| The Active Eye: A Phenomenology ‘of Cinematic Vision van Sobchack [ay peramencogil expanton of te sesentking copay of eth human ‘inant civine mseginty toning sheen venom feet Serine ey Vso tora ste mode ercepon Bathe is joan ofc tae ate erent rey a perce Miwingvie peng vine "ewig rages” Tal vison saae tend owing ow” nip th wan tral Ed iy sujet pretty srl pronpsiely going ewe ay inact cling chris th sewing subj an ic et eto bing TC enolic ikl swing Mw ute thera mes ise sense lta ion nich tr embod are aay imps Was th uta diferent human and ema vie ae depen en nal eboney exter, td Bath ‘Rin visual campo in he vie pectarmance of win they seb ‘set nd tran erent: The upon fa oy empha {nl dss ths sept sar ensayo yam, lineata! con tate neste as decay meaning |Ne might cal he bjctey vile, quent “ewig vow" fhe cna te ‘rca gee ti im ui by he peter ho nt Stel fnucingt hee" vngiew” (ieee ah ost {iets snviginage the ypesezr vate) emote oad Sse spt pyc a ait ae inva ese aur win the hereon eg = ony tebe talon oir movement ive sete Xfarenenay ten Sebersere which ext vison, sk pceton percep othr EeupubjrtVsir movement ao att nero ond socal foe {Soa muta acy ay ae oe ye a ip tte ring ty ih norm a” ayo hints oge ott nds ha ray fel mht Seer ein. ct oe Ti eve mvennl dye tens fi Sedtcnw Stout ecizariteng tet cape cco ee ieee ey ar een, engpeing ind engaged dy thers. Tis atration of nematic vk {sthat movement expressed as the very procs and progress of the “viewing Vien” sree ne auc meat aia Sace So scapeestTeaunctn toca tc scours a ec neacens nbs wu neem sea eng eee tp ie ea comes ea eat Siena eee pete emcee Seen ate Serer eee Tascam vechomeeetn samret eens ity aer ene ees ee el th of on, hy wl bmi aa tin eral ree whic ‘Eevolary comets the proweicve “wing viwinewing age” the ‘Ghost vowing viwimovtd mage tao ms emphasing tha ee our | fms final an nti cera moment ayant se tel ete Sar somes esc he vil an i, he bag of find ote by ier, promo a eh ng Seal eprint Sevigny eb ach tim hy el etn ole el a a isowely separate “negorie of omae movement THE MONEMENT OF INTROCEPTION AND PROTON ‘Artur Dato tls that wth ht mors, we do at jus stat ty moe ‘Sjection tat his manent to aso, Ut each mage ofthe must be reed thar anne heli that hod and Fret efor ph ight sure, a tet separtel rm he rages Sashes ete chip cringe oven et meverent abot only he sian, is iagiary. TH ume doer esnfow cinema ent, utd Sige Mantrg wnt ne prep ome nan pena hie the mechanics of cnatetng wal ad vise meen in the ceo ‘nenent lb oabeercly reduced o9 of date" ‘hae enna, Ine econ hen he ep ut iret psig ingest ‘the film mater "bey to human respon fsulton—the itary les fer what we dee animation The fun fil ae tps before they flag. The ves ofthe heart open and et at bth Spat ond fara ar ut conus, bt een yn aes. et we do ot corde ourselves ninety, we dork ‘wal expres oraterive paz onintrmsterly dirpted by te nko rend Tc Be and tha, i experience the herb ink, an te rot tr raenent, Nerd thy dese disse mareent athe they ae ome src of dnote ncementl phogzaple Moons Pasig fo Fat nmin poses hgh the proto They renner meen bese‘exh thera digi ek of dice point, etre thames ihe gly tc ancy sFaatanon sae oy projet Never pence trent dy cre ‘ery elon inca doe mano Atreathing or etn ron INE trp cme vias pet ts Uprumie menemet wich he etait ewig we” conta ‘hana =e ng mae Gm “Sin which en ves meen aed — eatin queen tv ow” engaged in tacoma Ingocse pesos widens erly ete in ta ‘Shotts oer ngnt which preci nvercaeroe ‘Sen ast might oppo fo ce able west. exert interes nee The sane he st and Nenecadentl pac whe foes Ue pogo [pot slide Bonn emo jel ne mode thegze eae cnn Etcetinuetnbyo wok fonpctng is wo acy king td way maong—the vu chet sith a pina gsi in Seine mn ne pent oe ae tartans aca sd selt picatnipreciy whacnat Ing The scot pesvty and oly of the ed nematic ace id [ihe ice ch ors te wally uct rng ge” ae “Shed ga aaye aly prod, Idee, thr mort gu nt vb ‘socal al mets an asin pace never sn are cet sao athe rere ree” Theater merely he tnt tan {Te of potopmphi sn nap the excel mot of 9 raat SHRI Eno ing pia Tan win oma i ‘epiton ta chce sine arady mae tnds etal iota ‘nea cin pdt ris dined on he gene at haven pce i Ti abays preety necting alee met {Sain howenes sbi suse) cee onl obey oranda Fetras Someta st ands Bani ee ‘Wight wht ine ie pcos pee hc oh paar Reese ii an Val enon ate ea ih gr” me et cpa ac me Oo [others emerges from the inrcytive gg we each have ofthe energy al (ipso tno et the wed and ear poet and enka thr Ivey eaperce what our boynton, alee, Wal [reste in th rt Tok the” hyn an lay een ca bel Se Posy Present ater. We cm et vie and objective boa a {eee thr rcs hdr ha ory ‘ao unica! he enemas “vrrng vie owe a presets deren cy is ate gf an bn ae Foes aise ay vn by aye st oem tat he ewig ebjers thane artn sce sa {or ioe Heve Cam ot speaking merely of wht screened ste ‘jest pines shot, to inary proses ki oe ‘ry ractarcand civ ofthe nema vein view ae epic wih or Sino pee of ne Say eine mane feings the wed and ahs to sinifant ist fo ws (pts overt nha visits cf the ely contours of ‘senna eng vena tat coacusnes iy sa anaee ‘Dein ofthe “ri image change o mind about he fodtn of ‘i. “Oe sce dao ee dr eal {oe ats sgt tte movement the carers ens a9 aoe fe apie nh vs isle vial Ged, ako eae eng cen the tel nnement ofthe “xy” and wih the ane he {ik ogan of vn percep) ahve ent cl te cee hte cna pecan the 3 ea Goren inte foment cr yt jc te {is Thee anime vl get exprkced oop ey Serene: The ether whe ss experienc nade an top they nmevjestly alae ve pte, cree Tropical meme tthe "vein nt te ter ya ange ares seston inthe esate” tre Sesily space wien rately hating te diane beeen al and he Bj wh That etic the soem ae Meson a embed vig al ston ft owed oc, ‘hange hte vile nena Since bah matics hl ee isn al oso aia dotcomtackgroand ore reavelyAtened ass functn ofan atesion whith clay (tance he ly eming of diane _ nhch tansras pac andenmer ovement a enero th ta "Aha" tough epee rare so aed i Aled Hick Vt Inet cece eigen ies ch erg whe [Gf dah spacer ston pone bs intends elon penton tonne sper ft ra epee iy foreman ety iar i agi gh ots eiton of opal eee (far 0 nde hopes ot oer intr ese roel A yond Dung pits ntti “combination of approach and rat whose picsconfsinsl peepee elytra ie como aes ne Som ning tit des etniom rra e ‘pent ol teton nt tay nnn! tance Cy ented mabe Bei "buy" mah ahh aman charterer ata an ty fren te a) msn grant Spread ie wy of econ eb thecbjets within “overthrowing the viewing ubjetprevis pererpon an sup anton wo mae hse pie or sen ores praSeo ee ee ‘con but vimually ective “meaningful gaze") visible optical movement ch a the Se as ad cer ta borne tere eso er eerie: Bete Sees age ar a ectan leah iar esa Peart ett ata neta ee Sete mere ene ea ate rece ee ere metering ee ea ectcy seagate Parl mre eases tan SRRSE yl as a ~ Coctelativey, the visible shifting of focus also transforms the viewing subjects sere cae taant aatte of hen qu te SOURS Sorat er fe ame Sey ‘alter how attention transcends the viewing subjects body apd sable to octets se eater ager aneaened wh cecbuy brecacea at ee ee a aes eee eee eed ee ae pee ea ‘mio be eset toscana thus cones ew bert fr ones feof penmens without being exp aid down ay ne cf hom ast of ‘fermen rapa to the word pn thy se coat ie mennngs thse phenom Uy “soe” and ign. THE MOVEMENT OF INTENTIONAL OBECTS AND INTENTIONAL SUBIECTS| “he mest obi alley vie farm of ranean in th cma (tn ova quan expen the monet of neon jc “The etna at teeing ow” ol ‘chnonevenpesing fe peeeption foe mncent ofthe wer am ‘hee Wad stoaph xvas sr wer the eerste more ‘iin pole ns dle me area ta ly ‘nancy epost evry i ory est pct sd en tia rn Ca ati aly age lewobjeosnabatie moment They kregrued na in phere test menac emer ent he eto set fn, ‘xpi y bth ln and spectator) as completly subordinate re Frontera he" iage sens," tare wee eryetenphataly—that bly "ouving pce. > Ant any amb rn te fa inAth he iwing sew cmt sbrpton inte ise ety fg” Stay or nl fen Sd cand cea ened os aa ‘movement has sae wth usted nthe nt that owen obese ‘Reimer wk deen wal edges momen eh | he ink own bly emery es” Sree he neo he eget one acu one ‘Mental rc oy Ping We es mappa mp “bjt rater than he seg aga of he ate bt pre se pe apnea tee ao “Eris in nh phew iret Sts he Stat ut ca at teen ene ev sore es tome oy en om in rte sro vest pis tan apr hy Soe meemenac gma Mare floc mt send ei desipton fo apes me scree taco on arate nen oy thea he Slghcrand oe psc’ tte ste"at rise ewer! the wel en ‘propia hob ftw bein, iste ta safer ese “fra nce) he space tage bu nate cree anchors neta -Say” ars fain ih rep ive atta objet meen aul ant Coens) the sae he Inge "idle sap nt ond sr siete Pega ‘hat wih heenbutd sper ve angus ea vile meson indeed animate bngs ted prs aa eco tan fer ce be Siculta,cocrsc, snd “nial Home relied ke elo Polit, Gao Rags Kora St ay witha animate aig et {eps daft etl cy dementia and va Pe if motion wich etl ss snc Peta ness ins tne theme “al ached hap hen marta ‘met of ewig vl 2 be ates rove nie wor “ithe igen on ly at hig eo ect tv teatet y imo prep wo Tur wares aa and ery be ‘ted thm male anal vag nk mse ays Vi) “ody ily ch scsan soa ae pe ee eri repentant vsle"mornginage which beeing ee Veit spectra em esning apn epesem he | oes the nvng agent ofthe nage pany persis the ine {Gea “poy Te ter aly edie he ve motenest to whch ts Fritch pc day pens) mat [i sealed eh ores to sence Wand pa Sesion of cj mverent teh is inkatonal nconng elder Fest the wi ject a tenon! mjc et cnn by on cay compre tas on the repent an menemen iin aut sje oe Senta lft mincrent makes seme when tn bet ners oy ah sucraronty mving n inetoal bys, a ater yes {ctor howe tha nae” wee ipower object ined by ay tens, ewes das | tre the move The wange sens ats aly ep od ee te ad Eeena ged Seater maticcenta aha ‘nematic movement, bt aig cuc ite nn nD oPSTenSE ately "Sci erator rin ain pe SSI aire sonora rs LaeneSe danas ps ey ee Ws not surprising, then, thatthe focus on mavement in dhe cinema races 2 ‘ne tet on say sey dace are ponysvt a chic of via atti. Tes hie ca be ued hag ‘ttn, ba ya nono and ined tly in he word, The ‘0 och our mga med ecm bt sbertng Uwe we il ‘ ‘SoSnragun esy ik cs args a a cet 3 ‘ian teal ao a Bt epee et pt Ca ‘eg andtnnot ahs ts oy em Recap ote eee Nero ‘encase eat nar commance wt eda pone SSHRC pe ent wi erst cee on Cee re a aoa Nera raele aay as ac ‘eK (ry fe Me or At Fin Sie ri) See eee ee eee Enon fie inmate eee eee panera inaaechicdi ce ee Prisracsteal tee Seta wea poensenttanmennne ates mitre Sri egngerieaeien herehedaaeoree Sr fi lca antenna cy ee See mecca ce comurepenteena ee tata eee mare omen mcnimen meresesee See ee Re rlociite Meanie cionegetenas Bo Sotycnatatais tana geet llr th Pt guelency hat Kesar adie ack of egoecrsoumest Era on al beinpin--wenil, hi vara ht al bigticreld pee pope) sre wht Mare ony cn ine wk el od ‘Nexnaly we ake dni tnsbewcen rca! ings unin bel. Senn giana ng pee een ys ‘tour Bved-knowledge of ourselie a intending beings andthe ceatingent and realy open bie we vet itcepiay sel a, we ne cen rein cl ts al sual ther ox ly cet» pra arm copa gino he mee nee si een at damning ” appears adopts th worl bagel ntsc sip aay bind Uh isthe nan and suerte progres is inenal rere, he ‘nat “ee up wih na nine coe hod Cao hn yar yuancpt here actin ly enon ein cera al trong ‘hal, ich abeutin senor seit he ein. The rine ne ee Geman ane —orptay eg i sl cl he ‘oto, Tm, he fi cen restr oe ot tere ancer Nag “ti i eet ee ening en me Frgesin ine wid sds reports —ina way wh ane cpl Freie rc by the ne waning view:The away a pened self sures re ly thle ea Ex nt vavtng sor bocce camped wh the enue uncer Stop er os ema ncn aly “Tees "ving vw which ost Sat vince ti nip and sigue, lh et sc a cra oe nlp Se es Sy ce pd hme anc tually ackrledgr interaction with he mowing body subjects at whic {eesttreven aly han cm no ele ero Fro ie ema fet makes semi of val anon on {hie ovweres That my taunt ithe weer once "eg ‘ean ano mae bap 9 "wi the mete poet y erly Terctng tbody ste cr efacsig eaten. Ils vio becney ins mn a pn oh ryt ica ‘onal abject ho are aio tody-subjets ao can be four sae degree nal. Fine-eren arse nn which the vce ol tects acy ep one sd rinses tobe sind by and od te le ea Tn sum, ahough ite soviaa the vibe memento eject in cinema wl hardy melt The aowang bet fle pet) "ane an ment ugh fe nena acy of sown “vowing Tha"hauat stad stein: Nites tet ener ee a Spray at tia nee eng ‘Fine ts in vl movant urs into the us of vst gestae ‘Srctirsel tts ne svar ofan tending and embodies onions {Moringa ang hth ‘nly mwa hugh wo pace estes oth ange pomeson Tehch perception tke p the word od bly exes 9 Saco wie xvi chao nec he arp” Sig otis materia eterna nate, he is" sensor ti sbes that ody’ presence t,o ania he wn eis ey iS veg ie” Ar ye nstesngthe presence oft ody subject ls expeence a he tn sxe wah cmp ie sett expe on mt ina Sewing view” thi the esac er othe Sewn ge artic sont“ ot wh ele we feat (wht fino specs can ual apace cand woe tet Wich procs a rons f herchngiy haan he i {hed shan nd ugh he ton tenon et ae ‘dna come ingen iy Pisses ee nro hee AR tS yn ny nn wn a ‘elongate pansainie perc tno soa op potan Cag nC toe en ham_ film as Experience: Phenomenological Concepts in Cinema and Television Studies Se igh Fag nat ho ee Ts eb ceed te mot pe sr, th ding one Io terface vn cs Sly ee Seay anyone etn Al cont tnt an we Sh Sallam crear a tie Spe es fednochlinputars ecncoed Al, Svc ejenten pao mo be arn Congo oe omy op i, 1 dott ng el sy Aes ey hear fe ccc core Wnpany sees alas nes (iis Sake ed et rnc Ga phe ia se Serenata Sonido ing promo yer > ecnttpen ati Guerin © wc eae ner Se oat tectum Sy tet pecans ios — ne cd eal’ ete eto none he “ponies * ei as mo theory Such ated eld nt be nappropisf-pstnoer Sul be aged see speichern. int sponte fihnry wk tad, Porm te, previa here pj bul pay and ane itr ac hag pm ie den Fidel by a rsesve netrmentty Second,» Yost ln try sew lion a en dation betwen toma fas ted Jose worth anal er and int vaste tenga ine Exim inthe wiendin Gente tina Shurplocathe ase proceso awn, Thee sheopeais omnia "Ths ean ony bea sketchy dein, bt the mploton or he flowing ‘epinetha be ne Tam eet in meno ote my {acim hal wos the dcr ans get amine ope only anda ad permis scion peepee andere se ‘store ss yl Wa ag Conn eo