Escolar Documentos
Profissional Documentos
Cultura Documentos
With the Speakerbox series we set out to capture the raw sound of some legendary speaker
and mic combinations and not much else. To that end, we housed our speakers in a solid
mahogany, open-backed cabinet. The cab's lightweight, resonant shell is designed to fill a
room with 3 dimensional, lively tone rather than box it in and project it forward. A great
setup for coaxing the essential character from our vintage and modern speaker collection.
Mic Positions
We mic each sampled speaker from 9 positions. The primary positions include: Cap center,
Cap 45 off axis, Cap edge, Cap edge 45 off axis, Cone middle, and Cone edge. The
captured sound is brightest (contains the most high frequency content) at the "Cap center"
position and gets progressively darker (more lows and less highs) as you move the mic
towards the edge of the cone. Proximity effect will boost the lows (sometimes A LOT) the
closer the mic is to the speaker.
Depending on the speaker and your application, you may find certain positions more useful
than others. For instance, the Cap position might be just the ticket to add some definition
to a muddy guitar part. Or, you may find it useful to boost the highs when using the Cone
IRs... consider using a high shelf to add some presence and some "air". The point is, there's
a potential use for every IR in the collection.
In addition to the primary mic positions, for our Weber Blue, we used each microphone as a
Mono Room mic at a distance of about 6 feet, midway between floor and ceiling and
pointing it away from the speaker to catch primarily reflected sound in the case of cardioid
mics.
A "Stereo Room" impulse is captured with a matched pair of Neumann KM84s or Earthworks
TC30s in an XY configuration. We split the stereo signal into to two mono, left-right signals
for convenience. We also use a KM84 or TC30 to sample the back of the cabinet at distance
of about 12". We reverse the phase of this sample. It picks up mostly low end and room
reflections and may be useful when blended with a another mic signal. For our Weber Blue
we placed a BLUE Bottle with a B4 Omni capsule, placed about 5' and 10' (labeled Alt) off
the back wall, as a neutral Mono Room mic.
Cap
9
9
9
CapEdge
9
9
9
Cone
9
9
9
ConeEdge
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
Cap45
9
9
9
CapEdge45
9
9
9
MonoRm
OmniRm
XYRoom
BackCab
Null
2
9
9
9
9
9
9
9
9
The table above shows the number of impulse responses for a given microphone and mic position. The following mic distances were used: 0", 0.5", 1", 2", 3", 4", 5", 6", and 12", so
a "9" in a given cell means all 9 distances were used. For the "Null" position, we placed a figure-8 mic with its null point to the speaker cap, or 90 off axis.
Cap
8
7
7
CapEdge
8
7
7
Cone
8
7
7
ConeEdge
8
7
7
Cap45
8
7
7
Cone45
8
7
7
MonoRm
1
1
1
OmniRm
1
XYRoom
BackCab
Null
2
8
6
8
8
8
8
7
7
6
8
8
8
8
7
7
6
8
8
8
8
7
7
8
8
8
8
7
7
1
1
1
1
1
1
3
8
8
8
7
7
8
8
8
7
7
1
3
The table above shows the number of impulse responses for a given microphone and mic position. The following mic distances were used: 0", 1", 2", 4", 6", 12", 24", 36", so an "8"
in a given cell means all 8 distances were used. For the "Null" position, we placed a figure-8 mic with its null point to the speaker cap, or 90 off axis.
* We sampled at 2", 4", 6", 8", 12", and 24" for the Neumann M8/CMV563
Cap
9
9
1
9
9
9
9
CapEdge
9
9
1
9
9
9
9
Cone
9
9
1
9
9
9
9
ConeEdge
9
9
1
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
Cap45
CapEdge45
Room
2
BackCab
Null
2
2
9
9
9
9
9
9
9
9
2
2
2
5
5
The table above shows the number of impulse responses for a given microphone and mic position. The following mic distances were used: 0", 0.5", 1", 2", 3", 4", 5", 6", and 12", so
a "9" in a given cell means all 9 distances were used. For the "Null" position, we placed a figure-8 mic with its null point to the speaker cap, or 90 off axis, at 0",3", 6", 12" and
Room.
Cap
9
9
1
9
9
9
9
CapEdge
9
9
1
9
9
9
9
Cone
9
9
1
9
9
9
9
ConeEdge
9
9
1
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
Cap45
CapEdge45
Room
2
BackCab
Null
2
2
9
9
9
9
9
9
9
9
2
2
2
5
5
The table above shows the number of impulse responses for a given microphone and mic position. The following mic distances were used: 0", 0.5", 1", 2", 3", 4", 5", 6", and 12", so
a "9" in a given cell means all 9 distances were used. For the "Null" position, we placed a figure-8 mic with its null point to the speaker cap, or 90 off axis, at 0",3", 6", 12" and
Room.