a flap on the head; repeat behind. Crimp at the snout.
16. Crimp the tail inside. Crimp at the belly; repeat behind.
Mountain fold a flap at the ear; repeat behind. Reverse fold the
nose.
17. Crimp the tail outside. Narrow the neck and belly with mountain
folds; repeat behind.
18. Mountain fold the side of the tail; repeat behind. Reverse fold
the tip of the tail. Rabbit ear the feet; repeat behind.
19. Mountain fold the tips of the ears and the front claws. Sculpt the
model.
Butterfly I
Captured at the moment of spreading its wings and taking flight,
this model is easily foldable from a six inch square, somewhat
unusual for an insect complete with legs and antennae, but the
approach is more lyrical than sculptural. Once I finished designing
the model I learned that most butterflies have only four legs!
1. Waterbomb base.
3. Squash fold.
25. Swing the flap to the right, spreading the layer beneath.
35. Crimp.
36. Reverse fold the wing tips. Slide squash at the middle of the
wings.
37. Pull some layers apart to form the head and antennae.
43. Turn the model over. Pose and sculpt the model.
44. Butterfly.
1. Fold each corner to the center and make a mark, then unfold.
2. Fold each corner to the mark and make a second mark, then
unfold.
3. Valley fold all four corners to the marks from step 2. Unfold two
opposite corners. Turn the model over.
5. Preliminary fold.
10. Unfold.
16. Fold and unfold, dividing the surface into approximately equal
thirds.
22. Valley fold a flap up as shown. Note the fold is lower than the
edge of the balloon.
24. Mountain fold the flap down. The bottom part tucks up inside.
27. Put the two white flaps together and fit them into the left flap.
28. Slide the three flaps together into the right flap to form the
basket.
29. Valley fold the corner to lock the flaps together, repeat behind.
Push in at the bottom.
Asian Elephant II
For thousands of years these graceful, majestic and intelligent
creatures have been an important force in human civilization. This
model is an evolution of my previous elephant. It uses a variation
on my bear base for the body, with the sculptural 3-D hear of the
original.
2. Kite fold the opposite corner and unfold. Turn the model over.
8. Valley fold.
10. Reverse fold the two flaps out again to be flush with the edge.
11. Fold the top flap behind and swing the near flap up.
13. Fold the model in half while reverse folding the flaps at the
middle and bottom.
14. Sink.
18. Open the flap slightly and squash down. Repeat behind.
19. Fold and unfold parallel to the back edge along a hidden
landmark.
22. Pull out a flap at the foot; repeat behind. Pull out a flap at the tail.
23. Reverse fold at the tail. Double reverse folds at the feet, repeat
behind.
24. Squash fold to tuck inside at the tail, repeat behind. Reverse
fold the tip of the front foot, repeat behind.
26. Outside reverse fold at the tail. Fold a small amount of paper
inside at the feet, repeat behind. Swing the head up and flatten.
27. Outside reverse fold at the tail. Sink at the top of the head. Tuck
in a flap at the neck, repeat behind.
28. Sink at the hip and the shoulder. Tuck in a flap at the belly,
repeat behind. Crimp to form the trunk and make the model threedimensional.
29. Puff out at the hip to make the torso three-dimensional. Tuck in
a flap at the belly, repeat behind. Tuck a flap inside to narrow the
trunk, repeat behind.
31. Crimp bend the trunk downward, curve the tusks upward.
Baluchitherium
This hornless relative of the rhinoceros lived during the last ice
ages. Taller than a giraffe, heavier than a modern elephant, the
Baluchitherium may have been the largest mammal ever to walk
the earth. Folded from the same size paper as the elephant, the
two models will be to scale.
2. Kite fold the opposite corner and unfold. Turn the model over.
7. Align the dot to the indicated crease and fold, creasing only the
half of the model way from the landmarks. Unfold.
10. Crimp the model on the creases made insteps 7 - 8. Swing the
outside flap down and flatten, repeat behind.
19. Fold and unfold the body parallel to the back edge along a
hidden landmark. Swing the leg flap forward; repeat behind.
22. Pull out a flap at the foot, repeat behind. Pull out a flap at the tail.
Valley fold the head perpendicular to the top edge.
24. Squash fold the tail. Fold and unfold on the head.
27. Mountain fold a flap behind at the tail. Fold a flap forward on the
head; repeat behind.
28. Sink at the top of the head. Fold a flap upward to form the ear;
repeat behind. Crimp to form the feet; repeat behind. Reverse fold
the tip of the tail.
29. Fold the tips of the ears downward. Outside reverse fold the tip
of the head. Reverse fold to blunt the front foot; repeat behind.
30. Reverse fold the snout forward again. Shape the legs.
31. Reverse fold the tip of the snout inside. Thin the front of the
body with a mountain fold, repeat behind.
32. Crimp the snout. Mountain fold to thin the belly; repeat behind.
33. Shape the head and belly with mountain folds, repeat behind.
34. Puff out at the hip and crimp the belly behind the legs to make
the torso three-dimensional. Sculpt the legs and head.
35. Baluchitherium.
Lizard
There are thousands of species of lizard all over the world. This
one features a detailed head and claws, and a nice, posable body
stance. The model was the origin of my hexagon base, which
inscribes a regular hexagon into a square and uses the leftover bits
of paper to form the claws.
3. Valley fold the corner to lie against the crease. This forms a 60
degree angle.
6. Unfold.
8. Unfold.
10. Fold edges to the centerline and unfold. Turn the model over.
12. Fold the corners out. The next several steps concentrate on
forming the toes.
13. Fold and unfold. Note the landmark points; the tip lands short of
the edge.
14. Unfold.
22. Fold out the corner flaps. Turn the model over.
45. Pull out the legs and collapse the center region.
46. Narrow the tail by folding the top layer inside. Repeat behind.
47. Fold down the flaps on the top of the legs. Repeat behind.
50. Reverse folds to thin the underside of the legs. Repeat behind.
54. Crimp again to form the head. Do not crease the brow ridge.
58. Valley fold the legs out to the side of the model and sculpt.
Mountain fold and spread out the toes.
60. Lizard.
Snapping Turtle
Made from a variation on hexagon base, the turtle features a
detailed head and claws, and a segmented domed shell. This has
proven to be a very popular model.
3. Valley fold the corner to lie against the crease. This forms a 60
degree angle.
5. Fold and unfold the corners thru both layers. Unfold the rest.
16. Fold the corners so the edge aligns with the crease.
23. Repeat steps 19-22 on the other three corners. When done,
turn the model over.
29. Fold the leg flaps toward the center. Fold and unfold at the tail.
31. Pleat.
34. Fold the back legs out; fold the front legs in.
35. Pleat.
40. Fold the ridge as shown. The model will not lie flat. Turn the
model over.
42. Fold the edges under to shape and lock the shell. Crimp the
neck and tail.
43. Pull out a layer on the sides of the head and sculpt. Spread the
toes and sculpt the feet.
44. Turtle.
Fivefold Rose
A rose that features fivefold symmetry for a more natural
appearance. The golden ratio is replete in many natural plant forms
and the rose is no exception. The method for developing the
pentagon is approximate but very accurate. The center of the
pentagon is at the center of the paper.
7. Valley fold.
8. Mountain fold.
9. Unfold everything.
15. Unfold.
18. Unfold.
35. Extend the central spiral to the indicated crease; spread the
paper at the corners and let the center open up. The model
becomes 3-D. Turn the model over.
37. Reverse folds at the five corners. Open up the center more.
39. Fold the five corners back like putting away an umbrella.
40. Valley fold the flap in the opposite direction. Repeat on all five
sides.
Fold lines
Arrows
Arrows II
Mountain Fold: Fold a layer of paper behind the model. The crease
resembles a mountain.
Petal Fold: Open of a point and flatten so two opposite sides meet.
Rabbit Ear: Flatten a corner so all edges lie on the same line.
Sink (Open Sink): Reverse a point on the inside of the paper. Much
of the model may need to be unfolded.