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Lawrence Liang
EPW
book reviewS
Piracy in the Indian Film Industry: Copyright
and Cultural Consonance edited by Arul George
Scaria (New Delhi: Cambridge University Press), 2014;
pp xiv + 324, Rs 795.
BOOK REVIEW
pirating of the iconic film Arroseur et arros (The Waterer Watered). She demonstrates how despite copying being
central to the practice of the industry between 1895 and 1909, while there were
rhetorical complaints about copying going out of control, all the major players
in both the US and Europe were involved
in a variety of copying practices in an effort to profit quickly. The history of early
competition in this period was marked
by a frantic race by the companies to
replicate each other. Copying was a calculated strategy for maintaining market
control as well as a means for getting a
start in the new industrial field.
Thus, while Scarias book engages
with the economic debates on film piracy,
the book would have benefited from the
work done by film historians on the immanent history of film piracy as something which is a part of the organisational form of the industry. Elsewhere I have
suggested that rather than looking at the
neat spaces created by the opposition
bet ween the legal and the illegal, it
might be more fruitful to consider the
spaces in which piracy plays itself out
the specific histories of the nooks and
crannies that render this space an illegal
one; along with accumulated histories of
regulation, tactics and negotiations that
render this topography intelligible.
Towards this end it would be interesting to stage a conversation between
Scarias work on film piracy alongside
the contribution of scholars like Nitin
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NOVEMBER 22, 2014
vol xlIX no 47
EPW
BOOK REVIEW
EPW
vol xlIX no 47
References
Gaines, J M (2006): Early Cinemas Heyday of Copying:
The Too Many Copies of larroseur arros (The
Waterer Watered), Cultural Studies, 20(2), 227-44.
Govil, Nitin and Eric Hoyt (2014): Thieves of Bombay: United Artists, Colonial Copyright and
Film Piracy in the 1920s, BioScope: South
Asian Screen Studies, 2014, 5: 5.
Karaganis, Joe, ed. (2011): Media Piracy in Emerging Economies (New York: SSRC).
Liang, Lawrence (nd): Beyond Representation:
The Figure of the Pirate in G Krikorian and
A Kapczynski (ed.), Access to Knowledge in the
Age of Intellectual Property (New York: Zone
Books), pp 353-76.
Peter Decherney (2012): Hollywoods Copyright
Wars: From Edison to the Internet, Columbia
University Press.
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